Pistols At Dawn Drop "Bones" Video

Buzzy Atlanta foursome PISTOLS AT DAWN — Adam Jaffe [drums], Will James [lead guitar], Gabriel Cuevas [bass], and Jon Sookdew Sing [lead vocals] — have shared the video for their latest single "Bones," which has already gotten a great reaction from over 20 active rock stations.  

Watch the video below:

"Have you ever met that person that you can't get enough of? The one that checks all your boxes. Here's the thing, though. She's just as messed up as you in every single way," the band explains about the song. '''Bones' is the story of two lovers taking on the world, accepting all the skeletons each brings to the relationship, and rolling with the punches. Because when the world cast them out, they found each other."

About the accompanying video, the band says, "It depicts the good times and the bad. And as it so often is in relationships with baggage, the good times are really good, and the bad times are really bad. Yet through the difficult times, it shows that in the end, you'll still choose to stay for something that's worth it."

Pistols At Dawn will play a showcase at the famed Viper Room in Los Angeles on February 25, with Josh Bernstein and Caity Babs hosting. Get tickets here. Additional details are in the image below. The band will also be performing at the annual #Happens radio convention, which takes place in Las Vegas on February 26 through February 28. All details are here and in the graphic, with the band taking the stage on February 27 at Backstage Bar + Billiards.

Pistols At Dawn craft the kind of rock music that doesn't just reach the rafters; it breaks through the ceiling. Sky-high hooks stretch into the heavens, a powerful low-end rumbles without apology, and riffs roar at all the right moments. Thus far, the Atlanta band have emerged as a phenomenon. They've amassed nearly 10 million global streams and views, infiltrated the Billboard and Mediabase Top 40 Active Rock charts, earned acclaim from American SongwriterBrave Words, and the Atlanta Journal Constitution, and embarked upon global tours alongside heavy-hitters such as Alter Bridge, Mammoth WVH, Fozzy, Des Rocs, and more. The quartet has canvassed the world the past few years and shows no signs of slowing down.

Stayed tuned for more, because Pistols at Dawn are leveling up.

Cody Johnson Joins Randy Houser on “Cancel” as NOTE TO SELF DELUXE Arrives

With the arrival of Note To Self Deluxe, multi-Platinum artist Randy Houser releases a collaborative take of his song “Cancel” featuring country superstar Cody Johnson via Magnolia Music Group. Listen to “Cancel” and Note To Self Deluxe HERE.
 
Written by Houser and co-produced with Jay Tooke, “Cancel” draws on spiritual introspection to promote forgiveness, calling for empathy while emphasizing the importance of listening to others and avoiding judgment.
 
“After I wrote it, I went on Cody’s bus, and we talked about cutting it together,” shares Houser. “I was honored that something so meaningful to me was also important enough to him to want to be a part of it.”
 
With four new collaborations, Note To Self Deluxe expands on his 2022 project, praised by Saving Country Music as “an album full of rich tones and expressive moments, and best of all is the vocals of Randy Houser himself,” while Tennessean shares that his “forthright songwriting expresses blue-collar and home-grown values.”
 
Previously released tracks “Still That Cowboy” with Miranda Lambert, boasted by Billboard as a “top-shelf track” and “a match made in heaven” by Whiskey Riff, along with “Rub A Little Dirt On It” with Riley Green and “Country Round Here Tonight” with Justin Moore, are also featured on Note To Self Deluxe.

Last week during one of two sold-out electrifying performances at Bridgestone Arena as part of Johnson’s Leather Deluxe Tour, Houser was surprised mid-set by his son Huck and actor Johnny Galecki, who presented him with a RIAA Certified-Gold plaque for title track “Note To Self,” marking Houser's first Gold record with Magnolia Music Group.

Houser returned to Australia last month and rang in the New Year with a performance at the Sydney Opera House in addition to a sold-out solo-acoustic show in Melbourne. Houser will perform at festivals across the U.S. this summer, including Pepsi Gulf Coast Jam, Roostertail Music Festival, Lakefront Music Fest and the Red, White & Brauen Festival.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram @RandyHouser, Facebook.com/RandyHouser and Twitter/X @RandyHouser.

Randy Houser Tour Dates:
March 1 | Wild Country Off Road | Leakesville, MS
March 11 | WUSY Heart Strings | Chattanooga, TN
April 16 | Carlisle Theatre | Carlisle, PA
April 17 | Penn’s Peak | Jim Thorpe, PA
May 30 | Pepsi Gulf Coast Jam | Panama City Beach, FL
July 4 | Roostertail Music Festival | Madison, IN
July 12 | Lakefront Music Fest | Prior Lake, MN
July 17 | Marshall-Putnam County Fair | Henry, IL
July 18 | Buchanan County Fair | Independence, IA
Aug. 21 | Concert in the Corn | Mason, WI
Aug. 22 | Country in the Burg | Cedarburg, WI
Aug. 23 | Red, White & Brauen Festival | Huntingburg, IN
 
About Randy Houser
With an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser racked up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels. He topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. The deluxe version of Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features four new collaborations with artists including Miranda Lambert, Cody Johnson, Justin Moore and Riley Green. RIAA Gold-certified single and title track “Note To Self” marked his “powerful return” following 2019’s critically-acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” For more information, visit RandyHouser.com.

ALEXANDRA KAY CAPTIVATES WITH CONTAGIOUSLY CATCHY NEW SONG “CUPID’S A COWGIRL”

Named to Pandora’s “Artist to Watch: Country” list, Alexandra Kay, today, releases the contagiously catchy and confidently spunky uptempo sing-along “Cupid’s A Cowgirl.” Ahead of the opening weekend of her U.S. & Canada headlining “Cupid’s A Cowgirl” Tour,” listen to the new track below.

“I had just as much fun writing this song with Thrasher Gruft and Cheyanna Rose Arnspiger, as I’ve had promoting it these past couple of weeks,” says Alexandra. “I’m pretty sure we disturbed every other writing room in BMG that day, as we jumped on the couches and screamed the chorus for the demo. This song represents my lover-girl era. She is fun and pink and playful and thriving. Cupid is a cowgirl, and she knows exactly what she wants.”

Being raw, candid and vulnerable about the gut-wrenching pain she experienced throughout her divorce, the budding superstar drew in over 8.5 MILLION devoted followers, who shared in her journey of perseverance, reflection and renewal. Inviting them into her inner circle, Alexandra showed her heart by covering beloved country songs over a cup of morning coffee. 

Now, confident and in her lover-girl era, Alexandra isn’t stepping away from the heartfelt emotion that her prominent debut album, All I’ve Ever Known, was anchored in. Having gone #1 on the iTunes All Genre and Country charts and Top 10 on Billboard’s Country Album, Emerging Artist and HeatSeeker charts, the “adept, propitious singer-songwriter” (Billboard) amplifies her effervescent spirit with an up-tempo sonic sound and sharp-witted lyrical detail that will have any cowgirl dancing along to the intoxicating beat -  admitting love is a rodeo in “Cupid’s A Cowgirl.” 

Taken under genre-bending phenomenon Jelly Roll’s wing, the destined-for-stardom songstress most recently accompanied the country icon on his 2024 Beautifully Broken Arena Tour, which included his sold-out hometown show at Nashville’s Bridgestone Arena, as well as opened for Morgan Wallen at his sold-out Hyde Park show in London. She landed her first motion picture soundtrack feature with the acclaimed Twisters: The Album, sold over 80,000 tickets as an independent headlining artist and is one of the top-selling artists on TikTok Shop for music. Now signed to BBR Music Group/BMG Nashville, Alexandra is finalizing her latest full-length project to release later this year that will include “Cupid’s A Cowgirl.” 

Up next, upon wrapping her “Cupid’s A Cowgirl” Tour, she’ll head across the pond for her international All I’ve Ever Known U.K. & Europe Tour that has already sold out in Amsterdam, Glasgow, Birmingham, Belfast and Manchester. With limited tickets remaining, click HERE for more information.


