the band REVISER Ignites with Their New Single “DEAD EYES” An Anti-Love Letter

RE:VIS:ER have returned with their most visceral and emotionally charged release yet — the new single “DEAD EYES.”

"DEAD EYES" is Goth-Pop. A musical bit of sour bubblegum in the vein of the poppier side of The Cure, with guitars at the forefront spilling melancholy melodies that chime and angle around a dancey drum machine, a catchy bass-line, and moody organs for good measure. Lyrically, "DEAD EYES" is an anti-love-letter, a tale of a long-suffering narrator realizing the mistreatment they've endured as a result of their abuser's lack of a soul

REVISER bio :

Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Tones on Tail, REVISER sounds complimentary to such contemporaries as Actors, House of Harm, and Traitrs. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable.

REVISER is :

Krysztof Nemeth - Vocals, Baritone Guitar

Dedric Moore - Guitar

Dawn Don - Vocals

HELLRIPPER Unleashes Music Video for New Single, “Kinchyle (Goatkraft And Granite),

Recently signed to Century Media Records worldwide, Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, returns with a brand-new single! “Kinchyle (Goatkraft And Granite)!" The vicious new track can be found along with a music video, which was directed by David Gregory, below.

HELLRIPPER mastermind James McBain, comments:

"'Kinchyle' is the McBain clan’s war cry and a fitting first glimpse at the upcoming album. 

"Lyrically, the track was inspired by my experience growing up in the North-East of Scotland in Aberdeen (the Granite City), and reflects on what it’s like to feel trapped in a certain environment. I wanted to show a side of Scotland that is not necessarily the magical 'postcard' that a lot of people picture when thinking of the country.

"Musically, the track is very 'Hellripper-sounding,' and is the most 'rocking' song that I’ve written in quite a while, though there are a few new elements in there that I had fun experimenting with. The track was influenced by the likes of Tank, Running Wild and Motörhead, as well as bands such as Opeth and Witherscape.

"All in all, a very personal song both in terms of lyrics and musical influences. Hope you enjoy it... All Hail the Goat!"

Enter the GOAT KVLT and check out a glimpse of what's to come HERE.

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut, due around the vernal equinox of 2026. More details to follow soon…

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

Photo by @Sethpicturesmusic

New Music is here as JON BABIN Ignites a New Era with Three Explosive Singles — “Bad Omen,” “Never Gonna Be The Same,” and “I’d Follow”

Chicago’s own JON BABIN has kicked open the doors of a new creative chapter with the release of three powerhouse singles — “Bad Omen,” “Never Gonna Be The Same,” and “I’d Follow.” Each track captures a different pulse of Babin’s evolving sound: dark, cinematic, and unapologetically human.



Blending the grit of alternative rock with the emotional gravity of modern pop, Babin continues to carve out a lane entirely his own.

"BAD OMEN"

is for anyone who is escaping a toxic situation. You do not have to ward off horrors of your life alone. This song is dreary, but the melody is infectious. Everyone will chant the lyrics

together as one!

"NEVER GONNA BE THE SAME"

is a beat that will have you dancing in your heels, laughing in your feels, and starting over.

BAND BIO:

Chicago native JON BABIN is a singer/songwriter. Jon combines rock n roll, ballads, and folk to create his own

musical flavor.

Jon has graced stages such as the world famous Cavern Club in Liverpool - the venue known as “the Birthplace of The Beatles” - as well as the Whisky A Go Go, also world renowned, and the most notorious rock club in America, located in West Hollywood.



Onstage, he uses an acoustic guitar and one vocal mic; while his albums (under his name) are full band recordings - with all instruments played by him.

You are guaranteed to have a wonderful time at his shows, as well as a fun and meaningful album listening experience.

CONNECT WITH JON BABIN

MICHAEL MONROE Announces New Studio Album OUTERSTELLAR Set For Release February 20: New Single "Rockin' Horse"

Surprises are rare and wonderful. When music decides to just show up and strut and rock and roll and stomp with swagger, swing and raw energy all over you, that’s the rarest surprise and Michael Monroe does not disappoint with his brand new studio album, Outerstellar, set for release via

Silver Lining Music on February 20th 2026.

The first video and single taken from Outerstellar,

‘Rockin’ Horse’ is out now and can be watched/streamed

below – video by Leigh Brooks.

“Rockin’ Horse is a cool, rockin’ song that we made a great fun video for with the fantastic director Leigh Brooks,” comments Michael Monroe. “We got into different characters on the so called ‘Waking Up With Michael Monroe’ TV morning show with me as the host.

And it’s the first time ever you can see me without make up(!). Great fun and good times. Hope you enjoy it!”

What ‘genre’ is Michael Monroe?’ Oh, go and throw yourself back into the shoebox you restrict yourself to if you need a genre… How about ‘sweet smelling leathery sweat wrapped in one of the greatest rock ‘n’ roll voices?’ How about ‘harmonies and vibes swimming in silk scarves and lounging on a beaten sofa in leather pants, with the AM hours alive and the melodies so, so intoxicating?’ And how about ‘attitude! Which screams carefree not carelessness, confidence not arrogance, a cocksure sense of

self-bathed in the sheer joy of playing the religious experience of real rock ‘n’ roll.’

From loud crashing guitars to harmonicas, to gorgeous acoustic moments, you’ll sing, you’ll dance, you’ll shiver, you’ll shake, and you’ll smell this wonderful exhilarating record in all its weathered biker jacket incense-coated glory and you’ll also realize that whatever the hell is going on in the world right now, when you put this album on, it’s an instant escape to carefree days and an emancipation from worries, fears and woes.

