PAUL MASVIDAL + Kiesel Guitars Announce the Masvidalien MIII Hybrid Guitar; Shares New Performance Video

Kiesel Guitars proudly introduces the Masvidalien MIII, the debut Kiesel signature model from Paul Masvidal, guitarist and composer known for his work with Cynic, Death, Æon Spoke, and Mythical Human Vessel.

Built in Kiesel’s California factory, the MIII was designed with strength, resonance, and playability at its core. Inspired by Kiesel’s Kyber model, which Masvidal was already connected to, the MIII began as a natural extension of that instrument but quickly evolved into something uniquely its own, a Hybrid Guitar that expands on the Kyber’s spirit and opens new creative ground.

“Creating the Masvidalien MIII with Jeff and the Kiesel family at their Southern California factory was educational and eye opening," say Masvidal. Every step taught me something new, from experimenting with strength and resonance in the neck to noticing the subtle details that make a guitar feel alive against the body. Even obstacles opened new doors, leading to the discovery of a pickup voicing that surprised us with its sound. Working with Jeff was a unique experience. I could bring in ideas from my perspective, and he would ground them in what was possible, or reveal a new path I had not considered. The back and forth shaped the guitar in ways I could not have reached alone.”

“Through it all I learned the value of patience, of showing up and letting the instrument itself guide the process. What emerged is both personal and universal, a guitar designed for playability, balance, and substance. Guitars evolve as musicians and styles evolve, so this work is like a living organism that will keep expanding. These instruments honor the classic reference points left by the great master luthiers while embracing the infinite possibilities ahead. For me, the MIII is a symbol of that evolution.”

To mark the launch, Masvidal filmed a performance video that captures both the spirit of the MIII and of California. Shot with spontaneous, off the cuff moments to reflect the true feel of the instrument, the video also includes b roll footage that Masvidal describes as his love letter to San Francisco, the city where he now lives. For Masvidal, the guitar and film together celebrate not only the evolution of the instrument but also the inspiration of California itself. The video can be seen Below.

Masvidal co-founded Cynic as a teenager, recording several demos before being invited to play guitar on Death’s landmark Human. Cynic would go on to release records that reshaped progressive music, including Focus, Traced in Air, and Ascension Codes. Beyond Cynic, his work spans film, television, and experimental solo projects, all rooted in exploration and sound.

The Masvidalien MIII continues this spirit, merging playability, resonance, and thoughtful design in collaboration with Kiesel’s Escondido based team.

Paul Masvidal is a groundbreaking guitarist, songwriter, and co-founder of Cynic, a pioneering progressive metal band known for its innovative fusion of metal, jazz, and experimental music. Widely respected as a groundbreaking guitarist and songwriter, Masvidal has collaborated with major artists across genres, adding to his legacy as an innovative musician. Over time, he has become a well recognized figure in the metal and progressive music community, with countless younger artists and musicians citing him as a key influence in both technical ability and creative vision.

Known for his philosophical and spiritual approach to art, exploring themes of the dream-like nature of reality, consciousness, and the search for deeper truths, his music transcends labels, resonating with fans of both the metal world and beyond, thanks to his ability to combine technicality with emotional depth.

Masvidal played guitar on Death’s influential album, 'Human,' and helped shape the genre with Cynic's acclaimed 1993 release, 'Focus,' often regarded as a seminal record in progressive metal. Following 'Focus,' Cynic expanded their sound with albums such as 'Traced in Air' (2008), and explored more experimental territory with EPs 'Re-Traced' (2010) and 'Carbon-Based Anatomy' (2011), which reimagined Cynic’s music with atmospheric and ambient textures. Cynic continued to evolve with the full-length album 'Kindly Bent to Free Us' (2014), which took a more raw, progressive rock trio direction, further solidifying their role as innovators in the genre.

In 2022, Cynic released the futuristic concept album 'Ascension Codes,' a deeply philosophical record that explores themes of cosmic consciousness, spirituality, and transcendence, showcasing Masvidal’s continued creative evolution.

In addition to his work with Cynic, Masvidal has produced a solo trilogy, Mythical Human Vessel, and led the alternative project Æon Spoke. He gained significant attention for his personal coming-out story in the LA Times, advocating for LGBTQ+ representation in the metal community in 2014, where he courageously shared his journey as a gay man in the metal scene, shattering stereotypes and inspiring fans worldwide.during a time when coming out was still taboo. A dedicated vegan, Masvidal promotes conscious living and mindfulness, further extending his creativity through his jewelry line, Masvidalien, inspired by metaphysical concepts.

Masvidal has also collaborated with various artists and composed music for TV and film, including the award-winning The Tiger Hunter. He has also launched two signature guitars with Strandberg and now Kiesel, cementing his place as a guitarist whose influence is felt by players across a wide spectrum of genres.

For the last two years, he has been actively touring with Cynic, including the 30th anniversary memorial tour for Focus, bringing the band’s music to audiences around the world with renewed energy and resonance. Alongside Cynic, he has also continued to perform as a solo artist. His solo performances offer a meditative experience, blending acoustic and electronic elements to create intimate, reflective soundscapes. Widely respected, Masvidal continues to influence generations of musicians with his technical prowess and philosophical approach to art.

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RUNE Signs With UNFD + Shares Video for Shimmery New Single "Fast Asleep"

RUNE — formerly known as WHOISRUNE — is a dynamic and talented multi-genre music artist based in Toronto. Her musical journey began at a young age while heavily influenced by early 2000s pop and '90s Trance/EDM. In her early teens, RUNE started making songs to release on YouTube under a different name as a passion project. Determined to pursue her dreams, she officially launched WHOISRUNE in 2019 with her debut track "Adrenaline."

Since then, she has made significant strides in her career with the successful release of an EP and 14 singles — which have accumulated over 8 million total streams!

Today, RUNE is pleased to announce that she has signed with UNFD and is sharing the video for shimmery new single "Fast Asleep."

Watch it Below.

The song is a powerful exercise in processing grief and all of its emotional tentacles.

"'Fast Asleep' was written when I was deep in my grief," RUNE recalls. "It was truly suffocating, where I felt like I lost myself and all that was left was a sad, grieving husk. On some of the most painful nights early on, I used to dream of the person I lost. This song is about those dreams. The lyrics in the chorus, 'I know you're somewhere, holding me down in the darkest moment.' When I am fast asleep, it's a representation of this feeling of safety from their presence in your dreams, feeling like the spirit of this person is trying to communicate with you in your dream state and make you feel safe. Continuing on, 'I know that you would save me, if you could, pull me through, reaching out, violets, bloom in you, violence.'"

RUNE continues, "This is one of my favorite lyrical sections of the song because it feels a bit like a dance between peace and the pain felt. It's the idea that you know if the person could, they would save you from the pain, but unfortunately, you are a few degrees of separation away. You reach out for them, and this is where your dream begins to fade away. The light begins to fade. Violence."

