Osiah Release New Album 'Kairos' via Unique Leader Records

Finishing up a momentous 2023, deathcore quartet Osiah have released their new album 'Kairos' via Unique Leader Records. Accompanying the release, the band shared their new track "The Inherited Sorrow" along with the official music video. 'Kairos' is Osiah's fourth album and the follow-up to their 2021 full-length, 'Loss'. When asked about today's news, the band commented:

"'Kairos' is a true departure from the past with a valiant stride to Osiah's progression. Instrumentally it encapsulates the very essence of us as musicians and lyrically it is inspired by a recent burying of the hatchet, and focusing instead on understanding the concept of mortality. It is fury-fueled, but intelligently constructed, resulting in a sound that is both old and new to fans of Osiah, a perfect introduction or concatenation for those who’ve been with us from the start of our onerous journey."

Stream 'Kairos' here and watch the official video for "The Inherited Sorrow" below.

Hailing from the extreme music melting pot that is the northeast of England, Osiah transcends the deathcore label with what could possibly be the most torturous barrage of filth the UK has produced in recent years. Crushingly intense breakdowns and deathly chops tread a familiar path, but jarringly detuned guitars, unpredictable tempo changes and vocals that range from wide-ranging pitched screams to commanding guttural bowel openers add an extra evil to the sound that cannot be put into words.

After releasing their first EP 'Reborn Through Hate' in 2015, Osiah released their first full-length album ‘Terror Firma’ in June 2016 via Siege Music. The album gained praise from Metal Hammer Magazine, Bloody Disgusting, and many other prestigious publications, cementing the band as the hottest and heaviest band on the UK deathcore scene.

The resulting work lead to the band signing to Unique Leader Records in 2018 and releasing their sophomore album 'Kingdom of Lies' in 2019. In 2021, Osiah released their third album 'Loss' and unleashed their latest EP 'Chronos' in early 2023.

Photo Credit: Brian McCartney

SKELETAL REMAINS Unleashes New Single + Music Video, Launches Pre-Orders for 'Fragments of the Ageless'

PRE-ORDER // STREAM

American death metal purveyors SKELETAL REMAINS are now unveiling "Relentless Appetite," the second explosive single from their upcoming new full-length, 'Fragments of the Ageless,' which is due via Century Media Records on March 8, 2024! The single is now available along with a pummeling and blood-soaked video, which was directed by Steven Grise of 197 Media, below.

“We feel it’s more brutal than the last one,” says Chris Monroy (guitars/vocals) about the new record. “We were pushing ourselves to be more extreme—vibing on that as much as possible.” Today doesn’t only mark official start of the preorder of the album, but also the release of 'Relentless Appetite.'"

Pre-orders and additional album details for 'Fragments of the Ageless' are now live HERE and can be found in the following formats:

Ltd. CD Digipak

Ltd. Gatefold transp. magenta LP

Ltd. Gatefold lemon colored LP (300x) available at cmdistro.de and Evil Greed

Ltd. Gatefold transp. light blue LP (300x) available at cmdistro.de and various other retailers

Ltd. Gatefold Opaque Spring Green LP (US version)

Ltd. Gatefold Sunspot LP (500x) available from US Indie outlets and SKELETAL REMAINS

Digital album

Lyrically, SKELETAL REMAINS took the left-hand path. Rather than topics and themes inspiring the cover art, Dan Seagrave’s (Suffocation, Entombed, et al.) famously atramentous detail conversely informed the lyrics and album title. Monroy says they had working titles that they conveyed to Seagrave, but the final painting sparked the title, “Fragments of the Ageless”. Of course, the usual influx of sci-fi, historical, personal struggles, and fantastical also played a part.

“Seagrave completed the cover art before we had a title,” Monroy says. “That was kind of different, but it worked in our favor. The cover art directly inspired a few of the lyrics and musical themes, tying multiple pieces together, which is a first for us. We did show him different pieces of art—10 in all, I think—that we liked, so there was direction. We wanted a mixture of things, with the final idea being a creature being taken apart and its DNA extracted. Seagrave’s crazy brain made it all come to life.”

SKELETAL REMAINS recorded “Fragments of the Ageless” at various home and professional studios. Most of the guitars, bass, and solos were tracked DIY. The band wanted the drums to sound as imposing as possible, so they booked Trench Studios (Intronaut, Hirax) with John Haddad, while the vocals were cut at Birdcage Studios with Allen Falcon (Pestilent Death). Once the album’s core had been recorded, Monroy and the team sent their sick slab to Swedish studio ace Dan Swanö (Asphyx, Incantation) for mixing and mastering.

While SKELETAL REMAINS have had four full-lengths since forming in 2011, “Fragments of the Ageless” is the band in their highest grotesque gear yet.

Line-up:

Chris Monroy - guitars/vocals

Mike De La O - guitars

Pierce Williams - drums

Brian Rush - bass

Album Art:

Dan Seagrave

Album Title Logo:

Kyle Bowen

Follow:

OFFICIAL WEBSITE

INSTAGRAM

FACEBOOK

STREAM // DOWNLOAD

Photo by Allen Falcon

Pistols at Dawn Delivers Their Rendition of 'Last Christmas' for the Festive Season!"; UK Tour with FOZZY in February 2024!

STREAM "Last Christmas"

https://lnk.to/PADLastChristmas

WATCH Pistols At Dawn - "Last Christmas" VIDEO below

Atlanta-based hard rock sensation PISTOLS AT DAWN is ushering in the festive season with a twist on the beloved holiday anthem, "Last Christmas." Available now on all major streaming platforms, this latest single from the band promises to ignite holiday spirits with its rock-infused rendition of WHAM!/George Michael's timeless classic.

With a fervent dedication to crafting an enduring holiday track, PISTOLS AT DAWN embarked on a mission to create a rendition that resonates across generations. Adding their unique rock stamp to the iconic melody, the band infused raw emotion and intensity, channeling George Michael's original sentiment while introducing a new dimension to the song's sonic landscape.

In a departure from their signature sound, the band embraced the inclusion of violin and cello, marking the first time they've incorporated these orchestral elements into their music. This addition elevates the emotive qualities of "Last Christmas," ensuring that listeners experience a stirring and immersive rendition of this cherished song.

Commenting on their rendition, PISTOLS AT DAWN expressed, "We wanted to create a truly special holiday track that would stand the test of time. George Michael wrote one of the best holiday songs of all time, and we wanted to add our stamp to it. We knew if we felt the emotion of the song, like he did, that everyone else would too. At the end of the day, we just hope this makes everyone's holiday a little more special."

Moreover, PISTOLS AT DAWN has exciting plans for the upcoming year, including a series of dates alongside Fozzy across international stages, as well as headlining performances. The band's relentless energy and captivating stage presence are poised to captivate audiences worldwide.

"Last Christmas" by PISTOLS AT DAWN is now available on all major streaming platforms. Embrace the spirit of the season with their electrifying take on this holiday classic.

When rules break, rock ‘n’ roll moves forward. Standing at a crossroads between 21st century attitude and old school arena-size ambition, Pistols At Dawn lock and load hard-hitting hooks, magnetic melodies, and intricate instrumentation in a searing signature style. The Atlanta quartet—Adam Jaffe [drums], Will James [lead guitar], Gabriel Cuevas [bass], and Jon Sookdew Sing [lead vocals+rhythm guitar]—re-energize the genre, while maintaining its edge. After independently amassing over 6 million streams and collaborating with icons such as GRAMMY® Award-winning producer and engineer Sylvia Massy [Tool, System of a Down, Johnny Cash], the group deliver eight anthems on their 2022 full-length album, Ascension, via distributor Megaforce Records/MRI Entertainment. “All of our influences come out in the music, but with our own stamp,” says Adam. “There’s definitely a hard rock vibe combined with progressive lyrics. When you add these elements together, it beautifully combusts in Pistols At Dawn.”

