Chase Rice's New Album ELDORA Arrives Sept. 19; "Circa 1943" Out Now

With ELDORA, arriving September 19, Diamond-certified songwriter Chase Rice proves once again that he's not chasing anything but the truth. The follow-up to 2024’s Go Down Singin’ – his first release since stepping away from the major label system – doubles down on the grit, heart and unfiltered storytelling that’s always been at the core of Rice’s songwriting. Pre-order/pre-save HERE.
 
Written primarily in the quiet solitude of Eldora, Colorado, in the days following his recent performance at the iconic Red Rocks Amphitheatre, the 12-song album Rice revealed directly to fans is as much a reflection of place as it is of person. In that mountain stillness, he found a creative reset – one rooted not in chasing hits or chart positions, but in chasing moments that matter and songs that leave a mark. 
 
“This is the kind of music I’ve always loved and the kind of stories I’ve always wanted to tell,” reflects Rice. “I hope the past few years have helped fans see that this is the real me, not the person who was chasing trends or afraid to do something different. ELDORA isn’t about proving anything – it’s about making something that’s real and letting it speak for itself.”
 
That intention is clear in the release of today’s offering, “Circa 1943.” Written by Rice alongside Wyatt McCubbin and producer Oscar Charles, the song tells a bittersweet love story set against the backdrop of World War II, paying quiet tribute to the courage and heart of the Greatest Generation. Listen Below.

“Harold and Berniece were my mom’s parents,” shares Rice. “They didn’t meet around 1943, he never took a bullet to the leg to my knowledge, she had brown eyes, not blue, he was not a Marine (he was very proudly Air Force), and she was not a nurse in our military. However, he did make her laugh and loved her with every ounce of his being. Their names are the only true parts about this story – nevertheless, I hope it honors them and anybody from the Greatest Generation who fought and/or died for our amazing country.”
 
Today’s release joins “Two Tone Trippin’” in previewing the forthcoming project, with the jangly, guitar-picking joyride capturing the heart of summer and the spirit of a classic American truck – revving up a well-worn symbol of Country storytelling with fresh detail and classic Country flair. 
 
With Rice spending the summer exploring back roads out West in his own two tone, fans can catch him between adventures on the Go Down Singin’ International Tour, underway now. For more information and to purchase tickets, visit ChaseRice.com and follow on FacebookTwitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

JOHN 5 Announces More Details For “Ghost,” Out October 10 & Releases New Single & Video For “Deviant,” - Solo Tour Dates Start This Fall

Guitar virtuoso John 5 has announced new details including the full track listing and special guests for his highly anticipated solo album, Ghost, out October 10 and produced and mixed by Barry Pointer.

 

A new single also drops today called “Deviant” alongside a music video featuring drummer Stephen Perkins and bassist Bryan Beller of The Aristocrats. “Deviant” follows previously released singles “Hollywood Story” and “Fiend.”

 

See the video for “Deviant,” directed by Michael Sarna below.

 

Says John 5 of the new single and upcoming album, “Ghost is perhaps my proudest achievement to date. To me, the meaning of life is doing what you love.  And this is what I love. I am surrounded by ghosts in my life and I needed to honor them with this album. It is what I was meant to do. I’m so happy to have had some incredibly talented friends join me on this album. On ‘Deviant,’ Stephen Perkins’drums helped bring the track to life.  And having the great Bryan Beller on bass... you can’t get much better than that.”

 

Fans can pre-save Ghost HERE and pre-order limited-edition vinyl variants of the album, including exclusive bundles with Ghost T-shirts HERE. Vinyl variants include green splatter, red fire splatter and opaque red options.

On September 12, John 5 will join his Mötley Crüe bandmates as they kick off their highly anticipated 10-show residency at Dolby Live at Park MGM in Las Vegas, NV. September 12 also marks the release of From The Beginning, The Definitive Collection of Mötley Crüe Hits via BMG.

 

Following the Mötley Crüe residency, John 5, along with Alex Mercado, will also head out with fellow guitar great Richie Kotzen for the first time ever on an extensive co-headlining tour beginning October 16. Find the full itinerary below and more information at John-5.com.

RICHIE KOTZEN & JOHN 5 FALL 2025 TOUR

October 16 El Cajon, CA @ Magnolia

October 17 Riverside, CA @ Fox Performing Arts

October 18 Roseville, CA @ Goldfield Trading Post

October 19 San Jose, CA @ The Ritz

October 21 Phoenix, AZ @ Celebrity Theatre

October 22 Albuquerque, NM @ KiMo Theatre

October 24 Dallas, TX @ Granada Theater

October 25 Leander, TX @ The Haute Spot

October 27 New Orleans, LA @ House of Blues

October 28 Memphis, TN @ Minglewood Hall

October 29 Nashville, TN @ Fogg Street Lawn Club

October 30 Atlanta, GA @ Variety Playhouse

October 31 Orlando, FL @ House of Blues

November 1 Fort Lauderdale, FL @ Culture Room

November 2 Clearwater, FL @ Capitol Theatre

November 4 Richmond, VA @ The National

November 5 Leesburg, VA @ Tally Ho Theater

November 6 Patchogue, NY @ Patchogue Theatre

November 7 New York, NY @ Iridium

November 8 New York, NY @ Iridium

November 11 Glenside, PA @ Keswick Theatre

November 12 Derry, NH @ Tupelo Music Hall

November 13 Foxborough, MA @ Six String Grill & Stage

November 14 Stroudsburg, PA @ Sherman Theater

November 15 Lorain, OH @ Lorain Palace Theatre

November 16 Columbus, OH @ The King Of Clubs

November 17 Warrendale, PA @ Jergels

November 19 Wyandotte, MI @ District 142

November 20 Flint, MI @ The Machine Shop

November 21 Fort Wayne, IN @ Piere’s

November 22 St. Charles, IL @ Arcada Theatre

November 23 Belvidere, IL @ Apollo Theatre

November 25 Denver, CO @ Oriental Theater

November 29 Pioneertown, CA @ Pappy & Harriet's*

*John 5 only

ABOUT JOHN 5:

For over 30 years, JOHN 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, JOHN 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Scorpions, Lynyrd Skynyrd, Meatloaf, Dolly Parton and Ricky Martin. In October 2022, it was announced that JOHN 5 would be joining Mötley Crüe as their guitarist following the announcement that Mick Mars would be retiring. JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025. To call JOHN 5 a shredder does not do him justice.

 

Follow JOHN 5 online:

Official Website: https://john-5.com

Facebook: https://facebook.com/john5official

Instagram: https://instagram.com/john5official

Twitter: https://twitter.com/john5guitarist

YouTube: https://www.youtube.com/c/john5officialYT/

TikTok: https://www.tiktok.com/@john5official

Official Webstore: https://john5store.com

John McLaughlin and his long-time band The 4th Dimension release Live at the Montreux Jazz Festival 2022 worldwide via earMUSIC

FUSION JAZZ PIONEER JOHN McLAUGHLIN and earMUSIC celebrate the release of “LIVE AT MONTREUX JAZZ FESTIVAL 2022” Friday, August 8th, 2025
 

Formats include Blu-ray+2CD Digipak, 2LP Gatefold, Digital Download Album release accompanied by new video “Mr. DC”

Today, John McLaughlin and his long-time band The 4th Dimension share “Live at the Montreux Jazz Festival 2022” worldwide via earMUSIC on Blu-ray+2 CDs, Heavyweight 2 LP Gatefold, and all digital platforms.

DISCOVER THE ALBUM Below.

This stellar performance was captured when John and his band took to the stage of the revered Auditorium Stravinski on July 11th, 2022 with special guest pianist and vocalist Jany McPherson.