And there you have it.

Expect more from RUNE very soon.

Scotland's iconic Fini Tribe shares 'We're Interested', previewing epic retrospective album set "The Sheer Action of Fini Tribe: 1982-1987" is out October 10

Scotland's iconic 1980s music mavericks Fini Tribe present "We're Interested", the second offering of their colossal retrospective "The Sheer Action of Fini Tribe: 1982-1987", following the razor-edged first single “I Want More”. This anthology include the legendary John Peel session from 1985, the original 12” singles (including "Detestimony"), the WaxTrax! singles, and unreleased live tracks - all lovingly remastered and produced by the band's members.

Fini Tribe was born into the cash-poor but culturally-wealthy environs of post-punk Edinburgh in the very early 80s – 1980 to be precise. A tiny three-piece with no drummer would soon swell into a muscular six-piece with inherited or cheaply-purchased instruments. Band members Chris Connelly, Simon McGlynn, Andy McGregor, Davie Miller, Philip Pinsky, and John Vick haunted the cold, damp warrens of the Niddry Street and Blair Street rehearsal rooms, just off the high street in Old Town Edinburgh.

"Actually 'We're Interested" was a watershed moment for the Fini Tribe. Starting with John Vick's plaintive piano melody, it invited each member of the group to bring a melancholy laced with an (almost) pop sensibility to the song... inspired by endless walks, bike rides and other shenanigans on the banks of Edinburgh’s Union Canal, one of the many cryptic landmarks of the city that inspired the band. The song IS Edinburgh, moreso than most: it is the green of the Braid Burn Valley, the dank history of the band’s Niddry Street rehearsal room, the secret lanes of the New Town," says Chris Connelly.
 
"The version you have here was recorded at BBC Maida Vale studios and produced by Mott the Hoople's Dale Griffin, who was kind enough to lend his ears to the young Finis that amazing spring Sunday in 1985 when they recorded their first John Peel session. The song became a live favourite, and its haunting melody stretches far over the forty years since its conception."

Drawing on the influences of everything from Throbbing Gristle, Wire, Can, Captain Beefheart, and numerous angular funk bands that were spewing out of the John Peel Show at the time, they also drew from the seemingly bottomless well of modern film, writing, and art that was abundant in the festival city.
     
"The Sheer Action of Fini Tribe" is the band's first retrospective, curated and designed by the band itself. It includes a wealth of archival photographs, an essay by original member Andy McGregor, who also designed the sleeve, and essays by longtime friend Shirley Manson (Garbage, Goodbye Mr. MacKenzie) and author Alastair McKay, an early champion of the band. This release also includes the first legendary John Peel Session, produced by Dale Griffin and originally broadcast in May 1985.

Rehearsing and writing tirelessly between high school and part-time jobs, Fini Tribe played whenever they got the chance: CND benefits, support band for local mentors Visitors and Explode Your Heart, and endless rehearsals turning them into a well-oiled, if frantic, machine. Gigs farther afield were found in London, Glasgow and Aberdeen, and the sound grew as the band became more unique and distanced from their peers and ploughed their own furrow.
 
A debut self-released EP on their own FINIFLEX label led to a John Peel Session in 1985. Not to let the grass grow under their feet, the band quickly morphed into a formidable experimental dance unit. The arrival of sampling would cement this and 1986’s “Let The Tribe Grow” EP, with the anthemic, church-bell driven “Detestimony”, would become a lasting and iconic statement of intent unbeknownst to the band at that time. Fini Tribe heralded a new sound and new hypervisual approach, more akin to performance art than any straight rock ‘n roll, with a one-off performance at Edinburgh’s prestigious Assembly Rooms: sculpture, film, ritual, new music, and suspended bin bags full of lurid poster paint sprayed a shocked audience. The gauntlet was thrown, covered in paint, and slapped like a wet fish.

"The Sheer Action of Fini Tribe: 1982-1987" was recorded in Edinburgh at Wilf's Planet, Pier House, Niddry Street Rehearsal Rooms, Pleasance Theatre, and Calton Studios, and in London at Southern Studios and at BBC Studios, Maida Vale.

As of September 10,"'We're Interested" is out everywhere, including  Spotify, Apple Music and Bandcamp, where 'I Want More' is already available. The full album, released on October 10 via Shipwrecked Industries, is available as a three-CD digipak with 24-page booklet, as a vinyl LP in a gatefold sleeve with insert, and digitally.

CREDITS
All tracks composed and performed by Chris Connelly, Andy McGregor, David Miller, Simon McGlynn, Philip Pinsky & John Vick, except "I Want More” (written by Karoli/Czukay/Schmidt/Leibezeit/Gilmour)
Published by Copyright Control / P.R.S. Concord Music / B.M.I. Momentum / Universal
Design & art direction: Andy McGregor, remixing 1980’s Fini art
Cover artwork: high school printed t-shirt by Simon McGlynn
Produced by Fini Tribe, John McVay, Dale Griffin, John Vick
Mixed by Fini Tribe, Paul Barker, John Vick
Engineered by Peter Haigh, Chic Medley, John Vick, Trigger, Mike Engles, Wilf Smarties, Rock Hardware
Recorded at Wilf’s Planet, Edinburgh
Pier House, Edinburgh
Demo & rehearsal recordings made at Niddry Street Rehearsal Rooms, Edinburgh with overdubs at various band members’ flats around Edinburgh
Live recordings made at Pleasance Theatre, Edinburgh, 15 December 1983
Live recordings made at Calton Studios, Edinburgh, 27 May 1987
Location recordings made at Monimail, Fife, Scotland
Southern Studios, London
BBC Studios, Maida Vale, London, 12 May 1985
Mastered by James Scott, Populist Recording & Mastering
Shipwrecked Industries CD catalogue no. SHIP004CD
Shipwrecked Industries LP catalogue No. SHIP004LP
Distribution via Virtual Label
'We're Interested' video by Kimberly Blessing
Footage of 1986 Edinburgh courtesy of Jean-François at Popcards Factory
Publicity by Shameless Promotion PR


Keep up with Fini Tribe
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UK Metal Trio URNE Announces New Studio Album 'Setting Fire To The Sky' Due for Release on January 30th 2026 via Spinefarm

The London modern metal band URNE, – Joe Nally (bass, vocals), Angus Neyra(guitar) and James Cook (drums) – are proud to announce their new studio album, 'Setting Fire To The Sky,' due for release on January 30, 2026, via Spinefarm.

 

The announcement is paired with the release of their new single, "Be Not Dismayed," which is an invitation for younger fans not to be intimidated by the big blokes, battle jackets, and patches crowding around them at gigs and festivals. The new single arrives accompanied by a music video, available below.

