BLACKLITE DISTRICT Announces November Dates for The XL Tour 2!

South Dakota-based alternative rock artist KYLE PFEIFFER, better known as BLACKLITE DISTRICT, has announced the second wave of his XL TOUR! Launching November 3rd at Beach House in Omaha, NE, the tour will wind through the Midwest before wrapping up November 12th at Lefty's in Des Moines, IA.

Tour Dates:
11/03 @ Beach House - Omaha, NE
11/05 @ The Wave - Wichita, KS
11/07 @ Twisted Spoke - Pekin, IL
11/08 @ The Canopy Club - Urbana, IL
11/09 @ Studio 301 - Portage, WI
11/10 @ WC Social Club - Chicago, IL
11/11 @ Smokestack - Dubuque, IA
11/12 @ Lefty's - Des Moines, IA

Additional Tour, RSVP, & Ticketing Info

“I am beyond excited to kick off the second leg of The XL Tour! It seriously blows my mind to see all of these young kids coming out and experiencing their first rock show, and it’s even cooler to see the parents that have become fans as well. It’s not a Disney show by any means, but it’s definitely an event the whole family can attend. It’s rock and roll for the digital generation, and I’m confident we will deliver nights to remember on this tour!” - KYLE PFEIFFER

Purchase / Stream "Just So You Know XL" Online

Intervals Unveils New Single "mnemonic" + Accompanying Visualizer

Innovative instrumental metal outfit Intervals has today unveiled their brand new single "mnemonic" and the accompanying visualizer. Led by visionary and musical ringleader Aaron Marshall, "mnemonic" explores new sonic landscapes guided by Marshall's virtuosic guitarwork while preserving the band's signature sound of intricate melodies laced with technical prowess. Speaking on today's release, Marshall shared:

"I'm super excited to drop this new tune heading into our tour with TesseracT. 'Circadian' came out in November of 2020, and we didn't get to perform any of the material for a whole year after its release, given the circumstances, so having new music dialed in, and being able to perform it right away is super exciting for the team right now. This one is just a taste... I can't wait to show everyone the rest of the new record!"

Fans now have their chance to see Intervals perform "mnemonic" across North America alongside TesseracT and Alluvial beginning today in Charlotte, NC. Stream "mnemonic" here, watch the visualizer in below, and be sure to keep 'em peeled for more Intervals news coming soon.

Upcoming Tour Dates:

Oct 5 - Charlotte, NC @ The Underground

Oct 6 - Charleston, SC @ Music Farm

Oct 7 - Norfolk, VA @ The Norva

Oct 8 - Baltimore, MD @ Rams Head Live

Oct 10 - Chicago, IL @ House of Blues

Oct 11 - Pittsburgh, PA @ Roxian Theatre 

Oct 13 - New York, NY @ Irving Plaza

Oct 14 - Boston, MA @ Paradise

Oct 15 - Philadelphia, PA @ TLA

Oct 17 - Montreal, QC @ Corona Theatre 

Oct 19 - Toronto, ON @ Danforth Music Hall

Oct 20 - Grand Rapids, MI @ Elevation

Oct 21 - St. Louis, MO @ Red Flag

Oct 23 - Denver, CO @ Summit Music Hall

Oct 24 - Salt Lake City, UT @ The Depot

Oct 26 - Seattle, WA @ The Showbox

Oct 27 - Vancouver, BA @ Commodore

Oct 28 - Spokane, WA @ Knitting Factory

Oct 29 - Portland, OR @ Hawthorne Theatre

Oct 31 - San Francisco, CA @ Regency Ballroom

Nov 1 - Los Angeles, CA @ The Regent Theatre

Nov 3 - San Diego, CA @ Observatory North Park

Nov 4 - Phoenix, AZ @ Nile Theater

Nov 5 - Albuquerque, NM @ Revel

Nov 7 - Dallas, TX @ The Granada Theater

Nov 8 - Austin, TX @ Emo’s

Nov 9 - Houston, TX @ Warehouse Live

Nov 11 - Tampa, FL @ Ritz

Nov 12 - Atlanta, GA @ Buckhead Theatre

Nov 13 - Nashville, TN @ Brooklyn Bowl

HELFRÓ Release First Single off 'Hálgröf'

HELFRÓ didn't come out of nowhere. The duo's icy tremolo picking and firestorm melodies sound like they were carved from the volcanoes and glaciers of their native Iceland. But their first album surprised even the most steadfast black metal acolytes with dueling vocals, punchy death metal riffage and bracing lyrics about loneliness and addiction.

Now, three years later, Helfró are back and as cold and unforgiving as ever. Their new album, Tálgröf, drills even deeper into the dark corners of the human psyche, while boring through intense rhythmic passages that fuse the extremities of traditional death metal with sombre, introspective lyrical convictions.

On lead single ‘Fláráð Fræði’ (which in English means "Deceitful Theories), blast beats erupt into a sickly and intrusive melody about the origins of evil.    

Watch the chilling video for ‘Fláráð Fræði’, which was created by Guilherme Henriques below.

Tálgröf comes out 1 December.

Pre-order: https://shop.season-of-mist.com/list/helfro-talgrof
Pre-save: https://orcd.co/talgrofpresave

“The lyrical theme of ‘Fláráð Fræði’ talks about a dark, sick entity that tries to learn of the origin of its evil, intrusive thoughts,” says drummer Ragnar Sverrisson. "But it only gets sicker the more it learns.”

Photo credit: ©Void Revelations

Formed amidst the haunting landscapes of Iceland, HELFRÓ is a formidable force in the world of blackened death metal. With their relentless aggression, atmospheric soundscapes, and compelling songwriting, they have carved their own path in the metal scene.

The journey of HELFRÓ began when guitarist and songwriter Ragnar Sverrisson sought to bring his musical visions to life, Drawing inspiration from the bleakness of Icelandic winters, the mysticism of nature, and the chaos of the human experience. HELFRÓ'S debut album, aptly titled "Helfró", was released in 2020, marking the band's official entry into the world of extreme metal. With a relentless barrage of blast beats, crushing riffs, and haunting melodies, the album showcased their ability to seamlessly blend aggression and atmosphere.

Evolving with the advent of the sophomore album, TÁLGRÖF, listeners can expect even more ferocity as HELFRÓ dives deeper into death metal territory while not straying to far from the signature ice-cold climactic tremolo riffing notable of their previous work. Characterized by its ferocity, the new album also carries introspective and thought-provoking themes, reflecting the band members' willingness to explore the depths of the human experience.

HELFRÓ is destined to leave an impact on the realm of extreme music, captivating audiences with their unique brand of Icelandic metal.

Line-up:
Ragnar Sverrisson: Drums, Vocals, Songwriting
Simon Thorolfsson: Guitars, Bass, Vocals, Arrangements

Recording Studio            
Dominion Recordings

Sound Engineer
Simon Thorolfsson

Mixing Engineer              
Mark Lewis

Mastering Engineer        
Mark Lewis

Biography: Ragnar Sverrisson

Cover art: Grindesign

Pre-save: https://orcd.co/talgrofpresave

Pre-order: https://redirect.season-of-mist.com/helfro-talgrof

Links:
Facebook: https://www.facebook.com/HelfroIce             
Instagram: https://www.instagram.com/helfromusic/   
Bandcamp: https://helfroofficial.bandcamp.com/           
Spotify: https://open.spotify.com/artist/3LNnSSzoPPdyJT437coBFn         
 
Booking:
Ragnar Sverrisson ragginar@gmail.com 

Available Formats: 

CD digipak          
Digital
12” vinyl in various colours        
Merchandise

Alluvial Announce "Death Is But a Door" EP + Share "Bog Dweller"

ALLUVIAL — Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — have announced their new EP,Death Is But a Door. It arrives on January 12 via Nuclear Blast.

Today, the band has shared the video for "Bog Dweller." Watch it below. 

The band also premiered "Fogbelt" over at SiriusXM's Liquid Metal. 

Alluvial will hit the road this month with TesseracT. All dates are below.