Upcoming 2025 Tour Dates: 

February 23 - Jacksonville, FL – Decca 

February 25 - St. Petersburg, FL - Jannus Live

February 26 - Fort Lauderdale, FL - Revolution

February 28 - Athens, GA - Georgia Theatre

March 1 - Chattanooga, TN - The Signal

March 2 - Birmingham, AL - Iron City

March 4 - Tulsa, OK - Cain's Ballroom

March 6 - Houston, TX - White Oak Music Hall

March 7 - Dallas, TX - House of Blues

March 8 - Austin, TX - Emo's

March 9 - Fort Worth, TX - Tannahill's Tavern & Music Hall

March 11 - Denver, CO - Ogden Theatre

March 12 - Salt Lake City, UT - Rockwell at The Complex

March 14 - Phoenix, AZ - The Van Buren

March 15 - Temecula, CA - Pechanga Theater at Pechanga Resort Casino

March 16 - Sacramento, CA - Ace of Spades

March 18 - Portland, OR - Crystal Ballroom

March 19 - Seattle, WA - Showbox SoDo

March 20 - Vancouver, BC - The Pearl

March 22 - Calgary, AB - Palace Theatre

March 23 - Edmonton, AB – Midway

March 25 - Saskatoon, SK - Coors Event Center

March 26 - Winnipeg, MB - Park Theatre

March 28 - Minneapolis, MN - The Fillmore

March 29 - Chicago, IL - House of Blues

March 30 - Grand Rapids, MI – Intersection

April 1 - Detroit, MI - The Fillmore

April 2 - Toronto, ON – Danforth [SOLD OUT]

April 4 - Norfolk, VA - The NorVa

April 5 - Myrtle Beach, SC - House of Blues

April 6 - Raleigh, NC - The Ritz

About Alexandra Kay:

With over 8.5 MILLION social media followers, Alexandra Kay, who starred on Netflix’s series Westside, holds the rare and extraordinary ability to genuinely connect with audiences by just being her authentic true self via heartfelt melodies, her “refreshing brand of storytelling…custom-made for the country music genre” (People), and her “angelic, yet soaring vocals” (American Songwriter). Cementing herself as a force to be reckoned with in the industry, the bright and tenacious rising star that Billboard acclaimed as “an adept, propitious singer-songwriter,” dropped her debut album - All I’ve Ever Known - in 2023. The project reached #1 on the iTunes All Genre and Country charts globally and earned her a spot in the Top 10 on Billboard’s Country Album, Emerging Artist and HeatSeeker charts, independently.

Now, signed to BBR Music Group/BMG Nashville and named to Pandora’s “2025 Artist to Watch: Country” list, Alexandra wrapped a milestone 2024 complete with a headlining tour, an opening slot on Jelly Roll’s Beautifully Broken Arena Tour where she was taken under his wing and was featured on the acclaimed Twisters movie soundtrack. Ready to take 2025 to the next level, the captivating songstress is giving a glimpse into her sophomore album, releasing the confidently spunky and contagiously catchy up-tempo sing-along – “Cupid’s A Cowgirl.” Next, the budding star hits the road on her headlining U.S. and Canada “Cupid’s A Cowgirl” Tour, before heading across the pond for her headlining international All I’ve Ever Known U.K. & Europe Tour that has already sold out in Amsterdam, Glasgow, Birmingham, Belfast and Manchester. 

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

London Metal Trio URNE Release Double A-Side Singles "Throes Of Grief" and Cover of Black Sabbath's "I"

Today, London metal trio URNE continue to re-define the world of epic arena metal and the sacred power of The Riff with brand new single, "Throes Of Grief" plus a spectacular cover of Black Sabbath’s "I".

Over the course of two studio albums plus a touring schedule taking in key festival appearances, including Download in the UK, URNE have shown that heavy music can also be heavy with atmosphere and intent.

 

With the new singles "I" / "Throes Of Grief", their first release since moving from Candlelight to Spinefarm, the group give a nod to the past whilst keeping eyes set on the future; "Throes Of Grief" is a new original, a tightly-wound three and a half minutes of incessant guitar and vocal fire-power, featuring a signature guest solo from Avatar guitarist Tim Öhrström, while "I"sees the band putting their own weighty stamp on Dio-era Sabbath.

 

Largely, it’s the Ozzy-era of Sabbath that gets the cover treatment, but URNE frontman Joe Nally (the band is completed by Angus Neyra on guitar and James Cook on drums) has long held a love for the later Dio period and "I" in particular.

Nally explains:

’I’ is a song I’ve been wanting to cover for about 15 years; the song is one of Sabbath's heaviest - lyrically and vocally, it’s Dio at his most evil and wicked. No one is really in the same league as Dio vocally so I had to approach it in a different way. It was a challenge but one that really changed the game for me vocally. We are approaching 15 years since Ronnie James Dio passed but he certainly isn’t forgotten. This is our way of paying our respects and saying thank you for the music.”

On "Throes Of Grief", Nally adds:

“Around the time of writing this I was listening to 'Countdown to Extinction' by Megadeth, so of course I was inspired by Dave & co. and if you write fun metal, you want a killer solo to go with that and who better to ask, than our good friend Tim Öhrström from the mighty Avatar. Tim has such a cool and unique style, I knew I wanted him to play something on this. 'Throes' along with 'I', is us having fun but also paying our respects to those who paved the way for bands like ours.”

 

Together, these songs make it clear that a brand-new chapter in URNE history is ready to unfold.

Watch the Lyric Video for "Throes Of Grief" Below:

Listen to "I" HERE

URNE are:

Joe Nally - Vocals/Bass 

Angus Neyra - Lead Guitar 

James Cook - Drums 

YOUR SPIRIT DIES ANNOUNCE 'MY GNAWING PAINS WILL NEVER REST' DEBUT ALBUM

South Carolina metal/hardcore outfit YOUR SPIRIT DIES will unleash their My Gnawing Pains Will Never Rest debut full-length on May 2nd via their new label home of MNRK Heavy. The band presents their first single, “In The Depths Of Grief,” and album preorders.


Small towns across America are home to countless untold stories, and Columbia, the state capital of South Carolina, is no exception. With a population just over 140K, this city may be small, but it’s big on spirit. YOUR SPIRIT DIES, hailing from this very place, channels that humble yet fierce energy, embodying an underdog work ethic and an unstoppable fire. After buzzing nationwide and earning acclaim from the likes of Brooklyn Vegan, No Echo, and more, the group shares their story on My Gnawing Pains Will Never Rest.


“The record encapsulates every single thing we’re about,” notes vocalist Brandon Byars. “We’re five people who were born in small towns in the South. We were never supposed to leave these places; we were ‘supposed’ to live and die here. For us, the simple fact we’re doing this is huge. We tried to craft an album that stands on its own, and we busted our asses to make it as different as we possibly could.”

Comments Scott Givens, MNRK’s SVP of Rock and Metal, on the band’s signing, “YOUR SPIRIT DIES is an amazing young band and they make a great addition to the MNRK Heavy family.”

The members of YOUR SPIRIT DIES each cut their teeth in other regional favorites, with Byars and guitarist Holden Hall in Remembrance, guitarist Tyler Dorman in Hopesick, and bassist Keagan McChesney in Soul Press, while Brannon Crumpton does double duty on drums in Moru. The band arrived in 2020 with the debut EP, The Process Of Grief. Two years later, they accelerated their ascent with a follow-up EP, Our Saints Drown In Ash. Earning critical acclaim, BrooklynVegan hailed the track “2000 Needles” “a raw, heavy metalcore song,” and No Echo raved, “The South Carolina-based quintet brings to mind the golden era of Trustkill Records.” Distorted Sound professed, “the band can receive no less than full marks for their command of the genre’s essentials.”

And the command continues as they bulldoze a path for My Gnawing Pains Will Never Rest, with tracks like “Serpentine” featuring Dan Weyandt of Zao. Piercing fretwork rains down over a double bass beatdown, alternating between guttural growls and haunting spoken word. Byars’ roar explodes with a warning, “You will die alone.”

