Dorothy Returns! Singer Shares New Single "MUD"

July 20, 2024

The raven-haired rock star from Los Angeles, DOROTHY, has returned.

Riding in on a black horse, equipped with leather and signature red lip, the rock world will once again be schooled in the undeniable chemistry that is alive and well amongst metal and rock loyalists and country badasses. A musical outlaw through and through, Dorothy's new single is a display of raw, full-bodied vocal power complimented by heavy-hitting instrumentation and riffs galore.

The first taste of the new music from this Billboard-charting powerhouse is the explosive and unforgettable new single "MUD." The track was produced by Scott Stevens (Halestorm, Shinedown, Nothing More).

Listen here.

Pre-save it here.

Watch the visualizer below.

With "MUD," Dorothy isn't afraid to, well, get dirty. The song boasts a hearty mix of the blues-infused rock her previous albums have been known for, but adds a countrified twist, as can be offered up by only an artist of Dorothy's caliber.

"Our first single off this record is an amalgamation of hard rock, metal, and country tied together with a trap beat and spicy, heavily layered vocals. It was also my first time attempting a scream — proud of that," says Dorothy, whose music has been described as "hot-blooded rock 'n' roll" (Kerrang!); "a triumphant battle cry" (Riff); "firing on all cylinders" (Revolver); and "bold" (Loudwire).

On Thursday, Dorothy launched a new webstore with exclusive merch available for pre-order and shared the single audio, giving fans who signed up an exclusive first listen to the song the day before release. The new webstore is here.

The details of Dororthy's forthcoming fourth studio album will be announced in due course. Dorothy's discography thus far includes Gifts From the Holy Ghost(2022), which was inspired by a spiritual awakening, as well as ROCKISDEAD(2016), which inspired Roc Nation to sign the artist to the label, and 28 Days in the Valley (2018). The Budapest, Hungary-born stunner has enjoyed over 1 billion global streams combined across her career and has participated in high-profile collaborations with everyone from Staind to Slash of Guns N' Roses to Scott Stapp of Creed to Alice Cooper guitarist Nita Strauss, earning and ultimately cementing her place among the hard rock elite.

Pistols at Dawn Drop Video for New Single "Not Sorry"

July 20, 2024

Atlanta foursome PISTOLS AT DAWN — Adam Jaffe [drums], Will James [lead guitar], Gabriel Cuevas [bass], and Jon Sookdew Sing [lead vocals]— are entering their unapologetic era with their new single "Not Sorry."

Be forewarned, though! It's a banger with a hard rock and industrial-tinged edge, and dreamy vocals. It's an unexpected mix and it slays.

Watch the video below.

"Obsessed much?," the band states about the song's subject matter, with tongue planted firmly in cheek. "We all have crazy, toxic people in our past that try to manipulate and intimidate us. And the only way to deal with them is to unapologetically tell them that they are most definitely the problem." #TRUTH

As for the video, the band continues, "It encapsulates every relationship or moment in your life that have been abusive and corrosive to the soul. Dark themes are counterbalanced by the driving energy to overcome adversity. Poisonous elements and dark spaces represent the internal struggle and the focused intensity to become your own champion. It's an in-your-face lack of apology for moving forward and making your life your own."

Pistols At Dawn craft the kind of rock music that doesn't just reach the rafters; it breaks through the ceiling. Sky-high hooks stretch into the heavens, a powerful low-end rumbles without apology, and riffs roar at all the right moments. Thus far, the Atlanta band have emerged as a phenomenon. They've amassed nearly 10 million global streams and views, infiltrated the Billboard and Mediabase Top 40 Active Rock charts, earned acclaim from American Songwriter, Brave Words, and the Atlanta Journal Constitution, and embarked upon global tours alongside heavy-hitters such as Alter Bridge, Mammoth WVH, and Fozzy, to name a few. The quartet canvased the world throughout 2022 and 2023. Upon returning stateside, they opted to decamp to Los Angeles in order to assemble new material. Stayed tuned for more, because Pistols at Dawn are leveling up.

PISTOLS AT DAWN LIVE:
7/19 —Spartanburg, SC —The 720 Room (Tickets)
9/14 — Atlanta, GA — Smith's Olde Bar (Tickets)

alt. Share "Conversations That Hurt" Video

July 20, 2024

Adelaide five-piece alt. return today, armed with their first new music since 2023, unveiling the soaring new track "Conversations That Hurt," out now via Resist Records in Australia and SharpTone Records for the rest of the world.

A lush and driving anthem, "Conversations That Hurt" flourishes with alt.'s trademark melodic dexterity, augmenting the foundations of their 2020 debut EP dysfunctional while also diverting the heavier terrain of their 2023 debut full length ABEYANCE into a poignant and polished dimension.

Written by alt. alongside Trophy Eyes vocalist John Floreani, with production, mixing and mastering courtesy of longtime collaborator Callan Orr at Avalanche Studios, "Conversations That Hurt" is also accompanied today by a brand new music video featuring a raw yet rigorous performance befitting of the track's bittersweet lyricism.

"'Conversations That Hurt' is about the freshness of a breakup," shares vocalist Daniel Cullen-Richards. "It's hard to move on and all you can think about is wanting them back when you know it's not meant to be."

Watch the video for "Conversations That Hurt" below.

Stream the song here.

Emerging in late 2019, alt.'s impassioned fusion of punk, pop, electronic, and alternative rock saw the Adelaide group instantly resonate with a vast audience, premiering their debut single insubordinate on the Dreambound YouTube channel and going on to generate over 2 million streams via their debut 2020 EP dysfunctional. An independent venture, written alongside Trenton Woodley (Hands Like Houses), Jimmy Alexander and Luke McKenzie (Awaken I Am), Zachary Britt (Young Lions, Dream on Dreamer) and Chris Lalic (Windwaker), dysfunctional would ultimately set the stage for tours with the likes of Don Broco, Saosin, Karnivool, Cog, Caskets and Windwaker, with the band consistently turning heads with their innovative yet cohesive sounds.

Signing with Resist Records and StarpTone Records, alt. showcased a darker ferocity in 2023 that channeled the turbulent years surrounding their inception, stepping into heavier waters via the release of their debut album ABEYANCE last year. Hurling breakdowns, caustic vocals and imposing riffs into a tight and tempestuous package, ABEYANCE featured a guest vocal from Void Of Vision's Jack Bergin on the single APEP, with alt. teaming up with Marcus Bridge (Northlane), Landon Tewers (The Plot In You), and returning collaborators Woodley and Britt. ABEYANECE didn't merely re-write the alt. rule book; instead, it declared a powerful inability to pigeonhole alt. into any one genre while also flexing the group's masterful take on a broad and immersive palette of sounds.

In 2024, alt. ticked off their first Australian headline tour, with an nearly entirely sold out run supported by Belle Haven, Patient Sixty Seven and A Swift Farewell, and most recently performed alongside King Parrot and I Built The Sky.

FLESHGOD APOCALYPSE DELIVERS BAROQUE METAL MASTERPIECE 'I CAN NEVER DIE'

July 20, 2024

Italian Symphonic Death Metal maestros FLESHGOD APOCALYPSE have released the latest single, ‘I Can Never Die’, from the band’s long-awaited 6th studio album, Opera, that’s due out August 23rdfrom Nuclear Blast Records. Accompanied by the stunning music video by visionary director Martina L. McLean, ‘I Can Never Die’ is a crushing sonic tribute to artists and their enduring works.