“This night was very special. I am so glad it was recorded. It was a kind of magical night. There was something extra in the music and in the air.”John McLaughlin 

John’s history with the revered Montreux Jazz Festivalspans 52 years as a headlining artist and sometime guest performer. Now available as a Blu-ray+2CD Digipak, 2 LP Gatefold and digital download, those who had the honor of being there can relive this monumental performance and those who couldn't be there now have the chance to see what they missed. 

“This was a great night. Everybody was on. There was a vibe going on in the band and the audience felt it. It was a vibe going on between the band and the audience and it was outstanding.” -John McLaughlin 

A perfect example of this vibe runs through the new video for “Mr. DC.” SEE THE VIDEO Below

Dedicated to Modern Drummer hall of famer Dennis Chambers (who has played with John, P-Funk All Stars, Steely Dan, and Bill Evans amongst many others) “Mr. DC” is playful interplay between Jany McPherson’s delightful voice and piano and both Gary Husband and Nicolas Viccaro on drums. 

John McLaughlin brought a fusion of world music, jazz, and blues to the mainstream with his Mahavishnu Orchestra and recordings with Santana and The Rolling Stones as well as his groundbreaking “Live in San Francisco” albums with Al Di Meola and Paco de Lucia. 

“Live at Montreux Jazz Festival 2022” is a masterclass in jazz fusion that travels all these worlds on one prestigious stage.

AMORPHIS Present Music Video For Swinging "Dancing Shadow" Single

With "Dancing Shadow," Finnish metal icons AMORPHIS are proud to present the final audiovisual appetiser of their new studio album Borderland (September 26, 2025 via Reigning Phoenix Music) before their stage comeback in just a few weeks. The song follows two superbly embraced singles, and is yet another hit out of the group’s sound forge as it’s blessed with all ingredients to get at least equally well-received by the worldwide music community.
 
Thoughtful verses remind of the uncertain times in everyone’s lives to make fans escape from this dejecting state of mind into the suffusing light of the moon which shines through the darkest of all woods. But to contrast the song’s depth, AMORPHIS successfully crossed the genre ‘borderland’ resulting in an irresistible track full of twisting moments. "Dancing Shadowfinally closes on its peak - before you just have to play it from the beginning over and over again.
 
“The working title for ‘Dancing Shadow’ was ‘Disco Tiger.’ Musically it represents catchiness and hooks that have been familiar elements within our music for a long time. Sound-wise it came out pretty fresh and even modern. I bet this song will shake your legs on the dance floor - in a METAL disco, of course,” states guitarist Esa Holopainen.
 
Drummer Jan Rechberger adds: “With ‘Dancing Shadow,’ we stepped into completely new territory. For a band with over three decades behind us, that kind of reinvention feels meaningful.”
 
Like its predecessor "Bones," AMORPHIS’ latest single has also been visualised under the aegis of  Patric Ullaeus, and takes fans of the band into a black-and-white dominated setting, highlighting the piece’s core message in a captivating way.
 
Watch the official "Dancing Shadow" video below.
Stream the single: https://amorphis.rpm.link/dancingPR

Pre-order (excl. box-set & more) / pre-save Borderland:
https://amorphis.rpm.link/borderlandPR

Hansen Studios (Jacob Hansen, Denmark; VOLBEAT, AMARANTHE, PRIMAL FEAR etc.) were the destination of choice in late 2024 and early 2025 to track Borderland. The album artwork was designed by Dutch artist Marald Van Haasteren (METALLICA, BLACK SABBATH, KVELERTAK, ALCEST etc.) while long-time partner Pekka Kainulainen once again wrote the album’s meaningful lyrics.

About AMORPHIS
 
With Borderland, the title of the album couldn’t have been chosen more fittingly. Throughout their career, spanning over more than three decades, AMORPHIS -- Tomi Joutsen (vocals), Esa Holopainen (guitars), Tomi Koivusaari (guitars), Olli-Pekka Laine (bass), Santeri Kallio (keyboards) & Jan Rechberger (drums & percussion) -- have been an ever-evolving act, wandering on an exciting boundary-pushing path. From their sinister death metal debut Karelian Isthmus over genre-defining mid-90s melodic death works like Tales From The Thousand Lakes and Elegy as well as the melodic 2000’s grandeur of Eclipse or Skyforger to records combining the very best of all prior eras to refreshing new soundscapes (f.e. Under The Red Cloud or Queen Of Time): Whatever this group works on promises long-range success.
 
With 2022’s Halothe Finn’s were rewarded for their researching musical approach once again: The album marked AMORPHIS’ sixth no. 1 album in Finland, even cracked the top 3 of the official German album chart, and last but not least the sextet took home two awards from the prestigious Emma Gaala (“Band of the Year” & “Export of the Year”).
 
The impact of Halo became a driving force for what’s to come. Rather than rushing into a follow-up, the band chose to step back from live performances and focus fully on their next chapter. The result is Borderland - a meticulously crafted opus that builds on their celebrated recent era, while seamlessly weaving in new, timely elements. It’s a bold, organic continuation of their journey, shaped by experience and guided by vision.
 
AMORPHIS are:
Tomi Joutsen | vocals
Esa Holopainen | guitars
Tomi Koivusaari | guitars
Olli-Pekka “Oppu” Laine | bass
Santeri Kallio | keys
Jan Rechberger | drums & percussion
 
More from AMORPHIS:
amorphis.net | Facebook | Instagram | Threads | TikTok
X | YouTube | Spotify | Apple Music | RPM

From Island Records to "Additional Animals": New LAPTOP single tackles the human condition

Jesse Hartman’s cult electro-pop project Laptop returns with "Additional Animals" — a darkly funny alt-disco track about extinction, meat, and the absurd human urge for more. It’s the second single from "On This Planet", an album co-written and performed with his 19-year-old son Charlie Hartman.

Now based in New York, Laptop originally emerged in the early 2000s on Island Records with three legendary cult classic albums —  "Opening Credits", "The Old Me vs The New You" and "Don’t Try This at Home" — earning praise from NME, The Guardian, and others for its stylized blend of synth-pop, irony, and heartbreak.
 
After going viral on TikTok with their first single “Weirder” (4M+ views and counting), mixed by Grammy award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails, Laurie Anderson, Julian Lennon), the duo continues their reboot of the Laptop aesthetic — part indie-pop, part satire, part family therapy session.

“Additional Animals” is as much about appetite as it is about climate anxiety, blending shimmering synths, mandolin and Mediterranean horns. An extension of classic Laptop, this witty indie-pop is a logical evolution for the band, presenting a cross-generational blend of dry wit, anxiety and synth-driven swagger.
 
"This song is about the human appetite — for meat, for more, for everything — and how that hunger’s eating us alive. It’s a song about extinction that you can dance to. The lyrics are a little more connected to the moment than usual for me — our failing planet, our endless consumption — but it’s still wrapped in this shimmering, international pop packaging," says Jesse Hartman.

“We tracked the song in hip Valencia, added harmonies and Caribbean instruments in Nevis, and finished it in our hood in New York. It’s a global pop fever dream about survival, meat, and the slightly hilarious fact that humans always want just a little more."

The video, directed and shot by filmmaker Jesse, was filmed during a surreal family summer in Valencia and features Jesse, Charlie and Jesse’s daughter Lulu, along with rooftop horn solos, fishing boats, flamenco parades, aquariums, and sun-drenched chaos — part European art film, part alternate-universe vacation video.

Jesse shares, “It stars me, my kids, our percussionist Mike (who used to play with Brian Eno), and our Nevis family singer Denise. It’s chaotic and colorful and oddly hopeful — like maybe we’re not the last animals standing.”

Before Laptop, Jesse Hartman got his start as a teenage Voidoid with Richard Hellbefore he co-founded the indie rock band Sammy (with Luke Wood, later President of Beats by Dre), releasing albums on Fire Records and Geffen Records. Known for his dry humor and cinematic aesthetic, Hartman was once described by The Guardian as the master of “insincere sincerity.” Now joined by his son Charlie, a multi-instrumentalist and co-writer, he brings that same emotional contrast into a new era — with Laptop’s blend of deadpan pop and wide-eyed dread more relevant than ever.

