Unverkalt Break from the Past with Newly Blackened Edge on “Introjects”

Ever since they emerged from Greece’s underground catacombs, Unverkalt have been drawn to the edge. On their upcoming third album, the post-metal luminaries finally plunge into the darkness that’s always waited for them below. While wrestling with the weight of our accursed history, Héréditaire now stands as the band’s heaviest and most heartfelt offering.

Today, Unverkalt are releasing the third and final advanced single from Héréditaire. “Introjects” breaks from the broken beliefs of the past with the band’s newly blackened edge.

“We often carry beliefs and ideas that were never ours but absorbed from the worlds of others”, Unverkalt says. “These dead constructs linger just beneath the surface, quietly shaping us - until something breaks. There’s a moment of dissonance, a crack in the surface, a realization that the weight we carry isn’t ours to bear”.

Watch the bright and blistering video for “Introjects” below.

Héréditaire comes out February 27, 2026 on Season of Mist.

Pre-order

https://orcd.co/unverkalthereditaire

Pre-save on Spotify

https://open.spotify.com/prerelease/5ndUNl3HyjsagbOuQCrakn?si=QESfESdPQwqHTC5MKNX4Jw

Can’t wait for Héréditaire? RSVP for the upcoming Bandcamp Listening Party and hear all nine heavy and heartfelt songs before the album comes out.  

Héréditaire Bandcamp Listening Party

February 17 @ 1:30 pm Eastern Time

RSVP

https://unverkalt.bandcamp.com/live/h-r-ditaire-listening-party

Kalavrezou’s mystifying cleans remain one of Unverkalt’s defining traits. Even when trembling beneath the monolithic riff of “I, The Deceit”, her contempt for those who stand by as the world burns is heated when forged alongside her Athenian brother-in-arms Sakis Tolis from Rotting Christ. But as the album draws to a close, Héréditaire ends shadowed in doubt for the future. “Bathed in lies / Can we make it better” she wonders before disappearing into the shivering wake left by “Maladie de ‘Esprit”.

“This album is not meant to resolve”, the band says, “but to dissolve patterns from those who came before, faceless yet familiar. The colors have drained. What remains is veiled in black, not as a symbol, but as a truth that covers everything”.

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording Lineup:
Dimitra Kalavrezou — Vocals
Themis Ioannou — Guitars, Keys
Eli Mavrychev — Guitars, Vocals
Joscha Hoyer — Bass
Christian Eggers — Drums

Guest Musicians:
Sakis Tolis — Vocals on "I, The Deceit"

Songwriting Credits:
Comped by Themis Ioannou.
Lyrics by Dimitra Kalavrezou & Eli Mavrychev.
Lyrics for "I, The Deceit" by Dimitra Kalavrezou & Joscha Hoyer.

Recording Credits:
Recorded & Engineered by Unverkalt.
Drums Recorded & Engineered by Christian Eggers at Noir Surge Sound, Berlin, Germany.

Production Credits:
Produced by Themis Ioannou.
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev.
Mixed by Joshua Barber.
Mastered by Lasse Lammert at LSD Studios, Lübeck, Germany.

Cover Art:
Themis Ioannou

Pre-order & Pre-save

https://orcd.co/unverkalthereditaire

HELLRIPPER Unleashes Electrifying Title Track from Upcoming Opus, "Coronach"

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is now unleashing the electrifying title track from his upcoming fourth studio album, 'Coronach,' which will be released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! The anthemic single, “Coronach,” can now be heard along with a lyric video created by Irvan Dionisi / Theblackvisual.id below.

Hellripper’s mastermind, guitarist/vocalist and songwriter James McBain comments, “A coronach is a vocal lament traditionally performed at funerals in the Scottish highlands. Intertwined with my own words is the poem of the same name by Sir Walter Scott, which served as an inspiration for this story: the funeral of an ambivalent and mysterious figure, revered by his community for his heroic deeds but whose life hid many dark secrets. As well as lyrically, the track is also a musical experiment for me; it was primarily influenced by late 80’s thrash metal along with bands like Bathory, Gallowbraid and Atlantean Kodex. A dash of post-punk, a fair amount of Iron Maiden-style guitar harmonies, some classical references and the haunting wail of the bagpipes fading in the distance: this song feels like the perfect farewell to the album."

'Coronach' can be pre-ordered HERE.

In addition, Hellripper has recently announced a string of support shows for thrash metal legend Testament in Spain and France. In addition, Hellripper will next embark on European headline tour alongside Schizophrenia and Sarcator to promote 'Coronach' and has also revealed a number of festival appearances and two performances in Mexico. The full itinerary can be found below while tickets can be found HERE.

Enter the GOAT KVLT HERE.

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

The cover artwork was created by Adam Burke / Nightjar Illustration

“ROARING” RANDY HOUSER RETURNS TO COUNTRY RADIO WITH “BACK IN THE BOTTLE”

Country music’s most unmistakable voice is officially back where it belongs. Randy Houser’s new single, “Back In The Bottle,” impacts country radio today with 80 stations on board, marking a powerful homecoming for the multi-Platinum hitmaker.
 
Hailed as “one of the best voices in the genre” by Rolling Stone, fans and programmers alike have echoed the same sentiment: Randy Houser’s voice has been deeply missed on country radio. With “Back In The Bottle,” that absence gives way to “a certified honky tonk banger,” shares Whiskey Riff, marking a moment that feels less like a comeback and more like a long-awaited return home.
 
“Feeling the love from fans and country radio on this one means everything,” shares Houser. “I’m so grateful for all the support for this song, and I’m looking forward to sharing more new music with all of you this year.”
 
Written solely by Houser and co-produced by longtime collaborator Blake Chancey, “Back In The Bottle” is “a totally joyous listening experience,” lauds MusicRow, as “Roaring Randy Houser…possesses one of the most magnificent voices in contemporary country music.”

“Back In The Bottle” opens with the familiar wreckage of a rowdy night out, leading to a chorus that embraces the kind of night you’d gladly repeat, consequences be damned:

The single launches a new chapter for Houser, as he readies a steady stream of new music expected throughout 2026, alongside tour and festival dates this spring and summer, with more to be announced.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram, Facebook and Twitter/X @RandyHouser and TikTok @RealRandyHouser.
 
About Randy Houser
Lauded as “one of the best voices in the genre” by Rolling Stone, with an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser’s latest single “Back In The Bottle” arrives as the first taste of new music to come in 2026. Racking up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels, he topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. The deluxe version of Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features four new collaborations with artists including Cody Johnson, Justin Moore, Miranda Lambert and Riley Green. RIAA Gold-certified single and title track “Note To Self” marked his “powerful return” following 2019’s critically acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” For more information, visit RandyHouser.com.

The Pretty Wild Release 'zero.point.genesis' Official Music Video via Sumerian Records

Rising metaphysical metalcore duo The Pretty Wild have released the official music video for "zero.point.genesis", the title track from their recently released album of the same name (via Sumerian Records). The band has also kicked off their first-ever, nearly sold-out UK/EU tour with Sleep Theory just this past weekend. Having recently made their ShipRockeddebut in January, an upcoming North American tour with Bloodywood, Ladrones and Ankor in April, and hitting the stage at Sonic Temple Art & Music Festival the following month, 2026 finds the band carrying undeniable momentum into their biggest year yet. Watch the official music video for "zero.point.genesis" below, and stay tuned for more news from The Pretty Wild coming soon.

