Flesh Prison Signs To Papercut Recordings & Drops New Single & Video; "Sent Through A Woodchipper"

Fast-ascending Toronto deathcore outfit Flesh Prison releases "Sent Through a Woodchipper" today via Papercut Recordings, marking their first single since signing with the label. The track arrives alongside a music video and signals a heavier, more focused direction for the band. Fans can stream the new track HERE and watch the accompanying music video below.

"Sent Through a Woodchipper" channels the raw aggression of OG MySpace-era deathcore. Lyrically, the track confronts retribution and justice against those who commit heinous acts. Mixed and mastered by Cody Stewart, the song delivers the band's most visceral work to date.

On today's release, the band share

"'Sent Through a Woodchipper' is a fast, violent release of anger rooted in the raw energy of the OG MySpace deathcore era," the band shares. "Lyrically, the song explores retribution and justice against those who commit heinous acts (genocide, displacement, and abuses of power). Sonically, we wanted something aggressive, relentless, and unapologetic, with no excess or restraint. Working with Cody Stewart on the mix and master helped push the track to its heaviest and fullest form. Dropping this single and video as our first release with Paper Cut Recordings marks a new era for our band—heavier, angrier, and more focused than ever."

After releasing their debut EP in February 2025, Flesh Prison - Paul Padgett (vocals), Jesse McKay (guitar), Brett Wright (bass), and Matt Andrews (drums) - also announced today that they have signed to the recently formed artist-first independent label, Papercut Recordings. The band has accumulated 85,000 Spotify streams and 51,800 YouTube views in just over a year, maintaining consistent monthly listenership and peaking near 10,000 monthly listeners.

Flesh Prison hits the road this April with The Last Ten Seconds Of Life, Traitors, The Crimson Armada, and Nailed Shut, with dates in Quebec City (4/9), Montreal (4/10), and London, ON (4/12), with more to be announced.

ABOUT FLESH PRISON

Flesh Prison is a Toronto-based deathcore band rooted in the raw aggression of OG Myspace-era deathcore. Formed in late 2024, the band blends relentless brutality with a stripped-down, uncompromising approach. The quartet has amassed 85,000 Spotify streams and 51,800 YouTube views since their debut EP released last year and began 2026 by announcing that they signed with Papercut Recordings.

Crippled Black Phoenix Announce Stark New Album 'Sceaduhelm'

CRIPPLED BLACK PHOENIX are announcing their new album Sceaduhelm with a new video for its lead single “Ravenettes”. One of the first songs written for Sceaduhelm, “Ravenettes” establishes the album’s emotional framework. Built on repetition, restraint and controlled momentum, the song captures a state of psychological vigilance, where suppressed memories resurface without warning and avoidance proves brief.

Watch the music video for “Ravenettes” below:

Sceaduhelm comes out April 17th on Season of Mist.

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

“Ravenettes” frames trauma as cyclical rather than resolved, returning again and again as a glitch in the timeline. The song’s stripped-back construction and insistent rhythmic pulse mirror the sense of inevitability by favoring tension over release. Vocalist Belinda Kordic remains measured and urgent, carrying the song’s unease without exaggeration. Within the wider context of Sceaduhelm, “Ravenettes” introduces the album’s inward focus on endurance, emotional erosion, and the quiet violence of repetition, setting the foundation for what follows…

The official music video for “Ravenettes” was produced in collaboration with 9LITER FILMY, an audiovisual production collective, who are recognized for cinematic restraint and emphasis on mood-driven storytelling. Known for work that favors atmosphere, repetition and visual tension over linear narrative, 9LITER FILMY’s approach mirrors the song’s exploration of memory as disruption rather than closure.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Available Formats:
CD Digipak
Digital Download
2CD Slipcase
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Violet
​2x12" Coloured Vinyl Gatefold - Red & Black Marbled
2x12" Coloured Vinyl Gatefold - Silver & Green Marbled
​2x12" Coloured Vinyl Gatefold - Half Black, Half Transparent w/ White Splatters


Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

North/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

HANABIE. Release New EP 'HOT TOPIC' via Sony Music Japan

It's a great day to be a HANABIE. fan! The rising Harajuku-core quartet have today released their latest EP 'HOT TOPIC' (via Sony Music Japan), the band's latest body of new music since 2024's 'Bucchigiri Tokyo' EP. When asked about the release, vocalist Yukina commented:

"We’ve put together another EP packed with a wide variety of songs this time around. With our new tracks “ICONIC” and “Tokimeki about you” I’d love it if everyone sang along and jumped around during the chorus—I can already picture the scene in my head! I can’t wait to perform these live at our shows. “GIRL’S TALK” is a song that captures who we are right now, just as we are. “Spicy Queen”looks back to our early days and reflects that original spirit. Both of these have already been released as singles, but they’re absolutely essential in bringing color and balance to 'HOT TOPIC'. As has become something of a tradition for us, we let ourselves go all out with one playful track on an album or EP—this time, it’s “Theme of hanabienchan”. I’d love to see the confused looks on everyone’s faces when this song comes on after listening to the other four tracks! Please enjoy this EP to the fullest."

Guitarist and vocalist Matsuri shared:

"An EP perfectly suited to kick off 2026 is finally complete! This EP includes three new tracks. “ICONIC” and “Tokimeki about you” are punchy tracks that is simple x electronic with playful elements. By embracing a side that is different from usual, we feel that a new side of HANABIE. was born. “Spicy Queen” bursts with initial full-throttle impulse. “GIRL’S TALK” is a glamorous, danceable track. Closing out 'HOT TOPIC' is “Theme of hanabienchan”. This EP delivers many different expressions of HANABIE., so please enjoy listening to it from start to finish!"

Bassist Hettsu added:

"The new EP 'HOT TOPIC' features 5 tracks—3 brand‑new songs plus the already released “GIRL’S TALK” and “Spicy Queen”. Among the new songs "ICONIC" and “Tokimeki about you", we challenged ourselves with song structures and genres unlike anything we've done before. “Tokimeki about you” is our first-ever straightforward love song as HANABIE., and a key feature is the groovy sound of the instrumental section. It's a track that we feel is great to move along to, so we hope everyone who comes to our live shows will enjoy it ♪ The fifth track, “Theme of hanabienchan.”, is the theme song for HANABIE.’s unofficial character, “Hanabienchan”. As our wild-card track that is in every EP or album, it finally makes its appearance here! There might just be a second installment if there is a good response...?? With our 10th-anniversary track "Spicy Queen", a more mature side of HANABIE. in "GIRL'S TALK", and three brand-new tracks with fresh styles, we feel this EP displays a new side of HANABIE."

HANABIE. drummer Chika also shared:

"Three out of the five tracks on this EP are brand-new! The third track, “Tokimeki about you”, is my personal favorite as the drummer. I focused on creating contrast and dynamics in the drum arrangement. I especially love the moment in the first chorus where the cymbals drop out, and the strength of the rhythm section throughout the song. The fifth track is a special one—I think it will get stuck in your head once you hear it. The first track “ICONIC” also has a music video, so be sure to check that out as well. Please also notice how there is a difference on the girl’s face between the left and right sides. We put a lot of effort into all aspects of this EP, from the songs to the cover art!"

North American fans will also have their chance to see the band's high-energy, inimitable live show on their first North American headliner beginning Friday, March 13 with Nekrogoblikon and Enterprise Earth as support. 'HOT TOPIC' is available now on all streaming platforms at the link here, and be sure to get your tickets here before they're all gone.