It is EXACTLY what rock ‘n’ roll in its truest sense is meant to be, and Michael Monroe is handing you permission to get lost in the love of it. In fact, just stop reading this, get off your ‘Rockin’ Horse’ and go see Michael Monroe on tour at your first opportunity! In support of the release of Outerstellar, Michael Monroe and band will embark on a UK co-headline tour with Buckcherry, kicking

off in Southampton on February 24th. For a full list of upcoming shows and tickets visit: michaelmonroe.com – more dates to be announced.

Outerstellar will be available on Limited Edition 12” White Viny, 12” Turquoise Vinyl, 12” Black Vinyl, CD Digipak, Digital Download, Streaming and special D2C bundles. Available to pre-order now at this location

Morgan Wallen Shares Simmering Music Video for “20 Cigarettes” as “I Got Better” Becomes 20th No. 1

As “I Got Better” becomes Morgan Wallen’s 20th Country Aircheck/Mediabase No. 1, and his fifth No. 1 from I’m The Problem, the 19x Billboard Music Award winner arrives with “20 Cigarettes” as most-added at Country radio today, while also sharing a simmering music video to coincide with impact. Watch the “20 Cigarettes” official music video Below. 
 
Celebrated by Billboard as a “smartly told tale” and “a full movie in a three-minute song,” the story-song of “20 Cigarettes” is once again brought to life by director Justin Clough. The moonlit video recounts love lost and found again under the haze of cigarette smoke. “20 Cigarettes” was written by Chris LaCorte, Chase McGill, Blake Pendergrass and Josh Miller.
 
Clough also produced Wallen’s recently-released music video for “I Got Better,” which uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so. Watch HERE. 
 
Both songs hail from Wallen’s fourth studio album, I’m The Problem, released on May 16. I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album. 
 
The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 20 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard's Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded five No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
 
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

Photo Credit: Spidey Smith

TRIBAL GAZE RELEASE NEW ALBUM, 'INVEIGHING BRILLIANCE

Texas death metal hellions TRIBAL GAZE have released their eagerly awaited sophomore album, Inveighing Brilliance, today with Nuclear Blast Records.

Since their introduction just four years ago, the five-piece has quickly slayed listeners and audiences around the world with their signature, modern twist on brutal old-school death that has propelled the band to pack leaders in their scene. Armed with an unbridled onslaught of riffs, the band cuts through the crowd with an intense, unrelenting new album of disorder, featuring furious stand out tracks like “To The Spoils of Faith” and “Beyond Recognition.”

Commenting on the record’s release, guitarist Quintin Stauts says:

“This album represents a different era for us. The world really seems like a different place than when the last record came out. This one focuses less on creative fictional story telling and more on truly feeling violent. We felt it was appropriate to take a more radical approach to riff and lyric writing.”

Along with the record’s release, TRIBAL GAZE has debuted a new visualizer for another one of their blistering heavy tracks “The Irreversible Sequence.” Watch it below.

Adding about the track, Stauts says:

“I probably listen to this song the most because its short and it just has parts that make me rewind it even though it’s our song and we’ve heard it a million times. The heavy parts in this song are the perfect representatives of the guitar tone our producer Taylor Young helped us achieve.”

TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.

Stream/Purchase Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

Abysmal Dawn Return with "Cradle of Affliction"

While they hail from the City of Angels, Abysmal Dawn remain one of death metal's most consistently crushing creative forces. Two decades removed from their very first tour, next month, the L.A. mainstays are hitting the road hard once again with the mighty Krisiun. Only this time, they'll be raising hell with their first new song since 2022.

Today, Abysmal Dawn are releasing "Cradle of Affliction". Even though its various mutations have been banging around in their heads since Phylogenesis, the band's new single proves timely. "'Cradle of Affliction' nods to the sound of our first record and our earlier melodic death metal influences like At The Gates", explains vocalist, guitarist and founding member Charles Elliott. "This one is for Tomas (R.I.P.) and all the fans who have continued to support Abysmal Dawn throughout our journey for more than two decades now".

"The music is written played, recorded and mixed  by humans", Elliott continues. "The artwork was created by a human. The music video was shot and edited by a human. We hope you come out to a show and support four of your favorite semi-humans playing death metal while you still can. Cheers!"

Watch the video for "Cradle of Affliction" Below.

Stream

https://orcd.co/abysmaldawncradleofaffliction

The video for "Cradle of Affliction" was directed by Robert Graves (Defiant Digital Productions)

"Cradle of Affliction" bears the bloodied markings of Abysmal Dawn. The production is crisp but thick with heavy double bass and bone-crunching riffs. Back-to-back guitar solos twist like two spires up the same darkened tower, circling back to a killer chorus that begs to be screamed with horns raised to the rafters. "Cursed in name / Blessed in death". Indeed, few bands have ever possessed such unholy staying power.

Abysmal Dawn's latest album Phylogenesis and their most-recent EP Nightmare Frontier are both now available through Season of Mist.