Upcoming The Pretty Wild North American Tour Dates:

3/20/2026 - Clearwater, FL @ 98Rockfest

3/21/2026 - Orlando, FL @ WJRR Earthday Birthday

Tour Dates with Bloodywood, Ladrones + Ankor:

4/10/2026 - Des Moines, IA @ Wooly's

4/11/2026 - Minneapolis, MN @ Varsity Theater

4/13/2026 - Denver, CO @ Oriental Theater

4/14/2026 - Salt Lake City, UT @ The Depot

4/16/2026 - Portland, OR @ McMenamins Crystal Ballroom

4/17/2026 - Seattle, WA @ Neptune

4/18/2026 - Garden City, ID @ Revolution Concert House and Event Center

4/20/2026 - San Francisco, CA @ August Hall

4/21/2026 - San Diego, CA @ Observatory SD

4/22/2026 - Los Angeles, CA @ Below at The Belasco

4/24/2026 - Mesa, AZ @ The Nile Theater

4/28/2026 - Dallas, TX @ The Echo Lounge & Music Hall

4/29/2026 - Austin, TX @ Emo's Austin

5/1/2026 - Madison, WI @ Majestic Theatre

5/2/2026 - Chicago, IL @ House of Blues Chicago

5/4/2026 - Boston, MA @ Paradise Rock Club

5/5/2026 - Philadelphia, PA @ Theatre of Living Arts

5/6/2026 - New York, NY @ Irving Plaza

5/8/2026 - North Myrtle Beach, SC @ House of Blues

5/11/2026 - Atlanta, GA @ Buckhead Theatre

5/12/2026 - Chattanooga, TN @ The Signal

5/13/2026 - Louisville, KY @ Mercury Ballroom

5/14/2026 - Columbus, OH @ Sonic Temple Art & Music Festival 2026

5/15/2026 - Toronto, ON @ Danforth Music Hall

5/16/2026 - Detroit, MI @ Saint Andrew's Hall

ABOUT THE PRETTY WILD

The Pretty Wild is a genre-bending, boundary-breaking powerhouse fusing rebellious spirit with raw, heartfelt lyricism that speaks to a generation craving authenticity. Refusing to be confined by the rules and expectations of traditional society, The Pretty Wild embrace their relentless pursuit of truth beyond societal expectations, all while making music for everyone brave enough to break free. With already amassing over 37 million all-time streams and poised to make their debut performances this year at major festivals across the globe including Sonic Temple Art & Music Festival in the States, Download 2026 in the UK and Graspop Metal Meeting in Belgium, the sky is the limit for the sister duo who are further solidifying themselves as a force to be reckoned with in modern heavy music.

Haste the Day Announce New Album "Dissenter" Out 5/1 + Share "Shallows" Visualizer

HASTE THE DAY, the metalcore band that made a scene splash in the '00s, returned in 2024 with the video for the new song "Burn." They also appeared at Furnace Fest that year. It was their first music in nearly a decade.

But they didn't stop there. Not a chance! 

Today, the band is thrilled to announce its new album DISSENTER, which arrives May 1 on Solid State Records. It's their first album since 2015. Pre-order it here. 

They have also shared the visualizer for new single "Shallows." Watch it below. 

"'Shallows' captures the core of what we set out to create on this record — aggressive, melodic metalcore," the band says. "Driven by high-energy riffs, heavy breakdowns, and a memorable chorus, the song balances nostalgia with contemporary influence. Lyrically, it confronts disillusionment, corruption, and the cost of defiance."

So absorb all of that insight and then open up the pit...

Haste The Day conjure the sound of coming full circle. The Indiana-bred band rekindles the spark at the heart of their signature style by sharpening the edges, tightening the melodies, and amplifying the scope with cinematic ambition. Haste The Day have clung to their integrity since initially emerging at the turn of the century. Following Burning Bridges [2004] and When Everything Falls [2005], Stephen made his formal debut as the group's frontman on Pressure The Hinges [2007]. The band unleashed a trio of fan favorite offerings, namely Dreamer [2008], the seminal Attack Of The Wolf King [2010], and Coward [2015]. The latter marked their second straight Top 20 entry on the Billboard Top Rock Albums chart and second Top 10 on the Hard Rock Albums Chart. Along the way, they toured with everyone from Hollywood Undead to Norma Jean. Despite going dormant in 2016, they amassed tens of millions of streams and continued to resonate with an ever-expanding audience. As such, their 2023 reunion gig at the sold-out Furnace Fest was met with overwhelming enthusiasm. Returning with their first full-length release in eleven years, the musicians tap into who they were and push forward together on their seventh LP, Dissenter [Solid State].
 

HASTE THE DAY ARE:
Stephen Keech — Vocals 
Scott Whelan — Guitar 
Dave Krysl — Guitar 
Giuseppe Capolupo — Drums 
Michael Murphy — Bass 
Brennan Chaulk — Guitar 

Eva Under Fire Drop "Murder Scene" Single + Video — A Rallying Cry for the Betrayed

EVA UNDER FIRE DROP "MURDER SCENE," A RALLYING CRY FOR THE BETRAYED RELEASED VIA BETTER NOISE MUSIC.

BAND INVITES THE BETRAYED TO SING IN UNISON AND POWER WITH THEM ON UPCOMING U.S. TOUR WITH JERIS JOHNSON + BUTCHER BABIES LAUNCHING FEBRUARY 8

Listening to EVA UNDER FIRE (@evaunderfire) is like hard rock therapy, turning scars and demons into anthems of inner strength. Nowhere is that clearer than on the Detroit band's latest single, the sonically fierce and lyrically razor-sharp "Murder Scene,"  via Better Noise Music.

Stream + download "Murder Scene" HERE.

Watch the lyric video for "Murder Scene" Below.

"'Murder Scene' explores eating disorders, body dysmorphia, self-doubt, and how dreams can become nightmares when the same people who once cheered for you are now criticizing you," says singer and songwriter Amanda Lyberg. "The dream of being on stage comes with a spotlight on my personal flaws. I'm just a body. To be picked apart and judged and perceived. Anxiety is a liar in my head. It tells me I'm not good enough to be here. So, I fight it. I changed my name and my image to prove it wrong. Still the anxiety gets louder. I think it's trying to kill me. In a world so desensitized, it feels like death has been redefined as a minor inconvenience. I'm insecure about my body so anxiety might win. My skin is crawling, and every part of my body feels wrong. Maybe I'll call a doctor and get it altered. Maybe if I don't eat, I'll feel better."

"Murder Scene" is the follow-up to the blistering and inspirational anthem "Awakening," released October 17 via Better Noise Music. It was the first taste of new music in two years from the Detroit, MI quintet.
  

For all of EVA UNDER FIRE's new music, Amanda drew on her career as a licensed therapist to foster an open dialogue among the band members, empowering everyone to be heard during the recording. Her work in therapy started in 2018 when she graduated with a Master of Arts in Psychology degree and went on to work at a mental health clinic in Detroit, Transcendence Behavioral Health (owned by Dr. Stephanie Williams). That same year, her father passed away due to a fentanyl overdose. Her mother survived the same batch that killed her father and has been sober for the past six years. In addition to her thriving and busy music career, Amanda is currently a practicing psychotherapist specializing in trauma work, grief and loss, and addiction recovery.

Her story turned into a 2023 short film, My Rockstar, which used EVA UNDER FIRE music throughout, and has won over 20 awards in several film fests including Orlando Film Fest, Wild Rivers Film Festival, Toronto WILDfilm Festival, and many others.

In touring news, EVA UNDER FIRE will hit the road for a six-week U.S. tour with Jeris Johnson and Butcher Babies starting February 8 in Portland, OR. Later this summer, EVA UNDER FIRE has been announced as a support act tour along with Cody Jinks for Five Finger Death Punch’s 20th Anniversary World Tour 2026. 

View all of EVA UNDER FIRE's current tour dates HERE.

Stay tuned for more new music to come throughout 2026.

EVA UNDER FIRE LIVE:
WITH JERIS JOHNSON AND BUTCHER BABIES:
 2/8 — Portland, OR — Hawthorne Theatre
2/11 — Salt Lake City, UT — Urban Lounge
 2/12 — Denver, CO — Bluebird Theatre
 2/13 — Oklahoma City, OK — 89th Street
2/15 — Dallas, TX — Puzzles
2/18 — Tampa, FL — The Orpheum
2/20 — Orlando, FL — Conduit
 2/21 — Atlanta, GA — Smiths
2/22 — Nashville, TN — The 58’
2/25 — Washington, D.C. — Pearl Street (FREE SHOW)
2/27 — Millersville, PA — Phantom Power
2/28 — Frenchtown, NJ — Arties
3/1 — Pittsburgh, PA — Jergel's Rhythm Grille
 3/4 — Saginaw, MI — The Vault
3/5 — Columbus, OH — A&R Bar
3/6 — Chicago, IL — WC Social Club
3/7 — Minneapolis, MN — Fine Line
 3/9 — Madison, WI — Majestic Theatre
3/10 — Ft. Wayne, IN — Piere’s
 3/12 — Houston, TX — Warehouse Live
 3/14 — Lubbock, TX — Soggy Dog
3/17 — Phoenix, AZ — Crescent Ballroom
3/18 — Los Angeles, CA — Whisky a Go Go
3/19 — San Francisco, CA — Brick & Mortar