Commenting on the song, frontman Francesco Paoli states:

"Memory is the strongest force in the universe, as it’s the one and only that can give us immortality. It can’t be deceived or shaped to our liking as, in the end, we are what we do and what we leave to posterity faithfully reflects what kind of men and women we’ve been. Some people don’t give the right value to their actions, focusing on immediate profit, and forgetting that our choices have a decisive impact on our and other people’s existence. Especially when you are an artist. It's essential to remember that everything we create outlives us, it has a life of its own and, once it’s brought into existence, it belongs to everyone and we have no more control over it.

Death can occur abruptly any time and there’s no chance to change what it's done, once we’re gone. As far as I’m concerned, one of my first thoughts when I realized that I could have died was “who have I been” and “what am I leaving behind”. I recollected my whole life and figured out how much determination, sacrifice and honesty I’ve put into art and that made me so proud that I would have died in peace.

That’s why we wrote this song, which is nothing but a glorious anthem for all those who commit their existence to art in the purest possible way."

Director Martina L. McLean adds about the music video:

“‘I Can Never Die’ is the third video created by me and my team, Sanda Movies, in collaboration with Fleshgod Apocalypse, for the Opera cycle. For a song with such a profound and universal meaning—a true anthem to the value of art and the artist—I wanted to contribute to the visual aspect by creating an experimental video, entirely guided by inspiration, lots of different approaches, techniques, and obviously too many of hours of editing. Drawing from the infernal and chaotic masterpieces of Hieronymus Bosch, but ranging through styles and times, the band brings to life infinite, hypothetical paintings. As always, my applause goes to the band, who always give their best, both in the most extreme sets and in those where everything is left to the imagination.”

Stream ‘I Can Never Die’: https://fga.bfan.link/i-can-never-die

‘I CAN NEVER DIE’ MUSIC VIDEO BELOW

FLESHGOD APOCALYPSE recently announced their return to North America in support of the impending release for a co-headline tour with SHADOW OF INTENT, and support acts INGESTED, THE ZENITH PASSAGE and DISEMBODIED TYRANT, which kicks off September 14th in Cleveland, OH and wraps on October 15th in Denver, CO.

Purchase tickets at https://theblackopera.soundrink.com/

FLESHGOD APOCALYPSE Tour Dates:

9/14 - Cleveland, OH - House of Blues

9/15 - Chicago, IL - Metro

9/16 - Bloomington, IL - The Castle Theatre

9/18 - Detroit, MI - Saint Andrew’s Hall

9/19 - Toronto, ON - The Opera House

9/20 - Montreal, QC - L'Olympia

9/21 - Ottawa, ON - Brass Monkey

9/22 - Worcester, MA - New England Metal & Hardcore Festival

9/23 - Brooklyn, NY - Warsaw

9/25 - Reading, PA - Reverb

9/26 - Baltimore, MD - Baltimore Soundstage

9/27 - Charlotte, NC - The Underground

9/28 - North Myrtle Beach, SC - House of Blues

9/29 - Tampa, FL - The Orpheum

10/01 - Austin, TX - Come And Take It Live

10/02 - San Antonio, TX - Paper Tiger

10/03 - Dallas, TX - Granada Theater

10/04 - Oklahoma City, OK - Diamond Ballroom

10/05 - Albuquerque, NM - Sunshine Theater

10/06 - Mesa, AZ - The Nile Theater

10/08 - San Francisco, CA - DNA Lounge

10/09 - Sacramento, CA - Ace of Spades

10/10 - San Diego, CA - House of Blues

10/11 - Riverside, CA - Riverside Municipal Auditorium

10/12 - Las Vegas, NV - House of Blues

10/13 - Salt Lake City, UT - Metro Music Hall

10/15 - Denver, CO - Ogden Theatre

FLESHGOD APOCALYPSE are finally back with their brand new, 6th album titled Opera, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021.

Due out August 23rd via Nuclear Blast Records, Opera is structured like a 10-act theatrical piece, as the title itself, Opera, draws a clear thread with the everlasting tradition of Italian classical music theater combining it with the epic brutality of death and symphonic metal, which has become their trademark sound. Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that FLESHGOD APOCALYPSE are renowned for: sheer violence, majestic orchestrations and soaring melodies. Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi. The cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age.

With this new record, FLESHGOD APOCALYPSE are setting the bar even higher than before, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

Follow FLESHGOD APOCALYPSE:

https://shop.fleshgodapocalypse.com/

https://www.facebook.com/fleshgodapocalypse

https://www.instagram.com/fleshgodofficial/

https://www.tiktok.com/@fleshgodofficial

https://twitter.com/FApocalypse

https://www.youtube.com/@FleshgodApocalypse

Koe Wetzel's '9 Lives' Arrives

July 19, 2024

For nearly a decade, the name Koe Wetzel has carried with it an “if you know, you know” reputation. To a devoted cult audience, the Texas singer-songwriter has been a genre disrupter, mixing country with rock, hip-hop, and grunge; a live performer as powerful and unpredictable as a tornado; and a notorious party animal who never met a bottle of tequila he couldn’t finish. Wetzel remains all of those things, but on his new album 9 Lives, available now via Columbia Records, he proves that there’s more to his story — and that a mass audience awaits. Listen HERE.

Produced predominantly by Gabe Simon (Noah Kahan’s Stick Season) alongside a string of trusted collaborators like Josh Serrato, Amy Allen, Carrie K and Sam Harris (X Ambassadors), 9 Lives finds the Pittsburg, Texas, native showing off his versatility as a writer and his prowess as an interpreter of songs.

“The way Gabe Simon goes into making music, he cares so much about it,” Wetzel explains of his producer. “He comes at it wanting to get everything out of the songs. Gabe came in and extracted everything from me; he got me talking about stuff, everything going on in my life. Usually, I go in with all the melodies, and then write the lyrics. Not this time.”

Simon went for the jugular. Laughing, Wetzel says, “Every song we wrote or found, we kept. There was a freedom: we sat down and talked about the shit going on in my life. By pulling all of that out of me, going in the vocal booth, that’s how free I was – and the most open I’ve ever been. You can hear it in the songs.”

You can also hear the urgency. Recorded at legendary Sonic Ranch in the border town of Tornillo, Texas, as well as Melody Mountain in Stephensville, Texas, they had that Lone Star fire. Add sessions at Nashville’s Blackbird and historic RCA Studio A, it alchemized a rush to 9 Lives that’s palpable. Recorded largely live, the tracks went down almost as lightning fast as the writing, with eight of the songs written in a pair of three-day bursts; one in El Paso, the other in Nashville.

A bleary-eyed, scene-setting lament “Continued” turns into a full-on rocking country proposition. A kick drum pumps and a chicken-wire electric guitar drops a few notes as the swaggering “9 Lives (Black Cat)” leans into an unrepentant catalog of misadventures survived. Bar fights, rodeo clowns, preachers, dealers, the twins next door, cheap tequila, bathroom snow and “a 12-pack, two dime bags, flat-lined twice, just to come right back” make a vivid world that only the fearless survive. And so it goes…

“Every record’s almost turning a new leaf, always a left turn because of how honest I am. I want fans to know that there's a different side of me, not just the sex, drugs, and rock & roll Koe that they may have heard about online,” Wetzel says. “I've grown up a little bit. I’m no longer the 20-year-old kid that's partying down and getting thrown in jail all the time. 9 Lives reveals a vulnerable side that people may not be used to hearing.”

Grown does not mean completely settled down, though. For everyone who caught the lightning bolt that was the state-of-scrapping musician Noise Complaint, there’s rowdy singalong “Bar Song,” all the raw swerve’n’blister in the high-flying autobiographic “Twister,” the atmospheric truth-telling that defines his “Damn Near Normal” and barn-storming take on how he keeps running while missing that certain one in “Runnin’ Low.”