With a London show coming in October and a full album on the way in the Spring of 2026, Laptop’s return is both a throwback and a reinvention — legacy pop for a collapsing planet.

“Additional Animals” is out August 8 on all major streaming platforms, including Spotify, Apple Music and Bandcamp. The full album "On This Planet" arrives in Spring 2026.

CREDITS
Jesse Hartman - vocals, guitars, keyboards, synths, piano, bass, percussion
Charlie Hartman - vocals
Lulu Hartman - vocals
Geddys “Ch4se” Ferguson - vocals
Denise Gordon - vocals
Frank and Snowflake - vocals, mandolin, banjo, acoustic guitar
Mike Desmarais - drums
Lluisen Capafons - congas, additional percussion
Dima Faustov - saxophone
Lev Borovskiy - trumpet, trombone
Oliver Freiberg - drum programming
Recorded by Iñaki Ariste Aznar (Valencia), Edward Douglas (NYC), Jesse Hartman (NYC/Nevis)
Mixed by Jesse Hartman, Ray Aldaco, Edward Douglas, Nicholas Vernhes
(Final mix by Jesse Hartman and Edward Douglas)
Produced by Jesse Hartman
Mastered by Dave Trumfio
Recorded in Valencia, Spain (Summer 2022), Additional sessions in Nevis (February 2023), Final overdubs and edits in New York City (2023–2025)
Written by Jesse Hartman (BMI)
Published by Exurbia Music, Inc. (dba Yodel Productions, Inc.)
Released by Hurricane Cove Records
Video concept, direction, cinematography & editing by Jesse Hartman.
Featuring Charlie Hartman, Jesse Hartman, Lulu Hartman, Mike Desmarais, and Denise Gordon.
Shot on location in Valencia, Spain
Cover artwork by Jesse Hartman & Scott Ratner
Artist photos by Thomas Krause
Publicity by Shameless Promotion PR


Keep up with Laptop
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Falling In Reverse Drop Video for New Single "All My Women (Feat. Hardy)" Video — WATCH // Band Touring This Summer

FALLING IN REVERSE have today shared the brand new single "All My Women (Featuring Hardy)." 

The track serves as a follow-up to last summer's chart-topping hit "All My Life" featuring Jelly Roll, which spent 5 weeks at the top of the rock radio charts and debuted at No. 1 across Billboard's hard rock charts, including an 11-week run as the No. 1 Hot Hard Rock Song in the country. 

"All My Women" has a country lean and more hooks than a tackle box. It boasts FALLING IN REVERSE's signature stadium-sized choruses, with a high-impact assist from HARDY.


Watch the video, featuring frontman RONNIE RADKE and Hardy, as puppets — yes, puppets — in a playful, cheeky romp that follows puppet Radke's tangled love life.

Watch it Below.

Falling In Reverse are hitting the road this week for a massive North American headline tour that will again see the band playing amphitheaters. The "Falling In Reverse: God Is A Weapon Tour," produced by Live Nation, kicks off August 10 in Denver, Colorado and runs through September 26 in Las Vegas. Wage War, Tech N9ne, and Sleep Theory will serve as support from August 10 through August 27. Slaughter to Prevail, Hollywood Undead, and Sleep Theory will appear from August 29 through September 7. The final leg will feature support from Slaughter to Prevail, Hollywood Undead, and Point North. All dates are below. Get tickets here

The tour will also offer a variety of different VIP packages and options for fans to take their concert experience to the next level, with Falling In Reverse offering ticketless, VIP upgrades that include a meet and greet. Fans can purchase those experiences here

Falling In Reverse's juggernaut, 2024-released album POPULAR MONSTER has accumulated 3.4 billion streams to date and is nearly platinum. The album includes the mega smashes "Popular Monster, "Watch the World Burn," and "All My Life," featuring Jelly Roll, which has accrued 172 million global streams to date. Elsewhere, the band's catalog has notched over 69.5 billon streams, cementing Falling In Reverse's status as one of the most successful bands of their generation. The recent single "God Is A Weapon" has notched 98 million global streams in just two months of release.

FALLING IN REVERSE ON TOUR:
8/10 — Denver, CO — Fiddler's Green Amphitheatre* (NOT A LIVE NATION DATE)
8/12 — Dallas, TX — Dos Equis Pavilion*
8/14 — The Woodlands, TX — The Cynthia Woods Mitchell Pavilion*
8/16 — Biloxi, MS — Mississippi Coast Coliseum*
8/17 — Alpharetta, GA — Ameris Bank Amphitheatre*
8/19 — West Palm Beach, FL — iTHINK Financial Amphitheatre*
8/20 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre*
8/22 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek*
8/23 — Charlotte, NC — PNC Music Pavilion*
8/25 — Gilford, NH — BankNH Pavilion*
8/27 — Virginia Beach, VA — Veterans United Home Loans Amphitheater*
8/29 — Cincinnati, OH — Riverbend Music Center**
8/30 — Tinley Park, IL — Credit Union 1 Amphitheatre**
8/31 — Noblesville, IN — Ruoff Music Center**
9/2 — St. Louis, MO — Hollywood Casino Amphitheatre**
9/3 — Milwaukee, WI — American Family Insurance Amphitheater^
9/6 — Camden, NJ — Freedom Mortgage Pavilion**
9/7 — Hershey, PA — Hersheypark Stadium**
9/9 — Darien Center, NY — Darien Lake Amphitheater***
9/10 — Toronto, ON — Budweiser Stage***
9/11 — Montreal, QC — Bell Centre^^
9/13 — Mansfield, MA — Xfinity Center***
9/14 — Hartford, CT — Xfinity Theatre***
9/16 — Holmdel, NJ — PNC Bank Arts Center***
9/18 — Burgettstown, PA — The Pavilion at Star Lake***
9/19 — Clarkston, MI — Pine Knob Music Theatre^^^
9/23 — Albuquerque, NM — Isleta Amphitheater***
9/24 — Phoenix, AZ — Talking Stick Resort Amphitheatre***
9/26 — Las Vegas, NV — PH Live at Planet Hollywood***
12/6 — Mexico City, MX — Knotfest Mexico$
*With Wage War, Tech N9ne, Sleep Theory
**With Slaughter To Prevail, Hollywood Undead, Sleep Theory
***With Slaughter To Prevail, Hollywood Undead, Point North
^With Slaughter To Prevail, Hollywood Undead
^^With Hollywood Undead, Point North
^^^With Slaughter To Prevail, Point North
$Festival

Trivium Announce "STRUCK DEAD" EP + Share "Bury Me With My Screams" Video

GRAMMY-nominated heavyweights TRIVIUM — vocalist/guitarist MATTHEW K. HEAFY; guitarist COREY BEAULIEU; bassist PAOLO GREGOLETTO; and drummer ALEX BENT — are thrilled to announce the release of their forthcoming, three-song EP STRUCK DEAD. It arrives on October 31 via longtime label Roadrunner Records. Pre-order it here

While it may only be three songs in length, in typical Trivium fashion, it packs a powerhouse punch, thanks to masterful riffing and the dual-style vocal prowess the band has built its nearly three-decade reputation on! It was produced by Trivium and recorded with Mark Lewis at the band's Hangar Studios in Orlando, Florida. It was mixed and mastered by Josh Wilbur.

Today, the band also shares the video for the first single "BURY ME WITH MY SCREAMS." The song premiered via Heafy's "Chaos Hour" show on Sirius XM Liquid Metal.