WITH FIVE FINGER DEATH PUNCH AND CODY JINKS:
7/20 – Camden, NJ – Freedom Mortgage Pavilion
7/22 – Bangor, ME – Maine Savings Amphitheater
7/23 – Saratoga Springs, NY – Saratoga Performing Arts Center
7/25  – Hershey, PA – Hersheypark Stadium
7/26 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview
7/28 – Gilford, NH – BankNH Pavilion
7/30  – Mansfield, MA – Xfinity Center
8/1 – Montreal, QC – Centre Bell
8/2 – Toronto, ON – RBC Amphitheatre
8/4 – Wantagh, NY – Northwell at Jones Beach Theater
8/5  – Holmdel, NJ – PNC Bank Arts Center
8/7 – Burgettstown, PA – The Pavilion at Star Lake
8/8 – Noblesville, IN – Ruoff Music Center
8/10 – Cincinnati, OH – Riverbend Music Center
8/11 – Cuyahoga Falls, OH – Blossom Music Center
8/13 – Milwaukee, WI – American Family Insurance Amphitheater
8/15 – Grand Rapids, MI – Acrisure Amphitheater
8/16 – Clarkston, MI – Pine Knob Music Theatre
818 – Shakopee, MN – Mystic Lake Amphitheater
8/19 – Tinley Park, IL – Credit Union 1 Amphitheatre
8/21 – Saint Louis, MO – Hollywood Casino Amphitheater
9/8 – Morrison, CO – Red Rocks Amphitheatre
9/11 – Auburn, WA – White River Amphitheatre
9/12 – Ridgefield, WA – Cascades Amphitheater
9/14 – Wheatland, CA – Toyota Amphitheatre
9/16 – Mountain View, CA – Shoreline Amphitheatre
9/18 – Long Beach, CA – Long Beach Amphitheater
9/19  – Las Vegas, NV – Michelob ULTRA Arena
9/22 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
9/24 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
9/25  – Albuquerque, NM – Isleta Amphitheater*
9/27 – Houston, TX – Cynthia Woods Mitchell Pavilion
9/28  – Austin, TX – Germania Insurance Amphitheater
9/30  – Fort Worth, TX – Dickies Arena
10/2 – Rogers, AR – Walmart AMP
10/3 – Kansas City, MO – Morton Amphitheater
10/5 – Biloxi, MS – Mississippi Coast Coliseum
10/7 – Huntsville, AL – Orion Amphitheater
10/8 – Franklin, TN – FirstBank Amphitheater
10/10 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
10/11 – West Palm Beach, FL – iTHINK Financial Amphitheatre
10/13 – Alpharetta, GA – Ameris Bank Amphitheatre
10/14 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
10/16 – Charlotte, NC – Truliant Amphitheater
10/17 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach
10/19 – Greenville, SC – Bon Secours Wellness Arena
10/2  – Columbus, OH – Nationwide Arena
10/23 – Bristow, VA – Jiffy Lube Live

*Without Cody Jinks

KING ULTRAMEGA Release Tribute Cover of "Preaching The End Of The World" Honoring Chris Cornell and Supporting MusiCares

KING ULTRAMEGA have released a powerful new single, a cover of "Preaching The End Of The World", recorded in loving memory of Chris Cornell while raising funds and awareness for MusiCares, the Recording Academy’s nonprofit that provides mental health services, addiction recovery support, and emergency assistance to members of the music community.

Originally written and performed by Chris Cornell, "Preaching The End Of The World" remains one of the most emotionally resonant songs of his solo career. The new interpretation from KING ULTRAMEGA preserves the emotional core of the original while expanding its sonic landscape with layered guitars, cinematic keyboards, and a dynamic, atmospheric arrangement.

The recording features vocals by Ian Thornley of BIG WRECK, guitars by Pete Thorn, bass by Mark Menghi, keyboards and synth by Dave Kerzner and Frank Mitaritonna, and drums by Kenny Aronoff. The track was produced by Mark Menghi, engineered by Frank Mitaritonna, Dave Kerzner and Mark Menghi, mixed and mastered by Josh Wilbur, with cover artwork and video created by Costin Chioreanu. Original music by Chris Cornell.

Speaking about joining the project, Ian Thornley said, "Pete Thorn is a dear friend and fellow Canadian who I know played with Chris Cornell for many years. He’s a great musician, and we’re always looking for projects to do together, so it was a quick ‘yes’ from me."

Kenny Aronoff shared, "I wanted to be part of this project because I know Mark was involved, and I’ve always been a huge fan of anything Chris Cornell on so many levels. ‘Preaching The End Of The World’ is an amazingly beautiful song, and Chris’s vocal performance is one of the most passionate and emotional vocal performances I have ever heard."

Producer and bassist Mark Menghi reflected on the song’s meaning, saying, "It’s a song about loneliness and searching for connection, something I can relate to. Just listen to the lyrics of this song. Chris is authentic, emotional, and vulnerable."

Pete Thorn also looked back on performing the song live with Cornell. "‘Preaching The End Of The World’ is a beautiful song that I always enjoyed performing with Chris during my time on tour with him. I remember a show in Tel Aviv where he talked about writing it during a dark time, but ended by saying, ‘but I made it!’ I always think about that in a positive way. He made it for a long time, and we should all be thankful for that."

Discussing the musical direction, Menghi added, "When I chose this song for KING ULTRAMEGA, I had a late 60s Beatles production vibe in mind. I tried to honor what made Chris’s original recording so special, not only instrumentally but in the production as well."

Ultimately, the musicians view "Preaching The End Of The World" as a defining piece of Chris Cornell’s artistic legacy, and hope this tribute both honors his songwriting and helps support members of the music community through MusiCares.

The "Preaching The End Of The World" Lineup Is:

• Vocals: Ian Thornley (Big Wreck)

• Guitars: Pete Thorn (Chris Cornell)

• Bass: Mark Menghi

• Keyboards & Synth: Dave Kerzner & Frank Mitaritonna

• Drums: Kenny Aronoff

Connect with King Ultramega:

kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

About MusiCares

MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S. based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts.

For more information please visit: www.musicares.org.

INDUCTION Release New Studio Album 'Love Kills!' And Music Video For "Strangers To Love"

modern power metal force INDUCTION mark the release of their new studio album Love Kills!, out now via Reigning Phoenix Music.

With Love Kills!, INDUCTION present their most focused and mature record to date, sharpening their signature mix of heavy power metal, strong hooks, and emotionally driven songwriting. The album shows a band operating with confidence, clarity, and a clear artistic direction.

To celebrate their album release in glorious style, INDUCTION unleash a powerful new music video for the epic track “Strangers To Love”, featuring none other than Clémentine Delauney from VISIONS OF ATLANTIS!

“Strangers To Love” stands as one of the album’s most emotional and cinematic moments. Blending soaring melodies and crushing guitars, the song showcases an intense vocal duet between Clémentine and INDUCTION frontman Gabriele Gozzi. It’s a powerful meeting of voices that elevates the song into true modern power metal territory.

"I am honored to feature on INDUCTION’s new album, especially on this song 'Strangers to Love' that carries a very nostalgic yet energetic vibe," the VISIONS OF ATLANTIS singer says. "I feel like I’m back in the vibrant eighties, singing about a love that is as impossible as it is to travel back in time… I had a lot of fun interpreting this song alongside the great Gabriele Gozzi!”

Stream/Download “Strangers To Love”: https://induction.rpm.link/strangersvoaPR

Watch the video clip premiering below:

INDUCTION guitarist Tim Kanoa Hansen comments on the collaboration: "The second that I had the demo of ‘Strangers To Love’ done, I knew it needed a second voice. With Clémentine from VISIONS OF ATLANTIS, we found the perfect match to bring the story to life. Clémi and Gabri complement each other beautifully! ‘Strangers To Love’ is probably the closest thing to a ballad that you will find on Love Kills!, and it's also probably one of my personal favorite hits. I believe everyone will somehow relate to this song, because it captures the essence of human experience at its core, and fits perfectly to the album's message: Love Kills…but it's never gonna die.”

But the connection between INDUCTION and VISIONS OF ATLANTIS doesn’t stop at the studio. Both bands have joined forces with WARKINGS for the “Pirates & Kings Over Europe” Tour, that just kicked off in Switzerland and leading through more than 20 cities across Europe, promising epic nights of melodic metal and unforgettable performances. Find all current and upcoming dates listed below!

Following a storm of milestones, including a series of live dates supporting the legendary SAVATAGE, a frenetically acclaimed debut at Wacken Open Air, and the release of fan-favorite singles “Beyond Horizons” and “Dark Temptation”,INDUCTION are now firing on all cylinders.

Crafted at Chameleon Studios and Boogie Park Studios in Hamburg, the new album was produced by Tim Kanoa Hansen, and was mixed and mastered by Eike Freese in collaboration with the guitarist. Love Kills! marks the beginning of a new era for INDUCTION, defined by musical evolution, emotional depth, and a fearless drive to push the boundaries of modern power metal.