Bassist/vocalist Joe Nally comments on the track:

“I wrote the lyrics to ‘Be Not Dismayed’ after spending a few summers playing some of the best metal festivals around and seeing the buzz that fans would have by being there. On people’s faces, you could see they were experiencing pure elation, and I guess it took me back to that feeling I used to have going to shows. I clearly remember the feeling I had when I went to see Slayer for the first time at the London Astoria. I went through it all. In the end, it was the moment that set me on a path to where I am now.”

Watch the Music Video for "Be Not Dismayed"

Produced by SikTh co-vocalist Justin Hill, mixed by Johann Meyer (Silvercord Studio), mastered by Tony Lindstrom at Fascination Street Studio and scheduled for release on January 30th 2026 via Spinefarm, 'Setting Fire To The Sky' whips up a firestorm of grit, swagger and grandiosity.

Snarling hardcore, extreme inflections, and a strong sense of heavy metal’s inherent classicism all burn together within URNE’s burial chamber, propelling the band forward. “I feel like I'm in Metallica in 1988 with what we do,” says Nally.

URNE has enlisted Kurtis Bagley as second guitarist to the live band. Kurtis will make his live debut at URNE’s sold-out London show at Camden Assembly and features in the "Be Not Dismayed" video. 

Guesting on the record, you’ll hear innovative cellist Jo Quail appear as part of melancholy album closer "Breathe" whilst the nine-minute-plus undulating epic, "Harken The Waves,"released as a single earlier this year, features guest vocals from Mastodon’s Troy Sanders.

Watch the video for "Harken The Waves" HERE

The stunning album art was created by New York-based artist, Dan Zollinger.

 

Nally shares:

“The artwork for the last album was so dark, this time around we wanted to go in the complete opposite direction. I had never worked with a real artist before, but I had a clear idea of what I wanted, and Dan Zollinger has done more than capture that. We feel it ties in perfectly with what this album is, where we are as a band, and what is to come.”

Pre-Order 'Setting Fire To The Sky' HERE

URNE are:

Joe Nally - Vocals/Bass 

Angus Neyra - Lead Guitar 

James Cook - Drums 

ALEXANDRA KAY’S “WHAT HE DOES” DELIVERS SOUL-STIRRING KNOCKOUT, AHEAD OF NEW ALBUM, SECOND WIND, DROPPING OCTOBER 24

Billboard-charting singer/songwriter and Pandora “2025 Artist to Watch: Country” Alexandra Kay keeps the anticipation surging over her sophomore album, Second Wind, out October 24, with the release of “What He Does.” Available today, the soul-affirming ballad about the power of selfless love is one of the most breathtaking and emotionally radiant tracks of her career. Listen below.

Written by Alexandra Kay with producer Andrew DeRoberts and Allison Veltz-Cruz, the fierce and stripped-back reflection is exactly what her 8.7M social media followers have come to cherish from the rising star. Woven with golden honesty and infused with her timeless vocals, the CMT 2025 Next Women of Country member proves her brilliant storytelling is "custom-made for the country music genre" (People).

Featured on her upcoming album Second Wind, the flawless new gem follows a string of standout releases, including the powerhouse anthem “Straight For The Heart,” “Feminine Energy,” “The Last,” and “Cupid’s A Cowgirl.” 

Coming up, the compelling entertainer will take the Canadian Country Music Awards (CCMA) stage with Dallas Smith tomorrow (9/13) to perform their hit single “How Do You Miss Me” that’s currently Top 5 at Canadian country radio. Following the CCMAs, the electrifying globetrotter - who just returned from her sold-out European Tour - immediately heads out on her Second Wind: The Tour that is also selling out fast. Launching September 26 in Atlanta, the celebratory trek will span 30-nationwide dates, hitting major markets like Nashville, Boston, New Orleans, Anaheim, Las Vegas and more. Get tickets HERE.

With her independent debut album, All I’ve Ever Known, hitting #1 on iTunes (All Genre & Country) and Top 10 on multiple Billboard charts (Country Album, Emerging Artist and HeatSeeker), the heart-first starlet - now signed to BBR Music Group/BMG Nashville - is serving up the same tear-streaked ballads, raw, poetic storytelling and diary-deep honesty that her fans crave.

Born from the wreckage of a divorce, her debut was survival in real time, and although heartbreak still lingers, it no longer leads. Breathing new life into her story, Second Wind is a revival, hitting like a spark in the dark - magnetic and glowing with possibility. Pre-order/pre-save/pre-add HERE.

Second Wind: The Tour Dates:

Sept. 26 - Atlanta, GA - Variety Playhouse

Sept. 27 - Louisville, KY - Old Forester’s Paristown Hall

Sept. 28 - Nashville, TN - Brooklyn Bowl

Sept. 30 - Cleveland, OH - Agora Theatre

Oct. 1 - Pittsburgh, PA - Stage AE

Oct. 3  - Allentown, PA - Archer Music Hall

Oct. 4 - Boston, MA - Big Night Live

Oct. 5 - Portland, ME - State Theatre

Oct. 7 - New Haven, CT - Toad’s Place

Oct. 8 - Buffalo, NY -Town Ballroom

Oct. 10 - Baltimore, MD - Nevermore Hall

Oct. 11 - Greensboro, NC - Piedmont Hall

Oct. 12 - Knoxville, TN - The Mill & Mine

Oct. 25 - Mobile, AL - Soul Kitchen Music Hall

Oct. 26 - Huntsville, AL - Mars Music Hall

Oct. 28 - New Orleans, LA - House of Blues

Oct. 29 - Little Rock, AR - The Hall

Oct. 30 - Columbia, MO - Rose Park

Nov. 1 - Oklahoma City, OK - Diamond Ballroom

Nov. 2 - San Antonio, TX - Vibes Event Center

Nov. 4 - Tucson, AZ - Encore

Nov. 5 - Anaheim, CA - House of Blues

Nov. 6 - Las Vegas, NV - Brooklyn Bowl

Nov. 8 - Reno, NV - Grand Theatre at The Grand Sierra Resort

Nov. 9 - Boise, ID - Shrine Social Club

Nov. 11 - Colorado Springs, CO - Phil Long Music Hall

Nov. 13 - Wichita, KS - Cotillion Ballroom

Nov. 14 - Lincoln, NE - Bourbon Theatre

Nov. 15 - Clive, IA - Horizon Events Center

Nov. 16 - Milwaukee, WI - The Rave

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

LORNA SHORE’s New Album “I Feel The Everblack Festering Within Me” Out Today

Lorna Shore’s first new album in three years, I Feel The Everblack Festering Within Me, is out today via Century Media Records, alongside a highly emotional new music video for “Glenwood.” It visually captures the song’s overarching narrative: Vocalist/lyricist Will Ramos’ personal journey to reconnect with his estranged father. See the gripping music video, directed by Dylan Hryciuk, Below.