ALLUVIAL ON TOUR:
WITH TESSERACT:
10/5 — Charlotte, NC — The Underground
10/6 — Charleston, SC — Music Farm
10/7 — Norfolk, VA — Norva
10/8 — Baltimore, MD — Rams Head Live!
10/9 — Lakewood, OH — The Winchester*
10/10 — Chicago, IL — House of Blues
10/11 — Pittsburgh, PA — Roxian Theatre
10/13 — New York, NY — Irving Plaza
10/14 — Boston, MA — Paradise
10/15 — Philadelphia, PA — TLA
10/16 — Albany, NY — Empire Live*
10/17 — Montreal, QC — Corona Theatre
10/19 — Toronto, ON — Danforth Music Hall
10/20 — Grand Rapids, MI — Elevation
10/21 — St. Louis, MO — Red Flag
10/22 — Kansas City, MO — The Rino*
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/26 — Seattle, WA — The Showbox
10/27 — Vancouver, BC — Commodore
10/28 — Spokane, WA — Knitting Factory
10/29 — Portland, OR — Hawthorne Theatre
10/31 — San Francisco, CA — Regency Ballroom
11/1 — Los Angeles, CA — The Regent Theatre
11/3 — San Diego, CA — Observatory North Park
11/4 — Phoenix, AZ — Nile Theater
11/5 — Albuquerque, NM — Revel
11/6 — Oklahoma City, OK — 89th Street*
11/7 — Dallas, TX — The Granada Theater
11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl
*Headline

Darkness and despair are a breeding ground for creativity in the right hands. Since their inception in 2017, Atlanta-based band Alluvial have embraced the grim and gloom that the world has to offer through an intricately balanced blend of rapid-fire polyrhythms, haunting, sludgy atmospheres and tightly wound grooves. The band takes a stab at creating an even more sinister sound than their previous album, Sarcoma, Death Is But a Door. 

"We wrote about 13 or 14 songs this summer, but we wanted to do this EP between Sarcoma and our next full-length. These songs align with the vibe we want to go for. We will always find a way to be darker from record to record in the same way that South of Heaven was heavier than Reign In Blood and Seasons In The Abyss was heavier than South Of Heaven," says Hauch. "It was that concept of chasing the dragon to find a way to top the message and vibe on the last record while finding a way to do it that made us excited." 

After releasing their instrumental debut full-length, The Deep Longing for Annihilation, the band hit the road. Although the album has racked up millions of streams, there was always an intent to add a vocalist to their following releases. Hauch had begun writing what would become Sarcoma in 2018 and recruited Muller, knowing his vocal prowess from the vocalist's time in Suffocation.  

Bringing Muller into the fold immediately elevated the band’s sound, but Death Is But a Door shows the synergy that the band has developed from working as a cohesive unit over the last few years.  

Although the band's mission is to drive into bleaker and heavier territory with each new release, they manage to bring balance to their sound. While they remain grounded in death metal, the band's approach finds them exploring all of their influences. From traditional thrash like Pantera or Metallica to darker grunge like Alice in Chains or Soundgarden and everything in between, Alluvial aim to keep listeners on their toes by pushing beyond the realms of death metal. 

"I wanted to have a band where we can write meaningful yet action-packed songs. Something that is terrifying but breaks your heart at the same time. I think we'll always chase that, but we want to find new ways to be heavy," says Hauch.  

With the band’s members being as ingrained in the death metal scene as they are — with members previously playing in The Faceless, Suffocation and more — listeners can rest assured they’ll be met with plenty of brutality throughout their music. The twists and turns into clean passages, atmospheric ambience, or any of the other musical avenues explored throughout Alluvial's music take them over the edge and invite listeners to return and find something previously undiscovered.   

San Francisco singer-songwriter E.G. Phillips shares brooding single ‘Boil The Ocean’

"A fabulous heartfelt confessional... A purveyor of the urban blues, Phillips offers an enthralling proposition in this beautifully wrought song" ~ Amplify Music Magazine

"A romancing of the senses with its noir lit contemplation and that almost boozy air to its fiery breath... a soulful engagement as off kilter and unique as it is warmly beguiling and emotively comforting" ~ Ringmaster Review
'
"E.G. Phillips channels dark singer-songwriters… Like a distant cousin of his forbearers Nick Cave, Tom Waits, and Leonard Cohen... It's always satisfying to discover something with such an old wise soul." ~ Real Gone


San Francisco-based artist E.G. Phillips presents his new single 'Boil The Ocean', a Nick Cave / Tom Waits-esque taster of his new 'Outlaw The Dead' EP, set for release on November 2 via Ducks With Pants Records.

This EP was recorded in Studio C of Hyde Street Studios in San Francisco (AKA Wally’s HydeOut) at the former Wally Heider Studios — the same space where such legendary artists as Herbie Hancock, Santana, Grateful Dead, Green Day and Dead Kennedys recorded some of their most legendary releases.

Produced by Chris McGrew, this music was mixed with the assistance of Billboard-charting producer Jaimeson Durr (Sammy Hagar, Joe Satriani, Hope Sandoval).

"This song has gone through so many rewrites and rejiggerings over the years, it's a bit of a ship of Theseus — which is entirely appropriate given the nature of the song. It's inspiration comes from those corporate phrases you hear ad naseum if you've ever been part of that word — you know, "eat our own dogfood", "circle back", "take it offline", "open the kimono" etc., This song takes one such phrase and takes it to its logical and horrifying conclusion, depicting the circumstances under which one would in fact feel the need to actually boil the ocean," explains E.G. Phillips.

"The recording features Paul Eastburn on bass who also played on my album 'Alien from an Alternate Earth' — here his bowing on the upright provides some undulating texture, like a dark undercurrent — an undertow that could pull you down below the surface."

This follows the sultry jazz offering ‘I Am The One Who Ghosts’ featuring Spanish artist Mar Vilaseca on vocals, the lead track 'It Ain't Good to Be in Love With You', a jazzy affair that showcases his confessional songwriting, and the single 'A Bridge Too Far (MacArthur Station)' featuring Grace Renaud on vocals.

Hailing from Chicago, Phillips ultimately found greener grass in the Bay Area. His musical journeys grew more adventurous since relocating at the turn of the century, especially since venturing out on the open mic scene in San Francisco -- finding a musical home of sorts at Bazaar Cafe.  

With the steadfast backing of his band Ducks With Pants, Phillips blends lyric-driven compositions with his own special blend of whimsy and cinematic imagery, offering a wry take in dealing with the longings of the heart and the madness of existence.  

The music offered on the 'Outlaw The Dead' EP was born of that alchemy that develops between veteran musicians who have performed together many times and have created many records together, as is the case with Kevin Seal, Chris McGrew, and Christopher Fortier — who have been playing together in various bands since the mid 90s, including progressive punk band Griddle and psych rock outfit Seal Party.

As of October 4, 'Boil The Ocean' is available across fine music platforms, including Spotify, Apple Music and Bandcamp, where Phillips' back catalogue can also be explored. The full EP is out on November 2 with Phillips playing his release show that night at The Utah Saloon in San Francisco.

CREDITS
E.G. Phillips — vocals
Christopher Fortier — guitars
Kevin Seal — keys
Paul Eastburn — upright bass

Chris McGrew — percussion
Recorded at Wally's HydeOut in Hyde Street Studio C, San Francisco
Recorded by Gary Hobish
Produced by Chris McGrew  
Mixed by Chris McGrew and Jaimeson Durr
Mastered by Gary Hobish, A. Hammer Mastering
Artwork by Mario M. Noche
All songs written by E.G. Phillips (ASCAP)
© 2023 Ducks With Pants Music


Keep up with E.G. Phillips
Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

VENUES Share "Oblivion" Video — WATCH

German post-hardcore band VENUES have released the video for brand new single "Oblivion."

Watch it below.

The poignant lyrics unravel a compelling narrative of intense internal struggle, a reflection of the profound challenges tied to mental health issues and other overwhelming life obstacles. The song delves into the ambiguous and non-linear path of healing, underscoring the intricate dance between the darkness of struggle and the light of recovery.

"Oblivion" follows the recently released "Haunted House" and their critically acclaimed album Solace and previous singles "Reflections" + "Cravings."

VENUES ARE:
Lela | Clean Vocals
Robin | Shouts
Valentin | Guitar
Dennis | Drums

Synthwave Horror Duo MIDNIGHT DANGER Premieres New Song + Music Video, "Radio Hell"

Grab your skates and get ready to dance and trance like roller disco zombie! Synthwave horror duo MIDNIGHT DANGER is now premiering an electrifying new single, "Radio Hell," along with an 80's horror inspired new music video! The colorful video can be found below while the single is now available to stream everywhere HERE.

The band comments on the new offering, "The new single 'Radio Hell' was originally meant to be part of the 2021 release 'Nights at Lake Milsen.' However, while the songwriting was developing, it became clear that the uplifting dancing vibes of the main melody wouldn't fit the dark atmosphere of that album.

"So the song was set aside temporarily until in 2023 while Midnight Danger's USA debut tour was finally taking shape, 'Radio Hell' got the final touches and was set to release as a single, being a song that stands on its own in Midnight Danger's discography.

'The song also gained a music video, a tribute to old school roller skating videos. As typical from Midnight Danger, the horror elements are also there and the video delivers a rad combination of 80s, zombies and roller skating! The video was shot in São Paulo, Brazil by local fans, reaffirming Brazil as one of the strongest Midnight Danger's fan bases."