“For me, this album carries a lot of raw and personal emotion", Tim recently said. "Life always moved forward, and even in the darkest times, love always found its way back. With Love Kills! we explore the beauty and cruelty of love in a futuristic power metal context. It’s Induction at our biggest, boldest, and most fun yet.”

LOVE KILLS! is out now via Reigning Phoenix Music. Order your copy at: https://induction.rpm.link/lovekillsPR

About INDUCTION
In the heart of the power metal resurgence stand INDUCTION, a name that has quickly become synonymous with the genre’s new wave. Led by Tim Kanoa Hansen, son of metal legend Kai Hansen (HELLOWEEN, GAMMA RAY), INDUCTION are a force to be reckoned with, igniting stages and captivating audiences worldwide.

Their rise began with a bang as their sophomore album, “Born From Fire,” was released under the wings of Reigning Phoenix Music, earning widespread acclaim and solidifying their status in the genre. Notable praises include being crowned “Power Metal Rising Star of the Year” by Rock Hard in 2022 and drawing the attention of German TV channel SWR, which chronicled their ascent in a documentary.
 
Building on this momentum, INDUCTION embarked on high-profile tours alongside metal giants such as STRATOVARIUS, SONATA ARCTICA, BATTLE BEAST, GAMMA RAY, ACCEPT, and more, showcasing their polarising live energy and winning over audiences across Europe and also Japan.

Though widely considered a progressive power metal band, INDUCTION refuse to be confined by a single genre. With each release, they defy expectations, seamlessly blending and evolving the boundaries of their music while staying true to their unmistakable core.

With their much-acclaimed new studio offering Love Kills!, INDUCTION remain a hungry force in the metal galaxy, fueled by a passion for music and an unwavering commitment to their craft. With the rallying cry “We bring the heat!” echoing in every riff and chorus, they invite fans to join them on their epic journey through realms of myth, majesty, and POWER!
 
INDUCTION are:
Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums
 

More on INDUCTION:
inductionofficial.com | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

Levels Announce New Album Out 4/10 + Share Video for Double Single "Fume" + "Death Dance"

Central Arkansas quartet LEVELS — Kolby Carignan [vocals], Jager Felice[guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — are thrilled to announce the April 10 release of their new album This Will Make You Feel Again via SharpTone Records. Pre-order it here. The band shares the video for the double single "Fume" and "Death Dance."

Watch it below. 

Regarding "Fume," the band states, "The song explores the emotional weight of a relationship pushed to its limits by burnout, miscommunication, and constant internal struggle. Through vivid imagery, it captures the tension between a love that's inevitably turning cold and the desire to try and reignite it. It is a plea for connection, an honest reflection on trying to break through emotional distance and offer refuge before everything is burned."

As for "Death Dance," it's "about obsession — when one person becomes home, poison, and salvation all at once. It's that feeling where leaving seems impossible, but staying slowly kills you. It's caught between survival and surrender, and the song feeds from that space."

The band retains a singular focus with the album — and that's to elicit a visceral response.

"For us, the main priority is to make you feel something," affirms Carignan. "If you come to a LEVELS show or listen to a record, you should leave fully nourished. We don't create songs; we create experiences." 

Overall, This Will Make You Feel Again is more than an album or a statement; it's a call to action. "As creativity becomes shackled to algorithms and artificial intelligence, TWMYFA subverts the standard and unapologetically delivers emotionally charged experiences grounded in reality and rhythm," the band declares. "Through its pulverizing riffs, electric energy, and hypnotic melodies, this release extensively explores elements of the modern human struggle—such as maintaining a sense of identity, reconciling religion with reality, and adapting in the wake of the unimaginable. From the void of collateral content, this album reaches out to offer you an escape: To feel."

LEVELS openly aim to provoke a physical and emotional response with their fluid and future-facing hybrid of metal, pop, drum 'n' bass, and dance music. They deliver pit-ready riffs, hooks tailor-made for arenas, and beat drops that could rouse any after-hours club to life. As such, they effectively encode vampiric sensuality and slick grooves within the metallic framework of 22nd century hard rock anthems. The band will move you in one way or another on their sophomore full-length LP, This Will Make You Feel Again. The group has defied categorization since its formation in 2016. New Noise awarded the PULSE EP [2024] a perfect score of "5-out-of-5," going on to marvel at "the band's ability to seamlessly transition between different genres and change up their sound at any time." Throughout 2025, the collective carefully assembled the album with producer Jonathan Dolese at the helm. Recording at KonKrete Studios in Nashville, TN, they bottled and distilled a wide swath of inspirations and emotions into ten airtight tracks. With such open-hearted honesty, LEVELS will undoubtedly make you feel. "When you hear the record, I hope you feel the way I did back in high school after a friend showed me a new song in the car," Jacob says. "Maybe you'll want to share it with everyone. There would be no better reaction."

The Crowned Rise from the Shadows with Explosive New Single “Fallen One”

"We praise the skies for fallen angels..."

Hard rock powerhouse THE CROWNED return with a thunderous new single, “Fallen One,” a gripping and emotionally charged track that showcases the band’s signature blend of soaring melodies, crushing riffs, and unapologetic intensity.

ABOUT THE SONG

"Fallen One" is an onslaught of groove riff's and thrash going back and forth competing with each other. Until finally, you hit the chorus that breathes big open church choir power vocals to fill a whole cathedral. Just when you think the song is going to stay calm, it builds into a heavy slam beat that you cannot help but head bang to. After things take a turn for the worst, you're met with fast double bass pounding in your chest until you can't handle anymore. After that, a solo rips your soul in half with speed and intensity. The solo climaxes at the end with a beautiful uplifting harmony that you will sing for days after you've only heard the song once. We go back into the chorus one last time to give a louder and powerful shout for the"Fallen One" and a brutal scream ends the song with fast intense double bass and an abrupt ending leaving you questioning what the hell

just happened.

Every band has their own "it" factor.

THE CROWNED stands out amongst the rest with their looks, stage presence, and set up. It's not every day you see a band with a frontman as the drummer and singer. The band formed in 2013 out of great state of Texas. Creating gory music videos, a slew of surprises for live performances, and metal music that is remembered well after the stage is vacant,

THE CROWNED is not an act you want to miss.

Now signed to Curtain Call Records and M7 Talent Agency, THE CROWNED is prepping for a tour in the summer in Europe.

More details to come.

Chase Rice Joins Ashland Craft for Duet Reimagining of “Momma Don’t Pray Like She Used To”

Chase Rice joins Ashland Craft on a striking new duet version of her track “Momma Don’t Pray Like She Used To,” out now. Originally appearing on Craft’s 2025 album Dive Bar Beauty Queen, the song, penned by Craft, Jess Grommet, Willie Morrison and Corey Elizabeth Grogan, captures the quiet ache of growing up and watching family, faith and perspective evolve over time. The reimagined duet brings new emotional weight, pairing Craft’s raw, lived-in vocals with Rice’s rugged delivery, creating a powerful reflection on change, gratitude and the roads that shape us. The accompanying music video, directed by Quinton Cook, is also available today following the exclusive premiere with People.

Listen to “Momma Don’t Pray Like She Used To” HERE. Watch the music video Below.
 
“Momma Don’t Pray Like She Used To” is a universal anthem for all of us growing up and figuring out life,” shares Craft. “When first brainstorming ideas around the revisiting of this song, my hope was to find someone who could give an honest, heartfelt, male perspective to the storyline. In all the years that I’ve had the opportunity to tour with Chase Rice, his storytelling is something I wholeheartedly connected with, and with both of us having Carolina upbringings, it felt like the perfect fit for this project. I feel like he added a whole new layer of meaning and made himself right at home in this song!”
 
“I’ve gotten to know Ashland out on the road, and seeing her night after night, you realize pretty quick she’s a total badass,” says Rice. “This song is her story, but it’s mine too. I know my mom did more than her fair share of praying raising three boys, but I’d like to think I’m finally making things a little easier on her these days.”

About Chase Rice
Few artists have had the enduring impact on country music Chase Rice can claim – and fewer still possess the courage to leave it in the past, and blaze a new trail. A true singer-songwriter with success in both disciplines, Rice’s 15-year career has taken the Florida-born North Carolina native to chart peaks and global stages … but with his eighth studio album, ELDORA, his only destination is the American West. A 10x Platinum artist who burst onto the country scene as a Diamond certified songwriter (“Cruise”), while hits like “Drinkin’ Beer. Talkin’ God. Amen.” and “Eyes On You” helped Rice post two No. 1’s at Country Radio, igniting a movement through chest-thumping euphoria and bold romantic passion. He sold out international tours and shared stadium billing with Garth Brooks and Kenny Chesney, before leaving the major label system for good. Now, with full independence and over 3 billion streams to his credit, ELDORA signals Rice’s dedication to the storytelling craft. Written in Colorado and inspired by a hidden mountainside town, the 12-song set is easily the most raw, unguarded expression of Rice’s talent to date – born in the afterglow of an epic show at the Red Rocks Amphitheatre. Working hand-in-hand with co-writer/producer Oscar Charles, Rice adopts the unfiltered, rough-hewn approach of an off-the-grid maverick, both embodying the Western mystique, and boldly going where few of his stature would dare.
 