Speaking to this alchemy, in 2015 the band immediately entered the studio with producer Jeff Tomei [Smashing Pumpkins, Matchbox 20] to record their first singles before entertaining various other projects. During 2019, the original lineup joined forces again. Ultimately, original founder Jaffe completed the lineup with incendiary world class guitarist James, and elite progressive rock duo Sookdew Sing and Cuevas.

They unleashed music at a prolific pace in addition to personally engaging fans worldwide with an immersive online presence. “Cold” exploded to the tune of 1 million streams across platforms followed by "Gauntlet" and "All You Offer" with another million streams. Working with producer Jeff Tomei, they unleashed the Nocturnal Youth EP in 2021. The opener and lead single “Voices” impressively generated 1 million plays in under a month. In the midst of the Global Pandemic, they caught the attention of Massy and recorded what would become Ascension with the legendary producer behind the board alongside co-producer Chris Pierson.

Musically and thematically, it allowed a sliver of light to pass through the world’s darkness. “On Nocturnal Youth, we were going through a dark time in the Global Pandemic,” Jaffe states. “On Ascension, we’re coming into the light and embracing life. There’s still dark subject matter on the record, but it was positive to write. It melded together the way we’d always hoped.”

Anchored by a balance of extremes, the lead single “The Truth” nods to nineties alternative with a distinct and dynamic twist. Adam goes on, “It revolves around the constant noise we have in our head pushing and pulling our emotions so much that we sometimes lose total control and explode. We have to be careful to maintain our thoughts and emotions, or ‘The Truth’ is that they could tear us apart.”

Elsewhere, the opener and follow-up single “Under The Surface” immediately sets the tone with a hypnotic riff and hard-hitting vocal, barely containing its cathartic momentum in the searing lyrics, “Take what you want and leave me for dead. All that I need is under the surface.”

“This song deals with the hell some have to go through above ground with people constantly taking, lying, and poisoning,” he reveals. “So, you want to be buried deep to get away from society where no one will find you.”

“Fly” leans into a dark chorus and instantly memorable hook, equally soaring and shuddering all at once. It strikes a chord with its timeless theme presented through a nocturnal prism. “It’s a powerful and dark love song about wanting to disappear with your true love,” he elaborates. “Musically, diversity was important to us. So, each song really tells a different story with a distinct sound.”

Indicative of this diversity, “For You” steamrolls forward on a hulking groove fortified by a punchy riff and towering refrain. It sets the tone for the rollercoaster to follow. “It’s about finding someone really special who is worth changing for,” notes Adam. “If you find someone you love enough, you’ll change. It’s the light at the end of the tunnel.”

Ultimately, Pistols At Dawn ignite a fresh and fiery vision for rock all their own.
“We want to take you on a ride,” Jaffe leaves off. “We just love playing music. One moment, we hope you’re inspired to take on the world. In the next, we hope you scream along. In another, you just chill. It’s meant to be fun and exciting overall. At the end, we hope you want to take the ride again and again.”

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

Tarja Shares "All I Want For Christmas Is You"

With Christmas only being a little more than two weeks away, Tarja treats us with the release of the video for the single "All I Want For Christmas Is You," taken from her recently released album Dark Christmas. 

In this rendition, Tarja captures the essence of Christmas with soaring vocals that effortlessly traverse the realms of emotion. She puts her own twist on Mariah Carey's iconic track, infusing it with her signature blend of classical and rock influences.

As B-sides, the single contains Tarja's "Last Christmas," as well as the song "O Christmas Tree," taken from the "Dark Versions" of 2017 release From Spirits and Ghosts (Score for a Dark Christmas). 

WATCH THE VIDEO FOR "ALL I WANT FOR CHRISTMAS I YOU" 

With enchanting and captivating renditions of well-known Christmas carols, such as Wham!'s "Last Christmas," Mariah Carey's "All I Want For Christmas Is You," Paul McCartney's "Wonderful Christmastime," classics such as "Jingle Bells," "Frosty The Snowman," and "Rudolph The Red-Nosed Reindeer," as well as Tarja’s brand new original song "Dark Christmas," it's the perfect album for those who want to embrace the holiday spirit while exploring a more mysterious side of the season. 

"It was fascinating to dive into this new world. You will appreciate these Christmas songs with our spooky arrangements truly sound in a way they never did before. It was my pleasure to team up once again with Jim Dooley and Tim Palmer. I hope you will dig in our take of a Dark Christmas spirit," says Tarja 

ACCESS THE ALBUM DARK CHRISTMAS HERE.

FORMATS:
1CD Digipak / 2LP Gatefold (black, 180g, 45rpm) / Ltd. 2LP Gatefold (Green Splatter 180g, 45rpm) / digital

DYLAN SCHNEIDER’S “DADDY DRINKS WHISKEY (LIVE FROM THE OPRY)” AVAILABLE NOW

“Country Music’s Next Rising Star” (Billboard) Dylan Schneiderperformed his heart-wrenching and autobiographical “Daddy Drinks Whiskey” for the first-time ever in the Grand Ole Opry’s sacred circle, delivering an emotionally charged debut to a packed-out audience. Due to crowd reaction, the BBR Music Group/Wheelhouse Records artist today releases the raw, solo acoustic and emotively stirring version of that performance. Produced by Zach Abend and written by Schneider with his childhood best friend Gabe Foust and Nate Kenyon, listen to “Daddy Drinks Whiskey (Live From The Opry) below.

“Writing ‘Daddy Drinks Whiskey’ was something that was extremely difficult, but also cathartic,” says Schneider. “I knew I needed to write this song for everyone out there who has gone through a similar experience that I have. The Grand Ole Opry is a special place for so many reasons, so performing this song there for the first time, it just felt right. I was blown away by the reaction after and knew I had to release this live acoustic version from that night.”


Writing Dustin Lynch’s emotive Top 5 “Momma’s House” at 18, scoring two RIAA-Gold records by 22,going viral with his radio single “Ain’t Missin’ You” at 23 and gaining over 500,000 social followers in just a few months, the “Artist to Watch” (Amazon Music, Pandora, Taste of Country) isn’t afraid of honest storytelling and the vulnerability that comes along with it, hoping others find comfort in the fact they aren’t alone when struggling with a loved one’s alcoholism. 


At only 15, Schneider found success in music and began traveling to Nashville constantly, fighting a battle no one ever knew existed. Now at 24, he’s realized the power this experience, and this song might have in someone else’s life. Exclusively speaking with
American Songwriter, he reveals the truth in the lyrics HERE.

Releasing music with “a more mature sound” (American Songwriter), Schneider continues to “expand the bounds of his artistry” and “build upon his foundational country roots with intentionality” (American Songwriter), ultimately making “…music that his fans fall in love with, without losing the authenticity that he has had all along” (Country Swag). 

Kicking off 2024 with Nate Smith on his World On Fire Tour, starting January 4 in Athens, Georgia, Schneider’s smash hit “Ain’t Missin’ You” is climbing the country radio charts and racking in over 121M TikTok views, 121k user-generated TikTok videos and 30M on-demand streams. 

