Silent Planet Announce "SUPERBLOOM" Album + Share "Collider" Video

California metal band SILENT PLANET have announced their new album SUPERBLOOM. It arrives November 3 via Solid State Records. Pre-order it here.

The release date is significant for the band, as it arrives on the anniversary of their horrific van accident.

Today, the band has shared the music video for "Collider." Watch it below.

"Take all the darkness. All the vitriol, the greed and the vanity; lay it again as dust. Everything can be alchemized. This song is called 'Collider,'" says singer Garrett Russell. "It's about what comes out of our lives when the people we trust and hold closest are the ones who can hurt or betray us the worst. We don't have to run from the pain or be afraid. The dark gives us the energy to make something beautiful. The song is about alchemizing the darkness and transforming its negative properties."

When the band dropped "Antimatter," Revolver enthused, "Silent Planet's new single begins with throbbing electronic pulsations and robotic clean croons, making you think that you're in for a clubby pop song. Nope. The djent instrumentation comes crashing through, and eventually the whole song builds up to a screamed chant that blends poledance-worthy synths with rigid, toe-stubbing breakdowns. Fuck yes."

"A SUPERBLOOM is this strange moment where brilliant fauna spring forth unexpectedly and bring forth such an array of colors, it almost feels alien in origin," Garrett notes. "It only lasts for a couple of weeks before it’s gone. While we were recording, the SUPERBLOOM was happening. For me, the record is getting in touch with the other side and watching the strange and paranormal emerge from the mundane and profane, hence the title."

Silent Planet has consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent [2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far."

Silent Planet will return to the road this September, supporting Dayseeker. All dates are below, including Silent Planet headline shows.

SILENT PLANET ON TOUR:
WITH DAYSEEKER + MOXY THE BAND:
8/31 — Springfield, MO — The Riff ^
9/1 — Lubbock, TX  —  Jakes
9/2 — Oklahoma City, OK — 89th St Collective ^
9/3 — Memphis, TN  —  Black Lodge
9/5 — Indianapolis, IN  —  Deluxe @ Old National Centre
9/6 — Flint, MI  —  Machine Shop
9/8 — New Haven, CT  —  Toads Place
9/9 — Asbury Park, NJ  —  Asbury Lanes
9/12 — Lakewood, OH  —  The Roxy  —  Mahall’s
9/13 — Davenport, IA  —  Capitol Theatre
9/14 - Omaha, NE at Waiting Room ^
9/15 — Colorado Springs, CO  —  Black Sheep
9/17 — Billings, MT  —  Pub Station
9/19 — Spokane, WA  —  Knitting Factory
9/20 — Tacoma, WA  —  ALMA
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
9/26 — Phoenix, AZ — Underground ^
9/27 — El Paso, TX — Lowbrow ^
9/28 — Austin, TX — Come and Take It Live ^
9/29 — Dallas, TX— Gilly’s ^
^Silent Planet Headline shows

SILENT PLANET ARE:
Garrett Russell — Vocals 
Nick Pocock — Bass
Mitchell Stark — Guitar
Alex Camarena — Drums

Polaris Share "Overflow" Video

POLARIS SHARE NEW VIDEO FOR NEW SINGLE "OVERFLOW"

NEW ALBUM FATALISM OUT SEPTEMBER 1 VIA SHARPTONE RECORDS

Ahead of the release of their impending new album Fatalism, due out on September 1 via Resist Records in Australia and SharpTone Records for the rest of the world, Sydney melodic metalcore outfit Polaris have today unveiled the video for the captivating new single "Overflow."

Watch the music video for below.

(WARNING: Viewers are advised that the following video contains images of Ryan Siew.)

Boasting translucent melodics, smuldering guitars, and emphatic vocals, "Overflow" is an immersive and layered outing that detonates heavier moments alongside more serene terrain, expanding the band's creative palette with alternative rock contours and deeply raw thematics.

"This is one of the much more personal and vulnerable tracks on the record lyrically, whereas the other two singles took a wider, more outward perspective," shares drummer and lyricist Daniel Furnari. "I feel like the meaning of the song is fairly self-explanatory, and I think a lot of people will naturally interpret it through the lens of their own experiences. But essentially, for me, it's about the struggle of fighting off a panic attack and the impact of that struggle on others."