For more information, visit ChaseRice.com and follow on Facebook, Twitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.
 
About Ashland Craft
Known for her fearless, soul-bearing storytelling and sonic grit, CMT Next Women of Country honoree and Pandora Country Artist to Watch Ashland Craft first established her unique brand of country music with the release of acclaimed debut album, Travelin’ Kind (released in 2021) - and it’s only been up from there. Deeply influenced by her honky-tonk, South Carolina roots, and drawing inspiration from legends like Def Leppard, Chris Stapleton, Bonnie Raitt, The Chicks and Sheryl Crow, Craft has been praised by fans and industry alike, with American Songwriter declaring, “there’s a new country badass in town, and her name is Ashland Craft,” noting the “star quality flying out of her boots,” and Nashville Lifestyles adding, “with equal parts sass and strength, she’s poised to be a major voice in country music.” Her prowess can now be heard on most recent project release Dive Bar Beauty Queen, available now and featuring current radio single, “Kick Rocks Cowboy.” In addition to ongoing music releases, Craft has shared the stage with notable names like Zac Brown Band, Ashley McBryde, Marcus King, Cody Johnson, Brothers Osborne, Luke Combs, Morgan Wallen, Ian Munsick and Elvie Shane. Most recently, she supported Cody Johnson on The Leather Tour, Tucker Wetmore on his Waves on a Sunset Tour and Luke Bryan on his Country Song Come On Tour.

To learn more about Ashland Craft, visit ashlandcraft.com, and follow Craft on Facebook, Instagram, TikTok and YouTube

“Time Goes On” as Koe Wetzel Continues Musical Ascent

Rolling Stone’s “ultimate if-you-know-you-know artist” Koe Wetzel continues to impress with today’s reflective release of “Time Goes On.” Following a steady stream of social media teases and fan anticipation, the track offers a clear-eyed look at change, growth and the passage of time. Listen HERE, and watch the Michael Herrick-directed visualizer shot at Bluejack National in Texas Below.
 
“We wrote this as an acknowledgment of how quickly life moves, whether you embrace the changes that come with it or not,” Wetzel reflects.
 
The track co-written by Wetzel with frequent collaborators Amy Allen, Carrie Karpinen, Josh Serrato and producer Gabe Simon continues Wetzel’s tradition of pairing introspective songwriting with the signature rock-grunge-meets-country swagger that has defined his career.

The release follows “Surrounded,” which introduced this next chapter and reaffirmed Wetzel’s ability to balance vulnerability with confidence. Together, the songs serve as early markers for a broader body of work that has been quietly taking shape behind the scenes. 
 
In the weeks leading up to today’s release, Wetzel has steadily teased “Time Goes On” across his social media channels, quickly sparking fan anticipation and signaling excitement for the next era of music, as he can be heard hinting that this might be “one of my favorites off the record” in one clip.
 
The new music follows Wetzel’s 2024 studio album, 9 Lives, with debut Country radio single “High Road” (feat. Jessie Murph) holding the No. 1 spot for five weeks and earning recognition as the most-played song of 2025 by Country Aircheck/Mediabase.
 
For all the latest, visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok@Koe_Wetzel and Twitter/X @KoeWetzel. 

“Time Goes On” Single Art | Courtesy of Columbia Records

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down. The Texan singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. With his defining fifth studio album, the Gold-certified 9 Lives released in 2024 via Columbia Records, Wetzel earned recognition on several major year-end best-of lists, including Rolling Stone, Billboard, the Tennessean and more, with the Los Angeles Times naming lead single “High Road” (feat. Jessie Murph) as the No. 8 best song of 2024 across all genres. The single not only marked Wetzel’s debut at Country radio, it also held the No. 1 spot for five weeks, was the most-played song of 2025 per Country Aircheck/Mediabase and the now-3x Platinum song became his fastest to reach the RIAA Platinum milestone to date. Previously, his 2016 album Noise Complaint endeared him to fans with its no-holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hit “Love” (feat. Parker McCollum), Platinum “Something to Talk About” plus the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, the Gold-certified Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” and “Good Die Young” plus the Gold-certified “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has amassed 4.2 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” Wetzel performed for more than 250,000 fans across his headlining Damn Near Normal Tour in 2025, while also supporting HARDY’s Jim Bob World Tour and select stadium dates with Morgan Wallen.

Return to Dust Drop "Bored (Unplugged)" — WATCH // Touring With Yungblud This Spring

Buzzed-about rock band RETURN TO DUST — Matty Bielawski [guitar, vocals], Graham Stanush [bass, vocals], Sebastian Gonzalez [guitar], and London Hudson [drums] — continue to go from strength to strength with every passing day. The band just saw its latest single "BORED" land in the No. 2 slot at Active Rock Radio. Return to Dust were also nominated for iHeart Radio Music Awards Best New Artist (Rock).

Today, they share the video for the acoustic version of the song, which is just as impactful when stripped down as it is when fully plugged in. Return to Dust decided to record an acoustic version for one simple but critically important reason — fan demand!

Watch the video for "Bored (Unplugged)" below.

"We see a growing desire from our listeners for real, unpolished art," the band explains. "Fans love seeing us perform the songs minimally in record stores and have been banging down our door for an official acoustic version. Because of the fans' reaction, we are peeling back the curtain and releasing a version of the song as it was written, acoustic guitar and vocals."

The band finishes, "'Bored has always been a tender song about change, both the exciting and depressing parts, and we hope the acoustic version gives fans a new listening perspective."

It's been quite a busy and enthralling week for Return to Dust, as the band also announced upcoming tour dates with Yungblud set for spring. RTD will appear on eight dates of the "IDOLS" tour in the U.S. this May, which have already sold out. Additionally, they will take the stage at all major festivals in Europe this summer.

All upcoming and confirmed Return to Dust tour dates are below.

RETURN TO DUST ON TOUR:

RADIO FESTIVALS:
3/19 —WXTB Rock Fest Pre-Party
3/21 — WJRR Earth Day Birthday

WITH YUNGBLUD:
5/1 — Sterling Heights, MI — Michigan Lottery Amphitheatre
5/2 — Toronto, ON — Coca-Cola Coliseum
5/4 — Columbus, OH — KEMBA Live!
5/6 — Cincinnati, OH — Andrew J Brady Music Center
5/7 — Indianapolis, IN — Everwise Amphitheater at White River State Park
5/9 — Minneapolis, MN — The Armory
5/11 — Morrison, CO — Red Rocks Amphitheatre
5/13 — Orem, UT — UCCU Center

EUROPE 2026:
6/6 — Rock im Park Festival — Nuremberg, DE
6/7 — Rock am Ring Festival — Nurburg, DE
6/11 — Nova Rock Festival — Nickelsdorf, AT
6/13 — Download Festival — Leicestershire, UK
6/21 — Graspop Festival — Dessel, BE 
6/28 — Tuska Festival — Helsinki, FI 

ABOUT RETURN TO DUST:

Every ending sparks a new beginning. Return to Dust embody the sound of shedding the weight of the past while embracing the promise of tomorrow. The Los Angeles-based quartet brings a fresh perspective to alternative rock.

The band settled in Los Angeles to record standout single "Belly Up," which rose through the Active Rock chart and was praised by Distorted Sound as "a grungy, punky thrill ride," while Revolver applauded the group's "Alice In Chains-inspired form of modern-day grunge.” 2024 saw RTD unveil their independent self-titled full-length debut with producer Jim Kaufman [Everclear, Night Riots, Helmet]. 

Return to Dust signed to Lava Records/Republic Records and released their Speak Like The Dead EP in 2025, featuring the breakout single "Bored," which climbed into the Top 3 at Active Rock radio. They quickly became a must-see live act, igniting stages at major festivals including Inkcarceration, Welcome To Rockville, and Sonic Temple, and sharing bills with rock heavyweights Chevelle, Three Days Grace, Breaking Benjamin, and Billy Corgan.

