PALE HORSE RITUAL Unleash New Music Video For “Bloody Demon” From Debut Album Diabolic Formation

PALE HORSE RITUAL have released the official music video for “Bloody Demon,” a single taken from their debut full-length album Diabolic Formation, available now via Black Throne Productions.

Watch and purchase the album here: https://blackthroneproductions.com/products/pale-horse-ritual-enchantress-copy 

Directed by Chris Babalis of Chris’ Witchy Stuff, the “Bloody Demon” video captures the band’s heavy sound and dark philosophical themes through a raw visual approach. Featuring footage shot by Ryan Hilton, Jeff Burbridge, Dave Machado, and Chris Lazaar, the video serves as a visual companion to one of the album’s most personal tracks.

“Bloody Demon” explores themes of self-acceptance and rebellion against societal expectations, embracing personal flaws, controversial viewpoints, and the isolation that can come with rejecting conformity. Told through the perspective of a godless man dealing with heartbreak and devotion to a dangerously intoxicating love, the song confronts loneliness, emotional ruin, and attachment to destructive relationships.

Diabolic Formation is the debut full-length release from PALE HORSE RITUAL, officially formed in 2024 by lifelong musical collaborators Paco (bass and vocals) and Jonah Santa-Barbara (drums). The duo joined forces with CANNABUS frontman and lead guitarist James Matheson, forming a creative partnership rooted in heavy rock, doom influence, and direct emotional expression.

Later that year, the band entered the studio with producer and musician Will Adams to record Diabolic Formation. Adams later joined PALE HORSE RITUAL during the album’s creation, contributing rhythm guitar and backing vocals and helping shape the band’s evolving sound.

About PALE HORSE RITUAL
Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions. 

Line Up: 
Paco (Bass/Vocals)
James Matheson (Lead Guitar)
Will Adams (Rhythm Guitar/Backing Vocals)
Jonah Santa-Barbara (Drums)

Album Credits:
Producer: Will Adams
Recording Studio: Green Mountain Ranch
Engineer: Will Adams at Tell Me About It… Records
Mastering: Zack Hollow at Z Hollow Studios
Mixing: Will Adams

Guest Musicians:
Dom Valela- Keys, Vocals
Doom Valhalla- Italian Preacher

Links:
Bandcamp: https://palehorseritual.bandcamp.com/
Instagram: https://www.instagram.com/palehorseritual/
Facebook: https://www.facebook.com/PaleHorseRitualBand
TikTok: https://www.tiktok.com/@pale.horse.ritual

GORGONAUT Release New Single "Vernix Caseosa", A Riff Forward Statement From Chicago’s Emerging Heavy Project

Chicago-based solo project GORGONAUT presents the new single "Vernix Caseosa". "Vernix Caseosa" leans into movement and energy, embracing a lighter and more immediate spirit within GORGONAUT’s evolving sound. Built around momentum rather than thematic weight, the track emphasizes groove, drive, and impact, allowing the music itself to carry the experience without overt narrative framing.

Guitars remain the dominant force throughout, paying tribute to classic metal traditions while locking tightly into pulse-driven rhythms supported by synthesized and textural elements. The arrangement prioritizes propulsion, with dense riff work sustaining intensity beneath the vocal lines and maintaining constant forward motion.

In its closing moments, the song expands beyond its grounded foundation, introducing layered orchestration that pushes the finale into deliberately heightened territory. The result balances heaviness with scale, reinforcing GORGONAUT’s interest in blending aggression with cinematic atmosphere.

About GORGONAUT:

Created by multi-instrumentalist Ryan Bruchert, known for work with BLACK SITES, HEWHOCORRUPTS, TRIALS, CENTAURUS, GORGONAUT serves as a focused creative platform unrestricted by stylistic boundaries. The project combines heavy guitar driven songwriting with electronic textures, atmospheric layering, and digital influences drawn from both metal and contemporary electronic music.

Drawing influence from artists such as DEVIN TOWNSEND, VOLA, VOYAGER, MOON TOOTH, DREAM THEATER, and THE BIRTHDAY MASSACRE, GORGONAUT continues to explore the intersection of metal, electronic composition, and immersive sound design while pursuing a distinctly personal creative direction.

BLEED FROM WITHIN - Release 'Zenith' Live Video Ahead Of UK, Ireland And North America Tour Dates

Scottish metal heavyweights, BLEED FROM WITHIN, are preparing to take their adrenaline-charged live show further across the Northern Hemisphere.

Later this week, they'll be hitting the UK and Ireland for an extensive 11-show run, followed by a colossal month-long trek across North America.

To set the tone, BLEED FROM WITHIN have released a blistering live video for their track 'Zenith', the title track from their highly-acclaimed, latest studio record. The video was filmed during the Zenith UK/EU Headline Tour across September and October 2025, the band's biggest headline tour to-date. The video captures their high intensity live performances at numerous sold-out shows across the continent.

BLEED FROM WITHIN commented: 

"Zenith was very nearly one of the lead singles during our album campaign. In light of this, we decided to cut together some of the incredible footage captured by our dear friend and long time content king, Tom Armstrong and give it a proper music video as we approach our next round of touring.

The final result is a snapshot of the biggest headline tour we've ever done up to this point. The Zenith tour travelled across UK and Europe and was a massive step up for our band. We were consistently blown away by the support shown by our fans. The tour culminated with 2 sold out shows at the Glasgow Barrowlands, the venue that we've been dreaming of headlining since we started this band 21 years ago. Surrounded by fans, friends and family, we celebrated everything that we've worked towards over the last 2 decades. 

Please enjoy this video as much as we have. It's been incredible to watch these moments back and relive everything we shared with our fans. Thank you for your support. We'll see you very soon on the road around the UK, Ireland and North America!'"

Watch the 'Zenith' live video below:

NORTH AMERICA - THE ZENITH TOUR

02.04 - Worcester MA, The Palladium *SELLING FAST
03.04 - Montreal QC, Theatre Beanfield *SOLD OUT
04.04 - Toronto ON, Opera House *SELLING FAST
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Supports: Sylosis, Great American Ghost, Life Cycles

Tickets for all shows are on-sale now from: https://bleedfromwithin.com/tour-dates/

ABOUT BLEED FROM WITHIN

After 20 years, Bleed from Within have reached their Zenith. The Glasgow firebrands are one of the hardest working acts in metal: playing shows globally with everyone from Megadeth to Slipknot, all while writing and regularly releasing monstrous, exhilarating songs. The upward journey reaches new heights on their seventh album, which contains the band’s heaviest, catchiest and most intrepid music to date.

Bleed – vocalist Scott Kennedy, guitarists Craig “Goonzi” Gowans and Steven Jones, drummer Ali Richardson and bassist Davie Provan – have long been Scottish metal’s most valued sons, constantly at the vanguard of muscular-sounding music. First albums Humanity(2009) and Empire (2010) made them cult figureheads in the deathcore scene, before Uprising(2013) broadened their palate with groove metal adrenaline and melodic death metal prowess. It also marked their major-label debut, catapulting them onto tours with heavy royalty.

