END Share "Thaw" Video — WATCH

END — guitarist Will Putney, vocalist Brendan Murphy, guitarist Gregory Thomas, bassist Jay Pepito, and drummer Matt Guglielmo — will release their second album The Sin of Human Frailty on October 27 via Closed Casket Activities. Pre-order it here.

Today, the band has shared the video for "
Thaw," featuring Heriot's Debbie Gough.

 Watch the video, full of frenetic visuals, below.
 

"'Thaw' is a thematically more bizarre exploration into electronics for END," the band shares. "It's a very boundary-less song and one of the more self-fulfilling moments found in the writing process.  As a musician, it's important to express the purest intent of your thoughts, and sometimes that requires reaching beyond the normal instrumentation one is accustomed to. The result is something new for us, but also a part of us. Thank you to Debbie Gough of Heriot for lending her voice to the track. And thank you for giving this new creative passage a listen."

END initially materialized during 2017. The group's From the Unforgiving Arms of God EP spawned the fan favorite "Necessary Death," and lead to a signing with label Closed Casket Activities.

Highlighted by "Covet Not" and "Absence," the band bulldozed the senses with their 2020 full-length debut, Splinters From an Ever-Changing Face. Brooklyn Vegan hailed "Pariah" as "an absolutely filthy dose of modern metalcore," and Kerrang! went as far as to describe their debut LP as "catharsis fed through a distortion pedal and shaped into a dense, destructive wrecking ball." Perhaps, Invisible Oranges put it best" "These gentlemen have come together to summon a fury seldom heard on any album from the realms of hardcore, grind, and black metal…"

In 2023, the members congregated once again to write and recorded what would become this sophomore release. "Part of the goal was to do things our way," states Putney. "We didn't want to lean on our influences too heavily, whether it's in terms of production, guitar tone, arrangement, or other elements. We were like, 'Let's just make a record that sounds like END.' I feel like there's more of an identity to the band than there has ever been on this record." The final result is a unique blend of HM2 driven Grind and Metallic Hardcore cross over with moments of Industrial chaos over ten tracks. Featuring guest vocal appearances by J.R. Hayes (Pig Destroyer), Debbie Gough (Heriot), and Dylan Walker (Full of Hell), this Graphic Nature Audio recording clocks in over 30 minutes of unhinged aggression and grind. Produced and engineered by Will Putney and featuring the art of Alex Eckman-Lawn, this release pushes the complexity of END both sonically and visually. Vinyl comes packaged in a ten panel die-cut jacket, pressed on deluxe colored vinyl and with a digital download code.

END ON TOUR:
WITH FULL OF HELL, INTER ARMA, + WAKE:

10/26 — Philadelphia, PA — Underground Arts 
10/27 — Baltimore, MD — Baltimore Soundstage 
10/28 — Cincinnati, OH — Legends Bar & Venue 
10/30 — Oklahoma City, OK — 89th Street 
10/31 — Austin, TX — Elysium 
11/02 — Mesa, AZ — Nile Theater 
11/03 — San Diego, CA — Brick By Brick 
11/04 — Los Angeles, CA — Lodge Room 
11/05 — San Francisco, CA — Great American Music Hall 
11/07 — Albuquerque, NM — Launchpad 
11/08 — Denver, CO — The Bluebird Theater 
11/10 — St Paul, MN — The Amsterdam 
11/11 — Chicago, IL — Avondale Music Hall 
11/12 — Detroit, MI — Sanctuary 
11/13 — Cleveland, OH — No Class 
11/14 — Toronto, ON — Lee's Palace 
11/15 — Montreal, QC — Les Foufounes Electriques 
11/16 — Cambridge, MA — Middle East/Downstairs 
11/17 — Hamden, CT — Space Ballroom 
11/18 — Brooklyn, NY — Monarch 

Thornhill Share "Viper Room" Video — WATCH

A palpitating fusion of swagger, driving beats, and swooning melodics alongside razor-sharp guitars, "Viper Room" is Thornhill at their most potent to date, drawing to mind the feverish urgency of early Muse with the trademark Thorny rock 'n' roll wizardry.

Also accompanied by a brand new music video featuring a lurid narrative worthy of Hollywood's own infamous club of the same name, "Viper Room" lavishly introduces the first new Thornhill material since their ARIA-nominated 2022 album Heroine — and it's a theatrical rock masterstroke.

"'Viper Room' discusses a one-sided urge to keep pursuing an individual out of stubborn lust and fear, even when given explicit warning to move on," the band states.

Thornhill solidified an undeniable reputation an innovative and immersive heavy act in the Australian scene. Debuting at #3 on the ARIA Album chart, Heroine also debuted at #1 on the Australian Album chart, and has since had more than 8.5 million streams to date.

Rounding out a huge 2022 appearing at Good Things Festival with headliners Bring Me The Horizon and many more in Melbourne, Sydney and Brisbane, Thornhill also ticked off some of their biggest Australian shows to date last year, selling out most of their headline tour, supporting The Butterfly Effect nationally, and performing their first ever U.S. headline shows on the East Coast, along with supporting ERRA and Alpha Wolf.

Amassing a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool, Thornhill completed a regional Australian headline tour earlier this year as well as a mammoth North American run supporting The Plot In You and a performance in the UK for Radar Fest alongside Sleep Token, Monuments, and many more.

Pete International Airport releases 'Tic Tac' 7" vinyl version feat. Slowdive's Rachel Goswell - * PIA's new album 'It Felt Like the End of the World' is out now

Portland-based Pete International Airport has released 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl.  Featuring Slowdive goddess Rachel Goswell as both vocalist and co-writer, the single is complemented by a remix by the iconic Anton Newcombe (The Brian Jonestown Massacre) as the B-side.

Pete International Airport is the brainchild of guitarist Peter G. Holmström of 
The Dandy Warhols.  Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs.  Holmström has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' is lifted from PIA's recently released third album
'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter Holmström has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

'Tic Tac' 7" feat. Rachel Goswell https://peteinternationalairport.bandcamp.com/album/tic-tac
Spotify 
https://open.spotify.com/track/3YEpq8aiiUcYTQgjNs6zYe

'It Felt Like The End of the World' LP  https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world 
Vinyl order  
https://bit.ly/3ZK7XNa
Spotify 
https://open.spotify.com/album/17F3GvmGjaXZK7Eb28YHhL

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at
Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' is available from fine digital platforms, such as
SpotifyApple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

The 'Tic Tac' 7" release is available exclusively via
Pete International Airport's Bandcamp, and also via The Dandy Warhols.

CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Artist photos by Mary Martley


Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR

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Toronto's Rising Star Alyssa Rose Hunt Releases Captivating Music Video for "Way Back" from Her Latest Album Magnetic Muse Chapter 1

Toronto-based artist, Alyssa Rose Hunt, has released the official music video for “Way Back,” a track featured on her recently unveiled album, Magnetic Muse Chapter 1. The music video, a visual masterpiece inspired by the pure joy of artistic expression, is a reflection of Alyssa’s passion for her craft. "I wanted it to be a video where I'm having fun singing and dancing to the music. Everytime I hear this song, all I want to do is dance" she says.