 

Ramos says of the new track, “This song has been a very long-time coming for me. In my teens, my father and I never had a great relationship. We’ve had countless fallouts and it got to the point where we hadn’t spoken to each other in many, many years. I’d written songs in my teens and early 20s about him and my frustration but nothing really helped fill the hole I felt inside. There were just too many mixed emotions. As time went on, I came to realize that, despite my anger, all I ever really wanted was to go back to the home I grew up in. For that reason, I decided to knock on his door and try one more time to get in touch with him.”

 

He adds, “‘Glenwood Ave’ was the name of the street I grew up on. I remember my father always telling me, ‘I’m the tree, you’re the branch.’ The day I saw my father (for the first time in who knows how long), I quickly realized something. He wasn't the same person I remembered. He’d aged, had wrinkles, and a full-head of white hair. The tree that I remembered growing up next to was gone. The house inside was the same as I remembered but… older… dustier; and it felt… strange. As time seems to fly by for me, it also does for my father. And in all my parting, I never stopped to think about how much time actually went by. I spent my youth being so prideful and stubborn. I never even considered that as I was aging, so was he. I’ve had countless chances to fix things but wasn’t brave enough to actually do it. And now, I will never be able to get that time back. I wanted to capture that feeling when I wrote this song. My only hope is that when people hear ‘Glenwood,’ they can think about their own lives and the people they’ve pushed away and ask themselves: ‘Is it really worth being upset for this long?’ I believe all we really want is to go back to that special place – a place where nostalgia triumphs over trauma; a place that we can call home.”

 

“Glenwood” follows the release of “Oblivion,” “Unbreakable” and “Prison Of Flesh” from I Feel The Everblack Festering Within Me. As Lorna Shore’s fifth album and the first in three years since 2022’s explosive Pain Remains, it continues the band’s reputation as one of the most impressive extreme metal acts to emerge in recent memory.

 

The quintet, also including lead guitarist Adam De Micco, drummer Austin Archey, rhythm guitarist Andrew O'Connor and bassist Michael Yager, have hit the viral Spotify charts, racked up hundreds of millions of streams, embarked on highly successful tours and in the process, galvanized a significant fanbase that hangs onto the band’s quest for stylistic inversion. But by virtue of physical onslaught and wanting to divine truth from their music, Lorna Shore have kept themselves fired up by torching the metal rulebook at every turn, practically demanding that other genres step up their game.

I Feel The Everblack Festering Within Me is now available in multiple formats including digital, CD and limited-edition vinyl variants. Fans can stream the album HERE and find their preferred physical and digital retailer HERE. Fans can also shop a merch collection, available HERE.

Lorna Shore will bring tracks from I Feel The Everblack Festering Within Me and other hits on the road beginning September 17, joined by The Black Dahlia Murder, Shadow Of Intent and PeelingFlesh in a tour produced by Live Nation. Tickets are on sale now.

 

LORNA SHORE FALL 2025 TOUR
With The Black Dahlia Murder, Shadow Of Intent and PeelingFlesh

 

September 17 Pittsburgh, PA @ Stage AE

September 18 Louisville, KY @ Louder Than Life Festival*

September 20 Worcester, MA @ New England Metal & Hardcore Festival*

September 21 National Harbor, MD @ The Theater at MGM National Harbor

September 23 Greensboro, NC @ Special Events Center

September 24 Nashville, TN @ The Pinnacle

September 26 Cleveland, OH @ Jacobs Pavilion

September 27 Detroit, MI @ Masonic Temple Theatre

September 28 Chesterfield, MO @ The Factory

September 30 Atlanta, GA @ Coca-Cola Roxy

October 1 Tampa, FL @ Yuengling Center

October 3 Houston, TX @ 713 Music Hall

October 4 Irving, TX @ Toyota Music Factory

October 5 Cedar Park, TX @ H-E-B Center Cedar Park

October 6 Oklahoma City, OK @ The Criterion

October 9 Phoenix, AZ @ The Van Buren

October 10 Las Vegas, NV @ Pearl Concert Theater

October 12 Riverside, CA @ Riverside Municipal Auditorium

October 13 San Diego, CA @ SOMA

October 14 Los Angeles, CA @ Hollywood Palladium

October 15 San Francisco, CA @ The Masonic

October 17 Seattle, WA @ Paramount Theatre

October 18 Vancouver, BC @ Doug Mitchell Thunderbird Sports Centre

October 20 Salt Lake City, UT @ The Union Event Center

October 21 Denver, CO @ Fillmore Auditorium

October 23 Chicago, IL @ The Salt Shed

October 24 Maplewood, MN @ Myth Live

October 25 Milwaukee, WI @ Eagles Ballroom

October 27 Toronto, ON @ Great Canadian Casino Resort

October 28 Laval, QC @ Place Bell

October 30 New York, NY @ The Theater at Madison Square Garden

*Festival dates

 

Find more info and tickets at www.lornashoreband.com

(Credit: Zac Schiffer)

BEYOND THE BLACK - release new single/video 'The Art Of Being Alone' feat. Lord Of The Lost

Symphonic metal sensation BEYOND THE BLACK are excited to share the third single from their eagerly awaited upcoming studio album, Break The Silence, which is due to be released on January 9th, 2026 via Nuclear Blast Records.

The emotional anthem 'The Art Of Being Alone' features none other than Chris Harms of acclaimed German metal band Lord Of The Lost on guest vocals, and lyrically deals with important contemporary issues such as mental health, self-empowerment and positive life perception. A video that has been released alongside the single illustrates the feeling of being alone and cornered, but towards the end, it shows the path to self-awareness and ultimately, a way out of this mental prison.

Singer Jennifer Haben commented:
“‘The Art Of Being Alone’ is one of the most emotional songs for us since it‘s born from personal battles and quiet reflections. We wanted it to be fragile and powerful at the same time and we believe many of you will find your own story between its lines. Having Chris Harms join us with his uniquely intense voice and personality felt absolutely perfect and brought a depth to this track that made it even more special.”

Chris Harms (Lord Of The Lost) added:
"This duet was long overdue! For more than 10 years now, LORD OF THE LOST and BEYOND THE BLACK have been crossing paths — we like and appreciate each other and it was kind of obvious that Jenny’s and my voices would work great together. Now we’ve finally made it happen and created this powerful, goosebump-inducing song together! I’m really happy about it!"

BEYOND THE BLACK's sixth full length Break The Silence is a concept album rooted in melodic metal with ethno influences, it explores themes of communication, inner strength, resilience and the urgent need to reconnect in a divided world. Tracks like 'Let There Be Rain', '(La Vie Est Un) Cinéma', 'Ravens' and 'The Flood' examine how words – and their absence – shape our reality. It’s an emotional, multi-layered experience that mirrors today’s complex world and invites fans to be part of this new chapter.