Order
https://redirect.season-of-mist.com/absymaldawn

Stream
https://linktr.ee/abysmaldawn
 

Get tickets for Abysmal Dawn's North American tour with Krisiun at https://krisiun.com.br/tour/

Conquerors of Armageddon 25th Anniversary Tour
November 1 – Hamden, CT @ Space Ballroom
November 2 – Bensalem, PA @ Broken Goblet
November 3 – Raleigh, NC @ Chapel of Bones
November 4 – Atlanta, GA @ The Masquerade (Altar)
November 5 – New Orleans, LA @ Southport Hall
November 7 – Austin, TX @ Come and Take it Live
November 8 – Houston, TX @ Scout Bar
November 9 – Dallas, TX @ Trees
November 10 – Oklahoma City, OK @ 89th Street Collective
November 11 – Albuquerque, NM @ Launchpad
November 12 – Mesa, AZ @ The Rosetta Room
November 13 – San Diego, CA @ Brick by Brick
November 14 – Los Angeles, CA @ 1720
November 15 – San Francisco, CA @ DNA Lounge
November 16 – Portland, OR @ Nova PDX
November 17 – Seattle, WA @ El Corazon
November 19 – Salt Lake City, UT @ Metro Music Hall
November 20 – Denver, CO @ HQ
November 21 – Omaha, NE @ Reverb Lounge
November 22 – Iowa City, IA @ Wildwood
November 23 – Chicago, IL @ Reggie's
November 24 – Detroit, MI @ The Sanctuary
November 25 – Lakewood, OH @ The Foundry
November 26 – Syracuse, NY @ The Lost Horizon
November 27 – Toronto, ON @ The Garrison
November 28 – Montreal, QC @ Foufounes Electriques
November 29 – Quebec City, QC @ Source de la Martinière
November 30 – Boston, MA @ Middle-East Upstairs
December 1 – Clifton, NJ @ Dingbatz

Now, as the completion of their fifth full-length draws near, Abysmal Dawn are celebrating 25 years of conquering Armageddon with their very first tour mates Krisiun. To commemorate this month-long run across the U.S., the band will debut their new single "Cradle of Affliction" live in all its accursed glory.

Lineup for "Cradle of Affliction"
Charles Elliott: Guitars, Vocals
Eliseo Garcia: Bass, Additional vocals
James Coppolino: Drums
Vito Petroni: Guitars

Production credits for "Cradle of Affliction"
Guitars, bass and vocals recorded at Tastemaker Audio by Charles Elliott (tastemakeraudio.us).
Drums recorded at Trench Studios by John Haddad.
Produced by Charles Elliott and Abysmal Dawn.
Mixed and mastered by Charles Elliott

Booking Agent:
North America:steph@continental-concerts.us
Europe:stephen.moss@echelonartists.com

Stream:https://linktr.ee/abysmaldawn
Order:https://redirect.season-of-mist.com/absymaldawn

Follow Abysmal Dawn:
https://abysmaldawn.bandcamp.com/
https://music.apple.com/us/artist/abysmal-dawn/159709532
https://open.spotify.com/artist/2h7HrMDoZpWxx3uAuJxyj9
www.facebook.com/abysmaldawn
www.instagram.com/abysmaldawn
www.twitter.com/abysmaldawn
https://abysmaldawn.bandcamp.com/

EMBERS OF DAWN Releases "Eden Unknown," a Dark Reflection on Emotional Disconnection in a Hyperconnected World

Emerging from the shadows with ferocious intent, EMBERS OF DAWN delivers their most intense and emotionally charged track yet with “Eden Unknown.” The single marks the band’s first release from their forthcoming debut album, and showcases the group’s evolution into a darker, heavier, and more immersive sonic territory.

From the first crushing riff, "Eden Unknown" hits with the force of a digital apocalypse. It is a visceral fusion of melodic death metal and cyber-metal, laced with gothic undertones that amplify the song’s mood of despair and transcendence. With Cliff Ross (guitars/programming), Scott Van Horn (bass/programming), and Kyle Sweeny (drums) at the helm, EMBERS OF DAWN crafts a sound that is both technically precise and emotionally raw.

The lyrics delve into themes of detachment, emotional numbness, and the search for authentic connection. Set in a world where people are digitally linked but emotionally absent, "Eden Unknown" paints a vision of a paradoxical paradise. It tells of a modern Eden that is cold, empty, and stripped of genuine feeling.

About EMBERS OF DAWN:

Formed in 2022, EMBERS OF DAWN is a genre-defying metal project born out of Jacksonville, Florida and Santa Barbara, California. The band blends elements of industrial, gothic, melodic death metal, and cyber-metal to create a sound that is both cinematic and punishing. Known for their thematic focus on alienation, modern decay, and emotional detachment, EMBERS OF DAWN delivers music that is as introspective as it is aggressive.

The band’s music features cold, mechanical precision layered with dark melodic textures, drawing influence from acts like PAIN, DARK TRANQUILLITY, MINISTRY, FEAR FACTORY, RAMMSTEIN, STATIC-X, ROB ZOMBIE, ARCH ENEMY, and TYPE O NEGATIVE. With each release, they continue to explore new sonic territory, balancing technicality with atmosphere, brutality with beauty.

Their upcoming debut album Infernal Culture features drums by ADRIAN ERLANDSSON (AT THE GATES, CRADLE OF FILTH, PARADISE LOST, THE HAUNTED), adding an explosive edge to their already dynamic sound.

EMBERS OF DAWN is:

  • Cliff Ross – guitars, programming

  • Scott Van Horn – bass, programming

  • Kyle Sweeny – drums 

Melodic Death Metal Newcomers THE HUNT Unleash Music Video for Second Single, "Onslaught"

Following the explosive success of their debut, melodic death metal rising stars THE HUNT are now unleashing their second single, "Onslaught," along with blistering performance video! The clip, which was directed by Gabriel Connor, can be found now below

THE HUNT frontman Tony Rauser comments, "'Onslaught' is about conflict. Its about facing the enemy, seeking victory and fortifying your soul."