For Alyssa Rose Hunt, the creation of the "Way Back" music video was an intensely personal journey. As she sang and danced to the captivating tune, it became a means of self-affirmation amidst the challenges of self-doubt and industry pressures. "Coming from a dance background of 19 years, it's become a huge part of my identity. I dance to tell a story, as a form of therapy, and to just have fun" she confides. Alyssaincorporated an orange themed outfit to initiate the yang energy of the album, and the video was shot in an abandoned warehouse to symbolize bringing the old and new together - much like the theme of Magnetic Muse Chapter 1.

"Way Back" goes beyond its lyrics about a past-life lover; it delves into the profound sensation of meeting someone who feels inexplicably familiar, as if they have crossed your path in a previous existence. These lyrics evoke the longing to understand the purpose of this connection in the present life, and whether destiny has intertwined your paths once more. Alyssa Rose Hunt's music has always been an avenue for genuine self-expression, and "Way Back" is a testament to her unwavering commitment to her artistic path. This captivating music video is a visual celebration of her journey, her music, and the power of self-acceptance.

MORE INFO:
Alyssa Rose Hunt, hailing from Vaughan, Ontario, Canada, is a gifted singer-songwriter whose music effortlessly spans the genres of R&B, Soul, Blues, Jazz, and Pop. Her compositions are a heartfelt expression of her innermost thoughts and emotions, brought to life by soulful instruments that narrate her stories. Alyssa’s lyrics are raw, authentic, and vulnerable, immersing audiences in a world of genuine emotions and sensations. Alyssa Rose Hunt's journey as a singer-songwriter has been marked by challenges, including the search for her unique voice and sound, overcoming self-doubt, and navigating the industry's pressures as a female artist. Through it all, she has remained true to herself, using her music as a medium to connect with her audience on a deeper level, transcending mere entertainment.

Her recently released album, Magnetic Muse Chapter 1, is a two-part alternative R&B/Soul album that symbolizes the yin and yang of musical expression. Magnetic Muse Chapter 1 serves as the yang chapter, characterized by bold instrumentation and lyrics that explore the initiation of romantic pursuits. Alyssa Rose Hunt's magnetic sound is a fusion of old and new, skillfully blending soulful elements to create an edgy and chill vibe that resonates deeply with listeners. The album features a rich ensemble of live instruments, including drums, keyboard, guitar, and saxophone, ensuring a raw and authentic musical experience. The album opens with "Trapped In My Head," a song that explores the intricate feelings associated with an emerging romantic connection. It's a deeply personal piece where Alyssa Rose Hunt sings to herself, contemplating whether to confess her emotions. With a slower tempo and live instruments, this track sets the tone for the profound storytelling that characterizes the entire album. Another standout track of this album is "You," a soul-stirring composition that delves into the desire to be with someone so profoundly that solitude pales in comparison. Drawing inspiration from legendary artists like Amy Winehouse, "You" embodies a bluesy soul vibe with a mix of old-school and contemporary sounds. This track, positioned as the second song on the album, takes listeners on a rollercoaster

journey with its dynamic contrasts, creating an authentic and emotionally charged musical narrative.

Being As An Ocean Strive To Find Meaning on Potent New Single "Swallowed By The Earth"

Melodic hardcore luminaries Being As An Ocean have unleashed their inspirational and empowering new single “Swallowed By The Earth”, out now. The track grapples with finding meaning in life’s trials, offering inspiration through its candid lyrics. Listen to the the single HERE and watch the stirring music video featuring live footage below. The single is the second to drop from the band's forthcoming album 'Death Can Wait' due to be released on February 2nd 2024 via Out Of Line Records.

Matching urgent vocals with surging guitars and pummeling drums, “Swallowed By The Earth” provides a sonic lifeline amidst the tumult of life. Lyrically unpacking the search for hope and meaning in times of despair, the single proves Being As An Ocean remain at the forefront of insightful, socially conscious heavy music.

On the motivations behind “Swallowed By The Earth”, the band shares:

“Swallowed By The Earth is a question of how we find meaning and significance in our trials. Do we let them wash over us, consume us, let them defeat us, or do we use them and our failures as tools for growth? It is about keeping persistence of mindset. We must not let ourselves slip into a victim mentality because of our circumstances, which are temporary, but rather, lean into the lessons that each experience has hidden within it. As long as we continue to have faith in a deeper meaning and the untapped strengths that we all have within us and embrace self-reflection, hardship does not have to be earth-shattering, but can become transformative for our souls and character."

Since forming in 2011, Being As An Ocean has cemented themselves at the forefront of alternative music with their raw, earnest songwriting and boundary-pushing sound. Across six studio albums and countless tours, the band has built a devoted following and left an indelible mark through the comfort and strength offered in their inspirational lyrics and emotive musical landscapes. Eleven years after their famous debut album “Dear G-d...”, the Californian band now commences the next chapter of their musical journey with their new album “Death Can Wait”. With this new record, Being As An Ocean drops yet another extremely personal set of songs loaded with pure emotion and continues to push the boundaries of what it means to be a band in the modern music scene.

Being As An Ocean Photo Credit - Murry Deaves

Pre-orders for ‘Death Can Wait’ are available now in multiple formats and multiple bundle options including digipak CD, vinyl, and a deluxe wooden box set strictly limited to 666 copies worldwide. Head to baao.lnk.to/DeathCanWaitAlbum to check out all options and pre-order now.

Being As An Ocean continue to inspire listeners to find strength through adversity. Stay tuned for much more from these inspirational melodic hardcore torchbearers soon.

Being As An Ocean also announced today that they will be hitting the road in the UK and Europe in February next year, supporting Currents on their 'The Death We Seek UK/EU Tour' with Oceans Ate Alaska and Sentinels. Tickets will go on general sale on Monday, October 9th, to purchase and for more info, head HERE.

Being As An Ocean continue to inspire listeners to find strength through adversity. Stay tuned for much more from these inspirational melodic hardcore torchbearers soon.

ABOUT BEING AS AN OCEAN

Being as an Ocean is a post-hardcore/melodic hardcore band hailing from Southern California. Formed in 2011, the band has been on a journey of self-discovery and artistic evolution, constantly pushing the boundaries of their genre.

In 2012, Being As An Ocean released their debut album, "Dear G-d...," which garnered immediate attention and marked the beginning of their rise in the music scene. With their emotionally-charged sound, Being As An Ocean has left an indelible mark on the alternative music landscape. Their music has resonated with countless people, offering comfort and strength during life's most challenging moments. They have inspired a generation of musicians to be fearless in their exploration of emotion, lyricism, and sound.

Since then, the band has toured the world multiple times over and released career defining records such as “How We Both Wondrously Perish” in 2014, “Waiting For Morning To Come” in 2017, and "PROXY" in 2019. With their unique blend of honesty, vulnerability, and artistic innovation and the pending release of their new album "Death Can Wait" through label Out Of Line music, there's no doubt that Being As An Ocean will continue to make an impact one heartfelt song at a time.

EPICA - reveal new video for 'Code Of Life (Live At The AFAS Live)' and release digital EP 'Live At The AFAS Live'

Recorded in early 2023 at the band’s biggest Dutch headline show to date, Live at The AFAS Live captures the electrifying stage energy of symphonic metal titans EPICA with some of their biggest hits. Released today on all digital platforms, this will be the final sign of life, before the band returns to the studio to write their new album.

You can watch the live video for ‘Code of Life (Live At The AFAS Live)’ 
here.

Stream the full EP on all platforms now
here.

