ANCIIENTS Announce New Album

JUNO Award winners latest is a heavy, heady and heartfelt offering of progressive metal.

"Big, melodic and fun" - New Noise

"It's exciting stuff, really - often complicated without seeming excessive, skillful but soulful, approachable but not pedestrian" - Pitchfork

"Heady stuff...arch-synthesists, cleverly appropriating a number of familiar, inter-related genres to fuse into a seamless ethos" - Metal Injection

"Proggy, sludgy and downright rocking" - Angry Metal Guy

"When the riffs rumble out of the speakers, you're moving" - No Clean Singing

"Combining powerful drumming with Thin Lizzy inspired riffs, while sounding like the musical equivalent of Game of Thrones" - Echoes and Dust      

"Parts progressive finesse, classic rock grandstanding and grass-roots bludgeon" - PopMatters 

Many moons ago, Anciients were crowned the guiding lights of progressive metal. The Canadians were already firing on all cylinders during a headlining tour of Europe when they won a JUNO Award for Metal/Hard Music Album of the Year in 2016.

Unfortunately, keeping their avalanche of momentum rocking and rolling proved to be no easy feat. For too long, Anciients seemed to lie dormant, hidden amongst the shadows. But now, after eight years of hermetic silence, the band have returned from the wilderness with a new lineup and their highly-anticipated third album, which now stands as their heaviest, headiest and most heartfelt offering.     

"The hiatus is over", says Anciients' frontman Kenny Cook. "We missed out on a huge block after the last record. But with the new album and new members, we're ready to hit it hard".

Beyond the Reach of the Sun comes out August 30, 2024 on Season of Mist. 

Listen to the mind-blowing lead single "Melt the Crown" Below.

Pre-order & Stream

https://orcd.co/anciientsbeyondthereachofthesun

For those foolish enough to forget, Beyond the Reach of the Sun will serve as a reminder that Anciients can still rule with an iron fist. The album tells the story of a society that's enslaved by forces from another dimension. "Melt the Crown" is plenty punishing in its own right. Mike Hannay drums with the crushing speed of a meteor. Only now he's backed by the titanic grooves of new bassist Rory O'Brien, who comes courtesy of fellow Canadian progressives Bushwhacker.         

"We lost our bass player literally a month before we were going in to record and were kind of up shit's creek", says Kenny Cook, Anciient's vocalist and lead axe man. "We got lucky and Rory saved our asses at the last minute". 

An unexpected lineup shuffle was far from the only obstacle that stood in Anciient's path toward album number three. Of course, the global pandemic didn't help, but Beyond the Reach of the Sun had turned into a Herculean climb well before COVID-19 kept the band from performing outside Canada for two-plus years. Cook's wife nearly passed away from heart complications after giving birth to their first child.

"She's happy and healthy now", he assures, "but I wasn't at the stage where I could be out on tour for half a year, especially with a new child. Dealing with family issues was the main priority. It was a bit of a road". 

Such a serious amount of pressure would weigh on anyone. But Cook fell into deeper doubts when trying to carry the bulk of the songwriting and lyric duties in relative isolation after he and his family left Vancouver for small-town Columbia-Shuswap. You can hear those phantom pains bleeding into "Melt the Crown". "Feel the weight of the world",  Cook growls amidst sludgy distortion. But at its core, Beyond the Reach of the Sun is about perseverance. "Melt the Crown" marks the point in the tracklist where a cosmic entity guides society to a source of ancient knowledge that frees them from their oppressors.

"The overall theme of this record is about overcoming adversity in order to seek enlightenment", Cook says.  

Beyond the Reach of the Sun also led Anciients to discover fresh springs of inspiration. The band concentrated on making these songs more dynamic while also allowing them more room to breath. "Melt the Crown" opens with plaintive acoustic fingerpicking. Justin Hagberg, who plays in Ritual Dictates as well as the recently reunited 3 Inches of Blood, soon accompanies with a keyboard melody that shines as crisp as light off a summer lake before shimmering into stardust. "Spirits awakening to cast you out", Cook sings, clean and booming with reverb, like dawn rising above a snow-capped mountain range.  

One thing has always been crystal clear though: Anciients can shred. Fans who've waited on bended knee for more guitar heroics will not be disappointed, either. New member Brock MacInnes brings the same rhythmic crunch that he's given to Dead Quiet. Just listen to the way his riffs on "Melt the Crown" chip and chisel before laying down the hammer with a headbanging chug. "Beyond the Reach of the Sun has a lot more of our rock side", Cook says. "We tried to add more dynamics to the music and give the songs more room to breathe". 

Of course, Cook knows his own way around the neck of a Gibson Les Paul. On "Melt the Crown", Anciients fire up not one, not two, but threeguitar solos. Each one comes with its own special flavor. They start off by leading us through a field of filigreed folk, then turn back toward Allman Brothers' blues, before leaping into a psychedelic reverie that's like opening the door to your mind's eye.    

"'Melt the Crown' was the first song completed during the pre-production sessions for Beyond the Reach of the Sun", Anciients says. "It was the only song we kept from a batch of ideas that we had accumulated over the years, and it served as a formative building block that we used to base the direction of the new material moving forward. It covers almost all of the basis of the sounds we enjoy creating. We hope everyone who listens can find something in there to connect with".

At long last, Anciients have returned for their crown.

It’s been a rough handful of years for British Columbia-based extremity-laced progressive rockers, Anciients. When the quartet unleashed their Voice of the Void album in 2016, the world appeared to be their oyster and things seemed ripe for the picking. They were coming off the success of their Heart of Oak debut from 2013, its ascendancy due in large part to a collective uptick in interest for involved, forward-thinking music. The public had moved beyond toe-dipping and tire-kicking, and were instead doing headfirst dives into exploring the likes of Opeth, Mastodon, Baroness, The Ocean, Intronaut and others who originally hailed from the extreme music underground, but had since grown, matured and scrubbed behind their ears to include heaping and healthy chunks from the outskirts of their record collections and influence pools.  

The Band That Auto-Correct Loves to Fuck With™ shared stages with everyone from High on Fire and Goatwhore to Boris and Lamb of God, were in the midst of a European tour when they discovered they were JUNO Award (Canadian Grammy equivalent) winners in the heavy metal/hard rock category. The world was ready to accept Anciients into its welcoming arms. Anciients was gearing up to employ takeover methods, specifically their brand of thunderous rhythms and labyrinthine riffing bolstered by a road warrior mentality. And then, the momentum petered out and the band seemingly fell off the face of the earth.  

Today, Anciients are ready and poised to resume their spirited quest for heavy metal paramountcy. There’s no doubt the band is back and with a stunning and beautiful collection of ten songs on offer in the form of new and third album, Beyond the Reach of the Sun, they are positioning to reestablish themselves as a dominant force for those who love windmilling their tresses around thoughtful tempo changes, complex harmonic layers and driving power chord shifting. But what the hell happened and where did they disappear to?

“Basically,” explains guitarist/vocalist Kenny Cook, “right before Voice of the Void was recorded, my wife had our first kid. She ended up having heart complications and almost passed away from it. We recorded the last record and once it came out, I was kind of just focusing on her, dealing with her health issues and keeping that in check. I wasn’t at the stage where I could be gone for half a year, especially with a new kid. Long story short, she’s happy and healthy now, but dealing with family issues was the main priority. It was a bit of a road.”

Adding to that bit of Anciients camp turmoil, guitarist/co-vocalist/co-founding member, Chris Dyck and the band parted ways in January of 2017. This left a gaping lineup hole at an inopportune juncture in the band’s timeline. Not only did Cook have to deal with the absence of his long-term song and lyric writing partner, but Dyck was also someone he had been splitting vocal duties with since the pair formed the band in 2009. And then, while helping his wife with her recovery, raising their new born and “because we wanted to raise our son in a small town environment,” the Cook family uprooted to Columbia-Shuswap four hours east of the Vancouver area, where drummer Mike Hannay, Brock MacInnes (Dyck’s replacement) and brand spanking new bassist Rory O’Brien still reside.

“We knew Brock from other bands he’d been in and we knew he’d be a great fit,” explains Cook. “He actually filled in for Chris on a tour we did back in 2015. As far as the vocals, I just found myself picking up the slack on both ends. It felt somewhat natural, it was definitely different. Doing the lyrics myself for the first time was somewhat daunting, but it was also something done out of necessity. But even when Chris was in the band I handled 80-90% of the vocals anyway, so it didn’t change all that much.”  

Then, that whole COVID-19 thing you probably heard about once or twice hit in 2020 and put another restraining bolt on Anciients' activity, especially touring as the Canadians found themselves dealing with stricter travel restrictions and mandates than many other countries; most notably, not being able to cross the border for almost two years. Once the dust settled, Cook had to adjust to being the lone vocalist and how that impacted the material he was writing while navigating being creative with distance between Anciients’ members for the first time. Not a biggie, as in-person writing sessions are more of a rarity these days, but because of the time elapsed since Voices of the Void, things/interests/influences changed and the band ended up scrapping half of an album’s worth of material and starting fresh. When they put their heads down at the end of 2021 with the focus being Beyond the Reach of the Sun, what was revealed a year later was more streamlined and slithery, more chest-thumpingly direct, more epic and triumphant sounding. Riffs come in explosive layered packets. Leads, harmonies and melodies are more on par with wind-tussled mountain tops instead of sweaty bar shows and the band moves with finely honed, martial accuracy as conducted by Hannay’s rocket-in-the-pocket staccato swing and accents.  

Songs like “The Torch” blaze with the shirtless glisten of ‘70s stadium rock power. “Cloak of the Vast and Black” swirls and whirls with a combination of hardcore intensity, grunge groove and expansive six-string parries. “In the Absence of Wisdom” is a hurricane-sized maelstrom of classic and prog rock elevated to grandiosity by a return to their growling sludge/death early years as the song/album concludes. The album’s first single, “Melt the Crown” mixes cues from legendary fellow hosers Rush and Harlequin, turn-of-the-millennium post-metal and the most psychedelic corners of the Rise Above Records roster.

“The new record has a lot more of our rock side,” Cook offers, “and leans towards those elements of our sound and personalities, whereas Voice of the Void was pretty crushing all the way through. With the new material we’ve tried to add more dynamics to the music and give the songs more room to breathe."  