In addition, MIDNIGHT DANGER will be performing in the United States for the first time ever this October! Just in time for Halloween, the horror-themed outfit will embark on its "Nightmare Over the West Coast" starting on October 26 in Phoenix, AZ. The trek will then make its way up the coast and draw the final curtain on October 31 in Seattle, WA. The full itinerary can be found below!

For a taste of what to expect from MIDNIGHT DANGER's dynamic and haunting performances, watch the official video for "Live at The Slaughterhouse" HERE.

GET TICKETS HERE

Midnight Danger "Nightmare Over the West Coast" Tour Dates:

10/26: Phoenix, AZ @ Endgame

10/27: Los Angeles, CA @ Knucklehead Hollywood

10/28: San Francisco, CA @ DNA Lounge

10/30: Portland, OR @ The Secret Warehouse

10/31: Seattle, WA @ Central Saloon

Hailing from Stockholm, Sweden, rising star Midnight Danger brings an electrifying fusion of influences to the music scene. Conceived by producer and guitarist Chris Young in late 2015, this music endeavor draws inspiration mainly from synthwave music, '80s metal, and classic horror. Midnight Danger crafts a nostalgic soundtrack journey with pulsating synthesizers, driving rhythms, and a cinematic essence that instantly transports listeners back to the era of neon lights, arcade games, and VHS tapes. While evoking a sense of nostalgia for the 1980s, their tracks also add modern production techniques to create a unique fusion of old and new.

Setting the stage alight both musically and visually, Midnight Danger's live performances are an enthralling spectacle that marries their music to a synchronized light show engaging the audience in a theatrical like horror movie experience.

In January 2018, the debut album "Malignant Force" was released through NRW Records, instantly carving its mark on the synthwave landscape. The album rapidly soared in popularity, with vinyl and cassette editions selling out in a flash and accumulating a staggering 4,5 million streams on Spotify.

The release catapulted Midnight Danger in the synthwave/retrowave movement and resulted in numerous live performances over Europe and South America alongside some of the main artists on the genre, including also an unforgettable appearance at São Paulo's Horror Expo alongside revered metal acts like Therion and Deathstars.

The journey continued with a cascade of singles, collaborations, and contributions, such as being featured in the soundtrack of the documentary "In Search of Darkness," a comprehensive tribute to '80s horror. The sophomore album "Chapter 2: Endless Nightmare," unleashed in August 2020, made waves by capturing the essence of synthwave/darksynth reaching best-selling charts on both Bandcamp and iTunes. The album has currently over 1,3 million streams on Spotify. The tracks "Endless Nightmare" and "To the Shadows and Back" were elevated further through music videos that showcased the enigmatic Scary Dee on drums - an undead persona that takes center stage in Midnight Danger's live performances.

The saga continued with the release of "Nights at Lake Milsen" in November 2021, a groundbreaking work that saw collaboration with a legion of rock and metal icons spanning four generations. Guitarists Kane Roberts (Alice Cooper), Rafael Bittencourt (Angra), Martin Sweet (Crashdïet) and Sonia Anubis (ex-Crypta), singer Danny Rexon (Crazy Lixx), and Australian saxophonist Max Cruise, lent their virtuosity to this remarkable endeavor. The original graphic novel titled “Chapter 1: The Malignant Force” is included in the vinyl edition of the album, showing the background story that connects all of Midnight Danger’s albums.

With three full-length albums, numerous singles, and a trail of sold-out physical albums, Midnight Danger's music has resonated worldwide, garnering millions of plays and streams. Also renowned for captivating live performances, in 2022 Midnight Danger returned to the stage following a three-year hiatus, reaffirming their commitment to thrilling the fans and continuing to illuminate the synthwave landscape.

Now, marking a significant milestone, Midnight Danger makes their debut in the United States, showcasing a setlist that features songs that trace their entire career.

Genre: Synthwave/Retrowave

For Fans Of: Dance with the Dead, Carpenter Brut, Lazerhawk, Perturbator

Lineup:

Chris Young

Scary Dee

Links:

Official Website

Bandcamp

Facebook

Instagram

X (formerly Twitter)

YouTube

TikTok

Spotify

Apple Music

TesseracT Share Video For "Echoes" + U.S. Tour Starts Tomorrow!

NEW ALBUM WAR OF BEING OUT THIS FRIDAY, SEPTEMBER 15 VIA KSCOPE

"… one of the best albums of the year" – Album of The Month — Rock Hard FR

"Bon voyage to The Strangeland" – 4/5 — URN 

"…a turning point" – 87/100 – Rumore 

"exudes an almost beguilingly beautiful and monumental atmosphere" — Metal Hammer DE

"...the band's most dynamic, varied, complex and at the same time most accessible..." — eclipsed 

"This band's quintessential release – not to mention a frontrunner for metal album of the year." — 9/10 — Metal Hammer

"…not only TesseracT's most accomplished record to date, but it's one that adds greater extravagance wonder and distinction" — PROG

"...What makes Tesseract truly special is its ability to take the concept of metal and to expand it into something more cerebral, more visceral. They balance the crushing, off-kilter riffs with lighter, ambient shades that are no less intense. They blend the best of the past to create something truly magical in War Of Being" — Sonic Perspectives

After releasing the album of their career in the form of War Of Being, TesseracT invite fans once more to a beautiful listening experience in the form of "Echoes." Watch the visualizer below. 
 
The track lands with earth shattering impact as guitar riffs collide with polyrhythmic drums, giving way to malleable bass lines, coupled with a vocal performance that is as vulnerable as it is brilliant. Gearing up for the track's climactic grand finale where aftershocks of groove reverberate throughout the listener. It's the perfect prologue in understanding the relationship between El and The Scribe. 
 
Frontman Daniel Tompkins says, "The concept of 'Echoes' is based around one of our main characters, ‘El’ and 'The Scribe.' They play a major part in the concept and game as The Scribe is a splintered part of El's ego that has the ability to control destiny and rewrite the past."
 
He continues, "This has always been a hard-hitting song and it adds a real dynamic to the album. As a stand-alone track, it exudes feelings from the heights of euphoria but also the depths of desperation. There's a real sense of frustration and regret throughout, especially as the song climaxes with its brutal admission."
 
The visualiser, created by Asiel Manuel Rodriguez Espinosa  (@asiel_type ) peels back yet more layers from the mysterious world of "The Strangeland." It moves from peaceful moonlit plains to firey ruins taking with it listener to another world. 

Tomorrow, the band will kick off their biggest tour to date in North America, bringing listeners right into the world of "The Strangeland." This leg will span from October 5 in North Carolina right up to November 13 at the Brooklyn Bowl in Nashville, Tennessee. Alongside regular tickets, fans will also have to opportunity for VIP experiences which consist of an exclusive stripped down performance, Q&A with TesseracT, limited signed art print, laminate with lanyard, early merch access and early entry. Go here for more info.
  
TesseracT marked their return with their statement of intent that was the 11-minute "War Of Being," the emotional crash landing of "Legion," and the unveiling of the world's first-ever VR concept album experience in "The Grey," bringing fans directly into the world of "The Strangeland."
  
TesseracT have also unveiled the Kickstarter for the full VR + Desktop game, "War Of Being," as Tompkins elaborates more here.

TESSERACT U.S. TOUR DATES:
10/5 — Charlotte, NC — The Underground
10/6 — Charleston, SC — Music Farm
10/7 — Norfolk, VA — Norva
10/8 — Baltimore, MD — Rams Head Live!
10/10 — Chicago, IL — House of Blues
10/11 — Pittsburgh, PA — Roxian Theatre
10/13 — New York, NY — Irving Plaza
10/14 — Boston, MA — Paradise
10/15 — Philadelphia, PA — TLA
10/17 — Montreal, QC — Corona Theatre
10/19 — Toronto, ON — Danforth Music Hall
10/20 — Grand Rapids, MI — Elevation
10/21 — St. Louis, MO — Red Flag
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/26 — Seattle, WA — The Showbox
10/27 — Vancouver, BC — Commodore
10/28 — Spokane, WA — Knitting Factory
10/29 — Portland, OR — Hawthorne Theatre
10/31 — San Francisco, CA — Regency Ballroom
11/1 — Los Angeles, CA — The Regent Theatre
11/3 — San Diego, CA — Observatory North Park
11/4 — Phoenix, AZ — Nile Theater
11/5 — Albuquerque, NM — Revel
11/7 — Dallas, TX — The Granada Theater
11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl

Cameron Alexander Throws the Ultimate House Party in New Music Video for "Time To Break Up"

Rising pop punk prodigy, Cameron Alexander, has today released his latest explosive anthem, "Time To Break Up" alongside an energetic and emotionally charged music video. Fans can listen to the track HERE, and watch the brand new video below.