Guitarist Isaac Delahaye comments: “It’s always a pleasure to play this fan-favorite track, and to take the crowd with us while we build up to the massive groove and have a headbang party together. Enjoy listening & watching Code of Life as performed earlier this year in Amsterdam!”
 
In case you missed it, on October 13th, EPICA will be re-issuing their fifth album Requiem for The Indifferent on transparent red double vinyl. Initially released in 2012, the album which has been out of print for 10 years, features fan-favourite ‘Storm The Sorrow’. Pre-order the reissue now from:
https://bfan.link/requiem-for-the-indifferent

Myrath Announce "Karma" + Share "Heroes" Video — WATCH

Myrath will release their new album Karma on February 2 via earMUSIC. Pre-order it here.

They also shared the video for "Heroes." Watch it
below.

Myrath have consistently pushed the boundaries of metal, winning the hearts of fans around the world with their distinctive sound and lyrical depth. With Karma, they are poised to continue their musical journey and captivate audiences in a way only they can.

Their brand-new song "Heroes" is an anthem of empowerment and self-belief, showcasing Myrath's signature blend of progressive metal, infused with Middle Eastern elements. The song features intricate guitar work, soaring vocals, and a compelling narrative that invites listeners to embrace their inner strength.

"Myrath from Tunisia might just be the most underrated band ever. Their new album really excites me — they have something fresh and back it up with a great stage show. They played a tiny stage at Wacken where nobody brings more than guitars and amps, and brought a two-truck production. It was amazing!," says Pär Sundström of Sabaton fame.

As the sands of time continued to shape their journey, Myrath's relentless dedication led to the creation Karma, which will arrive as a limited transparent red LP, black LP, and Digipak. The forthcoming opus promises to be a testament to their evolution, delivering a sonic tapestry woven from passion and innovation.

Myrath offer a powerful and captivating blend of Eastern melodies and Western heavy metal. From the epic opening track "To The Stars" to the hauntingly beautiful "Child Of Prophecy", this album will take you on a theatrical journey through a world of myth and legend.

Featuring soaring vocals, intricate guitar riffs, and complex percussion, Karma showcases the virtuosity and creativity that have made Myrath one of the most exciting and innovative bands in the genre. With its stunning production and lush soundscapes, this album is sure to be a classic for years to come.

Tulipomania teams up with the iconic Martyn Ware & Charles Stooke on 'You Had To Be There' Remix

Tulipomania’s unique take on post-punk boasts gritty guitars underpinned by a brooding rhythm section to provide a backdrop for compelling and atmospheric vocals" ~ Louder Than War

"All the hallmarks of fine Cold War electronica: a brain-searing synth line, and an overwhelming sense of claustrophobia and bubbling anxiety" ~ Electronic Sound

"Between post-punk influenced synth pop and lush chamber pop... with visually distinctive videos" ~ WIRE Magazine

"Reverberating, rippling riffs are more soothing and spacious, replicating deep-sea sonar devices and lulling lap steels... mystery-laced lyrics" ~ Big Takeover Magazine


Trust the teller – or the tale – when only fragments exist?
You had to be there… maybe.

Philadelphia-based art-rock duo
Tulipomania has teamed up with the legendary Martyn Ware and Charles Stooke on a new remix, along with an intriguing animated music video, featuring lip sync, original footage and vintage found footage – some vibrantly tinted in pastel – all collaged on sheets of black paper, shot frame by frame.

Martyn Ware of Heaven 17 and The Human League fame is otherwise renowned for lifetime achievements in innovative musicianship, including as a record producer for artists such as Tina Turner, Terence Trent D'Arby, Chaka Khan, Erasure and Marc Almond. On this remix, Ware is joined by Charles Stooke, co-composer for the Illustrious Company, which Ware founded with Vince Clark in 2001. Apart from being released digitally, the ‘You Had to Be There (Martyn Ware & Charles Stooke Remix)’ is also be featured on WIRE Magazine’s cover-mounted Wiretapper CD compilation for October.

The animated music video is an official selection at the
CutOut Fest International festival of animation and digital art taking place November 16-19 in Querétaro, Mexico.

Alternately categorized as cult synth punks, glam-leaning, post-punk, art-rock and muscular chamber pop, Tulipomania is made up of Tom Murray (lead vocals, synthesizer, electronic percussion) and Cheryl Gelover (synthesizer, background vocals), who first began their collaboration through projects for experimental film and animation classes.  The duo now known as Tulipomania has evolved from those experiences.

Cheryl Gelover notes, “We reached out to Martyn and Charles and were so glad they were interested in remixing the track – they kept the original mood but added additional orchestration – especially in the intro and outro – and took the song’s groove in a totally different direction – which we really love.”

'You Had to Be There' is the first taste of Tulipomania’s album 'Dreaming of Sleep'(out November 17 via Sursumcorda Records). Establishing the conceptual viewpoint of this record – that embracing contradiction invites accountability – the Dada-esque stance channels a hopeful innervating energy. When navigating the morass – trust the teller – or the tale? You had to be there... maybe. Exploring varied states of disintegration and recombination, the accompanying video involves the painstaking assembly of thousands of individual images.

On ‘Dreaming of Sleep’ – their fifth album – Tulipomania immerses themselves fully in electronic means of creation – the exception being a sole accent played on electric guitar. Featuring cover artwork by
 Michael Speed, senior designer at Beggars Group London, this record involves Executive Producer Howard Thompson, renowned for his contributions as a record industry executive (Elektra, Island, Almo Sounds), having discovered and/or worked with such artists as Adam and the Ants, Billy Bragg, MC5, Mötorhead, PiL, Psychedelic Furs, Robyn Hitchcock, The Sugarcubes, Suicide, among others.

"There has been an overwhelming sense of dread and mistrust obviously brewing for a long time. In the post-Trump post-pandemic now - if it is or ever will be possible to be post either of those cataclysmic events –  I wonder what the future will ask about it all," says Tom Murray.

"I wonder what the future will not understand and want to clarify about the self-serving lies, liars and grifters, and the foolishness of many who were here but not present in any real sense – unable or unwilling to see what was and is happening as everything rolls up to the very well placed few. I don't know what we can tell the future that can make this recent history any clearer. Maybe it is and has always been – and will always be this way. Maybe, you had to be there."

Described as ‘artistic and inventive’ and ‘gorgeous', Tulipomania's animated music videos have been featured in film festivals worldwide. Numerous such festivals have already showcased this new video as an official selection, including the Leeds International Film Festival (UK), StopTrik (Croatia, Poland), AniFilm (Czech Republic), Insomnia (Russia) and Malatesta (Italy) with the Montreal International Animation Film Festival - Animaze awarding it an Honorable Mention.

The pair also recently created two animated music videos - 
'Hush' and 'Shock To The Body' - for Cabaret Voltaire co-founder and frontman Stephen Mallinder in support of his solo album 'tick, tick, tick', released last year on Dais Records.

On October 6, 'You Had To Be There (Martyn Ware & Charles Stooke Remix)’ is available everywhere, including 
Spotify, Apple Music and Bandcamp. On November 17, the full 'Dreaming of Sleep' album will be released on CD, vinyl and digitally. It can be pre-ordered via Bandcamp.