As with Fatalism's previous singles, "Inhumane" and "Nightmare," "Overflow" emerged during the band's 2022 writing session in the Blue Mountains, with the alt rock leanings beating at the core of the latest track organically emerging from some of Polaris' own personal listening repertoire.

"'Overflow' was another track that came about from one of our writing retreats, so I guess that system was really paying off at this point," Furnari shares. "We were pretty deep into the process at this point, I think this was actually the final track to make it onto the record. Jake had been pumping out simple chord sequences in an effort to break away from the busier, riffier stuff we'd been writing, and Ryan came in with this super catchy sliding lead over the top, which became the basis for the chorus and the central motif of the song. Stylistically, where Inhumane explored a sort of nu-metal direction and Nightmare was a straight up metalcore track in the truest sense, I’d say 'Overflow' is much more of an alt-rock track."

Touching on the evolution of "Overflow," Furnari reveals, "I think my favorite part of this song is the direction the second verse takes, particularly when it picks up the energy for a moment. Rick wrote this verse development that really leaned into the sound of bands like Basement and Balance & Composure, which we both love, so it's always satisfying when we find a way to somehow incorporate that alongside the heavier stuff that we more regularly do. Finding a way to get a big heavy section into this song without it feeling out of place was also a challenge and I love that we managed to shape this combination of sliding powerchord accents, crazy programming and bass and drum moments into a type of breakdown we hadn't accomplished before."

Fear: humanity's great divider, but also its most potent unifier. It's this very notion that lies at the beating core of Polaris' third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course.

Polaris have already firmly established their place as a fixture in the Australian heavy landscape via their first two albums, the ARIA-nominated The Death Of Me and 2017's The Mortal Coil, which debuted in the Australian Top 10. They have been awarded a laundry list of accolades, album of the year mentions in end of year lists, sold-out countless headline tours of Australia, and have toured across the globe. Not to mention performing at Download Festival, Unify Gathering in Australia, headlining Knight & Day Festival, and most recently performing the 2022 Good Things Festival headlined by Bring Me The Horizon.

PRE-ORDER FATALISM HERE.

Gvllow Drops New Darkwave Banger - "IT'S SO COLD"

Gvllow has released brand new single, "It's So Cold", today. The new track channels the very best of 80s goth and darkwave, offering a spooky, etheral vibe that perfectly offsets the track's lyrical theme. Stream the new track HERE and watch the accompanying music video below.

Speaking on the release of his new track, Gvllow shares

"I wrote this song back in the beginning of 2023 when it was consistently cold every single day in Southern California. 

I was recording in a weird space that I had rented out for a little bit in between moving and it made me realize how much of a home body I am. I love being home, it was freezing outside, and I was having all kinds of weird dreams from melatonin and out came the lyrics for this instrumental I had written for weeks. Dreams about ghosts from my past, being too far away from home, and being cold everyday. Sometimes it takes me weeks to write lyrics to my songs but I've just learned to let them come to me, I don't force it anymore"

GVLLOW released his acclaimed 'Spiritwalker' EP in the Spring of 2021, the release saw his stylistic expansion into post-punk and dark wave. Heavily influenced by by the likes of Drab Majesty, Sisters Of Mercy and Bauhaus, the transition began with highly acclaimed single "Last Dance" from his previous, eponymous full-length and continued with the 'Spiritwalker' EP and his 2022 releases - "Die By Your Hand", "Falling Down", "Not Sorry" and the 'Suffer' EP.

What The Press Say About Gvllow

"A fascinating solo artist bringing together elements of goth, darkwave, punk and rap."

- Kerrang!

"SoCal's Gvllow...pulls elements of Eighties goth, post-punk and death-rock into his eerie, dance-floor-ready brand of heavy hip-hop."

- Revolver

"truly a must-listen for anybody who values variety and intrigue in their playlists."

- Alternative Press

"From gritty hip hop to cold dark wave, the emerging prospect goes beyond genre to assert an identity all his own."