With catchy melodies, soaring choruses, and the signature grit of pop punk, Cameron Alexander brings a fresh and contemporary edge to the pop punk sound, drawing inspiration from legends of the genre while infusing it with his unique style. The music video for "Time To Break Up" swings between an unforgettable house party, featuring a free-spirited Cameron and his band in an electrifying performance, and solitary moments with Cameron driving solo, top down, symbolizing his journey of moving forward.

Speaking on today's single release, Cameron Alexander shares:

"This is a song that really grew with me, and I take something new from it every time I hear it. It feels wise and content, yet so melancholy and apathetic, I didn’t even know what I was trying to convey when the lyrics spilled out of me in a studio session the day after a breakup. With time, I realized it’s about a part of life that is less romanticized and talked about than the gut-wrenching dramatic heartbreaks: The ones where deep down you both know it’s not going anywhere and you’ve learned what you could, but ripping the band-aid off still hurts. It’s about keeping the bigger picture in mind that makes it easier and inspiring to go forward. Enjoying driving with the top down and trying not to look in the rearview mirror. And in a music scene rich with dramatic heartbreak songs (trust me, I’ve got my fair share of those), I found it really refreshing and meaningful to make."

Sharing insight as co-producer of "Time To Break Up", Justin Cortelyou continues:

"The first time I heard Time To Break Up, I was blown away. Cameron brings so much energy and emotion to this track, that it was just a matter of matching that with the mix. I love the pop punk sensibilities he has and how approachable his melodies are. It was one of those songs you can’t wait to finish just so you can listen in your car and enjoy it!"

The remaining half of the co-producing duo, Liam Muckala, adds:

"Time to Break Up started as just an addicting guitar riff from Cameron’s back pocket and a catchy humming melody we couldn’t get out of our brains. We built the track and Cameron took that home, finished writing, and now it’s one of our favorites we’ve done yet. Cameron’s drive and musical ability continues to surprise me with every one of his songs!"

Elevated by the collaboration of decorated producers Justin Cortelyou (Taylor Swift, Alice Cooper, Hollywood Vampires) and Liam Muckala (Anthony Amorim, Tornsey, Eva Snyder), Cameron Alexander has infused his music with a blend of contemporary innovation and timeless authenticity, setting the stage for his rise as an artist to watch in the industry. As more begins to approach on the horizon, be sure to stay tuned for more Cameron Alexander news coming soon.

ABOUT CAMERON ALEXANDER

Cameron Alexander is an emerging force in the pop punk scene who effortlessly bridges the gap between the old and new. With a deep respect for the genre's pioneers and a keen ear for contemporary trends, he crafts a captivating blend of nostalgia and modernity. Cameron has a deep care for his sound by playing every instrument in his tracks, yet it's his relatability and knack for weaving meaningful, heartfelt lyrics with a touch of honest wit that truly resonates with fans. A torchbearer for a new generation of guitar-wielding youth, he's revitalizing the spirit of pop punk while wholeheartedly embracing the modern musical landscape.

Photo Credit - Alyssa Rubio

Autarkh Descend Into Darkness on New Single

Autarkh venture into a bigger, brighter and more uplifting headspace on their new album. On the first two singles off Emergent, the Dutch contemporary metal band tapped in to supercharged industrial-sized riffs and even clean, radiant harmonies. But their new single "Duhkha" finds them struggling to hold onto that serene state of mind.

Watch the tormented lyric video for "Duhkha", which was created by Spread Motion Design below.

'Emergent' comes out November 10.

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent

Pre-save: https://orcd.co/autarkhemergentpresave

"'Duhkha' shows a darker side of the journey on 'Emergent'", says Autarkh. The song opens with eerie feedback and ominous sound effects that could've been ripped out of a slasher flick. Meanwhile, the band's founder Michel Nienhuis screams with vein-popping intensity about being consumed then thrown into an inferno.

The darkness that hangs like a shroud over "Duhkha" comes from a personal place. "Clouded gaze, clouded aura / Left behind with my past self", Nienhuis cries out, his final words before a tidal wave of battering electronic drums and gloomy dissonance pulls him under. 

"The final part of this song reflects an unreleased DODECAHEDRON song that was written as an homage to my former band mate Michiel Eikenaar, who passed away in 2019".

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:
Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking: info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Spanish Thrashers ANGELUS APATRIDA Share New Single "Snob," ft. Jamey Jasta (Hatebreed)

Spanish thrash metal masters ANGELUS APATRIDA are now revealing yet another pummeling new offering! The new single "Snob" features guest vocals from Hatebreed's Jamey Jasta and is a vicious aural attack that channels classic thrash metal elements with a modern twist! The track can be found along with a lyric video below.

"Snob" is taken from the band's eighth studio album, 'Aftermath,' which is quickly approaching its release date on October 20, 2023 via Century Media Records!

ANGELUS APATRIDA vocalist/guitarist Guillermo Izquierdo comments on the single, “No doubt this is another highlight from ’Aftermath,’ pure and raw violence with this neck-breaking tune called “Snob." Together with the one and only Jamey Jasta from hardcore legends Hatebreed, we’ve been able to deliver an aggressive song full of message, with a bunch of fast and insane riffs and drums, colored with tons of groove and plenty of old school vibes! The lyric video has been done by our longtime friend and artist Josep Caballero from RCV Visual Studio. Grab a beer and your old skateboard and enjoy this future classic!"

ICYMI: "To Whom It May Concern" follows up the explosive first single, "Cold," which can be found HERE.

'Aftermath' follows Angelus Apatrida's 2021 eponymous full-length, which topped the official album charts in Spain at # 1! The release also debuted in Germany at # 49 and Switzerland at # 41.

'Aftermath' features a diverse cast of guest appearances by vocalist Jamey Jasta (Hatebreed), guitarist Pablo García (Warcry), singer Todd La Torre (Queensrÿche) and rapper Sho-Hai. The album was once again self-produced by the band, with recordings handled by Juanan López at Baboon Records in Albacete, Spain and mixing and mastering by Zeuss (Rob Zombie, Overkill, Hatebreed, Municipal Waste, Shadows Fall) at Planet-Z in Wilbraham, MA, USA.)

Pre-orders for 'Aftermath' are now live HERE.

“Aftermath” will be available in as Ltd. CD Jewelcase in O-Card packaging for its first pressing and Digital Album with two fresh live bonus tracks (11. Indoctrinate (Live in Bilbao 2023) and 12. Give ‘Em War (Live in Barcelona 2023)), or as 180g vinyl LP in the following variants: Ltd. transp. red LP (300x copies from cmdistro and various other retailers), Ltd. transp. orange LP (600x copies from amazon.es & Angelus Apatrida), Ltd. translucent tan colored LP (500x copies from all US outlets) and as Black LP.

Previously, Angelus Apatrida released a documentary that was directed by Mike Casey, entitled '28 Months Later: A Post-Apocalyptic Metal Documentary.' The film detailed the band's journey from preparing for 2021's self-titled opus leading towards the creation of 'Aftermath.' The clip can be seen HERE.

The band will also be appearing at several prestigious European festivals throughout the summer before heading on a European tour in support of 'Aftermath' together with Death Angel and Sacred Reich in October/November! The run will be followed by a string of

dates in Spain between November and February. The full itinerary and ticket links can be found HERE.

The world has taken a battering over the last few years, but ANGELUS APATRIDA is leading the fightback. 

Spain’s greatest ever exponents of forward-thinking thrash metal began their campaign at the turn of the century and have been a consistent force for heavy music ever since. From their ferocious 2006 debut album 'Evil Unleashed' and 2010’s widely acclaimed 'Clockwork' (the band’s first for Century Media), to more recent triumphs like 2018’s 'Cabaret de la Guillotine,' ANGELUS APATRIDA has become increasingly unstoppable. In 2023, they will release 'Aftermath,' a vicious and vital response to the chaos we see all around us. 

With touring plans for 2020 cancelled, ANGELUS APATRIDA simply switched focus to the creative process. The result was 'Angelus Apatrida,' a self-titled record that sought to redefine its creators’ era-blending sound, with renewed intensity and uproarious lyrical sensibilities that dug deep into the realities of the modern world. Climbing to the top of the official album charts in Spain at # 1 as well as marking the band’s first ever chart entries in Germany at # 49 and Switzerland at # 41 upon release in 2021, the album showcased a band at the peak of their powers. Understandably, ANGELUS APATRIDA were absolutely itching to get back on the road, which they eventually did with a vengeance.

“We started doing some shows trying to keep things going until the summer of 2021, and then at the end of the year we were able to do some important venues and festivals,” recalls guitarist/vocalist Guillermo Izquierdo. “We spent 2022 and 2023 touring, mostly in Europe and North America. We’ve played Hellfest, Graspop, Dynamo, Resurrection Fest, Rock Fest and Leyendas del Rock, and we did our first headlining tour in the U.S. and Canada. In February 2023 we did the last four dates of the tour in Spain with four total sell outs!”