Return to Dust carried that momentum into 2026, earning an iHeartRadio Music Award nomination for Best New Rock Act, tour dates with Yungblud, and announcing their first European appearances at Rock am Ring, Rock im Park, Nova Rock, Download, Graspop, and Tuska Festival. With a rapidly growing global presence, the band is poised to stand at the forefront of the next generation of rock music.

Fight From Within Partners with Arson Theory and Releases New Single “Checkmate” ​

Upstate New York metalcore outfit Fight From Within kick off 2026 with the release of their new single, “Checkmate,” marking an exciting new partnership with Arson Theory. Produced by Todd Golder of Sirens & Sailors, the track showcases the band’s aggressive precision, and dynamic songwriting.

“We’re incredibly excited to work with a bunch of awesome bands and homies over at Arson Theory," the band shares. "It was a pleasure to work with a legend in our local scene for our next single. Checkmate is just the beginning of 2026.”

With Todd Golder at the helm, the single captures both the raw energy of Fight From Within’s live presence and the refined edge of their studio sound. As their first release of the year, “Checkmate” sets the tone for what promises to be an active and impactful 2026, with more new music and announcements on the way.

“Checkmate” is available now on all major streaming platforms.

Listen to Talk Is Checkmate:

https://arsontheory.vyd.co/FightFromWithinCheckmate

WATCH the Visualizer for "Checkmate" Below :

FIGHT FROM WITHIN ON TOUR:

The Mini Gun Mini Run w/ Autumn Lies Buried

4/23 Ironton, OH - The Crows Nest
4/24 Owensboro, KY - Escape Today
4/25 Fort Wayne, IN - Piere's
4/26 Joliet, IL - The Forge

Headliner for Thanatos Release Party

6/13 Scanton, PA - Moon Tavern

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

In 2022, they began tracking new music with Pablo Viveros of Chelsea Grin. They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration. The band is headed into 2026 like a freight train — all gas, no brakes.

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

Out Today! - AGENBITE MISERY - Remorse of Conscience

AGENBITE MISERY is a New Hampshire-based trio whose debut album Remorse of Conscience is one of the most ambitious concept records to emerge from the modern extreme metal underground. Formed in late 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band began with a deceptively simple idea: to adapt James Joyce’s Ulysses into an experimental metal album. What emerged from that idea is a 55-minute odyssey of layered sonic aggression and literary depth, an album that blends blackened sludge, dissonant death metal, post-punk, ambient drone, and more into a singular, genre-defying statement of purpose.

The name AGENBITE MISERY is itself a reflection of the band’s literary roots, pulled from a line in Ulysses that references the 14th-century English devotional text Agenbite of Inwit. The phrase, literally “again-bite of inner wit,” or modernized as “remorse of conscience," became the perfect thematic and philosophical framework for an album steeped in grief, alienation, and the search for meaning in modern life. The band’s name was chosen because it reflects the deep, biting sorrow that pervades the novel and their music. Though the original pronunciation might have been “ah-jehn-bite,” the band opts for a harder, contemporary “ae-ghen-bite” as a nod to their mission of dragging ancient texts into the present.

Remorse of Conscience was written over the course of 2023 and recorded in 2024, entirely self-produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. The recording sessions were a direct extension of the trio’s collaborative ethos: a commitment to honesty, maximalism, and transformation. Each of the album’s eight songs adapts a chapter from Ulysses, using lyrics pulled directly from Joyce’s prose and reshaping them into brutal, beautiful sonic forms. The band sees each track not merely as a song but as a new translation, an attempt to convert stream-of-consciousness literature into aural energy.

The album opens with "Telemachean Echoes," a short, grinding burst of power violence and hardcore chaos that adapts the novel’s opening scene: Stephen Daedalus waking from a bitter dream of guilt and loss. The lyrics, shouted and whispered, move from internal shame to furious defiance: “Hyperborean scrotum tightening mother killer” to the repeated cry of “Let me be and let me live, Agenbite of Inwit.” It’s a blistering introduction to the world AGENBITE MISERY has constructed.

From there, the album spirals into "Cascara Sagrada," a disorienting piece of blackened death metal that explores the quiet horror of Leopold Bloom’s morning routine. Built on warped time signatures, sliding guitars, and sections that move from Slint-inspired indie to full-blown noise assault, the song captures the mundane terror at the heart of Bloom’s lonely life. Lyrics range from meditations on defecation to biblical hallucinations: “Captivity to captivity, multiplying dying being born everywhere, the grey sunken cunt of the world.”

The centerpiece of the album’s first half is the 13-minute "A Charitable View of Temporary Insanity," a devastating doom-sludge epic based on Bloom’s experience at a funeral. Lurching between minimal ambient textures and towering funeral doom riffs, the song reflects on loss, failure, and the strange bureaucracy of death. The vocals echo with grief: “If little Rudy lived, if I had seen him grown, my son, me and his eyes,” while the final line offers a glimmer of hope: “The blood sinking in gives earth new life.”

At the edge of genre, "Whatness of Allhorse" reimagines post-punk and industrial through a metal lens. With deadpan vocals, massive drum machines, horror-synth textures, and a blackgaze-style climax, the track adapts a scene where Stephen Daedalus debates Shakespearean theory with literary elites. The chaotic freedom of that conversation translates into a song full of bold choices and layered absurdity. “He left her, and gained the world of man,” we hear before the song explodes into shimmering tremolo guitars and a final scream: “But I’ll survive.”

"Bellwether and Swine" brings the record back to pure metal, a pummeling, riff-driven anthem inspired by Bloom’s argument with a xenophobic Irish nationalist. The song weaponizes the tropes of epic metal to mock toxic patriotism, stacking sludgy power chords over blast beats, while spoken word passages echo Old Testament imagery. The narrator’s bile is palpable: “Begob, he got as far as the door. Begob, always some bloody clown or other.”

With "Circe," the band returns to black metal, this time with a psychedelic bent. The chapter in Ulysses this track adapts is a hallucinatory descent into Dublin’s red-light district. The song mimics this spiral with hypnotic guitar lines, overlapping time signatures, and an atmosphere of dread. At the climax, we’re given one of the novel’s most haunting images: “A white lambkin peeps out of his waistcoat pocket.” It’s a fever dream of guilt and memory.

"The Twice-Charred Paths of Musing Disciples" offers a brief, contemplative interlude. Inspired by the penultimate chapter of Ulysses, the piece uses dungeon synth textures and ambient layering to conjure the quiet moment when Bloom invites Stephen to stay the night, and is turned down. The central melodic motif is taken from actual sheet music printed in the text, adapted into a modern drone setting.

The record closes with the monolithic "Mnesterophonia," a sprawling, droning epic that mirrors the novel’s final chapter, told from Molly Bloom’s perspective. Drawing on indie rock, doom, and freeform noise, the track builds from intimate to immense. The lyrics pull from Molly’s internal monologue as she drifts into sleep: “When I put the rose in my hair and how he kissed me and I thought well as well him as another…” The final lines of both book and album, “Yes, I will, Yes”, are screamed over a wall of sound, sealing the record with one of the most powerful emotional moments in modernist literature.

Though Remorse of Conscience is steeped in literary references, its emotional core is universal. At every turn, AGENBITE MISERY seeks to translate not just words but the raw human experience: grief, desire, disconnection, hope. In doing so, they’ve created something greater than a concept album, it’s a reinvention of what metal can do.

There is no other band like AGENBITE MISERY, and no album like Remorse of Conscience. This is a project that refuses to compromise, refuses to simplify, and refuses to be easily categorized. Instead, it dares to ask the same question Ulysses once did: can we still find truth, beauty, or meaning in the wreckage of the modern world? And their answer, it seems, is a resounding Yes. Yes, we will. Yes.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:

• Bandcamp: https://agenbitemisery.bandcamp.com

• Facebook: https://www.facebook.com/profile.php?id=61574211514876#

• Instagram: https://www.instagram.com/agenbitemisery/?hl=en

• YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw

• Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ

• Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132

• TikTok: https://www.tiktok.com/@agenbite.misery

Out Today - INDUCTION - Love Kills!

Power metal upstarts INDUCTION aim to astonish and amaze with their highly-anticipated third album, Love Kills!. Catchy melodies and upbeat riffs dominate the soundscape, capturing the band’s energy as a relentless force to be reckoned with in the modern metal world. Though eclectic and refreshing, Love Kills! remains underpinned by a lingering sense of nostalgia for the power metal legends who inspired INDUCTION. The band pays homage to their roots while introducing less traditional elements and building a new, intriguing sound. The result is an album that is sure to please longstanding fans, while also exciting newcomers and proving that power metal is here to stay for years to come.