"In 2023, we decided it was finally time to take the next step with The Hangar space we purchased — it was time to turn it into a full studio," says Gregoletto. "We brought in designer Roger D'Arcy, thanks to an introduction from Mark Lewis, and set out on a year-long build. While construction was underway, we were deep in rehearsals for The Poisoned Ascendancy Tour, celebrating Ascendancy's 20th anniversary. What started as an idea to release one single during the tour quickly grew into two, then three, as we kept writing while we were waiting for the build-out to be completed."

He continues, "During that time, the energy of revisiting Ascendancy started bleeding into these new songs. Matt poured a lot of his personal struggles from the past year into the music, and we used the writing process as a cathartic release. Those sessions evolved into a three-song EP that we're incredibly proud of, and we can't wait to debut 'Bury Me With My Screams' live at Bloodstock Open Air Festival."

Trivium will embark on "The Ascend Above the Ashes" trek that kicks off October 31 in Myrtle Beach and runs through December 14, with an epic hometown show in Orlando.

Special guests Jinjer will appear, while Heriot will serve as support. All dates are below. Get tickets here

Trivium will also make appearances at Louder Than Life and Aftershock this fall.

TRIVIUM ON TOUR:
FESTIVALS:

9/20 — Louisville, KY — Louder Than Life
10/4 — Sacramento, CA — Aftershock

WITH JINJER + HERIOT:
10/31 — Myrtle Beach, SC — House of Blues
11/1 — VA Beach, VA — The Dome
11/2 — Montclair, NJ — The Wellmont Theater
11/4 — London, ON — Centennial Hall
11/6 — Québec, QC — Videotron Centre
11/7 — Wallingford, CT — Toyota Oakdale Theatre
11/8 — Portland, ME — Cross Insurance Arena
11/10 — Warren, OH — Packard Music Hall
11/11 — Buffalo, NY — Buffalo River Works
11/12 — Lancaster, PA — Freedom Hall
11/14 — Gary, IN — Hard Rock Live Northern Indiana
11/15 — Milwaukee, WI — The Eagles Ballroom
11/16 — Cincinnati, OH — The Andrew J Brady Music Center
11/18 — Indianapolis, IN — The Egyptian Room at Old National Centre
11/19 — Waukee, IA — Vibrant Music Hall
11/20 — Minneapolis, MN — Uptown Theater*
11/22 — Winnipeg, MB — Burton Cummings Theatre
11/24 — Edmonton, AB — Midway Music Hall
11/25 — Calgary, AB — Grey Eagle Events Centre
11/26 — Missoula, MT — The Wilma
11/28 — Spokane, WA — The Podium
11/29 — Garden City, ID — Revolution Concert House
12/1 — Salt Lake City, UT — The Union Event Center*
12/3 — Riverside, CA — Riverside Municipal Auditorium
12/5 — Albuquerque, NM — Revel
12/6 — Oklahoma City, OK — The Criterion
12/7 — Fayetteville, AR — JJ's Live 
12/9 — Springfield, MO  — Shrine Mosque
12/10 — Kansas City, MO — Uptown Theater 
12/12 — New Orleans, LA — The Fillmore New Orleans
12/13 — Dothan, AL — The Plant 
12/14 — Orlando, FL — Hard Rock Live
*NO JINJER

MORS PRINCIPIUM EST Launch Official Music Video For Crushing New Single "Summoning The Dark"

With Darkness Invisible looming on the horizon (September 26, 2025 via PERCEPTION - A Division of Reigning Phoenix Music), Finnish melodic death metal masters MORS PRINCIPIUM EST have unleashed the third single from their highly-anticipated new record. Along with the new track comes MPE’s first band performance music video since 2016’s "Reclaim The Sun," making their fans’ level of excitement going sky high.
 
The storyline follows a faceless, cape-wearing character on its way through a sinister landscape. Starting in the middle of the forest and concluding at the conjuring of an almighty monstrosity from the raging sea, the main protagonist’s path is scarred by multiple shuddering happenings: unknown people hung up and crucified, beings crawling on burning grounds, infested rotting carcasses, helpless humans caught in blood-soaked waters and a fallen angel mark the horrifying mission. Join the ritual of "Summoning The Dark"!
 
Jori Haukio (guitars/programming) states: “We're returning with a haunting new visual for our new single 'Summoning The Dark.' Directed by JP Kaukonen and shot deep within the mystic and ancient woodlands of Finland, the video blends modern high-end production with a subtle fantasy-horror narrative. A dark, immersive journey to a summoning beyond the point of no return.”
 
Watch the music video below.
Stream "Summoning The Dark": https://mpe.rpm.link/stdPR
 
Pre-order/pre-save Darkness Invisible: https://mpe.rpm.link/darknessinvisiblePR

Darkness Invisible was recorded at Ansa Studio in Finland and mixed by Jens Bogren and mastered by Tony Lindgren at Fascination Street Studios in Sweden. The album record blends razor-sharp riffing, sweeping orchestration, and Ville Viljanen’s unmistakable vocals with a more cinematic and emotionally dynamic sound.

About MORS PRINCIPIUM EST
 
Over the course of seven original studio albums, MORS PRICIPIUM EST refined their modern approach to melodic death metal again and again. Members came and gone, but their music remained untouched: razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.
 
MORS PRINCIPIUM EST were founded in Pori in 1999 and are one of the longest serving Finnish melodic death metal bands. With frontman Viljanen being the most stable members, the present quintet survived several line-up changes before original members and guitarists Jori Haukio and Jarkko Kokko returned to MPE and already took part in recording their latest offering Liberate The Unborn Inhumanity [2022]. Also contributing to these refreshing re-recordings from their early years were former bassist Teemu Heinola and drummer Marko Tommila. A statement to honour the group’s history and to celebrate the freshly motivated line-up, which is now set to blast out their ninth album titled “Darkness Invisible” on September 26, 2025 through new label home PERCEPTION.
 
MORS PRINCIPIUM EST are:
Ville Viljanen | vocals
Jori Haukio | guitars, programming
Jarkko Kokko | guitars
Teemu Heinola | bass
Marko Tommila | drums
 
More on MPE:
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FACE YOURSELF Announce New EP; Drop Single & MV "Fractures"

Transcontinental deathcore force Face Yourself have unleashed their most unforgiving single yet with "Fractures," out now via Sumerian Records. The track arrives as the lead single from their upcoming EP Fury, set for release September 26th with pre-orders available now HERE, and showcases the band's evolution into darker, more psychologically brutal territory. Watch the official music video for "Fractures" Below and stream the track HERE.

Built on Joey Sturgis' crushing production, "Fractures" weaponizes Face Yourself's signature deathcore assault to dissect the violence of beauty standards and self-hatred. The track represents their most emotionally raw work to date, following the success of their Martyr EP, which has garnered over 1.5 million streams since its April release.

Speaking on the new single and upcoming EP, vocalist Yasmine Liverneaux shares:

"We are excited to release our new single "Fractures" produced by Joey Sturgis. The lyrics explore a darker theme, as it speaks a lot about self hatred, exploring the pressure of beauty standards and the "mutilations" those pressures can lead someone to. It's like changing your appearance so much to fit a mold to the point that you don't even recognize yourself which can be very violent.

"Alongside this new single, we're happy to announce the future release of our new record "Fury". After 2 years of being a band, we have reached a sound that we think looks like us, this is our best work yet and we are happy to be working once again with Joey Sturgis. He became such a great element to our team, and is always pushing us to improve ourselves."

Fury marks Face Yourself's second EP with Sumerian Records and their continued collaboration with producer Joey Sturgis(Asking Alexandria, The Devil Wears Prada). The five-track collection builds on the foundation established with Martyr, pushing their sound into more uncompromising territory while maintaining the emotional depth that has connected with fans worldwide. Pre-orders for the Fury EP are available now HERE.

The announcement comes as the band just wrapped their successful 20-date Summer of Rampage tour alongside Crystal Lake, VCTMS, and Not Enough Space, cementing their reputation as a devastating force, both on record and on the stage.