“I like to drink,” he says, owning the obvious. On a record that conversationally drops Ambien, Xanax, El Paso dust, blow, THC… he knows his way around the contraband in his songs. “It’s a family tradition. My dad’s side is all Southern Baptist: no drinking, no cursing – though he loved Creedence, ZZ Top’s ‘LaGrange,’ BTO, Petty. My mom’s Methodist: let’s party, go hard.

Wetzel’s diverse musical background is evident on one of the album’s most surprising tracks, a cover of the late XXXTentacion’s “Depression & Obsession.”

“I always loved that era of music – that Lil Peep era, XXXTentacion – he was one of my favorite artists out of that group,” Wetzel reflects. “I feel like there’s a lot of music that we didn’t get from him, so it’s kind of just a nod to him and I hope we did it justice.”

A Lone Star native through and through, he was also heavily impacted by Charlie Robison’s Good Times, the album arriving in Wetzel’s life as a Christmas gift in seventh grade. A Texas Music sensation who had signed to a major Nashville label then bailed, the songs, attitude and harder sound from Robison captured Wetzel’s imagination. He also gravitated to some of the deeper, soul-baring songs.

To homage that spark, Wetzel offers a minor-keyed strum that’s as much low-impact Nirvana as it is High Plains Drifter on “Reconsider.” That slow-moving lament comes from Robison’s Better Days, with Wetzel realizing along the way that it – like many Texas music classics – was originally by Keith Gattis.

“I thought Charlie had written a lot of them, but then I find out about Keith Gattis. I never got to meet him; he and Charlie died six months apart. I have so many emotions right now about all that, you can hear them.”

For a guy who is fully a man’s man, he also has that romantic tenderness that undermines his machismo. Whether Gabe Simon and Mick Coogan’s flowing tangle of how hard love is on “Hatchet” or his own smoky, haunted “Sweet Dreams,” the notion of love that might still be salvaged comes with a throb that pulls listeners in.

Just as potent is Wetzel’s ability to let go of the rope. Sometimes hilarious – the sweet pop/folk “Leigh” recounts his losing record with women, particularly those whose names all have that suffix in common: Haleigh, Baleigh, Kaleigh and more – and other times flat indifferent – the soaring “High Road” (with a version featuring rising star and labelmate Jessie Murph currently delivering as his Country radio debut) – he’s not afraid to get out of something that ain’t working.

That sense of self permeates 9 Lives, especially the closer, “Last Outlaw Alive,” with a ragged gravitas to the loping celebration of a dying way of life. Laconic doesn’t have to mean sleepy. Like the many vibes and rhythms on Wetzel’s album, he – and the players – deliver a spark.

“The thing about this album is writing can be grueling. But this time, after writing a song, there was always that adrenaline rush. What do you do with that? Put it into the songs, no matter how fast or slow.”

Having defined a rogue rock/cowboy ethos over his album, Wetzel found a new intensity. “Being on the road for so long, you start to think you’ve hit a plateau. You wonder, ‘Is this what I’ll be known for? Will these songs be what it’s all about?’

“I get a lot of joy playing the older songs. But you want to grow. I love playing those records I grew up on, so I understand. But I’ve been honing and growing a certain sound, and we’re hitting it. This is where the rest of it begins…”

For more information on all things Koe Wetzel and to purchase tickets to upcoming shows – including a hometown stadium show as he joins Morgan Wallen’s One Night At A Time World Tour in Arlington, Texas on July 26 and his headlining Damn Near Normal World Tour kicking off July 27 – visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel.

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” plus the Gold-certified “Good Die Young” and “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 2.8 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel will play prominent festival sets this summer and open for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour in Texas, while also headlining his own Damn Near Normal World Tour. His new album, 9 Lives (Columbia), is available everywhere now as lead single “High Road” feat. Jessie Murph arrives as his debut Country radio single.

Our Hollow, Our Home Announce New Album "Hope & Hell" + Share "Funeral Verse" Video

July 19, 2024

Our Hollow, Our Home, the metalcore band hailing from Southampton, UK, recently faced internal challenges leading to a split.

Despite these difficulties, the band remains committed to its fans, ensuring that their album cycle continues.

The latest single, "Burial Season," has just been released, showcasing a mix of heavy riffs, melodic hooks, and emotionally charged lyrics.

Watch the video below.

Alongside the single, the band has launched pre-orders for its final album, Hope & Hell, set for release on September 27, available as CD and limited colored vinyl. "Burial Season" is now available on all major streaming platforms, offering a glimpse of the band's enduring dedication to their music.

Pre-order Hope & Hell as CD and limited colored vinyl together with unique merch options at the Arising Empire Online Shop.

That level of relatability, coupled with their relentless touring with the likes of Asking Alexandria and Blessthefall, and high-profile slots at festivals like Graspop, Nova Rock, Summerblast, and Jera On Air, has seen the band command an ever-growing collection of highly-dedicated followers; they have over 79,000 on Spotify; have been viewed over 10 million times on YouTube; and have over 29,000 Instagram followers and 107,000 on Facebook and 2017’s debut album Hartsick reached the top spot of the Itunes chart for rock and metal in the UK, as well as placing in the top ten in the USA, Canada, Australia, Mexico, Italy and Germany.

They were also boosted by their hugely popular cover of Ed Sheeran’s "Shape of You" in 2017, which was picked up by BBC Radio One's Greg James and subsequently topped the iTunes UK rock and metal chart, and racked up over 300,000 plays on YouTube on its first week of release.

The release of Our Hollow, Our Home's album Burn in the Flood marked a significant milestone. It crystalized the band's evolution with its refined sound that blended melodic elements with their signature hard-hitting metalcore. It included standout tracks like the emotionally charged single "In Retrospect" and the anthemic title track, showcasing the band's dynamic range and lyrical depth. The album was well-received, adding significantly to their streaming numbers and earning praise for its production quality and thematic boldness. This release further solidified Our Hollow, Our Home's position in the metal scene, offering fans both old and new a rich auditory experience that resonated with the challenges and resilience of the human spirit.

OUR HOLLOW, OUR HOME ARE:
Gaz — Vocals
Tobias — Guitar/Vocals
James — Guitar
Matt — Bass
Kieran — Drums

Chicago's REPENTANCE Support Swedish Metal Act ORBIT CULTURE on 8-19 in Detroit, MI and 8-20 in Chicago, IL

July 19, 2024

Chicago, Illinois-based metallers REPENTANCE have announced they will provide direct support for the Swedish metal act ORBIT CULTURE on 8-19 in Detroit, Michigan and 8-20 in Chicago, Illinois.

Check out the band's latest visualizer for "BURIED BY FEAR" taken from the sophomore release THE PROCESS OF HUMAN DEMISE Out Now!

Founded in 2018 by former SOIL and DIRGE WITHIN guitarist Shaun Glass and with a critically acclaimed debut album under their belts (God For A Day, 2020), REPENTANCEsoon became known for their distinctive heavy yet dynamic sound, packed with details, groove and intensity. Playing numerous shows with high profile acts such as TRIVIUM, DEVILDRIVER, JINJER, SKULL FIST, TOXIC HOLOCAUST, SACRED REICH and others, REPENTANCE have taken the heavy scene by storm and represent a sound, which is sure to obliterate fans of extreme music everywhere.