In 2018, the band returned with the ferocious Era. Then, follow-ups Fracture (2020) and Shrine(2022) proved their greatest triumphs to date, intertwining Scott’s snarls with Steven’s majestic singing. The millions of streams gathered by such singles as ‘The End of All We Know’, ‘Into Nothing’ and ‘Levitate’ proved Bleed had become the next big thing. On Zenith – which was announced alongside career-affirming tours with Slipknot, Trivium and Bullet for My Valentine – the quintet are primed to leap into superstardom.

Across 11 songs, Zenith explores the parameters of what pulse-pounding metal can do. ‘Violent Nature’ is the most attention-demanding opener Bleed have ever penned, accelerating from a distorted intro to an onslaught of drums, blitzkrieg riffs and layer upon layer of screams. Single ‘In Place of Your Halo’ is a heavier counterpoint: its hulking groove leads up to a surprising bagpipe section, keeping the band in touch with their homeland as they affirm themselves on the world’s stage. From the bold string sections throughout the album to finale ‘Edge of Infinity’, which rises from acoustic guitars and singing to an almighty crescendo, Bleed’s horizons have never been broader. Yet, their songs have never felt so invigorating across the board either.

BLEED FROM WITHIN are:
Scott Kennedy | Vocals
Craig Gowans | Lead Guitar
Steven Jones | Rhythm Guitar & Vocals
David Provan | Bass
Ali Richardson | Drums 

ØVI Release New Video For “Absolve” From EP Hedera Helix, Out Today

ØVI unveil “Absolve,” the closing track from their new EP Hedera Helix, available today on all streaming platforms. Serving as the final statement of the four-track release, “Absolve” channels confrontation into clarity, presenting metal as a force of transformation rather than collapse.

Named after the ivy plant Hedera helix, a species known for relentless expansion and endurance, the EP reflects themes of growth through pressure and renewal through destruction. Across the record, ØVI examine toxic relationships, parasitic dynamics, and the reclamation of personal will. The music moves with intention, tracing the moment when survival becomes self-definition.

“Absolve” stands as the EP’s culmination. Anger becomes a refining element, burning away stagnation and sharpening purpose. The track mirrors ivy’s persistence. Structures that no longer sustain life are dismantled so growth can take hold. The recurring refrain, “Absolve, Rectify, Solidify,” functions as ritual language, a mantra aimed at severing attachment to decay and reinforcing forward motion.

The song closes Hedera Helix with momentum and resolve. Rather than yielding to exhaustion, ØVI push toward transcendence, choosing action, renewal, and evolution. The record ends in motion, advancing with deliberate force and unbroken focus.

Hedera Helix is out now.

About ØVI:

Influenced by NEOBLIVISCARIS, GOJIRA, DIMMU BORGIR, and NINE INCH NAILS, ØVI builds a sound that blends cinematic heaviness with electronic elements, evolving harmonic layers, and dynamic rhythmic structures. The result is an immersive, modern metal experience that balances aggression with emotion, density with clarity.

At its core, ØVI approaches metal as a narrative medium, using sound to explore power, guilt, and identity. Hedera Helix stands as both confrontation and metamorphosis, music that refuses to fade quietly, instead clawing toward self-definition and growth.

Connect With OVI:

Official Website: https://www.oviorder.com/
Bandcamp: https://oviorder.bandcamp.com/track/crucifixation
Facebook: https://www.facebook.com/profile.php?id=61554332926141
Instagram: https://www.instagram.com/oviorder/?hl=en
YouTube: https://www.youtube.com/@OVIORDER
Spotify: https://open.spotify.com/artist/5RjQGeAtl7pxJUmiEe7Qbe?si=HmcoaTnKTeGeXpEnRbmn3g
Apple Music: https://music.apple.com/us/artist/%C3%B8vi/1742286528
TikTok: https://www.tiktok.com/@oviorder

OVI is:

  • Michael Nolasco - Vocals/Guitar

  • Zed Amarin - Drums

  • Kevin McCombs - Bass

  • Brendan Collins - Guitar

EIHWAR Invoke the Allfather on New Single “Heill Óðinn”

Hot off a year of electrifying performances at Wacken Open Air, Midgardsblot and dates with The Hu, Eihwar are back to pull the world deeper into their Viking War Trance with upcoming sophomore album Hugrheim.

Today, Eihwar are releasing the third advanced single from Hugrheim. A ritualistic homage to the Allfather, “Heill Óðinn”channels the resurgence of ancient memory and the echo of a forgotten world slowly returning to consciousness.

Watch the official video for “Heill Óðinn” Below:

Hugrheim comes out March 13, 2026 on Season of Mist

Pre-order & pre-save:

https://orcd.co/eihwarhugrheimalbum

Pre-save on Spotify:

https://open.spotify.com/prerelease/2BDUUsqBy3TbR6HKaFnLnZ/

“Heill Óðinn” marks a decisive moment in the unfolding narrative of Hugrheim. Rooted in the mythology of the hidden tenth world of Yggdrasil, through this song, the spirit takes form and memory becomes prophecy.  

Minni fornra tíða kemr til vár smám saman / Í dag minnumk ek morgundags


“The memory of ancient times is slowly returning to us. Today, we remember tomorrow.”

Driven by pounding ritual drums, trance-inducing chants and a chorus that resounds like a call from the spear-mountains of Hugrheim, “Heill Óðinn” pays tribute to the wanderer god who treads between worlds. Eihwar strike with a hybrid force: shamanic percussion collides with industrial undertones and Nordic folk instrumentation, forging an anthem that is both ceremonial and visceral.

Act fast to catch Eihwar on their upcoming European headline tour. Tickets are selling fast! Mark and Asrunn will be joined by special guest Mira Ceti, who sings on stage with Heilung.  

Line-up:
Asrunn — Vocals, Shamanic Drums
Mark — Vocals, War Drums, Lute, Folk Guitar, Tagelharpa, Percussion & Programming

Production Credits:
Mark & Asrunn of Eihwar — All Production, Mixing & Mastering at Eihwar Studio.

Artwork & Photography:
© Eihwar

Follow Eihwar:
Website: https://www.eihwar.com/
Bandcamp: https://eihwar.bandcamp.com/
BandsInTown: https://www.bandsintown.com/a/15564238-eihwar
YouTube: https://www.youtube.com/@eihwar
Instagram: https://www.instagram.com/eihwar.music/
TikTok: https://www.tiktok.com/@eihwar
Facebook: https://www.facebook.com/eihwar.music
Apple Music: https://music.apple.com/artist/eihwar/1700795908
Spotify: https://open.spotify.com/artist/2VFxoCJQPfQauZujESPjQK
Deezer: https://www.deezer.com/artist/224131655
Tidal: https://tidal.com/artist/41105436
Discord Invite: https://www.eihwar.com/

Wage War Announce New EP Out 4/17 Announce Spring Tour + Drop Brutal "SONG OF THE SWAMP" Video

WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — are thrilled to announce their forthcoming EP, titled It Calls Me By Name. The band will unleash the latest beastly addition to its catalog on April 17 via Fearless Records. Pre-order it here.