CREDITS
Music and lyrics written by Tulipomania
Remix created by Martyn Ware and Charles Stooke
Cheryl Gelover - keyboards and vocals
Tom Murray - bass, drums, keyboards and lead vocals
Produced and recorded by Tulipomania and Richard Hartline
Original version mixed and mastered by Richard Hartline
Howard Thompson - Executive Producer
Film directors / animators - Cheryl Gelover and Tom Murray
Cover artwork created by Michael Speed
Publicity by 
Shameless Promotion PR


Keep up with Tulipomania

Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | Vimeo | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Boys Like Girls Share "THE OUTSIDE (OUTSIDER'S VERSION)" — LISTEN

SONG FEATURES TOURMATES 3OH!3, STATE CHAMPS, THE SUMMER SET, + THE READY SET

BOYS LIKE GIRLS are gearing up to release their first full length album in 11 years, SUNDAY AT FOXWOODS, on October 20, 2023 via Fearless Records.Pre-order it
here.

However, they've pivoted by releasing a new version of the song "THE OUTISIDE."

 "THE OUTSIDE (OUTSIDER'S VERSION)" features tourmates 3OH!3, State Champs, The Summer Set, and The Ready Set. Listen
below.

It's an arena-sized jam that would sound as awesome billowing throughout as a sold-out stadium as it would from the DJ speakers at a wedding. It will invite you to dance the night away with its huge and harmonized choruses. It's the alt pop band's most rockin' anthem of its new era and you won't be able to escape its hooks.

"Putting together the 'SPEAKING OUR LANGUAGE TOUR' was unlike any other we have ever done," says BLG's Martin Johnson about how this version came to be. "We wanted to personally ask bands we were fans of and friends with to join and create a mini festival experience we would want to watch ourselves. I had written 'THE OUTSIDE' with Sean Foreman from 3OH!3 some years back and loved the idea of making a version with them on it. After booking the tour and becoming friends with Derek [DiScanio] from State Champs, we also talked about doing a feature. So when Brian and I from The Summer Set started texting and Jordan from The Ready Set jumped on a couple shows, we knew what we had to do."

He continues, "Already an underdog anthem dedicated to the music scene we grew up in…'THE OUTSIDE' was the perfect song for a full-on circus version with all the boys. Making this version was one of the most rewarding projects I've ever worked on. Hearing all the different voices, approaches and styles on the same song and puzzle piecing it all together was a massive musical gift. We all enjoyed working with these bands so much and can't wait for you to catch the tour this autumn and hear this new take on the song. We're BOYS LIKE GIRLS and this is 'THE OUTSIDE (OUTSIDERS VERSION),' featuring 3OH!3, STATE CHAMPS, THE SUMMER SET and THE READY SET."

BOYS LIKE GIRLS ON TOUR:
10/6 — San Francisco, CA — The Masonic†
10/8 — Portland, OR — Crystal Ballroom†
10/10 — Vancouver, BC — Commodore Ballroom†
10/11 — Seattle, WA — Paramount Theatre†
10/13 — Salt Lake City, UT — The Depot†
10/14 — Denver, CO — Fillmore Auditorium†
10/16 — Minneapolis, MN — The Fillmore Minneapolis†
10/18 — Madison, WI — The Sylvee†
10/19 — Chicago, IL — Byline Bank Aragon Ballroom@
10/21 — Cleveland, OH — House of Blues Cleveland@
10/22 — Detroit, MI — The Fillmore Detroit@
10/24 — Toronto, ON — HISTORY^
10/26 — Boston, MA — MGM Music Hall at Fenway†
10/27 — New York, NY — Hammerstein Ballroom†
10/30 — Philadelphia, PA — The Fillmore Philadelphia†
10/31 — Silver Spring, MD — The Fillmore Silver Spring†
11/1 — Raleigh, NC — The Ritz†

SUPPORT KEY:
† – The Summer Set, LOLO
@ – The Summer Set, LOLO, Every Avenue
^The Summer Set, LOLO, SayWeCanFly

Plain White T's Share "You Plus Me" — LISTEN

SELF-TITLED ALBUM OUT NOVEMBER 17 VIA FEARLESS RECORDS

BAND APPEARING AT SECOND ANNUAL WHEN WE WERE YOUNG FESTIVAL

PLAIN WHITE T'S — Tom Higgenson [vocals], Tim Lopez [lead guitar, vocals], Mike Retondo [bass], and De'Mar Hamilton [drums] — recently announced their new, self-titled album, out November 17 via Fearless Records. Pre-order it
here

The band has shared the lyric video for "
You Plus Me." Watch and listen below

With its gentle, acoustic guitar strumming, lilting melodies, and talk-sung vocals that deliver relatable, journal-honest lyrics, "You Plus Me" has a delightfully retro vibe. It's a simple, pretty, and resonant ode to finding and loving your person through good times and bad. Ultimately, this song could have a second life in a montage in a movie where a starstruck couple is trying to find its way back to one another.

"'You Plus Me' is a song about finding that person who is just as weird and nerdy as I am," says Higgenson. "It's our flaws and our uniqueness that brings us together. There's kind of an 'us against the world' mentality in this song and I love that! We purposely left the recording very raw and stripped down to let that spontaneity and misfit charm shine through."

As for the album, the band took its time and truly tapped into the essence that is the Plain White T's.
 
"We were trying to hark back to sounds we've used in the past with a freshness," Higgenson says. "This one came from a really authentic place of understanding who we are and what we do. I'm more excited than I've been in a long time. As musicians, we're always trying to outdo ourselves or go somewhere we haven’t gone before. Somehow, we figured out how to go to a fresh spot and still sound like Plain White T's."

Mission accomplished with the new album!

The band will also appear at the second annual When We Were Young Festival in Las Vegas later this month.

PHOTO CREDIT: Austin Cieszko (@theonlymang)

ABOUT PLAIN WHITE T'S:
Since emerging in 1997, Chicago quartet Plain White T's have remained visible and viable. They have consistently delivered unforgettable pop rock anthems that take up real estate in your brain for months at a time. They have amassed over 2.7 billion total global streams, earned two Grammy nominations, and collected several Platinum-plus and Gold certifications across their impressive catalog. Their signature single "Hey There Delilah" went quadruple-platinum, topped the Billboard Hot 100, and earned the pair of aforementioned GRAMMY® nominations in 2008 — for "Song of the Year" and "Best Pop Performance by a Duo or Group with Vocal." They have made their pop culture mark by appearing on highly visible shows such as the Macy's Thanksgiving Day Parade, Sesame Street, iCarly, 90210, Beavis & Butthead, and Frankenweenie, all the while nabbing press accolades from TIME, Billboard, ESPN, Rolling Stone, AV Club, MTV, MSNBC, and more. Plain White T's have proven to be a reliable musical force, as well as a career band that shows no signs of stopping or slowing down. Their self-titled album arrives in late 2023.

NIGHT CROWNED Unveils Music Video For Second Single "Flickan Som Försvann"; "Tales" To Be Released November 10 On Noble Demon!

Swedish blackened death metallers Night Crowned have released the second single "Flickan Som Försvann", taken from the band's upcoming album Tales. Following the successful launch of their first single "De Namnlösa", the band keeps captivating listeners with their mesmerizing blend of dark and atmospheric soundscapes.

Vocalist K. Romlin states: ''Flickan Som Försvann was the first demo I wrote lyrics for. I was inspired by an old Swedish punk song, but I wanted the words to be more graphic, more horrific, almost provocative, and I think I managed to do that. This is by far the darkest lyrics I have ever written."