Influenced by iconic bands across the genre like At The Gates, In Flames, Children Of Bodom, and others, The Hunt brings a unique blend of memorable guitar riffs, victorious melodies, and aggressive, dynamic vocal interplay to the stage.

The single is the precursor to a forthcoming EP from the band, for which more will be revealed soon... stay tuned! In the meantime, check out the first single, "Erratic," Below.

The Hunt is a Melodic Death Metal band originally from Redwood City, California, known regionally for their unique blend of Bay Area Melodic Death Metal. The band is fronted by Tony Rauser, features world class lead guitarist Cameron Stucky (Darkness Everywhere, Sea in the Sky), Jacob Lauing (Phantom Code, ex-Terrestria) on Drums / backing vocals and Dan Saltzman (Illucinus, Fleshspoil) on Bass / backing vocals.

Influenced by iconic bands across the genre like At The Gates, In Flames, Children Of Bodom, and others, The Hunt brings a unique blend of memorable guitar riffs, victorious melodies, and aggressive, dynamic vocal interplay to the stage. The Hunt's lyrics often explore themes of survival, death, triumph, the human experience, and much more.

THE HUNT Lineup:

Tony Rauser (Vocals / Guitar)

Cameron Stucky (Lead Guitar / Backing Vocals)

Dan Saltzman (Bass / Backing Vocals) 

Jacob Lauing (Drums / Backing Vocals)

Mixed and Mastered by Julian Gargiulo 

Links:

BANDCAMP

OFFICIAL WEBSITE

YOUTUBE

APPLE MUSIC

SPOTIFY

INSTAGRAM

FACEBOOK

MERCH STORE

Photo by: Cameron Nunez

REMEMBER THE MONSTERS Unveil New Single “INFECTED"

"INFECTED" expresses a powerful mix of internal suffering, emotional numbness, societal disillusionment, and ultimately, a desperate plea for awakening and self liberation.

It’s about hitting rock bottom mentally and emotionally and realizing the need to rise, see the truth, and take back control from the forces internal or external that have taken

over our lives.

As we put the music video together, I loved the characters inspired by John Carpenter’s “They Live” as a metaphor for the monster in each of us that can only be seen in glimpses and when you are aware of them

ABOUT THE BAND:

Founded in 2016 by guitarist Ashten Banks, Remember the Monsters quickly garnered attention with their debut single "The Pieces Remain", produced by Cameron Mizell (Memphis May Fire, Sleeping With Sirens). The band’s early years were marked by evolution and experimentation, including the release of 2019 singles “Sink” and “Close Encounters”, featuring vocalist Julian Comeau who later went on to form the acclaimed band Loveless.

Following a brief hiatus, Remember the Monsters returned in 2022 with renewed energy and a fresh creative direction. The lineup was solidified with the addition of powerhouse vocalist Andrew de Neef, formerly of Actual Villains and Close to Home (Razor & Tie Records / Artery Recordings). The group was completed in 2025 with the addition of drummer Elias Mallin know for his work with bands and artists like Filter, Noah Cyrus, Kesha & more.

To further shape their cinematic and genre-blending sound, Ashten collaborated with producer Matt Good, known for his work with Asking Alexandria, Hollywood Undead, and Sleeping With Sirens.

The Pretty Wild Unleash New Track "AFTERLIFE (feat. Magnolia Park)" + Official Visualizer via Sumerian Records

Rising metaphysical metalcore powerhouse The Pretty Wild has unleashed their latest offering, "AFTERLIFE (feat. Magnolia Park)" and the accompanying visualizer (via Sumerian Records). The track can be found in the band's forthcoming full-length 'zero.point.genesis', out Friday, November 21. Other tracks on the album include previously released bangers "PARADOX", "OMENS", "Button Eyes", "living ded", and the smash-hit "sLeepwALKeR" (as a physical bonus track). The songs so far have amassed over 23 million streams on Spotify alone and 3 million views on YouTube and counting. Speaking about today's drop, the band commented:

"'AFTERLIFE' circles the idea of star-crossed souls bound by something ancient and unbreakable. Conceptually it’s plucked from the kind of love you find in mythology and old tragedies, where you have this obsessive devotion and destruction. It isn’t perfect, but it's dark, beautiful, and eternal." -jules 

"'AFTERLIFE' explores the idea that love dynamics are rooted in codependent magnetism and resonance patterns. it asks, what happens when obsession doesn’t end with death, but carries ur soul into magnetizing eternal dynamics? the result is kinda tragic and romantically glitchy. it’s basically a pop-metal requiem." -jyl

Stream "AFTERLIFE (feat. Magnolia Park)" here, watch the official visualizer below, and pre-save 'zero.point.genesis' here.

After wrapping up a recent run with Sleep Theory earlier this month, fans will next have their chance to see The Pretty Wild hit the stage across the US alongside Set It Off, Fame On Fire, and VANA, starting Tuesday, October 28 in Atlanta, Georgia. For ticket information, please click here.

