Dark Folk Artist Kati Rán Shares Music Video for Emotional New Song, "KÓLGA | 16"

Dutch artist and Nordic folk pioneer Kati Rán is now unveiling her emotional new single, "KÓLGA | 16," along with an epic music video, which was created by Costin Chioreanu. The track is taken from Kati Rán's upcoming full-length, 'SÁLA,' which is due on May 24, 2024 via Svart Records. The clip can be found below.

Kati Rán comments, "'KÓLGA | 16' is one of the coldest waves of the nine billowmaidens of Rán, one that can take your breathe away in a overpowering chokehold of ice water. What we deem the most 'destructive of powerful forces of nature' are aswell a necessary and powerful catalyst for change, or gain newfound clarity.

"The song as well touches upon many female figures that in one way or the other made significant sacrifices in their lives,  have been sacrificed, betrayed, persecuted or deliberately put in another light in history, in mythology and various folktales across time and culture."

 

Svart Records is delighted to expand its international artist roster with the signing of established dark Nordic folk artist Kati Rán and to release her second full-length album 'SÁLA.' Special vinyl editions in gold, transparent smoke, and black as well as digipack CDs are available for pre-order HERE.

'SÁLA' features an impressive lineup of diverse musicians who lent their talents to the record, including Gaahl, Napalm Death's Mitch Harris, members of Heilung, Sígur Rós, and many others!

Kati Rán is known for her collaborative audio work for Netflix’s tv series 'VIKINGS: VALHALLA,' films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahls Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, 'SÁLA.' Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, 'SÁLA' is an act of "soul retrieval," the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, 'SÁLA' is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of 'SÁLA' is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources 'SÁLA' draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. 'SÁLA' closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, 'SÁLA'” is, as all quests must ultimately be, a homecoming.

Lineup:

Kati Rán

Special Guests:

Gaahl (Gaahl, Wyrd, Wardruna)

Mitch Harris (Napalm Death)

Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar)

Karl Seglem (Norwegian jazz and folk legend)

Borgar Magnason (Björk, Sígur Rós, Brian Eno)

Gealdýr

Emilie Lorentzen (Heilung)

Nicholas Schipper (Heilung)

Yana Veva (Theodor Basterd)

Umbra (Icelandic female choir)

Sól Geirsdóttir, Varg Saastad (Völuspá band)

Marianne Heikkinen, Salla Marja (Saruru)

Páll Guðmunsson (Hilmar Örn Hilmarsson, Steindór Anderssen, Sígur Rós) Florian Ravn (Skáld)

Production: Jaani Peuhu, Kati Rán, Christopher Juul

Mastering: Jaime Gomez Arrelano

Cover Art: Photographer Arne Beck, Illustrator Halfdan Skrifa, Graphic design Jari

Laurén, Charlotte Boer, Deluxe Box Edition with cover painting by Marzena Ablewska-Lech

Bio: Jonathan Selzer

Links:

Official Website

Bandcamp

E-Shop

Facebook

Instagram

TikTok

Twitter/X

YouTube

Pre-Save // Stream

Introducing The Barbarians of California (Members of AWOLNATION, Tinfed) + Band Shares "Where Are the Punks"

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. They are equal opportunity iconoclasts, gleefully thrashing the left and the right in the hardcore-punk tradition of nonconformity and raw fury. The band isn't "political," because they aren't advocating for anyone's platform. The central message is defiance

Today, the band has shared the video for the hellacious new single "Where Are the Punks," out now via ONErpm. Watch it below

"Where Are the Punks' is about being disappointed when you find out your childhood heroes are no longer rebellious," the band explains. "Everyone has the tendency to soften as their age. We are fighting against that in this song. This was one of the first song the band started working on for this project. Eric lead crafting the instrumentals and the lyrics were inspired by Aaron's college professor telling him to question authority."

So, who, exactly, are The Barbarians of California?

You'll be glad you asked.

Eric Stenman and Aaron Bruno first collided in the California hardcore scene of the early '90s. Stenman cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Dance Gavin Dance, Death Grips, and Trash Talk. Bruno was born and raised just north of L.A. and nicknamed "AWOL" by his high school friends.  Eric played guitar for cutting-edge, electro-infused rockers Tinfed. Commercial success eluded them despite a cult following, a deal with a major label, and an appearance on the M:I 2 soundtrack. 
 
Bruno co-founded the hardcore band Insurgence as a teenager. His next band, Home Town Hero, toured with Weezer and Stone Temple Pilots and released a major label album, but combusted in 2004. Next came Under The Influence Of Giants, who, despite critical acclaim, disbanded in 2008. Stenman became one of the most sought-after producers of alternative rock. His discography as a producer, mixer, and engineer includes important releases from 7 Seconds, Senses Fail, ††† (Crosses), and AWOLNATION. AWOLNATION, of course, is the multi-platinum act Bruno formed in 2009. 
 
The spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians were born. 
 
The apparent "full circle" moment isn't lost on either of them. "It's a funny time in our lives to go back and make the most aggressive music we've ever created," Stenman laughs. “Both of us have always had a love for this world. If given the opportunity, why not try to give back to it?"

The band previously shared "Dopamine Prophecy." Listen here.

More from The Barbarians of California is on the horizon, so stay tuned...

...but in the meantime, check out Bruno on the 100 Words or Less podcast here.

Bryce Leatherwood Releases Ode to Parents’ Love Story w/ “The One My Daddy Found,” Out Now

As Republic Records / Mercury Nashville recording artist Bryce Leatherwood embarks on his debut headlining Neon Does Tour, which kicked off last night in Statesboro, Ga., the country crooner turned off the neon and found inspiration from home with his latest release, “The One My Daddy Found,” out now. Listen below.
 
Written by Leatherwood alongside Lynn Hutton and Chris Dubois, “The One My Daddy Found” finds Leatherwood reflecting on his parents’ 25-year love story, noting all of the qualities from their relationship he aspires to in his own life.
 
“My parents’ relationship is one I’ve always admired and has served as the basis of what I hope my future resembles,” Leatherwood shares of the song’s inspiration. “I wouldn’t be where I am without my parents supporting my music career and to thank them, I wanted to give them a song that captures how important they are to me.”
 
“The One My Daddy Found” is Leatherwood’s latest release as he continues to tease new music to come. The song comes as Leatherwood was featured in Boot Barn’s 2024 spring campaign Taking Flight, a highlight on up-and-coming country musicians.

Leatherwood’s Neon Does Tour will continue tonight in Knoxville, Tenn. before making additional stops in Birmingham, Ala.; Indianapolis, Ind. and more. To purchase tickets, visit bryceleatherwood.com
 
Neon Does Tour:
April 5 // Knoxville, TN // Open Chord
April 7 // Decatur, GA // Eddie's Attic
April 11 // Columbus, OH // The Basement
April 12 // Charlotte, NC // The Evening Muse
April 18 // Birmingham, AL // Zydeco
April 19 // Athens, GA // 40 Watt Club
April 20 // Tifton, GA // Terminal South
May 9 // Chicago, IL // Carol's Pub
May 10 // Indianapolis, IN // 8 Seconds Saloon
May 11 // Louisville, KY // PBR Louisville

About Bryce Leatherwood:
Bryce Leatherwood is a 23-year-old singer/songwriter who aims to carry the torch of country music and continue the legacy of legends prior. Bryce was born and raised in Woodstock, GA, and his passion for music began at an early age. Working on his grandfather’s farm every summer, Bryce was exposed to the classic country hits of George Jones, Merle Haggard and Conway Twitty. Soon thereafter, Bryce began picking up guitars and playing the traditional country music that still inspires him today. Bryce’s music career began to blossom in Statesboro, GA, where he attended Georgia Southern University. During his time in Statesboro, Bryce played college venues and continued to hone his stage presence and his country music repertoire. In late 2021 while still enrolled in college, Bryce formed his band and began playing all around the Southeast. Bryce’s goal was to take the stage and play the best of country music to all ages and audiences. After graduating college, Bryce set his mind on a new task. In 2022, he competed on the NBC hit television show The Voice and was crowned the Season 22 winner in December of 2022. Following his success on “The Voice,” Bryce signed with Republic Records / Universal Music Group Nashville and is currently hard at work on new music.