Melodic guitar and ominous orchestration set the tone for “Unjust God,” giving way to rapid-fire drums and black metal style tremolo picking. The barrage barely lets up as Byars screams, “I stare into the eyes of an unjust god,” bleeding into a bold clean chorus. “I lived in a Southern Baptist home for my entire life,” he reveals. “Early on, I knew it was something I wasn’t interested in. The title, My Gnawing Pains Will Never Rest, is a line from the Book of Job. The whole book is about God giving Job all of these trials and messing him up pretty badly. The song ponders, ‘Is God just?’”

Then there's the lead single “In The Depths Of Grief.” Squeals practically choke the groove as the breakdown quakes with impressive force. “It’s personal,” he elaborates. “My mom is seventy-one, and she just got back from the hospital. ‘In The Depths Of Grief’ is about watching your loved ones grow older, wither, and eventually die. She isn’t there yet, but she has bad heart problems. When I was a teen, we had our differences. I did the whole rebel thing and got into stuff I probably shouldn’t have. I’m not as angry as I was, so our relationship is definitely better than it’s ever been.”

Framing Hanley Release Video for New Single "I Mean It" — WATCH // Announce Forthcoming "Flowers" EP

A quartet with their hearts worn proudly on their sleeves, FRAMING HANLEY are a band for fans of melding genres masterfully. Since their arrival onto the scene in 2007, Framing Hanley have picked up a gold plaque from the RIAA, earned over a half-billion streams, accolades from Billboard, Loudwire, Kerrang!and more, further cementing that their emotion-fueled songwriting produced songs that people could really attach themselves to. With four studio albums in their impressive catalog, including the cover of Lil Wayne's "Lollipop" that went Gold, the band is a rarity, equally as comfortable on a bill with acts like Good Charlotte to Sick Puppies.

From Nashville, Framing Hanley are comprised of Kenneth Nixon (vocals, guitar), Nic Brooks (guitar), Jonathan Stoye (bass), and Matt Naff (drums), and their anthemic rock-infused R&B continues to garner thousands of new fans with every single drop. Their collective love for expanding their sonic palette led to writing sessions in 2024 in order to provide their diehard audience with a brand new studio EP, Flowers, coming to us all this spring. The date will be announced imminently, as will cover art and track listing.

Check out the video for first single "Mean It" below. Stream it here.

Snagging influence for their newest material from diverse outfits that span from the hard hitting nuances of Glassjaw to production elements akin to Childish Gambino, Framing Hanley took the time away to facilitate growth both personally and musically. Of their upcoming 2025 material, guitarist Brooks offered, "This EP is a roller coaster. We're melding together a handful of different styles, bringing in electronic elements, some R&B elements, and jazzy vibes. We're also trying to bring back the heavier energy. We’re interested in making something that feels real."

The first taste of their latest iteration, Framing Hanley released "Mean It," showcasing the band's instrumentation and ability to create chantable choruses for their crowds to sing along. Of the single, Nixon spills, "We felt that 'Mean It' was the perfect reintroduction, if you will, of Framing Hanley in 2025. We're stoked as hell for this year and have plans to release more music this year than we have in the last 15 years in total."

Dedicated to touring and connecting with their listeners, Framing Hanley create music that hits the mark on multiple levels: thematically, emotionally and sonically. Never ones to suppress inspiration, wherever and whenever it may strike, this is a four-piece that has grown alongside their fanbase, always ready and willing to dip their toes into something new.

Catching them on the road has just been made more tangible, as the band will be hitting the pavement soon, ready to unleash their dynamic tunes onto fans new and old alike on "The Flowers Tour," starting this April. For fans of bands that masterfully fuse genres together like Breaking Benjamin, Rain City Drive, and I Prevail, Framing Hanley are happy to shake up the scene.

FRAMING HANLEY ON TOUR:
WITH MAKEOUT + ROOKIE OF THE YEAR:
4/17 – Tampa, FL – Orpheum
4/18 – Panama City, FL – The Dive
4/19 – New Orleans, LA – Southport Music Hall
4/22 – Austin, TX – Come And Take It Live
4/23 – Houston, TX – Scout Bar
4/24 – Dallas, TX – Trees
4/26 – Oklahoma City, OK – 89th Street
4/29 – St. Louis, MO – Red Flag
5/1 – Denver, CO – HQ
5/2 – Lincoln, NE – 1867 Bar
5/4 – Madison, WI – Annex
5/10 – Columbus, OH – Sonic Temple*
Festival

Tickets for the tour went on sale Friday, February 21 at 10am CT.

Miranda Lambert Embraces the Wild West in Official Music Video for "Run"

Dubbed by NPR as “the backbone of contemporary Country music,” Miranda Lambert expands her celebrated Postcards from Texas  musical chapter with an official music video for upcoming single “Run,” impacting at Country radio this coming Monday, Feb. 24. Embracing the sense of freedom and the three-time GRAMMY Award-winner’s fiercely independent spirit on display in the song’s lyrics, the video directed by Kate Rentz is out now. Watch Below.
 
Pulled from the archives for her latest critically acclaimed album, the solo-penned song written around the time of The Weight of These Wings found its rightful home on Postcards from Texas, with MusicRow declaring, “The thrilling, pumping production sets your pulse racing. The lyric of regret, deception and escape grabs your ear. Her voice, as always, rules your heart. An artist at the top of her game with a mini masterpiece.” Billboard also praises “Run” as “the singer-songwriter at her best…Heartfelt and heart-wrenching, she sings of regret while accepting wildflower ways,” while American Songwriter highlights it as the album’s “most vulnerable moment.”

“I wasn’t ever ready to perform it until now,” Lambert shared of the anthem with Kelleigh Bannen on “Today’s Country Radio.” “That’s what songs are for, and you may not be ready at that one time to sing about something really raw… but then it can come back around,” adding that the song is “an admission of human error too…It’s an apology, but it’s also a resolve.”
 
Filmed at Don Donnelly’s D Spur Ranch & Riding Stables in Gold Canyon, Ariz., the striking desert visuals bring the vulnerable song to life with Lambert surrounded by mirrors, wildflowers and horses—including her own horse, Cool, who joined Lambert’s stable in 2024 as she embraced a new hobby of mounted shooting.
 
“There is always a sense of freedom when you’re on the back of a horse with the wind in your hair, so it felt really significant to have Cool with me in this video,” reflects Lambert. “I love horses because they’re a way to run to something – or away if you need to. I started riding when I turned 30 and wanted to try more things that scared me. Now horses are such a passion of mine and mounted shooting is a brand-new way to push myself and to chase that feeling of being bravely true to yourself, which is exactly what this song is about.”
 
“Run” follows “Wranglers” as the second single off Postcards from Texas, which arrived in September and continued her unbroken streak of 10 consecutive Top 10s on the Billboard Top Country Albums chart. Lambert is also set to join Morgan Wallen for several stadium dates of the upcoming I’m The Problem Tour, plus headlining sets at festivals and one-off dates this including Two Step Inn, Country Stampede, Lakefront Music Fest, Field & Stream Music Fest and more.

Photo Credit Cooper Norland; Courtesy of Republic Records

About Miranda Lambert
Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multi-faceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. Her 10th solo studio album, Postcards from Texas, available everywhere now via Republic Records, continued her unbroken streak of 10 consecutive Top 10s on the Top Country Albums chart. The most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, she has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York TimesTIMERolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”
 
A multi-dimensional superstar, she’s earned seven No. 1 solo albums, 10 No. 1 hit radio singles, more than 80 prestigious awards and countless RIAA certifications; conquered Las Vegas with her twice-extended Velvet Rodeo residency; blurred genres with Leon Bridges, the B-52s, Loretta Lynn, Enrique Iglesias, Sheryl Crow and Elle King; and delivered her LGBTQ+ inclusive anthem “Y’all Means All” for Netflix’s “Queer Eye.” She’s taken those standards to become a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection exclusive to Walmart and her Idyllwind clothing and boot line at Boot Barn. Her passion for rescue animals inspired the creation of her MuttNation Foundation, which has raised over $10 million since inception to promote adoption, support shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
 
MirandaLambert.com | Facebook | Twitter/X | Instagram | TikTok | YouTube

46 years since emerging, Liverpool's The Room shares 'Nemesis' from post-punk folklore album 'The Telling'

Liverpool post-punk pioneers The Room are back with 'Nemesis', the potent second single from their latest album 'The Telling', presenting their trademark blend of progressive, alternative pop and sultry post-punk. As with the lead track 'The Teller', the accompanying video was produced by Mark Jordan. A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics alike.