The track is accompanied by a brand new music video, which you can watch below.

Stream the single HERE

Night Crowned's upcoming album, Tales, promises to be a sonic journey that pushes the boundaries of the genre. With their masterful musicianship and evocative storytelling, the band aims to create an immersive experience for listeners, transporting them to a world of darkness and introspection. The band's first single "De Namnlösa" already received widespread acclaim from both fans and critics alike, setting high expectations for the upcoming album. Night Crownedconsists of seasoned musicians who have made their mark in the metal scene. The band features members from renowned acts such as Dark Funeral, Nightrage, and Cipher System, bringing a wealth of experience and expertise to their craft. With the release of "Flickan Som Försvann" Night Crowned continues to solidify their position as one of the most exciting and innovative bands in the melodic blackened death metal genre and fans can expect a captivating and immersive experience when Tales is unleashed upon the world.

Tales will be coming out on November 10 on Noble Demon and is available for pre-order at
THIS LOCATION

NIGHT CROWNED are:
K. Romlin - Vocals
H. Liljesand - Guitar & keys
J. Jaloma - Drums
J. Eskilsson - Guitar & vocals
P. Eldor Pettersson - Bass

Find Night Crowned online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

CARNIFEX - RELEASE NEW ALBUM NECROMANTEUM + REVEAL TRACK VIDEO FOR 'INFINITE NIGHT TERROR'

After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation. Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX return with their ninth full-length studio album, Necromanteum, which is out today via Nuclear Blast Records. Accompanying the release, the band delivers the track video for the single, 'Infinite Night Terror'.

CARNIFEX's Scott Ian Lewis comments, "This record is for the fans, I hope they enjoy it."

Purchase Necromanteum on various formats and stream now at
https://carnifex.bfan.link/necromanteum

Watch the track video for 'Infinite Night Terror' below.

Next week, CARNIFEX will head across the U.S. on their 'Necromanteum Tour'. The 24-date trek will kick off on October 11th in Arizona and will make stops in Dallas, Columbus, and Denver before concluding on November 11th in Los Angeles. Joining the band each night are SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE.

Tickets for the tour can be purchased at 
http://carnifexmetal.com/.

Confirmed dates for CARNIFEX's 'Necromanteum Tour' with SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE are:

10.11.2023 U.S. Tucson, AZ – The Rock
10.13.2023 U.S. San Antonio, TX – The Rock Box
10.14.2023 U.S. Austin, TX – Come and Take It Live
10.15.2023 U.S. Dallas, TX – Gilley's (Monster Mosh Fest)
10.17.2023 U.S. New Orleans, LA – House of Blues
10.19.2023 U.S. Murfreesboro, TN – Hop Springs Beer Park
10.21.2023 U.S. Atlanta, GA – Masquerade – Heaven
10.22.2023 U.S. Orlando, FL – Level 13
10.24.2023 U.S. Greensboro, NC – Hangar 1819
10.25.2023 U.S. Virginia Beach, VA – Elevation 27
10.26.2023 U.S. Asbury Park, NJ – House of Independents
10.27.2023 U.S. Patchogue, NY – Stereo Garden
10.28.2023 U.S. Reading, PA – Reverb
10.29.2023 U.S. Hartford, CT – Webster Theater
10.31.2023 U.S. Syracuse, NY – The Song & Dance
11.01.2023 U.S. Columbus, OH – King of Clubs
11.02.2023 U.S. Louisville, KY – Headliners Music Hall
11.03.2023 U.S. Joliet, IL – The Forge
11.04.2023 U.S. Milwaukee, WI – The Rave
11.06.2023 U.S. Omaha, NE – Slowdown
11.07.2023 U.S. Denver, CO – Summit Music Hall
11.09.2023 U.S. Albuquerque, NM – Sunshine Theater
11.10.2023 U.S. Mesa, AZ – Nile Theater
11.11.2023 U.S. Los Angeles, CA – The Belasco

The recording process took place over the course of several weeks with producer Jason Suecof in Florida and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality. 

Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief or considered a form of prophecy. Necromanteumpresents the concept: What if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.

Necromanteum is available digitally and in the following formats:

  • CD Jewel

  • Vinyl

    • Neon Green w/ Purple Splatter

STRIGOI Announce New EP

Strigoi were already plenty unsettling on their debut album. But the UK death-doom band's follow-up pushed their grinding asphyxiations to such vile extremes, that it produced an abundance of putridity.

'Bathed In A Black Sun' includes four unreleased or exclusive songs from 'Viscera'. Get re-acquainted with the pure, unadultered filth of the title track, which is slimed with sludge riffs and a crusty drum groove. 

Watch the horrifying new video for "Bathed In A Black Sun" , Below.

The 'Bathed In A Black Sun' EP comes out November 3.

Pre-order: https://shop.season-of-mist.com/list/strigoi-bathed-in-a-black-sun
Pre-save: https://orcd.co/strigoibiabspresave

"We are pleased to finally do this, as ultimately 'Bathed In A Black Sun' as a track is lamentably all the more relevant today than it was when it was written", says bassist Chris Casket. "We also wanted to release this EP as a companion to the album 'VISCERA', so finally all the tracks recorded during that studio session are available for all to 'enjoy' the extra cuts of raging spite and cold despair."


Greg Mackintosh already had one side project from his main gig as the guitarist for Paradise Lost. But when Vallenfyre ran its course, he started Strigoi with bassist Chris Casket in hopes of dragging death and doom metal even further afield. 

'Bathed In A Black Sun' proves that Strigori can mold nasty blackened death doom from anything – even their own remains. 

When Paradise Lost guitarist Greg Mackintosh put to rest his Vallenfyre side project in 2018, he closed a difficult, but ultimately cathartic period in his life. Created as a tribute to his father John, who passed away in 2009, Vallenfyre originally served as a sounding board for Greg’s grief, but then delved into his nihilistic take on the world. Vallenfyre’s brief existence was intentional — the band always knew they could go no further than the three studio albums that bore their name.

A mere few days after Vallenfyre played its last live show in September 2018, Mackintosh announced the formation of a brand-new band with Vallenfyre bassist Chris Casket (Ex. Extreme Noise Terror), Strigoi. The English twosome released their debut album Abandon All Faith on 22nd November 2019 which was met by widespread critical acclaim and support. From this success, the band began preproduction to take the project live, recruiting to the line-up drummer Guido Zima (Ex Implore / The Secret) and live guitarist Sam Kelly-Wallace (Ex Vallenfyre) to begin spreading their foreboding gospel throughout the European festival circuit.

Unfortunately, due to the global pandemic that hit Spring 2020 Strigoi were unable to perform live as planned, and realising this situation was going to be a long-term constraint Greg and Chris decided to begin writing for a second album. This 18-month process culminated in Strigoi signing to Season Of Mist records, then heading to Orgone Studios UK to track 14 brand new songs under the watchful eye of award winning producer Jamie Gomez Arellano.

The bands line up, now set with the addition of guitarist Ben Ash (Satyricon / Ex. Carcass) completed the recording of the album ‘Viscera’ in October 2021, subsequently mixed by Kurt Ballou at GodCity Studios and mastered by Brad Boatright at Audiosiege Studios. ‘Viscera’ represents the further evolution of Strigoi as a band, a concept fully realised as a statement of terror, malaise, and ultimately a record representing what Greg and Chris wanted to achieve from the band’s inception.