HANABIE. 2026 North American Headliner with Nekrogoblikon + Enterprise Earth

Fri Mar 13 - Boston, MA - Big Night Live

Sat Mar 14 - Brooklyn, NY - Brooklyn Bowl

Sun Mar 15 - Silver Spring, MD - The Fillmore Silver Spring

Tue Mar 17 - Montreal, QC - Théâtre Beanfield

Wed Mar 18 - Toronto, ON - The Danforth Music Hall

Fri Mar 20 - Pittsburgh, PA - Roxian Theatre Presented by Citizens

Sat Mar 21 - Philadelphia, PA - Theatre of Living Arts

Mon Mar 23 - Raleigh, NC - The Ritz

Tue Mar 24 - Atlanta, GA - Buckhead Theatre

Wed Mar 25 - Orlando, FL - House of Blues Orlando*

Fri Mar 27 - Cleveland, OH - House of Blues Cleveland

Sun Mar 29 - Detroit, MI - Saint Andrew's Hall

Mon Mar 30 - Chicago, IL - House of Blues Chicago

Wed Apr 01 - Minneapolis, MN - The Fillmore Minneapolis

Fri Apr 03 - Dallas, TX - House of Blues Dallas

Sat Apr 04 - Houston, TX - House of Blues Houston

Mon Apr 06 - Austin, TX - Emo's Austin

Tue Apr 07 - Phoenix, AZ - The Van Buren

Thu Apr 09 - San Diego, CA - House of Blues San Diego

Fri Apr 10 - San Francisco, CA - August Hall

Sat Apr 11 - Los Angeles, CA - The Belasco

*No Nekrogoblikon

ABOUT HANABIE.:

HANABIE. is a Tokyo-based all-girl rock band that has been making waves since 2015, when YUKINA, MATSURI, and HETTSU came together for a high school club activity. With the addition of CHIKA in May 2023, the band has evolved into a force to be reckoned with. Don’t be fooled by their cute, girlish image—their sound is a hard-hitting blend of powerful shouts, heavy riffs, and unique Japanese flair, capturing fans at home and abroad. Their hit single “Pardon Me, I Have To Go Now” has amassed over 10 million views on YouTube and 5.3 million views on TikTok.

In December 2024, HANABIE. released their EP, Bucchigiri Tokyo, further showcasing their dynamic range and signature style. Next, the band will release their latest EP, HOT TOPIC, on Wednesday, January 28, 2026.

2023 marked the beginning of their overseas ventures, and in August 2024, they made history as the first Japanese women to perform on the main stage at Lollapalooza in Chicago, USA. The quartet will soon bring the heat on their first North American headliner beginning mid-March 2026. With a rapidly growing international following, HANABIE. is actively expanding their presence and making a bold statement on the global stage.


HANABIE. is:

Yukina

Matsuri

Hettsu

Chika

Motionless In White Return With New Single + Video "Afraid of the Dark"

"AFRAID OF THE DARK" connects MIW's past, present, and future — mixing metallic fury with electronic embellishments. The result is a fist-in-the-air anthem that will be instantly beloved by the Motionless faithful.

"20 years ago, I stepped into a tour van with my best friends, having no idea what was next every mile we drove down the road," says singer Chris Motionless, pulling back the curtain on the song's origin story, which is rooted in the band's own history. "Funny enough, we broke down two hours later in the AM hours in a snowstorm. We had to sleep on the floor of a rest stop on the side of the Interstate and wait what felt like forever for a tow truck. We were forced to cancel the first few shows of our first tour ever, and to figure out how to scrape up every cent we could to try and get the van fixed and get back on the road. Nothing was ever going to stop us. There was never a doubt that we would find a way to live out our biggest dream and set a precedent for anything standing in our way."

He continues, "On our 20-year anniversary, that spirit is burning just as hot as it was on that day. We refuse to settle, refuse to let any opposing force stop us from clawing our way up from hell, and we refuse to fear the dark of the unknown. I want the story of MIW to inspire anyone listening to not fear the unknown, but to run head first into it with everything they've got. This song is about taking control of your destiny and writing the script of your own future without any doubt or apprehension. For those of you who have been with us for any part of the last 20 years, this one is for you. If you mean it, you will make it."

Motionless In White have been going from strength to strength for two decades, and "AFRAID OF THE DARK" is proof of that fact.

The band will spend the spring on tour supporting Bring Me the Horizon, including a performance at Madison Square Garden and at Welcome to Rockville and Sonic Temple festivals.

MOTIONELESS IN WHITE ON TOUR:
WITH BRING ME THE HORIZON:
4/28 — Toronto, ON — Scotiabank Arena
4/29 — Montreal, QB — Centre Bell
5/1 — Worcester, MA — DCU Center
5/2 — New York, NY — Madison Square Garden
5/4 — Baltimore, MD — CFG Bank Arena
5/5 — Pittsburgh, PA — PPG Paints Arena 
5/7 — Nashville, TN — Bridgestone Arena
5/9 — Daytona Beach, FL — Welcome to Rockville*
5/11 — St. Louis, MO — Enterprise Center
5/12 — Kansas City, MO — T-Mobile Center
5/13 — St. Paul, MN — Grand Casino Arena
5/15 — Rosemont, IL — Allstate Arena
5/16 — Columbus, OH — Sonic Temple Festival *
*Festival Date

ABOUT MOTIONLESS IN WHITE:
Motionless In White have always stood out from the crowd. Mirroring alternately brutal and breathtaking sonic artistry against elegant and enigmatic imagery, the Gold-certified, Scranton, PA quintet have organically drawn legions of fans under their spell since 2006. A steady grind has elevated them to arena headliner. After earning three straight Top 5 debuts on the Billboard Top Hard Rock Albums Chart, 2022's Scoring The End of the World bowed at #1 on the latter, in addition to securing the band's highest position on the Billboard 200 at #12. The LP notably spawned their second RIAA Gold-certified hit and first Active Rock #1, "Masterpiece," which has leapt towards the Platinum threshold. Insidious and innate versatility has enabled them to collaborate on popular tracks with everyone from Jonathan Davis of Korn and DOOM composer Mick Gordon to Illenium and Knocked Loose. Beyond sold-out headline tours and direct support slots for Bring Me The Horizon and Slipknot, the group host, curate, and headline their own Apocalypse Fest in their hometown of Scranton. Two decades into their career, these outliers prove to be as dynamic and dangerous as ever, with a slew of new releases on the horizon for Roadrunner Records. This era begins with the single "Afraid of the Dark," infusing tightly executed metalcore with gothic overtures, industrial grit, and an arrestingly uplifting message to "follow the light in your heart and be not afraid of the dark." Welcome to the next renaissance of Motionless In White — now.

MOTIONLESS IN WHITE ARE:
 Chris Motionless — Vocals
 Ricky Olson — Guitar
 Ryan Sitkowski — Guitar
Vinny Mauro — Drums
 Justin Morrow — Bass

Pittsburgh postpunk-shoegaze outfit LOWSUNDAY unveils 'Soft Capture' from new 'White EP'

Legacy postpunk-shoegaze outfit Lowsunday has shared 'Soft Capture', with a new video by Jer Herring. This is the second single from the 'Low Sunday Ghost Machine - White EP', following 'Love Language'. Released via Projekt Records and ranking second among Post-Punk.com's Best EPs of 2025, this is the band's first record of all-new material since 1999.

Born in the mid-1990s within the local Pittsburgh scene, Lowsunday (initially known as Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with their debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', both of which were re-released via Projekt Records over the past 18 months (for their 30th and 25th anniversaries, respectively).