Album opener “Forbidden Sanctuary” is the soundtrack to exploration, of new worlds and sonic arrangement as sine-wave guitars pull from vintage Mercyful Fate covens and Krautrock communes with synths opening up novel textural avenues, as they do on the ethereal wispiness and space rock/sci-fi soundscapes of the instrumental “Candescence.” Beyond the Reach of the Sun sees synths and keyboards making their first appearance on an Anciients record and were played by producer/mixer Jesse Gander and Justin Hagberg at the former’s Rain City Recorders studio. In addition to augmenting the album with his skill on the black and whites, Hagberg — a member of the recently reunited 3 Inches of Blood —  also helped Anciients navigate a significant last-minute hurdle, one that threatened to pull the reins back on their comeback roar.

“We lost our bass player literally a month before we were going in to record and were kind of up shit’s creek. Justin also plays in a band called Ritual Dictates with Rory and is the one who brought his name up.”

O’Brien, a former member of Vancouver’s Bushwhacker, was absolutely interested when approached by Anciients.  

“We got lucky and he saved our asses at the last minute.”  

Cook stepped up to the challenge of being the sole lyricist to drape Beyond the Reach of the Sun in deeply personal expressions of the inner turmoil, fear and isolation he’d experienced in himself and saw in others over the past few years. There were moments where he didn’t know whether loved ones were going to pull through and what life was going to look like were tragedy come to pass. Mental health and people living life without being able to see any light at the end of the tunnel became a very prevalent theme to tracks like “Despoiled” and “Beyond Our Minds.” And while the line that became the album’s title is taken from a David Attenborough-narrated Planet Earth documentary, it speaks more to the coming and going of despondency when one doesn’t know how dark the darkness is going to get, as in “Is It Your God,” which pulls from the manifestation of grief and how it can shatter belief systems.  

“That one is a little more personal to me and my situation,” Cook says somberly. "I had a good friend of mine from when I was younger pass away from cancer. His mother was super-religious and there were ideas taken from her questioning how could something like that happen to her when she had such a strong faith.”  

The title and themes of stripped away hope and piled on anguish and tumult were parlayed into the album’s spectacular cover art. Created by Adam Burke (Nightjar Illustrations), the drawing is part-pulp novel cover, part-Franzetta landscape, part-sci-fi movie poster and all a vast illustration one can easily lose themselves in while the record spins in the background.

“We gave him the concept and basic outline of how we wanted the cover to look and he took it to a whole new dimension. It turned out pretty wild!”

With all being said and done, Anciients have returned! They stand ready to ascend the prog metal ladder and get back to doing what they do best with a weighty and dense, but wholly accessible, album. It’s a collection of ten songs that possesses the ability to have those furiously banging heads also tapping into their power of self-reflection and contemplation to ponder the finality of existence, the value of life and their place in the universe.  

“Totally! We’re going to take as many of the opportunities that come to us. The hiatus is over and I think with the new members and everyone being on the same page we’re ready to get out there as soon as possible. We missed out on a huge block after the last record, so we’ve got to make up for lost time. Now that everyone is happy and healthy, we plan to hit it hard.”

Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums) 
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Guest musicians
Justin Hagberg plays keyboard on "Forbidden Sanctuary", "Is It Your God", "Melt the Crown", "Candescence", "In the Absence of Wisdom".

Jess Gander plays synths on "Candescence" and "Cloak of the Vast and Black".

Recording studio
Rain City Recorders

Producer / sound engineer
Jesse Gander
Assisted by Szymon Wojciech

Mastering studio and engineer
Stu McKillop @ Rain City Mastering

Mixing studio and engineer
Jesse Gander Rain City Recorders

Cover artwork artist 
Adam Burke @ Nightjar Illustrations

Bio
Kevin Stewart-Panko

Pre-order & Stream: https://orcd.co/anciientsbeyondthereachofthesun

Follow Anciients
https://www.facebook.com/ANCIIENTSRIFFS
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Return to Dust Unveil Brand New Video For "Face Down" & Join Sevendust As Support For "Seasons" Anniversary Tour This Fall!

Boundary-pushing grunge quartet, Return to Dust, have today released a brand new video for their latest single, "Face Down" taken off their long-awaited debut self-titled album via Jim Kaufman Productions. Directed by Matt Akana, the "Face Down" video delves deep into the realms of emotion and introspection, its grunge-infused aesthetic adding a raw and gritty layer to the evocative visuals. Fans can listen to the new album HERE, and watch the brand new video below.

"Face Down," a standout track on the band's debut album, serves as a poignant reminder of Return to Dust's sonic evolution. With its explosive instrumentation and poignant lyricism, the track captures the essence of smash hit "Belly Up," while ushering in a matured sound that emphasizes the band's rapid growth and their fearless embrace of musical experimentation. Shedding light on the brand new video, the band shares:

"We wanted to convey a sense of the surreal with the Face Down music video that our other videos hadn’t captured yet. So we created a red world and a dark void. Places where you’re not quite alive and not quite dead that shows the duality of beauty and chaos. Comfort and unease. Themes and feelings that permeate throughout the rest of this album."

Excitement continues to build for Return to Dust, as they gear up to join heavyweights Sevendust on their "Seasons" Anniversary Tour this fall. Pre-sale tickets are available today at 11AM ET, with the general on-sale beginning on Thursday, May 23 at 10AM local. All ticket information can be found HERE. With their first national tour on the horizon, the band adds:

"We grew up listening to songs like Terminator on our brothers’ CD collections so this tour feels like a full circle back to that time. We think it’s really cool that Sevendust is taking us out and supporting younger bands and couldn’t be more grateful / excited. It’ll be an incredible experience for both ours and Sevendust’s fans."

Returning to the roots of grunge with a modern twist, Return to Dust's self-titled debut album is a visceral exploration of angst, rebellion, and introspection. From infectious riffs to haunting dual-melodies, each track is a testament to the band's dedication to pushing musical boundaries while staying true to their distinctive sound. Their recent appearances at Welcome to Rockville and Sonic Temple only amplified the band's undeniable allure, solidifying their status as a must-see live act this year.

Earning a phenomenal 2 million TikTok views over the course of a weekend, see HERE, Return to Dust have soared to new heights. The TIkTok featuring the band's single, "Belly Up" swiftly impacted the band's trajectory - landing them over 3.5 million streams across DSPs, 73K Spotify Monthly Listeners, and 5.4 million total TikTok views. With the release of their debut record under their belt,Return to Dust have truly cemented their position as a rising force in the industry.

Return to Dust, who are heavily inspired by the legendary Alice In Chains, continue to gain traction and acclaim, solidifying themselves as mavericks in the current rock resurgence. Collaborating alongside renowned producer Jim Kaufman (Everclear, Danny Worsnop, Night Riots, Helmet) and earning accolades from rock impresario, Allison Hagendorf, the band's momentum remains unwavering. With their dynamic presence on TikTok, a rapidly growing streaming audience, and a loyal fan base, the band is gearing up for an exciting and promising future.

Stay tuned for what Return to Dust has in store, as they continue to make waves in the music scene and connect with their ever-expanding audience.

Return to Dust's self titled debut album is available for purchase HERE. The bundle, pictured to the right, features a 12" Vinyl for the audiophiles, a special LP inspired T-Shirt, an 11x17 poster of the album artwork, and an exclusive Snake Pendant Necklace for fans who seek a piece of the band's story to wear close to their hearts.

Catch Return to Dust Live This Year!

Dates In Support Of Sevendust

On Their "Seasons" Anniversary Tour

Fri, 9/13 - Hampton Beach, MA - Hampton Beach Casino

Sat, 9/14 - Hampton Beach, MA - Hampton Beach Casino

Sun, 9/15 - Albany, NY - Empire

Tues, 9/17 - Rochester, NY - Water Street Music Hall

Thurs, 9/19 - New York, NY - The Palladium

Fri, 9/20 - Harrisburg, PA - HMAC

Sat, 9/21 - Silver Spring, MD - The Fillmore

Sun, 9/22 - Raleigh, NC - The Ritz

Tues, 9/24 - Knoxville, TN - The Mill & Mine

Wed, 9/25 - Atlanta, GA - The Eastern

Thurs, 9/26 - Chattanooga, TN - The Signal

Wed, 10/2 - Dallas, TX - The Factory

Thurs, 10/3 - Wichita, KS - The Cotilion

Fri, 10/4 - Tulsa, OK - Cain's Ballroom

Sat, 10/5 - Lincoln, NE- The Bourbon Theatre

Mon, 10/7 - Denver, CO - The Summit

Tues, 10/8 - Salt Lake City, UT - The Depot

ABOUT RETURN TO DUST

Los Angeles based alternative/grunge rock quartet Return to Dust (Matthew Bielawski, Graham Stanush, Sebastian Gonzalez, London Hudson) has already scripted a karmic saga that traverses decades, pays homage to the past, and plants its roots firmly in the future. Listening within their sonic universe is like time-traveling to the halcyon days of the '90s grunge era. Their sound, influenced by heavyweights of the time, reverberates with the echoes of Deftones, Alice In Chains, and the soul of Nirvana — but, their brilliance doesn't stop there. The band draws inspiration from a diverse palette, blending in bits from bands like The Cure, Metallica, and Cage The Elephant, molding them into their own unique musical tapestry. 

Return to Dust breathes life into a sound that feels both genuine and tailor-made to encapsulate the essence of a bygone era, leaving fans awash in nostalgia. Yet, it's not merely a mimicry of the past; instead, it's a fusion of the old and the new — an alchemy that conjures a sound distinctly their own. At the core are alluring bass lines (Stanush), gritty guitar riffs (Gonzalez, Bielawski), dynamic drumming (Hudson) and dual lead vocals (Bielawski, Stanush) that harmonize and intertwine, weaving an ethereal soundscape that resonates with raw emotion and unyielding energy. It's a moody concoction that pays homage to an iconic era while fearlessly exploring uncharted territories. Return to Dust beckons audiences into their world, where the past and present converge, igniting a fervor that keeps the flames of grunge alive. 