ABOUT FACE YOURSELF

A transcontinental deathcore phenomenon, Face Yourself has redefined what it means to blend modern heaviness with old-school roots. Featuring members from New York, New Jersey, Colorado, and France, their unique sound is as diverse as their origins. Vocalist Yasmine Liverneaux brings her French influence and socially conscious themes into the mix, setting the band apart with an intensity and depth that's rarely seen in the genre.

With their Myspace-era throwback riffs, drop-tuned breakdowns, and sheer relentlessness, Face Yourself have become a staple of the modern deathcore era. Their ability to connect with fans worldwide and their tireless drive have made them a force to be reckoned with—and they've only just begun.

AGENBITE MISERY Unleashes First Single “Bellwether and Swine”

Experimental metal trio AGENBITE MISERY has released the first single from their forthcoming debut album Remorse of Conscience. Titled "Bellwether and Swine," this is the first look into the band's genre-defying literary adaptation of James Joyce’s Ulysses.

At just under six minutes, "Bellwether and Swine" delivers a searing fusion of black metal, sludge, and militaristic riffage, pairing relentless sonic aggression with sharp thematic intent. The track adapts the infamous “Cyclops” chapter of Ulysses, reimagining its critique of xenophobia and jingoism through a modern metal lens. With pounding rhythms, towering riffs, and a vocal delivery soaked in irony and venom, AGENBITE MISERY turns the language of triumphalist metal against itself, mocking the very nationalist violence it so often celebrates. The official visualizer for the track can be seen below.

Lyrically, "Bellwether and Swine" blends lines from Joyce’s exaggerated narrator with direct biblical and mythic allusions, mimicking the “gigantism” style of the original text. Spoken word sections conjure Old Testament visions as Bloom’s escape from a violent barroom argument becomes a parable of survival. Meanwhile, sludgy choruses chant the narrator’s dismissals with mock-reverence: “Begob, he got as far as the door. Begob, always some bloody clown or other.”

"Bellwether and Swine" was self-recorded and produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. It is the first of five singles to be released ahead of Remorse of Conscience, which arrives February 6, 2026. 

AGENBITE MISERY formed with a mission to translate great literary works into modern sonic languages. Their upcoming debut draws directly from Joyce’s Ulysses, with each track adapting a specific chapter using genre-spanning metal composition and lyrics lifted from the original text. The result is a sprawling, ambitious, and unapologetically cerebral journey through some of the most emotionally dense terrain ever attempted in heavy music.

About AGENBITE MISERY:

AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
 

Wucan Share Video for "Pipe Dreams"

After diving headlong into the three-year creative process, heavy rockers Wucan will release their new album Axioms on August 29 via Long Branch Records. The new longplayer showcases the band's characteristic artistic ingenuity while continuing the transformation first hinted at on the its previous album Heretic Tongues and pushing those ideas even further.

Today sees the release of "Pipe Dreams," the fourth single from Axioms

"'Pipe Dreams' started as a jam session in the rehearsal room — based on a drum groove that [drummer] Phil just threw on the table, instantly pulling all of us in," says singer Francis Tobolsky. "It was the second song we wrote for the album, and it feels like a snapshot of where we were at that time. A driving beat, heavy guitars, and floating vocal harmonies explore the tension between disillusionment and hope. To me, this song also carries a warning: shared dreams require the support of the whole community." 

Watch the "Pipe Dreams" music video below

Stream the single and pre-order the new album here

As is well known, true art is characterized above all by its constant renewal — a combination of the tried and tested with the innovative. Like nearly all influential acts in music history who have followed this golden rule, Wucan demonstrate their capacity for artistic evolution with their new album Axioms. On Axioms, the four-piece, led by frontwoman Francis Tobolsky, blends the distinctive elements of their previous studio records — Sow The Wind (2015), Reap The Storm (2017), and Heretic Tongues (2022) — with fresh ideas, resulting in a broader stylistic range and a more clearly defined conceptual approach.

In other words: While the band continues to reference hard rock, krautrock, East German rock, and metal, the eight new tracks are also infused with touches of progressive rock, isolated electronic elements, and a playful jazz attitude.

Or as Tobolsky aptly puts it, "The foundation of our music is international '70s hard rock enriched by contemporary influences — this time with even more bombast, brutality, and complexity."

Axioms Album Cover by Callum Rooney

*Fan Edition Bundle / LBR exclusive
(including splattered vinyl, 7" single and LP insert, music cassette in green-glitter, CD Digipak, tote-bag and signed photo card) — Order here
*Collector's LP Edition / LBR exclusive - Limited to 400 copies
(including splattered vinyl, 7" single and LP insert) — Order here
*Collector's LP Edition / JPC exclusive - Limited to 200 copies
(including translucent verde coloured vinyl, 7" single and LP insert.)
*Collector's LP Edition
(including viola coloured vinyl, 7" single and LP insert)
*Standard LP Edition 
(including black vinyl and LP insert)
*MC Edition / LBR exclusive - Limited to 200 copies
(including green-glitter coloured music cassette) — Order here
*CD Edition
(In a Digipak)
*Digital Edition
(Stream & Download)
 

PRE-ORDER "AXIOMS" HERE

More info about Wucan's European shows is here.

WUCAN ARE:
Francis Tobolsky — Vocals, Guitar, Flute, Theremin
Tim George — Guitar, Keyboards
Philip Knöfel — Drums
Alexander Karlisch — Bass

American Television Announce "You Are Not Alone" EP + Release Title Track via Smartpunk Records

American Television is delivering a punchy dose of melodic punk rock to the Smartpunk Records roster with the announcement of their upcoming EP "You Are Not Alone" coming out on September 19. The skate-punk inspired anthems are driven by resilience and resistence that emphasize the transformative power of music.

Pre-order the album here.

Watch the "You Are Not Alone" music video below.

Speaking about the new single, American Television shares, "You Are Not Alone joins a long tradition of songs like Rancid - Radio, Frank Turner - I Still Believe, and Bouncing Souls - Private Radio that talk about the power of music and its ability to connect you with others or take you back to a specific moment in your life."

AMERICAN TELEVISION ON TOUR

Sept 24 - Poetry Lounge - Pittsburgh, PA
Sept 25 - No Class - Cleveland, OH
Sept 26 - Corktown Tavern - Detroit, MI
Sept 27 - Burlington Bar - Chicago, IL
Oct 18 - Jammin Java - Vienna, VA
Oct 24-26 - FEST - Gainesville, FL

ABOUT AMERICAN TELEVISION
American Television is a melodic punk rock band hailing from the Washington D.C. area. They merge a classic skate-punk sound with infectious melody to deliver anthems of resistance and resilience.

The band follows up their previous Smartpunk Records release SCARS with a high-powered, six-song EP featuring songs written to create a sense of community in these dark times, to empower those who feel unseen, and to serve as a reminder for us to work to live, not live to work.

With their new release, American Television wants you to know, You Are Not Alone.

Fermentor - New Album Agreement

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meldand Release MeAgreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist


ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

After a brief period of living on opposite coasts, the duo regrouped and began to push their writing to a new level. With a newfound control of their unique synchronicity, they released two EPs; 2011’s self-titled album Fermentor and its follow up, Rate of Cognitionin 2015.

They quickly garnered a reputation for their explosive and unrelenting high-energy performances atypical of a duo, earning them the opportunities to share the stage with other experimental powerhouses such as BEHOLD!...THE ARCTOPUS, ATOMIC APE, and CAPTURE BY ROBOTS.

In 2020, they released their first full-length album Continuance. A highly creative and progressive album. Continuance plays with the listener’s ear by subverting expectations of tonality and song structure. This critically hailed record is bursting with intricate timings, propulsive arrangements, and unconventional riffing. It also marked the release of FERMENTOR’s first music videos, most notably the incredible video for "Seventh Circle", premiered by Decibel, which saw the duo in a high-energy pursuit of a mysterious orb.