Firm favourites of the late great John Peel, The Room formed in 1979 in the golden years of northern English post-punk. In 2023, they re-formed after a lengthy hiatus, releasing their critically acclaimed 'Restless Fate' album, their first release in 38 years. Their melodic blend of progressive, alternative pop and sultry post-punk is as fresh and relevant now as when they disbanded in 1985.

Formed by singer Dave Jackson and bassist Becky Stringer, they are joined by original drummer Clive Thomas, along with guitarist Darren Brown, keyboardist Ethan Kyme, and the haunting backing vocals of Helena Jacks. 

'Nemesis' is from the midpoint of 'The Telling' story. Rusalka, the shape shifter, trapped in her aquatic human form returns to wreak vengeance on the priest and those others who murdered her lover. The village is haunted by evil dreams and deaths by drowning until they sacrifice their priest to the river. The song features bassist Becky Stringer on clarinet for the first time and her son Ethan on piano.

Consisting of 11 songs, the album shares a continuous narrative through all the following songs over a blend of post-punk music, like a sort of aural folk-horror feature film. Set in a mythical 17th-century European forest, 'The Telling' follows a traveling storyteller, who mesmerizes an isolated village with macabre tales of wonder, mystery and the supernatural - of shapeshifters, wolves and ravens... of a love affair between Baba Yaga's adopted daughter and Grendel's long-lived brother, and some witch-finders who come under their hammer.

'The Telling' was inspired by frontman-songwriter Dave Jackson’s interest in folklore and myths, and a visit to a cuckoo clock museum in the Black Forest, where he learned about the traveling clock sellers and storytellers, who used to move between villages. Conveyed through his spirited yet acerbic vocals, the album was conceived as an aural movie for an as-yet unfinished screenplay, unfolding as individual self-contained songs like chapters in a complete narrative, there are no lyrical choruses or repeated themes. The album comes with a full lyric sheet, influenced by the layout of the Guttenberg Bible. 

Recorded and mixed at Ark Studios in Liverpool and released via 9x9 Records, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"Situated in a 17th Century European forest, a traveller arrives at a remote village offering to tell a story of "dark love and what came after" in return for a bed for the night. After some resistance from the butcher and the baker, he begins a tale about a young man from a similar village who falls for a strange woman in the forest, but discovers she can shape-shift into a raven or a wolf," says Dave Jackson.

​"Rusalka the shape-shifter, assumed dead after the Priest, the jilted bride's brothers and fellow villagers burnt her lake hut and hanged her lover, returns for vengeance on her tormenters, now fixed in her aquatic human shape. This song takes place at the end of side one of the vinyl album and begins a sequence where Rusalka and her future lover begin to Hammer the Witchfinders, who plague Northern Europe at this time."

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984). Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

'Nemesis' is out digitally on February 19. 'The Telling' is out now, available on CD (jewel case with 12-page booklet) or on black vinyl (with a 4-page lyric Insert). It is also available on Spotify, Apple Music, Bandcamp and elsewhere.

CREDITS
All songs written by The Room
Dave Jackson - vocals
Becky Stringer - bass & clarinet
Darren Brown - guitars
Ethan Kyme - keyboards
Clive Thomas - drums
Helena Jacks - backing vocals
Cover design by Ian Clark
AI album images by Dave Jackson
Produced by Dave Jackson and Steve Powell
Recorded and mixed by Steve Powell at Ark Studios Liverpool
Mastered by Chris Daniels
Videos by Mark Jordan
Band photos by Richard Duffy-Howard
Publicity by Shameless Promotion PR

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Rotting Christ Release New Live Video

ROTTING CHRIST have stood the test of time. Over the past 35 years, Sakis Tolis, his brother Themis and their brothers-in-arms have risen from Greece's blackened catacombs to become one of metal's most formidably reliable forces.

Backed by a legacy that has both defined and defied black metal, last year, the Greek legends carved out a new set of dark, melodic scriptures with fresh rebellion on the unbreakable Pro Xristou

"...this is the most arena-worthy Rotting Christ have been in some time", No Clean Singing wrote about their latest album.  

Now, as they continue to tour the world, Rotting Christ are celebrating 35 years of evil existence with a new live album. This two-hour set was recorded at the Lycabettus Hill Theater in the band's hometown of Athens. Like a Greek pantheon, it spans the band's entire career, from early evil classics to the pillars of their Hellenic legacy, including "Δαιμόνων Βρώσης (Demonon Vrosis)", the horns-raising anthem from the bloody and triumphant Aealo

Watch Rotting Christ perform "Δαιμόνων Βρώσης (Demonon Vrosis)" Live in Lycabettus below.

35 Years of Evil Existence - Live in Lycabettus comes out April 4th on Season of Mist.
 

Pre-order & Pre-save 
https://orcd.co/rottingchristliveinlycabettus
 

The formidable bond between brothers Sakis and Themic Tolis is not only felt across their mighty discography but also live and in the flesh. Having played more than a hundred shows all across the world in 2024, Rotting Christ continue to keep the true metal spirit alive time and time again.    

Earlier this week, Rotting Christ finished touring Brazil, but the band aren't done hitting the road. This weekend, they're performing "Like Father, Like Son" and other instant classics from Pro Xristou for the very first time in Columbia and Mexico.

“Dear brothers and sisters”, Rotting Christ write to their Latin American legion. “We are proud to return to your land for a special setlist just for you to celebrate our 35 years as a band. Keep the true Metal Spirit alive!”.

Get tickets: https://www.rotting-christ.com/en/tour

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

MANY EYES Shares New Music Video for "Speechless," Kicking Off North American Tour Next Week

ORDER 'THE LIGHT AGE' HERE

Emerging metallic hardcore outfit MANY EYES is now debuting the official music video for the song, "Speechless," which was filmed on day off during the band's recent North American tour at Mahall's Lanes in Lakewood, OH. The video can be found below.

“'Speechless' was the first song I ever demoed for Many Eyes," explains Buckley. "It set a standard for us that we still aspire towards when writing even to this day-make it heavy, make it good, make it cool.”

"Speechless" is taken from the band's debut full-length, 'The Light Age,' which was released in September 2024 via Perseverance Media Group! The album can be found HERE.

Many Eyes began in the winter of 2022 when Keith Buckley (Ex-Every Time I Die, The Damned Things) connected with brothers Nick (Producer/ Owner of Dexter's Lab Recording) and Charlie Bellmore (Corpsegrinder/ Toxic Holocaust) through their mutual friend, Jamey Jasta, frontman for metal legends Hatebreed. 'The Light Age' was written and recorded over a few weeks in both Buffalo, NY, and Milford, CT, where the members reside. 

Many Eyes is currently working on their second album. 

MANY EYES is about to embark on its third U.S. tour, supporting THE AMITY AFFLICTIONalongside HAIL THE SUN. Recently, they supported the legendary SUM 41 on their final tour, stoner rock stalwarts CLUTCH, and post-hardcore icons, THURSDAY. Their ability to engage an array of audiences shows a prowess in crossing genres. With Alan Hague now on guitar and Sean Vallie on bass, alongside Nick Bellmore’s powerful drumming and Keith Buckley’s commanding vocals, the band remains focused on pushing forward and exploring new creative horizons.

MANY EYES will hit the road next week on February 27 in Phoenix, AZ. The band has now added several headlining shows to the itinerary, which can be found below while tickets will be available HERE.