 

Upcoming Tour Dates:

January 4 – Athens, GA – Georgia Theater*

January 5 – Charlotte, NC – Coyote Joes*

January 6 – Greenville, SC – Blind Horse Saloon*

January 11 – Boston, MA – The Sinclair*

January 12 - Uncasville, CT – Wolf’s Den at Mohegan Sun*

January 13 – New York, NY – Irving Plaza*

January 31 – Oxford, OH – Bricks Street Bar*

February 1 – Chicago, IL – Joe’s Bar*

February 2 – Grand Rapids, MI – The Intersection*

February 3 – Indianapolis, IN – 8 Second Saloon*

February 8 – Salt Lake City, UT – The Complex*

February 9 – Las Vegas, NV – Stoney’s Rockin’ Country*

February 11 – Denver, CO – Bluebird Theater*

February 15 – Los Angeles, CA – El Rey Theater*

February 16 – Bakersfield, CA – Buck Owens*

February 17 – Sacramento, CA – Ace of Spades*

February 21 - Vancouver, BC – Commodore Ballroom*

February 22 – Kelowna, BC – Community Theater*

February 23 – Calgary, AB – The Place Theater*

February 24 – Edmonton, AB – Midway Music Hall*

April 28 – Indio, CA – Stagecoach Festival 

* with Nate Smith

Credit: ©Grand Ole Opry, photos by Chris Hollo

About Dylan Schneider:

Drawn to the storytelling aspects of country music, Dylan Schneider started performing and writing songs at the age of 14, after meeting Brett Eldredge and singing with him on-stage during a concert. After that, he began posting videos to his Facebook page, where he’d cover popular Country songs, gaining a devoted online following. Since then, Schneider has made a name for himself in the Country music community, forging a sound that merges modern pop sensibilities with a down-home feel. He’s been named a “Breakthrough Artist to Watch” by Amazon Music, an “Artist to Watch” by Pandora, Taste of Country and Sounds Like Nashville and declared “Country Music’s Next Rising Star” by Billboard. He’s toured with Florida Georgia Line, Kane Brown, Morgan Wallen, Dan + Shay, Granger Smith, LANCO, Mitchell Tenpenny, Chris Lane and Niko Moon, co-wrote Dustin Lynch’s Top 5 hit song “Momma’s House,” scored two RIAA-certified Gold records, accumulated over 1.2M social media followers and banked an upwards of 303M on-demand streams (and counting). Signed to BBR Music Group/Wheelhouse Records, his latest five-track EP College Town truly embraced his irresistible rock-n-roll edge and unrestrained pop-country swagger. Now, after posting a snippet of his new break-up anthem “Ain’t Missin’ You” on social media, gaining over 500,000 social followers in a few months, the sound went viral, racking up more than 121M TikTok views, 121k user-generated TikTok videos and 30M on-demand streams, before climbing to #3 on TikTok’s Country playlist and securing placement on viral-song charts. Giving into fan demand, the rising country star’s “Ain’t Missin’ You” - currently climbing the country radio charts – is out now, along with the heart-breaking “Daddy Drinks Whiskey.”


KEEP UP WITH DYLAN SCHNEIDER

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X 

Radiobot Release New Single "This World's On Fire" + Official Music Video via TLG/ Virgin Music Group

Stream "This World's On Fire"

https://ffm.to/radiobot-thisworldsonfire

Introducing Radiobot, a dynamic musical ensemble comprising the talented members Brett Scallions, Billy Harvey, and Eddie Wohl. This exciting band has unveiled their original debut single "This World's On Fire" and it's now available on all major music platforms via TLG/Virgin Music Group. The band will release their debut album in Spring 2024!

“At a time when the world certainly feels like it's a mess, we hope listeners will enjoy the comical tongue in cheek lyrics in this song. That, along with the stomp beat, should get your booty shaking and have some fun with it,” says the band.

In regards to the video, the band states, "Billy, Eddie, and I always wanted to see ourselves as cartoons. Making this video was our shining moment to make a dream come true! Glen and Isabella Levanon had the perfect art style to make the treatment we wrote come to life. At a time when the World really is in a bit of a mess, we hope this video can provide a little comedy to lighten the state of things. Enjoy.”

WATCH Radiobot's animated video for "This World's On Fire":

RadioBot is a writing trio consisting of Brett Scallions, Billy Harvey, and Eddie Wohl. They got together for the first time in 2016, when Eddie invited Brett and Billy to his studio for a writing session. Though Brett and Billy had just met, Eddie’s suspicions were spot-on: after just a few days in a room, the trio had three new songs to share. (“It’s On,” “New Best Friend,” and “Rolling On.”) Despite the undeniable chemistry, however, conflicting commitments and touring schedules forced Radiobot into a temporary hiatus shortly thereafter.

Flash forward to 2020. Lockdown. Isolation. Life changed for everyone on the planet. Being in the same room is how music is made…right?!

This time, RadioBot refused to let anything get in their way. The project was revving up again, and even distance proved a surmountable hurdle. With Billy in Nashville and Eddie and Brett both in California, the group decided to pursue the project virtually, via Zoom and FaceTime calls. Their mentality: “never let anyone tell you that you have to be in a room together to write or record an album.” They started writing, and before you know it, they had written—and recorded—18 songs.

The age of the HOME STUDIO.

“Everything starts with a Billy riff,” Brett said of their writing process. “After we establish the main riff of the song, we add more parts as needed, all while creating vocal melodies. Once we have the song arranged, I’ll take it and start laying down the drums. After the drums are the way we want them, I send the drum tracks to Billy, and he starts layering his guitar parts. We just keep adding what is needed until we feel like the song is finished.”

RadioBot in 2024

Stay tuned for the forthcoming albums CONCRETE and DESERT later this year.

Brett Scallions is best known as the original lead singer of the rock band Fuel. Brett released 4 albums with the band and sold over 5 million albums worldwide. He also toured the world singing The Doors catalog with Ray Manzarek and Robby Krieger of The Doors. Brett was quoted as saying, _“We all try our parent’s shoes on at some point in our lives. It’s been nice to see what Jim’s felt like.” Other projects Brett has worked on include The X’s, Circus Diablo, and World Fire Brigade. He has performed with many of the top performers in the world including Slash, Dave Navarro, Tom Morrello, Mike McCready, Dee Snider, DMC, and Glen Campbell.

“Billy Harvey is the most famous person you’ve never heard of.” — AJ Croce.

A caffeine-addled do-it-yourselfer, Billy Harvey has navigated his career by quietly directing, editing, recording, and producing everything in sight. He’s produced records for artists like Crystal Bowersox (finalist on season nine of American Idol), Bob Schneider, Pat Byrne (winner of the first series of The Voice of Ireland), Charlie Mars, and Steve Poltz, to name a few.

He has also worked steadily as a side man, accompanying the likes of Patty Griffin, Kim Richey, The Forest Rangers, and The Courtyard Hounds.

He also played guitar in the hair band FLAME, if you want a chuckle.

Los Angeles based Eddie Wohl is a five time Emmy Award winning songwriter, composer, producer & mixer, whose projects have sold over 6 million units. As an artist he was signed to Epic, Elektra, Mercury/Island and had a production deal with Roadrunner Records. Growing up on the East Coast, Wohl was in his first band at age 15 and signed to his first record deal at the age of 25. Wohl’s major influences growing up included Black Sabbath, Stevie Wonder, Public Enemy and McCoy Tyner. Coming out of the NYC club/band scene he has spent many years honing his craft as a world- class songwriter and producer. In 1999 Wohl, along with his partners, launched the iconic New York based Scrap 60 Productions, which was responsible for producing such acts such as Anthrax, Ill Nino and H2O, to name a few.