PRE-ORDER / PRE-SAVE THE NEW ALBUM BREAK THE SILENCE:
https://beyondtheblack.bfan.link/break-the-silence-album

LISTEN TO 'THE ART OF BEING ALONE':
https://beyondtheblack.bfan.link/the-art-of-being-alone

WATCH THE MUSIC VIDEO FOR 'THE ART OF BEING ALONE (FEAT. LORD OF THE LOST)' BELOW:

BEYOND THE BLACK
'RISING HIGH' HEADLINE TOUR 2026

TICKETS HERE: https://beyond-the-black.com/#tour

About BEYOND THE BLACK:

German symphonic metal band BEYOND THE BLACK have become one of the most exciting forces in modern symphonic metal, carving an impressive path since their formation. It started with their debut album in 2015: Songs Of Love And Death was an instant success and stayed strong in the German Top15 for weeks, earning the Metal Hammer Award for “Best Debut.” Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a major tour through Germany, the UK, Russia and Japan. Since their live debut in 2014, the band has played the world’s biggest metal festivals like Wacken Open Air and supported international metal acts such as AEROSMITH, KORN, SCORPIONS, SAXON, and WITHIN TEMPTATION.

With the release of their third album Heart Of The HurricaneBEYOND THE BLACK launched their first European headline tour in fall 2019 – over 20 shows in 10 countries, most of them sold out. The band returned to the studio soon after and in June 2020 released the highly anticipated Horizons, which entered the German album charts at #3 (CH #6, AT #16, BE #53). 

After the pandemic-induced break, BEYOND THE BLACK came back stronger than ever: Following a successful European tour in fall 2022, their self-titled fifth album BEYOND THE BLACK dropped in January 2023, charting in several countries (DE #2, UK #2 Rock, CH #6, AT #12, SE #12, US #7 Top New Artist) and marking a new career high.

Following a powerful festival summer, the band toured Australia and New Zealand for the first time in late 2023, as special guests of Swedish metal act THE HALO EFFECT. In early 2024, BEYOND THE BLACK played their most successful European headline tour to date – Dancing In The Dark – followed by more celebrated shows across the continent that summer.

In early 2025, the band reached another milestone with their first-ever Latin America tour, playing headline shows in Argentina, Chile and Mexico, as well as performing at Brazil’s renowned Bangers Open Air. In summer 2025, they will once again take the stage at Europe’s most prestigious festivals, including Wacken Open Air, Hellfest and Graspop.

The excitement continues as BEYOND THE BLACK launch their next European headline tour, Rising High, kicking off in January 2026, tied with the release of their highly anticipated sixth studio album Break The Silence.

The Plot In You Release New Single "Silence" With Official Music Video via Fearless Records

The Plot In You have today released their new track "Silence" and the official music video (via Fearless Records). When asked about the inspiration behind the track, vocalist Landon Tewers commented:

"'Silence' is a meditation on the feeling of growing older, more confident, and at peace. I wanted to write about my current feeling about existing. Nothing in the song repeats as a metaphor for not treading past waters again and striving take on things that feel uncomfortable."

The quartet is currently on their US headliner with Invent Animate, Northlane and Windwaker as support, and will next hit the road with Bring Me The Horizon across the States alongside Motionless In White and Amira Elfeky (ticket information here). Stream "Silencehere and watch the music video below. Stay tuned for more The Plot In You news coming soon.

US Headlining Dates with Invent Animate, Northlane + Windwaker:

09/13 Oklahoma City, OK @ Diamond Ballroom

09/14 Fayetteville, AR @ JJS Live

09/16 St. Petersburg, FL @ Jannus Live

09/17 Jacksonville, FL @ Five

09/18 Huntsville, AL @ VBC Mars Music Hall

Dates with Bring Me The Horizon, Motionless In White + Amira Elfeky:

Sept 21 - Louisville, KY - Louder than Life Festival*

Sept 23 - Raleigh, NC - Lenovo Center

Sept 24 - Atlanta, GA - State Farm Arena

Sept 26 - Houston, TX - Toyota Center

Sept 27 - Dallas, TX - American Airlines Center

Sept 29 - Denver, CO - Ball Arena

Sept 30 - Salt Lake City, UT - Maverick Center

Oct 2 - Phoenix, AZ - Footprint Center

Oct 3 - Los Angeles, CA - Intuit Dome

Oct 5 - Sacramento, CA - Aftershock Festival*

*Festival Date

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with Divide, having generated 33 million Spotify streams and counting followed by Left Behind, exploding to the tune of 66.5 million Spotify streams with no signs of slowing down. Upon the arrival of ForgottenRevolver praised it among the “6 Best New Songs Right Now”The Plot In You's 'Vol. 3' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks ClosureDon’t Look Away, and All That I Can Give”. The band's stellar track "FEEL NOTHING" has recently been RIAA-certified Platinum, further solidifying their place as one of the genre's most compelling acts.

RAVEN BLACK Unveils Their Most Haunting Creation Yet: New Album - BLACK SONATA DROPS TODAY FRIDAY, SEPTEMBER 12

Prepare yourselves as the carnival doors creak open once again, and the music of the shadows will echo forever.

The twisted carnival is back—and this time,

the shadows sing.

The theatrical dark-metal visionaries RAVEN BLACK have released their brand-new full-length album,

BLACK SONATA, arriving today, Friday September 12, 2025. Known for blending heavy riffs with a gothic fairytale aesthetic, RAVEN BLACK is set to deliver their most cinematic and bone-chilling opus yet—an album that dives deeper into the macabre, weaving a symphony of beauty, horror, and unrelenting power.

About BLACK SONATA

“What the Rejects expect to be familiar yet unexpectedly find themselves thrown Into our madness where it is dark, fun, strange, weird, creepy and disturbing. The 13th Hour. 

Sing, scream, dance or pit or all of this! Exactly what we wanted for you. Music should move you into another world. This world is ours in the 13th Hour. Our Black Sonata. “

--- Raven Black ---

CIRCUS HELL

from RAVEN BLACK’S 

New Album “BLACK SONATA”

The "Circus Hell" Music Video featuring some of our amazing fans the Rejects Afterlifers!!

People judge. People troll. People hate. For no reason. So we extend an invitation to all haters, and open the gates to our Circus Hell. Step into the chaos where rules rot and you become the spectacle, strapped to the merry-go-round of our tormenting madness!

STREAM ON SPOTIFY

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

Rage Release Video for "Innovation"

Today will see the arrival of the video for new RAGE single "Innovation." The song appears on the new studio album A New World Rising.
 

Peavy Wagner says, "This song doesn't just deliver speed and power — it also packs the perfect dose of melody and thrash, making it a top-notch showcase for our new album. Its positive message of hope and new beginnings ties it all together...!"