GET TICKETS HERE

MANY EYES Tour Dates

(Supporting THE AMITY AFFLICTION + HAIL THE SUN w/ SOLENCE):

02/27: Phoenix, AZ @ Rebel Lounge** [JUST ADDED]

02/28: San Diego, CA @ Soma

03/01: Fresno, CA @ Tioga Brewery

03/02: Flagstaff, AZ @ Orpheum Theater

03/03: Albuquerque, NM @ Sunshine Theater

03/05: Oklahoma City, OK @ Diamond Ballroom

03/06: Memphis, TN @ Graceland Live

03/07: New Orleans, LA @ House Of Blues

03/08: Pensacola, FL @ Vinyl Music Hall

03/09: Birmingham, AL @ Iron City

03/11: Raleigh, NC @ The Ritz

03/12: Norfolk, VA @ The NorVa

03/13: Myrtle Beach, SC @ House Of Blues

03/14: Asheville, NC @ The Orange Peel

03/15: Lexington, KY @ Manchester Music Hall

03/17: Omaha, NE @ The Admiral Theater

03/19: Billings, MT @ Pub Station

03/21: Boise, ID @ Knitting Factory

03/22: Spokane, WA @ Knitting Factory

03/23: Portland, OR @ Crystal Ballroom

03/25: Reno, NV @ Virginia Street Brewhouse

03/26: Chico, CA @ Senator Theatre

03/28: Las Vegas, NV @ Berlin Bar** [JUST ADDED]

03/30: Denver, CO @ Marquis Theater** [JUST ADDED]

**Headlining Date, No Amity Affliction

Live Lineup:

Vocals - Keith Buckley

Drums - Nick Bellmore

Bass - Sean Vallie

Guitar - Alan Hague

Recording Lineup:

Vocals/ Lyrics/ Songwriter - Keith Buckley

Producer/ Songwriter/ Guitar/ Drums/ Bass - Nick Bellmore

Guitar/ Songwriter/ Bass/ Keys - Charlie Bellmore

Recorded and mixed by Nick Bellmore at Dexters Lab Recording in Milford, CT

Assistant Engineer William Hayes

Mastered by Randy Merrill at Sterling Sound

Additional vocals recorded by Anthony Potenza

All songs written by Keith Buckley, Nick Bellmore and Charlie Bellmore.

Art Direction & Design by Nick Steinhardt & Ryan Sanders for 23in

Produced by Nick Bellmore

Executive Producer Jamey Jasta

Orders: https://dthw.sh/thelightage

Links:

Official Website

Facebook

X

Instagram

YouTube

Apple Music

Spotify

Progressive Super Metallers IMMINENT SONIC DESTRUCTION Announce New Album 'Floodgate' Out April 25th

Progressive super metallers IMMINENT SONIC DESTRUCTION are excited to announce their upcoming album 'Floodgate', releasing on April 25th. To celebrate the announcement, ISD has released the first single from the record titled "Memento Mori", accompanied by a lyric video available to view below.

About the single, guitarist/vocalist Tony Piccoli comments:

“As soon as we finished writing this song, we knew we had something special. This music paired with Pete’s lyrics, I think we have something powerful to offer the prog-metal community and beyond. Friends of mine have said it’s one of my best guitar solos to date, and I think they’re high. Anyway, thank you for checking it out!” 

Pete Hopersberger adds:

"My dad used to say, 'No one gets out alive,' and I hear it in my head whenever I think of him. My family is Catholic, and there’s a practice in our faith called Memento Mori (Latin for remember that you must die), which encourages us to contemplate the last 4 things: death, judgment, heaven, and hell. In doing so, we remind ourselves to live each day as if we’re going to meet God and to prepare our soul for that. It’s a tall task, and I know I fail regularly, but we only get better when we aim high."



Watch the Lyric Video for "Memento Mori" below:

IMMINENT SONIC DESTRUCTION (ISD), hailing from Metro Detroit, have carved out their niche in the metal world with their signature Progressive Super Metal sound. Since their debut album 'Recurring Themes' (2012), produced by Roy Z, the band has toured with the likes of Pain of Salvation, Kingcrow, Fates Warning, and Circus Maximus, steadily building their reputation.

After their critically acclaimed concept album 'Triumphia' and their emotional third release 'The Sun Will Always Set', ISD are set to return in 2025 with their fourth album, 'Floodgate', once again produced by Nick Hagen. 'Floodgate' promises a dynamic mix of concise, heavy, and epic tracks, rich with vocal harmonies and standout performances from every member. This album pushes the band’s progressive metal songwriting even further, marking another milestone in their evolution.

About the album, Piccoli states:

"'Floodgate' is the idea that after a significant event in life, artists and musicians alike tend to open up the floodgate of creativity and let it all out. This album is a celebration of that floodgate opening up. We’re super proud of this one, and we hope you’ll enjoy the different paths this album will take you.” 

Pre-Order 'Floodgate' HERE

IMMINENT SONIC DESTRUCTION are:

Pat DeLeon - Drums

Pete Hopersberger - Keyboards, Vocals

Bryan Paxton - Bass, Vocals

Tony Piccoli - Guitars, Vocals

Scott David Thompson - Guitars, Vocals

TRIBULATION Announces North American Headlining Tour, Co-headlining w/ UNTO OTHERS for First Leg

STREAM // ORDER // DOWNLOAD

Swedish gothic metal maestros TRIBULATION will be casting their spell on North America this spring! The band will embark on a full tour of the continent this May, for which they will first co-headline from May 1 through May 12 with UNTO OTHERS. Then, TRIBULATION will headline the second leg from May 14 until the final stop on May 25, in which they will be joined by EARLY MOODS as support.FINAL GASP + UNREQVITED will support the entire run.

The full itinerary can be found below! Tickets will be made available on February 21 @ 10:00 A.M. local time at THIS LOCATION.

ICYMI: TRIBULATION recently unveiled a cinematic music video for the haunting single, "Murder in Red," which pays homage to vintage Italian horror cinema. The video was created by Brandon McGowan with additional footage from Damón Zurawski and can be found below.

The track is taken from TRIBULATION's latest full-length, 'Sub Rosa in Æternum,' which was released on November 1, 2024 via Century Media Records, which was named among the best records of 2024 by Decibel Magazine (#5), A&P Reacts (#4), Invisible Oranges (#3), Heavy Music HQ (#23) + more!

The offering follows up the band's award-winning 2021 album, 'Where the Gloom Becomes Sound.' On 'Sub Rosa in Æternum,' Tribulation conjure new beast: Part psychological horror of Italian cinema, part gaunt British goth, and part Art Deco opulence, 'Sub Rosa In Æternum' is a blazing torch upon a cloudy, skeleton sky. Orders can be found HERE.

GET TICKETS HERE

TRIBULATION North American Tour Dates:

Co-headlining with UNTO OTHERS, with support from FINAL GASP + UNREQVITED):

05/01: Chicago, IL @ Reggies

05/02: Kansas City, MO @ Record Bar

05/03: Denver, CO @ Bluebird

05/04: Salt Lake City, UT @ Urban Lounge

05/06: Seattle, WA @ El Corazon

05/07: Portland, OR @ Star Theater

05/09: San Francisco, CA @ DNA Lounge

05/10: Los Angeles, CA @ The Regent

05/11: San Diego, CA @ Brick By Brick

05/12: Phoenix, AZ @ The Rebel Lounge

---

Headlining w/ direct support from EARLY MODS + FINAL GASP, support from UNREQVITED)

05/14: Austin, TX @ Come and Take It Live

05/15: Ft. Worth, TX @ The Rail^

05/16: New Orleans, LA @ Southport Hall^

05/17: Atlanta, GA @ The Masquerade (Hell)^

05/18: Raleigh, NC @ Chapel of Bones^

05/20: Gastonia, NC @ The Rooster^

05/21: Baltimore, MD @ Maryland Deathfest

05/22: Pittsburgh, PA @ Preserving

05/23: Brooklyn, NY @ Meadows

05/24: Montreal, QC @ Foufounes

05/25: Toronto, ON @ Lees Palace

CROWNSHIFT - Release Hard-Hitting Metal Cover Of Alannah Myles' Smash Hit 'Black Velvet'

Following up on their highly acclaimed self-titled debut album from 2024, modern metal supergroup CROWNSHIFT has unleashed a hard-hitting metal cover of Alannah Myles' smash hit 'Black Velvet' from 1989. The original, which is undoubtedly one of the biggest pop hits of the late 80s, has been given an exciting contemporary facelift by the Finns, who effortlessly updated the song with their signature sound and made it their own.