His producing credits include a range of metal greats Fuel, Anthrax, Smile Empty Soul to glam punker Jesse Mallin and pop artist/American Idol judge Kara Dioguardi. Records that he's produced embody performances by Bruce Springsteen, Robby Krieger, Roger Daltrey, Chino Moreno, Jakob Dylan, Josh Homme, Chris Shiflett, Jada Pinkett Smith and Dimebag Darrell.

As a composer Wohl has received five Emmy Awards for his work on his NBC San Diego and Washington DC Olympic and news promos. Having had numerous song placements on TV, including Superbowl XLVII, The CBS Superbowl Pre-Game show, “CBS Super Bowl 50th Anniversary” spots the NFL on CBS, NBA on NBC, The Rio Olympics, The NHL, NCAA Basketball, PGA Golf on CBS and The Late Late Show with Craig Ferguson.

Wohl’s diverse music influences, collaborations and background allow for a unique approach to his craft.

For More Information Please Visit:

Radiobot

Instagram

Facebook

YouTube

Brett Scallions

Official Website

Instagram

Facebook

YouTube

Billy Harvey

Official Website

Facebook

Eddie Wohl

Official Website

Instagram

Facebook

Israeli Progressive Extreme Metallers WINTERHORDE Release Brand New Album and Share Music Video for "A Harvester of Stars"!

Northern Israel-based progressive extreme metallers WINTERHORDE have released their highly anticipated fourth studio album Neptunian today via Noble Demon. Since the band's formation in 2002, WINTERHORDE has been on a relentless journey of musical evolution, constantly pushing the boundaries of their craft. Their unwavering dedication to becoming something greater with each chord they play and record has earned them a well-deserved reputation as one of the most articulate and innovative acts in today's extreme metal.

Together with the album, today, the band is releasing a brand new music video for the track "A Harvester of Stars". This epic and fast-paced track showcases WINTERHORDE's signature style of extreme metal and is sure to captivate fans of bands such as Keep Of Kalessin, Ne Obliviscaris, Dark Fortress and Rotting Christ. "A Harvester of Stars" is a strong ambassador of the band's new album, which was mixed and mastered by the esteemed Jaime Gomez Arellano (Ghost, Paradise Lost, Insomnium, Moonspell). The album also features guest appearances from Kobi Farhi of Orphaned Land and Davidavi Dolev of Subterranean Masquerade.

Watch the video below

Stream the album HERE

WINTERHORDE guitarist Omer Naveh comments on the new single: "A Harvester of Stars is a perfect showcase of the band’s unique blend of influences, meticulously integrated to create an organic, highly dynamic and diverse sound. "Harvester" is one of the best examples of this vision on the new album, with its twists and turns, ranging from vicious, relentless aggressions, head banging grooves as well as more reflective, atmospheric passages. This song was one of two new songs we chose to play live while the album was still in production and the special response to it from the audiences truly inspired us to release it as an official video. A big shout out to the highly talented Raph Crimson, which we had the pleasure of working with, and who was able to perfectly capture the excitement and the energy in that one magical night in Haifa."

Neptunian is out now on Noble Demon and is available for purchase at THIS LOCATION as cool Marbled Vinyl/CD and comes with the exclusive album shirt.

WINTERHORDE are:
Zed Destructive - Harsh vocals
Yoni "Oblivion" Oren - Clean vocals
Moshe Benofel - Electric and acoustic guitars
Omer "Noir" Naveh - Electric and acoustic guitars
Oleg "Olgerd" Rubanov - Keyboards
Alexander "Celestial" Latman - Bass
Alex Zaitsev - Drums

For WINTERHORDE online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

NECROPHOBIC Announces New Album, Shares New Single "Stormcrow"

Swedish blackened death metal masters NECROPHOBIC will be releasing their tenth studio album, 'In the Twilight Grey,' on March 15, 2023 via Century Media Records! To celebrate, the band is now sharing the devastating first single, "Stormcrow," along with a music video! The clip was directed by Claudio Marino for Artax Film and can be found below.

The band comments: "'Stormcrow' was one of the first songs written for the new album. The idea was to take the very classic Necrophobic elements and blend them with a slow paced bridge with a strong heavy metal feel. The lyrical theme is about a wounded beast rising from the depths who lays his trust in a winged so called ‘truth sayer.' Maybe we should be careful about letting the stormcrows carry our words to the world…"

'In the Twilight Grey' is now available for pre-orders HERE and can be found in the following formats:

Ltd. Deluxe Gatefold combat green 2LP & LP-Booklet & Poster incl. 2 bonus tracks (1.000x)

Gatefold black LP

Gatefold dark green LP (300x)

Ltd. CD Mediabook (comes with a special, extended booklet and 2 bonus tracks)

Standard CD Jewelcase

Digital album

With over thirty years of active, nefarious service under their spikes and bulletbelts, NECROPHOBIC are undisputed legends of the death and black metal scene. Formed in 1989 by drummer Joakim Sterner, the Stockholm blackhearts propagated a singular and fearless vision from the very start.

Eschewing the self-conscious amateurism and primitive sonics that many of their peers held dear, NECROPHOBIC established a bold and vivid identity of their own, conjuring a densely melodic, but endlessly wicked take on macabre extreme metal that countless lesser bands have since emulated.

You can take a deep dive into their history via the rereleases of their entire back catalogue that Century Media Records made available in 2022 HERE.

Yet again “In the Twilight Grey” was produced, mixed and mastered by Fredrik Folkare (of death metal icons Unleashed) at Chrome Studios, Stockholm and engineered in close collaboration by Folkare and the band themselves. For the artwork they teamed up with Jens Rydén, another likeminded institution from the Swedish scene.

Line-Up:

Johan Bergebäck - Rhythm guitar

Joakim Sterner - Drums

Sebastian Ramstedt - Lead guitar

Anders Strokirk - Vocals

Tobias Cristiansson - Bass

Cover Artist: Jens Rydén

Links:

OFFICIAL WEBSITE

INSTAGRAM

FACEBOOK

TWITTER

YOUTUBE

SHOP

Photo by Jens Rydén

BLAME MY YOUTH Offer A Nostalgic Journey Through Heartbreak On New Single 'THE BREAK'

Following the release of Top 30 Alternative Radio hit “Prizefighter”, Blame My Youth, the alt-rock band making major waves with their rebellious and emotionally charged anthems, return with brand new single, 'The Break' today in collaboration with Billboard Top 100 Producer of 2023, Joey Moi (Morgan Wallen, HARDY). The track is out now via Big Loud Rock.

Listen to ‘The Break’ HERE. Watch the official music video below

Blame My Youth frontman and songwriter Sean Van Vleet, whose musical journey has seen him grace stages such as Bonnaroo and Lollapalooza, takes both a nostalgic look back and a bold step forward with ‘The Break’. Delving deep into personal experiences, his latest self-penned opus takes the listener on a cathartic expedition down the footpaths of heartbreak and vulnerability. Elaborating on it’s creation, Van Vleet shares 

“Writing this one with Joey Moi was a real good reminder that my heart hadn’t turned to stone yet. I was happy at the time when we wrote it, but I got to go down memory lane and knock on a door I had all boarded up. Somebody had asked me recently if I’d ever been broken up with before, and I said ‘yep’ and that was that. A couple weeks later when Joey and I were writing, I continued answering the question in this song.”