The Pretty Wild Upcoming Tour Dates:

10/28/2025 - Atlanta, GA @ The Masquerade

10/29/2025 - Nashville, TN @ Marathon Music Works

10/30/2025 - Louisville, KY @ Mercury Ballroom

11/1/2025 - Cleveland, OH @ House of Blues Cleveland

11/4/2025 - Chicago, IL @ House of Blues Chicago

11/7/2025 - Denver, CO @ Fillmore Auditorium

11/8/2025 - Salt Lake City, UT @ The Complex

11/10/2025 - Spokane, WA @ Knitting Factory - Spokane

11/11/2025 - Vancouver, BC @ Commodore Ballroom

11/12/2025 - Seattle, WA @ Showbox SoDo

11/14/2025 - Sacramento, CA @ Ace Of Spades

11/16/2025 - Los Angeles, CA @ The Regent Theater

11/17/2025 - Santa Ana, CA @ Observatory

11/20/2025 - Houston, TX @ House of Blues Houston

11/21/2025 - Dallas, TX @ Southside Music Hall

11/23/2025 - Lake Buena Vista, FL @ House of Blues Orlando

11/25/2025 - Cincinnati, OH @ Bogart's

11/26/2025 - Detroit, MI @ Saint Andrew's Hall

11/28/2025 - Indianapolis, IN @ Old National Centre

11/30/2025 - Buffalo, NY@ Buffalo RiverWorks

12/1/2025 - Toronto, ON @ The Danforth Music Hall

12/2/2025 - Boston, MA @ Paradise Rock Club

12/5/2025 - New York, NY @ Irving Plaza

12/6/2025 - Allentown, PA @ Archer Music Hall

12/7/2025 - Philadelphia, PA @ The Fillmore Philadelphia

12/9/2025 - Baltimore, MD @ Nevermore Hall

12/10/2025 - Raleigh, NC @ The Ritz

The Hirsch Effekt Announce Versatile New Album "Der Brauch" Out 1/30 + Share Title Track

Since their formation, The Hirsch Effekt have carved out a unique niche in the German-speaking music scene.

Yet, despite — or perhaps because of — their elusiveness, the band has captivated a devoted audience. Musically, The Hirsch Effekt have always embraced limitless possibilities. Acoustic, introspective moments — where bassist Ilja John Lappinbrings out his cello or guitarist Nils Wittrock returns to his classical roots — sit naturally alongside massive progressive metal onslaughts.

Today, the trio from Hanover, Germany, announced its seventh studio album, Der Brauch, out January 30 via Long Branch Records. At the same time, the band is giving fans a taste of the new work with the release of the title track. 

Watch the visualizer for "Der Brauch" below.

Stream the new single and pre-order the album here. 

While earlier works, despite their diversity, were still labeled "metal albums," this new record explores paths first hinted at on the multi-layered second album, Holon: Anamnesis — the same album that fans of VISIONS magazine voted the only German-language entry among the 20 best albums of all time. Der Brauch can be seen as a return to that pivotal point — and simultaneously as a bold step forward. Drummer Moritz Schmidt doesn't entirely forego blast beats, but the record demands a new heading. In the end, though, there is only one truth: It unmistakably sounds like The Hirsch Effekt.

THE HIRSCH EFFEKT ARE:
Nils Wittrock — Guitar, Vocals
Ilja John Lappin — Bass, Vocals
Moritz Schmidt — Drums, Vocals

Oakland's Sword Tongue unveils 'Murder White Noise', showcasing 'Bonfire In The Tempest' EP

Oakland alt-rock trio Sword Tongue presents 'Murder White Noise', a wry commentary on the state of the world and our attempts to soothe ourselves to get through it. The latest offering from their explosive 'Bonfire In The Tempest' EP - their fourth to date.

In an increasingly stressful world, this song explores how people try to externalize their anxieties by consuming content that allows them to feel better about their own lives. We attempt to cope with the pressure of maintaining equilibrium by coming together to grieve, worry, and comfort each other, often finding that the only way to feel good about our lives is to reflect on others' misfortunes.

Creating dark music for dark times, Sword Tongue is vocalist Jennifer Wilde and guitarist Gaetano Maleki, a husband and wife who launched this project in the pandemic year of 2020, now joined by renowned drummer-producer Dan Milligan.

“I started consuming true crime content as a way to turn off the thoughts that kept me awake at night and distracted me during the day. One day I told a friend I was a listening to a livestreamed trial where a lady put her husband on a burn pile. She said “WHOAH, what is that, murder white noise?” As I told people about the song, I found many others watch crime stories as a release from their stressful lives. It is important to bring that into the conversation about how we are coping today,” says Jennifer Wilde.

"Finding comfort in tragedy is new for me; during the pandemic and especially in the last year I find myself needing to look for reassurance that whatever I am facing is not as bad as it could be. 'Murder White Noise' was written as a way to come to grips that someone else's pain is that content, and what that says about where we are as a society right now. Gaetano wrote the perfect guitar line that hooks you in to get to the truth of the song."

On 'Murder White Noise', soothing vocals contrast with the song's macabre lyrical content, while steadily thrumming instrumentation lulls you into a false sense of security.  For a moment, the listener feels heard and encouraged, then questions their own motivations, left to wonder whether they are now the tragic victim in this story.
 
"From a songwriting perspective, this pulled a lot of anxiety out of me," says Gaetano Maleki. "While writing the guitar and bass lines, I wanted to bring out tension to mirror the vocals, but with some kind of seductive undertones. I feel the instruments really complement the lyrics, like a hard boiled soundtrack."

Showcased by 'We Are The Resistance' and 'Diamonds To Rust', this EP was galvanized during our current age of cultural upheaval. Bursting with raw emotion and tempered by sophisticated production, this collection blends alt-rock, post-punk and dream pop, giving voice to anguish, anger, transformation and triumph. Vocal lines that oscillate between a croon and a roar, seduction and rage, while shimmering guitar tones and bass lines mesmerize and intricate drum lines drive the message.