The band dissolved, leaving behind a cult reputation for mercurial sounds and blistering guitar work that set the stage for subsequent generations of alternative artists. Following a nearly 25-year period of inactivity, the band resurfaced as a duo in 2025—consisting of original members Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

"With 'Soft Capture', we wanted to layer vintage synths over a droning bass line, topped with a wandering guitar melody. As the guitar descends, we felt it taking on a darker tone, but then it creates a bit of a silver lining as the melody climbs back up. We used the lead guitar feedback almost like a theremin, letting it melt through the background," says Shane Sahene.

"Lyrically, we were thinking about the traps of life and the ways we often submit to things, but the song eventually circles around with an optimistic glimpse of having the opportunity to run away. We feel like the backing vocals on the chorus are what really bring that sense of strength and hope to a situation that might otherwise feel like a surrender."

Serving as both a reflection and a resurgence, the 'White EP' ushers in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback. This first of a two new EPs planned this year, their crystalline shimmer, classic song structures and melodic hooks shows their atmospheric sound to be as timeless and relevant as ever.

The 'White EP' is a natural expansion for Lowsunday, building upon guitar-driven atmospheres, synth textures, emotive vocals and drum beats. A confident return to form that explores darker yet more expansive sonic territory, they bring atmospheric noise and, at more delicate moments, a dream pop air of deeper melancholia. Distilling years of sonic exploration and inspiration, lyrically and sonically, classic post-punk rhythms and atmospheric layers merge to express raw and geniune emotion.

The 'Low Sunday Ghost Machine - White EP' is out now digitally everywhere, including Spotify, Apple Music and Bandcamp, and as a vinyl release, limited to 200 copies. The 'Low Sunday Ghost Machine' reissue and limited edition 7" of 'Static / Besides' can also be found on these platforms.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene: vocals, guitar, synth, bass, drums
Bobby Spell: bass, guitar, drums
Mastered by Bobby Spell & Shane Sahene
Album artwork by Shane Sahene
Layout by Christina Sahene
UPC 617026237121
Catalog # PJA-EE-371
2025 band photos by Christina Sahene
Video by Jer Herring
Publicity by Shameless Promotion PR 


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UADA Announces New Acoustic Album, 'Interwoven,' Unveils Haunting Nirvana Cover

Enigmatic black metal masters UADA are pleased to now reveal that their upcoming acoustic album, 'Interwoven,' will be released on April 10 via Eisenwald Records. The album represents an acoustic journey tracing one song from each chapter of UADA's discography as well as various covers from the bands who've inspired them. In celebration, the band is now sharing a haunting version of NIRVANA's "Something in the Way," which can be found along with a video below.

The video was filmed and edited by Karl Whinnery and directed by Jake Superchi, with Evan Gandy serving as the co-director of photography.

UADA comments, "When UADA was formed, a rule was set: no covers, in pursuit of carving a wholly independent voice. With 'Interwoven,' we allowed ourselves to bend that rule. Recruiting a cellist for this project created a rare alignment—a moment to pay homage to one of the most formative and regional influences of my youth. While staying close to the original arrangement, we allowed our interpretation to take on its own bleak, glacial weight—one that echoes through the song’s timeless sorrow."

'Interwoven' is now available for pre-orders HERE.

In addition, UADA has joined forces with industrial metal artist MORTIIS for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair. The full itinerary can be found below while tickets are now available HERE.

Moreover, after much demand from fans, UADA will be returning to Milwaukee Metal Fest for the second time since leaving their mark during the 2024 edition. The festival will take place at The Rave/Eagle's Club from June 4 - 7, with UADA performing on the 7th. More info and tickets can be found HERE.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

Additional UADA Tour Dates:

06/07: Milwaukee, WI @ Milwaukee Metal Fest

"More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial - a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing - until an improvised vocal passage in “Djinn” revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began - without a script, without rehearsal, and with full commitment to spontaneity and truth."

Recording lineup: 

Jake Superchi - All Vocals, Guitars, and Percussion

Nate Verschoor - Bass

Special Guest:

C.E. Brown - Cello 

Cover Art: Peter Beste

Album Credits:

Engineered and mixed at Obsidian Spells between Summer 2023 and Spring 2024 by Jake Superchi 

Mastered by Arthur Rizk

Stream // Download: https://uada.lnk.to/interwoven

Formats:

Digital

Deluxe CD Artbook

Deluxe 180g Slipcase LP Shadow Black Vinyl

Deluxe 180g Slipcase LP Raven Smoke Vinyl

Deluxe 180g Slipcase LP Wolf's Blood Vinyl

Deluxe 180g Slipcase LP Elder Earth Vinyl

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

Bodysnatcher Announces New Album 'Hell Is Here, Hell Is Home' out April 10 (via MNRK Heavy)

South Florida deathcore mainstays Bodysnatcher have today announced their upcoming new album 'Hell Is Here, Hell Is Home' out on Friday, April 10 (via MNRK Heavy). The full-length will be the band's latest body of new music since 2024's acclaimed EP, 'Vile Conduct'. In celebration of the announcement, the quartet released their new rager "The Maker" and the official music video. When asked about today's news, the band commented:

"We’re extremely excited to finally start sharing this album with everyone. We think it’s the bands strongest work. We finally accomplished the sound we’ve been aiming for from the start.”

'Hell Is Here, Hell Is Home' is available now for pre-order at the link here. Watch the official music video for "The Maker" below, and stream the track here.

After wrapping up a triumphant Australian tour this past weekend with Fit For An Autopsy, Bodysnatcher will next kick off their 'Hell Is Here, Hell Is Home' EU/UK headliner in March with PSYCHO-FRAME, Ingested and Big Ass Truck as support. The band will then bring the heat to the Chaos & Carnage 2026 tour across North America alongside Thy Art Is Murder, Carnifex, 200 Stab Wounds, Ingested, Gates To Hell, and Bodybox starting Saturday, May 2. For ticket information, please click here.

Chaos & Carnage 2026 Dates:

May 2 - Phoenix, AZ @ The Van Buren

May 3 - Albuquerque, NM @ The Historic El Rey Theater

May 5 - San Antonio, TX @ Vibes Event Center

May 6 - Houston, TX @ House of Blues Houston

May 8 - Nashville, TN @ Brooklyn Bowl

May 10 - Daytona Beach, FL @ Welcome To Rockville 2026

May 12 - Charlotte, NC @ The Fillmore

May 13 - Baltimore, MD @ Nevermore Hall

May 14 - Columbus, OH @ Sonic Temple 2026

May 15 - Reading, PA @ Reverb

May 16 - Worcester, MA @ Palladium

May 17 - Brooklyn, NY @ Brooklyn Monarch

May 19 - Chicago, IL @ Ramova Theater

May 20 - West Des Moines, IA @ Val Air Ballroom

May 22 - Denver, CO @ Ogden Theatre

May 23 - Salt Lake City, UT @ The Complex

May 24 - Boise, ID @ Treefort Music Hall

May 26 - Seattle, WA @ Showbox

May 27 - Portland, OR @ Roseland Theatre

May 29 - Berkeley, CA @ The UC Theatre

May 30 - Los Angeles, CA @ The Wiltern

May 31 - Las Vegas, NV @ House of Blues Las Vegas

ABOUT BODYSNATCHER:

There are many clichés about battling adversity. That if you fall down, you get back up again. That what doesn’t kill you makes you stronger. That it’s the journey that’s important, not the end result. That the struggle is worth it, that you need to suffer to make great art. It’s not always true, of course, but Hell Is Here, Hell Is Home (via MNRK Heavy) certainly makes a strong case for that argument. The fourth full-length from Melbourne, FL deathcore outfit Bodysnatcher, it follows 2024’s brutal Will Putney-produced EP, Vile Conduct and serves up another powerful barrage of uncompromising deathcore across 10 incredible tracks that see the four-piece—Kyle Medina (vocals), Kyle Carter (guitar), Kyle Shope (bass) and Chris Whited (drums)—turn the catharsis up as loud and as visceral as it will go.