Today, the band dropped the video for the first single "SONG OF THE SWAMP" and it's the most brutal song they've released in years — if not EVER!

What populates the thick and humid swamps of Florida? Alligators, anacondas, and other cold-blooded animals that can eviscerate your existence with a single bite. Fittingly, Wage War's absolutely savage new track, "Song of the Swamp," sounds exactly like how you would feel if any or all of the above-mentioned predators sank their teeth into your flesh. Rife with bloodthirsty screams, deadly riffage, and pummeling percussion that'll make you feel like the speedbag at the local boxing gym, it rages from start to finish. You will be, as the lyrics snarl, "overpowered" by every note. And that's just how metal masochists like it!

Head to the swamp and watch the video below.

"The tone setter," the band declares. "'SONG OF THE SWAMP' is rooted in where we're from. Driven by Florida and the raw aggression of nature, it's a heavy track built on tension and hostility."

Regarding the EP as a whole, the band says, "It Calls Me By Name is about being drawn to your roots. This isn't a concept EP but is meant to live in its own world. Five tracks shaped by Florida, the swamp, and the relentless aggression of nature. Built heavy, but still driven by the hooks that have defined us. It's our signature sound amplified and pushed further into metal than we've ever taken it

Wage War will waste no time bringing these leviathan-sized new songs to fans, as the band will return to the road this spring on the "It Calls Me By Name Tour," featuring support from Nevertel and Orthodox. The tour kicks off on April 28 in Phoenix and runs through May 31 in St. Petersburg, Florida. All dates are below. Get tickets here.

WAGE WAR ON TOUR:
WITH NEVERTEL + ORTHODOX:
4/28 — Phoenix, AZ — The Van Buren
4/29 — San Diego, CA — The Observatory North Park
4/30 — Anaheim, CA — House of Blues
5/2 — San Francisco, CA — The Fillmore
5/3 — Sacramento, CA — Ace of Spades
5/5 — Salt Lake City, UT — The Union Event Center
5/7 — Denver, CO — The Ogden Theatre
5/8 — Omaha, NE — The Admiral
5/9 — Minneapolis, MN — First Avenue
5/12 — Chicago, IL — House of Blues
5/15 — Detroit, MI — The Fillmore
5/16 — Pittsburgh, PA — The Roxian Theatre
5/17 — Baltimore, MD — Nevermore Hall
5/20 — New York, NY — Irving Plaza
5/22 — Worcester, MA — The Palladium
5/23 — Allentown, PA — Archer Music Hall
5/26 — Richmond, VA — The National
5/27 — Raleigh, NC — The Ritz
5/29 — Atlanta, GA — The Masquerade (Heaven)
5/30 — Jacksonville, FL — FIVE
5/31 — St. Petersburg, FL — Jannus Live

WICKED RELEASES NEW SINGLE GO REBEL OFF THEIR UPCOMING ALBUM

In a world full of conflict, drama, and 30 second attention spans, WICKED is here to give it to you straight, with another single off their upcoming album
 

“Go Rebel” is the theme song for those who have the passion to live their life loud and express themselves with no apology!

Rock N Roll should be fun, and this single is for those who “kick ass,” but with smiles on their faces.

Get ready for WICKED’s second single off the upcoming, self-titled, full length (13 song) album due summer of 2026.

“Go Rebel” is a jumping hard rock anthem off the heels of the melodic/heavy first single “Obsession” and has a direct call to action for the listeners; “Make Me Go Rebel!”

Out now, the party starts and “Go Rebel” is available on all streaming platforms!

Watch the video below:

Out now, the party starts and “Go Rebel” is available on all streaming platforms!

https://linktr.ee/wickedrocknroll
 
Everyone loves a good party anthem to stomp their hands and clap their feet to! We wanted a single that would make people excited to have fun and get loud. – Danny
 
Do you know what it means to “Go Rebel?” Have you ever just let your guard down and unapologetically let loose? The single gets right to it and commands the listener to turn it up. Need a reason? Listen to the verses, we’ll give you a few! – Chad Michael
 
We were listening to a lot of Jet (band) at the time of writing “Go Rebel” and just loved how it felt to crank a straight up guitar rock song on the stereo. Every album needs an anthem that brings people together with their glasses raised and hands in the air – Scotty V
 
This band is full of motorheads, and we surround ourselves with muscle cars and big engines. I think that side of us crept into the writing of “Go Rebel!” From the thumping heartbeat of the bass and drums to the drum breakdown that sounds like a 396 big-block engine idling at the starting line of a dragstrip. It’s time for you to do whatever makes you “Go Rebel!” - Gunnar

SUNSWARM Announce Crushing New Single "Erasure" Ahead of Forthcoming Album

Southampton, UK industrial post-metal act SUNSWARM announce the release of their new single "Erasure."

"Erasure" is not structured as a traditional single. Across eight minutes, the track unfolds as a bleak and overwhelming piece of industrial post-metal, built from early 90s industrial sampling techniques, scorched guitar textures, and vocals shaped by black-metal intensity. Rhythms move like shifts in pressure rather than conventional song structures, creating an atmosphere of suffocation and psychological weight.

Emerging from UK South Coast underground scene, SUNSWARM draw influence from the brutal desolation of GODFLESH, the spiritual intensity of AMENRA, the sonic extremity of THE BODY, and the cosmic dread of ORANSSI PAZUZU. Their sound merges industrial noise, post-metal density, and extreme vocal expression into something immersive and deeply physical.

The band describe the track as the emotional entry point into the record: "This is the opening track from our forthcoming album. It’s not a song. It’s 8 minutes of bleak, overwhelming Industrial Post-Metal. No Light. This nihilism is not a political or philosophical position. It is waking in the middle of the night and feeling a void. The growing feeling of strangulation in this creeping dystopia that the power structures and their tech is dragging us and our children into.

When you strip back the substances and digital, what oxygen do we have left? Erasure. Erased."

With "Erasure", SUNSWARM present confrontation rather than escape, reflecting modern anxiety, technological alienation, and the erosion of identity within an increasingly mechanized world.

The single is a harbinger of a wider conceptual release, with further details on the forthcoming album to be announced soon.

About SUNSWARM:

SUNSWARM is led by vocalist and bassist Rich Lee-Davis and vocalist and guitarist Neil Sutton, joined by additional contributors who extend the band’s sonic and visual reach. Together they construct an immersive environment where sound, light, and texture collide. Their creative world is defined by sensory overload, stark monochrome imagery, disorienting strobe work, and the feeling of being enclosed within an atmosphere that is both vast and hostile. Everything they create is intended to overwhelm, to blur the line between performance and encounter.

From their earliest ideas, SUNSWARM have operated from a place of complete self-definition, shaping a language of heaviness that goes beyond impact or aggression. They approach weight and intensity as emotional terrain, a landscape shaped by pressure, absence, and the darker edges of lived experience. Their second single, “Erasure,” marks a further reveal of this landscape, a glimpse into the bleak and immersive world the band is building.