Their new 'Bathed in Black Sun' EP includes five unreleased songs from the recording sessions for 'Viscera'. The title track is pure, unadulterated filth, slimed with sludge riffs and a crusty drum groove.

Recording Studio: Oregon Studios
Producer/Sound engineer: Jamie Gomez and Strigoi
Additional recording and production: Gregor Mackintosh at Black Planet Studios
Mixing studio/engineer: Kurt Ballou - Godcity Studios
Mastering studio/engineer: Brad Boatright – Audiosiege

Recording line-up:
Greg Mackintosh: Vocals and Guitar
Chris Casket: Bass
Guido Zima: Drums
Ben Ash: Guitar

Ross White - Guitar (Live)

Cover artwork: Brian Sheehan - Legerdemain Art

Pre-order:
https://shop.season-of-mist.com/list/strigoi-bathed-in-a-black-sun
Pre-save:
https://orcd.co/strigoibiabspresave

Booking contact: 
Andy Farrow:
andy@northernmusic.co.uk

Follow Strigoi
https://music.apple.com/us/artist/strigoi/1477641031
https://strigoiofficial.bandcamp.com/album/viscera
https://www.facebook.com/strigoibandofficial/
https://www.instagram.com/strigoi_official/?hl=en
https://open.spotify.com/artist/6BUcX21YlCyGOUKXrNutei
https://twitter.com/OfficialStrigoi
https://www.youtube.com/channel/UCTUjPPERTRxYCMOYDbzMSAA

Formats:
CD Digipack
Digital Download

SVALBARD - new album 'The Weight Of The Mask' is out now

Today, Svalbard are proud to release their breathtaking new studio album, The Weight Of The Mask. Uncompromising and highly charged, the record spans themes intrinsic to humanity, such as emotional strength and depression, to unrequited love and vulnerability.

The Weight Of The Mask is Svalbard’s most devastatingly raw and beautiful work to date, overflowing with mesmerizing performances from Serena Cherry, Liam Phelan, Mark Lilley, and Matt Francis, transcending boundaries across shoegaze, post-hardcore, black metal, and more.
 
Serena Cherry stated:
"It feels pretty surreal to be releasing our fourth album today, after spending 2 years writing and recording it. It's so exciting for these songs to be out in the wild, we can't wait to see everyone's reactions to this album!"

Order The Weight Of The Mask 
HERE
Listen to The Weight Of The Mask in full on YouTube
below.

Watch the 'How To Swim Down' video HERE
Watch the 'Faking It' video
HERE
Watch the 'Eternal Spirits' video
HERE 

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

Svalbard's intention with their music is to make people feel less alone and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatize these topics. 

SVALBARD will be returning to the EU mainland for six headline show dates this month, which will be followed by a performance at the Cult Of Luna curated Beyond The Redshift event in London and a headline date at The Key Club in Leeds.

Formed in Bristol UK, Svalbard have previously released three studio albums, three EPs and several split releases. Their exceptional last studio album, 2020's When I Die, Will I Get Better? was dubbed by Metal Hammer UK as "the most important British metal record of 2020", with both Metal Hammer and Kerrang! lauding the record as a top 10 album of the year. A career milestone, it cemented Svalbard as a powerful and vital component of our global music scene.

Whilst refining their distinctive blend of euphoric black metal, post-rock, and d-beat, Svalbard have incorporated a few more surprising influences along the way. From soft, mournful singing to progressive guitar leads, it showcases a sensitive dynamic that lends impact to their most crushing moments - of which there are undoubtedly many. There’s no poetry, no ambiguity - just direct, raw honesty as the quartet tackles some very uncomfortable subjects head-on. This is heavy in the most evocative sense of the word. The blunt lyrics are equally as important as the music.

Svalbard are:
Vocals/Guitar - Serena Cherry
Vocals/Guitar - Liam Phelan
Drums - Mark Lilley
Bass - Matt Francis

After decades with Trashcan Sinatras, Scottish singer-songwriter John Douglas releases debut solo album via Reveal Records

"Fantastic album... a unique gem within each and every track... A sheer delight – recommended for everyone suffering from sensory overstimulation. This will calm your mind and ease you into healthy listening" ~ Amplify Music Magazine


One of Scotland’s finest songwriters -
John Douglas of Trashcan Sinatras fame - presents his debut solo album, released via Scotland's Reveal Records, along with a self-filmed nostalgic video for the album's opening track 'Lost'.  

This record presents an intimate snapshot of the talent, charisma and depth of this celebrated Scottish indie songsmith - the start of a new chapter in Douglas' creative life as he simultaneously looks back at a lifetime of musical adventures and accolades and moves forwards.

The album
'John Douglas' features new recordings of some of John's favourite Trashcan Sinatras material, alongside new songs he has written and his own rendition of the Prefab Sprout classic ‘We Let The Stars Go’.

The eleven songs on this record were performed solo, recorded live at Kyoti Studio in Glasgow (with no overdubs) by producer
Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion), who also mixed and mastered the album.

“I’ve often been encouraged by friends over the years to make a solo album, but the timing or inclination didn’t flow. Last year - out of nowhere - everything suddenly felt right and the process was quick and natural. Mark just set the mics up and I played my songs. No other musicians or overdubs. Me and my guitar. That way, I became the songs and they became me. The finished record, though varied in song styles, has a mood to it… it’s warm, thoughtful and quiet.. as I generally aspire to be," says John Douglas.

About this latest focus track
'Lost', he notes, "Hard to be precise about this lyric. It all came to me in one go. Could be about getting lost in the past… letting it take over… I have felt disoriented when I’ve found myself dwelling on the past too much. RD Laing once said “Why let yesterday affect today ?” I know life can be more complex than that phrase allows, but it’s not a bad thought to mull over."

Hailing from Irvine on Scotland’s west coast, John has a rich history, making music with Trashcan Sinatras for over thirty years. Apart from his role as a songwriter (and guitarist) there, John has been playing live gigs across the UK and Ireland as part of his partner
Eddi Reader’s band.

Lately, John Douglas has been performing solo sets at shows with musical friends, such as Norman Blake (Teenage Fanclub), Jill Jackson and James Grant (Love & Money). Whilst visiting Irvine recently, John was invited to guest with Martin McAloon (Prefab Sprout), the two artists having first met in 1990 when the Trashcan Sinatras' were touring with Prefab Sprout in support of their album ‘Jordan - The Comeback'.

As of October 6th, the 'John Douglas' album is available on CD, as well as digitally from
a wide selection of fine music outlets, including Bandcamp, where supporters can download two exclusive bonus digital tracks ('Last Orders' and 'The Drink'). To mark this release, John Douglas will be supporting the fabulous Withered Hand on their Scottish tour this October.