Of course, that’s nothing new for the band. If you’ve heard Vile Conduct, or any of the three albums that preceded it—2017’s Death of Me, 2020’s The Heavy Void or 2022’s Bleed-Abide—you’ll know this is a band who have always pitted themselves against personal tragedy, who have fought on individual levels against the dark depths of a despair (often inspired by their own experiences of death). Hell Is Here, Hell Is Home is no less harrowing.

UK Death Metal Outfit UNBURIER Present “Abyssal Uncertainty” From As Time Awaits

UNBURIER share “Abyssal Uncertainty,” a defining track from their upcoming EP As Time Awaits. The song represents the band at their most focused and expansive, combining technical ferocity with a darker, more introspective narrative edge.

Beginning with a surge of torrential, arpeggiated dissonance, “Abyssal Uncertainty” immediately establishes its intensity before dropping into rapid, NECROPHAGIST-inspired riffing. Frantic guitars and exacting drumming are bound together by a restless fretless bass, weaving between voices and acting as the connective tissue that gives the chaos clarity. Despite frequent shifts in meter and tempo, the track maintains a consistent feel and raw momentum, reinforcing its oppressive atmosphere.

The song features the standout solo of As Time Awaits, using sheer brutality as propulsion before breaking into a soaring, expressive passage. The contrast highlights both technical command and a playful virtuosity, evoking the confidence of a guitarist operating at full creative freedom.

Lyrically, “Abyssal Uncertainty” is the most ambitious piece on the EP. Drawing influence from existential and cosmic literature, with nods to Albert Camus and H. P. Lovecraft, the track follows a trapped labourer’s descent into madness as he confronts the absurdity of his life and death. The narrative reflects the experience of anyone forced to surrender their nature in service of another’s greed, and the longing for a world where life can be lived on one’s own terms.

The songwriting is concise and deliberate. Every instrument occupies its intended space, supported by production that is polished without excess. Performances are tight, honest, and fully locked in, underscoring the band’s commitment to precision without sacrificing edge.

About UNBURIER:
Hailing from the south of England, UNBURIER stormed onto the death metal scene in the summer of 2022 with their debut EP Twisted Existence. The EP showcased the band's undeniable technical abilities, in addition to their raw and harrowing sound. In 2024, UNBURIER returned with their follow-up EP, Nebulous, on which the band refined their songwriting and technical prowess. On this release, the band ventured even deeper into the realms of their death metal influences, among which they count DEATH, NECROPHAGIST, and REVOCATION.

Having conquered stages alongside the likes of SANGUISUGABOGG, CRYPTA, and PARTY CANNON, as well as making notable appearances at Bloodstock Open Air and Incineration Festival, UNBURIER continues to carve a path alongside giants of the death metal genre. Their upcoming third EP, As Time Awaits, sees UNBURIER blending old- and new-school death metal styles with technicality, hooks, and razor-sharp songwriting. Carrying the torch of the classic death metal sound into a new age, As Time Awaits is certain to enthrall longtime fans of the genre.
 

UNBURIER lineup:
Ben Champion - Vocals/Guitar
Blake Hibberd - Guitar/Vocals
Stan Mitchell - Bass
Kim Hughes - Drums

THE JOTUNN announce new single “The Departure” from physical release of Summoner

Melodic deathcore band THE JOTUNN have released their newest single, “The Departure,” the final track on the upcoming physical edition of their album Summoner, out this Friday. The song serves as both a closing statement for this chapter of the band and a powerful step toward what comes next.

Originally introduced as a three-song release, Summoner Part I established the foundation of the band’s current era. The physical edition expands the album with Part II, which includes “Blood Flower,” the band’s cover of “Suicide Nation,” and now the intense and cinematic closer, “The Departure.”

The track was recorded in Michigan with producer Josh Wickman, known for his work with WITHIN THE RUINS, KING 810 and WAKING THE CADAVER. The result is a sharpened and fully realized version of THE JOTUNN’s sound, combining punishing heaviness with dark melody and atmosphere. The song highlights a band that has refined its identity and emerged stronger than ever.

An official video for “The Departure” was filmed by Tom Stumpf, who also worked on the band’s previous two records. The visual continues THE JOTUNN’s tradition of pairing their music with unsettling and cinematic imagery that deepens the emotional impact of their work.

Lyrically, “The Departure” explores the disturbed mind of Ed Gein, focusing on psychological horror and mental unraveling rather than glorification. The band uses the story as a narrative lens to examine darkness, instability, and inner torment, matching the song’s intense and oppressive atmosphere.

With this release, THE JOTUNN bring the Summoner era to a powerful close while signaling a new beginning. “The Departure” represents the band at its most focused and evolved, offering a glimpse of an even heavier and more ambitious future.

About THE JOTUNN:
Based out of Cleveland and Columbus Ohio, THE JOTUNN formed in 2021 after guitarist and songwriter Shawn Kahan presented a number of demos to Paul Kahan. Soon producer Cole Martinez (ABIGAIL WILLIAMS, WHITECHAPEL, ABORTED) was on board taking up the role of bassist and producer of their music. Nick Amato (ATOMIC WITCH) performed drums on the band's debut album Graveworshipper (2022), prior to Adam Biats joining the line-up. The outfit was awarded the Columbus Artist Grant in 2023, and subsequently in 2025. THE JOTUNN's EP Summoner arrived in 2024, and is set to be followed in 2025 by two cover releases and a new original track. Cole left the band in June 2025 on good terms, leading to the arrival of Leo Debevc on guitar and Londyn Hager on bass. 

THE JOTUNN is:
Paul Kahan - Vocals
Shawn Kahan - Guitar
Leo Debevc - Guitar
Londyn Snow - Bass
Adam Biats - Drums

Links:
Streaming links: www.thejotunn.com
Bandcamp: https://jotunn.bandcamp.com/
Facebook: https://www.facebook.com/TheJotunnBand/
Instagram: https://www.instagram.com/thejotunnband/

Credits: 
Recording Studio: Dreadcore Productions
Produced, Engineered, Mixed and Mastered: Josh Wickman
Drum Pre-Production: Nick Hawkins
Lyrics, Song and Performance by The Jötunn

EVERFELT RELEASE DEBUT ALBUM STIRRING TO WAKE

American psychedelic groove metal upstarts EverFelt are preparing to unleash their most immersive statement yet with the release of their new album, Stirring to Wake, which was released on December 15, 2025. Thick with hypnotic riffs, swirling atmospheres, and a dark melodic pull, the album channels the spirit of rock’s ancestors while carving a bold, modern path forward.

Drawing influence from the brooding weight of Tool, the haunting harmonies of Alice In Chains, the doom-laced swagger of Black Sabbath, and the mind-expanding mystique of The Doors, EverFelt deliver a sound that feels both familiar and dangerously fresh. Stirring to Wake doesn’t simply nod to these influences—it absorbs them, reshapes them, and pushes them into deeper, heavier territory.

Formed in the summer of 2022, EverFelt is driven by the haunting vocals and introspective lyricism of Adam Steglich, the expressive and textured guitar work of Corey Robinson, the powerful low-end foundation of Ryan Moore on bass, and the dynamic pulse and color of Danny Furlong on percussion. While their roots span everything from Audioslave and Pink Floyd to Slayer, the band’s identity stands firmly on its own—an intoxicating mix of psychedelic textures, groove-driven heaviness, and melodies that linger long after the final note fades.

With Stirring to Wake, EverFelt deepen their commitment to music that resonates beyond the surface. These are songs meant to sink in slowly, blur the edges, and stay with you. It’s an album built not just to be heard, but to be felt—music that crawls under the skin and refuses to let go.