- Knotfest.com

About Gvllow

GVLLOW blends the sonic and visual aesthetics of 80s new wave and southern California punk rock mixed with the beach sounds of Dick Dale and The Beach Boys to create a sound that is fresh, diverse and completely unique. Born and raised in Riverside, California, he grew up in the SoCal Punk scene. He started playing drums at age nine and would go to The Showcase Theatre in Corona every weekend to watch bands such as Dr Know, TSOL and Narcoleptic Youth.

In 2015, he became involved in the bludgeoning underground rap scene, DJing for the likes of Ghostemane and Lil Peep in Schemaposse. Since then, he has gone on to perform as touring DJ for the likes of City Morgue, as well as release two solo albums; 2018’s “Waste Away” and “Gvllow” released in July of 2020, which features guest appearances from the likes of Travis Barker, Brennan Savage and Jack Grisham (TSOL) and has spawned singles “Fear”, “Johnny Cash” and “Last Dance”. 

To date, GVLLOW has clocked up over 31 million career streams on Spotify, 242,000 monthly Spotify listeners, and 1.4 million YouTube views.

Of Mice & Men Announce Share "Castaway" Video

Gold-selling hard rockers Of Mice & Men — Aaron Pauley (bass + vocals ), Valentino Arteaga (drums), Alan Ashby (guitar), and Phil Manansala(guitar) — previously announced their new album Tether on October 6 via SharpTone. Pre-order it here.

Today, they have shared the "Castaway" video. Watch it below.

"'Castaway' is about longing for connection with the people in our lives who tend to distance themselves when dealing with hardships, and how our inability to help them often feels like we're frozen in time," the band says.

Taking all creative matters into their own hands, the Southern California quartet self-produced and engineered all of the songs on Tether, their astonishing eighth album. Pauley mixed and mastered the album while Arteaga designed and painted the album's artwork. As a legion of devoted listeners worldwide has come to expect, guitarists Phil Manansala and Alan Ashby, Aaron, and Tino poured their hearts and souls into every note, creating another sonic document of their lives. 
 
“With this one, we weren’t really focused on how it sounded as much as we focused on how it felt," Pauley explains. "And that's a weird thing to do when all you're working with is sound. But that was really the goal. And we walked away from making it, feeling like we've accomplished that."
 
OM&M take sobering looks at depression, anxiety, loneliness, and existential dread, powering through the darkness, and emphasizing the importance of creativity as a balm for mental health. A commanding tempest of sounds coalesces within Of Mice & Men, blending the uplifting eloquence of modern active rock with the atmospheric dissonance of experimental post-rock. The band first emerged as part of a vanguard of future aggressive rock hitmakers. Over the years, they've distinguished themselves with musicality, creative ambition, and resilient determination. 

Album eight is no less ambitious. Tether is anchored by a reflective meditation on what it means to draw together as friends, family men, artists, and bandmates. What does it mean to be there for the people who depend on us, knowing we can’t fully protect them from the hardships of life? 
 
Tether is the next step in OM&M's evolution, combining their core sound with experimental and ethereal sound designs. The creative process focused on the excitement of discovery rather than preconceived "goals." Pursuing the moments when the elusive "x factor" reveals itself in the songs. Those moments are palpable in songs like "Integration," "Warpaint," "Enraptured," and "Indigo."
  
The Of Mice & Men core since 2016 – Aaron, Alan, Tino, and Phil – maintain a powerful bond with their audience and each other, no matter the obstacles. Whether a powerful anthem or atmospheric confession, their songs translate in intimate clubs and massive festivals. "It's about creating moments for people," Pauley says. "Music is the soundtrack to people's lives."

OM&M will also hit the road with Bullet For My Valentine and Vended this fall. All dates are below.