ERRA Share "Slow Sour Bleed" Video — WATCH // "CURE" Out Now

Prolific metalcore progressives ERRA will release their new album CURE, this Friday, April 5 via UNFD.

Today, the band has shared the video for "Slow Sour Bleed." Watch it below

The track is very special for the band and finds ERRA taking a sonic risk — to great reward.

"This song scratches an itch of influence that we haven't had the courage to explore in the past," says guitarist Jesse Cash. "We covered 'Heresy' a few years ago and it was so fun to listen to, so we wanted to do an original song in the spirit of Nine Inch Nails."

CURE is the band's sixth album and it highlights and expands on the forward-thinking sound and guitar-driven style that the band has built its reputation on. Following 2021's self-titled release, CURE is a stunning execution of both raw talent and surgical technicality. It's as emotional powerful as it is musically proficient, which is not an easy feat to achieve. Yet ERRA make it look and sound easy. CURE is a sonic thrill ride — one that you hope will never end.

Additionally, the band has announced its upcoming Spring 2024 headline North American tour, with Make Them Suffer, Void of Vision, and Novelists as support. The tour kicks off on April 23 in Philly and runs through June 2 in NYC. All dates are below, with several major markets already sold out. Get tickets here.

ERRA ON TOUR:
WITH MAKE THEM SUFFER, VOID OF VISION, + NOVELISTS:

4/23 — Philadelphia, PA — TLA
4/24 — Baltimore, MD — Soundstage (SOLD OUT)
4/26 — Nashville, TN — Brooklyn Bowl
4/27 — Atlanta, GA — Masquerade (Heaven)
4/28 — Birmingham, AL — Iron City
4/30 — Ft. Lauderdale, FL — Revolution
5/01 — Tampa, FL — Jannus Live
5/03 — Houston, TX — Rise Rooftop
5/04 — Dallas, TX — South Side Music Hall
5/05 — San Antonio, TX — Vibes Event Center
5/07 — Albuquerque, NM — Sunshine Theater
5/08 — Las Vegas, NV — House of Blues
5/10 — Mesa, AZ — Nile Theater
5/11 — Santa Ana, CA — Observatory
5/12 — Los Angeles, CA — Echoplex
5/13 — Santa Cruz, CA — Catalyst
5/15 — Sacramento, CA — Ace of Spades
5/17 — Seattle, WA — El Corazon
5/18 — Portland, OR — Roseland Theater
5/20 — Salt Lake City, UT — The Complex
5/21 — Denver, CO — Summit Music Hall
5/23 — Lawrence, KS — Granada Theater
5/24 — Minneapolis, MN — Varsity Theater
5/25 — St. Louis, MO — Red Flag
5/26 — Chicago, IL — House of Blues
5/28 — Detroit, MI — Saint Andrews Hall
5/29 — Toronto, ON — Danforth Music Hall
5/31 — Montreal, QC —  Beanfield Theatre (SOLD OUT)
6/01 — Boston, MA — Paradise (SOLD OUT)
6/02 — New York, NY — Irving Plaza (SOLD OUT)

ABOUT ERRA:
ERRA
's sixth album, CURE, strengthens and deepens the forward-thinking progressive metalcore they built their reputation on. It's an album full of atmospheric ecstasy and moody groove on the heels of their stunning 2021 self-titled set. CURE charts an ambitious course for ERRA's next era. 
 
Fueled by creative muses akin to Tool, Deftones, and Gojira, ERRA's body of work stands beside the best of the genre, with celebrated songs beloved by fans of contemporaries like Sleep Token and Spiritbox. A mathematic pummel akin to Meshuggah remains, but ERRA is decidedly in its own lane.
 
ERRA regularly appears on tastemaker playlists like Kickass Metal on Spotify. While several heavy bands are known to mine the rich potential of the juxtaposition between screaming and singing, the ever-opinionated Metal Sucks pointed out that "perhaps no band is doing this better than ERRA." Alternative Nation chose ERRA to represent Alabama in a list of The Best Metal Bands in Each State.
 
Titanic riffs and enchanting melodies litter the cerebral, immersive soundscapes powering each of their progressive metal albums. They've toured extensively, with bands including Bad Omens, TesseracT, Ice Nine Kills, Dance Gavin Dance, August Burns Red, and Northlane. 
 
A pair of self-released EPs lead to a label deal for their debut album, 2011's Impulse. ERRA's sophomore set, Augment, was No. 1 on Billboard Heatseekers Albums chart in 2013. Drift gave ERRA another Heatseekers No. 1 in 2016. The streak continued with Neon in 2018. ERRA (2021) garnered praise from critics and fans. CURE remains anchored in the progressive and technical style ERRA helped shape. It boasts a brilliant combination of creative energy and expansive accessibility.  
 
ERRA is part mind-altering substance, part meditation, reveling in each musical moment of exultation. As a band of brothers and a creative force, ERRA strives to live in alignment with the present moment. As their music finds the balance between the crushingly heavy and the headily melodic, its members seek to find harmony between the needs of the individual and the natural flow of this shared reality. 


ERRA ARE:
J.T. Cavey — Vocals
Jesse Cash — Vocals + Guitars
Conor Hesse — Bass
Alex Ballew — Drums
Clint Tustin — Guitar

Scottish music legend CHRIS CONNELLY presents 'The Lives and Loves of the Serial Homesick, Vol. 1' + video for 'Fini Chagall'

"Beautiful timbre and artistic candour... Nobody performs quite like this masterful musical chameleon...  impeccable delivery and smoothness" ~ The Spill Magazine

"Chris Connelly has never been an artist of convention... a thematic mirror, Connelly’s songs follow her story – adventurous, controversial, and misunderstood"~ Regen Magazine

"Gently stroking ears with its guitar cast melody... intense beauty. Connelly’s tones as the music are emotion and tension personified, leaving his own mark on the song whilst equally bringing forth an evocative and haunting reverberation" ~ Ringmaster Review


Chicago-based alternative music legend Chris Connelly is back with a new 8-track album. In four decades of making music, since his days with Fini Tribe in Edinburgh, he has consistently pushed the creative envelope, between his involvement in such projects as Ministry, The Revolting Cocks and Pigface, his own solo work (with over 20 releases) and the four books he has authored.

This time, he's onto something quite different - something personal that is rooted firmly in his hometown of Edinburgh, which serves as a backdrop to his latest offering 'The Lives and Loves of the Serial Homesick, Vol. 1'. Here, he explores his roots in impressive sonic fashion. Each CD even comes with its own drawing created by Connelly himself. Connelly did earlier visit Edinburgh from a historical perspective on his recent album 'The Birthday Poems' album, featuring Scottish songstress Monica Queen (Belle and Sebastian, Thrum). 

"This album serves as an impressionistic view of my life in Edinburgh before I moved to the States, leaving behind what I now realize is unfinished business, unresolved aspirations, like a plant viciously ripped out by the roots and thrown away. Following the death of my mother in 2023, I spent time wandering around the streets on my own, trying to place the melancholy, trying to steal back the essence of joy I felt in my late teens/early 20s, and it inevitably led me to write, which is the way I have always been able to answer my own questions," says Connelly.

"There are 8 songs on this album, each rich with strong feelings of then and now, memories that may or may not be accurate, locations, events, friends and lovers. I want the listener to walk with me quietly through endless days and nights, through the streets of Edinburgh in the early 1980s, over the tenement rooftops, up the hills with cans of Red Stripe and a well stoked hash pipe. Sitting in the Wee Red Bar, Bannermans, The Gilded Balloon, or the Royal Circus. Playing endless nights of music with my beloved Fini Tribe, dancing at the Hoochie Coochie Club."