The band that's currently one of Finland's hottest new rock music exports has received a lot of praise for their debut album and their superb crossover of modern metal, melodic death metal and progressive metal has instantly excited fans and critics all over the globe. 

In just a week from now, CROWNSHIFT will embark on an extensive European tour with heavy metal legend DIRKSCHNEIDER and ALL FOR METAL Scroll down for all confirmed dates.

STREAM CROWNSHIFT'S 'BLACK VELVET' COVER:
https://crownshift.bfan.link/black-velvet

PURCHASE / REVISIT CROWNSHIFT'S DEBUT ALBUM: 
https://crownshift.bfan.link/cslp

Born as the long-time idea of four friends, CROWNSHIFT are a new high-standing crossover metal act from Finland. The members, who come from the ranks of Finland’s finest metal exports, are thrilled to start a new journey together and spread their authentic sonic print across the globe.

Seamlessly covering a diversity of styles, the quartet has a unique signature to their modern sound. Hypnotizing melodies paired with ripping riffs, from moody mid-tempo songs to fierce prog-death-metal opuses, CROWNSHIFT were born to be a master of all trades.

Their highly acclaimed self-titled debut album consists of eight contemporary melodic death metal anthems with a progressive edge and captivating choruses for the ages. CROWNSHIFT's members are or have been involved in some of Finland's most renowned and universally beloved metal bands, including NIGHTWISH, CHILDREN OF BODOM, WINTERSUN, and MYGRAIN, and it shows. On their first album, CROWNSHIFT have managed to combine their collective experiences and have crafted a modern metal masterpiece that sounds distinctively Finnish and offers stellar songwriting and excellent production. 

CROWNSHIFT IS:
Tommy Tuovinen: Vocals 
Daniel Freyberg: Guitar, Backing Vocals 
Jukka Koskinen: Bass 
Heikki Saari: Drums 

CROWNSHIFT online:
https://linktr.ee/crownshiftofficial 
https://www.facebook.com/crownshiftofficial
https://www.instagram.com/crownshiftofficial
https://www.tiktok.com/@crownshiftofficial 
YouTube

Memphis May Fire Share "The Other Side" Video

MEMPHIS MAY FIRE  Matty Mullins (vocals), Kellen McGregor (guitar), Cory Elder (bass), and Jake Garland (drums) will release SHAPESHIFTER on March 28 via longtime label Rise Records. Pre-order it here. The album is already receiving critical acclaim and recognition from SPIN, New Noise, Idobi, and more.

They have just shared the video for their latest barn burner "The Other Side."

Watch it below
 

"'The Other Side' is about resilience in the face of despair," shares Mullins. "It's for anyone who's ever felt trapped in their own pain, unsure if they'll ever break through. But there's always something beyond the darkness, another side to the pain, a breakthrough waiting to happen. This song is a reminder that even in our lowest moments, we're not alone, and the light is closer than we think."

MMF will embark on a headline tour for Spring 2025, with support from Caskets, Wind Walkers, and Elijah. The tour kicks off April 16 in Little Rock and runs through May 17 in Atlanta. It includes appearances at several key spring festivals, such as Sonic Temple and Welcome to Rockville. All dates are below. Get tickets here

MEMPHIS MAY FIRE ON TOUR:
WITH CASKETS, WIND WALKERS, + ELIJAH:

4/16 — Little Rock, AR — The Hall
4/17 — Dallas, TX — Southside Music Hall
4/18 — Houston, TX — Warehouse Live
4/19 — San Antoni, TX — Vibes
4/21 — Mesa, AZ — Nile Theater
4/22 — Los Angeles, CA — The Belasco
4/23 — San Diego, CA — Observatory SD
4/24 — Rosefield, CA — Goldfields
4/27 — Portland, OR — Hawthorne Theatre
4/29 — Billings, MT — Pub Station
4/30 — Salt Lake City, UT — The Complex
5/1 — Dener, CO — Summit
5/3 — Columbia, MO — The Blue Note
5/4 — Minneapolis, MN — Varsity Theater
5/5 — Joliet, IL — The Forge
5/6 — Grand Rapids, MI — Elevation
5/8 — Columbus, OH — Sonic Temple*
5/9 — Brooklyn, NY — Brooklyn Monarch
5/10 — Worcester, MA — Palladium
5/11 — Philadelphia, PA — Union Transfer
5/13 — Baltimore, MD — Soundstage
5/14 — Charlotte, NC — The Underground 
5/15 — Nashville, TN — Brooklyn Bowl
5/17 — Atlanta, GA — Center Stage
5/18 — Daytona, FL — Welcome to Rockville*
*Festival Date

Wrath of Logarius Enter the Void on New Single

Much like their Bloodborne namesake, Wrath of Logarius are impossible to predict. But no matter what skeletal form they assume, their upcoming debut album, Crown of Mortis, pronounces them as the unflinching kings of black metal's formless new realm.

Watch the mind-melding playthrough for new single "Of the Void" below.

Crown of Mortis comes out April 4 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/wrathoflogariuscrownofmortis

Can't wait to hear Crown of Mortis? RSVP for Wrath of Logarius' upcoming Bandcamp Listening Party and hear their debut album two weeks before it comes out. 

Wrath of Logarius Crown of Mortis Bandcamp Listening Party
March 12 @ 7 pm Pacific Time

RSVP
https://wrathoflogarius.bandcamp.com/live/crown-of-mortis-listening-party

After emerging from the misty forests of Northern California four years ago, Wrath of Logarius spread through the world of underground metal like a bloodborne virus. "...a ferocious display of intent which signifies the band's potential to become a powerhouse", New Noise wrote about the band's burning introduction.

Many hunters would've reaped their rewards while resting their bones, but Crown of Mortis only builds on the band's growing lore. The album's first single summoned all the bloody runes from the band's formless spellbook. Now armed with newly minted Strega guitars, Wrath of Logarius cycle through the many moonlit phases of black metal on "Of the Void".

New bassist Xolotl opens the icy procession with dissonant bass chugs, as if marching toward death. Like a howling wind, Vastator whips across a darkened stretch of classic tremolo picking, only to climb like mist through a solo that drips with despair.     

"Open the gates and let revision in", Noctifier screams before being engulfed by the blistering flames from Lord Marco's blast beats. "Slowly dismantle every part of you". 

On "Of the Void", Wrath of Logarius usher black metal into a boundless new realm.   

For this playthrough, Wrath of Logarius used Strega Master Elite series Lamia 7s loaded with custom Arcana Glaive Pickups. 

On Crown of Mortis, Wrath of Logarius bend black metal to fit their formless rule.   

Line-up
Noctifer - Vocals
Urath - Lead Guitar
Vastador - Guitar
Lord Marco - Drums
 
Recording Studio
Rapture Recordings, Hayward, CA, USA
 
Production Credits
Produced, Engineered, Mixed & Mastered by Cody Fuentes at Rapture Recordings Studio

Cover Art
Sant V. Schreiber
 
Pre-save & Pre-order
https://orcd.co/wrathoflogariuscrownofmortis


Booking Contact:
martyr.urath@gmail.com
 
Follow Wrath of Logarius
Bandcamp: https://wrathoflogarius.bandcamp.com/
Instagram: https://www.instagram.com/wrath_of_logarius/
Apple Music: https://music.apple.com/artist/wrath-of-logarius/1712706210
Spotify: https://open.spotify.com/artist/0CHi92LvwVayTacWx3nsfa
 
Available Formats:
Digital Download
CD Digipack
12" Colored Vinyl Gatefold - Ichorous Red (Red and Black Marbled)

STAN LYNCH (Tom Petty and the Heartbreakers) Announces Formation of THE SPEAKER WARS + Debut Music Video

STAN LYNCH, Rock and Roll Hall of Famer, long-time drummer and founding member of Tom Petty and the Heartbreakers, announces today the formation of THE SPEAKER WARS. After two decades of recording and touring multiple albums with The Heartbreakers, STAN moved to the other side of the recording console and shifted his focus to production and songwriting. Over the years, STAN has written and produced hits for artists in multiple genres, including the Eagles, Don Henley, Tim McGraw, The Mavericks, Ringo Starr, The Byrds, Toto, and The Fabulous Thunderbirds.