CREDITS
Written by John Douglas (1, 2, 4, 6, 11), Trashcan Sinatras (3, 5, 7, 8), Trashcan Sinatras / Dine (9) and Paddy McAloon (10)
All songs published by MCPS/PPL, except Track 10 (published by Sony/ATV Music Publishing LLC)
Recorded, mixed & mastered in Glasgow by Mark Freegard
Photographs taken on the Old Largs Road by Susie Lowe
Cover photo by Janette Ayachi at The Strand Club, Glasgow
Design by Martin Rowsell Simply Marvellous: Music
Thanks to Edna, Charlie, Sam and all my family, all the Trashcan Sinatras, Tom Rose, Boo Hewerdine and Jill Jackson
CD - REVEAL195CDX  - 7427137071599
Digital Album - REVEAL195DDX - 7427137071605
Publicity by
Shameless Promotion PR

Bandcamp  https://johndouglas.bandcamp.com/album/john-douglas-2023
Album order 
https://revealrecords.lnk.to/JohnDouglas
Spotify 
https://open.spotify.com/album/08oykWwqbE7yvlHbUmG7gr

TOUR DATES (get tickets)
Oct 25  STIRLING, UK - Tolbooth
Oct 26  GALASHIELS, UK - MacArts
Oct 27  GLASGOW, UK - Saint Luke's
Oct 28  ABERDEEN, UK - The Lemon Tree


Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | YouTube | Spotify | Apple Music | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

NYC-based BLACK ROSE BURNING brings post-punk into futuristic sci-fi with new 'Ad Astra' video

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC alternative rock outfit
Black Rose Burning presents 'Ad Astra', the title track from their invigorating third album 'Ad Astra', along with a clever new sci-fi video, announced as follows: "We travel into the microverse. We leave a dying planet there. We discover a new place to live. We're the light that shines amongst the stars at night... Love Won, Love Lost and Outer Space."

As with their previous album
 'The Wheel', this album was mastered by ACTORS' own Jason Corbett at Jacknife Sound.  Earlier, the band released the singles  'Fight!', 'Night Terrors' and 'Sing to Me'

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

Grant explains, "I was always intrigued by the Latin phrase Ad Astra Per Aspera (to the stars with difficulty) - even when I was a kid. I have also spent a great amount of time in my life pondering a question - why are we all fighting and destroying the planet earth instead of reaching for the stars together? The way mankind is at this moment in history, I’m not even sure we deserve the greater universe. I’m hopeful that one day we will".

In 2021, Black Rose Burning released their second album 'The Wheel', one year after debuting 'The Year of the Scorpion'. George Grant's soulful vocal delivery, instantly recognizable voice and solid instrumentation are standout features of this music. Roughly 40 years of songwriting across various genres has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.

'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).

“’Ad Astra’ is the result of the real first time collaboration of the musicians who have been playing with my project in a live setting and myself. On previous records, I recorded them solo – playing and programming all of the instruments. It only made sense to take it to a whole new level by taking a slight back seat and letting the fantastic musical brains I have surrounded myself with, to step into some spotlight and show their talent. Sonically it’s a major leap forward in the ever-growing sound of Black Rose Burning in every way. Letting experts do what they do has resulted in - a lush soundscape that’s better than I could have ever hoped for. And even though I again wrote all the material, having partners who understand my vision is both invaluable and awe inspiring,” says George Grant.

“Lyrically, I approached this record, from the standpoint of my pseudo-motto ”Love Won, Love Lost and Outer Space”. Interlaced with technical and futuristic themes are also stories of broken hearts, broken dreams as well as songs about hope. I quite honestly took my love, as an avid Sci-Fi fan, and poured it into quite a few of these songs and into the overall feel of the record. But don’t get me wrong - there’s plenty of both love and heartbreak written into it as well. The artwork by Antonella at Eshmoon DM brilliantly reflects the feel also - from the colors to the design and the themes - of my infatuation with Science Fiction.”
 
The 'Ad Astra' album is out now, available on CD and also digitally from fine music platforms, including
Spotify, Apple Music and Bandcamp.  On Friday, October 6, Black Rose Burning will play Absolution Fest, performing at Crobar in Tampa, Florida. On October 13, they play Richmond, Virginia's Fallout, together with Empathy Test.

CREDITS
Music and lyrics written by George Grant
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - all guitars
Recorded by the band @ PVRCo (Putnam Valley Recording Company)
Mastered by: Jason Corbett (Actors)
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner
Publicity by
Shameless Promotion PR

Spotify  https://open.spotify.com/track/3jyscmMdC2yThQrOAl3JMB
'Ad Astra' album order / Bandcamp 
https://blackroseburning.bandcamp.com/album/ad-astra
Spotify 
https://open.spotify.com/album/43wKBQqYqskY08jkYjnk7T
Apple Music  
https://music.apple.com/us/album/ad-astra/1705466602

Keep up with Black Rose Burning
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube| Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Tropic Gold Release "Maniac" Video — WATCH

Suffolk-via-Essex quartet Tropic Gold will release the What A Wonderful Experience EP, via UNFD.

Today, they share the video for "Maniac." Watch it here.

"Maniac" follows recent singles "ADRENALINE" and "DTTTH," and shines a light on "a generation of undiagnosed and mistreated mental health conditions," share the band. "The song lays out how people often think they're going insane and that they're not normal. There's a constant struggle people live with, not knowing why they feel differently to others, and 'Maniac' talks about the attempt to find the alternate inner version of yourself that feels hopeless."

Teasing What A Wonderful Experience, the band explains that the title "can be interpreted in so many ways; it's our most cohesive release yet and we're eager to see how people relate to the songs in different, individual ways."

Get it
here.

Tropic Gold offer up a sleekly modern meld of alternative, metal, pop, and electronica, cajoling their passions for a dynamic culture pool of music and production styles into a single sonic petri dish. Though originally formed in 2019, the quartet have spent years in the lab, developing their sound and strong aesthetics behind the closed doors of a bespoke, self-built multi-media studio. The Tropic Gold method is truly hands on, with guitaristJoshua Leehandling all production and recording duties, as well as diving into the weeds on their visual curation, manning the camera and edit suite as often as the production chair. 

Today, with their vision firmly in grasp, the band are ready to move beyond the prologue, and have struck up a partnership with UNFD to bring their soaring, infectious soundscapes to a global audience.

Pairing swathes of moody atmospherics with soaring, ear worm choruses, the band’s songs feel like they would be equally A Vibe™ pulsing across sticky, cramped dance floors as soaring atop airy arenas.

Coming on like a new romantic Bring Me The Horizon or a post breakup Don Broco, who just discovered their parents copy of The Cure'sDisintegration or a 45rpm copy ofSing The Sorrow playing at 33rpm… tl;dr: Tropic Gold are as gloomy as they are catchy.

 Sharing a sonic space with the likes of the aforementioned BMTH and Broco, PVRIS, (latter day) Architects, Caskets, Spiritbox's plaintive moments and even Enter Shikari (albeit on Valium), Tropic Gold are just getting started in figuring out how to weaponise their cocktail of slap and swag.

TROPIC GOLD ARE:
Jacob Parris — Vocals
Joshua Lee — Guitars + Programming
Bradley Lawrence — Bass
George Southernwood — Drums

Mavis Share "Furry Tongue" Video — WATCH

German band MAVIS, featuring vocalist Phil Donay, guitarist Manu Weller, bass player Mo Amrein, and drummer Jakob Schulz-Klein, dropped the video for new single "Furry Tongue," out now via Arising Empire.

Watch it
below.

This latest masterpiece is a harmonious chaos, elegantly flitting between time signatures while maintaining a fluid, danceable rhythm.

"The complexity of 'Furry Tongue' didn't compromise its groove," says singer Phil Donay. "Achieving a song you can dance to was a pinnacle for us."