SUNSWARM is: 

Rich Lee-Davis - vocals, bass
Neil Sutton - vocals, guitar
Additional contributors (live and studio) - to be announced

Connect with SUNSWARM:

Website: https://sunswarm.bandcamp.com/
Bandcamp: https://sunswarm.bandcamp.com/
Facebook: https://www.facebook.com/sunswarmband
Instagram: https://www.instagram.com/sunswarmband/
YouTube: https://www.youtube.com/@SUNSWARM

ANTIMOZDEBEAST Releases Atmospheric New Single "The Temple of Vindication"

Enter into the "The Temple of Vindication" for an atmospheric exploration of introspection. In this new single, ANTIMOZDEBEAST, through an enveloping sound driven by industrial electronics, textural white noise and dream-like spoken lyrics, contains a philosophical questioning of the human experience. 

ANTIMOZDEBEAST is the extreme industrial and electronic black metal project of multi-instrumentalist and producer Gabriel Palacio. "The Temple of Vindication" crawls through inner rebellion and spiritual interrogation, drawing lines between salvation, illusion, and the mind’s desperate attempts to interpret its suffering. This latest offering is taken from the upcoming full length album The Vagrant Unkempt Grave scheduled for release on May 15, 2026.

Seeking to make sense of the world in which we exist, both as an individual and examining the systems of power, "The Temple of Vindication" in its creation is a demonstration of how artistic expression can facilitate a means of escapism. 

ANTIMOZDEBEAST announces the release of its new full length album The Vagrant Unkempt Grave. The record will be self released on May 15, 2026 and represents the next stage in the project’s ongoing examination of spiritual conflict, psychological unrest, and the erosion of collective belief systems.

Pre-Order the album on Bandcamp HERE: https://antimozdebeast.bandcamp.com/album/the-vagrant-unkempt-grave

Active since 2019, ANTIMOZDEBEAST has developed a distinct sound built on harsh electronic structures, ritualistic pacing, and confrontational vocal expression. The Vagrant Unkempt Grave expands this approach into a cohesive meditation on the vagrant soul, the decay of creation, and the search for truth within systems shaped by myth, power, and distortion. The album spans seven tracks across fifty five minutes, including "Solitude", "The Temple of Vindication", and "Torn Mentality", and presents a continuous descent through themes of isolation, belief, manipulation, and internal collapse.

All music on The Vagrant Unkempt Grave is written, performed, recorded, mixed, mastered, and visually conceptualized by Gabriel Palacio. The album reflects a fully autonomous creative process and continues the project’s focus on exposing fractures within religion, politics, and social structures while encouraging critical thought and personal awakening.

ANNOUNCE NORTH AMERICAN TOUR WITH SADNESS, SNOOZE, & PAINS!

Following the success of last Fall’s Unself LP (Nuclear Blast), UK heavyweights CONJURER are finally bringing their sonic devastation to North America. The 16-date onslaught launches May 22nd in NYC, carving a path through Montreal, Chicago, and Nashville before a final showdown in Philly on June 7th. Don't miss a stacked support bill featuring SADNESS, SNOOZE, and PAINS.

CONJURER comments, "We are thrilled to be coming back to the US and Canada for the first time since 2023. We’re thankful to everyone that has been so patient with us, and to Nuclear Blast and Ryan at Forthright Booking for making this tour happen.

"For our first stateside headline shows, we wanted to bring some of our favourite bands with us and so it’s a genuine honour to have Sadness, Snooze, and Pains share the stage every night.

"Being able to do this is a real privilege, and we are so excited to share our new album Unself with another continent, live on stage. See you out there.”

Confirmed dates for CONJURER's North American Tour with SADNESS SNOOZE, & PAINS are:

05/22/2026  US   NY  New York City @ The Meadows
05/23/2026  US   ME Portland @ Geno's Rock Club
05/24/2026  US   MA Boston @ The Rockwell
05/26/2026  US   RI  Providence @ Alchemy
05/27/2026  CAN QC Montreal @ Cabaret Foufs
05/28/2026  CAN ON Ottawa @Dominion Tavern
05/29/2026  CAN ON Toronto @ Prepare The Group *
05/30/2026  US   OH Columbus @ Donatos Basement
05/31/2026  US   IL   Chicago @ Sleeping Village
06/01/2026  US   IN  Indianapolis @ Black Circle
06/02/2026  US   KY  Louisville @ Portal
06/03/2026  US   TN  Nashville @ DRKMTTR
06/04/2026  US   GA  Atlanta @ Boggs Social & Supply
06/05/2026  US   NC  Raleigh @ Chapel OF Bones
06/06/2026  US   MD  Baltimore @ Motown Ballroom
06/07/2026  US   PA   Philadelphia @ Kung Fu Necktie
* - CONJURER only

Ticket link: linktr.ee/conjureruk 
Full dates can be found at https://www.conjureruk.com/live

CONJURER have evolved radically since the release of their debut album (Mire, 2018), and their second release (Páthos, 2022) saw them lauded among the most exciting British metal bands. Whilst award nominations and accolades accumulated, the four-piece band retained their very simple mission: to make heavy music and have fun whilst doing so. Preferring to use their spotlight to showcase technicality and musicality rather than centring politics or opinions, CONJURER lived in the moment and embraced everything that came their way.
  
Within the tumult of forging a renewed identity as a band, on Unself there is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale. Diagnosed with autism at age 31, their long-held view of self, and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation they were non-binary. 
  
These vignettes of processing and self-actualisation take place against the backdrop of a society careening towards glassy-eyed capitalist dystopia; finding firm footing eludes many of us - and CONJURER delve headfirst into exploring these suffocating new societal parameters.
 
Within Unself's nine tracks, CONJURER deliver the writhing post-metal sound they’ve become known for, but have loosened their grip on the desire to fill every moment with sonic obliteration. Instead, they have leaned into utilising space, gifting listeners a little breathing room which serves to make the heavy elements feel all the more intense. 
  
A more direct, organic approach to songwriting was facilitated by the ever-strengthening bonds within the band, and the supportive environment created by producer Joe Clayton. Allowing themselves more time than with any previous recording experience, they committed to preproduction sessions, followed by an elongated recording period in order to do justice to the material they had crafted. Stripping back the excesses of previous outings to reveal their solid songwriting chops allowed for more clarity and more dynamics to shine through. To their ears, the mood, the core of the lyrical content and the music are more aligned than ever before. 
  
This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission - they’re still having fun, playing interesting heavy music - but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Order Unself here: 
https://conjurer.bfan.link/unself

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

Joan As Police Woman shares 'Anyone' video from 'The Real Life Anniversary Sessions'

Renowned NYC artist Joan As Police Woman presents a live performance video for her now-classic track “Anyone”, following another recently-shared video, "The Ride". Both of these personal and up-close offerings preview "The Real Life Anniversary Sessions", a string of videos commemorating the 20th anniversary of her much-loved debut album "Real Life", released via UK independent Reveal Records.  