Watch the Debut Music Video for “You Make Every Lie Come True” below:

While writing in Nashville, a publisher introduced STAN to Texas singer-songwriter, Jon Christopher Davis, who was gathering material for a solo record on a major label. After accumulating an album’s worth of songs, Jon abandoned working on a solo record and the two decided to start a band to perform the newly created material. Adding Jay Michael Smith on guitar, Brian Patterson on bass, Steve Ritter on percussion, and Jay Brown on keyboards, THE SPEAKER WARS was born.

The band then headed into 5M Studios in Denton, TX, with co-producer Mike Pisterzi, and produced a full-length album. Upon hearing the material, Frontiers Records immediately signed the band, and their debut album is scheduled for release on May 30th.

STAN LYNCH says:

"After my 20-year tenure with the Heartbreakers, I got a second act writing and producing. It was educational beyond measure to learn how to create music from the other side of the glass. Around this time, I met Jon Christopher Davis in Nashville who casually mentioned that we should start a band –– so here I am –– in THE SPEAKER WARS and it's good to have my old job back. The guys in our new band know how to make great music, and I'm looking forward to another round.”

Pre-Order 'The Speaker Wars' HERE

THE SPEAKER WARS are:

Stan Lynch - Drums

Jon Christopher Davis - Vocals

Jay Michael Smith - Guitar

Brian Patterson - Bass

Steve Ritter - Percussion

Jay Brown - Keyboard

Movements Share New Song "Where I Lay" — LISTEN // Tour Kicks Off 3/1

MOVEMENTS are delighted to share the brand new song "WHERE I LAY."

Watch and listen via the visualizer below.

The song boasts Movements' signature push and pull guitar tension, but there is a level of stunning refinement of the band's sonic hallmarks. It also finds the band exploring some territory it had stepped away from in the songwriting process.

"'Where I Lay' is one of those songs that was tough for me to write," says vocalist Patrick Miranda. "Lyrically, it's really emotionally vulnerable and it had me revisiting places with my writing that I hadn't explored in a while. It's for anyone else out there who feels like they've never quite fit right in the world. This one is for the outcasts."

Regarding the single's striking, black and white artwork and its overarching connective tissue with the previously released Movements song "Afraid To Die," Miranda states, "It's a behind-the-scenes film photo that I took at the 'Afraid To Die' music video shoot!"

He furthers, "The idea is that 'Afraid To Die' and 'Where I Lay' are living in the same world thematically — and, in some ways, are extensions of one another. In 'Afraid To Die,' I'm being chased by masked figures. In 'Where I Lay,' the masked figure is going to be me. Since 'Where I Lay' is about feeling like you don't belong; it's almost this idea that the reason I was being chased in 'Afraid To Die' is because I never really was supposed to be part of the group of masked figures to begin with. It's like you're wearing a mask to try to blend in, but in the end, it's pointless... because one way or another, you'll be found out."

In other Movements news, the band will embark on their 2025 North American Tour, joined by special guests Citizen, Scowl, and Downward. Produced by Live Nation, the 24-city tour kicks off on March 1 at Marquee Theatre in Tempe, AZ making stops across North America in Atlanta, Toronto, Brooklyn, Detroit, Chicago, and more, before wrapping up in Los Angeles at The Torch at the LA Coliseum on April 6.

MOVEMENTS 2025 TOUR DATES:
3/1 — Tempe, AZ — Marquee Theatre
3/3 — Austin, TX — Stubb’s Waller Creek Amphitheater
3/4 — Houston, TX — House of Blues Houston 
3/5 — Dallas, TX — South Side Ballroom 
3/7 — Nashville, TN — Marathon Music Works
3/8 — Atlanta, GA — Coca-Cola Roxy 
3/9 — Lake Buena Vista, FL — House of Blues Orlando 
3/11 — Charlotte, NC — The Fillmore Charlotte 
3/13 — Boston, MA — MGM Music Hall at Fenway
3/14 — Brooklyn, NY — Brooklyn Paramount 
3/15 — Philadelphia, PA — The Fillmore Philadelphia
3/18 — Silver Spring, MD — The Fillmore Silver Spring 
3/20 — Toronto, ON — HISTORY 
3/21 — Detroit, MI — The Fillmore Detroit 
3/22 — Chicago, IL — Byline Bank Aragon Ballroom 
3/24 — Indianapolis, IN — Egyptian Room at Old National Centre
3/25 — St. Louis, MO — The Pageant 
3/27 — Denver, CO — Fillmore Auditorium
3/29 — Salt Lake City, UT — The Complex
3/31 — Seattle, WA — Paramount Theatre
4/1 — Portland, OR — Roseland Theater
4/3 — Wheatland, CA — Hard Rock Live Sacramento
4/4 — San Francisco, CA — The Masonic 
4/6 — Los Angeles, CA — The Torch at the LA Coliseum 

ABOUT MOVEMENTS:
It's been a whirlwind few years for Movements as evidenced by the fact that band's 2020 albumNo Good Left to Givedebuted at #3 on the Alternative chart and their streams have doubled since then with 478 million total streams in the U.S. alone. However, despite their success, the Southern Californian act have constantly reinvented themselves since forming in 2015 and the band's third full-lengthRUCKUS!sees the post-hardcore quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Circa Survive, Code Orange), the album fuses post-hardcore and punk influences with a healthy dose of pop songcraft to create an album that defies scene conventions in favor of something wholly unique. In order to accomplish this, the band made three extended trips to Yip's Studio 4 in Conshohocken, Pennsylvania, to write and record the collection of songs that would end up asRUCKUS! "I truly don't believe that it could have been a more streamlined process and I don't think we've ever written music that's as good as what we put together for this record," Miranda explains.RUCKUS!sees the band integrating decidedly different influences such as Gorillaz and Strokes into their sound to challenge people's preconceptions.

Manchester electro pop artist Richard Evans shares 'Aidoru' single, previewing new album

Manchester-based electro pop artist Richard Evans is back with his new single. 'Aidoru', released via Cold Star Media, is named for the Japanese word meaning "idol". The song's lyrics explore the status of a virtual pop idol designed only to please its audience as it sings of love with no understanding of what the word means.

A British-Irish electronic musician, writer and digital media artist, Evans' foray into the music scene includes time as the keyboardist in UK cult band James, with whom he also co-wrote and recorded material, and as guitarist and songwriter for St. Vitus Dancers.

'Aidoru' previews Evans' new 'Quantum' album, released in stereo, binaural and spatial audio mixes, created by award-winning Swiss sound designer Hervé Girardin. Recorded at Cold Star Studios, this nine-track collection itself is themed around artificial intelligence -  probing its impact upon us,  how algorithms are changing us and questioning what responsibility we bear for the things we create.

"This song is one of the first written for the new album and marks a change in my writing process, being originated on just piano and vocals rather than devised within studio software. I specifically wanted a bright, hi-energy track to match the commerciality of the virtual idol concept. The lyrics reflect a creation that is designed for just one purpose - to serve its listeners," says Richard Evans.

Last year, Evans released his 'Dream of the World' EP, composed and recorded in the aftermath of a life-threatening illness. In 2022, Evans was struck with Miller Fisher Syndrome, a rare auto-immune disorder that threatened to rob him of his ability to speak, sing, and play music. Yet, against all odds, he emerged victorious, relearning everything from scratch -  a testament to his unwavering determination and a celebration of his triumph over adversity.

Richard Evans' draws inspiration from real-world science, exploring biotechnology, machine intelligence and the environment. For this album, existing songs were refined and new material was written, combining the warmth of classic synths with pared-down lyrics that explore real-world subject matter.