Repentance are:
Adam Gilley – Vocals
Shaun Glass – Guitar
Eric Burns – Guitar
Eric Karol – Bass
Brandon White – Drums

Find Repentance Online:

Find NOBLE DEMON online:

https://linktr.ee/nobledemon

MNRK Heavy welcomes Slomosa

July 19, 2024

Norwegian riff-rock regalers, Slomosa , have signed with independent music group MNRK Heavy (High on Fire, Escuela Grind, Crowbar). The Bergen-based band will release its new LP, 'Tundra Rock,' on September 13. Boasting a brazen backbone of groove-bitten punch and silken melodic hooks heavily inspired by the Palm Desert music scene, Slomosa showcases a hibernating sound that has been reawakened for a new generation.

In celebration of its new label home, Slomosa today releases a video for the new track "Battling Guns."

"Slomosa is an absolute riff powerhouse with an amazing live show," comments MNRK Heavy SVP, Rock & Metal, Scott Givens. "They are an incredible band and all of us at MNRK are thrilled they have picked us to be their label partners."

Expansive mountains constitute nearly two-thirds of Norway. This breathtaking grandeur gives the country a sense of natural splendor and mystique as if its topography has held secrets for millennia. 'Tundra Rock’ is, quite simply, ‘Desert Rock’ on Slomosa 's terms.
“A desert doesn’t have to be warm", observes vocalist/guitarist Ben Berdous. "If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck. You could certainly say the grandiosity of nature is evident in the songs of Slomosa.”
'Tundra Rock' is also advanced by the superbly heavy track, 'Rice,' a cavernous cut soaked in sunbaked groove, and 'Cabin Fever.'

FREE PATCH WITH EVERY PRE-ORDER
(WHILE SUPPLIES LAST)
Slomosa - Tundra Rock Metallic Gold Vinyl
PRE-ORDER
Slomosa - Tundra Rock CD
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Expansive mountains constitute nearly two-thirds of Norway. This breathtaking grandeur gives the country a sense of natural splendor and mystique as if its topography has held secrets for millennia. 'Tundra Rock’ is, quite simply, ‘Desert Rock’ on Slomosa 's terms.
“A desert doesn’t have to be warm", observes vocalist/guitarist Ben Berdous. "If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck. You could certainly say the grandiosity of nature is evident in the songs of Slomosa.”
'Tundra Rock' is also advanced by the superbly heavy track, 'Rice,' a cavernous cut soaked in sunbaked groove, and 'Cabin Fever.'

Slomosa will tour the U.S. in support of 'Tundra Rock', with some TBA headlining shows, and as special guests of Alkaline Trio, this September.
FOR TOUR DATES AND INFO CLICK HERE

EKOH Releases "The Sound of Falling" Video

July 19, 2024

Emerging artist EKOH has shared the video for his latest banger "The Sound of Falling."

Watch it below.

Smash that "PLAY" button. Smash that "LIKE" button. And just go watch it!

It follows last month's collab track "Nobody Like Me," feat. TECH N9NE. In the track, the duo spits rhymes as though their lives depend on it. Crank the knobs to 11, put the windows down, and add this one to your playlist rotation. Watch the video here. EKOH previously dropped a track with Lo Spirit, called "Good Things." Listen here. You can also check out "DOOMED," his collab with PHIX.

If you've not yet heard of Ekoh, well, consider this your intro.

Get to know him now, because the stratosphere is in his future, thanks to his deft rap x rock hybrid style. Ekoh's breakout track "Hole In Your Head" was released in November 2023 and stayed in steady rotation on SiriusXM Octane and was a crowd favorite during his first rock tour where he supported From Ashes to New on the Blackout Tour. Additionally, the single "Hurt Myself" continues to roar. He shared "Mayday" earlier this year and released his own custom sneaker with VANS.

Oceano Release "The Price Of Pain" Official Music Video via Sumerian Records

July 19, 2024

Deathcore titans Oceano have released the official music video for "The Price Of Pain" via Sumerian Records. The track can be found on the band's forthcoming new album 'Living Chaos' out August 30th and available for pre-saves now. Prior to today, Oceano released "Wounds Never Healed" which has clocked up 223k streams on Spotify alone and 231k views on YouTube. Watch "The Price Of Pain" official music video below, and pre-save 'Living Chaos' here.

Oceano will be hitting the stage on their headlining run The Living Chaos Tour with To The Grave, VCTMS and Half Me as support. Tickets are bound to go fast, so get yours at the link here.

Living Chaos Tour with To The Grave, VCTMS + Half Me:

Thu, Sep 05 - Detroit, MI @ Sanctuary

Fri, Sep 06 - Columbus, OH@ King of Clubs

Sat, Sep 07 - Erie, PA @ Basement Transmissions

Sun, Sep 08 - Brooklyn, NY @ The Meadows

Tue, Sep 10 - Baltimore, MD @ Soundstage

Wed, Sep 11 - Greensboro, NC @ Hangar 1819

Thu, Sep 12 - Columbia, SC @ New Brookland Tavern

Fri, Sep 13 - West Palm Beach, FL @ Respectable Street

Sat, Sep 14 - Orlando, FL @ Conduit

Sun, Sep 15 - Atlanta, GA @ The Masquerade

Tue, Sep 17 - Houston, TX @ Scout Bar

Wed, Sep 18 - San Antonio, TX @ The Rock Box

Thu, Sep 19 - Dallas, TX @ Southside Music Hall

Fri, Sep 20 - El Paso, TX @ Rockhouse Bar

Sat, Sep 21 - Albuquerque, NM @ Launchpad

Sun, Sep 22 - Phoenix, AZ @ The Nile Theater

Tue, Sep 24 - Anaheim, CA @ Chain Reaction

Wed, Sep 25 - Fresno, CA @ Full Circle Brewery

Thu, Sep 26 - Sacramento, CA @ Harlow's

Fri, Sep 27 - Portland, OR @ Dantes

Sat, Sep 28 - Seattle, WA @ El Corazon

Sun, Sep 29 - Spokane, WA @ The Big Dipper

Tue, Oct 01 - Salt Lake City, UT @ Metro Music Hall

Wed, Oct 02 - Denver, CO @ HQ

Thu, Oct 03 - Omaha, NE @ The Waiting Room

Fri, Oct 04 - Chicago, IL @ Cobra Lounge

Swedish post-punk trio THEN COMES SILENCE kicks off European tour in support of 'Trickery' LP. Enjoy a dark fix with the cavernous 'Ghost House'

July 18, 2024

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)

"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine

"Truly love it" ~ She Past Away

"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine

Swedish post-punk outfit Then Comes Silence has kicked off a string of European tour dates announced for 2024 in support of their seventh album ‘Trickery’, released earlier this year via Metropolis Records. Not long ago, the band wrapped up a successful North American tour is currently touring North America.

The band presents one of their favourite songs from this album - 'Ghost House', which features back vocals by Emma Nylén (Emmon). This is a meticulously-crafted song laced with raw passion, where every echoing synth line brings us closer to the heart of their musical dominion. This also happens to be the final song on the album.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte), their name inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), 'Trickery' captures the heart and essence of alternative rock, along with electronic elements. But it is also a salute to punk music, to which Then Comes Silence traces their roots.

With 13 lush and cavernous tracks on offer, this record features guest appearances by Gözde Duzer of Aux Animaux, Emma Nylén (Emmon), Jörgen Wall of Whale, Thåström and Dusty Gannon of Vision Video.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica). Earlier, Then Comes Silence shared the singles 'Like a Hammer', ‘Ride or Die’, and focus track 'Stay Strange'.

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of the goth and post-punk community is, according to the band, a great privilege. After being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion / SPV and Metropolis Records in 2020.