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer. As a singer, songwriter, and multi-instrumentalist, she defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

Recorded live on November 11, 2025 at The Owl Music Parlor, these endearing videos feature Wasser delivering a powerful, stripped-down performance on vocals and piano, accompanied by fellow NYC artists Will Graefe (guitar and vocals) and Jeremy Gustin(drums and vocals).

"I wanted to take “Anyone" out of its original 6/8 triplet-based soul ballad territory. Will Graefe, Jeremy Gustin and I have been creating a new sound together since we began touring in October 2024," says Joan Wasser, adding "This arrangement came together quickly when we shifted it into a more exploratory folk / jazz feeling reminiscent of Van Morrison".

Joan As Police Woman is a sought-after collaborator who’s collaborative spirit has guided her to record and/or perform live with hundreds of artists,including Afrobeatlegend Tony Allen (with whom she made the The Solution Is Restless album) Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn who duetted with Joan on her song Get My Bearings and invited her to  feature on the Gorillaz album Song Machine. She's currently enjoying life as a member of Iggy Pop's touring band (playing keys and singing).

Joan As Police Woman will soon be touring, bringing more "Real Life" to audiences internationally. While tickets for the Real Life 20th Anniversary Tour can be obtained at https://linktr.ee/japw or www.joanaspolicewoman.com/tour.

CREDITS
Lyrics & Music written by Joan Wasser
Joan Wasser - vocals, piano
Will Graefe - guitar, vocals
Jeremy Gustin - drums, vocals
Adam Sachs - audio recording engineer, mixer
Ehud Lazin - videographer
(c) Sweet Police under exclusive licence to Reveal Records 2026
Joan As Police Woman photos by Judi Rosen
Publicity by Shameless Promotion PR

LIVE
MAR 7   Frenchtown, NJ, USA - ArtYard
JUNE 20 New York, NY, USA  - Joe's Pub

REAL LIFE ANNIVERSARY TOUR 2026
NOV 5  London, UK - Union Chapel
NOV 6  London, UK - Union Chapel
NOV 7  Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9   Glasgow, UK - Oran Mor
NOV 11  Brugge, Belgium - Cactus Club
NOV 12  Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13  Hamburg, Germany - Mojo Club
NOV 15  Aarhus, Denmark - Train
NOV 16  Copenhagen, Denmark - DR Concert Hall
NOV 18  Budapest, Hungary - House of Music Hungary
NOV 20  Roma, Italy - Angelo Mai
NOV 22  Berlin, Germany - Haus des Rundfunks & Großer Sendesaal


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Roman Candle Tackle Misogyny And Survival On Latest Single "LADY LAZARUS"

Roman Candle release their latest single, "Lady Lazarus", today. A brutally honest confrontation with misogyny, survival, and the violence of shrinking for comfort. Named after Sylvia Plath's incendiary poem and fueled by the same defiant energy, the track lives in the tension between tenderness and rage, refusing to soften or apologize for taking up space. Listen to the blistering new offering HERE and watch the music video BELOW.

Piper Ferrari's vocals cut through with fearless precision. The band matches that intensity, building a sonic landscape that dares you to look away. Piper explains

"'Lady Lazarus' is me confronting misogyny head-on and refusing to shrink for anyone. The title comes from the Sylvia Plath poem, and like her, I'm pulling something powerful out of something painful. Lines like 'Tender when I wanna be / Callous when I have to be' came from recognizing how women are expected to bend, soften, or apologize just to exist - but also how we learn to harden ourselves for survival.

"When I sing 'Give me your dead stare, I eat men like air,' it's not about hating men - it's about reclaiming the space that was denied to me, the anger I was taught to bury, and the fear I was meant to carry. This song is the sound of unlearning all of that. It's rage, it's release, and it's me deciding I'm no longer shrinking out of anyone's comfort."

"Lady Lazarus" marks the sixth single since Roman Candle signed to Sumerian Records last year, continuing a run that has seen the Las Vegas quartet sharpen their voice with each release. "Fire In The Night Sky Forever.", "This Band Has Led Me To Places I Wouldn't Go With A Gun," "Nothing Is Original" and most recently, last week's "Bite Harder Than You Bleed". Last October's sold-out Las Vegas hometown show marked a defining moment, proof of swelling local and national attention.

To date, the band has amassed 2.8 million streams across all platforms and 400,000 YouTube views, steadily building a devoted following through relentless live performances and emotionally resonant songwriting.

ABOUT ROMAN CANDLE

Hailing from the desert underground of Las Vegas - Roman Candle - Piper Ferrari, Jonas Vece, Sergio Lopez, and Alex Dupuis - form one of the most emotionally raw and compelling new voices in modern screamo.

What began as a creative spark between Piper and Jonas has evolved into a fully realized four-piece, blending serrated aggression with vulnerable lyricism and a deep sense of place within the current hardcore landscape.

Onstage, the band operates with total commitment. Piper's commanding vocal presence, Jonas's tense and dynamic guitar work, Sergio's driving low end, and Alex's explosive percussion combine into a live experience that feels both communal and cathartic. Their hometown support has swelled alongside national attention, positioning them firmly at the forefront of a new generation of screamo artists.

Roman Candle Are

Piper Ferrari - Vocals

Jonas Vece - Guitar

Alex Dupis - Drums

Sergio Lopez - Bass

High-Octane Rock Trio DANKO JONES Unveil Video For "I Love It Louder"; Announce European & UK Dates

Following the release of their critically-acclaimed, twelfth studio album Leo Rising, Canada's DANKO JONES continue their roaring celebrations with the launch of the new music video for "I Love It Louder" and unveil dates for the "Rising Tour 2026". Released through PERCEPTION - A Division of Reigning Phoenix Music and Sonic Unyon (Canada)!, Leo Rising may be their most electrifying and uplifting record yet, and is certain to energize venues across Europe and the UK this fall. 

DANKO JONES comments on the forthcoming tour: "We are bursting at the seams to let the world know we are going out on the road this fall to play our songs for you! Our new album, Leo Rising, is just too fun to play live for us to stop, so get your tickets now before they’re all gone (like our last fall tour). See you on the road!!!

And we’re taking out SPLIT DOGS to open up the tour so you know this tour is gonna rule!!!"

Produced to perfection by longtime collaborator Eric Ratz, the trio's new studio offering Leo Rising is a masterclass in sweat-soaked, no-nonsense rock. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.

Stream / Order Leo Rising now at: https://dankojones.rpm.link/leorisingPR

Watch "I Love It Louder".

About DANKO JONES
Every time someone announces the death of rock ‘n’ roll, Canada’s most incendiary power trio roll with the punches and keep rocking with maximum commitment to the cause. DANKO JONES are a three-piece rock ‘n’ roll band from Toronto. They never sleep. They sweat blood. And they are keeping rock alive by doing it better than anyone else.

On duty since 1996, these unstoppable road-hogs have devoted their lives to rousing the people with blistering, no-bullshit, all-action rock. They have rallied a global army of rock-hungry fans, and blown them away with a steady stream of explosive, anthem-packed albums and an absurd number of live shows. From early underground smashes like We Sweat Blood [2003] and Sleep Is The Enemy [2006], to the band’s recent, triumphant triumvirate of A Rock Supreme [2019], Power Trio [2021] and Electric Sounds [2023], DANKO JONES have been a relentless force for rock ‘n’ roll good, both in the studio and on the road. And they have absolutely no intention of stopping.