Return to Dust found its meteoric rise propelled by a chance encounter with none other than the illustrious producer Jim Kaufman(Helmet, Everclear, Night Riots). Under Kaufman's mentorship, the band's raw talent began to soar. During the darkest days of the pandemic, when the world stood still, Return to Dust seized the opportunity to channel their collective energy into crafting something profound. The result was their debut LP, a mesmerizing self-titled creation. It was a labor of love and dedication that not only transcended the barriers of personal growth, but also etched the band's name into the future of rock.

Return to Dust

Matthew Bielawski - Vocals & Guitar

Graham Stanush - Vocals & Bass

Sebastian Gonzalez - Guitar

London Hudson - Drums

NIGHTWISH - Start The Pre-Order For Yesterwynde + Announce First Single 'Perfume Of The Timeless'

Still, Finnish Symphonic metal legends NIGHTWISH filled this word with life when they announced their tenth studio album at the end of last month. Today, NIGHTWISH have officially launched the pre-order for Yesterwynde.

Order the album here:
https://nightwish.bfan.link/yesterwynde.a01

Yesterwynde will be available in a number of different vinyl variants, as a jewelcase, digipak, earbook, and as part of a deluxe vinyl boxset.

To celebrate the news, NIGHTWISH have opened the door to their newly-built universe a tiny bit and allowed their fans a first glimpse of Yesterwynde. The band shares their first single 'Perfume Of The Timeless' today, a beautiful song that provides a taste of the grandeur, drama, and heaviness the new album has to offer.
 

Tuomas Holopainen shares his thoughts about 'Perfume Of The Timeless':
”You are the result of an unbroken chain of millions of ancestors and their loves. ’Perfume Of The Timeless’ reminds us all of this amazing fact.  And if you’re not amazed, listen to it again, because it’s important.”

Stream the single here:
https://nightwish.bfan.link/perfumeofthetimeless.a01

'Perfume Of The Timeless' comes with an outstanding music video that can be watched Below.

About NIGHTWISH
Working with NUCLEAR BLAST since the release of their highly lauded 2004 album Once, NIGHTWISH have gained international fame and success selling more than ten million records and receiving more than 60 gold and platinum awards, having released six No #1 albums and thirteen No #1 singles. In October 2018, NIGHTWISH was inducted into the Tähtikatu – Walk of Fame Finland, becoming the honorary gallery's eleventh member. 2020 saw the release of the band's last studio record, Human. :II: Nature. that crowned the band's discography with another No #1 success in Finland and Germany as well several other impressive chart entries worldwide. 

Line-Up:
Floor Jansen | Vocals
Tuomas Holopainen | Keys
Emppu Vuorinen | Guitars
Jukka Koskinen | Basses
Troy Donockley | Uilleann Pipes, Low Whistles, Acoustic & Electric Guitars, Bouzouki, Bodhrán, Aerophone, Vocals
Kai Hahto | Drums & Percussion

More info:

www.nightwish.com  
www.facebook.com/nightwish
www.nuclearblast.de/nightwish  
www.instagram.com/nightwish/ 
www.twitter.com/NightwishBand

Underground 90s UK industrial outfit History Of Guns presents 'When You Don't Matter' single, an unflinching look at abandonment

“Invisible hooks that will sink further in” ~  Auxiliary Magazine

"As a band, Hertfordshire's History of Guns is something of a musical chameleon. Like Killing Joke and Nine Inch Nails, they’ve taken on new forms whilst remaining easily identifiable in their journey from goth rock to post-punk and darkwave to EDM and wider electro-goth hybrid territory. The tension of opposites that characterises much of their work propels it forth to an electronic beat, the vocals uncoiling, snake-like, atop a steady electronic catchment" ~ Amplify Music Magazine

“Polished, dramatic, full of poise and binding sentiment, and one of awesome sound and feeling” ~ Liverpool Sound and Vision


Underground 90s industrial legends History Of Guns presents their new single 'When You Don't Matter'. This is the second taster of their 'Half Light' album, following the lead track 'No Longer Earthbound', where the band takes a typically unflinching look at abandonment.

Their eighth record to date, it will be released via the Liquid Len Recording Company. Serving up their unique meta-modernist Industrial sound,

On hiatus from 2012 to 2022, they returned with the album 'Forever Dying In Your Eyes' and then set about finishing an electronic project they’d begun in 2008. The result is this 'Half Light' album, produced by Max Rael, mixed by Max Rael and Caden Clarkson, and mastered by Pete Maher (U2, Pixies, Nick Cave, Depeche Mode, Nine Inch Nails).

Formed in Cheshunt, Hertfordshire in 1996, History of Guns became frontrunners of the UK's Wasp Factory / FuturePunk scene of the early 2000s and their 2004 single 'Your Obedient Servant' was ultimately championed by The Quietus and Mick Mercer as one of the “thirty best goth singles of all time”.

On this album, founding members Del Alien (vocals) and Max Rael (keyboards, programming) are joined by guitarist Caden Clarkson, the newest member of History Of Guns. Exploring the human condition through various musical genres

Del Alien - an original punk turned goth - is an anti-authority seeker of truth and the questions behind the questions. Max Rael is in love with the idea of using music to create a separate universe for creating stories and escaping into, was an autistic, music-obsessed child, absorbing a dozen genres before diving into trance after Britpop ruined the alternative scene.

 “I think most people know of either a moment, or something sadly longer, when you're on your own, and no one knows where you are, how you are, or even if you're alive or dead. I think this like a History Of Guns version of a ballad, for abandonment. But whenever we have something we think is beautiful, we always have to smash it up somehow. From an existential point of view it might be true, maybe we don’t matter.  We are meaning-seeking creatures in a world with no objective meaning. Ultimately we have to find a way to make ourselves matter to ourselves,” says multi-instrumentalist Max Rael.

Del Alien adds, "It's like the vain attempt to help people. Maybe they know it, maybe they don't. It's not a personal thing is it? Is this what society has done to us? Is it worth you thinking about? Getting cold in a box just to be burned and scattered to the wind, only to end up in the mouth of a dying junkie… or like sleeping with the sanest lunatic you ever met, but there’s no one there in the morning to make you breakfast. If the product is not good from the start, how can it be in the end?  Losing the place you stand, just to hold another’s hand.”

Influenced by Killing Joke, PWEI, Bauhaus, Coil, Joy Division, Sisters of Mercy and Nine Inch Nails and Swans, History of Guns was a big part of the UK underground industrial scene of the 00s, playing Whitby Gothic Weekend, as well as Futurepunk and Back to the Futurepunk events.

As of May 20, 'When You Don't Matter' is available from fine music platforms, including Spotify, Apple Music and Bandcamp, where the 'Half Light' album (out June 20) can be pre-ordered..

ALBUM CREDITS
Produced by Max Rael
Mixed by Max Rael and Caden Clarkson
Recorded at Apollo Audio (Hertford), Soul Studios (Bishops Stortford)
Mastered by Pete Maher
Del Alien - vocals
Max Rael - keyboards, programming, guitars
Caden Clarkson - guitar
Andy Webster & Marnie from SPUCKTUTE  - vocals on 'Never Give it Up'
Amon Ásentir & Mark Eris from Xykogen - vocals on 'Arcadia'
Arcadia Choir (Emma Mills, Priyanka O’Neill, Sohm O’Neill and Ninotschka G.) - vocals on 'Arcadia'
Nykky Spectre - vocals on 'An Invitation'
Cover artwork by Amara O'Neill
Publicity by Shameless Promotion PR

Keep up with History Of Guns
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Link edIn | Email

Octavian Winters and electronic music icon Mark Pistel (Consolidated, Meat Beat Manifesto) team up for 'Nebula / Velveteen' release

"A dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma... tectonic thunder... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate" ~ Ringmaster Review


San Francisco post-punk outfit Octavian Winters has teamed up with Mark Pistel (Consolidate, Meat Beat Manifesto) on their new two-track single. Out April 30 via Stratis Capta Records, the A-side 'Nebula', which underscores the inevitable impermanence of all that is seen and unseen, known and unknown, is complemented by Pistel's infectious pulsating remix of 'Velveteen'.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The Pull, Love Club), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

A producer, engineer, programmer, remixer and songwriter active in the electronic music scene since the 80s, Mark Pistel is perhaps best known as a founding member of the band Consolidated and contributing member of Meat Beat Manifesto since 1997. From his own Room 5 studio, he has worked with The Disposable Heroes of Hiphoprisy, Grace Jones, Therapy?, MC 900 Foot Jesus, Machines of Loving Grace, Hector Zazou, Mark Stewart, Lee Scratch Perry, Cabaret Voltaire's Stephen Mallinder and Fishbone's Angelo Moore.

Pistel explains, "Randy Gzebb called me about remixing one of the tracks off 'The Line or the Curve' EP. I was excited to do so, as we'd recorded some of these vocals at my Room 5 Studio in San Francisco. I chose to do 'Velveteen' as I already loved the track with its fantastic vocal melody and Stephan's unstoppable guitar hook! I  took on the track with pulsing analog synths and a slamming dance floor beat for the clubs."

Octavian Winters also present their new video for 'Nebula', created by filmmaker David Kruschke, who also produced the band's most recent video for the original version of 'Velveteen'. Both songs were lifted from the band's debut EP 'The Line or Curve', released in October 2023, following videos for 'Undertow', 'Ondine' and 'Surreal'.

"Nebula began as an experiment. I was trying to pin down the concept of the song in my head lyrically for a while and just knew it felt very “big”, even apocalyptic in a way. I kept envisioning a sort of “last day at the end of the world” — what would the sky look like? Would we know and understand what was happening? There is this broadly Gnostic idea of the universe as unfolding and unfolding through what are called Aeons, essentially levels of manifestation, until we get this world we live in here," says Ria Aursjoen. 

"I imagined this world reaching the fullness of its life, that whole cycle ending — and then everything reversing, refolding back to the start to make way for the next universe. There is a lot of esoteric symbology referenced in this song for those out there who like that sort of thing. The incredible thing about symbolic language is that it can have so many levels of meaning depending on the viewer/listener. I am sure I will understand my own words to this in new ways, in the future."

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

Randy Gzebb explains, "We were discussing what song idea we should work on next during the writing process and Ria brought in the demo of Nebula. We listened once and started playing it at rehearsal and after a couple of takes, everyone had their parts locked down. I started to play with the Tom groove and tried to make it powerful, but still leave some space for the track to breathe. The rhythm and tempo set the overall tone and emotional mood of the song, with guitar and pulsating bass creating a haunting atmosphere with powerful vocal lines".