“Music is the cornerstone of our existence,” the band shares. “With Stirring to Wake, we wanted to capture the haze, the heaviness, and the emotion that lives at the core of who we are—and leave a mark on anyone willing to take the journey with us.”

The album was engineered by Shelby Preklas of Loud and Clear Studio, who helped bring clarity, weight, and atmosphere to EverFelt’s evolving sonic vision, striking a balance between raw power and expansive depth.

EverFelt are ready to rise, ready to shake the dust off the underground, and ready to pull listeners fully into the world they’ve been building since day one. Stirring to Wake is not just the next chapter—it’s the moment the band fully comes alive.

THE ETERNAL Celebrate Release of New EP Celestial with Music Video for “Celestial Veil” Out Now on Reigning Phoenix Music!

Australian-Finnish dark progressive gothic metal collective THE ETERNAL celebrates the release of their new, critically-acclaimed EP, entitled "Celestial", that is out now on powerhouse label Reigning Phoenix Music.
 

To mark the day, the band have unveiled an official music video for “Celestial Veil”, a track that highlights their talent for slow-burning heaviness and emotional depth. The EP is available digitally and as a limited, eco-friendly recycled vinyl LP edition (exclusively available through the band’s official store and the RPM shop). Order your favorite choice of format at this location: https://theeternal.rpm.link/celestialPR

Built on restrained weight and a drifting sense of atmosphere, the new single “Celestial Veil” unfolds like a moment suspended in time. The video mirrors this feeling through cosmic imagery, light meets vast darkness, visually reinforcing the song’s themes of loss, distance, and fragile connection.

Featuring celestial metaphors, “Celestial Veil” captures the longing and grief of separation. As stars fade and time stands still, the song reveals that love, though fragile and doomed, remains a luminous force: eternal in memory and dreams beyond the darkness.

Watch the video clip below:

Following the success of their acclaimed 2024 album Skinwalker, THE ETERNAL now return with their new EP Celestial. Continuing their signature fusion of melancholic atmospheres, doom-laden heaviness, and progressive depth, the band once again delivers an emotive and cinematic journey through sound and spirit, unafraid to embrace both beauty and bleakness while charting new creative horizons.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, joined by Niclas Etelävuori (bass, ex-Amorphis/Flat Earth) and Jan Rechberger (drums, Amorphis) in Helsinki, THE ETERNAL have solidified themselves as a truly international collaboration. Their music resonates with fans of acts such as Katatonia, Swallow the Sun, and Anathema - dark yet luminous, heavy yet emotionally transcendent!

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
Instagram | https://www.instagram.com/theeternalofficial/
X | https://www.twitter.com/theeternalband
TikTok | https://www.tiktok.com/@theeternalofficial
YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

Progressive Rock Group RAIBARD Releases New Single "Path of Day"

Progressive rock group RAIBARD presents their new single “Path of Day,” a workers-inspired protest song that critiques the modern 9-to-5 grind with acoustic urgency and a hopeful undercurrent. Taken from their upcoming album Postscript, which is out March 6th. 

Built around a driving acoustic guitar, “Path of Day” reflects the mental fatigue and quiet frustration experienced by those working within rigid systems of labor and expectation. The opening lyric, “Walking off the pier of endless views, working for the whims of the endless few,” sets the tone for a song rooted in shared experience and social awareness.

Drawing inspiration from Bob Dylan’s “Maggie’s Farm,” the lyrics suggest the possibility of meaningful change without defining its shape. Lines such as “whispers in my heart of another way, willing my own steps turning night to day” point toward transformation as an internal shift that precedes outward action.

Midway through the song, the arrangement expands as electric, effected guitar enters alongside mixed meter. This structural shift mirrors the song’s thematic arc, moving from straightforward rhythms into more complex territory. The contrast between acoustic simplicity and layered experimentation reflects the qualitative change that can occur when perspective shifts.

“Path of Day” ultimately centers on humility and openness, recognizing the limits of control while embracing the idea that new possibilities emerge when rigid narratives are released. Through its evolving sound and reflective lyrics, RAIBARD offers a resonant statement for anyone questioning the path laid out before them.

Arriving on March 6th, RAIBARD’s new album Postscript builds on the band’s progressive foundations with a wide range of stylistic influences. Despite this variety, the album remains cohesive. Each track shares a common musical DNA, rooted in melodically centered writing in which implied harmonies elevate even simple progressions and heighten their emotional impact.

The rhythmic identity of Postscript also reflects RAIBARD’s established sound. Melodies and harmonies routinely anticipate the downbeat, giving drummer Phil MacKay a dynamic canvas for inventive performance. On bass, Greg Dellaria provides a central layer of connective energy. His lines bridge harmonic, rhythmic, and melodic roles with subtle but unmistakable mastery.

Postscript was recorded across three locations. MacKay and Dellaria contributed their parts remotely, sending material to Daniel for editing, mixing, and mastering. Daniel’s own performances were captured in either his living room or an isolation booth, creating a blend of immediacy and precision that underscores the album’s emotional and musical depth.

RAIBARD writes for people who still crave direct sound and real ideas. The music asks you to set the news cycle down, to loosen the grip on strict computation, to listen with immediate human awareness. These songs are built for rooms where strangers become an audience and an audience becomes a choir. Not machines. Not algorithms. Just three players and a shared current, inviting you to rise.

RAIBARD is:
Daniel Gil – Guitar and vocals
Greg Dellaria – Bass
Phil MacKay – Drums and percussion

Connect with RAIBARD:
Website: https://raibard.com
Bandcamp: https://raibard.bandcamp.com
Store: https://raibard.com/collections/all
Facebook: https://www.facebook.com/raibard
Instagram: https://www.instagram.com/raibard
X (Twitter): https://x.com/raibardband
YouTube: https://www.youtube.com/@raibard8886

The Barbarians of California Are Back With "Bomb to a Knife Fight" Video + Tour Dates With Poison the Well + GN'R

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. Featuring Aaron Bruno of AWOLNATION and Eric Stenman of Tinfed, as well as being a noted producer, TBOC are equal opportunity iconoclasts, gleefully thrashing the left and the right in the hardcore-punk tradition of nonconformity and raw fury. The band isn't "political," because they aren't advocating for anyone's platform. The central message is defiance.

The band kicks off 2026 with the roaring new single "Bomb To A Knife Fight."

Watch the video below.

"'Bomb To A Knife Fight' was the first song we completed after finishing our first-ever tour with Deftones and IDLES," the band offers. "You'd have to imagine that the perspective of playing live every night played a part in the creation of this song. Also, our love of old-school hip-hop may shine through a little on this one."
In addition to performing at ShipRocked 2026 later this month, TBOC will serve as support for Guns N' Roses for two shows this summer.

The band will also embark on several dates supporting Poison the Well and Converge in the spring.

All upcoming and confirmed live shows are below.

THE BARBARIANS OF CALIFORNIA LIVE:
WITH POISON THE WELL + THE ARMED:
5/7 — Denver, CO — Summit
5/9 — Austin, TX — Stubb’s Outdoors
5/10 — Houston, TX — House of Blues
5/12 — Phoenix, AZ — Nile Theater
5/13 — Los Angeles, CA — The Belasco
5/15 — Anaheim, CA — House of Blues
5/16 — San Diego, CA — The Observatory North Park
5/17 — San Francisco, CA — The Regency Ballroom

WITH GUNS N' ROSES:
8/19 — Morton Amphitheater — Kansas City, MO 
9/12 — Thunder Ridge Nature Arena — Ridgedale, MO
In late 2025, TBOC also shared the video for "LISTEN TO "PSEUDO INTELLECTUALS ARE HATING ON MY BAND!!! (pure power)," featuring Keith Buckley. The track is as angular as it is angry. Watch the video here. In the summer, the band dropped the also-ripping single "MODERN FASHION." Watch the video here. The band's debut album And Now I'm Just Gnashing My Teeth arrived in 2024. Get it here.