“You know what? I like the routine of recording, touring, writing, and repeat,” states singer/guitarist, Danko Jones himself. “I can do that till I’m dead! It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the MOTÖRHEAD handbook so it works! Since Electric Sounds we’ve been touring and touring. We managed to play in Mexico and Greece for the first time, and we even played Prince Edward Island, a province in Canada we’d never been to before. Other than that, it’s been a life of gigs and writing more songs to play more gigs!”

Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record Leo Rising, that is out now on PERCEPTION.
 
DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
 

More on DANKO JONES:
dankojones.com | Facebook | Instagram | TikTok | X | Spotify | Apple Music

Amulets Announce "Rem(a)inders" EP + Share "Black Sheep"

Amulets, the project of Portland-based audio + visual artist Randall Taylor, has unveiled the new single "Black Sheep," the first taken from new EP Rem(a)inders, out April 10 via Pelagic Records.

Against a hazy analogue backdrop, ambient guitars reverberate and echo through the sonic landscape, creating a sensation of weightlessness that is both calming and unsettling. Melancholic and soaring, "Black Sheep" evokes a presence of isolation and longing in the emptiness. Through patient unfolding, this minimalist, poignant atmosphere raises in intensity, deliberate in its unhurried movement, leaving room for each sound to breathe, evolve, and fade into the next.

Amulets' new album Rema(i)nders marks the debut for Pelagic Records, a fitting home for a record that thrives in the liminal space between heaviness and fragility. Deeply immersive, the album navigates the dreamy boundaries between the tangible and the ethereal, where sound behaves as memory itself: Unstable, layered, and quietly transformative. 

Randall Taylor's work uses analog tape and its imperfections to explore themes like degradation and nostalgia and their relationship to technology and to the self. By constructing and modifying tape loops and repurposing antiquated cassette players, Taylor creates dense, never-ending, looping soundscapes for both his live performances and sculptural sound art installations.

Known for his ability to weave soundscapes that evoke powerful emotions with minimalistic instrumentation, Taylor's newest project is a masterful exploration of mood, atmosphere, and texture.

Taylor comments, "Rema(i)nders started as a fragmented collection of songs, memories, ideas, and feelings that I wanted to mash and warp together beyond recognition. What I ended up creating was a beautiful mosaic of texture and light in this darkening world. To remain is to remind. To remind is to remain."

DEAD REGISTER Announces Fiber (10th Anniversary Deluxe Remaster)

Atlanta-based doomgaze trio DEAD REGISTER announces the release of Fiber (10th Anniversary Deluxe Remaster), arriving May 22, 2026 via AVR. Marking ten years since the band’s first full-length album reshaped their trajectory, the anniversary edition restores the original recordings with renewed depth and clarity while preserving the immediacy and emotional weight that made the record endure far beyond its initial release.

Alongside the announcement, DEAD REGISTER unveils the remastered version of the album’s defining centerpiece, "Fiber," available now on all streaming platforms.

Originally recorded in 2016 with minimal overdubs and performed largely live in the studio, Fiber (10th Anniversary Deluxe Remaster) captures DEAD REGISTER at a formative moment when instinct guided every decision. Built entirely from bass instruments, synthesizers, live drums, and voice, the album established the band’s unmistakable low-frequency identity and laid the foundation for a decade of touring and subsequent releases.

"Fiber" stands as one of the most essential compositions in the DEAD REGISTER catalog. Driven by hypnotic repetition and slow-burning tension, the track moves with ritualistic momentum, balancing heaviness with dark melodic restraint. Over the years, it has become a staple of the band’s live performances, frequently closing sets as audiences demand its immersive and cathartic release.

The remastered edition enhances the sonic density of the original recordings without sacrificing their raw human energy. Engineer and mastering specialist Dan Dixon revisited the material to reveal new dimensionality within the performances, allowing the interplay between rhythm, atmosphere, and vocal presence to resonate with greater physical impact.

Fiber (Remastered 10th Anniversary Ed) documents a band discovering its voice in real time. Sequenced as a continuous emotional arc, the album moves through isolation, intimacy, existential reflection, and controlled destruction before returning to its origin point through a newly included live bonus track, "Reverse (Live Bonus Track)," captured during the band’s original 2016 album release performance.

Since its initial release, DEAD REGISTER has continued to evolve through relentless touring and critically acclaimed releases, yet Fiber remains a cornerstone of the band’s identity. The anniversary edition serves both longtime listeners and new audiences, presenting the album as it was meant to be experienced: immersive, physical, and deeply human.

About DEAD REGISTER:

DEAD REGISTER formed in Atlanta, Georgia in 2013 with a singular intention to explore emotional and sonic weight through sound existing almost entirely in the lowest possible register. Built around bass instruments, synthesizers, piano, live drums, and a commanding baritone vocal presence, the band constructs immersive environments that favor atmosphere, tension, and physical impact over convention. The absence of guitar became foundational early on, allowing DEAD REGISTER to carve out a distinct identity rooted in density, space, and hypnotic repetition.

Founded by M. Chvasta and Avril Che, the project quickly evolved from experimentation into a fully realized live entity, later solidified through years of touring across the United States and Canada. The band’s performances emphasize raw execution with no backing tracks or artificial reinforcement, translating studio material into an immediate and visceral live experience shaped by volume, movement, and human interaction. Visual presentation remains inseparable from the music, with Che directing and producing the band’s video work and visual media entirely in-house.

Across multiple releases including Fiber, Captive, Don’t Fail Me, and Alive, DEAD REGISTER has developed a body of work defined by bleak romanticism, dark humor, noir atmosphere, and moments of unexpected vulnerability. Their sound draws from post-metal, gothic rock, industrial textures, and experimental songwriting while remaining resistant to easy classification. Each release expands the emotional vocabulary established at the band’s inception while maintaining an unwavering commitment to authenticity and physical sonic presence.

DEAD REGISTER operates as an ongoing exploration of connection, collapse, desire, and survival. The band continues to refine its approach through relentless live performance, collaborative visual art, and a dedication to creating music that resonates as both personal confrontation and shared catharsis.

DEAD REGISTER is:
 

  • M. Chvasta – Vocals, Bass VI, Bass IV

  • Avril Che – Bass Synth, 88 Keys, Vocals, Visual Media

  • Greg Meisenberg – Drums (Current)

  • Chad Williams - Drums on Fiber


Connect with DEAD REGISTER:
 

London-based Liverpool troubadour ANDREW DEEVEY shares 'Money Can't Buy Me Love' single

English troubadour Andrew Deevey presents his new single 'Money Can’t Buy Me Love', a lean, hook-laden cut that taps straight into the anxiety of belt-tightening Britain. A timely and true reflection of our credit-crunch era, the track pairs melodic immediacy with a clear-eyed take on life where paychecks feel fleeting and everyday expenses steadily chip away at what’s left.