Chris Connelly has also shared the video for the lead track 'Fini Chagall', which was created by Kimberly Blessing and features original footage of Fini Tribe, taken by Angus Cameron in the 1980s.

"Some of these songs are half submerged in dreams, the locations distorted, the colors heightened, the times fluid. If you knew me back then, and we were pals, you are represented, and thanks for the memories.  I no longer live there – life and its commitments have me elsewhere – but I miss it badly and have never felt at home anywhere except Edinburgh, where my soul continues to walk the New Town streets and climb the hills," says Connelly.

"All physical copies of this album come with a unique drawing by myself. They are not copies, they are originals in charcoal and pencil of the memories that surround and thrive at the heart of this album. I sat down over a period of time and just drew, it was visceral, emotional, and a lot of fun.'

In 2022, Connelly released 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico', produced by Chris Bruce (Meshell Ndegeocello, Seal, Aaron Neville, Bob Dylan, The Waterboys, Sheryl Crow). This colossal 20-track collection pays homage to The Velvet Underground's iconic muse and one of the most unique, tragic and misunderstood female artists in the history of modern music.

The album is out now via Shipwrecked Industries, available digitally from fine music platforms, including Apple Music, SpotifyAmazon and Bandcamp, where it is also available on CD.

CREDITS
All songs written by Chris Connelly
Chris Connelly - voice, electric guitar, acoustic guitar, sax, percussion, synth, bass, and harmonica
Mastered by James Scott at Populist Recording and Mastering
Recorded at The Rock Noise in September / October 2023
Front cover drawing “Dancing at the Hooch” by Chris Connelly (charcoal and pencil on paper, 2023)
Back cover photograph of the Dean Village by Gillian Whisker
Layout by Kimberly Blessing
Dedicated to the lovers on St. Stephen’s
'Fini Chagall' video by Kimberly Blessing. Fini Tribe footage by Angus Cameron
Publicity by Shauna McLarnon at Shameless Promotion PR
Management: Kimberly Blessing at Shipwrecked Industries
Chris Connelly is published by Bicycle Music/Concord BMI

Future Palace Share "Uncontrolled" Video

Our entire existence demands control – it seems all the more shocking when the feeling of self-control suddenly seems to disappear. In their new single, Future Palace set exactly this almost unbearable state of a slipping self to music and rely on some of the most powerful sonic contrasts that they have ever unleashed in their entire discography - out now worldwide via Arising Empire.

Watch/listen to new single "Uncontrolled" below.

"Uncontrolled" is driven by remarkably riff-focused instrumentals that would do even Slipknot credit. In their most epoch-making moments, the band glides into arrangements with immensely great vocal gestures, only to plunge into perhaps the dirtiest screams that singer Maria Lessing has ever uttered in the very next moment. The band is continuing a development that already began on their second album Run and with their last single "Malphas." Musically, Future Palace have now come shockingly close to the unpredictability and brutality of the dramatic themes that have always occupied them.

"Uncontrolled" was created in 2022 and was written almost at the same time as the song "Malphas," which not only has a similarly heavy musical tone as the new single, but also lyrically speaks of a struggle with oneself. The words with which singer Maria Lessing describes the experiences that gave rise to "Uncontrolled" also sound correspondingly agitated.

"The loss of control in the title primarily relates to one’s own mental health and one’s own decision-making ability," she says. "You can no longer manage to get up in the morning and have to constantly regain your strength. You can no longer manage to meet deadlines or function at all. 'Uncontrolled' represents what it feels like when everything falls apart and seems hopeless."
 
"Uncontrolled" is Future Palace’s first new material in almost a year. Last fall, the band played in several cities across Europe on their biggest headline tour to date, many of the shows were sold out. The music video for the new song, which was shot in Riga, Latvia, was again shot by Pavel Trebukhin, with whom the band has been working for a long time and who has already produced clips for big names such as Landmvrks, Imminence and Trivium.

FUTURE PALACE ARE:
Maria — Vocals
Manuel — Guitar
Johannes - Drums

PHOTO CREDIT: HelloBipo

Enterprise Earth Drop "I, Divine" Official Music Video Taken From New Album 'Death: An Anthology' via MNRK Heavy

"It's hard to make a five-minute deathcore song interesting from start to finish, and Enterprise Earth nailed it on "The Reaper's Servant"... It's big. It's bold. It bangs." - Revolver

"Offering an initial glimpse of the devastation packaged onto the project, Enterprise Earth have shared an eviscerating first single in "King of Ruination" featuring Ben Duerr from Shadow of Intent. Coupled with a unnerving visual directed by Nick Chance, the future for Enterprise Earth couldn't look brighter." - Knotfest.com

"The djent is strong in the Washington deathcore stalwarts' latest, which is all ultra-low-tuned chug, pitch-shifter squeals and syncopated stop-start riffs that will flip your stomach - not to mention a solo so technical and unsettling it would make Fredrik Thordendal jealous." - Guitar World

"... "King of Ruination", a sprawling, technical, foreboding piece of dark magic. Bile-drenched one moment, beautifully crafted the next, it's an incredible place to kick off such a thoughtful and thrilling chapter." - idobi Radio

Enterprise Earth have unleashed the official music video for "I, Divine" (directed by Nick Chance) today via MNRK Heavy. Taken from their excellent latest album 'Death: An Anthology', the band have previously released "King of Ruination" featuring Ben Duerr from Shadow Of Intent, "The Reaper's Servant" with special guest Darius Tehraniof Spite, "Casket of Rust" and most recently, "Blood and Teeth". Speaking on today's release, guitarist, backing vocalist, and producer Gabe Mangold shared:

"'I, Divine' was one of the tracks written during our Tahoe Cabin writing session that quite literally started out as an inebriated mock of a Juicy J style trap beat, which is the piano melody you hear in the intro. Little did we know that upon returning to it the next day we found ourselves completely inspired by it and dove into writing a "real" metal song that turned into one of our favorite songs on the record. For the video, we wanted to capture the playful and fun vibe we found while writing so what better way to do it than by making a mock rap music video??

North American fans also have their chance to see Enterprise Earth hit the stage on their headliner Death: An Anthology North American Tour with Inferi, Crown Magnetar, and Tracheotomy as support (ticket info here). Watch the music video for "I, Divine" below and stream the track at the link here.

Death: An Anthology North American Tour Dates

Apr 11 - Phoenix, AZ @ Nile Underground

Apr 12 - San Diego, CA @ Brick By Brick

Apr 13 - Anaheim, CA @ Chain Reaction

Apr 14 - San Francisco, CA @ Neck of The Woods

Apr 16 - Portland, OR @ Dante's

Apr 17 - Seattle, WA @ Madame Lou's

Apr 18 - Spokane, WA @ The Big Dipper MOVING FAST

Apr 19 - Missoula, MT @ ZACC

Apr 20 - Calgary, BC @ Dickens MOVING FAST

Apr 21 - Edmonton, BC @ Starlite MOVING FAST

Apr 23 - Winnipeg, MB @ Park Theatre

Apr 24 - Minneapolis, MN @ Amsterdam Bar

Apr 25 - Des Moines, IA @ xBk

Apr 26 - Chicago, IL @ WC Social Club

Apr 27 - Cleveland, OH @ TempleLive (Jester's) MOVING FAST

Apr 28 - Detroit, MI @ Sanctuary

Apr 29 - Toronto, ON @ Hard Luck

Apr 30 - Montreal, QC @ Fairmount Theatre MOVING FAST

May 01 - Portland, ME @ House of Music

More than anything else, we share death in common. This universal eventuality unites us. In an evolutionary sense, it effectively ensures our equality. No matter who you are, you will die. Enterprise Earth explore death from a different perspective altogether. Rather than turn away from it, the U.S. quartet—Gabe Mangold [guitar, backing vocals, production], Brandon Zackey [drums], Travis Worland [vocals], and Dakota Johnson [bass]—face it head-on with their fifth full-length offering, DEATH: AN ANTHOLOGY [MNRK HEAVY]. Against an apocalyptic soundtrack of battering ram double bass drums, gut-punching guitars, and disarmingly dynamic vocals, the group present their most immersive and inimitable vision yet.