ABOUT THE BARBARIANS OF CALIFORNIA:
So, who, exactly, are The Barbarians of California? Here's a refresher. 
 
Eric Stenman and Aaron Bruno first collided in the California hardcore scene of the early '90s. Stenman cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Death Grips, and Trash Talk. Bruno was born and raised just north of L.A. and nicknamed "AWOL" by his high school friends.  Eric played guitar for cutting-edge, electro-infused rockers Tinfed. Commercial success eluded them despite a cult following, a deal with a major label, and an appearance on the M:I 2 soundtrack.  Bruno co-founded the hardcore band Insurgence as a teenager. His next band, Home Town Hero, toured with Weezer and Stone Temple Pilots and released a major label album, but combusted in 2004. Next came Under The Influence Of Giants, who, despite critical acclaim, disbanded in 2008. Stenman became one of the most sought-after producers of alternative rock. His discography as a producer, mixer, and engineer includes important releases from 7 Seconds, Senses Fail, ††† (Crosses), and AWOLNATION. AWOLNATION, of course, is the multi-platinum act Bruno formed in 2009. 
 
The spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians were born.  The apparent "full circle" moment isn't lost on either of them. "It's a funny time in our lives to go back and make the most aggressive music we've ever created," Stenman laughs. “Both of us have always had a love for this world. If given the opportunity, why not try to give back to it?"

The Gloom In The Corner Erupt With "Nope (Hollow Point Elysium)" Video

Erupting into 2026 ahead of the upcoming release of their third full-length album, Royal Discordance, due out February 27 via SharpTone Records, Melbourne's The Gloom In The Corner returns with a brand new single and accompanying visualizer "Nope (Hollow Point Elysium)."

A rhapsodic outing cleaving together sinuous verses and blistering dynamic shifts, "Nope (Hollow Point Elysium)" also hurls thematic pop culture nods deep into its core, emerging as a gripping and expansive step deeper once again into the Gloom Cinematic Universe.

"'Nope' is the ode to some of my favorite action movies and video games growing up," the band shares of their latest single. "A bullet ballet for metalcore that will — much like the definition of 'Hollow Point Elysium' — blow your head smooth off."

Watch the visualizer for "Nope (Hollow Point Elysium)" Below:

A record that could readily soundtrack an Anime epic, a Netflix smash series, or a sprawling open-world game, Royal Discordance is certainly not your average metalcore album. An action-packed opus hell-bent on sharp narratives and astonishing sonic dexterity, Royal Discordance journeys between an all-out onslaught (previous single "Assassination Run") through to cinematic-yet-sinister brutality on "Nope (Hollow Point Elysium)," grinning chaotic frenzy on "You Didn't Like Me Then (You Won't Like Me Now)," and a double closing sucker punch via the two-track suite "Love 1: A Quaver Through the Pale" and "Love 2: A Walk Amongst The Poppy Fields."

Insatiably showcasing their relentless pursuit for sonic evolution, and recorded in 2024 with producer Jonathan Delese in Nashville, Tennessee, Royal Discordance also ushers in some of Gloom's most universal songs to date, all while remaining true to their chaotic core in the process. Whether channeling My Chemical Romance and positivity or penning pit-splitting breakdowns, The Gloom In The Corner balance their tumultuous creative DNA with an album primed for multiple revisits; and one that devoutly treads new ground.

Over the years, The Gloom In The Corner have engineered a space for total sensory immersion via a series of releases, spanning their 2016 debut album Fear Me, through to their Homecoming EP (2017), Flesh & Bones (2019), Ultima Pluvia EP (2020) and their 2022 album Trinity, with the latter commanding a 5/5 star album review from New Noise Magazine, praising it as "a real stunner and a benchmark for metalcore going forward." Translating their rich sonic universe into a live setting, The Gloom In The Corner have dazzled stages around the globe, spanning Australia, Europe and North America, along with aligning a horde of elite collaborators including Fit For A King's Ryan Kirby, Fit For An Autopsy's Joe Badolato, Cane Hill's Elijah Witt and many more.

Closing out 2025 in Europe supporting Swedish metalcore greats Aviana, The Gloom In The Corner will support American heavies King 810 nationally in Australia this March, and will also perform this October as part of the entirely sold out inaugural Hellbound Cruise alongside Parkway Drive, Polaris and more.

PRE- ORDER "ROYAL DISCORDANCE"

More info about The Gloom In The Corner's upcoming 2026 shows supporting King 810 in Australia HERE.

BLOODHUNTER Release Ferocious Video For New Single “The Devil’s Own”

Spain’s ferocious melodic death metal act BLOODHUNTER are back with a vengeance. Following their recent signing with ROAR – A Division of Reigning Phoenix Music, the band now present the first grim taste of what’s to come: their brand-new video single “The Devil’s Own”!

Forged in Galicia, BLOODHUNTER have carved out a strong position within the international extreme metal scene through uncompromising songwriting, intense live performances and a clear artistic vision. Fronted by the unmistakable Diva Satanica, the band fuse razor-sharp riffing, massive grooves and sweeping melodies with a fierce vocal attack and strong conceptual identity. 

“The Devil’s Own” shows BLOODHUNTER pushing beyond familiar territory. The track blends oppressive heaviness with haunting melodic lines, creating an atmosphere that feels both brutally aggressive and eerily beautiful. It is darker, more personal and more daring than anything the band have released so far, while still hitting with unmistakable BLOODHUNTER force.

Visually, the accompanying video mirrors the song’s inner conflict and darkness, underlining the emotional weight of the track while embracing the band’s extreme-metal aesthetic.

Listen: https://bloodhunter.rpm.link/devilsownPR

Watch the video premiering Below:

Diva Satanica explains the intense personal background behind the song:
“I wrote the lyrics while being on my last tour in South America with another band. It was a very intense period of my life when I had to take some of the hardest decisions in my career, so it speaks about that. It was one of our faves since the beginning because it's very different from what we've done so far: it's pure evil but with lots of beautiful melodies.”

After joining forces with ROAR, “The Devil’s Own” serves as a first harbinger of BLOODHUNTER’s upcoming new album, which will be released in the hopefully not-too-distant future. If this single is any indication, the next record will be the band’s most fearless and uncompromising statement yet!

For More Info Visit: 
Official Site: https://bloodhunter.rpm.link/sitePR
Facebook: https://bloodhunter.rpm.link/facebookPR
Instagram: https://bloodhunter.rpm.link/instagramPR
X: https://bloodhunter.rpm.link/twitterPR
TikTok: https://bloodhunter.rpm.link/tiktokPR
Spotify: https://bloodhunter.rpm.link/spotifyPR
Apple Music: https://bloodhunter.rpm.link/applePR

BLOODHUNTER is:
Diva Satánica – Vocals 
Dani Arcos – Guitar
G. Starless – Guitar 
Adrián Perales – Drums 
Fabián Tejeda – Bass

Your Inland Empire Confront Power and Collapse in New Video for “Edge of Perfection”

From the ashes of Crown, rises a dark new wave of industrial rock. As Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into dark industrial rock, where vulnerability and violence converge in a single breath.

Today, Your Inland Empire are releasing a new video for their searing single “Edge of Perfection”. Driven by industrial punk aggression and hypnotic repetition, the song cuts into themes of domination, dependency, and societal fracture, pushing the album’s dark night of the soul to its most exposed edge.