2023 saw the band continuing to push their abilities as well as the conventions of instrumental metal with the release of their next full-length album, Mind Meld. Engineered at Singing Serpent Studios by Ben Moore (TERA MELOS, RETOX) and recorded, mixed, and mastered again by Wollach, Mind Meld showcases the growth and maturity of the duo as well as boasting the highest quality recordings of FERMENTOR’s catalog so far. Additionally, the band employed a unique approach by self-recording everything live, without click tracks or additional layers. Mind Meldreceived major critical acclaim, beloved by existing FERMENTOR fans as well as reaching many new fans through emphasis on more music videos and footage from the studio.

In 2024, FERMENTOR embarked on the FermenTOUR, traveling along the West Coast introducing new audiences to their unique brand of instrumental music.

In January 2025, FERMENTOR continued to challenge themselves and their fans with their latest album, Release Me. 17 tracks of brand new songs completely improvised in the studio, Release Me spans numerous genres, employs live looping and layering in single takes, resulting in the most diverse and innovative music of FERMENTOR’s career. To share the record with the world, FERMENTOR released a song from the album every week for 17 weeks until the date of the album release with accompanying music videos and footage from the studio, massively increasing their reach and acclaim.

Of course, FERMENTOR does not stop there! Relentless in their output, FERMENTOR is announcing yet ANOTHER 17-track, all-improvised album, entitled Agreement. The first track dropped just two weeks after Release Me.

Agreement continues FERMENTOR’s pursuit of unique and highly creative instrumental music, further cementing their use of looping and defiance of genre. Again the group will be releasing a song per week from the record along with music videos and documentation of the recording process.

FERMENTOR will hit the road again in 2025, as they remain ever dedicated to spreading their music and artistic vision to the world!

BATTLE BEAST - anounce new album 'Steelbound' for October 17

Finnish heavy metal powerhouse BATTLE BEAST continues their unstoppable rise with the release of their brand-new single and music video 'Here We Are', out today on all platforms. With this new single, the band officially announces their highly anticipated seventh studio album Steelbound, set to be released on October 17, 2025 via Nuclear Blast. 

'Here We Are' marks the third single taken from Steelbound, and it’s a bold, unapologetic anthem of resilience and unity. Armed with thunderous riffs, powerful vocals, and infectious hooks, the song captures the spirit of overcoming adversity and standing strong together.

Songwriter Joona Björkroth comments:"'Here We Are' captures that moment after the storm has passed — you've faced challenges, been tested, and somehow come through the other side a little stronger, a bit wiser, and perhaps a bit more grounded. Things might not have gone perfectly, but you’ve endured.
The song is a tribute to perseverance and resilience — to standing tall just the way you are, nothing more, nothing less.”


Noora Louhimo adds: "We’ve all been down in the depths - each of us and all of us together. Still we’ve always gotten back up, even if bruised and bloodied. And here we are still, stronger than ever. 
No matter how tough the journey, we’re always stronger when we face it together” 

 

The track is paired with a stunning music video that brings its message to life in true BATTLE BEAST fashion: dramatic, powerful, and visually striking.

Check out the video below.
Listen to the song on all platforms: https://battlebeast.bfan.link/hereweare
Pre-order the album: https://battlebeast.bfan.link/steelbound-album

With Steelbound, BATTLE BEAST embarks on an exciting new chapter, blending classic heavy metal with '80s-tinged hard rock, cinematic synths, and flashes of pop energy. From the defiant title track 'Steelbound' to the emotional punch of 'Last Goodbye,' the album delivers 38 minutes of pure escapism, grit, and joy. It’s a battle cry for the misfits, a celebration for the strong-hearted, and a reminder to throw your worries aside and sing, dance, or headbang — however you choose to rise.

To celebrate the album’s release, BATTLE BEAST will hit the road for a major European tour, kicking off October 17 at Hamburg’s Inselpark Arena — their biggest German headline show to date. The tour will run through mid-December, featuring DOMINUM as special guests and Swedish power metal force MAJESTICA as openers.

HERE WE ARE — together, resilient, and unbroken.

BATTLE BEAST is:
Noora Louhimo | vocals
Eero Sipilä | bass
Joona Björkroth | guitars
Juuso Soinio | guitars
Janne Björkroth | keyboards
Pyry Vikki | drums

Electromancy - Visions of Utopia

ELECTROMANCY is thrilled to announce their new album, Visions of Utopia, arriving September 10th, 2025. Blending the frostbitten chaos of black metal, the crushing weight of doom, and the visceral ferocity of death metal, this seven-track journey dives into the emotional landscape of composer and multi-instrumentalist Steph Tranovich’s experience with chronic illness and disability. From searing despair and cathartic rage to fragile hope, Visions of Utopia is both a sonic onslaught and a testament to perseverance—turning pain into power and offering light to those navigating their own darkness.

Steph shares, “Visions of Utopia doesn’t lose sight of my struggles, but it sees a future that’s bright and hopeful and right over the horizon. These past few years I’ve seen a lot of progress in my health—and also some intense relapse. But I’ve grown again and have been finding ways to really thrive given my disability. This album takes you through that journey: hope, relapse, recovery, and a renewed appreciation for life.”

The album opens with “Intro,” a stark spoken-word track that lays the foundation for ELECTROMANCY’s story. Against a backdrop of haunting ambience and mechanical drone, it unflinchingly recounts the band's origin, their use of robotic instruments as assistive tech, and Steph’s personal evolution through illness. It sets the emotional tone for the record’s fusion of blackened intensity, doomy heft, and experimental death metal edge—grounding listeners in the human experience behind the cybernetic sound.

“Utopic Visions,” the second track, is a defiant incantation for a better world. It acknowledges the crushing weight of personal and collective suffering, but refuses to stop there—choosing instead to conjure something brighter. Downtuned guitars bring weight; piercing highs give shape; glitching synths and swirling textures enhance the hypnotic pull, while Shaun Gallagher’s commanding vocals slice through with clarity and conviction. It’s a dream of Utopia cast in distortion and dissonance, built for those ready to imagine—and fight for—something more.

Track three, “Brief Moments of Total Collapse,” captures the brutal volatility of chronic illness: one moment you’re rising, the next you’re falling harder than before. Its short runtime mirrors the rapid descent into relapse, while sharp dynamic shifts and death metal ferocity channel the whiplash of losing control. It’s a violent flash of vulnerability—a sonic snapshot of how quickly the ground can disappear beneath you.

At the emotional core of the album lies “Nonlinear Healing,” a sweeping ten-minute epic that embraces the messy, spiral-shaped nature of recovery. Weaving between grief and hope, open harmonies and bitter dissonance, it acknowledges that healing isn’t linear—it’s a process full of backslides, slow climbs, and moments of quiet resilience. Blackened textures, mournful doom, and layered melodies mirror this ebb and flow, settling not in triumph, but in steady perseverance. Sometimes, as Steph says, “the only thing we can do is keep moving forward.”

“Repair,” track five, offers a tonal shift—a flash of sunlight after the storm. This short, lively track bursts with playful energy, featuring call-and-response vocals that lift the refrain “up and up.” It’s a reminder that rebuilding can be joyful, even fun; that healing includes laughter, motion, and moments of celebration.

Next comes “Thriving Cyborg,” a groove-laden ode to adaptation and gratitude. Drawing from Steph’s lived experience of thriving with assistive technology, the track celebrates the communities, tools, and creativity that make life possible and fulfilling. Its funk-infused rhythm, bursts of synth, and hands-on manipulation of robotic instruments reflect the seamless blend of organic and inorganic at the heart of ELECTROMANCY’s identity. A brief moment of heaviness nods to continued struggle, but it’s the triumphant, polyrhythmic crescendo that defines this nine-minute track’s spirit—resilient, euphoric, and alive.