Blame My Youth saw early success with their first single “Right Where You Belong” landing as the closing credits theme on the GRAMMY-nominated soundtrack of hit movie, ‘Bill & Ted Face the Music’. Their debut EP, ‘Dance With My Demons’, provided a masterclass in Van Vleet’s knack for blending intricate emotional lyricism with huge, infectious hooks.

 

After a summer of touring across the UK and the US, the band is back to crafting the high-energy, infectious rock songs that have become their signature. Tracks like the recent “Fantastic” and “Prizefighter demonstrate the unique blend of experience and energy that the band bring to the table. 

 

With “The Break”, Blame My Youth invites listeners on a poignant exploration of the bittersweet moments of love loss and the personal growth that follows. It's a song that resonates with anyone who's ever faced the turmoil of heartbreak, and still finds the strength to move forward. Combining seasoned experience with a vibrant, fresh energy, Blame My Youth are not just making music; they're perfectly encapsulating the raw moments and emotions that define the human condition against a backdrop of chart-conquering alt-rock anthems.

About Blame My Youth:

Lightning rarely strikes the same place twice, especially in the music industry. There are exceptions, though, and Sean Van Vleet is one of them. He formed Blame My Youth in 2020—a move that was solidified when the band’s first single “Right Where You Belong” was selected as the closing credits theme on the GRAMMY-nominated soundtrack of Bill & Ted Face the Music. As if that wasn’t impressive enough, follow-up single “Fantastic” picked up millions of streams and hit the Top 30 on the Active Rock radio charts. Now, current single “Prizefighter” is riding high on US Alternative radio. It’s an incredible start that demonstrates just how well Van Vleet’s songs connect with people. That all came after a prolonged period when, following the demise of his previous band Empires, Van Vleet was writing a lot for other artists (All Time Low, Oliver Tree, PVRIS)—as well as over 200 songs in TV shows, high profile ad campaigns and video games—but rarely for himself. That changed when he began working closely with Billboard Top 100 Producer of 2023 (and Big Loud Rock co-founder) Joey Moi. Whereas before their working relationship was divided strictly between songwriter (Van Vleet) and producer (Moi), in the studio one day the pair inadvertently began writing together and realized how much they loved the process. The result was “The Break”—the first of a number of songs Van Vleet and Moi have written together. Though infectious and upbeat, it’s also much more vulnerable and heart-torn than anything he’s ever made before, and signifies the start of what Van Vleet considers a brand new chapter for Blame My Youth. What’s more, it’s only going to get better and bigger from here. 

Tooth & Nail Drops The Rocky Valentines x Starflyer 59 Split EP

Today, December 8, Tooth & Nail Records is releasing a split EP between classic T&N band Starflyer 59 and new band The Rocky Valentines. The Rocky Valentines features frontman Charlie Martin, who is the son of Starflyer 59 singer Jason Martin. So it's all in the family and a legacy release. Listen to the music, which is also available on vinyl, here

On the EP, Starflyer 59 reimagine two of their songs with an orchestral arrangement with Frank Lenz. The Rocky Valentines contribute two of their own tracks, as well.

"Tooth & Nail is celebrating their 30th anniversary, which is cool," says Jason. "We started with the label so long ago that we, of course, wanted to be involved. Things have now gone full-circle with my son being old enough to front his own band, so a split release seemed like a fun idea."

Charlie concurs, stating, "I've been writing and recording music for a couple years now, mostly with my dad. But the idea of us both having songs on the same release just seemed so cool to me."

The EP artwork was also designed by Ryan Clark, who is also a member of the extended Tooth & Nail/Solid State family, having been in both Training for Utopia and Demon Hunter. 

Archetypes Collide Release "After Hours" EP Today + Share "Destiny (After Hours)" EP

Arizona upstarts ARCHETYPES COLLIDE — Kyle Pastor (vocals), Brandon Baker and Jared Knister (guitars), Ky Sanders (bass), and Tyler Flamm(drums) — have rather quickly established themselves as a band unafraid to blur the lines between safety and innovation in heavy music. Soaring vocals, melodies, and heavy grooves swirl with passion and precision. The band dropped its self-titled debut on earlier this year via Fearless Records. Get it here

Fresh off 2023 tours with Beartooth and Trivium, as well as We Came as Romans and Immure, the band is releasing the After Hours EP today, December 8. Get it
here

"We have a ton of cross-genre influences that creep into our sound. But rarely do those styles get an opportunity to take over the song. After Hours is our playground to let those influences run free and pay homage to the genres that make up the deep rooted DNA of Archetypes Collide," the band explains.

The band has also shared the video for "Destiny (After Hours)." Watch it below

Stay tuned for even more from Archetypes Collide in 2024.

ABOUT ARCHETYPES COLLIDE:
ARCHETYPES COLLIDE demand repeated listening, mixing everything from Linkin Park and Bring Me The Horizon to The Chainsmokers, and Stranger Things-style retro synths, into a unique musical identity. A collection of singles and EPs drew a devoted fanbase and the attention of Oshie Bichar, bassist for Beartooth. Bichar enlisted his management, and the pair took Archetypes Collide under their wing. Soon after, SiriusXM's Octane got behind songs like "Your Misery," "Becoming What I Hate," and "Above It All." The band appeared on major festivals like Aftershock, Louder Than Life, and Welcome To Rockville, toured with genre giants The Amity Affliction, and crafted an ambitious self-titled debut album for Fearless Records. Archetypes Collide spent several weeks in the first part of 2022 making their inaugural full-length, with a super team surrounding them to execute their vision. Bichar produced alongside Nick Ingram (Dayseeker, Convictions, Hawthorne Heights) at Capital House Studio in Ohio. Additional production came from Jon Eberhard (Skillet, I Prevail, Until I Wake); The Plot In You frontman Landon Tewers lent a creative hand as well. The resulting album, mixed by Jeff Dunne (Ice Nine Kills, Wage War, Make Them Suffer), captures the vibrant spirit of the 2010s-era Warped Tour with a postmodern edge. It's a diverse but singular mission statement, brimming with authenticity and hope. ARCHETYPES COLLIDE aren't bound by preconceived notions or limitations. As single Kyle Pastor explains simply: "Why not take every shot, in every direction, under the umbrella of hard rock and metal?"

The City Is Ours Share Video For "Shame"

STREAM "SHAME"


In a striking and poignant new release, 
TheCityIsOurs unveiled their latest single "Shame," which shares the raw, emotional journey of their lead singer's personal experiences. Since openly revealing his true identity, the singer has faced a challenging path towards societal acceptance, a struggle that profoundly influences the lyrics of this powerful song.

Watch the video
below.

TheCityIsOurs, through this single, have not only created a poignant and emotionally charged song but have also made a bold statement about acceptance, identity, and the struggles faced by the LGBTQ+ community. "Shame" stands as a beacon of hope and resilience, encouraging listeners to embrace their true selves and to fight against societal norms that seek to define and restrict. It's a powerful reminder that, even in the darkest of times, one can find the strength to push through and that, in the end, being true to oneself is the most important victory of all.

Personal statement from vocalist Oli Duncanson:

"'Shame' was written about the feeling of not being able to accept your sexuality; an aspect of yourself that can't be changed, and how it makes you feel that you don't belong anywhere. It affects every way in which you navigate through life and won't leave you until you come to terms and embrace it."