 

Watch the "Innovation" music video Below:

A New World Rising will be released on September 26 through SPV/Steamhammer worldwide except Japan in the following formats:

*CD DigiPak

*LP Gatefold, 140 g, black vinyl, colored insert

*Download / Streaming 
Pre-order link here.
*Exclusive CD/LP Bundles with a shirt and exclusive vinyl only at the Steamhammer shop
Pre-order link here
*LP Gatefold exclusive coloured edition only at the Napalm shop
Pre-order link here.

  

More info about Rage's upcoming tour dates here.

COLD SLITHER Announce NYC Show

Reigning Phoenix Music, in collaboration with Hasbro, a leading games, IP and toy company, is thrilled to announce that COLD SLITHER, the reimagined heavy metal menace inspired by the infamous band from G.I. JOE: A Real American Hero, is preparing to take New York by storm. The show will take place on October 11th, the same weekend as NYC’s Comic Con, where the Gramercy Theatre will be conquered by an explosive sonic force that fuses nostalgia with a modern metal powerhouse. Get your tickets HERE.

Zartan comments on the forthcoming NYC show: 

"Well, well, it seems as though there are several potential recruits whom have a desire to join our small but elite society of Dreadnoks... This time in New York City! Our services are once again called upon by Cobra Commander and Reigning Phoenix Music to melt minds with Cold Slither! So be it, my Dreadnoks and I will see you all October 11th... Come prepared...Cobraaaaa!!" 

The show announcement follows the release of the self-titled debut album in June of this year via Reigning Phoenix Music. Also on the horizon, the G.I. Joe-stanning supergroup are set to join the Decibel Flexi Series with an exclusive new banger, “Cobra Island."

Cold Slither is a declaration of war. Fronted by the enigmatic Zartan and his ruthless Dreadnok bandmates Torch, Ripper, and Buzzer, the band fuses old-school heavy metal with anarchic energy and unrelenting force. With tracks built on punishing riffs, venomous vocals, and apocalyptic atmosphere, COLD SLITHER resurrects the myth and turns it into a modern-day metal juggernaut.

Featuring 10 original tracks and a remastered version of their cult-classic single “Cold Slither,” the album plunges into dystopian metal with themes of swamp-born menace and Cobra-fueled power. The Cold Slither album is available across digital and vinyl formats.

Order HERE:
https://coldslither.rpm.link/albumPR

Connect with COLD SLITHER:
Facebook | Instagram | TikTok | X | RPM

Seattle's AudioGust packs a post-grunge punch on 'Isotope', previewing new album

Seattle-based artist AudioGust presents his new single 'Isotope', which packs a fierce post-grunge punch, while delivering a song that is both emotionally and sonically heavy. This is the first track on the coming 'Falling From Down' album — his most unflinching yet — a journey through collapse, resilience, and the fragile beauty of survival.

AudioGust is accomplished songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing loads of music and collaborating with artists worldwide.

“’Isotope’ is about the kind of relationship that doesn’t just fade when it ends — it lingers like radiation in your bones. I wanted to capture that mix of danger, longing, and intensity, where even after someone’s gone, their presence still feels unstable and powerful inside you. It's about when someone leaves but doesn’t really leave. Their absence keeps echoing inside you, and it’s not just memory — it’s something volatile that you can’t shake,” says Chris Evans.

This is the sound of modern rock with teeth and a declaration that the coming album won’t pull any punches. With jagged guitar riffs and an explosive chorus, the track captures the volatility of an explosive relationship, its lyrics blurring memory, longing, and haunting echoes of what’s been lost.

With powerful, emotionally resonant music, AudioGust is known for his ability to blend high-energy performances with deeply personal storytelling. He has released over four dozen songs across multiple albums and EPs, including his debut 'Walk With Me', follow-ups 'Hope from Darkness' and 'Love and Pain', and his second album 'Here We Go Again' (2025).

AudioGust's coming third album, 'Falling From Down', showcases a harder-edged post-grunge and modern rock sound while retaining the melodic hooks and storytelling that have become his signature. Combining raw rock intensity with strong melodies and emotionally resonant lyrics, AudioGust's tracks are full of energy and memorable hooks, reflecting both a deep understanding of rock’s past and a fresh, contemporary approach. His songs resonate long after the last note fades.

Crafting memorable melodies and thought-provoking lyrics, upbeat rhythms and arrangements, AudioGust's music speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition. AudioGust was also a finalist in the 2024 USA Songwriting Contest. Writing hooky anthems, AudioGust creates a sound vortex imbued with 90’s to 2000’s alt-rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections.

Earlier this year, AudioGust released 'Here We Go Again', an album that includes some of his most popular singles, along with new material. It explores the highs and lows of creativity, touching on the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
 
'Isotope' is out now, available from online music platforms, including Spotify, Apple Music and Bandcamp. The full album will be released on November 7.

ALBUM CREDITS
Music & Lyrics by Chris Evans
Guitar, Bass, Drums, Keyboards and Vocals by AudioGust
Produced & performed by AudioGust
Recorded, mixed and mastered at AudioGust studio in Clinton, WA
Cover artwork by Chris Evans
Artist photos by Ernie Shapiro
Publicity by Shameless Promotion PR


Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | BlueSky | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

TRIBAL GAZE DEBUT 'TO THE SPOILS OF FAITH' FROM UPCOMING RECORD

Texas death squad TRIBAL GAZE has revealed the next single, ‘To The Spoils of Faith’ featuring INGROWN vocalist/guitarist Ross Hansen, from their awaited new album, Inveighing Brilliance, that’s due out October 17th from Nuclear Blast Records.

Commenting on the new song, guitarist Quintin Stauts says:

‘Spoils’ was written with one purpose, to cause violence from start to finish. No guitar solos, nothing technical, just hammers for 3 minutes.

TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.

Stream ‘To The Spoils of Faith’: https://tribalgaze.bfan.link/to-the-spoils-of-faith

Pre-Order Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

‘TO THE SPOILS OF FAITH’ MUSIC VIDEO BELOW:

Injecting a heavy dose of scorching old school death metal straight into the veins of the modern metal scene, TRIBAL GAZE hold nothing back on their massively anticipated followup to 2022’s highly praised The Nine Choirs.

Commenting on the impending record Inveighing Brilliance, Stauts adds:

I think this album, like our others, is us trying to create memorable parts in songs. Parts that make you have to rewind and hear it again. The aim is always to make songs that we love listening to. We’re just trying to add something of value to the death metal world.”

TRIBAL GAZE Tour Dates with CATTLE DECAPITATION, ABORTED and FROZEN SOUL:

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

CLOCKTOWERS Unleash Powerful New Single “Ashes” from Upcoming Record 'Genesis'

CLOCKTOWERS have released their new single “Ashes,” the centerpiece of their upcoming debut record Genesis. Formed in 2022 by Tarek Puska and Dakota Logan after a chance reunion in Reily, Ohio, the band quickly rediscovered the chemistry built during their years together in a previous metal project. What began as an impromptu jam soon became a focused writing partnership, leading to a record that merges generations of influence into a sound that is unmistakably their own.