'The Line or Curve' EP was recorded in San Francisco by Mark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, the band produced this EP with William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), who also mixed and mastered it at 13 Studio in Chicago.

Over the years, members of Octavian Winters have shared the stage with many iconic acts, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

The 'Nebula / Velveteen (Mark Pistel Remix)' single is out now, available digitally from fine music platforms, including via Apple Music, Spotify and Bandcamp, where 'The Line or Curve' EP is also available. The band's next headlining concert is on Friday, July 26 at San Francisco's DNA Lounge with support from Halou and Sword Tongue as support.

CREDITS 
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
'Velveteen' remix by Mark Pistel
'Nebula' written by Ria Aursjoen
'Velveteen' written by Octavian Winters
Recorded at OW studios San Francisco
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco
'Nebula' mixed & mastered by William Faith at 13 Studio, Chicago
'Nebula' produced by Octavian Winters and William Faith
Cover art Ria Aursjoen
Design by Eric Olson 
Publicity by Shameless Promotion PR
Video by David Kruschke


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

SETH Pierce Through Shadows On New Single

SETH are the harbinger of a sound that's steeped in the clandestine narratives of Parisian lore and rebellion. Today, the French black metal band are releasing "Dans le Cœur un Poignard", from their upcoming album La France des Maudits. Their latest single is a dark ode to those who bear the mark of betrayal and suffering within their hearts.

Watch the music video for "Dans le Cœur un Poignard" Below

La France des Maudits is out July 14, on Bastille Day, through Season of Mist.

Pre-order & pre-save: https://orcd.co/sethlafrancesdesmaudits

The haunting melody of "Dans le Cœur un Poignard" weaves through a labyrinth of Parisian despair, illuminating the darkest corners of a wounded heart. Lyrically, the track is a poignant narrative of anguish and defiance, serving as a siren call to those who navigate the treacherous waters of existence with a dagger sheathed within their soul. Seth, with their meticulous craftsmanship, etch a tale of sorrow and resilience, emboldened by the ethereal whispers of a love lost to the voracious appetite of betrayal.

"Dans mon cœur ce poignard. Toujours souffrir, Jusqu'à la mort!", Saint Vincent echoes. It's a stark reminder of the perpetual battle against the specters of our past, encapsulating the essence of human struggle, a relentless journey punctuated by moments of exquisite pain and sublime liberation.

Alongside the haunting melodies of "Dans le Cœur un Poignard", Seth has commissioned a visually arresting music video, bringing the song's themes of betrayal, anguish, and defiance to life with heart-piercing imagery. Helmed by the visionary Pierre Reynard, the video is a striking piece of art that beautifully accompanies the song's melancholy.

In the solemn shadows of a lyrically resurrected Paris, where the whispers of revolution still haunt the cobblestones and the phantom caress of the guillotine's blade lingers in the air, stands a band – not merely of musicians, but of modern Marats, Robespierres in leather and lace, anointed with the spirit of insurrection. SETH, the harbingers of a dark yet fervidly awaited dawn, are poised once more to unleash a tempest upon the sanctified silence of the contemporary music scene with their newest auditory uprising, La France des Maudits.

The history of black metal formation Seth and Season of Mist spans back to the early days of the French metal scene. The band’s debut Les Blessures de L’Ame (1998) was one of the first releases on the label. This album is now regarded as a cornerstone in French black metal, pioneering the usage of their native tongue on a black metal record.

The release of Les Blessures de L’Ame quickly gained international attention and Seth built a solid fanbase. The French blasphemers signed a two-release deal with Osmose Productions and participated on the MAYHEM cult tribute album Originators of the Northern Darknessalongside IMMORTAL and BEHEMOTH. The second full-length The Excellence came out in 2000 and featured a contribution from none other than Fenriz (DARKTHRONE), who wrote the lyrics for the song Let Me Be The Salt In Your Wound.

Shortly after, the group recorded their third album Divine-X (2002) at the Excess Studios in Rotterdam (EPICA, AFTER FOREVER, SINISTER). This record demonstrated the ability of the band to mix gloomy and violent atmospheres and received extensive coverage from the international metal press at the time.

Returning to the Netherlands to record the fourth album Era-Decay(2004), two new members joined the ranks of Seth: vocalist Black Messiah and guitarist Cyriex. Afterwards, the band was invited to play at the prestigious Inferno festival in Norway in 2005.

A long hiatus followed, until the band returned in 2011 to play an exclusive show in Germany with the German cult act BETHLEHEM. The band re-joined the ranks of Season of Mist, eventually releasing The Howling Spirit (2013) and embarking on a European tour with PESTILENCE. Several appearances at major festivals followed, including Hellfest and Graspop Metal Meeting, concluded by a Canadian headliner tour with new vocalist Saint Vincent (BLACKLODGE).

Celebrating the 20th anniversary of Les Blessures de L’Ame in 2018, Seth exclusively performed the entire album at festivals in Switzerland, Canada (Messe de Morts) and Belgium (Thronefest). The French label Les Acteurs de l’Ombre productions released a live recording of these shows, called 20 ans de Blasphème. The band’s new line-up features members of LOUDBLAST, ARKHON INFAUSTUS and MELTED SPACE.

In the twilight year of 2021, within Paris' shadow-ridden crypt, Studio Sainte Marthe, an album was birthed from Seth's tumultuous revelation, christened, La Morsure du Christ. Earning plaudits of wonder, it was no mere collection of hymns, but a solitary harbinger of deconstruction, a cataclysm of unseen proportions. Inspiration seeped from Notre-Dame de Paris—her skeletal frame ablaze in a 2019's firestorm—an emblem of decaying faith for a godforsaken era. As heavy as the iron heart of a guillotine, La Morsure du Christ echoed through the chambers of 2021, reigning supreme in a multitude of international & French metal charts, as well as its inclusion on premier streaming platform playlists. Bold symphonies interwoven with razor-sharp lyricism and a sophisticated conceptual resonance that dared to envision black metal through a revolutionary lens.

Rooted deeply in the soil that once drank deeply of royal and commoner blood alike during the tumultuous fervour of the French Revolution, Seth presents their latest opus - a black metal gospel according to the damned and the outcast. An intricate tapestry of shadows and defiance emerges from the darkness of history's recesses, swirling with the mists of apocalyptic visions and the ashes of fallen angels. La France des Maudits is a declaration of war, a call to arms for the souls still smouldering beneath the veneer of a world too long gripped in the cold hands of a moribund orthodoxy.

With the fractured bones of dead gods beneath their boots, Seth voyages through the forbidden and the occult, tracing the lines of ancient prophecies and the decadent whispers of La Grande Catin Écarlate, the scarlet woman of the apocalypse. Their songs, from Paris des Maléfices to Insurrection, resonate with the echoes of a Paris besieged not by armies, but by souls clamouring for liberation - a city where each stone tells a tale of defiance, where every shadow harbours the spirit of revolt.

Lyrically, La France des Maudits is dripping with the wine of condemned men and the blood of saints, narrating the epic saga of rebellion from the ashes of a fallen Notre-Dame. This is not the Paris of light, but of enlightening darkness, where the façades of grandeur crumble to reveal the raw flesh of true humanity, writhing in its eternal struggle against divine oppression. Here, in the very heart of darkness, Seth finds its muse among the cacophony of broken chains and shattered dogmas.

Prepare to march beneath the banner unfurled by Seth, in the grand tradition of those unyielding souls who once stormed the Bastille and dared to dream of a world remade.La France des Mauditsbeckons - not to the gallows, but to glory.

Line-up
Saint Vincent - Vocals (Blacklodge)
Heimoth - Guitar (Sinsaenum)
Drakhian - Guitar (ex-Loudblast, Griffar)
Pierre Le Pape - Keys (Melted Space)
EsX - Bass (Arkhon Infaustus, ex-Merrimack)
Alsvid - Drums (ex-Enthroned, ex-Ad Patres)

Recording Studio
Sainte Marthe Studio

Production Credits
Mixed, produced & mastered by Francis Caste

Biography
Sébastien Gamez

Cover Art
Andy Julia (Photography)

Stream & Order: 
https://orcd.co/sethlafrancesdesmaudits

Links/Follow Artist
Official Website:https://www.innomineseth.fr/
Facebook:http://www.facebook.com/innomineseth
Instagram:https://instagram.com/sethblackmetal
Bandcamp:http://innomineseth.bandcamp.com/
Spotify:https://open.spotify.com/artist/0mZohnzbCiVv54VIEA6Wb7
Deezer:https://www.deezer.com/us/artist/56150
Apple Music:https://music.apple.com/us/artist/seth/1643927366
YouTube:http://www.youtube.com/user/InNomineSethOfficial
ReverbNation:https://www.reverbnation.com/innomineseth

Booking Contacts
Laszlo@redback-promotion.com(EU)
philippe@ragetour.fr(FR)

Available Formats
Digital Download
CD Digipak
Limited CD Clamshell Box
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Blue & Black Marbled
12" Coloured Vinyl Gatefold - Red, White & Black Marbled
12" Coloured Vinyl Gatefold - Crystal Clear
12" Liquid-Filled Vinyl Gatefold - Bood Red Liquid
Cassette

BLACKLIST UNION Release New Single "Horns & Halos" + Official Music Video; Announce New Tour Dates!

Blacklist Union unveiled their new single "Horns & Halos" from their forthcoming album Slay the Dragon slated for release at the end of 2024. The album will be available on all digital platforms, in addition to CDs and Vinyl.

"The single is about the battle of good & evil," says the band's frontman Tony West.

"Horns & Halos" was written by Tony West / Paul Crosby, produced by Christopher Johnson, recorded/mixed by Ghian Wright, and mastered by Maor Appelbaum.

Musicians on the single:

Tony West - Lead Vocals

Raf Ranson - Lead Guitar

Dee Hayes - Rhythm Guitar

Cordell Crockett - Bass

Justin Perez - Drums

In addition, the band has announced new tours dates in support of the single. The tour kicks off on May 23rd in San Diego, CA at Brick by Brick.