“The album is tied together by the overarching concept of death,” Travis states. “It’s easy to think of death as a separation of consciousness from the body, but we’re delving into the death of self, individuality, and relationships—whether romantic or platonic. Dying takes many forms. I grew up extremely religious, so death has always been on my mind. In any religion, the afterlife is the umbrella for all of your beliefs. I tend to think of death from a more philosophical standpoint these days.”

The band have always incited mosh pits and thought in equal measure. Since emerging during 2014, Enterprise Earth have logged two back-to-back debuts in the Top 10 of the Billboard Heatseekers Albums Chart, while Loudwire cited Luciferous among the “50 Best Metal Albums of 2019.” Hysteria Mag heralded 2022’s The Chosen as “a veritable masterclass in experimentation and reinvention that shows a highly skilled band transcending its roots and making steps to become leaders of a field still being created,” while Metal Injection summed it up as “a strong statement.” Plus having toured with the likes of Thy Art Is MurderDying FetusChelsea GrinFit For An AutopsyFallujahWithin Destruction, and more.

With Gabe once again in the producer’s chair, the musicians holed up in a Lake Tahoe cabin for nine days where they penned the bulk of DEATH: AN ANTHOLOGY. It marked the first time this lineup wrote together (and in-person) as well as with Travis on vocal duties.

“We fed off one another’s energy,” recalls Gabe. “These songs felt cohesive because of that. We all had a hand in the composition.”

In the end, death may be inevitable, but you can rely on Enterprise Earth for a release in the meantime.

“We wanted to make an album that feels like who we are as a collective,” the band agreed. “On the one hand, we hope you have fun listening to it. On the other, just know, ‘Death is real and it comes for us all’. One day, we won’t be here anymore. While we’re alive, we want to enjoy it.”

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brandon Zackey [drums]

Dakota Johnson [bass]

Boston Manor Share "Sliding Doors" Video

BOSTON MANOR have shared the video for the new single "Sliding Doors," their second new song of 2024 and one that rides waves of spiking distortion and cuts rich grooves as it goes.

Watch the video below.

"Sliding Doors" portrays the sometimes seismic impact that the seemingly innocuous actions in our day to day lives can have. It's a song that in many ways leads right back to the start of Boston Manor. 

"'Sliding Doors' is named after that movie of the same name," says singer Henry Cox. "I called it that because when we were writing it I started thinking about all of the decisions that I've made that have led me to the life I have and how circumstantial a lot of it is. It got me thinking about how Boston Manor started. I'd had a few conversations with Dan [Cunniff, bass] and Mike [Cunniff, lead guitar] (who I barely knew at the time) about starting a band. But at that time, I was in art school in a different city and I had a bunch of other stuff going on. I was also starting like two other bands with different people so I figured it was just something that you talk about."

In a world full or disorder and chaos, all we can do sometimes is respond to what's laid out in front of us. The results may be unpredictable, glorious, or devastating, but as possibility and opportunity present themselves one moment, hide themselves the next, it's how we react at those junctures that leads us on our ultimate pathway.

Expanding further, Cox says, "I'd gone home to visit my parents for the weekend and had taken a bus up to north shore to go and visit a friend, I was on my way home and the bus basically crashed. It wasn't bad; no one was hurt or anything. But I had to get off. It was super late and buses basically stop running at that time in parts of Blackpool. I had been texting Mike and it turned out the bus had crashed at the bottom of his street, so I just went round to his. We basically ended up writing the first song from our demo that night. We played our first show a few weeks later."

He continues, "If that car hadn't pulled out on that bus, we probably never would've started Boston Manor and been all the places we've been. I wouldn't have met my wife and half of my friends. I don't know if I would even be playing music now."

 "Sliding Doors" is a way for the band to recognize that as we go through life and make more choices, some versions of ourselves die away, and new versions emerge. Who we become may all be down to the roll of a dice.

This is explored in the accompanying video, as Cox comments, "We tried to reflect this in the music video, the idea being it's loads of different realities, some of which I'm a musician some of which I’m doing something totally different. The diehard fans might recognize the final location, which is where we shot our very first music video, long since scrubbed from the Internet. In a way, the band we're in now feels like an alternate reality to the band we started. I look back at old videos and I barely recognize us!"

Also, watch the video for the previously released single "Container" here.

 PHOTO CREDIT:  Megan Doherty 

Kittie Embrace Darkness On New Single "We Are Shadows"

Glass-ceiling-shattering original Queens of Metal, Kittie are thrilled to announce the release of "We Are Shadows", a powerful follow-up to their explosive comeback single "Eyes Wide Open" released in February via new label home, Sumerian Records. The new track continues the band's triumphant return offering a further look into their musical evolution after a 13-year hiatus. Stream "We Are Shadows" HERE and watch the official music video Below.

"We Are Shadows" speaks to the fading certainty in a world shrouded by looming challenges and increasing division. Both a reflection and a reckoning—a compelling narrative crafted with the band's signature intensity and a profound lyrical depth "We Are Shadows is about the uncertainty of a future that we can no longer control. We have come to a critical place in life and in our world, and much like an eclipse overtaking the sun, we are losing the light," Kittie frontwoman and guitarist, Morgan Lander shares "The image of shadows slowly fading in the evening darkness, and the analogy of 'us' as shadows in the night really illustrates the possibility of slowly fading into oblivion. It is not a song of hope however, it’s a song of coming to terms with the damage we do and acceptance of our fate. We’ve let darkness take hold, and so we are resolved to fade in the night with it”

Kittie will play multiple North American Festivals this year, including Sick New World, Welcome To Rockville, Sonic Temple, Havoc Fest, and FEQ. Full information can be found HERE.

"We Are Shadows" is now available across all digital streaming platforms, and listeners are invited to experience the commanding presence that Kittie - completed by co-founder and drummer, Mercedes Lander, guitarist Tara McLeod and bassist Ivy Vujic - has long been celebrated for. As they continue to write their next chapter, Kittie cement their status as true metal icons, never pulling any punches whilst boldly exploring the depths of their artistry.

Stay tuned for more on Kittie’s global metal domination coming soon!

KITTIE Credit Dante Dellamore

ABOUT KITTIE

When you discovered Canadian bashers, Kittie, has a direct influence on how you see them. For those that were on board from the beginning with the Spit album, released in 1999, Kittie was considered part of the nu-metal movement. Going into their later albums, In The Black (2009) and I've Failed You (2011), the band had evolved into something far more sinister, and were viewed as a serious full-on metal outfit. Just as they seemed to be hitting their stride six albums into their career, however, Kittieslowly disappeared from the scene in the wake of touring for I've Failed You. The silence was eventually dubbed an "indefinite hiatus" by the band, broken only by a one-off hometown show in London, Ontario in 2017, and the release of the documentary, Kittie: Origins/Evolutions, in 2018. Until now…

 

Thirteen years later, that silence has been broken in earnest. Vocalist and guitarist, Morgan Lander, drummer Mercedes Lander, guitarist Tara McLeod and bassist Ivy Vujic maintain that Kittie did not break up because it is an ingrained part of their identity. The documentary and the one-off show in London were intended as a cap on everything, leaving a big question mark at what might happen down the road. Offers from promoters to do some shows in 2022 and 2023, including the sell-out, inaugural Sick New World Festival in Las Vegas, were enough to convince Kittie to dust off their instruments, resulting in a renewed interest in the band and a label deal with Sumerian Records

When they finally did gather as a unit, it was like putting on a pair of comfortable boots, with no need to break things in before getting down to business.It turns out that thirteen years away has seen the band develop growth in songwriting, arranging, lyrical content and vocal melodies, creating something monstrous and volatile. Produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains, Korn), Kittie have finally surfaced and unleashed their first new single, “Eyes Wide Open” on Sumerian Records. With renewed fury and unfathomable sonic brutality, the new era of Kittie has begun. 