Closing the album is “Static Ecstatic,” a meditation on finding joy in the overlooked moments of daily life. Fusing blackened atmosphere, doomy depth, and experimental textures, the song explores the quiet fulfillment that emerges not from grand victories, but from stillness, presence, and the strange wonder of simply existing. It’s a gentle but powerful resolution—a final breath that grounds the listener after a journey of storms. In true ELECTROMANCY form, the record ends not with spectacle, but with hard-won peace.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and multi-instrumentalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

BELPHEGOR Unleash Ferocious New Single “Sanctus Diaboli Confidimus," Band Signs with Reigning Phoenix Music

The unrelenting force of diabolical Black Death Metal, BELPHEGOR, returns with a blazing new single: “Sanctus Diaboli Confidimus.” Forged in chaos and crowned in blasphemy, the track marks a savage invocation of what is yet to come.

This release marks BELPHEGOR’s first under their freshly inked deal with Reigning Phoenix Music (RPM), setting the stage for a powerful alliance between one of extreme metal’s most revered entities and one of the scene’s most ambitious new labels.

Helmuth, the band’s co-founder and guiding force, shares: “It’s great to be working with Gerardo Martinez once again. He believed in Belphegor early on and was the one who brought us to North America in 2006. I look forward to a powerful new chapter with RPM.”

Gerardo Martinez, co-founder of RPM, echoes the sentiment: “Helmuth, Belphegor and I go back to 2006 and I'm extremely thrilled to be able to continue working with one of the best proponents of Black Death Metal art. Welcome to RPM! Here's to many more years of great music!”

On “Sanctus Diaboli Confidimus,” Helmuth describes: “A symbiosis of diabolical Black Death Metal. A glorification of the Devil. A hypnotic anthem of passion, fire and iron discipline. It stands for the absolute freedom to walk your own path, to reign within your own realm.”

About BELPHEGOR:

Since their formation in 1993 in Austria, BELPHEGOR have stood as one of the most brutal and transgressive forces in black death metal. Founded by vocalist and guitarist Helmuth Lehner, the band has spent over three decades refining a sound forged in fire and sacrilege, merging the violent precision of death metal with the ritualistic darkness of black metal.

Their musick is an invocation of infernal power, a soundwall of relentless blasphemy.

From the raw intensity of early releases like The Last Supper (1995), Blutsabbath(1997), and Necrodaemon Terrorsathan (2000), to the increasingly sophisticated compositions found on albums such as Lucifer Incestus, Bondage Goat Zombie, Pestapokalypse VI, and Totenritual, BELPHEGOR have continually pushed the boundaries of extreme musick. Each release marks a further descent into forbidden territory.

The band’s thematic focus with ritual magick, religious inversion, and arcane symbolism is matched by their technical mastery, multilingual lyrics, and sonic experimentation.

With their twelfth studio album The Devils (2022), BELPHEGOR delivered one of their most punishing and ambitious records to date.

Recorded at Fascination Street Studios with producer Jens Bogren, the album features nine meticulously crafted compositions that shift seamlessly between feral aggression and solemn majesty.

Tracks such as Glorifizierung des Teufels and Virtus Asinaria - Prayer incorporate choral passages and ritualistic structure, while Damnation - Höllensturz unfolds with a dynamic complexity that further amplifies the band’s compositional vision.

Lyrically, the album weaves together German, Latin, and English to cast incantations of death, desecration, and rebellion against sacred order. Accompanied by visionary artwork from Seth Siro Anton, The Devils stands as a high point in Belphegor’s canon and underscores their continued relevance in the global extreme metal landscape.

Following the success of The Devils, BELPHEGOR were honored with the 2023 Amadeus Austrian Music Award in the Hard and Heavy category, a rare moment of formal recognition in Austria for a band that has long walked a path far removed from mainstream acceptance. This accolade acknowledges their artistic legacy and highlights the contrast between their recognition and the transgressive nature of their craft.

Renowned for their intense live rituals, BELPHEGOR have toured relentlessly across Europe, the Americas, Asia, Australia, and beyond. They have appeared at Wacken Open Air, Knotfest, Bloodstock, Hellfest, Tons Of Rock, Sweden Rock, and numerous other prestigious metal festivals. Their stage presence is more than a performance, it is a ceremony of magick and infernal theatre, where sound, smoke, blood, and fire converge in a communion with darkness.

Now, as the band approaches its thirteenth studio album, a deeper and more arcane force begins to stir. The number thirteen bears ancient meaning: endings, thresholds, and the passage into the unknown. Rooted in primordial doctrine, the thirteenth seal is said to bind the final veil between worlds, the last barrier between order and chaos.

With this upcoming release, BELPHEGOR prepares to break that seal, not to follow, but to lead. To summon what lies beyond even their own previous creations: something more primal, more ritualistic, more devastating.

Early glimpses of new material point to a continuation of the dark artistic path begun with The Devils, now delving even deeper. The upcoming album takes shape as a focused ritual: precise, uncompromising, and rooted in the band’s unmistakable vision, the glorification of the Devil.

Prepare. The next chapter is imminent. 

More from BELPHEGOR:

www.belphegor.at | Facebook | Instagram | X | Youtube

British Melodic Rock Legends FM Release Anthemic Rock Single “Don’t Call It Love” + Music Video

Today, British melodic rock legends FM are pleased to release their new single “Don’t Call It Love,” the second single taken from their highly anticipated 15th studio album 'Brotherhood,' due out on September 5th via Frontiers Music Srl.

"Don't Call It Love" is a compelling rock anthem tailor-made for rock radio and arrives alongside an official music video, available below.

FM’s founding member and bassist Merv Goldsworthy comments on the new track:

’Don't Call It Love’ is an up-tempo old-school AOR track with a very 80s feel. It was one of the last songs written and recorded for the 'Brotherhood' album. It’s a definite candidate for the live set and rock radio.”

Check Out the Music Video for "Don't Call It Love"

It’s no surprise that FM’s upcoming album 'Brotherhood' continues to showcase their signature blend of hook-laden AOR and blues-tinged hard rock that solidifies their status as masters of the genre.

'Brotherhood' showcases a band at the top of their game with highlights including an infectious anthem "Living on the Run," anthemic rocker “Don’t Call It Love,” the punchy and powerful "Coming For You," and the emotionally charged "Time Waits For No One," all tracks that echo the spirit and melodic strength of FM’s early classics, while being unmistakably fresh and vibrant.

Opening track, "Do You Mean It," brings a bluesy, soulful vibe that echoes the Doobie Brothers’ classic “Takin’ It To The Streets” sound, setting the tone for the album. 'Brotherhood' also features one of FM’s most powerful ballads to date, "Just Walk Away" – a beautifully emotional song that highlights the band's mastery of melodic rock. Wrapping up the album is "The Enemy Within," a track that introduces exciting new sonic ideas while retaining the powerful and melodic qualities FM fans love.

Supporting vocals from a female guest choir add warmth and dynamic depth to "Do You Mean It" and "Just Walk Away," perfectly complementing Steve Overland’s consistently exceptional lead vocals.

Overland comments on the new album:

“I am proud of the new album. It is one of our strongest song albums to date. It is another milestone, as it’s FM’s 15th album. It’s very well-paced and has great variation in song styles throughout. The album’s big ballad, 'Just Walk Away,' is one of our best. I hope our fans feel the same way as we do about 'Brotherhood.'"

Pre-Order 'Brotherhood' HERE

Formed in the 80's by the Overland brothers, FM are one of the UK's seminal and respected rock bands. The new album was recorded by FM’s long-standing and beloved line-up including founding members Steve Overland, Merv Goldsworthy, and Pete Jupp, alongside keyboard player Jem Davis and guitarist Jim Kirkpatrick.