Stream/Download Blacklist Union HERE

WATCH "Horns & Halos" Official Music Video Below

Tony West was raised in the Bronx on Ramones, Bad Brains, and NYHC. Hearing the call of the wild west, Tony made his way to Los Angeles at 19 years old. He initially collaborated with guitarist Todd Youth (Murphy’s Law/Danzig) and Malfunkshun, which was kept active by Andy Wood’s brother Kevin Wood.

Tony took a break from L.A. to try out Memphis in 1998. While he was there, he attended the first Saliva gig with Paul Crosby on drums. This historic event marked the beginning of a lifelong friendship between Paul and Tony, ultimately leading to a management collaboration and Paul joining Blacklist Union. In addition, Tony recorded with Saliva and Jon E. Love (Love/Hate) in 2014.

Tony decided to go in his own direction in 2006. With a shamanistic blend of Stone Temple Pilots, G N’ R, Malfunkshun, and Mother Love Bone... Blacklist Union was born.

For More Information Please Visit:

Official Website

Facebook

Twitter

Instagram

YouTube

Loverboy Share Live Performance Video of "Working For The Weekend"

The story of Loverboy is akin to a Hollywood movie. Overcoming rejection to eventually become one of Canada's most successful rock bands of all time and selling millions of albums in the process is a feel-good story for the ages.
 
For more than 40 years, Loverboy have been "Working For The Weekend" (and on the weekend), delighting audiences around the world since forming in 1979. 

The year 1982 represented a triumphant 12 months for the rock band with extremely successful arena shows in the course of their second studio album, the multi-platinum awarded US Top 10 record Get Lucky (featuring various hit singles such as the aforementioned "Working for the Weekend," "When It's Over," "Lucky Ones," and "Take Me To The Top"), and winning no less than six Canadian JUNO Awards — a record that still stands today.
 
Today's release of their 1982 live performance "Working for the Weekend" is another exciting foretaste of the incredible live show Live In '82 becoming available for the very first time in high definition on June 7. Pre-order it here.

Watch the live performance "Working For The Weekend" Below. 

Listen here.

It’s a wonderful period piece and Loverboy are just as we remember them — full of smiles, energy and confidence, outrageous hairstyles, colorful clothing, and great music.
  
Even after their incredible 40+ year career (and counting) Loverboy have no intention of cutting back. They embark on a Live Nation promoted North American tour supporting Sammy Hagar, starting in July 13 in West Palm Beach, FL, followed by a series of supporting shows with Foreigner in fall 2024. Dates are here.

FORMATS:
Ltd. CD+Blu-ray Digipak / Ltd. LP+DVD Gatefold / Digital 

Suck Brick Kid Release New Album "The End Is What I Want" via Smartpunk Records

SUCK BRICK KID RELEASE NEW ALBUM THE END IS WHAT I WANT VIA SMARTPUNK RECORDS

Listen to the album here.

Physical copies of the album are available here.

Suck Brick Kid have mastered the art of poignant reflection amid hilarity on their latest album release.

After pulling their inspiration directly from the walls of the finest dive-bar restrooms in America, the band has reimagined these "latrine-limericks" into full-scale stories with lyrics from the perspective of the person who made the mark. These crass, comedic, and often chaotic influences are set against a backdrop of loud and fast punk music that exudes authenticity, relatability, and (sometimes) maturity. It is dedicated to those who find their home in hole-in-the-wall punk shows and the off-kilter communities of dive bar bathrooms.

Speaking about "The End Is What I Want," the band says, "After discovering this crude and desperate etching on a dive bar bathroom wall one night, the concept for this record was born as we began to dig deeper into 'what' these people were going through that led them to express themselves in this way. It really opened up the ceiling for us creatively as we were able to explore the perspectives of these 'vandals' and crafted a story for each after hand-selecting some of our favorite bathroom graffiti finds. This was also a fun challenge for us to compile these clever markings as it gave us something else to do in the bathroom besides just rip piping-hot pisses."

ABOUT SUCK BRICK KID:
With a decade of beers literally under their belt, Suck Brick Kid have defined themselves as "loud as fuck and fast as fuck." This is mainly because their vocabulary is small and rudimentary, at best. But also because they really do both of these things better than most. They don't take themselves too seriously and that's infinitely refreshing!

With a slew of conceptual albums already out, Suck Brick Kid aimed high for this new release and found inspiration in one of the lowest places imaginable...a dive bar bathroom. Bathroom graffiti is often over-looked, over-pissed-on, or even over-appreciated (I saw you draw a penis on that stick figure you dirty dog) but Suck Brick Kid wanted to tap into the mindset of some of these individuals and explore what they were (maybe) going through when they made their mark. This opened up possibilities for the songs that vocalist Grant Tchekmeian and guitarist Ian Marchionda cleverly navigated, as they crafted some of the most insane and absurd lyrical content to date. The End Is What I Want should strike a chord with any lover of punk music, dive bars, both of those things, or people who just like a cheeky poop joke — no that was not one, but you see what I did there. 

This record is sure to put this band six feet under, in wooden suits, and left for the worms.

But before that happens, they've graced stages of FEST in Gainesville, Florida, and have also toured alongside Unwritten Law, Palisades, Set Your Goals, and more. However, the band is survived by the following family members (Grant Tchekmeian on vocals, Ian Marchionda on guitar, Daniel Valery on drums, and Hayden Cler on bass).

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

PAIN Release New Album "I Am" + Share Video For "Don't Wake The Dead"

Today, PAIN release their brand new album I Am via Nuclear Blast Records. 

Filled with anthems like "Don't Wake The Dead" and the hit single "Party In My Head," alongside atmospheric tracks such as "I Am" and "Fair Game," the album seamlessly blends uplifting catchiness with introspective moments, marking Peter Tägtgren's most personal and boldest work to date. To celebrate the album release, PAIN are also sharing their brand new music video for "Don't Wake The Dead," which was written by Peter's son Sebastian Tägtgren.                            
                    
Peter Tägtgren comments, "The first time Seb showed me the song I was blown away, from the beginning to the end, so dark, yet so beautiful. After I heard the song, I had a panic attack: 'How do I sing on this? And what?'

Watch the video for "Don't Wake The Dead" Below.

Stream/Order I Am here.

ABOUT PAIN:
 It's 2021 and a pandemic is strangling the world — and no one seems to be having fun.

Seemingly tireless music freak Peter Tägtgren couldn't care less as he hits the jackpot with — pardon the harsh language — a fucking catchy... well, party anthem. We are of course talking about the song "Party in My Head" by Tägtgren's synth-infused metal project PAIN.

"I don't really know what it is about 'Party in My Head' that made — still makes — people go crazy for it... But what I do know for sure is that the song has already been enjoyed millions and millions of times. The numbers are pretty crazy! Of course, PAIN is no stranger to writing danceable and catchy, albeit metallic shit... it's always been in the DNA of this project. But let's face it: If the world really needs 'party anthems' from a cynical geezer like me, something's seriously wrong," Peter laughs.

Our beloved planet may be screwed, but there still doesn't seem to be much wrong in PAIN's world as 2024 ticks fast on the calendar. There simply can't be, because PAIN's eagerly awaited new studio album I Am is soon here — yes, after eight years of devoted waiting.

"The previous record Coming Home came out in 2016 and of course there was a tour after that. In 2019, I released an album called F & M with Rammstein singer Till Lindemann, a project I left in 2020. In 2021, it was time for my death metal band Hypocrisy to get active with a new album Worship and of course we toured again. If that wasn't enough, let's add that there was a studio album with Joe Lynn Turner in 2022... In other words: the last eight years have passed in the blink of an eye," Peter sighs.

"After all this, it was the perfect time for PAIN to go full force again. I felt excited to say the least. Needless to say, the success of 'Party in My Head' gave the album process an explosive start!"

Let's get one thing straight: the powerful-sounding I Am is truly a versatile — if not the most versatile — musical missile in PAIN's rich discography. The new songs go everywhere with heavy industrial riffs, haunting melancholic vibes, and groove-filled rhythms, without forgetting surprises, of course.

"There's no boundaries with PAIN. I just get an interesting idea for a song and along the way it can turn into anything. Sometimes, I also like to deliberately surprise people by following an exciting musical path where unexpected things happen," Peter describes.

"If I had one big goal this time, it was to add more intensity and edge to the songs. 'Coming Home' turned out great, but looking back now, I was maybe a little too deep into my 'David Bowie worship' with the orchestral stuff and the acoustic guitars. This time around, I definitely wanted more tempo, aggressiveness, and an industrial atmosphere. Going back towards the old times of PAIN? Maybe a bit..."

He continues, "'I Am' is also more of a family affair than ever before. My son Sebastian, also a PAIN drummer,  wrote the music of 'Revolution' and 'Don't Wake the Dead.' These absorbing songs add width to an already versatile album. All in all, completing I Am required a lot of composing, writing, thinking, experimenting, doing, and re-doing. It was a long and sometimes challenging process, but never painful!"

Speaking of surprises... What song will give fans the biggest wow effect this time?

"It must be 'Go With the Flow.' I dare to insist that when it starts rolling, even the deep connoisseurs of PAIN music are wondering what the heck is going on here. I would say it's my 'Depeche Mode in the 80s' song," Peter laughs. "Lyrically, 'Go With the Flow' represents a slightly brighter moment in the darkness. I always tend to think that everything is going to hell, but with this song I tell myself, 'Come on dude, let things be for once and go with the flow.'"

There may be these rare rays of light from the beacon, but darkness still prevails.

"The album's title track starts with the line 'There's no hope in the valley of death.' And if I look at the lyrics, I could dig up a lot other examples of similar sinister moods. But hey, a sarcastic guy like me and such gloomy times we live in... Are you expecting some sunny faces here? Well, sunny or not, PAIN is going to be busy for the foreseeable future. There will be a lot of touring to support the record — summer festivals, extensive tours here and there, and more," Peter says.

He finishes, "And what about the future anyway? Ask me again in eight years and there have been a few studio albums from different bands, a lot of gigs and something else. Yes, I am what I Am..."

Electronic Group Deep AL Brindle Announce "Are You Nervous?" + Share "Nervous"

Los Angeles-based electronic group Deep AL Brindle — comprised of Diego Castellanos and Alastair Wilson — are pleased to announce their debut album Are You Nervous? The record arrives on July 12 via Tooth & Nail Records. Pre-order it here.