Clearly one of the hardest-working bands in metal, ANGELUS APATRIDA were not content with simply returning to the live arena. Even as they toured, work on their next album began. Pre-production for 'Aftermath' was finished in March 2023, and the band swiftly hit the studio in their hometown of Albacete, once again collaborating with trusted live and studio engineer Juanan López on the capturing of these new metal explosions. The finished tracks were then sent to the legendary Zeuss (Rob Zombie/Overkill/Hatebreed) at Planet-Z in Wilbraham, Massachusetts and polished to a devastating sheen. The results speak for themselves: 'Aftermath' is titanium-plated modern thrash of the highest order.

“Every time we sit down and write new music, we try to do the best we can and to put all the new things and experiences we had over the last few years into the mix,” says Guillermo. “The new songs are pure ANGELUS APATRIDA. They’ve got every single essence of the band. There are many songs containing more personal feelings than on previous records. We’re going deep into our souls and feelings sometimes. Since we are living strange, difficult and dark times, we liked the concept of an aftermath. After everything that has happened since 2020 and is still happening in the world, in our society, and in our lives, a lot of strong feelings have come through in the music and lyrics.”

'Aftermath' is undoubtedly the most heartfelt and powerful record in ANGELUS APATRIDA’s illustrious history, but it’s also one of the heaviest and most direct. From the neck-wrecking adrenaline rush of opener "Scavenger" to the dark might of the closing "Vultures And Butterflies," the Spanish quartet’s eighth studio record displays the songwriting muscle and playing prowess of bands like Metallica, Testament and Pantera, while still delivering a huge, jolting dose of ANGELUS APATRIDA’s distinctive trademark attack.

“We can describe 'Aftermath' as what metal means to us,” Guillermo says. “It contains the best songs we've ever written. It is just very difficult to pick just one or two highlights on this album since every single track could be a single itself.”

Confirming their sturdy reputation in the global metal scene, ANGELUS APATRIDA invited some heavyweight figures to add their talents to 'Aftermath.' Hatebreed’s iconic frontman Jamey Jasta lends his caustic bark to "Snob," while Queensrÿche vocalist Todd La Torre lends his spectacular tones to "Vultures And Butterflies." Elsewhere, Pablo Garcia, guitarist with Spanish power metal legends Warcry, displays his virtuosity on the incendiary "Fire Eyes," and Spanish rap star Sho-Hai brings the noise on the brooding "What Kills Us All. "

With no need to regain momentum, ANGELUS APATRIDA is more ready than most to let rip again in 2023. 'Aftermath' marks a pinnacle in this band’s determined and always fruitful career. It’s a defiant, uplifting and resolutely metal-as-fuck response to an era defined by chaos and fear. It’s the sound of ANGELUS APATRIDA, doing what they do, but bigger, better, louder and with more passion than ever. 

“As soon as the album is released, we are starting a huge live campaign,” adds Guillermo. “We start with a big European tour that will cover most of the mainland and the U.K., and we are already working on getting back to Oceania and Asia, Latin America and making our return to the United States and Canada during the first half of 2024. Expect a great live festival season for summer 2024 and more tours! We’re coming!”

Line-up:

Guillermo Izquierdo – Vocals, Lead/Rhythm Guitars

David G. Álvarez – Lead, Rhythm Guitars

José J. Izquierdo – Bass Guitar

Víctor Valera – Drums

Special Guests:

Jamey Jasta (Hatebreed) - vocals, "Snob "

Pablo García (Warcry) - guitars, "Fire Eyes"

Todd La Torre (Queensrÿche) - vocals, "Vultures and Butterflies"

Sho-Hai - vocals, "What Kills Us All"

Produced by Angelus Apatrida.

Recordings handled by Juanan López at Baboon Records in Albacete, Spain

Mixing and mastering by Zeuss (Rob Zombie, Overkill, Hatebreed, Municipal Waste, Shadows Fall) at Planet-Z in Wilbraham, MA, USA.)

Album Artwork: Gyula Havancsák (Annihilator, Destruction,

Stratovarius)

Photo Credit: Javier Bragado

Discography:

Evil Unleashed – CD 2006

Give ‘Em War – CD 2007

Clockwork – CD/LP 2010

The Call – CD/LP 2012

Evil Unleashed / Give 'Em War – 2CD 2013

Hidden Evolution – CD/LP 2015

Cabaret de la Guillotine – CD/LP 2018

Angelus Apatrida – CD/LP 2021

Aftermath – CD/LP 2023

Follow/Stream:

PRE-ORDER // PRE-SAVE

OFFICIAL WEBSITE

FACEBOOK

TWITTER

INSTAGRAM

APPLE MUSIC

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TIDAL

Paledusk Drop "Rumble" Feat. Masato — LISTEN

Japanese futuristic hyper-pop metal trio Paledusk celebrate the power of authenticity on new single "RUMBLE," featuring Masato from coldrain, out now via Greyscale Records and SharpTone Records.

Listen below. 

Paledusk will also embark on their first-ever tour of North America, supporting metalcore monsters Polaris on the Fatalism Tour, alongside Currents and Varials. All dates are below.

Like a bull in a china shop, Paledusk break free of restraint on new single "RUMBLE," taking listeners on a rollercoaster ride through genre-defying moments of energized jubilance and moody fusion. An anthemic offering calling for the freedom to create authentically and without limit, "RUMBLE" represents Paledusk in their truest form. The riotous three-piece bounce off the walls as they traverse unique and contrasting sonic ground.

The band's diverse sound has captured the attention of music tastemakers across the world, with the band announcing earlier this year their signing to Sharptone Records for Europe, United Kingdom, North America, and South America. With Greyscale Records already covering Australia and New Zealand, Paledusk are on a steady path to world domination. The trio's sights have been set firmly on taking over the world with their unique blend of skittish instrumentals with melodramatic sprinklings since their formation in 2014.

For most bands, chaos and insanity are used as colourful descriptive words, but for Paledusk they're somewhat of an understatement. From their sound, to their videos, to their onstage performances, electronic-metalcore powerhouse Paledusk leave nothing behind as they carve a path that is truly one of a kind.

Since the release of their EP Happy Talk, word has spread like wildfire about the trio from the Japanese island of Kyushu. The band has gone on to release multiple singles with some of Japan's most hyped artists, and now they set their sights on international stages. 

Their ferocious live performance earned them a place at Australia's Good Things Festival 2022 last December, where they showcased a collection of their eclectic repertoire alongside the likes of Bring Me The Horizon, Deftones, NOFX, TISM, and so many more, visiting stages in Melbourne, Sydney, and Brisbane.

Inheriting the conventional digital rock feel of pioneers like Japanese experimental band The Mad Capsule Markets and English electronic dance act The Prodigy, Paledusk continue on their path, proudly leading the way for lawless metalcore, carrying the baton for the punk community and promising to keep their listeners guessing. 

PALEDUSK ON TOUR:
WITH POLARIS, CURRENTS + VARIALS:
10/5 — Los Angeles, CA — Echoplex
10/7 — Portland, OR — Hawthorne Theatre
10/8 — Seattle, WA — The Showbox
10/10 — Salt Lake City, UT — Soundwell
10/11 — Denver, CO — Summit Music Hall
10/13 — Chicago, IL — Concord Music Hall
10/14 — Detroit, MI — Saint Andrew's Hall
10/15 — Columbus, OH — The King of Clubs
10/17 — Toronto, CAN — The Danforth Music Hall
10/18 — Montreal, CAN — Club Soda
10/20 — Worcester, MA — The Palladium
10/21 — New York, NY — Irving Plaza
10/22 — Philadelphia, PA — Theatre of Living Arts
10/23 — Baltimore, MD — Baltimore Soundstage
10/25 — Charlotte, NC — The Underground
10/26 — Nashville, TN — Brooklyn Bowl
10/27 — Atlanta, GA — The Masquerade
10/28 — Lake Buena Vista, FL — House of Blues
10/30 — Houston, TX — White Oak Music Hall

Kraanuim Drop Extreme, Gory NSFW Music Video For New Track "Massive Piles of Festering Remains"

One of Europe's most lauded brutal death metal exports, Kraanium, have released the second single from their upcoming album, 'Scriptures of Vicennial Defilement' due out on November 3rd, 2023 and their first on recently announced label home, Unique Leader Records. The new track, titled "Massive Piles of Festering Remains" comes accompanied by one of the most extreme and NSFW music videos in recent years, you have been warned. Listen to the new track here, watch the new music video below and pre-order the album here.

                                        Speaking on their recent announcement, Kraanium share

"Check out the next installment ‘Massive Piles of Festering Remains’, from our upcoming album ’Scriptures of Vicennial Defilement’. We worked closely with Snuff Masks to bring you this delightfully gory master piece. 

Spread the word. We hope you all enjoy the brutality!”