Love Kills! kicks off with the emotional “Virtual Insanity”, where blasts of synth notes meet melodic riffing and shredding guitar leads. The narrator longs to escape from a world to which they no longer belong, and to be free from the obsessions and desires imposed on them by others. Electronic effects on the vocals leave no doubt that the band is aspiring toward a more modern aesthetic.

“War Of Hearts” keeps the barrage of sweeping lead guitars and chugging riffs coming. Furious drumming lays the foundation for the desperation that the song conveys. A passionate vocal delivery and subtler keyboard notes betray the melancholy that lurks beneath energetic, fast-paced beats. The lyrics speak of uncertainty, regret, and fear of the future, while remaining determined to forge onward in spite of it all.

The synth-dominated “Dark Temptation” marks a dramatic twist in the album’s trajectory. In a surge of catharsis, the vicious thrill of forbidden love replaces the melancholy and yearning of the previous tracks. The narrator declares their love for a “mistress of the night”, igniting a renewed spark of passion that had once threatened to fizzle out. Instrumentally, the song trades complexity for impact, with melodies certain to be remembered long after the story ends.

The album takes an ominous turn on “Steel And Thunder”. Heavy, hard-charging riffs and lightning-fast leads intertwine with cinematic synths as a ferocious battle rages. The song sheds a new light on classic power metal themes, with imagery of a vengeful narrator taking back their destiny in the face of a seemingly-unstoppable, inhuman enemy. The bridge offers a short lull amid the chaos, but the energy quickly picks up again, carrying on with unrelenting force until the final note.

“Strangers To Love” introduces bass-heavy electronic elements and melodic female vocals. Though the riffs remain prominent, the song leans more heavily on melody and cinematic atmospheres, contrasting noticeably with the previous tracks. The band proudly shows off their versatility and emotional depth with a sound that bridges modernity and nostalgia.

“Beyond Horizons” opens with triumphant guitars and Latin-language gang vocals that recall the classic, energetic power metal sound that inspired INDUCTION. The synths are relegated to the background, in favor of shredding solos and powerfully-layered vocals. A higher key change in the final chorus lends one last dramatic flair, as the narrator proclaims the fulfillment of a destiny.

“Gods Of Steel” brings the bass back to the forefront, accompanied by crushingly heavy riffs and dramatic synths. Ominous vocals dominate the verses, warning of an impending conflict. The drama comes to a head in the chorus, as the narrator urges their companions to take their fates into their own hands “with an iron will”.

Mixed feelings about a relationship arise on the title track, “Love Kills!”. The narrator laments the failure of their romance while acknowledging the enduring, complicated nature of love. Like others before it, “Love Kills!” is deceptively upbeat, presenting a serious undertone beneath the polish and glamor of the music.

“I Am Evil” is a straightforward, shredding rocker that relies on heavy riffs and keyboards in equal measure. The softer moments never last long, inevitably exploding into brash, catchy melodies or guitar solos.

“The Veil Of Affection” leans heavily on cinematic drama, with sweeping synths and melodic guitar work. The riffs chug along, while symphonic atmospheres soar above. The narrator longs to open his heart, but fears losing himself in his emotions, and closes himself off to the world.

The final track, “Empress”, tells a contemplative tale about following one’s heart. Softer verses are neatly balanced with energetic choruses. Gritty, soaring vocals and melodic guitar solos carry the bulk of the emotion, taking the listener on a journey through the narrator’s inner conflict.

About INDUCTION:
In the heart of the power metal resurgence stand INDUCTION, a name that has quickly become synonymous with the genre’s new wave. Led by Tim Kanoa Hansen, son of metal legend Kai Hansen (HELLOWEEN, GAMMA RAY), INDUCTION are a force to be reckoned with, igniting stages and captivating audiences worldwide.

Their rise began with a bang as their sophomore album, Born From Fire, was released under the wings of Reigning Phoenix Music, earning widespread acclaim and solidifying their status in the genre. Notable praises include being crowned “Power Metal Rising Star of the Year” by Rock Hard in 2022 and drawing the attention of German TV channel SWR, which chronicled their ascent in a documentary.

Building on this momentum, INDUCTION embarked on high-profile tours alongside metal giants such as STRATOVARIUS, SONATA ARCTICA, BATTLE BEAST, GAMMA RAY, ACCEPT, and more, showcasing their polarising live energy and winning over audiences across Europe and also Japan.

Though widely considered a progressive power metal band, INDUCTION refuse to be confined by a single genre. With each release, they defy expectations, seamlessly blending and evolving the boundaries of their music while staying true to their unmistakable core.

As they march toward the release of their eagerly awaited third album, Love Kills!, INDUCTION remain a hungry force in the metal galaxy, fuelled by a passion for music and an unwavering commitment to their craft. With the rallying cry “We bring the heat!” echoing in every riff and chorus, they invite fans to join them on their epic journey through realms of myth, majesty, and POWER!

INDUCTION are:
Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums

More on INDUCTION:

inductionofficial.com | Facebook | Instagram | Threads | TikTok

YouTube | X | Spotify | Apple Music | RPM

Supergroup SKY KNIVES Ignite Emotional Firestorm with Explosive New Single “Talking To Myself”

SKY KNIVES have officially unleashed their electrifying new single, “Talking To Myself.” The track delivers a gripping fusion of emotional vulnerability, sonic intensity, and razor-sharp songwriting that solidifies SKY KNIVES as a formidable new force in modern rock.

“Talking To Myself” is a pressure chamber—steel walls, flickering lights, and a voice ricocheting back from the dark. Built on industrial pulse and mechanical groove, the song captures the moment when isolation turns confrontational, when the mind becomes both interrogator and witness. It’s about the fracture between who you present to the world and who answers you in the silence—gears grinding, thoughts looping, truth surfacing through repetition. Cold, hypnotic, and relentless, "Talking To Myself" doesn’t search for comfort; it locks in, turns the noise up, and forces clarity through impact.

ABOUT SKY KNIVES

SKY KNIVES is a modern rock ritual disguised as a band—five architects of sound carving melody and menace into the same blade. Led by Jonny Sculls (Pvsher) on vocals, with

James Skrtich (ex A Killers Confession, current The Union Underground) and Joey Rodriguez (ex Allele) forging twin-guitar atmospheres, Ilyn Nathaniel (The Union Underground) anchoring the low end, and Marc Coronado (The Crowned) driving the pulse, SKY KNIVES conjures songs that feel summoned rather than written.

Their music lives at the crossroads of shadow and fire: anthemic, dark, and strangely beautiful, threaded with the myth of the Witch—an unseen force that awakens power, splits truth from illusion, and demands transformation.

Equal parts groove and grit, spectacle and intention,with an industrial feel and a hearbeat that is undeniable, SKY KNIVES isn’t chasing nostalgia or trends; they’re building a world—one where sound cuts clean, belief becomes fuel, and the blade always points forward.

LISTEN ON

SPOTIFY

APPLE MUSIC

AMAZON MUSIC

IHEART

PANDORA

DIRKSCHNEIDER & THE OLD GANG Strike Back with "Batter The Power" Video

Another new video has arrived from the already released album “Babylon” by DIRKSCHNEIDER & THE OLD GANG (released in October 2025, RPM).

Following the strong impact of previous clips, with “It Takes Two To Tango” and “Hellbreaker” each surpassing one million views, the band now present the video for “Batter The Power”, continuing the visual journey through their latest release.

“Batter The Power” is a classic heavy shuffle driven by a true metal riff and an anthem-like sing-along chorus that instantly evokes the spirit of “old times.” What initially appears to be a deliberately straightforward and repetitive verse structure is given a sharper edge by the accusatory vocal interplay between Udo Dirkschneider and Peter Baltes, adding tension and attitude to the song’s message.

Manuela “Ella” Bibert puts the icing on the cake with her distinctive solo vocal interludes during the final choruses, while Mathias Dieth’s extraordinary guitar solo breaks free from any convention, unapologetically bold and perfectly in line with the band’s uncompromising approach. Why should we care about rules?

Lyrically, “Batter The Power” draws on classic heavy metal imagery of battle, resistance and liberation. Lines like “we’ll die to be free” and “never surrender” underline the song’s central message: relentlessly challenging oppressive power in the name of freedom and justice.

With the “Batter The Power” video, DIRKSCHNEIDER & THE OLD GANG once again highlight the timeless strength of classic heavy metal, reinforcing Babylon as an album that proudly bridges the past and present with experience, conviction and raw power.

Watch the video Below:

Listen to Babylon on your favourite streaming platform or get your CD/LP/Earbook here: https://datog.rpm.link/babylon

About DATOG:

DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth(guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.