This EP was produced by Dan Milligan, brainchild of The Joy Thieves, who has co-created, produced and remixed such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

The 'Bonfire In The Tempest' EP is out now as a first-print red variant cassette, including a special album poem inside, and als

CREDITS
Lyrics by Jennifer Ryan Wilde
Music written & arranged by Sword Tongue (Wilde / Milligan / Maleki)
Jennifer Ryan Wilde - vocals
Dan Milligan - drums & percussion
Gaetano Maleki - guitar & bass
Produced by Dan Milligan
Publicity by Shameless Promotion PR

Keep up with Sword Tongue
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music| Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

156/Silence Announce Signing With Pure Noise Records + Drop New Track "Our Parting Ways" and Official Music Video

Pittsburgh, Pennsylvania quintet 156/Silence have announced signing with their new label home, Pure Noise Records. In celebration of the news, the band has dropped their new track "Our Parting Ways" and the accompanying official music video, their latest release since their haunting 2024 full-length 'People Watching'. When asked about the song, the band shared:

"Our parting ways will always come together. The spaces left between what was and what is hold a place of their own to be remembered with grace. As the pages decrease in our story, we bleed to gain access to the memories of

the path we once shared."

Speaking about signing with Pure Noise Records, they commented:

"Pure Noise has always been a label we have all been fans of so when the option to sign with them was there we couldn’t pass it up. Everyone at the label has been so accommodating and supportive, very excited for the future of 156 with Pure Noise!"

Stream "Our Parting Ways" here, and watch the music video below.

The band has a stacked touring schedule for the remainder of 2025, and are currently on the road across North America with Counterparts, Thrown and Split Chain until October 26. Just a few days after the tour finale, they next hit the road with Fit For A King, Make Them Suffer, Spite, and Currents beginning October 30 before wrapping the year. Spring 2026 begins with their first EU/UK tour, reuniting with Fit For A King alongside Memphis May Fire and Acres. Click here for ticket information, and be sure to stay tuned for more 156/Silence news coming soon.

Supporting Counterparts and Thrown with Split Chain

OCT 15 Grand Rapids, MI – Elevation

OCT 16 Pittsburgh, PA – Roxian Theatre

OCT 17 Allentown, PA – Archer Music Hall

OCT 18 Baltimore, MD – Nevermore

OCT 19 Sayreville, NJ – Starland Ballroom

OCT 21 Albany, NY – Empire Live

OCT 22 New Haven, CT – Toad’s

OCT 23 Huntington, NY – The Paramount

OCT 24 Worcester, MA – The Palladium

OCT 25 Quebec City, QC – Salle Montaigne

OCT 26 Ottawa, ON – The Bronson

Supporting Fit For A King, Make Them Suffer, Spite, Currents

OCT 30 Phoenix, AZ – Marquee Theatre

OCT 31 San Diego, CA – Soma

NOV 01 Anaheim, CA – House of Blues

NOV 02 Los Angeles, CA – The Belasco

NOV 03 San Jose, CA – The Ritz*

NOV 04 Sacramento, CA – Ace of Spades

NOV 06 Spokane, WA – Knitting Factory

NOV 07 Boise, ID – Knitting Factory

NOV 08 Salt Lake City, UT – The Complex

NOV 09 Denver, CO – Fillmore

NOV 11 Kansas City, MO – Uptown Theater

NOV 12 St. Louis, MO – The Pageant

NOV 14 Chicago, IL – Riviera Theatre

NOV 15 Detroit, MI – Royal Oak Music Theatre

NOV 16 Cleveland, OH – House of Blues

NOV 18 Toronto, ON – History

NOV 19 Montreal, QC – Olympia

NOV 20 South Burlington, VT – Higher Ground*

NOV 21 Worcester, MA – The Palladium

NOV 22 Baltimore, MD – Rams Head Live

NOV 23 Cincinnati, OH – Bogart’s

NOV 24 Columbus, OH – Ace of Cups*

NOV 25 Philadelphia, PA – Franklin Music Hall

NOV 26 New York, NY – Palladium Times Square

NOV 28 Raleigh, NC – The Ritz

NOV 29 Nashville, TN – Marathon Music Works

NOV 30 Atlanta, GA – Tabernacle

DEC 01 Jacksonville, FL – Albatross*

DEC 02 St. Petersburg, FL – Jannus Live

DEC 03 Orlando, FL – House of Blues

DEC 04 New Orleans, LA – Gasa Gasa*

DEC 05 Houston, TX – White Oak Music Hall

DEC 06 San Antonio, TX – Vibes Event Center

DEC 07 Dallas, TX – The Bomb Factory

*156/Silence Headlining Date

Excide Share "Call Box" Video

EXCIDE — Tyler Washington, Gill Gonzalez, Gage Lanza, Caleb Hogue, and Jacob Paris — will drop their second album Bastard Hymns on November 28 via SharpTone Records. Pre-order it here.

Today, the band unleashes "Call Box."

Watch the video below.

"'Call Box' was the 'click' moment for the record," says Washington. "Though it formed from a later demo, it's the song that most coherently synthesized every component of our desired outcome, and ended up being sort of the stencil we worked backwards from when in pre-production for the LP. I've referenced them previously but it's got ALL the goodies derived from our influences. The Cast Iron Hike-sort of grooves in the verses, the fuzzy Queens of the Stone Age bridge, and the HUGE ending that nods to the greats in Failure."