“Ashes” showcases that identity with striking clarity. The song begins with a hypnotic riff before crashing into full force, weaving articulate guitars, a driving rhythm, and vocals that carry both grit and vulnerability. The track shifts between moments of groove and intensity, giving it a dynamic edge that feels alive and unpredictable.

The lyrics pull directly from experience. Written during the aftermath of a decade-long marriage, “Ashes” confronts separation, regret, and the possibility of reconciliation. Its emotional weight is underscored by a performance that refuses to hide behind artifice. The words, the delivery, and the music all carry the same unfiltered honesty.

For the single, CLOCKTOWERS were joined by Jason Viebrooks (HEATHEN, GRIP INC., EXHORDER) on bass and guitar alongside Dakota, and Todd J. Farler on drums, whose sharp, swinging energy adds another layer of urgency. While the record Genesis remains a two-man effort with Tarek on vocals and Dakota on instruments, these contributions brought “Ashes” into sharper focus without diluting the band’s vision.

The accompanying video captures the song’s intimacy and intensity, with Tarek performing the lyrics directly to his wife off-camera. The single artwork, portraying a redhead, continues that personal thread, grounding the release in the story that inspired it.

With Genesis soon to follow, “Ashes” marks the arrival of CLOCKTOWERS with a sound that is bold, urgent, and entirely their own.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

How Stoned Jesus Reached New Highs on "Low"

While they've blazed through folk, prog, pop and alternative rock following their first sip of doom metal, after 15 years, Stoned Jesusare still reaching new creative peaks. On the latest single from the band's mind-melting new album, Songs to Sun, the heavy progressive rockers rose above personal lows by doing something they've never done before: blast beats and harsh vocals.

Today, frontman Igor Sydorenko is releasing a new video that shows how to play and how he wrote "Low". Thanks to a simple riff and instant chemistry shared between Sydorenko and his new rhythm section, the band stopped worrying about pleasing people and blasted out the heaviest song in Stoned Jesus' wide-ranging discography.

"This is probably the happiest I've been creatively in Stoned Jesus", Sydorenko says. "With both Andrew and Yuri now in the band, we can experiment as deep as we can.

"Even though, we are currently working on the darker follow-up to Songs to Sun", he continues, "the three of us are constantly laughing all the time".

Watch Igor Sydorenko explain how to play and how he wrote "Low" below:

Songs to Sun comes out September 19, 2025 on Season of Mist. 

Pre-order & Pre-save
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Can't wait to hear Stoned Jesus' mind-melting new album? Hear all of Songs to Sun before it comes out during the band's upcoming listening party on Bandcamp.

Songs to Sun Bandcamp Listening Party

Tuesday, September 16 @ 1:30 pm CEST / 7:30 pm CEST

RSVP
https://stonedjesus.bandcamp.com/live/songs-to-sun-listening-party

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where the band’s last album, Father Light left off, Sydorenko and his new mates still nod to their early classics Seven Thunders Roar and The Harvest. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.

The video for “Shadowland: how to play it & how I wrote it” was written and filmed by Igor Sydorenko. It was edited by Radion Yakumenko.

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what's been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal's fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.      

Lineup
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals      


Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden

Recording Studio
Monochrom Studio in Poland

Cover Art
Vadym "Karaska" Karasiov

Pre-order
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Available Formats
Digital Download
CD Digipack
12" Vinyl (Black)
12" Vinyl (Black and White Marbled)
12" Vinyl (Translucent Blue, Black and White Marbled)
12" Vinyl (Silver and Black Splatters)
12" Vinyl (Yellow with Blue Splatters)

Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004

https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband

youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

Kublai Khan TX Unleash New Track "The Mountain of Corsicana" + Music Video

Texan titans Kublai Khan TX have unleashed their crushing new single "The Mountain of Corsicana" (via Rise Records) and the official music video directed by Max Moore (Knocked Loose, Spiritbox, A Day To Remember). The band describes the inspiration behind the punishing track as "a monument to the final man". Fans will also soon have their chance to see Kublai Khan TX on the road across the US on their headlining tour with Drain, Gideon and Guilt Trip as support, kicking off on Saturday, September 18 at Louder Than Life in Louisville, Kentucky (ticket information here). Stream "The Mountain of Corsicana" here, and watch the official music video below.

Kublai Khan TX US Headlining Tour Dates with Drain, Gideon + Guilt Trip

09.18 – Louisville, KY – Louder Than Life

09.20 – Worcester, MA – NEMHC Festival

09.21 – Sayreville, NJ – Starland Ballroom (Sold Out)

09.23 – Buffalo, NY – Buffalo Riverworks

09.24 – Silver Spring, MD – The Fillmore

09.26 – Pittsburgh, PA – Roxian Theater

09.27 – Lakewood, OH – The Roxy (Sold Out)

09.28 – Philadelphia, PA – Franklin Music Hall

09.30 – Chicago, IL – The Salt Shed

10.01 – Detroit, MI – The Fillmore Detroit

10.03 – Birmingham, AL – Furnace Fest

10.04 – Charlotte, NC – The Fillmore Charlotte (Sold Out)

10.05 – N. Myrtle Beach, SC – House of Blues

10.07 – Atlanta, GA – The Eastern (Sold Out)

10.08 – St. Petersburg, FL – Jannus Live (Sold Out)

10.10 – San Antonio, TX – Vibes Event Center

10.11 – Houston, TX – White Oak Music Hall

10.12 – Dallas, TX – The Factory in Deep Ellum

10.14 – Kansas City, MO – Uptown Theater

10.15 – Denver, CO – The Fillmore Auditorium

10.16 – Albuquerque, NM – Sunshine Theater

10.17 – Tempe, AZ – The Marquee (Sold Out)

10.18 – Las Vegas, NV – When We Were Young

10.19 – Las Vegas, NV – When We Were Young

10.20 – Salt Lake City, UT – Rockwell at The Complex

10.21 – Boise, ID – Knitting Factory

10.23 – Sacramento, CA – Ace of Spades (Sold Out)

10.24 – San Jose, CA – San Jose Civic

10.25 – Riverside, CA – Riverside Municipal Auditorium (Sold Out)

10.26 – Los Angeles, CA – Hollywood Palladium (Sold Out)

L.A. Hard Rock Rising Stars S8NT ELEKTRIC Drop Video for New Single "Peace of Myself"

S8NT ELEKTRIC have quickly become a force in the heavy music scene, not just for their innovative rock sound – a collision of crushing riffs and infectious pop hooks – but for their commitment to truly living "OFF THE EDGE." This isn't just a motto; it's a lifestyle, demonstrated by their death-defying stunts including being circled by drift cars and skydiving.