His 2022 debut record 'Sentinel' is an electro-pop concept album that touches on micro-plastics, gene editing, stardust, technogenic disasters and human evolution, telling the story of humanity at a tipping point and a world trapped in a climate crisis. Both 'Sentinel' and 'Dream of the World' were met with critical acclaim and global airplay.

He has performed live shows at festivals around the UK and at the end of 2023, a year on from the illness, he delivered his first large-scale outdoor production with visuals projected onto the exterior of a  venue during a performance. In 2024, Evans also received the Cultural Accelerator commission from Media Immersive Technology Innovation Hub to prototype a new live production featuring hologram-style projections, spatial audio and lighting effects.

Evans also wrote, directed and produced the science fiction drama 'AEON'. An author of many short stories, he also published the novel 'KOSMONAUT ZERO' (via Dead Ink), researched at Star City Cosmonaut Training Centre. He also oversaw the 'Gagarin 50' exhibition for the 50th anniversary of the first human spaceflight by Yuri Gagarin.

As of February 18, 'Aidoru' is available everywhere online, including SpotifyApple Music and directly from the artist via Bandcamp. The full 'Quantum' album will be released on April 25 via Cold Star Media.

CREDITS
Music, lyrics, vocals and programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Mastered by Digitalflesh Audio Mastering
Graphic design by Richard Evans
Released by Cold Star Media
Video filmed by Jason Lock & Jake Orton
Lighting: Tarrick Wilks
VJ: Joel Clements
With thanks to MITIH, Creative UK, AIX Live, BBC Audio R&D, Waterside Arts, FutureEverything and the University of Salford
Publicity by Shameless Promotion PR


Keep up with Richard Evans
Website | Bandcamp | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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GARAGE ROCK PIONEERS THE FIFTH ESTATE DROP "HOLD YOU CLOSER" SINGLE & VIDEO FROM UPCOMING ALBUM THEN AND NOW

A rock band out of a factory section of Stamford, CT by way of NYC. The Fifth Estate often played 5 or 6 hours a night, 6 nights a week, for months at a time. They rocked harder and heavier than most bands of the 60s. This did them no great service due to the AM Radio pop required of the day. So on a bet at a NYC party they jokingly did “Ding Dong The Witch is Dead”. It was a huge hit around the world. This and 3 other hits moved them on to huge concert around the country. Live they were ahead of things in the 60s and as Tomorrow Is My Turn could show you they already played what would become the thing in the 70s and again in the 90s and then and now again with bands like Oasis in the 2020s.

They stayed all these years doing what they do. Sometimes underground. Sometimes above ground. And now they will release a timeless album called THEN and NOW of all new tunes and a few covers. With the great guitar player and Grammy Winning producer Paul Nelson (Johnny Winter) on it, you can hear all that again. Starting with the first single “Hold You Closer”.

Watch video Below:

As Ken Evans states about the first single, “”Hold You Closer” is a rather beautifully heart felt tune about life and love when in the music business. May be understood by most musicians instantly and then soon by all. From Lover's Leap Bridge to the exhilarating real thing all in a day and night.” There are 15 songs in all with an amazing rendition of the classic “Great Balls of Fire”.

Pre-order you copy on CD or Vinyl: https://www.dekoentertainment.com/inthesquare/the-fifth-estate


For more information, visit
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

WEDNESDAY 13 Announces 10th Studio Album "Mid Death Crisis" + Drops Scandalous New Music Video

After returning in 2022 with his widely-acclaimed full-length album Horrifier (#8 US Top New Artist Albums), as well as several major tours supporting his solo work and celebrated Murderdolls reunion shows, world-renowned fearsome frontman WEDNESDAY 13 is back with another slew of harbingers of horror to slay the masses.

His new full-length album, Mid Death Crisis, is set to drop on April 25 via Napalm Records.

Watch the "When The Devil Commands" Music Video here.

The Duke of Spook himself dubs the album as a fun, campy, "leave-your-brain-at-the-door" rager and a true return to his hard-rocking roots! Produced by guitarist Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and mixed by Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver), the album oozes infectious '80s sleaze metal energy, further accented by a blitzing guest vocal from Faster Pussycat's Taime Downe.

WEDNESDAY 13 has unveiled the album's first single, the ultra-catchy "When The Devil Commands," and its equally raucous, blasphemous new music video. The track stuns with an unforgettable hook, charging arena rock-laden drum production and chugging guitars.

WEDNESDAY 13 comments, "Growing up in the '80s, I remember the satanic panic of heavy metal music and parents' concern over what their kids were listening to. My mother was constantly checking my cassettes and making sure I wasn't possessed by the devil. Most of the music that I listened to never had any of those themes, but they were just accused of it. So when writing the lyrics to this song, I wrote what I thought would terrify my mother if she had stumbled upon this music. I wanted the lyrics to be upfront and leave no question as to what they were about...The Devil. This song is done in a fun spirit, and we don't plan on burning any churches in the future."

Eerie introductory track "There's No Such Thing As Monsters" vibrates with electricity before industrial-tinged "Decease and Desist" kicks in full blast.WEDNESDAY 13's trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem, before tracks like "Rotting Away" and "Blood Storm" ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring Faster Pussycat's Taime Downe on guest vocals, standout heavy rocker "No Apologies" is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad "Decapitation" riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister '60s sock hop! Ragers like "In Misery," "Xanaxtasy" and "Sick and Violent" explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners "I Hurt You" and "My Funeral" approach a more pensive territory. 

Although its title, Mid Death Crisis, may suggest otherwise, the Duke of Spook shows zero signs of stopping on this refreshingly powerful and multi-faceted entry into the WEDNESDAY 13 hall of horrific history!

Pre-Order Mid Death Crisis here.

The North American "There's No Such Thing As Monsters" tour kicks off Friday, March 14 in Las Vegas, NV. The tour celebrates 20 years of Transylvania 90210and will include a "best of" Murderdolls set! 

See below for all tour dates, including the following UK/EU "Summer Blood Storm" headline run.

WEDNESDAY 13 ON TOUR:
WITH STITCHED UP HEART, DEAD RABBITS, + I YA TOYAH:
3/14—Las Vegas, NV—Count's Vamp'd
3/15—Los Angeles, CA—The Whisky
3/16—Berkeley, CA—Cornerstone
3/18—Portland, OR—Bossanova Ballroom
3/19—Seattle, WA—El Corazon
3/21—Roseville, CA—Goldfield Trading Post
3/22—Pomona, CA—Glass House
3/23—San Diego, CA—Brick By Brick
3/25—Mesa, AZ—The Nile Theater
3/26—Albuquerque, NM—Launch Pad
3/28—San Antonio, TX—Paper Tiger
3/29—Dallas, TX—Trees
3/30—Houston, TX—Warehouse Live
4/01—Birmingham, AL—Saturn
4/02—Knoxville, TN—Open Chord
4/04—Atlanta, GA—The Loft—Centerstage
4/05—Raleigh, NC—Chapel Of Bones
4/06—Greenville, SC—Radio Room
4/08—Baltimore, MD—Zen West
4/09—Leesburg, VA—Tally Ho
4/10—Sayreville, NJ—Starland Ballroom
4/12—Hampton Beach, NH—Wallys
4/13—Montreal, QC—Foufounes Electrique
4/15—Toronto, ON—Lee's Palace
4/16—Buffalo, NY—Rec Room
4/18—New York, NY—The Gramercy
4/19—Stroudsburg, PA—Sherman Theater
4/20—Lititz, PA—Mickey's Black Box
4/22—Pittsburgh, PA—Crafthouse
4/23—Cleveland, OH—Mercury
4/25—Columbus, OH—The Kings Of Clubs
4/26—Flint, MI—Machine Shop
4/27—Cadillac, MI—Venue Event Center
4/29—Joliet, IL—The Forge
4/30—Madison, WI—The Annex
5/2—Denver, CO—Oriental Theater
5/3—Colorado Springs, CO—Black Sheep

WEDNESDAY 13 IS:
Wednesday 13 — Lead Vocals + Guitar
Jack Tankersley — Guitar
Troy Doebbler — Bass
Mike Dupke — Drums
Ashes — Lead Guitar