Then Comes Silence has toured and performed with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as playing Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

The 'Trickery' album is out now, available on vinyl, CD and digitally everywhere, including Apple Music, Spotify and Bandcamp.

CREDITS
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
Dusty Gannon (Vision Video) - vocals on 'Stay Strange'
Emma Nylén (Emmon) - vocals on 'Tears and Cries', back vocals on 'Ghost House'
Gözde Duzer (Aux Animaux)- theremin on 'Stay Strange', 'Never Change'
Jörgen Wall (Whale, Thåström) - toms on 'Blind Eye'
Music & Lyrics by Alex Svenson
Published by HaHa Musikförlag
Produced by Alex Svenson
Recorded by Jörgen Wall
Mixed by Tom van Heesch
Mastered by Svante Forsbäck / Chartmakers
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

My Fictions Announce New Album "Touch Of Glass" + Share "Cold Streak" Video

July 18, 2024

Boston-based hardcore band MY FICTIONS — Bryan Carifio (vocals), Tyler Bradley (guitar), Seamus Menihane (drums), and newcomer Michael Russo(bass) — recently announced that they signed to 1126 Records.

Today, the band is pleased to reveal the new album, Touch Of Glass, which arrives August 23.

My Fictions have also shared the cinematic and super fun video for "Cold Streak." Watch and follow along with the storyline, which is detailed a bit more by the band in the comments below.

"For a long time, I didn't think there was ever gonna be another My Fictions album, but now that it's out in the world, I think I needed it to exist," says Carifio. "It's a heavy record, both sonically and lyrically. A lot of time went into making it. A lot of procrastination and stress on my part made it more difficult than it should have been. Now that it's done, I hear these songs and feel like it's the most complete representation of what My Fictions has tried to be as a band."

Touch Of Glass not a feel good record, but it will make you feel something when you need to the most, with Carifio stating, "It's not something I'd throw on a marketing sticker, but the best way I can describe it is as 'bad mood music' — not something that a listener particularly wants to listen to, but rather needs to hear to match how they're feeling at a given time."

He finishes, "Records like that literally changed my life when I was younger and I know for a fact we've done that for at least a handful of people so it's a privilege to get another chance to do it again. It also kinda rocks though so hey, maybe throw it on and punch some drywall out, I don't know. Grateful to our partners who helped us record and release it for helping us carry out our vision."

About the new single, which the band felt was an obvious choice with which to announce the album, Bradley explains, "'Cold Streak' is as close to a fun song as we've ever written. That probably sounds insane to people unfamiliar with us, but I think it tracks. The meat of the song is a mid-tempo groove that builds to a heavy payoff. It ended up being a great platform for Bryan to do his thing on. It's been a cool challenge to reign in and refine elements of our sound to focus on better, more mature song writing. Of course there's still some weird stuff in there for the sickos, but overall, it feels like a step up for us and where I think we've wanted to take things for a while."

Regarding the video, Carifio shares, "This is our first music video ever as a band, which was both exciting and daunting. We shot it in a day — which was a bit chaotic — but I think that energy transferred into the video nicely. I 'directed' and edited the video and my lovely partner Andi Guede shot and co-directed the whole thing."

He continues, "The whole band helped get the storyline to make sense and improved the whole thing, which made it very fun to create. Since 'Cold Streak' is a song about the emotional toll of debt, I thought that a narrative about a down on his luck gambler who schemes up a stupid way to win it all back lined up pretty well thematically. All we do as a band in our free time is talk about movies, so a music video that's basically a Tubi Original version of Uncut Gems-meets-Casino was an easy pitch that Mike, Tyler, and Seamus all did a great job bringing to life as true villains (a mobster, an outlaw biker, and a venture capitalist). The performance scenes were shot where we practice and I loved that there's a giant Converge/Integrity/Coliseum tour poster in some of the shots."

ABOUT MY FICTIONS:
MY FICTIONS are breaking through with TOUCH OF GLASS, their new full-length album and first release on Massachusetts-based metal tastemaker 1126 Records. Throughout over 10 years as a band, My Fictions has specialized in making cathartic music. "I feel compelled to pull from my lowest moments to make something that matches the intensity of the songs," vocalist Bryan Carifioremarks on the process of lyric-writing. That pain-staking process has resulted in the band’s most intense collection of songs to date — Touch of Glass is a record designed to devastate.

My Fictions began around the Boston-area in the distant memory of the early 2010s. The band cut their teeth making noise in basement venues with ridiculous names that have been long since shut down and rented to more responsible tenants. A handful of EPs and split releases honing in on the band’s aggressive and atmospheric sound preceded their 2014 full-length Stranger Songs. Their debut album served as the best summation-to-date of what has become the My Fictions formula: songs must be lyrically dense, sonically pummeling, and emotionally tolling.

After years of inactivity, a revitalized version of the band returned in 2021 with a six-song comeback EP. Time Immemorial brought new, heavier elements into the My Fictions sound while retaining the strange and suffocating undercurrent of earlier offerings. They followed suit by hitting the road with metalcore legends Overcast and Providence-based split partners Dreamwell on separate runs, then carried this energy into Connecticut's Silver Bullet Studios late last year to work for the first time with album engineer and producer Chris Teti (The World is a Beautiful Place & I Am No Longer Afraid to Die, Fiddlehead).

With the band split over two states, the writing process for Touch of Glass was a long one. Over two years, guitarist Tyler Bradley, drummer Seamus Menihane, and newcomer Michael Russo on bass would meet on a weekly basis to write and send ideas to Carifio, who was living in Brooklyn and trying desperately to contribute to the special songwriting happening a few hours away. "I would just buy notebooks and listen on repeat, scribbling ideas endlessly," says Carifio. Inspired by records like Slipknot's Iowa, Alice in Chains' Dirt, and Converge's No Heroes, the aim was always to create an album-long sense of dread with the songs they were building together from a distance, even if it took months to take shape.

"New Face" sets a furious tone to start off the album. A rampaging reflection on the impossibility of starting over that deteriorates mid-song into a droning, ambient instrumental break, closed out with a quote from Cormac McCarthy's play The Sunset Limited – "Who would want this nightmare, but for fear of the next?" An immediate segue into the chaotic single "Dreams of Escape" puts this quote into a fitting context — jagged blast beats and manic start-stop guitar riffs are only parts of the unnerving atmosphere that My Fictions builds like an anxiety dream that carries over the album's 10 songs.

The next single "Cold Streak" comes up next, which according to Bradley is "as close to a fun song as we've ever written." The song's mid-tempo groove is matched by an eerie guitar riff reminiscent of bands like mewithoutYou or Fear Before, building a tense atmosphere until the song’s chaotic breakdown. What follows is title track "Touch of Glass," a slow and somber midway point on the album that brings the album's thematic purpose into focus — trying to reshape shattered bits of something broken into a workable whole is often both a fragile and futile exercise.

The record's latter half is packed with its most unrelenting songs, including the scathing breakdown that ends "Selfish Wish" and "Disguise" – a metal-influenced epic that uses self-immolation as a metaphor for correcting past mistakes – "Can I build an effigy / made from the worst in me?" asks Carifio in the song's scream-along bridge. This all builds up to album ender "Touch of Glass II," the band's heaviest song ever which acts as a dreadful statement of purpose and point of the closure to the album. A disorienting guitar lead haunts over the drum and bass onslaught as the album's final lyrics are screamed into the abyss — "My futures all collapse / no way of turning back / through the glass." It's the fitting conclusion that comes from an album ten years in the making — something formed by the most intense, driven and potentially distressing iteration of My Fictions yet.

MAJESTICA - Release New Single 'A New Beginning'!