THECITYISOURS is a five-piece pop/metal band from London who has quickly garnered attention and growing support for peers, industry and fans alike, with their high-octane live show and the success of their sophomore album. COMA (2021) smashed into the Top 5 iTunes metal charts with several singles appearing in editorial playlists with the likes of Amazon, Deezer, and Spotify (Including 2 covers on New Core and Metal UK) supporting the band.
 
THECITYISOURS have become a upcoming staple on UK and EU festival lineups alike, with appearances at Camden Rocks, Macmillan Fest, Burn It Down, Holloween, a fly-in appearance at High 5 Festival in Sweden, a headline set in the Doghouse Tent at the revered Download Festival to a 4000+ audience of festival-goers. 
 
THECITYISOURS ARE:
Oli Duncanson — Vocals
Mikey Page — Vocals / Guitar
Jamie Deeks — Bass
David Cardona — Drums

Photo by Oli Duncanson

Emil Bulls Share Video For "Love Will Fix It"

STREAM "LOVE WILL FIX IT"

EMIL BULLS SHARES VIDEO FOR TITLE TRACK TO LOVE WILL FIX IT —

Emil Bulls will drop their new album, Love Will Fix It on January 12 via Arising Empire

This album marks a bold step forward in their musical journey into the heart of what unites us all.

Today, Emil Bulls unveil their latest anthem and the album's title track "
Love Will Fix It," a vibrant song celebrating love's power to triumph over life's challenges. This song navigates the highs and lows of life, showcasing love as both a journey and a steadfast anchor. Beyond romantic love, it emerges as a universal anthem for friendship, self-love, and resilience, emphasizing love's capacity to overcome, heal, and endure through adversity. 

Vocalist
Christoph von Freydorf says, "In this song, we want to portray that love is like a firm anchor and a resilient boat that holds us up in all storms and challenges. We believe in its power to conquer, to stay and ultimately to fix it all."

Love Will Fix It is available as CD, limited colored vinyl, special fan box, together with unique merch options at the 
Arising Empire Online Shop.

EMIL BULLS ARE:
Christoph von Freydorf — Vocals
Stephan Karl — Guitar
Andy Bock — Guitar
Pascal Theisen — Bass
Fabian Füss — Drums

PHOTO CREDIT: Janiz Hinz

LUCIFER - Release Video For New Single 'Slow Dance In A Crypt'

Heavy rock megalith LUCIFER have released a new single called 'Slow Dance In A Crypt'. The song is another precursor to the new album, LUCIFER V, which is due out on January 26th, 2024, on Nuclear Blast Records. Consisting of nine unholy hymns, LUCIFER's fifth offering can easily be regarded as their magnum opus and sees the band channeling all their strengths known from previous records into one monumental mass of electrifying heavy rock and roll.

'Slow Dance In A Crypt' shows a quieter side of LUCIFER while still allowing distorted guitars to soar during its anthemic chorus. Sounding very much like LUCIFER, the song is also a testament to the bands’ penchant for 60s rock and pop music.The corresponding music video by Chris Shonting is a thematic sequel to the last one, 'At The Mortuary', and continues its morbid story line about everlasting love that transcends death, all shot in the style of late 60s George A. Romero.

Furthermore, LUCIFER are pleased to announce a few more dates for their THE SATANIC PANIC EUROPEAN TOUR 2024, the first leg of which they will be co-headlining with NWOBHM legends, ANGEL WITCH. On the second leg they will be joined by German blackened heavy metal band ATTIC. Rising stars THE NIGHT ETERNAL from Germany will be the support on all dates. Please scroll to the bottom for more infos.

PRE-ORDER / PRE-SAVE LUCIFER V:
https://lucifer.bfan.link/lucifer-v

LISTEN TO 'SLOW DANCE IN A CRYPT':
https://lucifer.bfan.link/slow-dance-in-a-crypt

WATCH THE VIDEO FOR 'SLOW DANCE IN A CRYPT' below.

ABOUT LUCIFER


Since its inception in 2014 In Berlin, the highly prolific band led by charismatic singer Johanna Platow Andersson has released four electrifying albums on Rise Above (LUCIFER I) and Century Media Records (LUCIFER II-IV), as well as and numerous stand-alone singles infused with 1970s hard rock, proto heavy metal, doom and occult rock, with a nod to their main influences such as Black Sabbath, Pentagram & Blue Öyster Cult. They have played over 200 shows in the Europe, Japan, North & South America, including festivals such as KISS Kruise, Psycho Las Vegas, Hellfest, Wacken and many more, most recently supporting the band GHOST on their European tour in spring 2023. Two of their shows have been recorded and broadcasted by prestigious German national TV program Rockpalast.

LUCIFER, now located in Stockholm, have been nominated twice for a Swedish Grammy in the category 'Best Hardrock/Metal Album' as well as the Swedish Radio Award P3 and several GAFFA nominations. Amongst others, they have graced the cover of the leading US metal magazine, Decibel, before their first album was released.

The group has concluded recording their fifth studio album, LUCIFER V, the first one to be released by their new label, Nuclear Blast Records, due out on January 26th 2024. Although LUCIFER is known to notoriously deliver critically acclaimed albums, supreme songwriting and quality recordings, LUCIFER V is rumored to be their best album yet. Combining elements of all their previous albums into one monumental mass of electrifying heavy rock and roll. Eerie landscapes shaped by soaring guitar riffs, the thunderous pounding of bass and drums from some sort of groovy inferno, haunted melodies to weep into your drink to, the screeching tires of a 1971 Cadillac hearse, the humorous morbidity and tragic wit of Johanna’s lyrics. If death had a best friend, it would be LUCIFER and they would hang out together at the local cemetery, shooting the shit. In November 2023, LUCIFER embarked on a full North American co-Headline tour with occult rock legends, Coven.  Catch LUCIFER live in February 2024 when LUCIFER brings The Satanic Panic Tour to Europe together with Angel Witch and guests Attic and The Night Eternal.

LUCIFER is:

Johanna Platow Andersson (vocals)
Nicke Andersson Platow (drums)
Linus Björklund (guitar)
Martin Nordin (guitar)
Harald Göthblad (bass)

Worship LUCIFER:
www.lucifer.church

Timelost To Release New Album "Drained" + Share Video For "Eternal Vibe"

Today marks a pivotal moment for Timelost (Philadelphia, PA), as they announce their highly anticipated second full-length album, Drained, through Church Road Records. The album is set to bring joy to fans old and new with its energetic blend of garage rock and nostalgic nod to the alternative rock sounds of the 90's.

Check out the video for their new single "Eternal Vibe"
below.

"Eternal Vibe is about not giving a fuck about anyone's opinion anymore. Take your negativity elsewhere because I will not be listening." - Shane Handal[Guitar/Vocals]

Pre-order Drained
here.

Born out of a dispersed network of friends collaborating digitally, Timelost has undergone a remarkable evolution since their inception. The band has since found its footing in a sound that pays homage to the great alternative rock bands of the past while incorporating a contemporary influence.
 
Drained represents the latest chapter in Timelost's musical pilgrimage. Recorded and mixed by the skilled hands of fellow Philadelphian Scoops Dardaris (known for his work with Prince Daddy & The Hyena, They Are Gutting A Body Of Water, Another Michael), the album boasts a rich and dynamic production that brings the band's sound to new heights. Mastered by Matt Poirier, a luminary in the field whose portfolio includes The War On Drugs, The National, and Clap Your Hands Say Yeah.
 