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

THE VELDT announces tour dates and ‘Aurora Borealis’ single, a beautiful foreshadowing of their original Robin Guthrie-produced album

As they approach the release of their 'Illuminated 1989' album, the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, trailblazing soul-influenced shoegazers The Veldt announce North American tour dates and also present the single 'Aurora Borealis' with Elizabeth Fraser making a cameo appearance on backing vocals towards the end. Complementing this is the B-side remix, created by The Veldt around the turn of the century.

This is the second single from the album, which Guthrie produced in autumn 1989 and has now remastered for vinyl. While intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose), resulting in their first album released with the title 'Marigolds'.

Earlier, the band released the lead track 'The Everlasting Gobstopper' digitally (with a video produced by Jammi York and the late Yuko Sueta) and on vinyl, involving a B-side previously unreleased vinyl exclusive 'Joshuu Lullaby', also recently produced by Guthrie.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt surrounds identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar). Their unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.
 
Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

Daniel Chavis on their inspiration for 'Aurora Borealis': "This song is about my brother's love for his newborn daughter. Written out of high school and dug out around the time the band had started to get noticed. We had written so many, but it was one of the newest pieces that we had begun experimenting. This would signal our departure from being a band that made people dance to a band that made people confused. 'The Everlasting Gobstopper' came shortly thereafter and was being finished."

Danny Chavis adds, "This song was written in 1986 and was included in the first batch of songs we demoed under the name VELDT. Having heard 'Treasure' by Cocteau Twins, this song was inspired by that very album and RUN DMC’s 'Sucker MC’s' around the same time that year."

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heightsbefore returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).
 
Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

'Aurora Borealis' is now available everywhere, including Apple Music, Spotify and Bandcamp. On November 24, the 'Illuminated 1989' album will be released on vinyl, CD, cassette and digitally via Portland-based Little Cloud Records and 5BC Records. From October through December, The Veldt will be touring many cities and will be performing at Levitation Festival in Austin and Seattle's KEXP, as well as playing several exclusive dates supporting Violent Femmes.

CREDITS
‘Illuminated 1989’ released via 5BC Records and Little Cloud Records Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Live photos of The Veldt shot by Alice Teeple
Publicity by Shameless Promotion PR 

TOUR DATES
SAT 10/21 = Norfolk, VA @ the NorVa w/ Violent Femmes
SUN 10/22 = Richmond, VA @ the National w/ Violent Femmes
MON 10/23 = Asheville, NC @ TBA
TUE 10/24 = Nashville, TN @ the Underdog
WED 10/25 = Memphis, TN @ Growlers
THU 10/26 = Little Rock, AR @ EJ’s Drinks and Eats
FRI 10/27 = Dallas, TX @ TBA
SAT 10/28 = Austin, TX @ the Far Out Lounge (LEVITATION Festival)
MON 11/27 = Atlanta, GA @ 529
TUE 11/28 = Birmingham, AL @ TBA
WED 11/29 = New Orleans, LA @ Gasa Gasa
THU 11/30 = Houston, TX @ 1810 Ojeman
FRI 12/1 = Austin, TX @ Hotel Vegas
SAT 12/2 = Silver City, NM @ Whiskey Creek Zocalo w/ Tremours
SUN 12/3 = Phoenix, AZ @ Linger Longer Lounge w/ Tremours
MON 12/4 = San Diego, CA @ Soda Bar w/ Tremours
TUE 12/5 = Los Angeles, CA @ Gold Diggers w/ Tremours
WED 12/6 = San Francisco, CA @ Kilowatt w/ Tremours
THU 12/7 = Portland, OR @ Show Bar w/ Tremours
FRI 12/8 = Seattle, WA @ the Central Saloon (TremoloFest) w/ Tremours
SAT 12/9 = Vancouver, BC @ TBA
SUN 12/10 = Bellingham, WA @ The Shakedown w/ Tremours)
MON 12/11 = Eugene, OR @ Old Nick’s w/ Tremours
TUE 12/12 = Olympia, WA @ Le Voyeur w/ Tremours
WED 12/13 = Tacoma, WA @ TBA
THU 12/14 = Seattle, WA @ KEXP


Keep up with The Veldt
Bandcamp | Facebook | Twitter | YouTube | Instagram | Apple Music | Spotify | BandsInTown | Press contact

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Brooklyn artist ALY G presents electro-rap single 'Build It Up', anti-gentrification video and a call to resilience

"Aly G dishes out upbeat rap with a social conscience, this time focusing on the gentrification of and development in Brooklyn, but with a twist... shines from start to finish, grooving throughout and leaving us with an uplifting feeling. This is what music was made to do" ~ Amplify Music Mag


Brooklyn rapper Aly G presents her debut single and video 'Build It Up', her catchy yet conscious electro-rap clapping back at the urban renewal trend in Brooklyn. This release showcases and personifies Aly G's socially conscious NYC vibe, as well as her whip-smart vocab, sly comedic observances, and rapid-fire delivery.

Concerned about the increasing gentrification happening around Brooklyn, the video was filmed at various locations near her long-time Bushwick/Williamsburg apartment - tagging local spots in her lyrics and video. 

"I'm constantly inspired by the people, the places, and the vibrant energy of Brooklyn. 'Build It Up' represents what Brooklyn is within me: the fire to keep creating, building, growing, and connecting. The external parts of the neighborhoods might change, but the artistic communities and the people of Brooklyn will keep creating and bringing fresh ideas to the world no matter what. I feel lucky to be a part of the energy, resilience, and community," says Aly G.

Aly G is the neon hip hop doppelganger of musician, producer, choreographer and singer-songwriter Alyson Greenfield, spitting rapid-fire rhymes with equal parts fun, feminism and fierceness, slaying the mic with quirky, clever raps about gentrification, misogyny, superpowers and ovaries.

An Ohio native, Alyson started freestyling while at college in Wisconsin, the rhymes spontaneously popping into her head. With her MFA in creative writing, she moved to NYC and built up a following as a singer-songwriter until one night at a hip hop club, a spark ignited that birthed the artist, who evolved into Aly G. Incorporating beatboxing into her performances, along with covers of her fave 90s rap classics, she gained attention from The New Yorker and HuffPost for her innovative genre-blending and high energy performances. She has also recorded her own renditions of LL Cool J's 'Mama Said Knock You Out' and Coolio’s 'Gangsta’s Paradise'.

Inspired by Lauryn Hill, Saul Williams, Santigold, and Salt-N-Pepa, she began writing material that personified the fun-loving, colorful swagger of Aly G, including the hilarious true story about a friend’s unfortunate celeb experience 'Michael Cera C*ckblocked Me at SXSW'. Twice featured at The American Beatboxing Championships (earning props from Rahzel from The Roots), she has performed alongside artist /actress Awkwafina and visionary emcee Jean Grae.

Earning praise from NYC's The Deli, she was one of the first five artists chosen to record at Converse’s Rubber Tracks studio in Brooklyn, Alyson Greenfield is also one half of POLYVOX, a duo with Joe McGinty (Psychedelic Furs), creator and curator of NYC’s famed Loser’s Lounge.

Alyson’s music and original compositions have been featured on Fox, Lifetime, AOL, WNYC, and in TV/films including 'Conception', 'Super Sleuths', 'Creatures of Comfort', 'Dance Moms' and 'The American Templars'. She also founded NYC’s Tinderbox Music Festival, showcasing over 100 emerging female musicians from around the world in its four-year run, garnering press from The New York Times, Time Out New York, Billboard, Glamour and more.

'Build It Up' is out now, available from fine digital platforms, including Apple Music, Spotify and Bandcamp. Aly G is currently working on new collabs with producers Jon Blok and Grammy-nominated producer Baby Paul (Nas, J Dilla, Monie Love, Kanye West).

CREDITS
Lyrics written by Aly G
Music written by Aly G and Jon Blok
Performed by Aly G and Jon Blok
Production, mixing & mastering by Jon Blok
Recorded in Bushwick / Williamsburg, Brooklyn
Video directed by Alyson Greenfield
Video produced by Alyson Greenfield & Tiina Teal
Cinematography by Brian Fitzgibbons
Video edited by Brian Fitzgibbons & Adam Holz
Stylist: Pance Pony
MUA & Hair: Francisco Valera
PA: Jacqueline Tatiana Velasco & Pance Pony
Artist photos by Brian Fitzgibbons


Keep up with Aly G
Website | Bandcamp | Instagram | TikTok | Facebook | Twitter | YouTube | LinkTree | Spotify | Apple Music | Press contact

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CARNATION Flex Their OSDM Chops on New Single

'Cursed Mortality' casts Carnation in a deeper and darker light. The first four singles off the Belgian band's new album experiment with gloomy synths, melodic leads, clean vocals and lyrics inspired by sci-fi classics and a real life horror story from WWII. Their new single "Cycle of Suffering" is a brutal reminder of why Carnation are at the forefront of the old-school death metal revival.