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

IN APHELION Unleashes New Single, "When All Stellar Light Is Lost"

A new force is awakening, stretching the boundaries of consciousness, and devouring everything in its path. IN APHELION is now ushering in their sophomore album, 'Reaperdawn,' which is due on August 9, 2024 via Century Media Records. The black metal brainchild of guitarist/vocalist Sebastian Ramstedt (best known as guitarist and songwriter with Necrophobic) is now unleashing the dark and icy first single from the offering, "When All Stellar Light Is Lost." The song can be found along with a blistering music video, which was created by Claudio Marino and Artax Film, below.

“This was the first song to be written after the last album,” says Ramstedt. “It's a quite chaotic beast where the music matches the lyrics (written by former Necrophobic member Martin Halvdan) perfectly. Even though it's a short track for IN APHELION, it gives the listener a taste of where the album is going. It is a first glance at a truly epic and violent album.”

Darker, stranger, more epic and progressive than admirers of his work were expecting, this new outlet for enigmatic and artistic expression emerged firmly tethered to the white-knuckle viciousness of benchmark, Northern European black metal, while also exhibiting a profound affiliation with both classic, traditional heavy metal and the black magic of psychedelic repetition. Based around a core line-up of Ramstedt (guitar/vocals), drummer Marco Prij (also Cryptosis), rhythm guitarist Johan Bergebäck (Necrophobic) and bassist Tobias Cristiansson (Necrophobic, ex-Grave…), IN APHELION have taken the uncompromising DIY route to their current status as new Century Media signees.

 

The atmosphere of “Reaperdawn” is a swirling maelstrom of obsidian sparkle and iridescent grime. Stay tuned to watch it arise!

Aphelion - the point of a planet, comet or any other body in the orbit that is most distant from the sun.

During the bleak and desolate year of 2020, a new creative entity was born within the darkness. Necrophobic guitar duo Sebastian Ramstedt and Johan Bergebäck teamed up with Dutch drummer Marco Prij of Cryptosis to forge brooding and precise sonic hostility under the moniker of IN APHELION.

After releasing a number of singles, the 'Luciferian Age' EP (2021), debut album 'Moribund' (2022), and welcoming bassist Tobias Cristiansson to the lineup, the formation took the natural next step and have now joined forces with Century Media Records, which is already home to NECROPHOBIC and CRYPTOSIS.

For Fans Of: Dissection, Watain, Emperor, Sacramentum

Lineup:

Johan Bergebäck - guitars

Tobias Cristiansson - bass

Marco Prij - drums

Sebastian Ramstedt - vocals, guitars

Follow // Stream:

INSTAGRAM

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APPLE MUSIC

Photo by Leo Bergebaeck

THE ARSON CHOIR PARTNER WITH GHOSTCULT MAGAZINE TO RELEASE MUSIC VIDEO FOR NEW SINGLE 'PRETEND THE WORLD IS PERFECT AND FOREVER'

Southern Californian mathcore quintet THE ARSON CHOIR blends nostalgic and modern riffs to create their raw and organic sound. An intense live show filled with dissonant chords and creative melodies showcases a new style of fast and loud. 

The newest offering from the band is the aggressively moody track Pretend The World Is Perfect And Forever'. The post-hardcore single sees the band straying away from the linear songwriting they are accustomed to and channeled a more structured track. 'Pretend The World Is Perfect And Forever' premiered on Ghostcult Magazine and can be viewed below!

Stream 'Pretend The World Is Perfect And Forever' on all platforms now at: https://lnk.to/pretendtheworld

Catch THE ARSON CHOIR live on the following dates:
09/13-15/2024 Portland, OR - Bridge City Fest

ICYMI
'Watch the music video for their 18VISIONS Tower Of Snakes' cover here: 
youtu.be/s3FoAO8yFiI?si=4WE0H4xp3ZPeUW1p

Watch the music video for 'Ravenous' here:
youtu.be/PlR3KMezJcc?si=jfri2Y9wopTYgGyy

 'Pretend The World Is Perfect And Forever' as well as 2 previous tracks, 'Tower Of Snakes' & Ravenous' were recorded by Michael Eichstedts at Summit Studios while mixing and mastering were handled by Jeff Dunne (MAKE THEM SUFFER, ICE NINE KILLS, and KNOCKED LOOSE). Rai Ciego created the cover artwork for the 3 tracks.

Order Invisible Monsters in the format your choice here:  
https://www.waragainstrecords.com/store

The Gentlemen of THE ARSON CHOIR are:
Phillip Penegar | Vocals
Marc Motley | Rhythm Guitar
Eric Carrizales | Lead Guitar
Eric Whitt | Bass Guitar & Backing Vocals

More information:
Website: www.thearsonchoir.com
Facebook:  www.facebook.com/TheArsonChoir 
Instagram: www.instagram.com/thearsonchoir 
Bandcamp: www.thearsonchoir.bandcamp.com 
Spotify: open.spotify.com/artist/2ir53QtigznLj1maMuVeNH

Photo By: Kitty Catalino

JEFF KOLLMAN GETS READY TO DROP NEW ALBUM AND FIRST SINGLE FEATURING CHAD SMITH

FIRST SINGLE “TONGS & THONGS” FEATURING CHAD SMITH (RED HOT CHILI PEPPERS) IS OUT APRIL 12


Jeff Kollman is best known for his heavy, melodic electric guitar playing, fusing elements of Jazz harmony and creating his own brand of Rock with his long running prog fusion trio, Cosmosquad, and as a member of Chad Smith’s Bombastic Meatbats. You can also catch him live with famed producer Alan Parsons (Pink Floyd, Beatles) with The Alan Parsons Live Project and in the studio or on stage with the likes of Japanese legend Eikichi Yazawa, Asia F.J.P., Steel Pulse, Chris Isaak, Jason Mraz, Lou Gramm (Foreigner), and producing rock legends Phil Mogg (UFO), Glenn Hughes (Deep Purple), and Joe Lynn Turner (Rainbow).

Now Jeff is set to release his latest album 2023 A.D. on May 17th which features a guest appearance by Red Hot Chili Peppers and fellow Bombastic Meatbats drummer Chad Smith on the first single “Tongs & Thongs”. As Kollman explains, “Well I wrote this song originally for our group Bombastic Meatbats. I decided to record it and feature the band including Chad Smith on drums for this recording. Chad has some great solo highlights on this tune. I told Chad to fill the holes.” Smith continues, “Tongs & Thongs is a ripper. I am honored to be part of the amazing Jeff “the bee” Kollman’s record. Crank it!”

Pre-save “Tongs & Thongs” here: https/push.fm/ps/tongs

The album also features Shane Gaalaas (MSG, Yngwie Malmsteen) Jimmy Johnson (Allan Holdsworth, James Taylor), Guy Allison (Doobie Brothers), Kevin Chown (Steelheart, Sebastian Bach) and Ed Roth (Robbie Krieger). Bassist Ric Fierabracci (Chick Corea) makes a special appearance on the bonus Vinyl track 1979.  Kollman continues, “I think that this album is some of my finest work in the sense that the songs flow together and there’s a contrast and depth in the compositions. It’s certainly my best sounding solo release. Having songs without vocals forces the writer to come up with music that doesn’t need lyrics to invoke depth of human emotion. I love that challenge as a writer. Many guitar instrumental records fall short on composition. There’s so much focus on lead guitar shredding and showing off. I like to paint a picture with many shades and colors to provide a feast for the sonic senses.”