With influences reminiscent of iconic bands like Wavves, Weezer, and Dinosaur Jr, Timelost invites listeners to embark on a journey through the raw, unapologetic energy of Drained. The album's tracks, laden with infectious hooks and introspective lyrics, weave a narrative that reflects the band's growth and exploration of new musical territories.
 
About the album, Handal says "Drained is about the continuous beating of life. The state of the world, personal responsibilities, socializing, being in a band, all of it just being exhausting and wanting to burn it down or run away.
 
We originally wrote 7 songs and it felt tired and too similar to our previous stuff, so we dropped almost all of them and started new. We leaned into a more simple and fun approach to songwriting and ended up writing 18 songs over 2+ years. Drained is the best 10."

Album Art by Perry Coker

TIMELOST ARE:
Shane Handal — Vocals/Guitar
Grzesiek Czapla — Drums
Tony DiDonato — Bass

VITRIOL Unleashes Ferocious New Single, "Weaponized Loss"

PRE-ORDER

Death metal battalion VITRIOL is now unleashing yet another ferocious new single, "Weaponized Loss," along with the visualizer! The track is taken from the band's upcoming sophomore full-length, 'Suffer & Become,' which is due on January 26, 2024 via Century Media Records! The clip, which was produced by Vile Luxe Studio and directed/edited by Steve Blanco, can be found below.

VITRIOL guitarist and vocalist Kyle Rasmussen comments, "'Weaponized Loss' is similar in spirit to 'The Flowers of Sadism' in that it frames the fruits of trauma as a circumstantial strength when one is still at the mercy of an oppressive environment. Becoming well acquainted with death and loss at an early age can better equip you to walk away from situations and relationships that are harming you. Cultivating a willingness to experience painful loss voluntarily, while being dangerous, can be a very valuable tool in the pursuit of survival."

Pre-orders are now live for 'Suffer & Become' HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive) 

Photo by Peter Beste

MERRIMACK unveil first single "Sulphurean Synods"

Ever since they emerged from the underground back in 1995, MERRIMACK have been recognized as torchbearers of genuine black metal. The French band have played prestigious festivals like Hellfest and toured Europe with Mayhem and the US with Marduk, all while staying true to their cultish roots.   

Today, Merrimack are announcing their sixth album. Of Grace and Gravity descends even deeper into the netherworld. Watch the surreal video for lead single "Sulphurean Synods" below.

Of Grace and Gravity comes out March 8, 2024.

Pre-order:
https://redirect.season-of-mist.com/MerrimackGraceGravity

"Sulphurean Synods" is a dark yet cosmic journey. Wallowing riffs and blasting drums collide with hypnotized pangs of dissonance. Goats languish the foot of the heavens, but this latest revelation from Merrimack exposes the futility of believing in even occult ministries. Vestal's vocals spread like toxic fumes over the ghoulish growls of Misþyrming vocalist D.G.     

"Of Grace and Gravity represents the two opposing forces crossing where the spine of the world emerges", Merrimack says. "One strives to reach grace, the divine particle, while bounded by gravity and the weight of time.

We have devoted ourselves to emphasize a more natural and authentic expression of our art, in its primitive form.

For "Sulphurean Synods", D.G. (Misþyrming) has joined Vestal to mock the modern synods and their corrupted faith."

MERRIMACK are back with their new album Of Grace and Gravity. Their third release for Season of Mist arrives after the re-print of their long sold-out debut Ashes of Purification, which followed the sizeable impact that their last album, Omegaphilia, had on the Black Metal Scene.

Merrimack
can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack
decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, Of Entropy and Life Denial (2006) and Grey Rigorism (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with Marduk and Nachtmystium in 2009.

After recording The Acausal Mass (2012) in the legendary Necromorbus Studio (Watain, Destroyer 666) again, Merrimack
embarked on a European tour with Norwegian icons Mayhem and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada.

‘Omegaphilia’ breathed fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the the band focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

 

The ensemble now presents their latest album 'Of Grace and Gravity', an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivion occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.


Line-up

Perversifier - Guitars
A.K. - Guitars
Blastum - Drums
Vestal - Vocals
Daethorn - Bass

Recording Studio
Studio Sainte Marthe, Paris, France           

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts - Front cover
Opposition Artworks - Inner illustrations
Adrien Bousson - Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp:
https://merrimack.bandcamp.com/
Facebook:
https://www.facebook.com/merrimackofficial
Instagram:
https://www.instagram.com/merrimack666/
Deezer:
https://www.deezer.com/en/artist/99176
Spotify:
https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal:
https://tidal.com/browse/artist/3642745
Apple Music:
https://music.apple.com/us/artist/merrimack/41660594
Amazon:
https://www.amazon.com/music/player/artists/B000QKG2N8

Booking Contact:
merrimack@satanslegions.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Clear
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent w/ Black Splatters

Photo by Vagus Nox

Leeds-based songstress Stella Wembley shares 'Wasting My Time (Cold Minimal Wave Remix)' from new EP Watch the medieval goth-inspired video for 'Wasting My Time'

"Embraces the mystique of darkwave while entangling itself in the enchanting melodies of early new romanticism... a Siouxie-like vocal weaves in and out, a mesmerizing dance" ~ Big Takeover Magazine

"Enchanting, with a haunting quality that draws the listener in. Her voice blends seamlessly with the early ’80s electro anthem style, creating a mysterious and enigmatic sonic landscape that feels both nostalgic and fresh" ~ Skylight Webzine

“There is a longing within the lyrics as well as a diversity in the music that both tugs on the heart and pulls with the beat in a way that leaves the listener in a state of reflection and admiration” ~ Jammerzine

"On the verge between darkwave and electro-goth, Stella Wembley presents a haunting track that fluctuates between danceability and heart pounding shrieks, conjuring primal emotions. This spine-tingling offering qualifies as sorcerer music" ~ Amplify Music Magazine


Leeds-based Italian-born artist 
Stella Wembley shares 'Wasting My Time (Cold Minimal Wave Remix)', with a vibrant dancefloor beat over icy synth pop. This is the second track from her recently-released 'Wasting My Time' EP. Presenting four tracks of sheer electro-goth delight surrounding the track 'Wasting My Time', Wembley proves herself to be a rising star of the UK dark synth and gothic scene.

A vocalist, lyricist, composer, music producer and video director, Wembley began her musical career in Italy as a soprano while studying opera at the Royal Conservatory of Music ‘San Pietro a Majella’ in Naples.

Exploring the esoteric, mystical and ultimately death, rebirth and destiny, the loop- and arpeggio-driven synth backdrop of 'Wasting My Time' feeds a retro new-wave vibe, and the catchy chorus underlines multiple conflicting sensations from dark melancholy to fiery self-expression.

"'Wasting My Time' is about self-confidence, self-empowerment, hope, change and transformation. Whenever there is a traumatic experience, I take the pain and put it into art, creating a song. The lyrics are autobiographical, and reference the difficulties I have gone through in the last 14 years, which I've finally overcome," says Stella Wembley.

"Betrayal, judgment and abandonment have been a constant in my life, and extremely painful, especially because it came from the people closest to me - family, friends - and having to manage this as well as my music career and record label wasn’t easy. This is how this song was born but, above all, it represents a new chapter in my life. Today, I feel powerful, and stronger than ever. I left the past in the past and cut all toxic relationships from my life. I love myself and I am finally free."