"A mere month separates us from the highly anticipated launch of 'Cursed Mortality'," says the band. "It is with great excitement that we present to you the premiere of the album's last single 'Cycle of Suffering'".

Watch the thrillingly brutal performance video for "Cycle of Suffering".

Video Credits:
Director: Panda Productions
Lights: Ronny Snels
Make-up: Jenske Szkudlarski

'Cursed Mortality' comes out November 3.

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Simon Duson can make his voice sound big and beautiful. Just watch him belt and belch out one of the album's earlier singles in one take. But there's no clean singing on "Cycle of Suffering". Instead, Duson busts out his most cavernous, ghastly death growl. The rest of the band also take inflicting maximum punishment deathly seriously, pumping the song full of thunderous double bass kicks and a squealing guitar solo that seizes the spotlight.

"'Cycle of Suffering' is a relentless track that expertly treads the line between commanding lead sections and thunderous rhythmic riffage," says Carnation. "It's an absolute blast to perform, which is why we gave it an energetic music video that focuses on our live performance. Undoubtedly, this track will end up in the set list of many of our future live shows".  

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

HUNTERGIRL DRAWS HUGE HOMETOWN CROWD FOR PRIVATE FIRST LOOK OF “AIN’T ABOUT YOU” MUSIC VIDEO

On Friday, September 29, American Idol runner-up and vocal powerhouse HunterGirl gave her hometown a special, private viewing of the heart-stirring official music video to her debut single “Ain’t About You” at the Oldham Theater in Winchester, Tenn. Along with a private, acoustic performance, the sold-out event raised over $6,000 for the Isaiah 117 House, a local charity that provides foster children awaiting placement a loving and safe home. 

As her musical hero Dolly Parton says, “Charity starts at home,” HunterGirl lives her life constantly giving back to her community, ensuring her presence and music mean something and make a positive impact.  

“The private viewing of my first official music video for my debut radio single, ‘Ain’t About You,’ was a night I’ll never forget,” said HunterGirl. “I’m so thankful to my hometown for showing me so much love and support! I am happy to say that we raised over $6,000 for the Isaiah 117 House, and we are able to give back to the children in the community. Having the viewing at the Oldham Theater in Winchester, Tenn., was a full circle moment. Every Sunday night, they hosted American Idol watch parties and cheered me on throughout the competition. I will never forget how much their support pushed me to do my best, so I could make my hometown proud.”

Impacting radio on October 23, HunterGirl was able to write the vulnerable “Ain’t About You” completely by herself after her tenure of working with veterans’ organizations where she uses music therapy to transform warrior’s stories into songs. Watching their reactions to their life in songs, this allowed her to give in whole-heartedly to her emotions, writing the song with pure honesty, not worrying about fitting it into a certain mold. 

Stay tuned, as the official music video for HunterGirl’s already applauded powerful debut single “Ain’t About You” will premiere publicly this November. Listen to the track below.

“Huntergirl ‘peeled back her soul’ and the song -- a soulful tearjerker of a ballad questioning if ‘tomorrow's the day those closed doors will open up’ poured from her like water and wine.” – Tennessean

“It's an inspiring anthem for anyone seeking their true calling, made even more powerful by the circumstances under which she wrote it.” – Sweety High

“‘Ain’t About You,’ is a product of this experience as it uncovers an authentic look into the power of prayer and patience in her personal journey.” – Country Now

“The raw track is full of chilling conviction. The striking and painfully relatable lyrics truly fall out of the Tennessee girl in the most honest and humble of ways.” – All Country News

“HunterGirl showcases exactly why America fell in love with her in this song.” – Country Swag  

About HunterGirl:

A Tennessee native, singer/songwriter HunterGirl has been performing since she was three years old and writing songs since she was nine. In her early teens, she performed at venues across the United States, competed in singing competitions and won the 2014 Texaco Country Showdown. After graduating high school, she moved to Nashville and immediately started playing gigs at Nashville’s most famous venues including Tootsie’s, Rippy’s, Jason Aldean’s Bar, The Listening Room, and HonkyTonk Central, winning songwriting contests such as “Nash Next” and the prestigious “Nashville Songwriter Association International” in her spare time. Due to having family members who served in the military, HunterGirl holds a deep admiration for our Country’s armed forces and tenaciously works with many veteran organizations, where she uses music therapy to transform veterans’ stories into songs. She’s shared the stage with Country superstars Old Dominion, Florida Georgia Line, Kane Brown, Alan Jackson, Lainey Wilson, Trace Adkins, Charlie Daniels, Sara Evans and more. Last year, she competed on American Idol, where the “country singer with a bright future” (Hollywood Life) delivered standout performances that Taste of Country called “impressive,” “shining,” “chill-worthy,” and “glowing,” winning the hearts of millions across the country. Praised by Idol judge and Country superstar Luke Bryan as the “new age Miranda Lambert” and his “favorite female Country voice,” “HunterGirl has wowed the Country music community since she stepped foot onto the American Idol stage” (Billboard). “Despite missing out on the win, her crooning vocals and intimate original song, ‘Red Bird,’ has made her one to watch in the Country scene (American Songwriter). Skyrocketing to No. 1 on iTunes All-Genre and Country charts, “the budding Country star” (Taste of Country) performed her heartfelt and deeply personal original track “Red Bird” on Live with Kelly & Ryan and has appeared on Good Morning America. Now, with the release of her label debut tracks “Hometown Out Of Me,” “Lonely Outta You” and the hauntingly powerful “Ain’t About You,” driven by her distinct and genuine vocals, unwavering tenacity, and heart of gold, HunterGirl is on the fast track to becoming Country’s next big female artist.

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BLACKBRIAR - release brand new album A Dark Euphony

BLACKBRIAR releases their brand new album A Dark Euphony. The record delivers comprehensive storytelling as you would expect from BLACKBRIAR. Besides gothic beauty and metallic darkness, there is much more to explore on this fantastic album. 

Zora Cock comments:
“Some say that there is beauty in darkness... Terrifying visitors, worlds far gone, Gothic romances, bone-chilling legends, sin-eaters, burning hearts frozen in time, songs with a misleading voice, and a truthful whisper. This and so much more for you to discover on ‘A Dark Euphony’. We've had the pleasure of working with producer and musical genius Joost van den Broek, and we gave it our all to write this record and feel that this is our most complete, personal, and mature album to date.”

Stream/Order the album A Dark Euphony here: https://blackbriar.bfan.link/a-dark-euphony
Watch the video for 'Spirit of Forgetfulness' below.

BLACKBRIAR also announced their 'The Euphonic Downfall Tour 2023' together with AD INFINITUM. They will be supported by the band PHANTOM ELITE.  'The Euphonic Downfall Tour 2023' includes 10 dates around Germany, Netherlands and Switzerland.

Also check out the latest singles 'Cicada', 'My Soul´s Demise', 'Crimson Faces' and 'Forever and a Day`here:

Stream 'Forever and a Day' here: https://blackbriar.bfan.link/forever-and-a-day
Watch the lyric video for 'Forever and a Day' here:https://youtu.be/jNhqTGw_hIg?si=e3fLLMhkCu0TvtEk

Stream 'Cicada' here: https://blackbriar.bfan.link/cicada
Watch the video for 'Cicada' here: https://youtu.be/cKYTrDM2mpw

Stream 'My Soul´s Demise'here: https://blackbriar.bfan.link/my-soul-s-demise
Watch the new video for 'My Souls Demise'here: https://youtu.be/QvPS2Cf2VNw

Stream 'Crimson Faces'here: https://blackbriar.bfan.link/crimson-faces 
Watch the new video for 'Crimson Faces'here: https://youtu.be/9zOVTkAMY9A

About BLACKBRIAR:

“Some say that there is beauty in darkness - terrifying visitors, worlds far gone, gothic romances, bone-chilling legends, sin-eaters, burning hearts frozen in time, songs with a misleading voice, and a truthful whisper. This and so much more for you to discover on A Dark Euphony.” Such are the words of vocalist Zora Cock about the band’s upcoming sophomore album, set to release in fall 2023 on Nuclear Blast Records. A telling sign coming from a band who has reveled in gothic beauty and metallic darkness since their onset, spanning three EPs and a full-length album, along with long-time collaborator Joost van den Broek.

Formed in 2012 by Zora Cock, René Boxem, Bart Winters, and Frank Akkerman, they crafted their first single in 2014 with 'Ready to Kill,' but it was 2015’s second single 'Until Eternity' that truly propelled them into the scene.  A sweeping track with an equally compelling and beautiful video, it continues to draw many to the act with over 20 million views since its debut. Taking advantage of the growing buzz surrounding the band, they independently recorded and released their first EP, Fractured Fairytales, as well as acquiring a second guitarist in Robin Koezen. This EP laid down an impressive foundation for the band’s ethereal and breathtaking sound and brought about new opportunities for the act, including tour dates in The Netherlands, Germany, Belgium, France, Switzerland, Czech Republic, Hungary, and more, where the band played alongside EPICA, HALESTORM, IN THIS MOMENT, DELAIN and MaYan.

To keep moving ahead with full control of their creative ideals, the band successfully crowdfunded their follow-up EP, We’d Rather Burn, and brought it to life in October 2018. This EP would be the first time the band worked alongside esteemed producer Joost van den Broek to arrange and produce the effort, and this fruitful collaboration allowed BLACKBRIAR’s whimsical and enigmatic sound to reach new sonic heights.  Released the same day as their self-made video for 'I’d Rather Burn,' this EP showcased a stronger sense of dreamy atmosphere and brought listeners beautifully grim tales of witches, banshees, and sea sirens.  In the time following, keyboardist Ruben Wijga (ex-Re-Vamp) took a larger role within the band and began playing shows, after being involved in the songwriting process since Fractured Fairytales.

A busy 2019 followed, the band released a haunting single in May entitled 'Snow White and Rose Red.'  A duet with Ulli Perhonen, their take on the Grimm’s fairytale featured striking cinematic visuals to accompany the spellbinding track. Continuing to dig deeper into fairytale realms, BLACKBRIAR closed the year with their third EP, Our Mortal Remains.  Ever-sharpening their intoxicating blend of storytelling and breathtaking musicianship, the EP brought about new live exposures for the act as well.  Small, sold-out tours with EPICA in 2019 and 2020, as well as a sold-out opening for DELAIN’s Apocalypse & Chill release show in Utrecht followed, with more future plans being put on hold due to COVID-19. 

Championing their continued independence, which included everything from songwriting, maintaining their web presence, overseeing merch, as well as shooting and producing their own videos and photos, BLACKBRIAR reached out to their ever-growing and loyal fanbase for assistance to make their full-length album a reality in 2020. Fans fervently heeded the call, reaching the € 25,000 goal in under 24 hours and ending with a total of € 70,000 and achieving all five stretch goals. An impressive accomplishment for an independent act, which also showcases a strong internet presence with over 230,000 YouTube subscribers and 56.5 million channel views as well as 37.9 million Spotify streams and 275,000 monthly streamers on the platform.  

Entering 2021, the band relinquished a bit of control in signing exclusively with Doomstar Bookings to help properly support their highly anticipated first full-length album, The Cause of Shipwreck, which was released in April.  Once again recorded with renowned producer Joost van den Broek (EPICA, AYREON, POWERWOLF) at Sandlane Recording Facilities, this release showcased the band’s continued evolution into masterfully dark gothic storytelling and theatrical aesthetics that entice you into a deadly yet spellbinding musical paradise. On the live front, launching into success with six sold-out Dutch club shows, they later extended into more European territories such as Germany, Belgium, Switzerland, France, and the Czech Republic as the band moved into 2022. 

Despite a very successful 2021, the band still hungered for more, unleashing their latest single, 'Fairy of the Bog' in December.  A song about ‘het meisje van Yde’ (Yde girl), it’s a mixture of folklore, myth, and ancient local history wrapped into a more mystical and magical package that showcases what BLACKBRIAR does best. Due to winning ‘Drents Talent Award Culture 2021’ from ‘Stichting Kunst & Cultuur,’ BLACKBRIAR performed ‘I’d Rather Burn’ live on television together with the Dutch ‘Noordpool Orchestra in early 2022. In April, the band parted ways with founding member and bassist Frank Akkerman. Not a band to slow down, they welcomed Siebe Sol Sijpkens from The Netherlands as their new bassist. A happy and energetic performer with a lifetime of global performances, he is a welcome addition to the act as they continue to strive forward.

With their vision looking firmly into the future, with a major label behind them, they set their sights on 2023 to conjure their most deadly siren song yet. The band previously released the song 'Crimson Faces' to celebrate their partnership with Nuclear Blast Records, and now the world eagerly awaits the release of A Dark Euphony this fall. Set to contain 10 new original songs as well as a bonus track, they recently released their first single from it with 'My Soul’s Demise.' According to Zora, “We've had the pleasure of working with producer and musical genius Joost van den Broek, and we gave it our all to write this record and feel that this is our most complete, personal, and mature album to date.” With this in mind, the band launched a preorder campaign in April for the release, full of unique perks, which has been quite successful already. They have also been preparing on the road, with festival shows Wave Gotik Treffen, SummerBreeze, and Rock the Lakes in 2023, as well as being a special guest on CHARLOTTE WESSELS’s Club Tour.

With accolades behind them, such as being nominated three times for ‘Best Artist’ in EuroSonic/Noorderslag‘s Popgala Noord (2018, 2020, 2022), and continued fan support with current monthly streaming totals on YouTube and Spotify near 1.5 million streams, the world is primed and ready for a spectacular journey into darkness and beauty.

BLACKBRIAR is:
Zora Cock - VOCALS
René Boxem - DRUMS
Bart Winters - GUITARS
Robin Koezen - GUITARS
Siebe Sol Sijpkens - BASS
Ruben Wijga - KEYS

Rock Band Solely Veil Release Debut Single "Serenity" via Daeth Development

Rock band Solely Veil released their debut single "Serenity" to all major platforms via Daeth Development. The single is from the band's album Conquer that will be released in 2024 and was produced by Nick Miller, Edward Fenley & Elliot Polokoff .

"This song is about self reflection, and trying to do everything for everybody and losing who I am within my story and feeling like I'm imprisoned in my own dream," says the band's vocalist, Allen Wheeler.

Allen Wheeler is the lead singer, songwriter and (musical) composure for Sacramento based band, Solely Veil. Wheeler has been in the music industry for over 20 years and has played in the renowned metalcore bands Shortie and Burn Halo. Wheeler has also written for multiple, professional musicians and artists throughout his career. Solely Veil is an intimate project based on raw emotions without being married to any one specific musical style and speaks to the vast array of Wheeler’s musical influences. Wheeler’s vision for Solely Veil is to invoke listeners emotions and to speak about the truths and realities of life through his personal experiences and perspective.

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12-year old HARPER drops cover of Bring Me The Horizon's 'Chelsea Smile'

HARPER, the incredible 12-year-old vocalist who took the internet by storm with her mind-blowing cover of Spiritbox's Holy Roller and captured the hearts of millions as a contestant on last year's America's Got Talent, has today shared another official single with fans.

The track, Chelsea Smile, is a blistering cover of the smash hit single by Bring Me The Horizon, originally released in 2008 on their album Suicide Season & as a single/video in January 2009. Watch the official video below. It's not her first brush with BMTH, having recorded a casual cover at home of Shadow Moses in May which quickly racked up 95k views on YouTube.

Earlier this year, HARPER shared electrifying new single Weight Of The World, a bonafide metalcore banger. That song was written by Leo Valeri, guitarist/producer of deathcore heavyweights Brand of Sacrifice and features a guest vocal from Dave Stephens (We Came As Romans). Stream that track HERE and watch the video HERE.

In between official single releases and homework, HARPER has been having fun unveiling surprise cover tracks on her YouTube channel, picking a range of diverse artists from Taylor Swift and Ed Sheeran to Knocked Loose, Bad Omens, and Architects! She also teamed up with vocalist Kasey Karlsen (Nita Strauss, Deadlands) for a duet on an I Prevail track. Check out those videos HERE and stay tuned for more from HARPER soon.

ABOUT HARPER

HARPER shot to internet stardom when she released an incredible one-take vocal cover of Spiritbox's breakout hit, Holy Roller in summer 2021, clocking up 292,000 YouTube views and media accolades from the likes of Kerrang!, Metal Hammer, Loudwire, Rock Sound, Revolver and more. She gained millions of new fans when she auditioned for primetime NBC show, America's Got Talent with the same song, garnering a further 2.9 million YouTube views and wowing both the judges and the 4000 audience members with her impressive vocal prowess. She also got to perform Holy Roller with Spiritbox at their sold-out show in London, UK last summer. She released her debut single, Falling in 2022 and announced her signing to Pale Chord Records. That track, which was written/produced with the help of Chris Wiseman (Shadow of Intent and Currents) and Ben Lumber (Acres), has over 827,000 streams on Spotify alone and 502,000 YouTube views. With 2023's following single Weight Of The World, HARPER continued to break barriers and prove that age is just a number when it comes to channelling emotion and power through heavy music - ratcheting up another 1.5 million streams and over 700k YouTube views at the same time. HARPER's musical talent continues to develop every day. The new song only bears further witness to her determination and passion - and this is just the beginning of an incredible journey for the young superstar.

Find Harper Online

www.thatyellaharper.com