“This is a song about power devouring humanity, about leaders who abandon their own people and push them into the margins” , saysYour Inland Empire vocalist Stéphane Azam. “It reflects the raw cruelty humans are capable of, how easily empathy collapses, how suffering becomes invisible. This song stands for those erased, forgotten, and left to rot at the edge of a world pretending to be perfect.”

Watch the music video for Edge of Perfection below.


Your Inland Empire is out now via Season of Mist.

Order & stream:

https://orcd.co/yourinlandempireyie

The accompanying video extends the song’s tension through a deliberate visual contrast. Spliced with the band’s performance filmed inside the Le Grillen venue in Colmar, France, are sequences of catastrophic and dystopian imagery. These opposing layers collide throughout the piece, framing the immediacy of human expression against the cold abstraction of mediated collapse. The result mirrors the song’s intent: individual bodies and voices pushed to the foreground while systems of power, erosion and indifference unfold relentlessly in the background.

Video Credits

Directed by Brice Hincker (https://www.instagram.com/briceshc/).

Light Design by Philippe Rust.

Special Thanks to Le Grillen, Colmar.

A forecast for their impending album resonates with the echoes of an empire’s intimate fears and tenebrous hopes. The intricate fabric of Your Inland Empire waivers, promising a symphony drenched in the sweat of toil and the tears of artistic triumph. The orchestra of creation bellows, addressing the collective’s core, intricately showcasing their unique craftsmanship and unyielding drive.

Line-up:
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits:
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art:
Design & layout by Jeffrey V. Daniels.

Photography:
Band photos taken by Jennifer Brachet.

Order & Stream: https://orcd.co/yourinlandempireyie

Available Formats:
Digital Download
CD Digipak
12” Vinyl Gatefold – Black
12” Coloured Vinyl Gatefold – Turquoise w/ Black Splatters

The B.O.S. Share "Ice Cream Cone" Video

THE B.O.S. have shared the video for their addictively bluesy new single "ICE CREAM CONE." It'll a vintage-inspired, guitar-driven jam that will make you melt! 

Watch it below.

"Ice Cream Cone" is the first single from the band's upcoming album Volume 2, which arrives later this spring.

The B.O.S., comprised of Tom Neely (guitars), Adi Argelazi (lead vocals), Dylan Wilson (bass), Matt Lesser (drums), and Dave Schulz (keys), has been rocking out since 2002. Fun fact: Wilson and Lesser make up the rhythm section of  Richie Kotzen's band. Schulz also has an impressive resume, as the original keyboardist for Goo Goo Dolls and who has also performed with Wang Chung, Berlin, and more.

 The B.O.S are a hard rock band that draws deep inspiration from the golden age of '70s hard rock, particularly the powerful and unforgettable riff-driven sound that defined the era. The band's output is marked by heavy, groovy riffs, and a raw, soulful intensity that fans of vintage rock will instantly recognize and appreciate. The band boasts an all-star lineup of seasoned musicians, each bringing their exceptional talents and years of experience to the mix. Their performances are a blend of technical and emotional depth, with each member contributing to the collective energy that drives the band's signature style. There ain't nothing AI about The B.O.S.

The band's music is also produced and engineered by Grammy Award winner Neil Citron. Whether through the anthemic power of their tracks or their unique song arrangements and intricacies that satisfy the most proficient rock fans, The B.O.S performs a rock experience that is at once reminiscent and fresh.

EMBERS OF DAWN Release New Single “Static Prayer”

EMBERS OF DAWN present “Static Prayer,” a new single that defines the band’s industrial metal identity through precision, atmosphere, and thematic weight. The track introduces an original industrial metal approach that is distinct to the band, built on driving mechanical rhythms, fast double bass passages, and layered guitar harmonies paired with searing lead work.

Lyrically, “Static Prayer” explores faith, despair, and the collapse of meaning within a world shaped by signals, data, and constant noise. Religious imagery is merged with technological language to create a bleak, post-human vision of modern existence. The song portrays a reality where faith has been replaced by systems and code, leaving only ritual without transcendence and communication without understanding. The “static prayer” becomes an empty act of submission to noise, reflecting spiritual exhaustion and emotional detachment.

Musically, the track balances cinematic scope with punishing intensity. Industrial textures intersect with gothic atmosphere, melodic death metal precision, and cyber-metal aesthetics. The result is a sound that feels mechanical, haunted, and fatalistic, reinforcing the song’s themes of alienation and decay.

EMBERS OF DAWN are known for their focus on modern disconnection, psychological erosion, and the emotional consequences of technological dominance. “Static Prayer” continues this trajectory, offering a stark reflection on a world where humanity speaks endlessly but hears nothing in return.

About EMBERS OF DAWN:

Formed in 2022, EMBERS OF DAWN is a genre-defying metal project born out of Jacksonville, Florida and Santa Barbara, California. The band blends elements of industrial, gothic, melodic death metal, and cyber-metal to create a sound that is both cinematic and punishing. Known for their thematic focus on alienation, modern decay, and emotional detachment, EMBERS OF DAWN delivers music that is as introspective as it is aggressive.

The band’s music features cold, mechanical precision layered with dark melodic textures, drawing influence from acts like PAIN, DARK TRANQUILLITY, MINISTRY, FEAR FACTORY, RAMMSTEIN, STATIC-X, ROB ZOMBIE, ARCH ENEMY, and TYPE O NEGATIVE. With each release, they continue to explore new sonic territory, balancing technicality with atmosphere, brutality with beauty.

Their upcoming debut album Infernal Culture features drums by ADRIAN ERLANDSSON (AT THE GATES, CRADLE OF FILTH, PARADISE LOST, THE HAUNTED), adding an explosive edge to their already dynamic sound.
 

EMBERS OF DAWN is:

  • Cliff Ross – guitars, programming

  • Scott Van Horn – bass, programming

  • Graves- Vocals

Laptop presents new single 'Confused', a sonic response to a fracturing democratic reality

NYC alternative pop outfit Laptop presents their new single “Confused” — the emotional and thematic center of their forthcoming album "On This Planet" and their most definitive song to date. Written in response to January 6 (now the 5th anniversary), the track captures the psychological whiplash of watching democratic reality fracture in real time, filtered through the perspective of a man glued to the news, overwhelmed by noise, grievance, spectacle, and historical déjà vu.

Formed in the late ’90s, Laptop released three albums with Island Records with praise from the NME, The Guardian and others for their stylized blend of synth-pop & irony. Now a multi-generational project with Jesse Hartman joined by his son Charlie Hartman, they are not observing the present from a distance. “Confused” is the sound of living inside it — aware of history, aware of danger, and quietly aware that even the people telling us what’s happening may not know what to believe themselves. Yet for all its tension, “Confused” is not humorless. Like much of Laptop’s work, the song is threaded with a dry, unsettling irony — the kind that emerges when reality itself starts to feel absurd.

“‘Confused’ came from the shock of watching January 6 unfold on TV — but the really twisted part is that we’d been in D.C. two days earlier, visiting family, cluelessly being tourists, while staying at the hotel where the lead insurrectionists were actually meeting. We had no idea. But the city felt off — weirdly quiet, strange characters everywhere — like the ’70s version of "Invasion of the Body Snatchers". MAGA evangelicals blowing Jewish shofars, that kind of bizarro-ness," says Jesse Hartman.


"Then we went back to New York, life felt normal again for a moment,, and then a day later we were watching the least normal thing I’ve ever seen unfold. The whole family was completely freaked out, especially Lulu. (“Daddy was confused…Now, he’s flown the coop” – or is it coup? - recalling the ghostly children’s chorus of "Another Brick in the Wall”). Once the song got going, it felt obvious she had to be part of it.”