This is Deevey's latest offering in what can only be described as a storied musical career. After being a member of The Decemberists (UK), Hellfire Sermons, The Caretaker Race and The Bitter Springs, Deevey has stepped into a bold solo chapter, stripping his sound back to its essentials while sharpening his songwriting focus.

Following up his impressive 'Northern Soul' album, Deevey's new single is about valuing love and personal connections over money or material goods. Built around driving vocals, ringing guitar, harmonica and drum machine, the track delivers melodic indie-pop with soulful undertones and a sharp eye on modern financial pressures.

"'Money Can’t Buy Me Love' reflects on austerity-era realities — the squeeze of the credit crunch, rising costs, having no money and the sense that even when you do earn money, it quickly disappears," says Andrew Deevey.   “It feels like someone is always making money out of you — taxes, parking, fines, bills — it never stops. But the things that really matter can’t be bought.”

With its raw, minimal setup and anthemic hook, 'Money Can’t Buy Me Love' captures Andrew Deevey at his most direct and self-assured — an artist distilling decades of experience into a lean, resonant statement. showcases Deevey’s evolution into a self-contained, uncompromising solo artist whose strength lies in melody, authenticity and direct connection.

Recorded at One Cat Studios, Antenna Studios in South London, this single was mixed, produced and mastered by Jon Clayton, reknowned for his work with The Monochrome Set, Band of Holy Joy, Vic Godard and The Subway Sect, The Near Jazz Experience and Carter USM frontman's project Jim Bob.

Originally from Liverpool, Deevey cut his teeth in the city’s rich music scene. Early projects gained London shows and coverage in the music press, Single of the Week recognition in NME. After relocating to London in search of new opportunities, he narrowly missed out on joining The La's — arriving just minutes too late to secure the role.

He soon joined The Caretaker Race, touring the UK and Europe extensively, including dates with The Darling Buds and The House of Love. During the 'Hangover Square' sessions, producer Stephen Street famously described Deevey as “the next Johnny Marr,” while Melody Maker praised his playing as “a guitar incendiary of startling hugeness.”

He later played guitar for The Bitter Springs, contributing to 'Everyone’s Cup of Tea' and 'The Odd Shower', touring as the backup band for Vic Godard and The Subway Sect, and recording a session for The Marc Riley Show.

Deevey recorded the album 'Northern Soul' within a year of going it solo, with the lead track 'I Got The Feeling' earning international airplay and receiving Album of the Weekaccolades on numerous UK stations. With songwriting shaped by the melodic guitar traditions of The Beatles and the direct acoustic energy of Jake Bugg and Gerry Cinnamon, Deevey now performs in a stripped-down format, embracing independence and immediacy on stage.

Andrew Deevey shares, “I wanted the songs to work acoustically or with a full band. I now play live with guitar, harmonica and drum machine — no waiting around.  I’ve been playing these songs and getting good feedback from people. At one festival, someone told me, "You just blow them away"... That’s the reaction I’m after.”

As of March 2, 'Money Can't Buy Me Love' will be released via Waterline Records across digital platforms, including Spotify, Apple Music and Bandcamp, where it is now available for pre-order.

CREDITS
Written & arranged by Andrew Deevey
Andrew Deevey - Vocals, guitar, harmonica
Marian Lacko - Bass
Charlie Batney - Drums
Recorded, mixed, produced & mastered by Jon Clayton at One Cat Studios, Antenna Studios, 19 Haynes Lane. London. SE19 3AN
ISRC Code  UKQBQ1800002
Video filmed by Henry Chin
Artist photos by Akis Markopoulos
Publicity by Shameless Promotion PR


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Gunshine Releases Second Single "Valentine" Ahead of Upcoming Album Grand Rising

Florida rock band Gunshine released their second single, “Valentine,” offering fans a taste of their forthcoming full-length album, Grand Rising, due out digitally on July 24 through vnclm_ /  Create Music Group.

 

The album is now available on limited edition vinyl and CD here:

https://gunshine.diggers.store/

 

 The band unveiled the official music video February 14, Valentine's Day

Watch it Below:

While the digital release of Grand Rising arrives later this summer, fans won’t have to wait long to get their hands on the record. Physical copies of the album, including CD and double vinyl editions, alongside exclusive Gunshine merchandise, are available for purchase online at https://gunshine.diggers.store/ The CD and double vinyl will also be sold through the band at upcoming live shows.

 

"It's the oldest song in my collection and I'm glad it made the cut.  The lyrics were written when I was 15 years old," says Jordan Benson. "Austin and I sat down, came up with an arrangement and there it was.  The song was written about the kind of relationship I wanted to have, perfectly in love.  Regardless of life problems, the love between a couple should always be the easiest."

"Jordan, along with being a great singer, is a great piano player as well.  We wanted to showcase that a bit more on this record.  When he and I were going through song ideas for the record, he mentioned he had an old idea and played me a rough version of the song with piano and one vocal track.  I thought it was really interesting, and had a cool chord progression.  I then took it home and put my spin on some melodies, and had fun with the production. I had a vision to pull it into a dramatic, epic 80's kind of vibe adding a Phil Collins inspired drum loop, Boston inspired lead guitar with the use of the Rockman, and many extra vocal layers," adds Austin Ingerman.

"We tracked the whole record, (except "Goth Girl" and "Single Looks Good On You"), in Las Vegas with producer/mixer Chris Collier (Korn, Mick Mars, Whitesnake, Lynchmob).  I've been working with Chris for about 9 years now.  He's incredibly talented, has a great ear, and adds a heavy hitting production value that makes the songs sonically translate very well."  

"'Valentine' was one of the last songs we tracked for the record.  When Chris heard the song he really liked it, and further dug into the production.  He added a really cool string arrangement, and just made everything sound massive.  He also tracked the bass and drums on this song, and mixed and mastered it as well."  

"Valentine" is just another example of the depth and diversity of Gunshine. 

Hailing from Pensacola, Florida, Gunshine have built a reputation on catchy vocal melodies, clever lyrics, blistering guitar riffs and solos, and a lethal rhythm section. Their sound blends edgy, raw Rock ’n’ Roll attitude with a melodic, Pop-forward sensibility, creating music that hits hard while remaining instantly memorable. Combined with their high-energy, commanding live performances, Gunshine continue to enthrall listeners and prove themselves a force to be reckoned with.

 

With Grand Rising, Gunshine raise the bar yet again in an exciting evolution of the band. The album takes listeners on a dynamic journey filled with genre-bending twists and turns, shifting moods, and unexpected vibes—all while staying true to the core elements that set Gunshine apart. Featuring 13 tracks, each single-worthy in its own right, Grand Rising is poised to become a modern-day rock classic.