The band's music is often a master class in smooth, chill vibes, and today, Deep AL Brindle have shared the new single "Nervous."

Listen here.

"It's the feeling of not being where you're supposed to be and time isn't on your side," the band states about the track. "You have an idea of where you want to be in life, but you feel like you're not there."

The band also shared a video of a live performance of the song. Watch it below for yet another taste of what DAB do best.

Deep AL Brindle fashion vibrant and vital electronic soundscapes around a core of live instrumentation with a heartbeat maintained by real drums. After building a rabid hometown following, gaining traction on streaming platforms, and landing a deal with Tooth & Nail Records, the group's two distinct personalities and styles congregate in one ever-evolving vision on their full-length debut album, Are You Nervous? "We bring a counter balance to one another," Castellanos says. "We challenge each other's tendencies, which is cool. As a drummer, Alastair brings the life back into the songs, and his presence reassures me that, as the saying goes, 'Two minds are better than one.'"
 
"It's really been a journey," adds Wilson. "I'm glad we're on it together."
 
A few years back, the pair initially bonded as friends. Soon, this friendship manifested as a creative partnership where they spent countless hours jamming and making music together. During 2019, Deep AL Brindle formally came to life with the release of CTRL V, followed by a string of buzzing singles. Tooth & Nail took notice, and the pair inked a deal with the label. They continued to create at a prolific pace, decamping to Mexico City at the end of 2023 to lay the foundation for what would become Are You Nervous? On this trip, Alastair tracked the majority of his drums at an intimate studio as they absorbed the energy of their surroundings. "It was my first time going to Mexico City," he states. "I grew up skateboarding, and that culture is strong there. We were visiting skate shops, and the studio experience was amazing. The food was great too."
 
Along the way, they made a conscious decision to place Castellanos' vocals front-and-center on the LP. Encouraged by crowd reactions at shows, they chose to "spice it up a bit."
  
 Deep AL Brindle are ultimately creating a place to escape to with the record and much more to come. “This is a prelude of what we’re going to be. It's just the beginning," says Wilson.

My Epic Share "Heavy Heart" Video

My Epic — Aaron Stone [guitar, vocals], Tanner Morita [guitar], and Nate Washburn [guitar, bass] — recently announced their signing to Tooth & Nail Records. They will release their fourth album and label debut Loriella on June 28. Pre-order it here.

Today, the band has shared the video for "Heavy Heart." Watch it Below.

"'Small as you are — you've got a really heavy heart.' As huge as it is lively, 'Heavy Heart' is a massively satisfying finale of a rock song," the band offers. "Both a nod to the past and a blueprint for the future, 'Heavy Heart' is a roller coaster composition of dynamics and a declaration of unconditional love."

About the album, the band shared, "Loriella is a record about progression, joy, and the confidence that can only grow after the loss of innocence. It's the soundtrack to a hard-won optimism that comes from a commitment to living with 'open hearts and calloused hands.' Massive in dynamic, with intention in every detail, we've never worked harder and can't wait to share these songs."

ABOUT MY EPIC:
My Epic tune into this moment of reawakening on their fourth full-length offering and Tooth & Nail Records debut Loriella. Balancing waves of warm distorted fuzz with lush melodies and cinematic production, the group make the kind of music that rouses the senses and might just encourage you to open your eyes, mind, and heart a little wider.
 
"The record is about having lived long enough to lose your innocence and still being able to find joy, hope, peace, and faith," explains Aaron. "I can be a critical person, but there's a difference between being critical and cynical. I understand why people end up choosing cynicism, because sometimes it can seem like the best way to make sense of all the data in the world–but I think cynicism is death. It's part of my aim to fight cynicism at every turn. The album is about discovery and re-engaging life with purpose on new terms of your own."
 
Throughout the past two decades, the band have quietly, yet consistently engaged a devout fanbase with a simultaneously anthemic and intricate approach to alternative rock. They've progressed across the likes of I Am Undone [2008], Yet [2010], and Behold [2013]. The latter notably catapulted onto the Billboard Heatseekers Albums Chart. Generating millions of streams, their catalog expanded with fan favorite EPs such as Viscera [2016], Ultraviolet [2018], and Violence [2019]—which HM Magazine hailed as "a blend of indie-alternative enchantments." Meanwhile, Cory Brandan of Norma Jean lent his voice to "White Noises.” During 2020, the band signed to Tooth & Nail, turning the page on another chapter as they set their sights on their first full-length since 2013. In between, life happened as band members became dads and moved around personally and professionally. 
 
For the first time, Nate assumed the role of primary producer, and Loriella materialized over the course of two years in three different studios. Along the way, they nodded to early inspirations such as The Smashing Pumpkins, Foo Fighters, and Third Eye Blind. 

PHOTO: Grant A. Nicholls

Alt-Pop Star Dela Kay Drops Upbeat New Single "Saving Face"

Alt-Pop sensation Dela Kay has released her latest single, “Saving Face,” today. Marking her fourth single release from her upcoming EP, slated for release in the coming months, “Saving Face” promises a rollercoaster ride of upbeat rhythms and cheeky lyrics.

“"Saving Face" is about that person in your life getting their karma. Once they've dug their own grave of lies or BS, there's no way they're getting out of it (aka no way they're "Saving Face")” says Dela. Crafted in collaboration with her trusted producer and co-writer Stefano Pigliapoco, along with co-writer Nick Cozine, the song packs a punch with its infectious energy and in-your-face attitude. Drawing inspiration from pop-punk influences, "Saving Face" is seamlessly infused with that signature Dela Kay edge.

The creative process behind "Saving Face" was a whirlwind of excitement and synergy. "We got together and immediately vibed off each other's energy," shared Dela. "The melodies flowed effortlessly, and before we knew it, the lyrics fell into place." Dela Kay is ecstatic about her latest release, expressing her anticipation for fans to experience the track's infectious energy firsthand. "This song is a testament to embracing authenticity and standing firm in the face of adversity," she exclaimed. "Super excited about this song and can't wait for my fans to hear it!"

MORE INFO:
Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. “Saving Face” follows the success of her previous singles, “Nasty,” "IDWTAY" and "Let You Down," which have amassed over 210K streams and secured a spot on Shazam's Best New Music Apple Playlist. Dela Kay, who identifies as a songwriter first and foremost, believes that this phase of her career is her most authentic to date. With a commitment to releasing a series of singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.

In 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10,” as Dela Kay in 2016. Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her 2018 release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. The release of “Think About You” shortly followed, which ended up becoming Dela’s highest-streamed song to date with almost 800k streams and counting. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine.

DELA KAY ON SOCIALS:

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HUNTERGIRL’S REBELLIOUS ANTHEM “BAD BOY” AVAILABLE NOW

Named to CMT’s 2024 Next Women of Country, HunterGirl shares another side to her already impressive artistry, today releasing the infectious anthem “Bad Boy.” Featured on her upcoming label-debut EP, Tennessee Girl, coming June 7, the 19 Recordings/BBR Music Group/BMG Nashville artist throws caution to the wind in her irresistible, rebelling new song. Pre-order/pre-save/pre-add the EP here and listen to “Bad Boy” here.

“Tennessee Girl shows the different sides of my personality. I separate songs into two categories in my head, Blue Jean and Leather Jacket songs. Blue Jean songs are the ones I write in my bedroom opening my diary to the world. Leather Jacket songs are where I want to feel tougher and have fun. Most people have only seen the Blue Jean side of my personality, but with this 6- song EP, I have the chance to show the full picture of me as an artist," shares HunterGirl.

Admitting her beguiling yet relatable taste in men, fantasizing about a tattooed-up, cigarette-smoking guitar player in a band, the explosive, head-rocking sing-along finds our heroine ignoring all the red flags in pursuit for the man of her illicit dreams. Written by this “Artist to Watch” (Country Now) with producer Lindsay Rimes and Greg Bates, “Bad Boy” marks a radically compelling addition to HunterGirl’s sonic and lyrical catalog. Embracing all her influences simultaneously from Dolly Parton and Reba McEntire to Kelly Clarkson and P!NK, Hunter is innately talented at writing lyrics that are true to her, while seamlessly delivering tracks that are both country and punk-pop-country leaning. In doing so, she readies a dynamically captivating project that beautifully embodies every part of her story that won her the hearts of millions as the runner-up on American Idol. 

“The rising country star has continued to work hard and put herself out there on incredibly sincere and emotionally-charged levels” (Country Now), “transcending from talented aspiring artist to make her first steps toward the big leagues” (Billboard). Praised “a major, major new talent” by MusicRow, the upcoming EP - produced by Lindsay Rimes - will boast new songs “Clockworks” and “Bad Decisions,” along with the critically acclaimed “Ain’t About You” that made her the first female country artist in over 30 years to write her debut radio single completely by herself. 

Last night (5/16), the talented songstress kept the 59th Academy of Country Music Awards Red Carpet lively as Country Now’s guest host. Dedicated to giving back, HunterGirl will take part in the Opry’s Salute to the Troops show on May 21. Using her platform to tell the story of a selfless Veteran, she'll perform the anthem that was co-written with the Veteran's wife as a part of the Gold Star Family Project with Operation Song. 

Up next, she will be joining Luke Bryan  on the road, as well as returning to Nashville’s CMA Fest on June 7 and making her debut at Faster Horses Festival on July 21. 