He finishes, "This song is Excide at its purest and best form to-date. No doubt a favorite on the record, and the perfect conclusion for it. It's my 'F*** you, thanks for the inspiration' song." 

Bastard Hymnsis the logical next step from the band's debut album, Deliberate Revolver. "Having felt like we accomplished what we came to do on the first record, there were no guidelines or barriers around where we were to go next. This opened up so many avenues for our creativity and exploration. We were lucky enough to begin working with SharpTone the following year, which put the band back in gear and opened up new possibilities for the path forward."

Sonically, the band was inspired by the grooves and energy of late '90s post-hardcore bands such as Cast Iron Hike and Snapcase, while siphoning melody and textural elements much the same as Quicksand and Cave In. The band was not afraid to shift gears a bit and take influence from the likes of Queens of the Stone Age, Soundgarden, and Failure, which, Excide admit, " allowed us to really push the sonic needle into uncharted territory, even further accentuated by Austin Coupe's co-writing and production."

Overall, the album is a "fuzzy, rocky, groovy, angry record. Seeped in the woes of growing up in a hillbilly hellscape, and living to tell the tale. The result wasBastard Hymns."

Enthroned Release Scorching New Single "Ashspawn"

Belgian black metal institution Enthroned are opening a new chapter in their storied career with their upcoming twelfth album, which now stands as their most ferocious and personal work. Written in collaboration with occult author Gilles de Laval, Ashspawndescends into spiritual death, only to emerge reborn amongst the flames.

Today, Enthroned are releasing the album’s scorching title track as its second advanced single. “Ashspawn” embodies the band’s driving ethos, blazing into spiritual destruction as a path toward transcendence.    

Listen to “Ashspawn” below.

Ashspawn comes out December 5 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/enthronedashspawn

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:

Nornagest — Vocals & Samplers

T. Kaos — Guitars & Bass

Menthor — Drums & Percussion

Production Credits:

Recorded at Ophiussa Studio, London, UK.

Produced by Menthor.

Mixed by Stefano Santi at SPVN Studio, Milan, Italy.

Mastered by Phil Bashford at The Hive, London, UK.

Cover Art:

Cover artwork by Jose Gabriel Alegria Sambogal
(https://www.instagram.com/josegabrielalegriasabogal/)

Photography:

Band photography by Emanuela Giurano

Pre-save & Pre-order: https://orcd.co/enthronedashspawn
  
Follow Enthroned:

Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

Booking Contact:
Bart Gabriel — Dragon Productions
bart@dragon-productions.com

See Hellish Sanguisugabogg Billboard + "Hideous Aftermath" Out Now

Boundary-pushing brutalists (and recent Decibel cover stars) Sanguisugabogg — Cody Davidson, drums; Drew Arnold, bass/guitars; Devin Swank, vocals; and Ced Davis, bass/guitars —have unleashed their new album Hideous Aftermath via Century Media. Get it here. 

In the band's home base of Columbus, OH, a "hellish" billboard promoting the album has been unveiled, and it's located right across the street from the capitol building. It parodies the infamous "Hell is Real" billboards that were erected across the state in 2004 as a measure to promote Christianity to motorists.

"To have our logo plastered on a billboard just across our state capitpl building should be considered vandalism in some way," the band theorizes. "This is so cool. Thank you to Century Media for giving OUR city the sickest merch it could ever receive."

Known for being THAT band with the unpronounceable name and unreadable logos, the 'Bogg have made a record as gore-obsessed and violence-inclined as any of their prior works, including Tortured Whole (2021) and Homicidal Ecstasy(2023), but with a career-defining command over their ugly art. Says Swank, "It's the one where we rolled our sleeves up and brought our A-Game."

Hideous Aftermath is the work of a band who has already cut a bloody swath into the underground and beyond. Sanguisugabogg have emerged from the sweat and grime of countless U.S. and international tours with the likes of Cannibal Corpse, Lorna Shore, and Kublai Kahn as well as festival slots and their own headline runs. They've ensnared scores of new converts to their brand of the brutally absurd.

Now in 2025, the 'Bogg's third full length leaves any "caveman death metal" tags in the dust. This is the sound of Sanguisugabogg flexing every muscle they have.

Enlisting producer Kurt Ballou (Nails, High on Fire) the 'Bogg decamped to God City Studios in Salem, Massachusetts in the Spring of 2025. "We got off the road after A LOT of touring and wanted to drill down and be as purely creative as possible without distraction," says Swank of the band's decision to work with the Converge guitarist in Witch City. "Kurt mixed Homicidal Ecstasy, so he already understood what we were going for."   

While Sanguisugabogg have long been self-produced with Davidson handling production duties, this time, they put their sonic trust fully in Ballou's hands.

With Hideous Aftermath, Sanguisugabogg have proven themselves more than just an eccentric death crew on an acid-addled hateroll. They're both champions of the underground and a musical force unto themselves. "Eight or nine years ago, it seemed like what we were doing was pretty niche," Swank admits. "Where we've come, some of the rooms and festivals we've played is kind of remarkable." Big swings including recent appearances on more "mainstream" rock festivals including Columbus' Sonic Temple and Welcome to Rockville in Daytona, Florida, were never on the 'Bogg boys' charter underground agenda.

"I think we were a band that was set up to do nothing or a lot of something," Swank concludes. "Why 'normies' ever ended up liking it was weird. Who knows? Maybe we made pain and suffering fun."

Sanguisugabogg will be touring this November on a headline run, with Despised Icon, Defeated Sanity, and Corpsepile as support. All dates are below.