That generational perspective extends to the artwork. The cover image — a stark, almost African-influenced child’s face — was painted by Lulu herself. Rendered with raw simplicity and quiet distress, the image feels ancient and immediate at once. Lulu belongs to a generation that has grown up with Trump, COVID, lockdowns, and permanent crisis — for whom confusion isn’t a moment, but a condition. Like her voice in the track, the artwork doesn’t explain anything. It watches.


Musically, "Confused" is hypnotic and rhythm-driven, built on a circular, Afro-influenced groove that recalls Fela Kuti’s forward momentum filtered through the nervous minimalism of Talking Heads’ "Remain in Light” era. The track accumulates tension rather than releasing it. It openly channels the philosophy ofCompass Point Studios— rhythm as infrastructure, voices as texture, politics embedded in groove rather than announcement. The song keeps moving, even as clarity collapses. And like the other“On This Planet”album tracks, “Confused” was written and produced by Jesse Hartman, which was tracked in Valencia and overdubbed in Nevis, a place the band came to call the inspiration island.

Pushing the song’s themes into visual satire, the music video is framed as a CNN-style news broadcast, withJesse Hartman as the anchor — calm, youthful, and unsettlingly composed — delivering chaos with the authority of media normalcy.Denise Gordon andGeddys “Ch4se” Fergusonappear as correspondents reporting from distant, vaguely defined locations, their dispatches fragmented and contradictory.Jesse Hartmanhovers as an ambiguous figure — part tyrant, part media creation, part projection — never clarified, never resolved. The result isn’t parody so much as a wry, uncomfortable mirror: a world where information, performance, and power blur until belief itself feels optional.

n 2025, Laptop released several singles - "Indie Hero", "Additional Animals", "I Don't Know", and “Weirder”, mixed by Grammy award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails, Julian Lennon), in addition to a Tom Waits holiday cover, collectively drawing millions of views and reintroducing Laptop’s postmodern humor to a new generation.

“Confused” is out on January 23 via Hurricane Cove Records, available on streaming platforms, including Spotify, Apple Music and Bandcamp. The much-anticipated "On This Planet" album will be released in Spring 2026.

CREDITS
Written by: Jesse Hartman
Published by: Exurbia Music, Inc. (BMI)
Produced by: Jesse Hartman
Jesse Hartman — vocals, guitars, keys, synths, piano, bass, drum machine, percussion
Charlie Hartman — vocals
Marlena “Lulu” Hartman — vocals, synth
Geddys “Ch4se” Ferguson — vocals
Denise Gordon — vocals
Mike Desmarais — drums
Ben Jones — piano
Bruce Irvine (aka The Black Panther) — slide guitar
Lluísen Capafons — conga, percussion
Lee Sullivan — saxophone
Matthew Dakoutro — cello, viola, violin
Siuxx — keys, synths
Engineered by Iñaki Ariste Aznar, Edward Douglas, Jesse Hartman
Mixed by Ray Aldaco, Nicholas Vernhes, Edward Douglas, Jesse Hartman
Mastered by Dave Trumfio
Artwork Painting by Marlena “Lulu” Hartman, Design by Jesse Hartman & Scott Ratner
UPC/EAN 5063858817812
City photos by Tommy Krause. Other photos by Emmanuel Abreau
Publicity by Shameless Promotion PR


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KEVIN STEELE LEGENDARY FRONTMAN OF ROXX GANG AND THE MOJO GURUS RELEASES HIS FIRST SOLO ALBUM “ONE THING LEFT TO DO”

The first solo album from Kevin Steele, One Thing Left To Do, will be released on February 27, 2026, via Steele Records/Amplified Distribution. It will be released digitally, on compact disc and on red vinyl. The first single “Snake Charmer” is out now on digital services.

Pre-save or Pre-order: https://snd.click/cyc6

Listen to “Snake Charmer” below:


The album features the first single "Snake Charmer", with its sexy, hypnotic groove and killer guitar riffs it explores the age-old dilemma of female wiles versus a man's blind obsession. The second single, "There’s A Better Day Comin’", is a soaring Rock 'n' Roll anthem of hope. Its gospel-like arrangement is meant to convey a feeling of optimism in a world where we could all use some. In the third single, "Sad, Sad Song", Steele delivers a poignant ballad recounting his hardscrabble life and tragic youth. Guaranteed to bring a tear to your eye.

Steele said, “This is the record I've always wanted to make. It's my first solo record. No compromises. I answered to no one but myself."

All of these songs showcase Kevin's masterful songwriting across all the musical styles that have shaped his colorful career, including glam, punk, rock, blues, and even southern gospel. Kevin’s band Roxx Gang were one of America’s great bands and the first rock band signed to Virgin Records in America. Their debut record, the classic "Things You've Never Done Before", sold over 250,000 copies. In a way, they were the bridge between glam and grunge and The Mojo Gurus played a vital role in keeping rock-n-roll alive in "the Tens" working with legendary producers Jack Douglas (John Lennon, Aerosmith, New York Dolls) and Tommy Henricksen (Alice Cooper, Lou Reed, The Hollywood Vampires). With One Thing Left To Do, Steele brings his musical journey full circle with a truly remarkable record that you just have to hear.


Joining Kevin on this new record is guitar phenom / co producer Billy Summer (Florida, Luxury Mane, The New Brutarians) whose music has been heard on major TV shows and films such as Ted Lasso, The Affair, Harpoon, Life and Beth, Chicago Fire, Property Brothers and many others.The result is one hot slab of Rock 'n' Roll revelry covering several genres that showcase a track list of impressive playing and songwriting.

"Billy and I made such a great team. Instant connection of the minds. He knew instinctively where I was going musically with each song before I would even tell him. That's why they call us the Cosmic Twins”, said Kevin.


The band is an allstar collection of Tampa Bay, Florida musicians playing at the top of their game. They formed an instant camaraderie and the good times had in the recording sessions shine across every track!

Also, on Friday, February 27 he celebrates the release of his new record at Bayboro Brewing Company. Kevin will perform the new record in its entirety, backed by an all-star band of Tampa Bay musicians featuring guitarist Billy Summer.

Bayboro Brewing Company Presents: Kevin Steele - Record Release Concert

Special Guests: Saints of Saturn - Recent winners of Hard Rock Rising - Tampa

Friday February 27, 2026

Bayboro Brewing Company 2390 5th Ave. S., Saint Petersburg, FL (727) 767-9666

Doors at 7:00 PM - Show at 8:00 PM - All Ages

Kevin Steele - Lead Vocals, Harmonica

Billy Summer - Guitars, Bass, Vocals, Percussion

Steve Peake - Keyboards

Steven C. Tanner - Drums

Rob Pastore - Pedal Steel Guitar

Jim Stevens - Bass on “The 9 Lives Blues”

Kyle Lovell - Drums on “I Know What Yer Up To”

Scott Myers - Trombone, Vocals

Adam Turkel - Vocals, Percussion

Linda Militello & Zoe Summer - Vocals

All songs written by Kevin Steele - Too Cool Music Publishing - BMI

except Sad, Sad Song written by Kevin Steele & Billy Summer

Too Cool Music Publishing - BMI & Billy Summer Music - BMI


Recorded at The Ward, St. Petersburg, FL

Produced by the Cosmic Twins (Billy Summer & Kevin Steele)

Engineered by Billy Summer

Mastered by Brian Merrill at Studio B, St. Petersburg, FL

Cover Art by Adam Turkel

Photography by Linda Militello

 

Links:

https://www.facebook.com/KSteeleRoxxGang