Directed and produced by Stella Wembley,
the video – set in Medieval 13th century England – was filmed at Kirkstall Abbey and Adel Woods in Leeds by Riccardo Cavani for London Filmmakers. Stella cast 12 females, working with a small team she hired and directed herself, in addition to writing the script and creating the storyboard for the video.

Two of the remixes - 'Bionic Visions Electro Remix' and 'Bionic Visions Dark Ambient Remix' - were created by
Enrico Knob aka Bionic Visions, an Italian music producer, arranger and re-mixer.

Stella Wembley comments, "These remixes are sublime, I really don't know which one I prefer between the two. I'm very happy to have met Enrico Knob, who is a fantastic producer and has understood straight away my music and vision. The electro version has fantastic drum samples, which Enrico programmed, and amazing sounds. I love the analog synths. I think this electronic version is perhaps more modern than my "retro" version. The melody stands out a lot, and although the drums are very present the song still remains nostalgic."

Upon moving to London in 2017, Wembley found inspiration and new avenues as a musician, performing at venues in Leeds, Blackpool and London. Stella Wembey is also now the CEO of her own independent label Gothic Empire Records. Armed with MicroKorg synthesizer, she began writing and producing music in 2018, releasing her debut EP
‘All That I Need’ and dark video in 2019, followed by the ‘Images of Death' EP (2020) and ‘Loving The Alien’ EP (2022) and cabaret-style video.

Channeling her lifelong love of dark poetry, horror stories, macabre literature and cinema into music, Wembley leads the listener into a haunted realm, laying bare her soul in a psycho-drama of tragedy and melancholic sensuality. Powerful, yet with a hint of vulnerability, she is like a beautiful siren calling us to join her in her dark universe.

Stella Wembley has collaborated or performed with Lloyd Price (The Frixion), Auger, Inkubus Sukkubus, Zeitgeist Zero, Last July, Rome Burns and Machine Rox. Stella is currently working on her new album 'The Alchemy of the Dark Arts', which will feature Michael Ciravolo (a.k.a. Beauty in Chaos) on guitar.

The 'Wasting My Time' EP is out now, available everywhere digitally, including
Apple Music and Spotify.

Keep up with Stella Wembley
Website | Store | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR

Website Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

KARAMELIEN presents 'Do You Really Want To Go', a sunburst indiepop taste of their debut 'Living With The Moon' album

"This invigorating album presents soulful indie pop at its best. A breath of fresh air that is rich on melody, its lyrics range from confessional to tongue-in-cheek with Kaleido’s sublime vocals to smoothen this pleasureful ride. A captivating offering!" ~ The Spill Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine

Indie pop-rock duo
Karamelien presents 'Do You Really Want To Go',  a groovy anthem for high-heel haters and canapé avoiders everywhere, along with a cheeky video produced by award-winning filmmaker Eveshka Ghost. Filmed near to Léanie’s house in East Grinstead, West Sussex, this clip highlighting the duo’s great friendship, with neither of them taking themselves very seriously.

This is the final single from their debut album,
 'Living With The Moon', a grounding 9-track offering that breaks from the typical songwriter mould. Its sonic offerings draw inspiration from fuzzy Lo-fi, storytelling, trip hop, and reverb-drenched 1960s film soundtracks, with a greater emphasis on beats and basslines.

Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them. This Karamelien album follows the three albums that Léanie Kaleido released as a solo artist.

‘Although I’ve always been a fairly sociable person, I’ve never enjoyed the formality of parties, particularly ones where you’re expected to dress in a certain way. I hate high heels and sparkly dresses. Eurgh. And I always enjoy the chance to write a tongue-in cheek ditty, where I can let myself get a bit narky about silly things. I’d woken up with the chorus line in my head and it grew from there," says Léanie Kaleido.

"I initially recorded the track at my home studio, then we worked further on it with Mark Gardener at OX4 Sound. I played Gardener’s gorgeous Rhodes for the main keyboard track, which was a treat. However, the song needed more work to get it finished so, later, at Ian Caple’s studio, Lee Pomeroy came in to add some live bass and he gave it a bit of a ‘Blockheads vibe’ in the chorus. I’ve always loved Norman Watt-Roy from the Blockheads – I’ve seen them live 3 or 4 times and that man is a veritable sweaty bass genius – so Lee’s basslines, as always, made me very happy indeed."

Mark Foster adds, "‘Do You Really Wanna Go is what might have occurred if Beck had visited East London’s Drum and Bass Clubs in the mid-90s while writing 'Odeley' – warm, washed out jazzy vibes, with a kick of DIY breakbeat to keep things just the right side of Shoreditch."

While Lee Pomeroy (ELO, Take That, Rick Wakeman, Yes), one of the UK's leading bass players, joined the duo on most of the album's tracks, the song
'Ascension Heights' features bassist Morris 'Mo' Pleasure (Earth, Wind & Fire, Michael Jackson, Janet Jackson, Ray Charles), gracing the track with his funkadelic bassline.

Karamelien recently presented
'Digital Imogen', a feisty in tongue-in-cheek warning of the dangers of obsessing over own photos on social media, which was recorded and produced by Ian Caple (Massive Attack, Tricky, Mansun, Tindersticks, Vanessa Paradis), who was also EMI's in-house engineer back in the day.
 
The duo earlier released the title track
 'Living With The Moon' and 'Wait For Me'with piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson). Two other tracks were produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds) and also involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

The 'Living With The Moon' album is out now and available from fine digital platforms, including
 Spotify, Apple Music and Bandcamp.

CREDITS
All songs written by Léanie Kaleido except Track 6, written by Léanie Kaleido & Mark Foster
Mark Foster - artistic director
Léanie Kaleido – vocals, piano, keys, Rhodes, tenor electric guitar, guitaret, string arrangements, electronic bass
Mark Foster – guitars, theramin
Lee Pomeroy – bass on Tracks 1, 3, 6, 7, 8 and 9
Morris ‘Mo’ Pleasure - bass on 'Ascension Heights'
Top Topham – sample on 'Ascension Heights'
Chris Mars – piano on 'Wait for Me'
Joe Caple – drums on 'Sewing at Sea'
Tracks 1, 3, 6, 8 and 9 produced by Ian Caple Recording
Tracks 2, 4 and 7 produced by Mark Gardener at OX4 Sound
Track 5 produced by Chris Mars Music
Additional production on 'Ascension Heights' by Joolz Dunkley
Additional production on Track 7 by Ian Caple
Mastered by Jon Astley, except initial masters for Ascension Heights and Lionhearts singles mastered by Tim at Turan Audio


Keep up with Karamelian
Bandcamp | Twitter | YouTube | Facebook | Instagram | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

The Last Ten Seconds Of Life Announce New Album 'No Name Graves' Out February 9 via Unique Leader Records

Deathcore powerhouse The Last Ten Seconds Of Life have made their triumphant return in announcing their upcoming new album 'No Name Graves' out for release on February 9 (via Unique Leader Records). Along with the announcement, the band have shared their first track from the forthcoming full-length "Of All Humanity, the Sum" and the accompanying official music video. Speaking on today's news, the band shares:

"'Of All Humanity, the Sum' is the first taste and tone-setter of our new album 'No Name Graves', a vicious sonic free fall into our representation of the other realm. The next step after the execution."

Pre-save 'No Name Graves' at the link here, stream "Of All Humanity, the Sum" here, and watch the music video below.

Photo Credit - Jordan Price

The Last Ten Seconds Of Life Are:

Wyatt McLaughlin

Tyler Beam

Andrew Petway

Dylan Potts