The song dances on the edge of intuition and overanalysis, exploring the tenuous balance that exists between the two and the exploitation that can arise from either extreme. Donay equates this delicate balancing act to the uncomfortable yet familiar sensation of a furry tongue.

Earlier this year, the band debuted its first single "Tortured Land." Watch the video
here.

If "Tortured Land" was an introduction to Mavis' dynamism, "Furry Tongue" solidifies their position as forerunners in innovative metalcore.
The visual component, a collaboration with Danny Jakov (deadapefilms) oscillates between cerebral choreography and instinctive movement.

MAVIS ARE:
Phil Donay — Vocals
Manu Weller — Guitar
Mo Amrein — Guitar
Jakob Schulz-Klein — Drums

Chat with Alkaloid about their New Album on Bandcamp

Alkaloid Go Deep into 'Numen' with Bandcamp Listening Party

Alkaloid contain more than just multitudes. Their new album 'Numen' compresses meteoric riffs, seductive flurries of jazz and flamenco, and a multi-part saga about a godlike galactic civilization into a dizzying, thrilling 70 minutes.

"Songs like the ones you'll encounter on 'Numen' couldn't be conceived without highly active imaginations", says
No Clean Singing.

Lambgoat: "Everything hits in a big way; big enough to be an Outer God of the genre".

That's a lot for any metalhead to unpack. But lucky for us, Alkaloid are hosting a Bandcamp listening party to chat with fans about their new album. Join the metal mad scientists tomorrow at 5 pm EST, when they go behind-the-music into everything from 7/16 time signatures, Stygian choirs and roughly four billion years of multicellular evolution.  

Tomorrow happens to be
Bandcamp Friday. Purchase 'Numen' or other Alkaloid merch during the listening party and the bulk of your money will go directly to supporting the band!

RSVP for the Bandcamp listening party tomorrow, October 6 @ 5 pm EST.  

https://alkaloidsom.bandcamp.com/merch/numen-listening-party


Order 'Numen':
https://shop.season-of-mist.com/list/alkaloid-numen

Stream the whole album:
https://orcd.co/numenpresave 

Alkaloid are still bonded together by their love of extreme metal. After all, they are a super group that's assembled from foundational members of Obscura, Dark Fortress, Triptykon and other genre heavyweights. But Numen finds the band playing around with all kinds of experiments. "Shades of Shub Niggurath" brings back the band's chaotic signature death metal to conjure the titular goat-like outer god.  

Take a cosmic trip through Lovecraftian space lore by watching the song's new visualizer, which was made by Scott Rudd Film.

Watch it
below.

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: 
https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: 
https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

SUFFOCATION | RELEASE VIDEO VISUALIZER FOR SECOND SINGLE 'PERPETUAL DECEPTION'

New York death metal legends SUFFOCATION unleash their ninth full-length album Hymns From The Apocrypha on November 3rd via Nuclear Blast. The follow-up to ...of the Dark Light (2017) and the first release featuring the new vocalist Ricky Myers, pushes the band to the very edges of extremity and is arguably the group's strongest-sounding, most sonically punishing album yet. SUFFOCATION have achieved death metal perfection. 

Check out the second single from the album entitled, 'Perpetual Deception'. The track revisits the Son of Man (Jesus) and his continuous deceit, a nod to the classic SUFFOCATION track, ‘Jesus Wept.’ 

Stream the new single 'Perpetual Deception', here:
https://suffocation.bfan.link/pdsg

Watch the video visualizer for 'Perpetual Deception',  below.

SUFFOCATION took about a month and a half to record Hymns from the Apocrypha. They holed up at Hobbs and Boyer's InLine Studio in Long Island. The duo engineered and co-produced with Christian Donaldson (BENEATH THE MASSACRE, INGESTED), who was also re-enlisted to mix and master, with Dominic Grimard (CRYPTOPSY, SHADOW OF INTENT) assisting. With stunning cover art by Greek illustrator Giannis Nakos of Remedy Art Design (VOMITORY, THE CROWN), Hymns from the Apocrypha is characteristically SUFFOCATION. It's uncompromisingly brutal, artistically gutsy, and aurally heavy. Clearly, SUFFOCATION, as they head into their 35th Anniversary, are at the peak of their potential. Death metal or die!

 

Hymns from the Apocrypha will be available digitally and in the following formats:

  • CD Jewel

  • Vinyl

    • Brown w/ White Splatter

    • White w/ Brown Corona (Mailorder exclusive, limited to 600)

  • Cassette

    • Smoky Tint (Band exclusive, limited to 200)

    • Gold (Mailorder exclusive, limited to 500)

SUFFOCATION has exclusive Hymns from the Apocrypha merch available at www.nightshiftmerch.com/collections/suffocation.

SUFFOCATION are staying busy this fall with their 6-date 'Darkness Within Mexico Tour 2023' followed by their 'Ancient Unholy Rising Tour 2023' with co-headliners legendary death metal band INCANTATION. The 26-date trek will kick off on November 7th in Baltimore and makes its way across North America with performances in Montreal, Seattle, and Houston before its conclusion in Greensboro on December 4th. Joining the bands as openers are SKELETAL REMAINS and STABBING. 

Purchase tickets here: 
www.suffocationofficial.com/tour

Photo credit: Jason Carlson

'Ancient Unholy Uprising' Tour 2023 
with co-headliners INCANTATION and support SKELETAL REMAINS and STABBING

11.07.2023 US Baltimore, MD - Baltimore Soundstage
11.08.2023 US Reading, PA - Reverb
11.09.2023 US Brooklyn, NY - Warsaw
11.10.2023 US Providence, RI - Alchemy
11.11.2023 CA Trois-Rivières, QC - Amphithéâtre Cogeco 
11.12.2023 CA Montreal, QC - Studio TO
11.13.2023 CA Toronto, ON - Lee's Palace
11.14.2023 US Detroit, MI - The Sanctuary
11.15.2023 US Chicago, IL - Reggies
11.16.2023 US Madison, WI - The Annex
11.17.2023 US Lawrence, KS - The Granada
11.18.2023 US Denver, CO -  HQ
11.20.2023 US Richland, WA - Ray's Golden Lion
11.21.2023 US Seattle, WA - El Corazon
11.22.2023 US Portland, OR - Bossanova Ballroom
11.24.2023 US San Francisco, CA - DNA Lounge
11.25.2023 US San Diego, CA - Brick By Brick
11.26.2023 US Los Angeles, CA - 1720
11.27.2023 US Phoenix, AZ - Rebel Lounge
11.28.2023 US Albuquerque, NM - Launchpad
11.29.2023 US Oklahoma City, OK - 89th Street Collective
11.30.2023 US Dallas, TX - Granada Theater
12.01.2023 US Houston, TX - Scout Bar
12.02.2023 US San Antonio, TX - Paper Tiger
12.03.2023 US New Orleans, LA - Southport Music Hall
12.04.2023 US Greensboro, NC - Hangar 1819

SUFFOCATION line-up:
Terrence Hobbs | Guitar
Derrek Boyer | Bass
Eric Morotti | Drums
Charlie Errigo | Guitar
Ricky Myers | Vocals

More Information:
www.facebook.com/suffocation
www.instagram.com/suffocationofficial
www.twitter.com/suffocation
www.tiktok.com/@suffocationofficial
www.youtube.com/suffocationofficial
open.spotify.com/user/suffocation_official?si=617347e88d9e423c
www.twitch.tv/suffocationofficial