July 18, 2024

MAJESTICA are back with their first new music of 2024! The Swedish power metal quartet proudly presents their latest single 'A New Beginning', which is the band's first release since 2021. Therefore, the song name not only fits in relation to this, but also speaks about a new beginning and letting things come to an end. Paired with musical elements reminiscent of the 80s, MAJESTICA unleashes a new catchy tune upon their fans that puts the band back on the radar.

As if the release of this brand new single wasn't enough, MAJESTICA have also delivered a brand new music video for their single, which you can watch below.

Tommy Johansson comments:

"When Majestica finally returns with a new song it couldn’t have been a better one than
'A New Beginning'. Not only is it a heavy power metal song with a catchy sing-along chorus, but it’s also very melodic in the style of Stratovarius, 80’s rock, and Helloween with some hints of Gary Moore. The song reflects on (as the title says) to start over, but also of something that comes to an end. But the end isn’t always a bad thing. It feels great to finally release some new music with Majestica again and to show that we’re back - back with a new beginning."

Stream the new single here: https://majestica.bfan.link/a-new-beginning

Watch the previously released videos here:
'Above The Sky' Official Music Video: https://www.youtube.com/watch?v=yt9Ma1W_0wI
'Metal United' Official Music Video: https://www.youtube.com/watch?v=UO37wJG1j2k
'Ghost Of Marley' Official Music Video: https://youtu.be/B_RKRbA9gRY
'Ghost Of Christmas Past' Official Lyric Video: https://youtu.be/8Ol8DlEPEaM
'The Joy Of Christmas' Official Video: https://youtu.be/p72uHnOY7C8
'Glory Of Christmas' Official Art Video: https://youtu.be/X7BKIrylRRU
'This Christmas' Official Studio Video: https://youtu.be/pFtV0GmLw9w

MAJESTICA is:
Tommy Johansson | guitars, vocals
Petter Hjerpe | guitars
Chris David | bass
Joel Kollberg | drums

Blacktoothed Share "Carried Away (Alternate Version)" Visualizer

July 18, 2024

"jam-packed with addictive tunes" — Powerplay

"adding a slice of individuality into an already saturated genre" — Distorted Sound

"wonderful blend of rock energy and melodious detail" — GBHBL

In an exciting update for fans, the dynamic rock band blacktoothed have just unveiled an alternative version of their single "Carried Away."

The band has rearranged the track to bring a fresh, new vibe. The alternative version promises a tighter, more polished rendition — perfect for never leaving your head. With this release, blacktoothed continues to showcase their versatility and creativity/ Be sure to check out the new version on your favorite streaming platforms.

Watch the visualizer Below.

Stream the song here at midnight tonight.

The band's last album JULI was created in collaboration with the producing team of Sawdust Recordings (Christoph Wieczorek + Julian Breucker). Stream or download JULI here.

In the past few years, blacktoothed have shared stages with well known bands like Acres, Annisokay, Bad Omens, Hands Like Houses, Polaris, Thundermother, and many more, as well as through other live highlights, including opening up the IMPERICON FESTIVAL and many other open air concerts.

BLACKTOOTHED ARE:
Hendrik | Vocals
Mathilde | Guitar
David | Drums

DYEN, PARFATI & STAN CHRIST AT 99 SCOTT

July 18, 2024

BOOK YOUR TICKETS NOW

NYC, ready to get RECKLESS?! The Dutch label @Recklss.rec teams up with @AGAPĒ and @6amgroup to host the biggest party yet alongside label boss @dyen, @stanchrist, @parfait and @andresgarcil Join hundreds already signed up for presale 🎟️ as we welcome RECKLESS’ North America debut, this smells like a sold out show, don’t sleep on this one 🩸

📍 99 SCOTT

🚪 DOORS 10:00 PM - 6:00 AM
🎫 TICKETS AVAILABLE AT $30 ⚠️⚠️ PRESALE ALMOST SOLD OUT

Beauty In Chaos shares 'Holy Ground' feat. Patrik Mata (Kommunity FK) ahead of fourth album 'Dancing With Angels'

July 17, 2024

"Stunning musical and, in particular, six-string intricacy... layers of lush, ringing, occasionally grimy and often heavily effected guitars" ~ Guitar World

"Guitarist Michael Ciravolo assembled an all-star cast for his moody hard-hitting album... Intense" ~ Rolling Stone

"Hauntingly heavy and beautiful" – LA Weekly

With their fourth album 'Dancing With Angels' just a breath away (it's out on July 24), LA-based collective Beauty In Chaos throws open the gates to the darkwave realm, sharing a stunning music video for 'Holy Ground'. A lush offering that features the unforgettable vocals of Patrik Mata of seminal darkwave band Kommunity FK, this marks a thrilling departure from BIC's signature goth rock / postpunk sound.

Formed in 2018 by guitarist Michael Ciravolo (formerly of Human Drama and Gene Loves Jezebel and currently President of Schecter Guitars) with Grammy nominated producer Michael Rozon (Ministry), Beauty in Chaos is a revolving evolving sonic entity. To date, BIC has involved numerous luminaries from The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls, dUg Pinnick (Kings X), ICE-T, guitar icon Zakk Wylde, Rolan Bolan, among others.

“I love swinging the pendulum as far opposite as possible from our previous video. I think “Holy Ground” faithfully captures the sights and sounds of the great mid ‘80s darkwave scene that revolved around Los Angeles’ famed Scream club. This was such a great time in music. This is when I actually first met Patrik, as we shared several bills with them when I was a member of Human Drama" says Michael Ciravolo.

Both Human Drama and Kommunity FK appeared on Geffen’s 1987 'Scream Compilation’, with the latter gaining well-deserved fame for their MTV and club hit 'Something Inside Me Has Died’. Patrik Mata is currently working with Dave Roberts (Sex Gang Children) in a new project, called Kult Children Ov The Damned.

As for the story behind On 'Holy Ground', Patrik Mata shares, "A Watcher, a Supernatural Being, descends upon the planet below. He became transfixed, curious, & seduced by the women & Earthly pleasures & mysteries found. Ever since The Beginning this Being roamed the Earth creating Nephilim. What seems like an Eternity, The Being becomes a Fallen Angel, jaded, decadent, & tired having used & having been through every Earthling on the planet. The Fallen Angel shares its interpretation ov how this planet used to be considered Holy Ground, but now it is not. The only thing that The Fallen Angel yearns for is to return back Home. Back to The Gate.”

Released via 33.3 Music Collective, the 'Dancing With Angels' album cements BIC's legacy for crafting captivating and imagination-stirring music with eight diverse, riveting tracks on offer. Michael Ciravolo explains, "The title was inspired by a painting from a talented German artist Maren Platzhoff, which also became the album’s cover. As Michael Rozon and I began writing the music for this release, I knew I wanted to blend artists from our first two releases with some amazing new members to our BIC family".

This eight song release features BIC alumni Ashton Nyte, Holy Wars firecracker Kat Leon, and both Wayne and Cinthya Hussey. Ciravolo shares “I love bringing in ‘less famous’ but certainly no less talented artists to the fold, and I think this album does just that”. Leo Luganskiy (Strangelove), Julian Shah-Tayler (The Singularity), former Silence In The Snow frontwoman Cynthia Isabella, The Bellwether Syndicate’s William and Sarah Faith, and Patrik Mata (Kommunity FK) bring immense and diverse talents to 'Dancing With Angels'.

Ciravolo describes this album as sort of a "sonic regression and a sonic progression", noting “I meant this as a positive thing, taking some of the post-rock elements of our debut album, the stark dark bits that run through ‘The Storm Before The Calm' and the gothy dreamy-gaze of 'Behind The Veil’. It was definitely going a bit backwards to take a few steps forward!”