The 'Bogg's Fall 2025 headline tour dates are below. Get tickets here.

SANGUISUGABOGG LIVE:
WITH DESPISED ICON, DEFEATED SANITY, + CORPSEPILE:
11/4 — Detroit, MI — St. Andrew's Hall
11/5 — Chicago, IL — Metro
11/6 — Indianapolis, IN- Deluxe @ Old National Centre
11/7 — Lawrence, KS — The Granada
11/8 — Denver, CO — Summit Music Hall
11/9 — Albuquerque, NM — El Rey
11/11 — Phoenix, AZ — The Nile Theater
11/12 — Santa Ana, CA — The Observatory
11/13 — Berkeley, CA — UC Theatre
11/14 — Los Angeles, CA- The Regent
11/15 — Las Vegas, NV — Fremont Country Club
11/17 — Dallas, TX — Echo Lounge & Music Hall
11/18 — Austin, TX — Mohawk
11/19 — Houston, TX — White Oak Downstairs
11/21 — Tampa, FL — The Orpheum
11/22 — Atlanta, GA — The Masquerade
11/23 — Charlotte, NC — The Underground
11/25 — Pittsburgh, PA — Roxian Theatre
11/26 — Baltimore, MD- Baltimore Soundstage
11/28 — New York, NY — Irving Plaza
11/29 — Philadelphia, PA — Union Transfer
11/30 — Columbus, OH — The King of Clubs

CLOCKTOWERS Unleash Hypnotic New Single “Bend the Snake” from Upcoming Album Genesis

Rising modern rock outfit CLOCKTOWERS returns with their electrifying new single, “Bend the Snake,” a hypnotic and emotionally charged track from their forthcoming album Genesis. Blending metal’s modern edge with the soul of 70s rock, CLOCKTOWERS continues to cement their reputation as one of the most genre-bending acts in today’s rock scene.

From the moment the guitars kick in, “Bend the Snake” commands attention with a pair of interlaced riffs, equal parts intricate and infectious, that merge into an upbeat, snakecharmer-like groove. The rhythm section follows suit, with smooth basslines and tight drum work accentuating the hypnotic pulse of the song. When Tarek Puska’s baritone vocals enter, they carry a sense of authority and depth, enveloping each lyric in controlled intensity.
 

The harmonies complement the guitarwork with wit and skill, while the chorus fuses the grit of modern metal with the swagger of 70s rock. Midway through, the track takes a sharp, exhilarating detour into classic rock territory, echoing the free-spirited stylings of the band Free.

Lyrically, “Bend the Snake” ventures into mystical and philosophical territory. Penned by Dakota Logan, the song explores themes of illusion, reality, and the hidden forces shaping the world.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

EDGE OF PARADISE Unveil Cinematic Cover of “Requiem for a Dream”

International cinematic rock band EDGE OF PARADISE have released their powerful reimagining of the iconic Requiem for a Dream theme. Known for fusing soaring vocals, heavy riffs, and immersive soundscapes, the band takes the haunting score into new depths, transforming it into a massive, larger-than-life experience that bridges the worlds of film and metal. 

Following the success of their latest album Prophecy (Napalm), the band continues to expand their multimedia universe, accompanying this powerful composition with a striking visual counterpart, a music video that immerses viewers in EDGE OF PARADISE’s signature fusion of sound, story, and atmosphere.

"This theme has always resonated deep within and inspired me to see how a simple melody can open entire worlds” says vocalist Margarita Monet. “With our version we wanted to amplify that emotion, the darkness, the light, and everything in between, and we're excited to experience it with you through our dimension, on the stages and beyond.”

The artwork created by Margarita was unveiled at the NoHo CineFest in Hollywood, where she received the Outstanding Artist Award for her visual work and storytelling. Her graphic novel’s narrative extends EDGE OF PARADISE’s cinematic universe, seamlessly connecting the band’s music, imagery, and philosophy through art. Additionally, the band’s song “The Unknown” will be featured in the upcoming feature film The Complete Course of Howard French, directed by Gustavo Sampaio,  expanding their presence across both the music and film landscapes.

Margarita adds: “What also makes this so special to me is how everything I love intertwines — making the art, the music, the visuals. From painting the cover and crafting the crown to shaping the story through dance and direction, every moment reflects a piece of my soul.”

This release follows a remarkable year for the band, supporting PROPHECY with North America and European tours. 

EDGE OF PARADISE will also embark on a string of dates alongside LOVE BITES to bring their show to audiences worldwide:

Tickets and VIP upgrades: https://www.national-acts.com/edgeofparadise
Nov 4 - New York City, NY - The Gramercy Theatre
Nov 5 - Baltimore, MD - Baltimore Soundstage 
Nov 7 - Lakewood, OH - The Winchester
Nov 8 - West Dundee, IL - Rookies Rochaus
Nov 10 - Lawrence, KS - The Granada Theater
Nov 11 - Dallas, TX - Trees Dallas
Nov 12 - Austin, TX - Come and Take It Live
Nov 14 - San Luis Obispo, CA Freemont
Nov 15 - Los Angeles, CA - The Vermont Hollywood

The “Requiem for a Dream” cover is now available worldwide on all streaming platforms https://ffm.to/2d1gqpw

"Requiem for a Dream (and the Angels of Static)" is mixed and mastered by Jacob Hansen, and engineered by Mike Plotnikoff and Rob Black. The music video was directed by Margarita Monet and Julian Oyanedel Santiesteban.