The album boasts 12 tracks in all with 3 bonus tracks on the vinyl edition which is due out on June 21st.  It includes stand out songs like “Tribal Scream”, “Layers”, and “Battle Of The Bulge” which Kollman says about the latter, “This song has one of my favorite guitar solos. I worked this song up with Shane and Guy Erez (bassist for Alan Parsons). Good old rock riff song.”

2023 A.D. will be available on CD and limited-edition vinyl. Get your copy now and get a limited-edition bundle while supplies last: https://bit.ly/JEFF-KOLLMAN

Bundle Includes:
One (1) Jeff Kollman "2023 A.D." CD or LP
One (1) Jeff Kollman "2023 A.D." T-Shirt

For more information, visit
https://jeffkollman.com/
www.dekoentertainment.com

Deko Entertainment–Art Has Value

Dayseeker Share Video for Acoustic Version of "Neon Grave"

Southern California's DAYSEEKER  Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — recently announced their forthcoming acoustic album Replica, which arrives digitally on April 19 and physically on June 14 via Spinefarm. Pre-order it here.

The stripped down, intimate renditions of familiar fan favorites highlight the band's songcraft and allow the listener to experience Dayseeker in an entirely new way. The collection also includes appearances from Holding Absence's Lucas Woodland and indie artist Amber DeLaRosa.

The band just dropped the video for their stripped down and emotionally immediate version of fan fave "Neon Grave." Watch it below.

"'Neon Grave' is about my father's battle and passing from cancer," states Rodriguez. "Getting to reimagine this one in a slower setting has a completely different emotion to it now."

Replica is the somewhat unexpected (yet welcomed) result of a specific gig in 2022, when the band's gear overheated at Blue Ridge Rock Festival. Thinking on his feet, Rodriguez grabbed an acoustic guitar from the van, plugged in, and performed "Without Me." Soon, he had pulled together a five-song set on the fly as thousands of fans flocked to the stage.
 
"I felt like we let people down, but I had so many friends say, 'Everyone will remember the day your equipment stopped working and you still played the set as a really special moment’,'" he recalls. "It felt natural for our songs. We usually will do extra tracks for a Deluxe version or re-release, but we decided to commit to an entire acoustic album this time."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more. Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates. Get tickets here

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:

4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

ABOUT DAYSEEKER:
Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker have become a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene.

The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

ABOUT SPINEFARM:
Spinefarm represents some of the biggest and most important rock acts in the world. Founded in Finland in 1990, the label established itself as an independent powerhouse for successful European metal acts from Nightwish to Children Of Bodom. Acquired by UMG in 2002, Spinefarm Music Group is now home to a host of artists that reach millions of fans across the globe and showcases the very best in rock, punk and metal. From massive metal names such as Bullet For My Valentine (with over 3 billion streams to their name) to alt-rock legends Killing Joke and genre-benders Sleep Token, Spinefarm's artists are — and always have been —true leaders in their chosen field. The roster also includes renowned names like Atreyu, Airbourne, Saint Asonia, and While She Sleeps, as well as fast-rising young artists like Dayseeker, Dead Poet Society, Kid Kapichi, BRKN LOVE, and Creeper. Spinefarm, now flanked by associated SMG labels Candlelight (Emperor, Ihsahn, Urne) and Snakefarm (Marty Stuart, Austin Meade, The White Buffalo), has grown from its independent origins into a true global rock powerhouse.

The Shadow Majlis presents 'Deer in the Headlights' from 'The Departure' album, featuring members of Love & Rockets, Tricky & DakhaBrakha

"A powerful achievement... I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!" ~ David J (Bauhaus, Love and Rockets)

"With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, this debut offering from The Shadow Majlis is diverse and stunning, involving a dream-team – not only in terms of production, but also collaborators, ranging from true music legends of our generation and top-notch artists from around the world" ~ The Spill Magazine


Toronto-based artist The Shadow Majlis presents 'Deer in the Headlights' from the debut album 'The Departure', following the latest single 'Mazdur'. Moving from devastation through the creation of this album has been medicine for the soul, resulting in an alternative sonic reality where we can all find solace and relief.

The Shadow Majlis [pronounced "mahj-lis"] revolves around multi-instrumentalist Ali Jafri, whose multi-cultural artistic and musical vision was realized together with David J (Bauhaus, Love & Rockets) on bass and Rakesh Tewari (Jaffa Road, The Special Interest Group) on drums and percussion, with cover art by Stephen Seto (Splintercage).

Perhaps best known as a member of David J's live band or for playing rock-sitar with Pigface, Ali Jafri also leads projects ARIEL, The Gotham City Drugstore and Saintfield, in addition to his his solo work. Produced and mixed by three-time Grammy Award winning producer David Bottrill (Peter Gabriel, Nusrat Fateh Ali Khan, Tool, David Sylvian, Mastodon, Smashing Pumpkins, Muse, Real World Studios), this album was engineered by Darren McGill and mastered by Noah Mintz.

The album features numerous guest performers, including vocalist Olena Tsybulska (DakhaBrakha), guitarist Mark Gemini Thwaite (The Mission, Peter Murphy, MGT, Tricky, Gary Numan), cellist Anne Bourne (Loreena McKennitt, Jane Siberry), Tuvan throat singer Soriah, Ravi Naimpally (Niyaz, Constantinople) on tabla, Pankaj Mishra on sarangi, Selmanpak Ayduz on ney, Kerem Koktas on kemanche, and Sasha Singer-Wilson on backing vocals.

The most poignant and powerful artistic output stems from tragedy, and The Shadow Majlis is no exception. Amid a deluge of personal upheaval, this album has been Jafri's means to address his grief over losing his seven-year-old son Oisín, who passed away in September 2022 after a nine-month battle with diffuse intrinsic pontine glioma (a highly aggressive form of brain cancer), the dissolution of his conjugal relationship, and a year-long state of temporary homelessness.

"The “Deer” in 'Deer in the Headlights' is Oisín as Oisín means “little deer” and is taken from Irish folklore. This song is special for me with its high energy percussion and features David J‘s bass line driving the rhythm section. It also features Soriah and his Tuvan throat singing, the meditative nature of the throat singing up against the franticness of the rest of the song, I think, is juxtaposed beautifully and speaks to the gracefulness that Oisín carried himself with amidst the difficulties he faced as a child dying from cancer,' says Ali Jafri.

"And it’s apropos that his name means “little deer” because he was a graceful child. He lived and died with grace. The song also speaks to his short life and sudden decline - his cancer battle only lasted nine months. He had a huge impact on everyone that knew him and the bravery he showed in his last days is nothing short of incredible. We had a brief yet profound time with him. He’ll always be frozen in time at the age of 7 - his short life, a moment of grace. We didn't know what hit us, and we certainly didn't see it coming til it was too late".

Showcasing genre-fluid excellence and raw emotional experience, The Shadow Majlis fuses elements of Eastern modes with post-punk. An alternative neo-global style that transcends borders, alternative music is merged with the rich, diverse instrumentation and rhythms of world music. Recorded in Toronto, LA, Portland, Istanbul, Kyiv and Iceland, this is truly an international affair, with languages such as Urdu, Farsi, Arabic, Icelandic and Ukrainian woven with English throughout this album.

Calling the album a powerful achievement, David J says, "I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!"

'The Departure' album is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. This album's creation was made possible through funding received from FACTOR.