Speaking of going forward, this album in its CD format includes something that Ciravolo has long wanted to do... joining the songs together with musical interludes, which he has dubbed ‘Halos’. Ciravolo explains, “These are unique soundscape interludes that sonically tie each song together, along with the album’s coda. I do have this… probably unrealistic romantic idea that the listener will give this album at least one top-to-bottom uninterrupted listen”.

The album's lead track 'Diving For Pearls' features The Mission's Wayne Hussey and Cinthya Hussey, his wife and partner in Archeometre, accompanied by an overlapping-reality video, created by Vicente Cordero / Industrialism Films, The ‘single version’ was mixed by legendary producer Tim Palmer (The Cure, U2, David Bowie, Robert Plant, HIM, The Mission). Hussey's fourth BIC collaboration, Ciravolo says this “may just be the best we’ve written together”.

‘Diving For Pearls' is currently available via Bandcamp, Apple Music and Spotify, and is also available as a limited edition CD single. As of July 24, 'Dancing With Angels' is available on limited edition multi-color vinyl and CD from the Beauty In Chaos store, as well as digitally. The first 100 vinyl copies come with two posters signed by the artists. Vinyl and CD purchases also include the full digital version of the album (with Halos and two bonus tracks).

Extinction A.D. Release New Track "Epidemic Of Mutation" And Official Video (via Unique Leader Records)

July 16, 2024

Extinction A.D. have released their latest banger "Epidemic Of Mutation" and the official video (via Unique Leader Records). Speaking on today's release, the band commented:

"We always love working in dynamics in a song and Epidemic is us taking that to the extreme. Combining the most ripping of riffs and an ultra hooky chorus while remaining so heavy is what’s really been getting us off on this record. Throwing in some real stompy things and not being afraid of the quieter parts in conjunction with that has been real exciting and expressive with this song.

Lyrically, we’re always on the frustration tip which only matches the music but in 2024 more and more people look past the lyrics element. “Shut up and play!” is more prevalent than reading into what your listening to. The whole world is like that now. The media barely has to lie to us anymore. Three people can read the same synopsis of an event and mold it however they want it to fit their narrative. Some people like to keep that under wraps for fear of alienation despite their world view being based around alienating others. Sometimes I’m so overwhelmed by this that I absorb it and throw my hands up. “What the fuck can I even do about anything? What the fuck can anyone do about anything?!” The mutation of fact becoming alterable narrative is the ultimate epidemic."

Prior to today, the band unleashed "Impervious" featuring the inimitable Matthew Kiichi Heafy of Trivium. Both tracks are taken from the band's forthcoming new full-length 'To The Detested', out on August 16. Stream "Epidemic Of Mutation" here, watch the official video below, and pre-save 'To The Detested' here.

Extinction A.D. will be hitting the stage on the Detested America 2024 tour kicking off next month with Assault as support. Be sure to get your tickets from your local venue before they're all gone, and stay tuned for more Extinction A.D. news coming soon.

Detested America 2024 Tour Dates

8/30 - Providence, RI @ Alchemy*

8/31 - Montague, MA @ RPM Fest*

9/1 - Rochester, NY @ Bug Jar

9/2 - Cleveland, OH @ Grog Shop

9/3 - Indianapolis, IN @ Healer

9/4 - Chicago, IL @ Reggies

9/5 - Cave Rock, IL @ Full Terror Assault*

9/6 - Evansville, IN @ Damsels

9/7 - New Kensington, PA @ Preserving Underground

9/8 - Amityville, NY @ AMH

*Extinction A.D. only

ABOUT EXTINCTION A.D.

Extinction A.D. is not for the faint of heart and the intensity of these New Yorkers has yet to be tempered. The bands signature level of ferocity has reached new levels on their fourth album ‘To The Detested’, which follows their EP ‘Ruthless Intent’ from earlier this year.

So many different worlds shaped this band; from writers like Alan Moore and George Orwell; lyricists like Wreak Havoc and Chuck D; to directors like Tarantino and John Carpenter. But musically, Extinction A.D. hook up a tube of early 90s era of metal into their veins. Not just bands like Pantera and Machine Head, but the often overlooked 90s offerings from Testament, Sepultura and Slayer.

Thrashing just as hard as their predecessors, the band also break their surroundings down and deliver some heavy as hell riotous mosh; hitting that all-important sweet spot mixture of 80s thrash, 90s extreme metal and New York hardcore, all encompassed into one.

Never afraid to speak their minds amidst a divisive world, Extinction A.D. bring a decisive power to match their frenetic energy. The endgame is not just rebellion but revolution.

Blackjacket Release New Single "Blood Stains" via TLG|ZOID

July 16, 2024

Blackjacket, the dynamic ensemble of seasoned musicians from the vibrant Los Angeles music scene, is thrilled to announce the release of their debut single "Blood Stains" via TLG|ZOID.

"'Blood Stains' is about a failed relationship. Each blood stain represents a memory of a toxic event that ultimately led to the split. The song is an attempt to finally end this toxicity and wash away all the blood stains," says the band.

The single was co-produced/written by Eddie Wohl (Anthrax, Fuel, ill Nino, Smile Empty Soul..etc)and Travis Huff (Valley Fever Music). It was mastered by Maor Appelbaum (Faith No More, Rob Halford, Sepultura, Starset..etc).

Join Blackjacket on their musical journey as they continue to push the boundaries of rock music and inspire audiences around the globe.

Blackjacket is:
Chris Luca - Vocals
David Bruno - Guitar, Vocals
Cheyne Fritts - Guitar
Chris Heil -Drums

For More Information Please Visit:

GAEREA Announce New Album 'Coma'

July 16, 2024

"These shrouded and mysterious artists may hide their faces and their identities but their feelings and passion is out for all the world to see" - Metal Injection

"Terrifying at times, but beautiful, almost like life" - New Noise

Gaerea arrived shrouded in mystery. The masked sensations emerged from pandemic limbo with a vision for black metal that was guided not by myths or pagan beliefs but a purging of emotion. Existential dread still pulses through the Portuguese band's blood, but their upcoming fourth album signals a shift in psychology.

With Coma, Gaerea are no longer strictly a black metal band. Instead, they're breaking to the forefront of extreme metal. Though their new album was produced by trusted confidant Miguel Tereso, it broadens the band's signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows.

The world may be as hopeless as the album's lead single declares. But with Coma, Gaerea have returned to prove that they are only the band who can guide us into the darkness.

Watch the video for "Hope Shatters" Below.

Coma comes out October 25, 2024 on Season of Mist.

Pre-order & Pre-save: https://orcd.co/gaereacoma

When Gaerea secretly gave everyone a sneak peek at their new album back in April, they set the world ablaze. Now, with the first official single off Coma, they're ushering in the immediate aftermath. "Hope Shatters" opens with a lone guitar that wails like a siren before a whirl of blast beats sucks the world back into the band's vortex.

"Welcome to the urban abyss", their unnamed vocalist pronounces. "Where dreams turn to rust".

Gaerea aren't afraid to embrace harsh realities. There's clean singing on Coma, but the swarming darkness of "Hope Shatters" is only punctured by cries of agony. Even when the song collapses under its blistering heaviness, the melody hangs perilously in the air, like a swaying chandelier, before it's smashed to pieces by hammering bass and concussive drum fills.

Still, perhaps Gaerea have uncovered a shred of hope from beneath the blackened wreckage. As "Hope Shatters" meets its end, the band push ahead through the ashes with a triumphant, headbanging riff. "Enter the maze through the never-ending haze".