Photo Credit: Kristin Barlowe

About HunterGirl: 

America’s sweetheart, vocal powerhouse, and esteemed songwriter HunterGirl has been performing since she was three years old and writing songs since she was nine. In her teens, she honed her craft by performing at venues across the United States and working with veteran non-profits such as Operation Song, Freedom Sings and A Soldier’s Child, using music therapy to help numerous vets transform their stories into songs. After high school, she moved to Nashville and immediately started playing gigs at Lower Broadway’s most famous venues including Tootsie’s, Rippy’s, Jason Aldean’s Bar, The Listening Room, and HonkyTonk Central, winning songwriting contests such as “Nash Next” and the prestigious “Nashville Songwriter Association International” in her spare time. Recently, she competed and placed second on the star-making competition series American Idol, where she delivered standout performances and won the hearts of millions across the country including Idol judge and Country superstar Luke Bryan who proclaimed her the “new age Miranda Lambert” and his “favorite female Country voice.” After topping the iTunes All Genre and Country charts with her wistful “Red Bird,” HunterGirl has been a guest on Good Morning America, Live with Kelly & Ryan and The Kelly Clarkson Show as well as shared the stage with Country superstars Old Dominion, Florida Georgia Line, Kane Brown, Alan Jackson, Lainey Wilson, Trace Adkins, Charlie Daniels, Sara Evans and more. Named to CMT’s esteemed 2024 Next Women of Country, HunterGirl’s “Ain’t About You” made her the first female country artist in over 30 years to write her debut radio single by herself. Now, after making her Grand Ole Opry debut that earned her a lively standing ovation, she releases the anthemic “Bad Boy,” ahead of her label-debut EP, Tennessee Girl, coming June 7. Praised by Peoplefor her “incredible voice” and CMT for her “soaring vocals and superstar potential,” HunterGirl will hit the road with Luke Bryan and Kimberly Perry this summer. Chronicling “her current moment of transcending from talented aspiring artist to make her first steps toward the big leagues” (Billboard), HunterGirl - “a major, major new talent” (MusicRow) - is poised to become Country’s next big female artist.

KEEP UP WITH HUNTERGIRL

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ROCK SINGER + GUITARIST TIM MONTANA SHARES NEW SONG "DIE TODAY"

Rock singer/guitarist/songwriter Tim Montana drops his new song “Die Today” from his debut album, Savage. Pre-order, pre-add and pre-save Savage HERE.

“Die Today” is a gritty and grungy anthem that pays tribute to the special forces of the military who run into gunfire and lay down their lives for strangers, as Tim Montana is a vocal supporter of veterans. The gloomy guitars, Montana's gravelly vocals, and downright nasty guitar solos make this a "must listen" from Savage. It's a '90s-inspired song that truly comes to life when performed on stage, and fans will be screaming along to every syllable.

"I had the title 'Die Today' for several years and couldn’t figure out an angle to write it," says Montana. "When I sat down to write for the album Savage, I started chasing this title again. Right away, my friend who was in Special Operations texted me. I knew right then that this song had to be about heroes who put their lives on the line to save strangers. This song is dedicated to the special operations community and any hero who puts their life on the line for others."

On the Music Knox/BMG release Savage, Montana gets in touch with his undeniable rock 'n' roll roots. Armed with grit, guitars, and a hunger for glory, Montana has been endorsed by Dave Grohl and ZZ Top's Billy F Gibbons, booked by David Letterman, and had his anthems used by the MLB and NHL. His moody, crackling, '90s-influenced riffs and whiskey-soaked vocals reel fans in while his storytelling keeps them. Savage is a custom and combustible cocktail, served in a dirty, cracked glass that proves why Montana earned iHeartRadio's "On The Verge" accolade.

Montana also shared the official video for the title track. Watch it below.

Tim Montana is touring heavily this year. He will support Bush, Jerry Cantrell, and Candlebox this summer and has appearances booked at major festivals. All dates are below.

TIM MONTANA ON TOUR:
6/8 — Sidney, MT — 2024 Hot Rods & Harleys Summer Kick Off*
6/29 — Rexford, MT — Abayance Bay Marina
7/6 — Milwaukee, WI — Summerfest 2024*
7/26 — Bend, OR — Hayden Homes Amphitheater**
7/27 — Spokane, WA — Northern Quest Pavilion Amp**
7/31 — Salt Lake City, UT — USANA Amp**
8/1 — Greenwood Village, CO — Fiddler's Green Amphitheatre**
8/3 — La Crosse, WI — Copeland Park**
8/4 — Indianapolis, IN — Everwise Amphitheater At White River State Park**
8/6 — Cedar Rapids, IA — McGrath Amphitheatre**
8/7 — Chicago, IL — Huntington Bank Pavilion At Northerly Island**
8/8 — Three Forks, MT — Rockin The Rivers 2024*
8/9 — Nashville, TN — Nashville Municipal Auditorium**
8/10 — Maryland Heights, MO — Saint Louis Music Park**
8/13 — Cleveland, OH — Jacobs Pavilion At Nautica**
8/14 — Cincinnati, OH — Riverbend Music Center**
8/30 - 9/1 — Pryor, OK — Rocklahoma 2024*
9/28 — Louisville, KY — Louder Than Life 2024*
10/10 — Sacramento, CA — Aftershock*
*FESTIVAL DATE
**With Bush, Jerry Cantrell, + Candlebox

About Tim Montana:
Tim Montana forges a new frontier for hard rock. Following a tumultuous and downright unbelievable childhood in a trailer off-the-grid, the singer, guitarist, and entrepreneur left his home state of Montana in the rearview at barely eighteen-years-old. Driven by a restless work ethic, he quietly carved out a niche without comparison. Along the way, he performed on The Late Show with David Letterman at the behest of the host (practically unheard of for a totally independent artist), collaborated with everyone from Billy F Gibbons to Kid Rock (cracking the charts for the first time), made a fan out of Charlie Sheen (who directed the "Mostly Stoned" video), and even attracted his idol Dave Grohl to his corner. Forged by a long grind, he fulfilled his destiny in 2023. Tim shook the rock world with "Devil You Know." Christened "flawless" and "One of the 30 Best Rock + Metal Songs of 2023" by Loudwire, the breakout single surged onto Billboard’s Mainstream Rock Airplay and Rock & Alternative Airplay charts. In its wake, iHeartRadio touted him as an "On The Verge Artist." Soon, he found himself booked for tours with Staind, Seether, Saint Asonia, Bush, and Jerry Cantrell of Alice In Chains (another hero of Tim's). Simultaneously, he and Gibbons purchased an historic bar and hotel Wise River Club in Wise River, MT. Coming back home to Montana inspired him to go even wilder on his 2024 full-length album, Savage. The hooks hit harder, the distortion was cranked up louder, and the spirit became freer. Tim is telling a story that will resonate far beyond his home state, and you can hear it loud and clear on the first single and title track "Savage" and  the second release "Die Today" with more to come.

ZORNHEYM Announce New Drummer and Release Brand New Music Video for "None for All"!

ZORNHEYM have announced the addition of their new drummer and the release of their latest single "None for All" (Listen HERE). After the departure of Steve Pygmalion, Qual will be taking over the drumming duties for the Stockholm-based symphonic extreme metal band.

Reflecting on his time with the band, Steve Pygmalion comments: "Zornheym has been a significant part of my life since I joined in 2017. We have shared many memories and grown together as people and artists. I wish the band all the best and am excited for their upcoming album. Long live Zornheym!"

Zorn, the band's founder, expressed his excitement about Qual joining the group: "It felt natural with Qual right from the start! Filling the drum throne after both Angst and Steve is no easy task, but he is doing a fantastic job."

Qual, known for his work with bands like Prime Creation, Morifade, and Nephenzy, about joining the band: "I‘m extremely happy and proud to be a part of Zornheym and their crazy world. I have always been a fan of their cool mix of extreme metal, symphonic elements, good songwriting, and Bendler’s fantastic voice. And of course the whole Zornheym concept. I’d like to say a huge thanks to Zorn, Bendler, and Scucca for believing in me and taking me on this journey. And to all inmates of Zornheym, see you at the shows!"

The first show with the new lineup will take place on July 5th and 6th at the Metal Theatre Festival in Kalmar, Sweden. So get ready for it and enjoy the band's brand new single "None for All", which already provides you with a first insight into ZORNHEYM's new formation. The track is also accompanied by a music video, which you can watch below.

As ZORNHEYM embark on the next chapter in their musical journey in 2024, introducing a new drummer and releasing the anthemic single "None for All" they continue to push boundaries and deliver an electrifying live experience. The band's commitment to their fans and the immersive world they have created is evident in their music and performances, promising an unforgettable experience for all who dare to enter the twisted realm of ZORNHEYM.

Furthermore, if you want to follow and support the band more closely, make sure to check out ZORNHEYM's Patreon here: https://www.patreon.com/zornheym

"None for All" - out NOW on Noble Demon

ZORNHEYM live:

05.07. (SE) Metal Theater Kalmar festival

20.07. (SE) Heavy Load festival - Norrköping

31.08. (SE) Bulgasal festival - Västerås

06.09. (DK) Raise Your Horns Festival - Rønne (with Havamal / Ondfødt)

07.09. (SE) Palatset - Linköping (with Havamal / Ondfødt)

Find ZORNHEYM online:

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BAT | UNDER THE CROOKED CLAW OUT NOW + RELEASE MUSIC VIDEO FOR 'REVENGE OF THE WOLF'

Richmond, Virginia metal-punk trio BAT welcomes the release of their second full-length album Under The Crooked Claw via Nuclear Blast Records. The brainchild of MUNICIPAL WASTE guitarists Ryan Waste & Nick Poulos, BAT ascended from the underground a decade ago on a dark, leather-winged trajectory. The band delivers their own blood-spattered horror leaning heavily on the dirtier side of speed metal.

To celebrate the release, BAT offers fans the single, 'Revenge Of The Wolf'. The band once again returned to horror director Norman Cabrera to create the perfect visuals. The video included cinematography completed by Rob Lucas, editing handled by Mike Mendez, and Maya Kay was responsible for the production.

Ryan Waste states, "The wait is finally over as our creation takes flight, sinking its claws into the airwaves. It was a true test of our will, caging this beast for what felt like an eternity. I’d especially like to thank my bandmates, Nick and Chris for their hard work and patience through the entire process. We wrote these songs during grim times and their ferocity is certainly emulated by that. Unleashing these tales of terror gives me a sense of fulfillment that is completely unmatched.”

Chris Marshall states, “I still bear the scars from The Claw.”

Nick Poulos comments, “From note to note, speed on speed, to say I’m proud of Under The Crooked Claw is an absolute understatement. We poured our hearts, minds, and souls into this record and I’m so proud of what we accomplished. My favorite BAT offering to date!”

Watch the music video for the new single 'Revenge Of The Wolf' Below.

Order and stream Under The Crooked Claw now at: https://bat.bfan.link/utcclp

The power trio, completed by drummer Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rusttracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed". 

This Summer, BAT will be heading across the US on a series of 4 headlining dates followed by the first half of the 'Lifeless Birth Tour 2024' with headliners NECROT. BAT will perform throughout May before joining the NECROT tour on June 5th in Berkeley until departing the package on June 27th in Boston. The second half of the tour will continue until July 13 and will include PHOBOPHILIC as well as STREET TOMBS, who will be on the complete tour.