Founded on the bold vision of singer Bri Carbajal and lead guitarist Niko Tsangaris, and brought to life by the talents of Trey Baker (drums), Sinner (guitar), and Harrison Forsythe (bass), S8NT ELEKTRIC use their adrenaline junkie attitude and honest songwriting to inspire listeners to confront their fears and chase their dreams. The band has toured Europe every summer, opening for artists like Wolfmother, Mammoth WVH, MC5, Dirty Honey, and WARGASM, as well as playing huge festivals such as Bottlerock, Rockville, Prague Rocks, and Azkena Rocks.

With "PEACE OF MYSELF," S8NT ELEKTRIC are releasing a new single and video today. It is the third track from their debut album OFF THE EDGE, which will be released in Fall 2025. 

Watch the "PEACE OF MYSELF" video below

Stream the single here

"'PEACE OF MYSELF' is a song about finally saying what you really feel. We can become victims to people-pleasing, and in the process of trying to make everyone like us, we completely lose ourselves. There's a breaking point you reach when you've tried so hard to keep the peace, only to realize that it will never be enough. For us, this song is that exact moment. The moment that you refuse to make yourself small enough to fit into someone else's world and learn to embrace your true self, even if people don't like it," comments S8NT ELEKTRIC.

S8NT ELEKTRIC ARE:
Bri Carbajal — Vocals
Niko Tsangaris — Guitar
Trey Baker — Drums
Sinner — Guitar
Harrison Forsythe — Bass

Garmarna Winners of The John Lennon Songwriting Contest

For the past three decades, Garmarna have won equal praise from metal heads and folk lovers. On their seventh and most recent album, the Swedes continued to weave traditional medieval tales with rock, pop, dance and other modern-day inventions, alongside executive producer Christopher Juul from Season of Mist labelmates Heilung. In 2021, Förbundet was nominated for Folk Album of the Year by the Grammis. Now, four years later, its opening song is taking home a different award. 

Today, Garmarna are proud to announce that "Ramunder" was selected by The John Lennon Songwriting Contest as the Session I Grand Prize Winner in the World category. The prize package for this award includes a Taylor acoustic-electric guitar and more than $4,000 in recording equipment.

"It's a great honor to receive this award", says Garmarna, who were selected as a finalist by the same contest in 2021 for their song "Dagen Flyr". "John Lennon and The Beatles pushed the envelope on what you can do in just about every field of the music business. Throughout our 35 year career, we've always aimed to do the same by mixing traditional Swedish ballads with contemporary influences. We always try to stay curious and bend the rules, with feet firmly planted in the ballad tradition".
          
Watch the video for "Ramunder" below:

Förbundet is out now on Season of Mist

Order

https://redirect.season-of-mist.com/garmarna-forbundet

Stream

https://linktr.ee/garmarna_official

While they've always pulled from the darker chapters of Swedish folklore, "Ramunder" claims the crown as Garmarna's most chilling tale. Reimagined by razor-sharp acoustics, distorted grooves and a stomping drum beat, the opening of Förbundet sets a rather bloody scene with the tale of a warrior that destroys his enemies purely for the sake of his own enjoyment.

However, "Ramunder" isn't all doom and gloom. Anders Norudde saws his moraharpa with devilish delight. The Swedish multi-instrumentalist, composer, carpenter and violin-maker is a member of Hedningarna, the fellow groundbreaking Swedish folk band who were an early inspiration for Garmarna.       

Next year, Garmarna will face the Session II Grand Prize Winner in a public vote to determine the overall winner for the World category. 

When asked about how fans have responded to their different influences and diverse output over the years, Stefan cannot definitively say because their followers are seemingly fluid in their tastes as well. “Sometimes we’ve thought the audience will hate the new stuff, all jungle beats or house or pop or whatever,” he says. “The audience is a mix of metal heads, folk enthusiasts, hipsters, and just casual music lovers of all ages. Along the way, they have seemed to like what we do! We know that a lot of people wished the return album 6 would have been a bit more traditional, but then a lot of people also praised it for being 'so much GARMARNA' in the sense that it took an unexpected turn somewhere new.”

Their loyal acolytes should be pleased with 'Förbundet', and they will likely draw in new converts as well. You're next.


Lineup
Emma Härdelin: Vocals, violin
Stefan Brisland-Ferner: Violin, Viola, Hurdy gurdy, Keyboards, Nordic bowed lyre, Kantele, Moraharpa, Mouth harp, Electronics, Electric guitar, Mandolin, Backing vocals
Gotte Ringqvist: Acoustic guitar, Hardanger fiddle, backing vocals
Rickard Westman: Electric guitar, Electric bass
Jens Höglin: Drums, Percussion, Electronics

Guest musicians
Maria Franz: Vocals on ”Två Systrar”
Anders Norudde: Moraharpa on ”Ramunder”
Ulf Gruvberg: Vocals on ”Lussi Lilla”
 
Producer
Stefan Brisland-Ferner

Executive producer
Christopher Juul

Mixing
Christopher Juul

Mastering
Christopher Juul

Recording studios
DNA Studios in Stockholm with Stefan Brisland-Ferner
Studio NEVO Sundsvall with Stefan Brisland-Ferner and Henrik Heinrich
Studio Cobra Stockholm with Christian Gabel

Cover art
Axel Torvenius

Bio
Bryan Reesman

Order
https://redirect.season-of-mist.com/garmarna-forbundet

Stream
https://linktr.ee/garmarna_official

Available formats:
Digital Download
CD Digipack
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Silver
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Red


Follow Garmarna
https://linktr.ee/garmarna_official
https://garmarnasom.bandcamp.com/album/f-rbundet
https://www.facebook.com/Garmarnaoffical
https://www.instagram.com/garmarna_official/
https://open.spotify.com/artist/7ED7dE68y0YZGpyXcuiRsI?si=x80dzp_RQd-uQdbF5AN5cg

Behemoth Premiere Video for "Avgvr (The Dread Vvltvre)"

Kings of extreme metal, BEHEMOTH, have announced the premiere of the music video for the song "Avgvr (The Dread Vvltvre)," the vicious closing track of their critically acclaimed most recent album, The Shit Ov God, which was released in May 2025.

The video for "Avgvr (The Dread Vvltvre)" is the latest in a series of stylistically very different, but masterfully crafted, high-concept music videos for BEHEMOTH's thirteenth studio album, where each clip is perfectly tailored to the tone and atmosphere of the respective song.

The video arrives just in time for BEHEMOTH's upcoming live shows, because on September 19, they will embark on a Latin American tour with supports DEICIDE and NIDHOGG, please scroll down for all confirmed dates.

Don't forget to check out The Shit Ov God — BEHEMOTH's most inflammatory and extreme record to date!

Purchase/stream the album The Shit Ov God here

Watch the video for "Avgvr (The Dread Vvltvre)" Below.

The Shit Ov God Album Cover by Bartek Rogalewicz/LODGE.BLACK

ALL HELL - Sunsetter

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving October 10, 2025 on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:


Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478