'Deer in the Headlights'  https://youtu.be/gprReUBMJo0 
Bandcamp  https://theshadowmajlis. bandcamp.com/album/the- departure
Spotify  https://open.spotify.com/album/6sK70oB05pqllWqDWfdWyQ 
Apple Music  https://music.apple.com/ca/album/the-departure/1733251727 

ALBUM CREDITS
Ali Jafri - vocals, guitars, bass VI, electric sitar, percussion, programming, synthesizers, electronics, solfeggio pipes
David Bottrill - backing vocals, electronics, synthesizers
David J (Bauhaus, Love and Rockets) - bass
Rakesh Tewari (Jaffa Road, The Special Interest Group) - drums, percussion
Olena Tsybulska (DakhaBrakha) - vocals
Mark Gemini Thwaite (Peter Murphy, Tricky, The Mission) - guitars
Anne Bourne (Loreena McKennit, Jane Siberry) - cello
Sasha Singer-Wilson - backing vocals
Soriah - Tuvan Throat Singing, Flute
Ravi Naimpally (Niyaz, Constantinople) - tabla
Pankaj Mishra - sarangi
Selmanpak Ayduz - ney
Kerem Koktas - kemancheh
Oisin Adams-Jafri - vocals, percussion, solfeggio pipes
Zayn Jafri - piano
Oscar Adams-Jafri - solfeggio pipes

All songs written by Ali Jafri and David Bottrill, except 'Elliðakot' (written by Ali Jafri) and 'The Departure (Kolyskova)' (written by Ali Jafri, David Bottrill and Olena Tsybulska)
Produced & Mixed by David Bottrill
Engineering by Darren McGill at Union Sound Company & David Bottrill at Mainstatiion Music and Imagine Sound
Mastered by Noah Mintz at Lacquer Channel
Graphic Design & Illustration by Stephen Seto
Photography by Justin Minister @secondhand_daylight
For Oisín...

Keep up with The Shadow Majlis
Website | Bandcamp | Facebook | Instagram | Twitter | TikTok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Echos Announce Outlast Records Signing + Releases New Single + Music Video "CAROUSEL"

Echos fans, rejoice! Today, the industrial-tinged, ethereal chanteuse has announced signing with her new label home, Outlast Records. In celebration of the news, Echos released a brand new single "CAROUSEL". Accompanying the release is the official music video that serves as the visual counterpart to the evocative auditory journey of the single. Speaking about the track, Echos creatrix Alexandra Norton shared:

"'CAROUSEL' is about feeling trapped in a never-ending cycle with someone. I initially wrote this as a stream-of-consciousness poem and the line “peel my eyes out I’m on your carousel” is supposed to feel like a scoff at the situation “Here we go again…but for some reason I can’t figure out how to get off of this rollercoaster.

Los Angeles fans will also have their chance to see Echos' captivating live performance at School Night on Monday, April 15(ticket info here). Stream "CAROUSEL" at the link here, watch the official music video below, and be sure to stay tuned for more Echos news coming very soon.

Alexandra Norton, the voice and songstress behind Echos, weaves her music from the threads of her own tumultuous journey. "It's a sanctuary," she confides, her voice a blend of haunting vulnerability and quiet strength, “a place to make sense of my pain and give it a final resting place.”

Within the labyrinth of her words, she delves into the darkest recesses of human existence—abuse, self-inflicted wounds, and the relentless dance with thoughts of oblivion. Yet, amidst the shadows, she also touches on themes of resilience, introspection, and empathy. "It's about embracing the full spectrum of emotions," she reflects, “creating a space to feel, release, and heal."

With three albums already to her name, her latest endeavor promises to be her most cherished work yet—a testament to her evolution as an artist and her journey—a journey that resonates with listeners seeking solace and connection amid their struggles. Her voice, like a spectral echo, invites listeners to explore the depths of their emotions, rather than bury them in silence.

THE REAL KING OF THE SUNSET STRIP IS BACK! THE LATEST FROM SHARK ISLAND DROPS ON MAY 17TH “PARIS CALLING” STREAMING EVERYWHERE NOW

Richard Black was once known as the “King of the Sunset Strip” and Shark Island was once the house band at the world famous Gazzaris. Signed to Epic Records in 1989 the band released their debut album Law of the Order, and also saw the tracks ‘Dangerous’ and ‘Father Time’ featured in the movie Bill & Ted's Excellent Adventure, as well as the song ‘My City’ from the movie Point Break. Lead Singer Richard Black would go on to be part of the short-lived supergroup Contraband which also featured Michael Schenker (Scorpions, UFO), and members of L.A. Guns, Ratt and Vixen. They released one album in 1991 before disbanding.

Shark Island was resurrected in 2005 and recorded and released the album Gathering of the Faithful in 2006. In 2018 the band started work on Bloodline which was recorded in Croatia and Los Angeles and officially released by Deko Entertainment as Bloodline 2.020 in 2020. It was produced by Alex Kane (Life Sex Death, Enuff Z’Nuff) and mixed by the legendary Sylvia Massy (Aerosmith, Smashing Pumpkins, Red Hot Chili Peppers).

Listen to “Paris Calling” here: https://push.fm/fl/eW8RVhnA

Now Shark Island reclaims their spot on the Sunset Strip with MEMENTO MORI - Live On The Strip. Hosted by Sirius XM’s Eddie Trunk and recorded at the world-famous Whisky A-Go-Go on April 22nd, 2022. Richard and the guys give you more than an hours’ worth of classics like “Paris Calling”, “Read My Lips”, and their cover of the Fleetwood Mac song “The Chain”.

View video for “Paris Calling”: below.

MEMENTO MORI - Live On The Strip will be available on CD and limited-edition bundles while supplies last: https://www.dekoentertainment.com/sharkisland

Bundle Includes: Includes:
1x "MOMENTO MORI - Live On The Strip" CD
1x T-Shirt
1x 10x10 Autographed Flat
1x Bracelet
1x Sticker

For more information, visit:
https://www.sharkislandmusic.com/
www.dekoentertainment.com

Deko Entertainment–Art Has Value

Benighted Crawl Into Your Head on New Single

From the depths of France's extreme metal scene, Benighted are resurfacing with their most psychologically thrilling album yet. Today, the band are releasing the third single off Ekbom. With its malignant chorus, "Metastasis" is bound to break necks.


Watch the performance video for "Metastasis" below.

Ekbomis out April 12 on Season of Mist.

Pre-order:https://redirect.season-of-mist.com/BenightedEkbom
Pre-save:https://orcd.co/benightedekbompresave

"Metastasis" lives up to its name. Germinating from the dark, intricate production that fans have come to expect from Benighted, the band's new single injects pure aural terror, cultivating brutal, blackened death metal into pure mental anguish. 

"This song has probably the heaviest chorus on the entire album!" vocalist Julien Truchan says. "Time to break your neck! 🤘"

The beautifully gory video forMetastasiswas produced & directed byKick Your Eyesproductions, who previously worked with Benighted in 2020 on their single "Nails".

Dive into the darkest realms of the human psyche as BENIGHTED, the French purveyors of brutal death metal & grindcore, unleash their tenth full-length album Ekbom in April 2024. The madness that has defined their discography continues with this radical soundtrack to the twisted times we inhabit.

Born from French Death and Black metal bands DISHUMANIZED, DARKNESS FIRE, and OSGILIATH, BENIGHTED emerged in 1998 with a mission to explore a more brutal, heavy, and modern form of musical expression. The impact of their first self-produced and self-titled full-length album in 2000 transformed BENIGHTED from a side-project into a main act, quickly amassing a devoted fan base. Subsequent albums like Psychose (2002), Insane Cephalic Production(2004), Identisick (2006), and Icon (2007) further cemented their visceral, skull-breaking sound into extreme death metal history.

After a detour into the realms of Necrobreed in 2017, BENIGHTED celebrated their 20th anniversary by capturing the live madness with Dogs Always Bite Harder Than Their Master in 2018.

With Obscene Repressed, they once again took sadistic pleasure in pushing the boundaries of brutality, delving into the disturbed mind of little Michael. His relentless battle against demons, fueled by unresolved oedipal issues with his mother, provided a grotesque tableau for BENIGHTED's sonic butchery. Not content with merely slaughtering everything in their auditory path, BENIGHTED crafted thematically explorative pieces, each turn in their music revealing new layers of horror and despair.