 

To promote 'Brotherhood,' FM will embark on a major UK headline tour in September 2025 with 14 confirmed shows, followed by European dates in early 2026. Visit FM’s official websitefor tickets.

FM are:

Steve Overland – Vocals, guitar

Merv Goldsworthy – Bass

Pete Jupp – Drums

Jem Davis – Keyboards

Jim Kirkpatrick – Guitars

Creeper to Release "Sanguivore II: Mistress of Death" on 10/31 + Band Shares "Blood Magick (It's A Ritual)" Video

The Sanguivore album took Creeper's already larger-than-life ambition to new heights, leading to the most intense critical acclaim of their career and culminating in their first arena headline show at London's OVO Wembley Arena. Historically, the end of one Creeper era sees the band slam the coffin shut as they once again reinvent themselves. But this time, Creeper defy expectations by expanding the previous record's creative universe, returning with Sanguivore II: Mistress of Death on October 31 through Spinefarm.

Creeper further preview the album with the new single "Blood Magick (It's A Ritual)." Built on a classic serrated '80s metal riff, it could well be their most theatrical moment yet. Its killer calling card is its vocal interplay: William Von Ghould's commanding, Germanic intonation enshrouded by the bewitching allure of Hannah Greenwood's backing vocals.

Sanguivore II: Mistress of Death is a thematic sequel rather than a direct continuation of the original story. Like a classic horror anthology it spins a new tale from the same bloodline as the original, this time using its bloodied vampiric heart as the common thread to introduce a brand new narrative. The tale takes us back to the moral hysteria that was the Satanic Panic and its impact upon the world of '80s hard rock and heavy metal. It was a time in which the late Prince of Darkness, Ozzy Osbourne, and Judas Priest were dogged by court cases. Iron Maiden played deep into America's heartland, while W.A.S.P. and Mötley Crüe inflamed conservative minds with outrageous theatricality and decadence.

William Von Ghould introduces the story, saying,"Beneath the flashing neon of a distant dream, a rock and roll nightmare is coming true. A vampire band rampages across 1980s America, leaving only corpses behind. But on the horizon, a shadow stirs. Part-slasher, part-Satanic Panic nightmare, a new force rises through the mist, ready to hunt the hunter. The Mistress Of Death is a vampire huntress on a path to end this vampire bloodline for good. But can she stake their hearts before the final curtain falls?"

Creeper play the role of the fictional band on a record which is razor sharp with demonic power and devilish black humor. It's a sequel in which the band summon the spirits of rock history, darting between harmonic and dueling guitars from co-founder Ian Miles and new recruit Lawrie Pattison that recall the majesty of Priest and Maiden. They soar through towering hooks that channel the biggest hits of the stadium rock era with their maximalist sound encompassing darkwave synths, art-rock sax, and multi-layered vocal harmonies.

After the frenetic punk thrills of "Headstones" and the video which first introduced Creeper as the fictional band on stage in full theatrical chaos, the new "Blood Magick (It's A Ritual)" visual shifts the focus to the hedonism and evil happening behind the scenes while they're on tour. Directed by Harry Steel, it blends original footage with curated stock to capture the grimy surrealism of Rob Zombie's House of 1000 Corpses and the fever dream energy of Oliver Stone's Natural Born Killers.

The result, says William, is "a blood-soaked, sexed up, psychedelic vampire rock fantasy and easily one of the wildest videos we've ever made."

As with the original, Sanguivore II: Mistress of Death was produced by Tom Dalgety (Ghost, Rammstein, Royal Blood).

Sanguivore II: Mistress of Death is available to pre-order HERE.

Physical formats are led by three vinyl products: A Creeper purple vinyl, a mistress purple marble vinyl available through select indie stores, and a blood red marble vinyl in gatefold packaging, which is exclusive to the band's official store.

The Creeper store also offers an exclusive two-tape rave case packaging both Sanguivore and Sanguivore II: Mistress of Death, while a mintpak CD is available through all retailers.


Creeper are set to hit the main stage at Bloodstock on August 9, before they tour the UK as special guest to Ice Nine Kills in December.

Pinkshift Share "Reflection" + "Don't Fight" Double Single"

Maryland trio PINKSHIFT will drop their new album EARTHKEEPER on August 29 via Hopeless Records. Pre-order it here

Today, the band has shared the double single "Reflection" + "Don't Fight." Listen here.

Watch the "Don't Fight" video below.

The songs showcase the dual nature of the album and, ultimately, the band.

"'Don't Fight' and 'Reflection' are opposite ends of Earthkeeper," singer Ashrita Kumar says. "They kind of balance each other out. 'Don't Fight' is grief ignited by anger, and' Reflection' is softness in power."

Kumar continues, "'Don't Fight' came from an idea [guitarist] Paul [Vallejo] brought to the band, and that's him singing the choruses. They inspired me in a time of grieving, and I felt drawn to something less melodic. My verses are more like shouted poems, feeling a sense of discord and anguish. 'Reflection' is, on the other hand, written from a place of feeling softness and lightness. That reflection is the presence of the Earthkeeper, my friends beyond the veil, and my ancestors. I feel the grief of their loss, but maybe our relationship is more magical now in ways that I can't understand all the time. Their time on Earth, in my life, shaped who I am today. That version of me can choose how I'd like to see the world."

A true balance, indeed.

Pinkshift will soon embark on a headline tour and in-store activities around album release on the East Coast and in their native Baltimore. All upcoming appearances and dates are below.

IN-STORE APPEARANCES:
8/27 — Rough Trade — New York, NY (6pm)
8/28 — Repo Records — Philadelphia, PA (7pm)
8/30 — Sound Garden— Baltimore, MD (4pm)

PINKSHIFT ON TOUR:
9/27 — Brooklyn, NY — Under the K Bridge Park
10/4 — Baltimore, MD — The Amphitheatre at the Inner Harbor
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

Hooded Menace Announce 'Lachrymose Monuments of Obscuration'

Over the past 20 odd years, Hooded Menace have stood not as a bridge but a pillar between two different realms of underground metal. The cultishly beloved band's upcoming seventh album is still bound by a morbid obsession with classic horrors. But on Lachrymose Monuments of Obscuration, Finland's stewards of death-doom remain far from stuck in their ways. Lead single "Portrait Without a Face" cranks up the neon-soaked nightmares while digging out a grave new surprise from under their long-sleeve.        


Watch the classic horror video for "Portrait Without a Face" below.

Lachrymose Monuments of Obscuration comes out October 3, 2025 on Season of Mist. 

Pre-order& Pre-save

https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Hooded Menace continue to pave a harrowing path for undying metal legions who crave creepier, crushing tempos. The band's new single opens with drummer Pekka Koskelo pounding like death's door. Their flesh-eating muse still looms over Lachrymose Monuments of Obscuration. Cover artist Wes Benscoter recreates director Amando de Ossorio's the Blind Dead in all of the film's ghoulish glory. But the album hammers home the influence of '80s heavy metal that was rung in by previous LP The Tritonus Bell. With its conspiratorial web of leads, "Portrait Without a Face" bears a glowing resemblance to King Diamond. 

The lasting influence of Candlemass and Paradise Lost hasn't vanished without a trace, but Hooded Menace continue to break the mold that they've set for death-doom. While the bone-crushing riffs of founding member Lasse Pyykkö cement the rock-solid foundation beneath Lachrymose Monuments of Obscuration, even he was surprised when sculpting the album's lead single. Like an echo from beyond the grave, what should appear within "Portrait Without a Face" but the haunted moan of a cello.

"Sucked into the realm of sweet damnation". Vocalist Harri Kuokkanen growls deep into the dead of night, as if lured down a darkened hallway by former live bassist Antii Poutanen's sorrowful string saws.

The video for "Portrait Without a Face" was directed by Tekla Valy with additional footage filmed by Mikko Saastamoinen.

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)

Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969