Confirmed dates for BAT are as follows:

Headlining dates 
05/30 St. Louis, MO - The Sinkhole
05/31 Omaha, NE - Reverb Lounge
06/02 Denver, CO - The Crypt
06/03 Salt Lake City, UT - Aces High Saloon

'Lifeless Birth Tour 2024'
supporting NECROT as well as STREET TOMBS
06/05 Berkeley, CA - The Cornerstone 
06/06 Santa Ana, CA - Constellation Room 
06/07 Los Angeles, CA - First St. Billiards
06/08 San Diego, CA - Brick By Brick 
06/09 Phoenix, AZ - Nile Underground 
06/10 Albuquerque, NM - The Launchpad
06/12 Austin, TX - Parish 
06/13 Dallas, TX - Three Links 
06/14 Houston, TX - The Secret Group
06/15 San Antonio, TX - Vibes Underground
06/16 New Orleans, LA - Santos
06/18 Tampa, FL - Orpheum
06/19 Orlando, FL - Will's Pub 
06/20 Atlanta, GA - Boggs Social 
06/21 Columbia, SC - New Brookland Tavern
06/22 Raleigh, NC - Chapel of Bones
06/23 Pittsburgh, PA - Cattivo 
06/24 Baltimore, MD - Metro Gallery 
06/25 Bensalem, PA - Broken Goblet 
06/26 Brooklyn, NY - The Meadows
06/27 Boston, MA - Sonia 

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

More information:
https://bewareofthebat.bandcamp.com/
https://www.facebook.com/bewareofthebat/
https://www.instagram.com/bewareofbat/
https://www.youtube.com/@BATBAND

BEWITCHER Unleashes Electrifying New Single, "Starfire Maelstrom," Announces New Album, 'Spell Shock'

All the best tunes belong to the Devil, and Portland’s bastard sons BEWITCHER have returned to take back rock n’ roll in Baphomet’s name. The speed demons are now unleashing the electrifying new single, “Starfire Maelstrom," which is the first invocation from the haunted trio’s upcoming album, 'Spell Shock,' due September 27 on on Century Media Records. The track is the hardened and bloodthirsty sound of BEWITCHER - noise, filth, fury n’ all - and can be found along with a lyric video, which was created by Scott Taysom, watch below.

“It’s full of apocalyptic, speed demon vibes, and imagery taken from the worst of current events that only get more apocalyptic as time goes by,” says BEWITCHER frontman Mateo von Bewitcher of the album's lead missive. “It’s the feeling you get from ‘Fight Fire with Fire’ on [Metallica’s] ‘Ride the Lightning.’ It’s immediate how it feeds into themes of human destruction and war, but also has cosmic elements. It’s a classic album opener.”

Joining Von Bewitcher, bassist A. Magus, and drummer A. Hunter in the studio this time was none other longtime BEWITCHER fan Lars Frederiksen. Most of the world knows Frederiksen as a force in his own right, playing in the likes of Bay Area punk heroes Rancid, as well as his own Old Firm Casuals. While to some, it may have been an unlikely pairing with Frederiksen taking the producer’s seat, for everyone in the studio the connection was immediate.

Says Frederiksen on Spell Shock: "It’s the best record I’ve ever produced for one of the best bands in the world."

Bewitcher's latest lightening strike comes just in time for the band's appearance at Milwaukee Metal Festival, in which they will be laying waste to The Rave/Eagle's Ballroom tonight, May 17! Bewitcher is currently on the road with fellow Portland-based occultists UADA and Century Media labelmates Upon Stone for "The Shadows Return" tour, which will continue to decimate the states until the final stop on May 28 in Sacramento, CA. The full itinerary can be found below! More dates including a Fall North American tour, and BEWITCHER’s return to Europe as they continue to extol their “Black Magick Metal” gospel will be announced soon

Stream and download the new single HERE.

BEWITCHER US Dates:

THE SHADOWS RETURN TOUR w/ UADA

05/17: Milwaukee, WI @ Milwaukee Metal Fest

05/20: Detroit, MI @ Sanctuary (w/ Stabbing)

05/22: Nashville, TN @ Vinyl Lounge

05/23: Dallas, TX @ RBC

05/24: Albuquerque, NM @ Launchpad

05/25: Phoenix, AZ @ Pub Rock

05/27: Las Vegas, NV @ Usual Place

05/28: Sacramento, CA @ Goldfield Midtown

BEWITCHER EU Dates:

11/8-9/24 (SE) Umea - House of Metal Festival

Since their formation in 2013, Bewitcher has seen their signature “Black Magick Metal” sound go from humble beginnings to new heights of creativity and wild anthemic fervor. A small collection of long out-of-print demo tapes kicked off what has proven to be an enduring line of ripping studio albums, singles and EPs. They have earned a reputation as one of the hardest working touring acts around, bringing their volcanic, high energy live shows to every corner of North America and parts abroad.

Line-Up:

Mateo von Bewitcher – vox + guitars

A. Hunter – drums + percussion

A. Magus – bass guitar + backing vox

Follow:

Official Website

Facebook

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Stream // Order // Download

Wage War Share "TOMBSTONE" Visualizer

WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — have entered their world domination era. Last month, the Florida band has announced its fifth album STIGMA, which arrives digitally on June 21 via Fearless Records, while the physical version will land in stores on September 6. Pre-order it here.

The band has shared "TOMBSTONE." Listen here.

The band has also dropped the visualizer. Watch it Below. 

"Metal riffs meet country western tropes in our new track 'TOMBSTONE,'" the band explains. "A final showdown with an enemy.  One fight. Two dogs unleashed."

From its ominous, tension-building opening seconds through the deadly breakdowns, Wage War go hard on "TOMBSTONE." It's got vocals that sound like screamer Briton Bond gargled with a razor blade cocktail, thick and groovy riffs that'’ll have you nodding your head, and battering ram percussion. "TOMBSTONE" finds Wage War, unleashing a hellacious anthem that brings the heavy artillery from start to stomp to finish.

ABOUT WAGE WAR:
Traveling a constant forward trajectory at lightspeed, Wage War not only push their own sound forward, but they also propel heavy music into new territory. The Florida quintethave always tempered a pummeling metallic onslaught with unshakable melodies. A near-decade grind naturally brought Wage War to this point. They have unleashed a string of fan favorite albums, including Blueprints [2015], Deadweight [2017], Pressure [2019], and Manic [2021]. Beyond looks from SPIN, Modern Drummer, American Songwriter, Revolver, Guitar World, and more, KERRANG! hailed the latter as "their greatest album yet," and DORK raved, "It's an embracing of being metalheads, popheads and just fans of good songs. On more than one occasion, there's an earworm poking its head up through the dirt." They also put up numbers, tallying hundreds of millions of streams boosted by the likes of "Stitch," "Low," "Manic," and "Circle The Drain." On their fifth full-length offering STIGMA [Fearless Records], Wage War outfit their signature style with industrial grit and electronic sheen, leveling up into the future in the process with singles such as "MAGNETIC" and "NAIL5."

Future Palace Share "The Echoes of Disparity" Video — WATCH // Band Announces New Album "Distortion" Out 9/6

Female-fronted, post-hardcore high flyers Future Palace are pleased to announce their upcoming album Distortion, due out September 6 via Arising Empire! Pre-order it here.

Today, the band has shared the video for the single "The Echoes of Disparity," featuring a standout collaboration with Charlie Rolfe from As Everything Unfolds. This song makes a strong statement regarding societal pressure and control over women's bodies. Singer Maria Lessing showcases an impressive vocal range, transitioning between powerful shouts and crystal-clear vocals, adding depth and emotion to the song's important message.

Watch the video Below.

The world is a firework of overstimulation, and Future Palace have dedicated their latest album Distortion, to this overwhelming feeling.

On the new record, the band delves into a mass of mental illnesses and societal problems, creating music that, fittingly, delivers more hooks than ever before, shifting seamlessly from the quietest depths to the loftiest heights.

While their previous album, Run, leaned toward musical extremes, Distortion is the ultimate culmination of all the tones Future Palace have absorbed on their Europe-wide journey as one of the most exciting acts in alternative guitar music. The album features the most powerful metalcore breakdowns meeting trembling darkwave beats, anthemic emocore refrains à la Bad Omens contrasted with sacred choirs, and the coldness of industrial clashing with the powerful emotionality of Sleep Token, making Distortion more like a manifesto.

Future Palace's music has always explored internal struggles, and Distortion is the brutal climax of this approach. The album title, derived from the psychological term cognitive distortion, reflects a world where changing perceptions trap individuals in recurring pitfalls. Distortion addresses various mental illnesses and personal struggles, from ADHD to depression to narcissism. The band's third album is a powerful force of emotions, cycles, and cries of desperation, overwhelming listeners with its intensity.

The band's creativity shines as they tackle demanding topics with fresh perspectives. On Distortion, they build on their previous work by incorporating new elements, like orchestral interjections in "The Echoes of Disparity," which combines brutal screams and chant-like passages to convey psychological struggle. "Panic Paralysis" features a massive vocal motif with an arabesque touch, while "They Take What They Want" dives into emotional depths, blending raw metalcore with gentle vocal passages and massive choirs.

Despite the album's emotional intensity, Distortion was created amid excessive demands. Produced by Julian Breucker and Christoph Wieczorek, known for their work with Annisokay, Beyond the Black, and Smash Into Pieces, the recording process was grueling. Lessing recorded the album with a root infection and after wisdom tooth surgery, adding stress but enhancing the songs' authenticity. Guitarist Manuel Kohlert notes that the album reflects the band's experience as a heavy touring band, capturing the feelings of being on the road and contemplating their existence.

Despite its challenges, Distortion carries a piece of hope. "Decarabia" tells a bittersweet story about a depressed couple, while "The Echoes of Disparity," featuring Charlie Rolfe of As Everything Unfolds, is militantly rebellious, addressing abuse of power and the oppression of women. Lessing emphasizes the importance of female support to convey the song's message loudly.

PHOTO CREDIT: HelloBipo

FUTURE PALACE ARE:
Maria — Vocals
Manuel — Guitar
Johannes — Drums