As the relentless journey continues, BENIGHTED is set to unleash Ekbom in April 2024, an album that draws inspiration from the nightmarish 'Ekbom syndrome.' This rare neurological disorder, also known as Delusional Parasitosis, forms the thematic core of the upcoming release. A feeling of having a vile concoction of parasites, worms, and insects crawling under your skin is an apt description of what BENIGHTED have to offer on this newest release. The auditory assault mirrors the repulsive sensations of the syndrome, a visceral and unsettling journey into the abyss of the human mind.

Madness reigns yet again, this time intertwining with the haunting echoes of Ekbom syndrome. Brace yourselves for another mind-shattering chapter in the BENIGHTED saga as they continue to carve their niche in the putrid annals of extreme metal, leaving a trail of sonic disgust in their wake.

Photo by © Anthony Dubois

Line-up
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Kevin Paradis - Drums

Recording studio
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering engineer
Kristian Kohlmannslehner

Guest musicians
Oliver Peters (Archspire) on "Nothing Left to Fear"
Xavier Chevalier (Blockheads) on "Fame of the Grotesque"

Biography: Sébastien Gamez

Cover art: Grindesign (Rob Borbas)

Pre-save: https://orcd.co/benightedekbompresave

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom

Links:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/us/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180 
Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Transparent Yellow & Black Marbled
12" Coloured Vinyl Gatefold - Golden
12" Liquid Vinyl Gatefold - Blood Red Liquid-Filled

Wheel Share New Single "Porcelain"

Anglo-Finnish progressive metallers Wheel previously announced their third studio album Charismatic Leaders, which arrives on May 3.

Today, they launch the second single — the dynamic and expansive "Porcelain." Listen here. Watch the visualizer below.

Vocalist and guitarist James Lascelles comments, "'Porcelain' ended up being about social norms and how the values of the past seem abhorrent by modern standards. In turn, our current values will likely be seen as primitive, careless or even cruel in the future. I think we would all like to imagine that if we had been born long ago, we would have the same world view that we do now but this would likely not be the case. We are all shaped by our surroundings and social conformity, probably more than we would like to admit. It was a humbling topic to dig in to and the more I thought about it, the more empathy I was able to find for our ancestors."

The album's first single "Empire" was released last month, and the video currently has over 220k views. Watch it here.

Charismatic Leaders was meticulously crafted to meet Wheel's ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala's third album represents their heaviest and most conscious music to date.

Charismatic Leaders clocks in at just under 50 minutes, and will be available as a Limited CD Digipak (also featuring the Rumination EP tracks as bonus), and a Gatefold 180g LP, both featuring artwork from Lucas Mayer (Long Distance Calling, Blackout Problems). Pre-orders are live here.

Wheel will be celebrating the release of their new album with their first ever shows in Australia, supporting labelmates Caligula's Horse, as well as their first ever North American headline shows:

WHEEL U.S. TOUR DATES:
5/2 — Orlando, FL — Conduit 
5/5 — Philadelphia, PA — The Foundry
5/6 — Vienna, VA — Jammin Lava
5/7 — New York, NY — Mercury Lounge
5/8 — Boston, MA — Brighton Music Hall
5/9 — Montreal, QC — Petit Campus
5/10 — Toronto, ON — Adelaide Hall
5/12 — Chicago, IL — Beat Kitchen
5/13 — Minneapolis, MN — 7th St. Entry
5/16 — Denver, CO — Moe's
5/19 — Phoenix, AZ — Underground
5/20 — San Diego, CA — Brick by Brick
5/21 — Los Angeles, CA — 1720
5/22 — Berkeley, CA — Cornerstone
5/23 — Sacramento, CA — Goldfield Trading Post
5/25 — Seattle, WA — Barboza

ZETRA - Announce Highly Anticipated Self-Titled Debut Album + Release Video For New Single 'Starfall' Feat. Svalbard's Serena Cherry

Otherworldly alt. duo ZETRA have emerged from the shadows once more with whisper of their highly anticipated, self-titled debut album, that will be released on 13th September via Nuclear Blast Records. The wanderers have also bestowed upon us the gift of a video for their new single 'Starfall', which features Serena Cherry of the mighty Svalbard.

The wanderers whispers echo:

"The sky illuminates as the meteors begin their cataclysmic descent through the firmament.
Starfall.
The second chapter of our realization emerges. The unveiling of our Opus 1, 'Zetra' continues.
Starfall.
We are united on this journey with the supernatural force that is Serena Cherry of Svalbard.
Begin to know."


Watch the transcendent video for 'Starfall' below.

Pre-order and pre-save Zetra now at: 
https://zetra.bfan.link/zetra.ema

Photo credit: Rebecca Need-Menear

TRASHCAN SINATRAS' JOHN DOUGLAS shares 'I Just Want To Go Home' & UK tour dates surrounding debut solo album

Following up a fine year of music prowess, involving the reissue and UK Top-40 charting of Trashcan Sinatras' debut album 'Cake' (33 years later since its original release), the release of his own debut solo album and a row of successful concerts around the UK, John Douglas presents 'I Just Want To Go Home', the live performance video for which was filmed in Hyndland, Glasgow in late March 2024, just after midnight.

One of Scotland’s finest songwriters and a founding member of Trashcan Sinatras,, Douglas has opened a new chapter in his life with the release of his eponymous debut album, released via Scotland's Reveal Records. Presenting an intimate snapshot of the talent, charisma and depth of this celebrated songsmith, this album was recorded live at Kyoti Studio in Glasgow with producer Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion).

Featuring original material and new recordings of John's favourite Trashcan Sinatras' material and his own rendition of the Prefab Sprout classic ‘We Let The Stars Go’, this album reflected the genuineness of Douglas' music, also demonstrated in recent live peformance videos for 'Lost', 'I'm Not The Fella' and 'Always'plus Trashcan Sinatras' classics 'Oranges & Apples', 'Leave Me Alone' and 'Weightlifting'.

John Douglas describes this song as "a lonesome lyric", noting "‘When life has been hectic, work never ending, the doorbell constantly ringing, notifications always pinging,  the house never far from full, the noisy world roaring out of every device…  this quietly anti-social song may float your weary boat. It’s message..? Make a date with your own fine, peaceful company".

Performing as a solo artist and also as part of his partner Eddi Reader’s band, he's been on the road a lot lately in the UK and Ireland, having also performed with friends like Norman Blake (Teenage Fanclub), Jill Jackson, Withered Hand and James Grant (Love & Money). John has also performed with Martin McAloon (Prefab Sprout), who met in 1990 when the Trashcan Sinatras were touring with Prefab Sprout.

John Douglas' debut album is out now and available from fine online platforms and can be obtained on CD and digitally via Bandcamp. UK fans are also in luck as he'll be on his first headline tour throughout May.

CREDITS
Written by John Douglas (1, 2, 4, 6, 11), Trashcan Sinatras (3, 5, 7, 8), Trashcan Sinatras / Dine (9) and Paddy McAloon (10)
All songs published by MCPS/PPL, except Track 10 (published by Sony/ATV Music Publishing LLC)
Recorded, mixed & mastered in Glasgow by Mark Freegard
Photographs taken on the Old Largs Road by Susie Lowe
Cover photo by Janette Ayachi at The Strand Club, Glasgow
Design by Martin Rowsell Simply Marvellous: Music
Publicity by Shameless Promotion PR

Album order  https://revealrecords.lnk.to/JohnDouglas
Bandcamp  
https://johndouglas.bandcamp.com
Spotify  
https://open.spotify.com/album/08oykWwqbE7yvlHbUmG7gr

Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | YouTube | Spotify | Apple Music | Songkick | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

Keep up with Shameless Promotion PR
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