With "Hope Shatters", Gaerea deliver an anthem for our dying era.

The video for "Hope Shatters" was produced by Grupa 13 and directed by Dariusz Szermanowicz.

To usher in this new era, Gaerea are touring behind Coma later this year. The masked sensations will return to North America in November with Zeal & Ardor and ZETRA.

The band will also be performing "World Ablaze", "Hope Shatters" and other songs from their new album at several European summer festivals, along with two special dates with Behemoth and Testament.

Gaerea North American Tour 2024 with Zeal & Ardor and ZETRA

Arist Pre-sale: July 17 @ 10 am Local Time
Local Pre-sale: July 18 @ 10 am Local Time
General Ticket Sale: July 19 @ 10 am Local Time

November 23 - Philadelphia, PA @ Union Transfer [TICKETS]
November 24 - New York, NY @ Le Poisson Rouge [TICKETS]
November 25 - Allston, MA @ Brighton Music Hall [TICKETS]
November 27 - Montreal, QC @ Le Studio TD [TICKETS]
November 28 - Toronto, ON @ Opera House [TICKETS]
November 29 - Detroit, MI @ The Majestic [TICKETS]
November 30 - Millvale, PA @ Mr. Smalls Theatre [TICKETS]
December 2 -   Indianapolis, IN @ The Vogue [TICKETS]
December 3 -   Chicago, IL @ Thalia Hall [TICKETS]
December 4 -   Minneapolis, MN @ Varsity Theatre [TICKETS]
December 6 -   Engelwood, CO @ Gothic Theatre [TICKETS]
December 7 -   Salt Lake City, UT @ Urban Lounge [TICKETS]
December 9 -   Seattle, WA @ The Showbox [TICKETS]
December 10 - Vancouver, BC @ Rickshaw Theatre [TICKETS]
December 11 - Portland, OR @ Wonder Ballroom [TICKETS]
December 13 - Berkeley, CA @ UC Theatre [TICKETS]
December 14 - Santa Ana, CA @ The Observatory [TICKETS]
December 15 - Phoenix, AZ @ Crescent Ballroom [TICKETS]
December 17 - Austin, TX @ Mohawk [TICKETS]
December 18 - Dallas, TX @ Studio at The Factory [TICKETS]

Gaerea with Behemoth & Testament
July 21 - Warsaw, PL @ Progresja Summer Stage
July 23 - Kosice, SK @ Kulturapark

Additional Gaerea European Summer Dates
July 20 - Fridek - Mistek, CZ @ Dark Session Fest
July 25 - Ljubljana, SI @ Tolminator
August 1 - Rasnov, ROU @ Rockstadt Extreme Fest
August 8 - Kotka, FI @ Dark River Festival
August 30 - Volos, GR @ Golden R Festival

Stream & Order: https://orcd.co/gaereacoma

Links/Follow Artist:
Official Website: https://www.gaerea.com/
Facebook: https://www.facebook.com/gaerea
Instagram: https://instagram.com/gaerea_
TikTok: https://tiktok.com/@gaereaofficial
Discord: https://discord.gg/CSyqFQZ6
YouTube: https://www.youtube.com/channel/UCdQOfL4E3Z_SpHLL52tOIpQ
Twitter: https://x.com/gaerea_official

Booking & Management Contact:
US Booking - nickstorch@artistgrp.com
World booking: https://www.teamwass.com / Contact info: tom.taaffe@teamwass.com

Available Formats:
Digital Download
CD Digipack
CD Mediabook
2X12" Vinyl Gatefold (Black)
2X12" Coloured Vinyl Gatefold (Solid White)
2X12" Coloured Vinyl Gatefold (Crystal Clear)
2X12" Coloured Vinyl Gatefold (Solid Gold)
2X12" Coloured Vinyl Gatefold (Snowy White)
2X12" Coloured Vinyl Gatefold (Safari)
2X12" Coloured Vinyl Gatefold (Dracula)
2X12" Coloured Vinyl Gatefold (Cool Blue)

Singer/Songwriter Katie Kadan Releases New Empowerment Anthem "Without You"

July 15, 2024

With one of the boldest, brashest, turn-your-day-around vocals in music, you might think singer/songwriter Katie Kadan has always had the self-confident strut her tunes inspire. In fact, her truth is the opposite – but things have turned around.

After enduring the pandemic and moving to Nashville, careful creative growth has led to a brand-new chapter for the emerging star. Her just released new track, “Without You,” is giving fans a first taste of what to expect from her debut EP set for release later this year. Listen to “Without You” HERE. Watch the video below.

Written by Kadan with Thomas “Tawgs” Salter and Johnny Reid who also serves as producer, the song of empowerment asks listeners to let go of the hang ups holding many women back. Pairing a rich swagger and almost-spiritual self-confidence with a propulsive rhythm and stadium-sized vocal, the Chicago-native calls it her “women's anthem” – a much needed message of freedom.

“For women, sometimes our relationships hold us back,” Kadan explains. “You feel like you have to be that sweet little lovely lady in the background. And with this song, it's like, ‘Hey, I'm going to move forward. You can come along with me on this journey, or not, but I'm going to keep on going.’”

A classically-inspired soul diva for a brand-new age, sharing her growth toward self-respect through the empowering joy of music has become Kadan’s calling – her sense of purpose. A born entertainer and the youngest of four in a church-centered, deeply-musical family, it took Kadan her whole life to find her purpose. But now that she has, it seems almost inevitable.

Praising her “big, loud family,” the vocal phenom learned to harmonize as soon as she could talk and delivered her first performance in front of her church congregation at 3 years old. Homeschooled by a songwriting mother who loved the ‘60s folk revival, and with a father who’s taste kept Otis Redding, James Brown and the giants of soul on repeat, music was embedded in Kadan’s daily life – so deep that when she couldn’t concentrate on her studies, the fix was to play some piano and quiet her mind.

Obviously talented, her parents helped a teenaged Kadan join one of Chicago’s top choirs, and they even scraped enough money together to send her to conservatory. But feeling like she had no shot at a career, she dropped out, taking odd jobs and teaching vocal lessons instead. “I was unhappy,” she admits now. “That's not what I wanted to do, but I had no idea how to get into the music business. And honestly, I didn't think I would have a place … because I'm a fat lady.”

Needing some joy in her life, Kadan knew where to turn. She found her way to the female owned and operated Underground Wonder Bar and got herself a life-changing gig. Thrilling local crowds with her dynamic voice – an explosive, all-natural mix of raspy soul and gospel power – she made a point to go her own way, performing original songs right from her first night … and people took notice. A producer from NBC’s The Voice soon got in touch, but still feeling unworthy, Kadan turned them down.

“I didn't want to do it. I thought, it's kind of a sellout,” she says with a laugh. “I was going to go back to school actually, because I was tired of the hustle. I was going to go for psychology, and I'm like, ‘Music to me is the healer. And if I can't be a singer, I’ve got to help people in a different way.’”

Eventually, though, Kadan changed her mind. Determined to give herself just one chance – and feeling like she had nothing to lose – she showed up for The Voice and stood out immediately, taking third place on Season 17 in 2019. Impressing judges and fans alike with her big style, big voice, and ability to leave her heart on the stage each night, Kadan’s joyful personality and clear comfort in her own skin tore through countless stereotypes. She became an inspiration to millions.

“Without You” is the first of new music Kadan has planned for release this year. For more information and to stay updated on the latest news and tour dates, visit katiekadan.com and follow along on Instagram @KatieKadanOfficial and @KatieKadan on Facebook, Twitter and TikTok.