DATOG are:

Udo Dirkschneider | lead vocals

Peter Baltes | bass, lead & backing vocals

Manuela “Ella” Bibert | lead & backing vocals, keys

Stefan Kaufmann | guitars, backing vocals

Mathias “Don” Dieth | guitars, backing vocals

Sven Dirkschneider | drums, backing vocals

More on DATOG:

datog.de | Facebook | Instagram | Spotify | Apple Music | YouTube | RPM

SYLOSIS - drop psychological heavy-hitter 'Lacerations' from forthcoming album 'The New Flesh'

SYLOSIS have revealed the third single from their fiercly anticipated record, The New Flesh, due to drop on February 20th via Nuclear Blast Records. The New Flesh is being hailed as a towering testament to destructive riffing, incisive melody and refined brute force.

Today's new single, the psychological heavy-hitter 'Lacerations', showcases SYLOSIS at a career apex - stacked with anthemic hooks, razor sharp, and heavy-as-hell. The track encapsulates brutality and catchiness in perfect symbiosis.   

Josh Middleton stated,
"Lacerations has become a firm favourite amongst those that have heard the new record. After this song came together during the early stages of writing, I felt a huge sense of relief knowing that we had achieved our best song to date. I couldn’t get the chorus out of my head and that’s usually a good sign. Once we had this song under our belts we knew this album would a big step up in terms of our writing abilities.

Musically it calls back to some of the darker melancholic sounds from Edge of the Earth or even The Supreme Oppressor but with a ton of heavy riffs in there. Lyrically, this song is about facing your own mortality and health anxiety. I think a lot of people can relate to spiralling out of control when they think something’s wrong and how differently you look at your life, and what matters most when confronted with those intrusive thoughts."

Pre-order album The New Flesh here: https://sylosis.os.fan/
Watch the 'Lacerations' video Below :
Stream 'Lacerations' here: https://sylosis.bfan.link/lacerations

SYLOSIS are currently tearing across Europe for their biggest ever tour. Check out all dates below!

Last week, it was announced that Heaven Shall Burn, The Black Dahlia Murder and Frozen Soul, will all be joining the bill for their show on February 20th, at London's O2 Forum Kentish Town. This crushing line-up is guaranteed to be metal’s billing of the year!

SYLOSIS will also be hosting an 'Album Release Party Event' on February 20th from 12-3.30pm, at The Black Heart, Camden. The free-entry event will include an album signing session, a full-band Q&A, a merch pop-up, and food and drink specials.

SYLOSIS will also be touring North America across April and May 2026 with Bleed From Within, Great American Ghost & Life Cycles. Full dates are here:

NORTH AMERICA 2026
w/ Bleed From Within, Great American Ghost & Life Cycles

02.04 - Worcester MA, The Palladium
03.04 - Montreal QC, Theatre Beanfield
04.04 - Toronto ON, Opera House
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Tickets on-sale now via https://sylosis-band.com

When the going gets tough, metal gets heavier. SYLOSIS have always been devoted to the fine art of breaking necks, but in recent times, the urgency of their mission has grown exponentially. Still surfing on a wave of acclaim and the effusive fan response to their last album, 2023’s A Sign Of Things To Come, Josh Middleton’s virtuoso wrecking crew are poised to release their latest and best album, The New Flesh. A towering testament to destructive riffing, incisive melody and refined brute force, the band’s seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.  

The New Flesh is a fearsome statement of renewed intent. Harder, heavier and more ruthless than its predecessor, it is full of the kind of explosive, riff-driven anthems that guarantee carnage in the pit. But this is no exercise in mindless bludgeon: instead, Josh Middleton has penned his most evocative and thought-provoking songs to date. From the punishing grooves and breakneck viciousness of the opening 'Beneath The Surface', to the epic conflagration of album closer 'Seeds In The River', The New Flesh is an artful and nuanced take on the pure metal that SYLOSIS hold close to their hearts. This is brutality and catchiness in perfect symbiosis.   

Dark and destructive, but dynamic and diligent, SYLOSIS are on blistering, career-best form on The New Flesh. The purposeful reset that began with The Sign Of Things To Come has evolved into something unstoppable, and the band’s latest work brims with confidence and authority. If it’s skull-shattering, 21st century heavy metal you want, The New Flesh brings it like never before.  

The Amity Affliction Announce New Album "House of Cards" Out 4/24 + Share Title Track

Embracing a new chapter of artistry as a band, The Amity Affliction announce their long-awaited new studio album, HOUSE OF CARDS. 

Releasing via Pure Noise Records on April 24, HOUSE OF CARDS is the first full-length outing from The Amity Affliction to feature clean vocalist Jonny Reeves, who became a permanent addition to the lineup in 2025. 

Bolstering Joel Birch's signature fusion of intense and open lyricism, the arrangements and vocal duality provided by The Amity Affliction throughout the DNA of this new album is set to reaffirm the band’s status as one of heavy music's most dynamic groups.

Today, the band shares the first taste of the new album — the impactful title track "House of Cards." A song penned by Birch for his brother and sister (and himself), taking stock of the relationship shared with their mother — a central figure at the heart of the album.

Open about the difficult nature of the relationship shared between mother and children, Birch unpacks the thematic nature of "House of Cards," saying, "Our mother died in 2024 and none of us had a healthy relationship with her. She was very self-involved, aggressive, abusive in our early years, and in her later years, spent a good amount of time trying to put a wedge between the three of us. Thankfully, once she passed, the three of us actually became closer as we realized we had individual, but shared trauma related to her."

With lyricism directly related to experiences Birch and his siblings experienced during their formative years, "House of Cards" is a song that matches its sonic intensity with emotional weight threaded through its poignant words. 

The single, both as an individual entry and as part of HOUSE OF CARDS' broader tapestry, is a strong moment of acknowledging trauma but in doing so, navigating it with a redefined perspective on life and human relationships. 

Released alongside the track, is the music video for "House of Cards," directed by Daniel Daly.

Watch the music video below:

As demonstrated throughout 2025 with both music ("All That I Remember") and a huge return to touring across North America, Europe, and the UK, the hunger The Amity Affliction share with their global audience when it comes to new material remains fervent. 

Across a two-decade strong career, the band has continued to take strides forward in delivering music that has brought them countless accolades including five ARIA #1 albums, over 1 billion streams, and numerous sold-out tours in both domestic and international markets. The release of HOUSE OF CARDS in 2026 is set to be a powerful addition to a catalogue that remains one of Australia's best. 

In addition to their current Australian tour dates, The Amity Affliction has also been announced as part of the HELLBOUND HEAVY METAL CRUISE for 2027. Setting sail in January 2027, the band will perform alongside heavyweights including PARKWAY DRIVE, ALPHA WOLF, I KILLED THE PROM QUEEN and THY ART IS MURDER. 
 

More info about The Amity Affliction's Australia tour dates HERE.

THE AMITY AFFLICTION ON TOUR IN NORTH AMERCA:
WITH AUGUST BURNS RED, BOUNDARIES + HEAVENSGATE:
4/10 — Worcester, MA — The Palladium*
4/11 — New Haven, CT — College Street Music Hall*
4/12 — Pittsburgh, PA — Stage AE
4/14 — Charlotte, NC — The Fillmore
4/15 — Atlanta, GA — Tabernacle
4/16 — Orlando, FL — House of Blues
4/18 — New Orleans, LA — The Fillmore
4/19 — Dallas, TX — The Bomb Factory
4/21 — Houston, TX — House of Blues
4/22 — San Antonio, TX — Vibes Event Center (Outdoors)
4/24 — Phoenix, AZ — The Marquee
4/25 — San Diego, CA — Soma
4/26 — Anaheim, CA — House of Blues
4/28 — Sacramento, CA — Channel 24
4/29 — Garden City, ID — Revolution Concert House
5/1 — Salt Lake City, UT — The Union Event Center
5/2 — Denver, CO — The Fillmore
5/3 — Omaha, NE — The Astro Theater
5/5 — Minneapolis, MN — The Fillmore
5/6 — Milwaukee, WI — The Rave
5/8 — Chicago, IL — Riviera Theatre
5/9 — Royal Oak, MI — Royal Oak Music Theatre
5/10 — Toronto, ON — History
5/12 — Montreal, QC — Mtelus
5/13 — Brooklyn, NY — Brooklyn Paramount
5/15 — Baltimore, MD — Nevermore Hall
5/16 — Columbus, OH — Sonic Temple**
5/17 — Philadelphia, PA — The Fillmore
*With Dreamwake, No Heavensgate
**Festival Date (ABR + TAA Only)