Check out upcoming tour dates HERE

 

Gunshine are:

Austin Ingerman: (Guitar, Vocals)
Jordan Benson: (Lead Vocals, Piano)
Jake Tripp: (Bass, Vocals)
Tommy Salzburg: (Drums, Vocals)

For More Information Please Visit:

 

Linktree

Facebook

Instagram

TikTok

YouTube

Spotify

CRIMSON GLORY Announce their First New Album in 26 Years “Chasing The Hydra”, Lyric Video for Self-Titled First Single is Out Now

BraveWords Records is excited to announce the new Crimson Glory album “Chasing The Hydra”, the first new album from Crimson Glory in 26 years. The album will be released worldwide on all digital services, CD and vinyl on April 17th.

Alongside mainstay founding members Ben, Jeff and Dana, the band announced in 2023 the addition of amazing new vocalist Travis Wills and guitarist Mark Borgmeyer. The band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

For CD and vinyl preorder links and more visit: https://tr.ee/k3s7jc_MSq

Talking about the new album “Chasing The Hydra” Crimson Glory said, “We are extremely excited and honored for the release of a new Crimson Glory album. The fans have waited a long time and deserve a great album, and that's just what we're going to give them. Travis's voice was the last ingredient needed to make this possible. We can't wait for the world to hear it!”

The vinyl version of Crimson Glory's "Chasing the Hydra" will be released and distributed by No Remorse Records. 

The available vinyl formats will be:

- Special Liquid-Filled Vinyl, limited and hand-numbered to 100 copies.

- Hydra's Breath Vinyl, limited to 100 copies.

- Yellow / Black Splatter Vinyl, limited to 200 copies.

- Half Orange / Half Red Vinyl, limited to 200 copies.

- Black Vinyl.

All vinyl versions will be high quality, 180gr heavy-weight vinyl, including insert with lyrics.

Additionally, No Remorse Records will also sell exclusively at their online store a deluxe box set edition, limited and hand-numbered to only 100 copies, including the vinyl version in exclusive gold color, an exclusive cassette tape, the CD version, and a Crimson Glory full-autographed photo.

About Crimson Glory:

Crimson Glory, an American heavy metal institution that formed in 1983 in Sarasota, Florida, USA. The classic line-up featured vocalist Midnight, guitarists Jon Drenning and Ben Jackson, bass guitarist Jeff Lords, and drummer Dana Burnell. With this line-up, they rose to international fame in the mid-1980s and were considered one of the pioneers of the American progressive metal movement, alongside bands like Queensrÿche, Dream Theater, Fates Warning, and Watchtower. With 3/5 of the classic line up still intact, and now joined by acclaimed new vocalist Travis Wills, the band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

Deathcore Ensemble SARCOMA Present Video For "Sucio Carbón"

The ferocious thrash infused "Sucio Carbón", that translates to "Filthy Coal", is the newest offering from Ecuador's SARCOMA. Descending into a plethora of extreme styles, the initial intensity of the track soon leads into the realms of death and grind before reaching an obliterating end. SARCOMA's forthcoming full-length album is set to arrive later in 2026. 

"Sucio Carbón" addresses the destructive and damaging impact of consumerism in Latin America. The lyrics of the song are written "about how millions of lives are turned hollow by the intoxicating effect of materialism and greed, and how they cast a veil of fog on our reason, in favor of collecting junk and soon to be junk. There’s metaphorical instances of drowning in a sandglass and being willfully thrown into slave labor in an office, painting a tumultuous picture of consumerism delirium."

Amidst the thundering heaviness, brutal gutturals and engrossing arrangements, SARCOMA include a number of audio samples across their tracks. "Sucio Carbón" is no different, featuring a clip taken from the “Planet of the Apes” film, 1968.

"Sucio Carbón" was produced by Juan Pablo Flores and recorded at Valley of the Death recording studio. The single was mixed and mastered by Juan Pablo Rivas. 

About SARCOMA:
SARCOMA is the first Spanish-language deathcore band in the world. Formed in Quito, Ecuador, in 2006, the quartet launched their debut EP Silenciosa Tortura independently that same year. 2016 brought a hiatus until seven years later, in 2023, original members Santiago Romero and Juan Pablo Flores returned to write new music, now joined by Andrés Jaramo (drums) and Andrés Éguez (bass). 

During SARCOMA's first incarnation, following the first EP, the band released the debut, self-titled full-length album in 2008 with the Esclavitud del Siglo XXI EP arriving in 2013. The band embarked on a heavy national and international touring schedule in neighboring countries. 

SARCOMA's unmistakable style, technical precision, and impressive live performances led them to be considered, by the media and the public alike, as the undisputed "fathers of deathcore" in South America. In early-mid noughties, the band's unique mix of hardcore and death metal elements was something unheard of in the country at the time.

The band's sound draws influence from the likes of DECAPITATED, DYING FETUS, KNOCKED LOOSE, SEPULTURA, DESPISED ICON, GOJIRA, with the addition of progressive elements and a thematic focus on their life experiences and environment of Latin America.

2023 saw the band return with renewed vigor and intent unleashing the EP Mesak, the live releases Al Rojo Vivo and En Vivo En Quito in 2024, and "Divino Poder" single in 2025, all via Valley of the Death. SARCOMA wasted no time returning to the live stage in 2023 venturing on the Mesak Ecuador National Tour, along with performances at Mechanimal Fest and Quitofest. 

PHILADELPHIA’S SLIK HELVETIKA IS BACK WITH THE NEW FULL RELEASE , FEATURING THE BRAND-NEW TRACK, “WALK THROUGH FIRE"

One of the heaviest bands to emerge from the Philadelphia rock scene is Slik Helvetika. From the glory days of the Philadelphia and New Jersey rock scene of the 80s that spawned Cinderella, Britny Fox, Pretty Poison, John Eddie, and an entire laundry list of artists who went forward to be stars, there was a band called Destroyer. Led by Michael Myers, the band had unknowingly sidestepped all the woes and pressures of being “that commodity” and unwanted influences. Taking some time to let the songs and playing develop to be the best it could resulted in that band today called Slik Helvetika. Lots of driving energy, melody, memorable chorus hooks, great playing and strong lyrics. 
 
The line up has always featured Michael Myers on lead guitar and vocals – who has had the privilege of playing alongside a variety of talented musicians, such as Kjell Benner [formerly of Quiet Riot] and Vern Parsons [Greg Howe]. The newest full release, Walk Through Fire, which drops through Deko Entertainment on February 20th, kicks off with the first single that was released in December Solar Head. Which, begins with an unsettling actual recording of solar wind, then erupts into full ass kicking mode.

Walk Through Fire consists of 13 blistering tracks including a cover of the Sweet’s “Fox on the Fun” and the title track, which the group's long-time singer/guitarist/songwriter Myers was happy to elaborate on. 
 
"Do you ever feel like you are walking through fire just contending with the daily insanity and events of this world? Question everything! Humans have been giving up their power and potential by letting those who think they are in power create a mental box of falsities and limitations.  We all should be different people today than yesterday if we continue to learn as we go. Right?  Many stopped asking questions, acquiesced and bowed down to so-called 'authority figures' and put the blinders on. Those same authority figures run highly advanced psychological operations to divide us, keep us fighting with each other while they rob us mentally and literally. Those who noticed and objected to this system since birth are not alone.”
 
Check out the visualizer for “Walk Through Fire” below: