Melodic Doom Legion KAUNIS KUOLEMATON Releases Lyric Video for Mesmerizing New Track "Elävältä Haudattu"!

Finnish melodic doom metallers KAUNIS KUOLEMATON have shared the next intense taste of their highly-anticipated sophomore full-length record, entitled Mielenvalta, which will be out October 13 on Noble Demon. Following the release of the first single "Peilikuva", the band follows up today with a lyric video for the mesmerizing track "Elävältä Haudattu". Watch it below.

Stream the single HERE

KAUNIS KUOLEMATON on "Elävältä Haudattu" (Buried Alive):

"Briefly summarized. When the love of your life (whether it's your friend or your life partner, still the most important person in your life) has to give up the joy that life brings, and there's nothing you can do about it. The tone of the song and its melodies will lead you through this sad beautiful journey."

With a fearless approach that defies genre boundaries, KAUNIS KUOLEMATONredefined the very essence of Melodic Doom Metal, seamlessly blending ethereal beauty with unrelenting force. Since their formation in 2012, the band has embarked on a relentless quest to push the limits of their craft, creating a unique and mesmerizing brand of melancholic metal that resonates with fans from all corners of the metal spectrum. Their crushing and recognizable sound has earned them spots sharing stages with renowned acts such as Omnium Gatherum, Wolfheart, Cult of Luna, Vorna, and October Tide. From playing festivals to headlining their own shows across Finland, KAUNIS KUOLEMATON has captivated audiences with their magnetic performances. With three albums, one EP, and several singles under their belt, these Finnish metallers have firmly established themselves as a force to be reckoned with in the metal scene.

With their latest album Syttyköön Toinen Aurinko, featuring lyrics entirely in Finnish, KAUNIS KUOLEMATON has already left an indelible mark, garnering praise from fans and critics alike. Now, as they prepare to unleash Mielenvalta, the band's evolution reaches new heights, promising an immersive experience that will leave you breathless.

Mielenvalta will be coming out on October 13 via Noble Demon and is now available for pre-order at THIS LOCATION

KAUNIS KUOLEMATON are:
Olli Suvanto - Vocals
Mikko Heikkilä - Clean vocals, Rhythm guitar
Ville Mussalo - Guitars
Jarno Uski - Bass
Miika Hostikka - Drums

Find KAUNIS KUOLEMATON online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

OBSCURA - Unleash Live Video For ´Emergent Evolution´

OBSCURA recently announced their highly anticipated live album, A Celebration I - Live in North America, which will be released on October 27 th via Nuclear Blast Records.

Today, the band presents a stunning live video for the track ´Emergent Evolution´, captured during their electrifying Mexico tour. This video promises to deliver a sensory experience like no other, showcasing the band's unmatched talent and captivating stage presence.

Watch the video below.
Listen to the song on all platforms: https://obscura.bfan.link/eesg
pre-order the album here: https://obscura.bfan.link/acilina
 
Steffen Kummerer comments: "´Emergent Evolution´ quickly became the most popular track of our 2018 record Diluvium. The song has been part of our live shows ever since, and combined with a loud and wild audience as in Mexico back in 2022, it‘s just pure joy to perform live on stage.”

A Celebration I - Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction.

The album has been mixed & mastered at Studio Fredman by award-winning producer and engineer Fredrik Nordström (Arch Enemy, In Flames, At The Gates), in Gothenburg, Sweden, in collaboration with OBSCURAs architect Steffen Kummerer.
Vincent Grundke, who has been working alongside the band as a videographer and photographer since 2021, provided the visual accompaniments for the record.

KOLBY COOPER SAYS “HELLO FROM THE ROAD,” AVAILABLE NOW

Praised by People as “Country music’s newest badass,” Kolby Cooper has been packing out venues and racking in streaming numbers typically reserved for household names since he was 18 years old. Now at only 24, the touring powerhouse and prolifically gifted songwriter with a frantically devoted fanbase dials in on the highs and lows of being on the road and the loneliness felt being away from loved ones with his latest “Hello From The Road,” available today via BBR Music Group/Wheelhouse Records in partnership with Combustion Music. Listen now below.

Wishing he was at home while also enjoying the perks of tour life with his band and seeing the world, Cooper brings his vivid storytelling to life with a magnetically enticing beat.

“'Hello From The Road’ is a song we wrote about being on the road for the past 4 years, and it was specifically inspired by a night in Birmingham after a show when our former merch guy got knocked out cold in a pool game gone wrong,” explained Cooper. “I called my wife when we got back to the bus and told her it was crazy out here, and I can’t wait to be home."

Written by Cooper with David Garcia and Brett Tyler and produced by Andrew Baylis, “Hello From The Road” continues his newly unveiled Country-rocker sound and follows his Grand Ole Opry debut, the fiery anthem “Kill Me” released earlier this summer, and his acclaimed label-debut album, Boy From Anderson County To The Moon, that Whiskey Riff and Raised Rowdy declared as one of the top albums of 2022.

Continuing his strenuous packed-out headlining tour-schedule throughout 2023, Kolby Cooper has “proven that he has everything it takes to hang with the big dawgs in country music" (Whiskey Riff).

About Kolby Cooper:
Only three years out of high school, still living in his small hometown of Bradford, Texas, Kolby Cooper started selling out shows and clocking millions of streams using only his songs as muscle, earning streaming numbers competitive with household names. Now, at only 24 years old, having amassed over 330 million on-demand streams, Cooper’s label debut album Boy From Anderson County To The Moon is out now via BBR Music Group / Wheelhouse Records in partnership with Combustion Music. A prolific songwriter known for his cut-throat, highly relatable break-up anthems and uncensored lyrics, “Cooper has already made quite the name for himself” (American Songwriter), writing songs that fans sing back to him from the very first note, including just-released tracks. “Blazing a trail to stardom” (People), “there’s one thing for certain about Cooper…the man is versatile as all hell. He can have you hyped up through the roof or have you crying in your beer at the corner of a bar on a Friday night” (Whiskey Riff). Now, “Country Music’s Newest Badass” (People) is giving his rabid fanbase exactly what they demanded with his latest “Hello From The Road” and the fiery anthem “Kill Me,” introducing a fresh, pumped-up new sound that’s been commanding his electric live shows. Continuing his strenuous tour schedule throughout 2023, catch Cooper headlining sold-out shows all over the country, bringing with him his signature blend of wailing electric guitar and stadium-level anthems. For more information, visit his website HERE.


KEEP UP WITH KOLBY COOPER
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

Photo Credit: Gabriel Muniz Photography

Theory of A Deadman Share New Holiday Track "Missing You This Christmas" — LISTEN

NEW STUDIO ALBUM DINOSAUR OUT NOW

Today, multi-platinum rock band Theory Of A Deadman has shared their brand-new holiday track "Missing You This Christmas." 

Listen Below.

Elaborating on the track, frontman Tyler Connolly shared, "We've never done an original holiday track and for some reason the timing seemed right. Maybe it was all the years of hearing Mariah Carey in Target that sparked the idea."

"Missing You This Christmas" marks the first new music from Theory Of A Deadman since the arrival of their new studio album, Dinosaur, which was released earlier this year via Roadrunner Records. Dinosaur, Theory's eighth full-length, features their Top 10 Active Rock Radio hit "Dinosaur" and marks an overall return to form stylistically for the chart-topping Canadian quartet. 

Dinosaur, the follow-up to 2020's acclaimed album Say Nothing, was produced by Martin Terefe (Jason Mraz, YUNGBLUD) and recorded in Sweden at Atlantis Studios, made famous by ABBA. The 10-track collection features the hard-hitting title track "Dinosaur," and recent single "Two Of Us (Stuck)," which showcases Theory's signature wit. Elsewhere on the new album is the recklessly raucous and righteously catchy party song "Ambulance," the gritty "Medusa (Stone)," and the aggressive "Get In Line."

Theory Of A Deadman —  the aforementioned Connolly [lead vocals, guitar], Dave Brenner [guitar, backing vocals], Dean Back [bass], and Joey Dandeneau [drums, backing vocals] — will be on tour in the UK through the end of September and will return back to the states for a co-headline run with Skillet deemed the "Rock Resurrection Tour" which will kick off October 20 in Baton Rouge, LA. See below for all upcoming tour dates and visit www.theoryofficial.com for more info and to purchase tickets.

With sky-high hooks, riffs as thick as a 2x4, rumbling grooves, and a razor-sharp sense of humor, Theory Of A Deadman have quietly persisted as an unapologetic, unbreakable, and undeniable hard rock force with major multi-platinum hits and countless sold out shows in each of the past two decades. Jamming together in basements throughout high school, the band burst out of their small hometown of North Delta, British Columbia with the self-titled, Theory of a Deadman, during 2002. In addition to the double-platinum breakthrough album Scars & Souvenirs [2008] and gold-certified The Truth Is…[2011], Theory have notched a procession of hits, including the gold-certified "All Or Nothing," "Bitch Came Back," and "Lowlife," platinum-certified "Angel," "Hate My Life," and "Not Meant To Be," double-platinum "Bad Girlfriend," and triple-platinum "RX (Medicate)." As the biggest smash of their career thus far, the latter hit, off their 2017 album Wake Up Call, marked their third #1 on the Billboard Hot Mainstream Rock Tracks Chart and garnered a nomination for "Rock Song of the Year" at the iHeartRadio Music Awards. The award-winning band’s last studio album Say Nothing, featuring the chart-topping and powerful single "History of Violence," landed at #2 on the BillboardAlternative Albums Chart and #3 on the Rock Albums Chart. Theory Of A Deadman’s impressive catalogue has also logged two Top 10 debuts on the Billboard Top 200 and amassed more than 1 billion collective streams on Spotify alone and over 700 million views on their official YouTube. 

Photo Credit: Jimmy Fontaine

THEORY OF A DEAD MAN ON TOUR:
10/20 — Baton Rouge, LA — Raising Canes River Center
10/21 — Shreveport, LA — Shreveport Municipal Auditorium
10/22 — San Antonio, TX — Boeing Center at Tech Port
10/24 — Corpus Christi, TX — American Bank Center
10/26 — El Paso, TX — El Paso County Coliseum
10/28 — Rio Rancho, NM — Rio Rancho Events Center
10/29 — Colorado Springs, CO — Broadmoor World Arena
10/31 — West Valley City, UT — Maverik Center
11/1 — Idaho Falls, ID — Mountain America Center
11/3 — Spokane, WA — The Podium
11/4 — Kent, WA — ShoWare Center
11/7 — Billings, MT — MetraPark Arena
11/8 — Bismarck, ND — Bismarck Civic Center Arena
11/10 — Minneapolis, MN — The Armory
11/11 — Brookings, SD — Dacotah Bank Center
11/12 — Waukee, IA — Vibrant Music Hall
11/14 — Grand Rapids, MI — Van Andel Arena
11/15 — Peoria, IL — Peoria Civic Center
11/17 — Youngstown, OH — Covelli Centre
11/18 — Johnstown, PA — 1st Summit Arena at Cambria County War Memorial
11/19 — Mashantucket, CT — Foxwoods Resort Casino
11/21 — Norfolk, VA — Chartway Arena
11/22 — Salem, VA — Salem Civic Center
11/24 — Jacksonville, FL — Daily's Place Amphitheater
11/25 — Orlando, FL — Orlando Amphitheater
11/28 — Mobile, AL — Mobile Civic Center Theatre
11/30 — Huntsville, AL — Propst Arena - Von Braun Center
12/1 — Spartanburg, SC — Spartanburg Memorial Auditorium
12/2 — Johnson City, TN — Freedom Hall Civic Center
12/5 — Fort Wayne, IN — Allen County War Mem. Coliseum
12/6 — Evansville, IN — Ford Center
12/8 — North Little Rock, AR — Simmons Bank Arena
12/9 — Wichita, KS — Hartman Arena

Silent Planet Share "Anunnaki" Video — WATCH

NEW ALBUM SUPERBLOOM OUT NOVEMBER 3 VIA SOLID STATE RECORDS

TOURING WITH DAYSEEKER 

California metal band SILENT PLANET will release their new album SUPERBLOOM. It arrives November 3 via Solid State Records. Pre-order it here. The release date is significant for the band, as it arrives on the anniversary of their horrific van accident. But it is also a testament to their resilience!

Today, the band shares the video for new single "Anunnaki." Watch it below. 

Singer Garrett Russell cryptically says, "Something stirs in the forest. Under the smoldering shadow of Mt. Shasta, extending to the forgotten reaches of the Lost Coast. Our footsteps dredged up the last rites of an annihilated people; their suffering-turned curse coalesced into a blighted, blasphemous body. Listen closely. Behind the serene forest song hangs a dissonant note. A blood-thirsting shriek swings in the air, wrapping the fallen boughs of sequoias… resounding through the valley. Descendants of an ancient race — beings crossed between humans and beings from another dimensions - they remain and and hold the memory of the native martyrs. Their presence demands vengeance. They are the forgotten giants. They are the Anunnaki."

Silent Planet have consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent[2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far.

Silent Planet will return to the road this September, supporting Dayseeker. All dates are below, including Silent Planet headline shows.

SILENT PLANET ON TOUR:
WITH DAYSEEKER + MOXY THE BAND:
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
9/26 — Phoenix, AZ — Underground ^
9/27 — El Paso, TX — Lowbrow ^
9/28 — Austin, TX — Come and Take It Live ^
9/29 — Dallas, TX— Gilly’s ^
11/4 — Brooklyn, NY — Brooklyn Monarch*
12/30 — Anaheim, CA — House of Blues&
^Silent Planet Headline shows
*With Haste the Day
&With Dayseeker

SILENT PLANET ARE:
Garrett Russell — Vocals 
Nick Pocock — Bass
Mitchell Stark — Guitar
Alex Camarena — Drums

Peter G. Holmström (The Dandy Warhols) presents Pete International Airport album 'It Felt Like the End of the World' & video for 'Next of Kin' feat. Lisa Elle (Dark Horses)

From the city of Portland and the depths of one's psyche comes Pete International Airport, which revolves around Peter G. Holmström of The Dandy Warhols, who has released the new album 'It Felt Like The End of the World' via Little Cloud Records.

Their third album, this is a meticulously crafted psychedelic rock journey into the dark heart of electronica. It is also a triumph of process and vision. Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), the album was mastered by Dave Coley at Elysian Mastering.

"This record was mostly written and recorded during the pandemic so sonically and lyrically it can’t help but be influenced by what we all went through.  There is a melancholy darkness as well as a peaceful beauty.  The album title came from a “fairytale/poem” that is whispered at the end of 'Sea Of Eyes'. It perfectly captures the hopeful/scary feeling of change that comes at the end of something," says Peter G. Holmström.

Named after a song by The Dandy Warhols, this eclectic project nails the elusive aesthetic of unexpected yet inviting sound art. Pete International Airport's quest to build immersive soundscapes that are also classic, catchy songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

This album features numerous guests, including Rachel Goswell (Slowdive, Mojave 3), Alexander Hackett (Pang Attack), Dion Lunadon (A Place To Bury Strangers, The D4), and none-other-than Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Pete International Airport also presents the video for 'Next of Kin' featuring Lisa Elle of Dark Horses, who says, “In the depths of isolation, I recall wanting to overcome the usual caution and hesitation one often experiences when faced with lots of time and choice. Recognising that life is fleeing can actually be life affirming. This is a song born of frustration and a need to push onwards full heartedly. Working with Peter remotely has been, on the one hand a private experience  - developing ideas and recording by myself but also a liberating exercise in surrender and real creative acceptance”.

Album order (all formats)
https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world 


Vinyl order 
https://littlecloudrecords.com/collections/frontpage/products/pete-international-airport-it-felt-like-the-end-of-the-world-pre-order

The album's core roster boasts the cream of the neo-psychedelic crop, of which The Dandy Warhols and their shadow, The Brian Jonestown Massacre, are the reigning kings. Members of Dark Horses, Omniscuro, Sun Atoms, Guiding Light and Hopewell, most of whom are repeat collaborators and on-again / off-again members of the live band, give voice to the album’s elegiac thesis while adding more light and hope than could be expected from this scene, at this time in history, and in a business that was just dealt a death blow by a pandemic.

The use of repetition - visually and sonically - and the use of limitations and boundaries (i.e. every Pete International Airport record has 11 songs) cements the collection into a beautifully cohesive whole that becomes more interesting with repeated listens. Peter, his long-time collaborator / producer Jeremy Sherrer, and his stable of co-creators have given us more than one album’s worth of hooks, ideas and beauty, somehow smelting them into a single monolith of sound that is accessible from any point, celebrating a world that just keeps ending.

"Musically, this record started with an obsession on the bass tone/line from The Cure’s 'Fascination Street' and a healthy appreciation of the detail in their sonic density.  Most songs start on an acoustic, which in most cases gets muted somewhere in the process. Then layers of beats, bass lines, melodies, arpeggios, etc. get added / removed until the piece of music is interesting enough to entice someone to write lyrics and sing on it,," says Peter G. Holmström.  

"Lyrically, I might suggest a topic that captures our dark chaotic world without sounding preachy.  Sometimes the singers listen to me, other times they follow what the song makes them feel."

'It Felt Like The End of the World' is out now via Little Cloud Records, downloadable from fine music platforms, such as Spotify, Apple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

CREDITS
Recorded in Portland, LA, NY, UK and Montreal
Chamber Orchestra recorded by Chris Bergstrom
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Music written by Peter G. Holmström
Vocals and lyrics by:
Alexander Hackett (Pang Attack) on 'Sea Of Eyes', 'Out Past The Razor Wire', 'No Blindfold'
Lisa Elle (Dark Horses) on 'Fluid/Flex', 'Next Of Kin'
Daniel Sparks (Omniscuro) on 'The Watermark'
Jasun Adams (Sun Atoms, The Upside Down) on 'Commercial Eyez', 'Brave New World'
Dion Lunadon (The D4, A Place To Bury Strangers) on 'Commercial Eyez'
Chuck Davis (The Guiding Light) on 'Commercial Eyez'
Jason Sebastian Russo (Hopewell, The Guiding Light) on 'The Thoughts You Won’t Think'
Rachel Goswell (Slowdive, Mojave 3) on 'Tic Tac'

Instruments performed by Peter G. Holmström except:
Jeremy Sherrer - drum programming, MPC
Paulie Pulvirenti (Elliott Smith, Number 2, Eyelids) - drum kit, toms, octobans
Gregg Williams - toms
Cory Gray (Old Unconscious / Car Crashlander / The Delines) - piano, organ, synth
Rishi Dhir (Elephant Stone) - sitar
Tom Petersson (Cheap Trick) - 12-string bass
Lisa Molinaro (Talk Demonic / Modest Mouse) - viola
Louise Woodward - composer / arranger on 'Il Canto Della Polena'
Chamber Orchestra for 'Il Canto Della Polena'
Shin-Young Kwon - violin 1
Keiko Araki - violin 2
Charles Noble - viola
Pansy Chang - cello
Jason Schooler - double bass
Joseph Berger - French horn


Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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Creeper Share "Black Heaven" Visualizer — WATCH

CREEPER SHARE "BLACK HEAVEN" VIDEO — WATCH

BAND TO RELEASE NEW ALBUM SANGUIVORE ON FRIDAY, OCTOBER 13 VIA SPINEFARM 

As they prepare to unleash their third full-length album Sanguivore on Friday, October 13, CREEPER have continued to expand the scope of their frenetic, flamboyant goth-punk heart that took their previous album, Sex, Death & The Infinite Void into the Top 5 of the Official Album Chart. First "Cry To Heaven" came across like an unholy union between The Sisters of Mercy and Glenn Danzig, before "Teenage Sacrifice" channelled the ire and anthemic punch of Judas Priest and Iron Maiden in their early '80s pomp.

Now, CREEPER embrace a darker side of black with their new single "Black Heaven."

Watch the visualizer below.

"Black Heaven" adds new sonic elements to CREEPER's swaggering gothic heart, with looming, ominous synths entangled like barbed wire around Ian Miles' serrated riffs, which recall the sinister side of electro-pop and the darkwave scene of the early '80s. Presenting an important moment in the story between the album's core characters, Spook and Mercy, the vocal interplay between William Von Ghould's baritone croon and Hannah Hermione'ssweetly alluring vocal harmonies provides another standout touch, which was inspired by Nick Cave's collaboration with the McGarrigle Sisters on the Bad Seeds' track "Hallelujah."  

William Von Ghould says, "This song allows us to show a new side to the band and sees us experimenting with electronic elements properly for the first time. Taking influence from Depeche Mode and New Order, we try to push the boundaries of our sound out further than they’ve been before."

Produced by Tom Dalgety (Ghost, Royal Blood), the upcoming Sanguivore album finds CREEPER going larger-than-life in every conceivable way, from Jim Steinman-style ripping rock operas to Billy Idol's punk/sleaze hybrid and the moody heavyweight electro-rock of Gary Numan. In a world that's getting darker by the moment, the vampiric thrills of Sanguivore offers fans a fantastical escape into the unknown, and one that's full of Easter eggs for those fans who thoroughly immerse themselves within every detail of the record.

Sanguivore is available to pre-order HERE.

Joining the previously announced four vinyl variants which come with a signed art print are some new formats: a limited edition red cassette, and a limited edition card sleeve CD with alternate artwork.

After a surprise second stage headline set at Download and then playing theOVO Arena Wembley as part of the Heavy Music Awards, CREEPER recently announced a London Lafayette show under their alter ego The Ghost Brigade, which sold out instantly. The band will then embark upon the "Sacred Blasphemy" headline tour in November, which concludes with a second much larger London show at the O2 Shepherd's Bush Empire and is also about to sell out. Remaining tickets for the tour, dates listed below, are available HERE.

P.O.D. Share Video For New Single "DROP" Feat. Lamb of God's Randy Blythe — WATCH⬇️

P.O.D. SHARE VIDEO FOR NEW SINGLE "DROP" — WATCH

TRACK FEATURES A GUEST VOCAL FROM LAMB OF GOD'S RANDY BLYTHE

Platinum-selling rock juggernaut P.O.D. — Sonny Sandoval [vocals], Marcos Curiel [guitar], and Traa Daniels [bass] — have shared the video for their new single "DROP,"  out now via Mascot Records.

The track features a vicious vocal cameo from Lamb of God singer Randy Blythe.

"'DROP' is another one of a kind, unparalleled banger that sets this band apart from everyone else," says Sandoval. "When you hear it, you know it's P.O.D.!"

Watch the video below.

ABOUT P.O.D.: 
They've been a band — and a vital one at that — for more than 30 years. But ask rock icons P.O.D. what still inspires them after all this time, and they'll tell you they still operate as if they're perpetual underdogs. Yes, with every new album they release, with every show they play, these musical lifers still feel they have something to prove. "We're still here and we're still creating some of the best music we've ever made," says guitarist Marcos Curiel. "When it comes to heart, grit and soul, P.O.D. is your band." Adds vocalist Sonny Sandoval: "We're always still proving who we are — always having that punk-rock mentality."
 
It's this mindset, this unrelenting grit that has long defined the platinum-selling P.O.D. and continues to do so as they march proudly into the next era of their long-winding journey of a career. Now, they are nearly five years removed from their previous studio album, Circles, which to date has been streamed more than 50 million times and spawned the hit "Listening to Silence." Now, the band returns in with new single "Drop."
 
The track is a sonic boom of a cut, and features a thrilling vocal turn from Lamb of God singer Randy Blythe. "Dude, it's the sickest thing ever," Curiel says of "Drop," which was inspired by the guitarist's longtime love of electronic music. "When that drop hits, everyone knows it," he adds. "We needed to create a song in that way…P.O.D. style."
 
P.O.D.'s audience has always been at the core of everything the band does, and to that end, their live shows remain essential to who they are. They've played major festivals including the Sick New World, INKcarceration and Hell and Heaven Fest, and have shared stages with the likes of KORN, Red Hot Chili Peppers, Evanescence and Seether. 

HOLY WARS Release New Single & Video “BODY//TEMPLE”

Genre-blurring provocateurs HOLY WARS have dropped their newest single and music video “BODY//TEMPLE” today via Pale Chord Records. With their hard hitting riffs and soaring pop infused rock melodies, vocalist, Kat Leon, and guitarist/producer, Nick Perez take HOLY WARS to a brand new level as they continue to showcase their epic evolution with their latest thought-provoking track. Stream “BODY//TEMPLE" HERE and watch the video below. 

Speaking on the video release, the band shares:

“BODY // TEMPLE embarks on a profound journey of self-discovery, navigating through ego dissolution and the depths of the Shadow Self. Its lyrics serve as a poignant cautionary tale on the path to enlightenment, shedding light on how our egos and self-projections can become insidious adversaries. This composition urges us to scrutinize every facet of our lives—be it religion, society, or our very essence—for authentic revelation and personal liberation.

Sonically, Body // Temple emerges as a formidable, weighty composition, effortlessly evolving into an anthem for those in search of answers. Nick Perez's masterful guitar work and polished production seamlessly meld with Kat Leon's thought-provoking lyrics and haunting vocals, which traverse from introspective whispers to resounding cries. The track pulsates with visceral energy, beckoning to be played on repeat.

The music video for Body // Temple mirrors this primal intensity through its visuals, escorting viewers on a transformative journey alongside Kat as she confronts her shadow self. This duality is perceived, both from the vantage point of the audience and the stage, encapsulating a gut-deep resonance."

Their two recent singles, "BODY//TEMPLE" and "Deus Ex Machina" mark the first of many HOLY WARS releases via their brand new label home, Pale Chord, where they join an impressive roster of fellow groundbreaking artists such as Spiritbox, Harper and Thousand Below.

Their previous single, “Deus Ex Machina” blends thoughtful introspection with their trademark chaotic energy, all while highlighting HOLY WARS’ unrelenting creative spirit, and is arguably their heaviest release to date. Their recent releases and new label announcement only further the band’s incessantly gaining momentum garnered from their authentic, DIY approach, which has already yielded nearly 10 million global streams and 700,000 YouTube views across their total catalogue.

With their unpredictable sound, provocative artistry, and new label home, HOLY WARS continue to defy genres and blow minds. Embrace the weird and stay tuned for more from these sonic shapeshifters soon.

ABOUT HOLY WARS

​​Los Angeles based duo HOLY WARS, composed of Kat Leon (Vocals) and Nick Perez (Guitars/Production), have a unique and constantly evolving sound that fuses an infectious medley of genres, packed with attitude and lyrical finesse. Newly signed to Pale Chord via BMG, HOLY WARS are excited to usher in a new era of ambitious music starting with new single “Deus Ex Machina”. 

 

Recorded music aside, HOLY WARS’ live shows are an electrifying breeding ground that converts any first timer to a lifelong fan. HOLY WARS take every opportunity to feed off the energy of the crowd and use it to amplify Leon’s charismatic and fearless stage presence which has since allowed them to win over a wide range of audiences. It is no surprise that the band’s high-intensity live performances have led the group to share the stage alongside legendary groups such as Coheed and Cambria, Alkaline Trio, and Papa Roach, to the next generation of up and coming rock artists including The Warning and Scene Queen.

 

In Spring 2023, HOLY WARS hit the festival circuit for the first time, gracing the main stages at Welcome To Rockville and Sonic Temple while evaporating the indoor stage at So What?! Fest. This fall, catch their continued festival debut at Furnace Fest, Louder Than Life (main stage), and Aftershock.

Find Holy Wars Online

www.holywarsmusic.com

GO AHEAD AND DIE | RELEASE ANIMATED VIDEO FOR SECOND SINGLE 'DESERT CARNAGE'

Arizona death-crusters GO AHEAD AND DIE will deliver their caustic sophomore album Unhealthy Mechanisms on October 20th via Nuclear Blast Records. A torrential whirlwind born from the livid minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY, CAVALERA CONSPIRACY). This new installment to the band's dystopian catalog is a fresh dive into the madness of society and the pollution that ravages our minds.

'Desert Carnage' is the pummeling opener to Unhealthy Mechanisms. Brainchild of Igor Amadeus Cavalera, this track takes listeners on a fiery journey through an apocalyptic desert inspired by their home state of Arizona. Check out the frantic single that encompasses some of Igor's best riffs on the album.

Igor Amadeus Cavalera comments, "'Desert Carnage' is a blistering fast song that is as scorching hot as the Sonoran desert itself. The barbaric theme of the song stems from the cruelness and inhospitable terrain of the desert, as desolate and unkind as a place can be."

Stream the new single 'Desert Carnage', here:
https://goaheadanddie.bfan.link/descrge.ema

Watch the music video for 'Desert Carnage' created by Costin Chioreanu, below.

Pre-order/pre-save Unhealthy Mechanisms here:
https://goaheadanddie.bfan.link/gaaduhmech.ema

Unhealthy Mechanisms was produced by Igor Amadeus Cavalera while John Aquilino handled the recording in his Platinum Underground Studio steeped in the mystic ambiance of the Superstition Mountains’ foothills. The mixing and mastering were once again handled by Arthur Rizk (CAVALERA, SOULFLY, TURNSTILE ). For the artwork, the band enlisted Santiago Jaramillo of Triple Seis Design to create the unnerving design that fits with the album title. GO AHEAD AND DIE's newest record is a testament to declining mental health around the world, and a reminder that we are not alone in our pain. The mind is lost. The fuse is lit. Time to set everything ablaze.

Unhealthy Mechanisms will be available digitally and in the following formats:

  • CD Jewel

  • Red Cassette (Limited to 400)

  • Vinyl

    • Red W. Black Splatter

    • White W. Black Splatter

Photo Credit: Kevin Estrada

Condemned Unveil New Upcoming Album 'Daemonium' Out November 17 via Unique Leader Records + Drop New Lyric Video For "Sigil of Belial"

San Diego-based death metal quintet Condemned is set to unleash their brutal onslaught on the world once again in announcing their upcoming new album 'Daemonium', slated for release on Friday, November 17 via Unique Leader Records. 'Daemonium' will be the band's newest full-length since their 2017 album 'His Divine Shadow'. In celebration of the announcement, the band dropped their new single "Sigil of Belial" and the accompanying lyric video for all of your unholy invocation purposes. Speaking about today's news, the band shared:

“At long last, we are proud to finally present the newest album they have been working on so hard throughout years of endless challenges and changes. It is finally here and we are ready to present to the world the next addition to the Condemned catalog. We bring forth to you... DAEMONIUM. 

Recorded and mixed by John Haddad at Trench Studios, bass recorded at Primal Sound Studio, and mastered by Zack Ohren of Castle Ultimate Productions. Guest vocal appearances by two of our very own former Samuel Townsley and Angel Ochoa! 

This will be the 4th full-length album of the band and to be released worldwide on November 17th, 2023 via Unique Leader Records! With this new album, we take it back to the classic days of brutal death-slamming guttural sickness full of blasting dark riffs possessed with demonic hellfire and hate-filled brutality. Cover art was done by the Japanese legend himself Toshihiro Egawa and the Daemonium logo [was] designed by Daniel Corcuera.”

Pre-save 'Daemonium' here, stream "Sigil of Belial" here, and watch the lyric video below.

Condemned is:

Art Paiz - Bass

Jimmy Montes - Drums

Steve Crow - Guitars

Clayton Meade - Vocals

Daniel Richardson - Guitars

Banks Arcade Share "Worship The Internet" Video — WATCH

Melbourne's Banks Arcade are back with a brand new single "Worship The Internet," out now via UNFD.

Following the release of their debut album Future Lovers last year, a hybrid meeting of metalcore, hip hop, pop and electronic flavors, "Worship The Internet" expands on the group's established trademarks, with the new track flitting between swaggering hooks and hulking grit.

An infectious ode to irrational and volatile anger in the digital age, Banks Arcade's latest chapter is also accompanied today by a brand new music video.

Watch the video for "Worship The Internet" below. 

Of "Worship The Internet," Banks Arcade share, "'Worship The Internet' explores the unreasoned outrage perpetuated by social media and modern culture. Everyone is mad at something and the only answer seems to be to come out swinging and think later. This song presents this outrage in a volatile and aggressive fashion and enters the mind of the individual trying to be authentic amidst a myriad of voices urging them to do otherwise."

A band who always wanted to make history, Banks Arcade bring passion and potent execution to their myriad of influences and creative ideas. Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have always teetered on modernity, their gaze ever-fixed just beyond the horizon via their flourishing sonic wiles. From their 2018 debut EP Endnote to its 2020 follow up Fever Dreams, the group's head-turning singles like "Sick and Drown" have gone on to amass over 1 million individal streams, while their explosive single "Chosen" was chosen by Ubisoft as the official theme song of the Rainbow Six Siege Oceanic Nationals in 2022.

Releasing their full-length Future Lovers in 2022, an LP initially devised as a concept album that evolved into a vessel of personal self-discovery, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip hop additions.

Showcasing their unforgettable live performance in 2023, Banks Arcade embarked on their national Australian Future Lovers tour earlier this year, including sold out shows in Melbourne, Sydney and Brisbane, as well as an extensive North American run with The Plot In You and Holding Absence, and appearances at UNIFY Off The Record.

Of Mice & Men Share "Indigo" Visualizer — WATCH + LISTEN

NEW ALBUM TETHER OUT OCTOBER 6 VIA SHARPTONE

BAND TOURING WITH BULLET FOR MY VALENTINE THIS FALL

Gold-selling hard rockers Of Mice & Men — Aaron Pauley (bass + vocals ), Valentino Arteaga (drums), Alan Ashby (guitar), and Phil Manansala(guitar) — will issue their new album Tether on October 6 via SharpTone. Pre-order it here.

They've just shared the third single "Indigo." Listen to and watch the visualizer below.

"'Indigo' is about questioning why the sky would choose to be blue if it had the choice to be anything else — blue also meaning sad," states Pauley. "It's about comforting a loved one in a time of loss by telling them you feel blue, too." 

Taking all creative matters into their own hands, the Southern California quartet self-produced and engineered all of the songs on Tether, their astonishing eighth album. Pauley mixed and mastered the album while Arteaga designed and painted the album's artwork. As a legion of devoted listeners worldwide has come to expect, guitarists Phil Manansala and Alan Ashby, Aaron, and Tino poured their hearts and souls into every note, creating another sonic document of their lives. 
 
“With this one, we weren’t really focused on how it sounded as much as we focused on how it felt," Pauley explains. "And that's a weird thing to do when all you're working with is sound. But that was really the goal. And we walked away from making it, feeling like we've accomplished that."
 
OM&M take sobering looks at depression, anxiety, loneliness, and existential dread, powering through the darkness, and emphasizing the importance of creativity as a balm for mental health. A commanding tempest of sounds coalesces within Of Mice & Men, blending the uplifting eloquence of modern active rock with the atmospheric dissonance of experimental post-rock. The band first emerged as part of a vanguard of future aggressive rock hitmakers. Over the years, they've distinguished themselves with musicality, creative ambition, and resilient determination. 

Album eight is no less ambitious. Tether is anchored by a reflective meditation on what it means to draw together as friends, family men, artists, and bandmates. What does it mean to be there for the people who depend on us, knowing we can’t fully protect them from the hardships of life? 
 
Tether is the next step in OM&M's evolution, combining their core sound with experimental and ethereal sound designs. The creative process focused on the excitement of discovery rather than preconceived "goals." Pursuing the moments when the elusive "x factor" reveals itself in the songs. Those moments are palpable in songs like "Integration," "Warpaint," "Enraptured," and "Indigo."
  
The Of Mice & Men core since 2016 – Aaron, Alan, Tino, and Phil – maintain a powerful bond with their audience and each other, no matter the obstacles. Whether a powerful anthem or atmospheric confession, their songs translate in intimate clubs and massive festivals. "It's about creating moments for people," Pauley says. "Music is the soundtrack to people's lives."

OM&M will also hit the road with Bullet For My Valentine and Vended this fall. All dates are below.

OF MICE & MEN ON TOUR:
WITH OF BULLET FOR MY VALENTINE + VENDED:
10/8 — Montreal, QC — Mtelus
10/9 — Quebec, QC — Théâtre Capitole
10/10 — Worcester, MA — The Palladium 
10/12 — New York, NY — Terminal 5
10/13 — Silver Spring, MD — The Fillmore Silver Spring
10/15 — Philadelphia, PA — Franklin Music Hall
10/17 — Pittsburgh, PA — Stage AE
10/18 — Cleveland, OH — The Agora
10/19 — Cincinnati, OH — The Andrew J. Brady Music Center
10/21 — Kansas City, MO — Uptown Theater
10/22 — Chicago, IL — Riviera Theatre
10/24 — Minneapolis, MN — The Fillmore Minneapolis
10/26 — Denver, CO — Mission Ballrom
10/28 — Flagstaff, AZ — Pepsi Amphitheater
10/29 — San Diego, CA — SOMA Mainstage
10/31 — Los Angles, CA — The Wiltern
11/1 — Phoenix, AZ — The Van Buren
11/2 — Albuquerque, NM — Revel Entertainment Center
11/4 — San Antonio, TX — Boeing Center At Tech Port
11/5 — Dallas, TX — House of Blues Dallas
11/7 — Houston, TX — House of Blues Houston
11/8 — New Orleans, LA — The Fillmore New Orleans
11/10 — Orlando, FL — Hard Rock Live Orlando

Autarkh Reach Inner Peace on New Single

Autarkh are known for hard-wiring extreme metal with glitchy electronica and IDM beats. But on the lead single from their new album, the Dutch band proved that they were human after all.

Where "Strife" found Autarkh locked in a battle with their inner demons, the new single off 'Emergent' reaches for inner peace.

""Refocus" is the fifth track on 'Emergent', says guitarist and lead vocalist Michel Nienhuis. "It revolves around the will to return to the serene state of mind that opens the album".

Watch the intense performance video for "Refocus" HERE, which was filmed, edited and animated by Spread Motion Design. 

'Emergent comes out November 10. Pre-order the album HERE. Pre-save it HERE.

"Refocus" is still heavy. The song opens with a hammering computerized beat and riffs that chug with all the industrialized heft of an oil drill. Death growls stew in the air like flies, as if warning of what's to come. It's chaotic and overwhelming, almost too much to even bare. But after headbanging their way through another avalanche of a chorus, Autarkh break free. "The splendor of wholeness reinstated", Nienhuis sings, backed by radiant harmonies.

"The clean vocals in Refocus were one of the hardest parts for me to record", says Nienhuis. "But I'm really happy with how they turned out".  

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:
Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking: info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Being As An Ocean Return with Powerful New Album ‘Death Can Wait’; Drop Official Video For Title Track

Southern California melodic post-hardcore outfit, Being As An Ocean has announced their emotive new album ‘Death Can Wait’, due out February 2nd, 2024 via Out of Line Music. The band has also shared the official visualizer for the album's stirring title track, offering fans the first taste of their forthcoming release. Pre-order the album HERE. Listen to the the single HERE and watch the video below.

Elaborating on today's announcement, the band shares

“Death Can Wait is about living in the moment, without judgement or fear of circumstance. Taking each day as it comes and not banking to hard on the future, as none of us know how much time we truly have in this life. Memento Mori. It’s about being mindful of the gift that life is and not squandering it on frivolous or excessive excitements, distractions, diversions; being focused on our goals, aspirations, passions, and constructive obsessions. Living life as if this day is our last, while being prepared to greet Death, when it arrives, as a friend and natural part of this beautiful life.”

Since forming in 2011, Being As An Ocean has cemented themselves at the forefront of alternative music with their raw, earnest songwriting and boundary-pushing sound. Across six studio albums and countless tours, the band has built a devoted following and left an indelible mark through the comfort and strength offered in their inspirational lyrics and emotive musical landscapes. Eleven years after their famous debut album “Dear G-d...”, the Californian band now commences the next chapter of their musical journey with their new album “Death Can Wait”. With this new record, Being As An Ocean drops yet another extremely personal set of songs loaded with pure emotion and continues to push the boundaries of what it means to be a band in the modern music scene.

Photo Credit - Murry Deaves

Pre-orders for ‘Death Can Wait’ are available now in multiple formats and multiple bundle options including digipak CD, vinyl, and a deluxe wooden box set strictly limited to 666 copies worldwide. Head to baao.lnk.to/DeathCanWaitAlbum to check out all options and pre-order now.

ABOUT BEING AS AN OCEAN

Being as an Ocean is a post-hardcore/melodic hardcore band hailing from Southern California. Formed in 2011, the band has been on a journey of self-discovery and artistic evolution, constantly pushing the boundaries of their genre.

In 2012, Being As An Ocean released their debut album, "Dear G-d...," which garnered immediate attention and marked the beginning of their rise in the music scene. With their emotionally-charged sound, Being As An Ocean has left an indelible mark on the alternative music landscape. Their music has resonated with countless people, offering comfort and strength during life's most challenging moments. They have inspired a generation of musicians to be fearless in their exploration of emotion, lyricism, and sound.

Since then, the band has toured the world multiple times over and released career defining records such as “How We Both Wondrously Perish” in 2014, “Waiting For Morning To Come” in 2017, and "PROXY" in 2019. With their unique blend of honesty, vulnerability, and artistic innovation and the pending release of their new album "Death Can Wait" through label Out Of Line music, there's no doubt that Being As An Ocean will continue to make an impact one heartfelt song at a time.

BLACKBRAID Shares Lead Guitar Play-Through for "The Wolf that Guides the Hunters Hand," On Tour Next Week!

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

STREAM 'BLACKBRAID II' HERE

Indigenous black metal master Blackbraid is now sharing a lead guitar play-through for the song "The Wolf that Guides the Hunters Hand," which is taken from the solo project's brand new album, 'Blackbraid II.' The clip can be found at THIS LOCATION.

In addition, Blackbraid will be kicking off an extensive North American tour next week in support of Wolves in the Throne Room. The trek will kick off on September 29 in St. Louis and will then conclude nearly a month later on October 24 in Denver, CO. The full itinerary can be found below while tickets can be found HERE.

'Blackbraid II' can now be streamed everywhere or ordered via Bandcamp or The Official Blackbraid Merch Store! The album is available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

GET TICKETS HERE

BLACKBRAID

(Supporting Wolves in the Throne Room w/ Gaerea + Hoaxed)

Crypt of Ancestral Knowledge North American Tour

09/29: St Louis, MO @ Red Flag [TICKETS]

09/30: Chicago, IL @ Metro [TICKETS]

10/01: St. Paul, MN @ Amsterdam Bar & Hall [TICKETS]

10/03: Detroit, MI @ El Club [TICKETS]

10/04: Toronto, ON @ Lee's Palace [TICKETS]

10/05: Montreal, QC @ Theatre Fairmount [TICKETS]

10/06: Boston, MA @ Big Night Live [TICKETS]

10/07: Hamden, CT @ Space Ballroom [TICKETS]

10/08: Brooklyn, NY @ Brooklyn Monarch [TICKETS]

10/10: Philadelphia, PA @ Underground Arts [TICKETS]

10/11: Baltimore, MD @ Baltimore Soundstage [TICKETS]

10/12: Richmond, VA @ The Canal Club [TICKETS]

10/13: Greensboro, NC @ Hangar 1819 [TICKETS]

10/14: Atlanta, GA @ The Loft [TICKETS]

10/15: Tampa, FL @ Orpheum [TICKETS]

10/17: Dallas, TX @ Echo Lounge & Music Hall [TICKETS]

10/18: Austin, TX @ Come And Take It Live [TICKETS]

10/20: Albuquerque, NM @ Sister [TICKETS]

10/21: Tucson, AZ @ Encore [TICKETS]

10/23: Salt Lake City, UT @ Metro Music Hall [TICKETS]

10/24: Denver, CO @ The Oriental Theater [TICKETS]

Blackbraid Live (UK):

06/01 - 02: Scarborough (UK) @ Fortress Festival [TICKETS]

"...you can hear a delicately strummed acoustic guitar here, a traditional flute there. Catchy riffs, most notably on the single 'The Spirit Returns,' coexist with ambitious tracks like the 13-plus-minute 'Moss Covered Bones on the Altar of the Moon,' which waxes and wanes like an epic saga." - The New York Times

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

"...one of the finest albums to grace black metal in years and you just get the feeling there is still more to come from this truly special band." - Distorted Sound Magazine (10/10)

"Sgah’gahsowáh channels his heritage and love for the earth through his music, and with that, he also brings a certain energy that conjures up desert dunes and rolling planes from North America just as well as a Norwegian black metal band conjures up snowy, bleak hills." - Metal Sucks (4.5/5)

"...forging a new path forward for black metal in 2023, one that will likely continue to set him apart from his contemporaries and become one of the biggest new faces in the genre for years to come." - Heavy Music HQ (4.5/5)

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

Press Inquiries: Katy Irizarry @ Katy@suspiriapr.com

Management: Ashley @ Wolf Mountain Productions

Emil Bulls Signs With Arising Empire + Shares Video For "The Devil Made Me Do It" — WATCH😈

EMIL BULLS SIGNS WITH ARISING EMPIRE

BAND SHARES VIDEO FOR "THE DEVIL MADE ME DO IT" — Watch Below.

Unveiling a profound exploration of the human psyche, Emil Bulls' brand new single "The Devil Made Me Do It" delves into the intricate layers of human nature. T

 Through its lyrics, listeners will experience the age-old struggle of personal responsibility versus the influence of external forces. With powerful metaphors, notably the devil's imagery, the song offers listeners a deep dive into emotions often felt but rarely spoken about.

Stream the song here.

"We’re thrilled to finally show the world what the devil made us do," says the band.

PHOTO CREDIT: Janiz Hinz

EMIL BULLS ARE:
Christoph von Freydorf — Vocals
Stephan Karl — Guitar
Andy Bock — Guitar
Pascal Theisen — Bass
Fabian Füss — Drums

Hollow Front Share "Breaking Teeth" — LISTEN

Grand Rapids, Michigan-based metalcore slingers HOLLOW FRONT recently announced their third album The Fear of Letting Go. It arrives October 27 via UNFD. Pre-order it here.

Today, they have shared the visualizer for the voracious new single "Breaking Teeth."

Watch and listen Below.

The song is as fierce and ferocious as its name suggests — it can knock your chompers right down your through with its intensity! It also features a synthy mid-section, which is an unexpected and thrilling sonic surprise.

"This song is just pissed," says vocalist Tyler Tate. "It's one of the heaviest songs on the record, if not the heaviest. When I wrote the lyrics, I was just so fed up with the world and my life in general. It felt like no matter what I did, I could never get ahead. Set back after set back, problems around every corner. It's annoying having to cope all the time. Living should be simpler. But the society we live in prevents that. We should all be pissed about it."

This Grand Rapids, MI duo — Tate and Lee Albrecht [guitar ] — emerged from a season of seemingly endless trials and tribulations. Instead of backing down, they transform the chaos around them into unpredictable and undeniable anthems. 

"The album is a journey out of feeling helpless in a situation I don't have control over," notes Tyler. "I've realized the only thing I have control over is the choice to move on and keep going. That's all I'm doing. I'm not ready to give up yet."

There's no reason to…

Hollow Front have consistently captivated audiences by tempering unfettered heaviness with undeniable melodies. The band emerged as a fan favorite with Loose Threads in 2020. After the album tallied 1 million streams during release-week, "Afflicted" eventually racked up over 7.2 million Spotify streams and counting. The 2022 follow-up, The Price of Dreaming, earned widespread critical acclaim. New Noise Magazine hailed it as "a blistering and bruising experience, evoking myriad emotions and conveying a heady and moving blend of euphoria and despair." Distorted Sound dubbed it "metalcore at its most earnest." Along the way, they shared stages with everyone from Fit For a King and We Came As Romans to Dayseeker and August Burns Red. 

At the same time, the guys weathered one storm after another. A van accident, subsequent financial strife, and lineup shifts left Hollow Front a two-piece by the end of 2022. So, the pair hunkered down and wrote, mixed, and mastered what would become The Fear of Letting Go in its entirety with Lee producing and recording out of his home studio. For the first time, Tyler also assumed both heavy and clean vocal duties.

Philadelphia art-rock duo TULIPOMANIA presents new single 'You Had To Be There' with mysterious animated film

"Tulipomania’s unique take on post-punk boasts gritty guitars underpinned by a brooding rhythm section to provide a backdrop for compelling and atmospheric vocals" ~ Louder Than War

"All the hallmarks of fine Cold War electronica: a brain-searing synth line, and an overwhelming sense of claustrophobia and bubbling anxiety" ~ Electronic Sound

"Sends you in a spiral of pure nirvana" ~ Magnet Magazine
 
"Reverberating, rippling riffs are more soothing and spacious, replicating deep-sea sonar devices and lulling lap steels... mystery-laced lyrics" ~ Big Takeover Magazine


Magnification doesn’t always yield detail.
Maybe you had to be there…
When the observer and the observed exchange places – at what point do we hold ourselves accountable?

Philadelphia-based art-rock duo Tulipomania present 'You Had to Be There', the first single from their new album 'Dreaming of Sleep', slated for release on November 17 via Sursumcorda Records.

This is Tulipomania's fifth album, featuring cover artwork by Michael Speed,previously senior designer at Beggars Group London. and involving Executive Producer Howard Thompson, renowned for his contributions as a record industry executive (Elektra, Island, Almo Sounds), having discovered such artists as Adam and the Ants, Billy Bragg, MC5, Mötorhead, PiL, Psychedelic Furs, Robyn Hitchcock, The Sugarcubes and Suicide, and others.

On this album, Tulipomania has immersed themselves fully in electronic means of creation – the exception being a sole accent played on electric guitar.

Alternately categorized as cult synth punks, glam-leaning, post-punk, art-rock and muscular chamber pop, Tulipomania is made up of Tom Murray (lead vocals, synthesizer, electronic percussion) and Cheryl Gelover (synthesizer, background vocals), who first began their collaboration through projects for experimental film and animation classes.  The duo now known as Tulipomania has evolved from those experiences.

As its first single, 'You Had To Be There' establishes the conceptual viewpoint of the album – embracing contradiction invites accountability. Cheryl Gelover says, "The Dada-esque stance channels a hopeful innervating energy. When navigating the morass – trust the teller – or the tale? You had to be there... maybe."

Created frame by frame, the animation includes animated lip sync and vintage found footage in an exploration of varied states of disintegration and recombination, created on thousands of individual sheets of black or white paper.

"There has been an overwhelming sense of dread and mistrust obviously brewing for a long time. In the post-Trump post-pandemic now - if it is or ever will be possible to be post either of those cataclysmic events –  I wonder what the future will ask about it all," says Tom Murray.

"I wonder what the future will not understand and want to clarify about the self-serving lies, liars and grifters, and the foolishness of many who were here but not present in any real sense – unable or unwilling to see what was and is happening as everything rolls up to the very well placed few. I don't know what we can tell the future that can make this recent history any clearer. Maybe it is and has always been – and will always be this way. Maybe, you had to be there."

Described as ‘artistic and inventive’ and ‘gorgeous', Tulipomania's animated music videos have been featured in film festivals worldwide. Numerous such festivals have already showcased this new video as an official selection, including the Leeds International Film Festival (UK), StopTrik (Croatia, Poland), AniFilm (Czech Republic), Insomnia (Russia) and Malatesta (Italy) with the Montreal International Animation Film Festival - Animaze awarding it an Honorable Mention.

The pair also recently created two animated music videos - 'Hush' and 'Shock To The Body' - for Cabaret Voltaire co-founder and frontman Stephen Mallinder in support of his solo album 'Tick, Tick, Tick', released last year on Dais Records.

As of September 20, the single 'You Had to Be There' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. On November 17, the full 'Dreaming of Sleep' album will be released on CD, vinyl and digitally.. It is available for pre-order via Bandcamp.

CREDITS
Music and lyrics written by Tulipomania
Cheryl Gelover - keyboards and vocals
Tom Murray - bass, drums, keyboards and lead vocals
Produced by Tulipomania and Richard Hartline
Recorded by Tulipomania and Richard Hartline
Mixed and Mastered by Richard Hartline
Howard Thompson - Executive Producer
Film directors / animators - Cheryl Gelover and Tom Murray
Cover artwork was created by Michael Speed


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Britain's KARAMELIEN presents 'Living With The Moon', sweet reverie previewing the indiepop duo's debut album

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


UK indiepop duo Karamelien presents their new single 'Living With The Moon',the title track from their forthcoming album by the same name.

An upbeat, breezy offering, this is a feel-good guitar-driven anthem that gives the musical finger to the armchair critics. At the same time, it comes to terms with the ongoing struggle with mental health and embraces the lunar flow - the ups and downs and ebbs and flows of life and all its mysteries.

Based in East Grinstead, Karamelien is singer-songwriter Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them. The new single is about finding triumph through adversity, but also makes for a great singalong indie pop anthem.
 
"I wrote this song after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!" says Léanie Kaleido.
 
“So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Earlier, Karamelien released the single 'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

The 'Living With The Moon' single is out now, available on Spotify, Apple Music and Bandcamp. The full album will be released on October 27 and is already available for pre-order via Bandcamp.

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