OF MICE & MEN ON TOUR:
WITH OF BULLET FOR MY VALENTINE + VENDED:
9/8 — Alton, VA — Blue Ridge Rock Festival*
10/8 — Montreal, QC — Mtelus
10/10 — Worcester, MA — The Palladium 
10/12 — New York, NY — Terminal 5
10/13 — Silver Spring, MD — The Fillmore Silver Spring
10/15 — Philadelphia, PA — Franklin Music Hall
10/17 — Pittsburgh, PA — Stage AE
10/18 — Cleveland, OH — The Agora
10/19 — Cincinnati, OH — The Andrew J. Brady Music Center
10/21 — Kansas City, MO — Uptown Theater
10/22 — Chicago, IL — Riviera Theatre
10/24 — Minneapolis, MN — The Fillmore Minneapolis
10/26 — Denver, CO — Mission Ballrom
10/28 — Flagstaff, AZ — Pepsi Amphitheater
10/29 — San Diego, CA — SOMA Mainstage
10/31 — Los Angles, CA — The Wiltern
11/1 — Phoenix, AZ — The Van Buren
11/2 — Albuquerque, NM — Revel Entertainment Center
11/4 — San Antonio, TX — Boeing Center At Tech Port
11/5 — Dallas, TX — House of Blues Dallas
11/7 — Houston, TX — House of Blues Houston
11/8 — New Orleans, LA — The Fillmore New Orleans
11/10 — Orlando, FL — Hard Rock Live Orlando
*Festival Date

3TEETH Releases New Single “Higher Than Death” & Animated Lyric Video

There’s just a month to go until 3TEETH releases its first full-length album in four years, EndEx on September 22 via Century Media Records. Continuing with the series of monthly singles ahead of the release, the modern industrial act today shares the rollicking track, “Higher Than Death.” It’s paired with an animated lyric video that allows listeners to come even closer with the lyrical venom of band frontman and mastermind Alexis Mincolla. 

See the video for “Higher Than Death” below.

Says Mincolla of the track, “The only clear view is from atop the mountain of your dead selves.”

3TEETH’s new album EndEx will be released by Century Media Records on September 22, showcasing the modern industrial act at their most raucous yet, unveiling bold revelations of humanity’s technosocial disintegration behind a brutal soundtrack that sounds all the alarms. Revolver recently hailed EndEx one of the top 20 most anticipated albums of 2023, saying it “promises to be the band's weirdest, most expansive offering yet.”

EndEx is the band’s first album since 2019’s Metawar, which Consequence recently named as one of the Top 50 Industrial Albums of All Time, hailing 3TEETH as “one of the modern bands keeping industrial alive.”

EndEx features the handiwork of a solid extended team including the accomplished sound designer Mick Gordon (best known for his work on the gaming phenomenon DOOM) who produced several of the tracks along with producer Nick Rowe and mixer Sean Beavan (NIN), bringing in another dimension to the band’s unmistakable sound.

Early singles have included noisemaker “Paralyze” (featuring Ho99o9); the gripping sonic salvo, “Merchant of the Void,” that touches on the bleak landscape of modern society amid A.I. takeovers and economic collapse; “Slum Planet,” taking aim at the ills of a sick planet obsessed with over-consumption at all costs; Scorpion,” a track in which the band’s instrumental arsenal is tempered by alluring female vocal chants that provide an ambient feel; and the stripped-back single “Drift,” paired with a video showing the band at work in the studio.

Early tracks have been hailed as some the “best new songs” by Metal Hammer and Revolver. While Metal Hammer says the new 3TEETH material “traces lineage in both Al Jourgensen and Trent Reznor,” Revolver hails the new music as “utterly gigantic and over-the-top in the best way possible” and applauds the return of 3TEETH in 2023 at a time “when we needed their apocalyptic, incendiary industrial-metal most.”

Ahead of the release of EndEx in late September, 3TEETH will release two more singles. Other highlights on the album include a cover of Tears for Fears’ “Everybody Wants to Rule the World,” continuing 3TEETH’s penchant for aggressive reworks of pop songs, previously seen on Foster the People’s “Pumped Up Kicks,” Sweet’s “Ballroom Blitz” and Dead or Alive’s “You Spin Me Round (Like A Record).”

EndEx will be available in CD, Gatefold LP, and digital album formats. Special formats include: 

• Red LP (available at all EU outlets)

• Red Smoke LP (available at all US outlets)

• Ultra-Clear / Red Splatter LP (available from 3TEETH)

• Black-White Marbled LP (available from Revolver)

Pre-order EndEx here: https://3teeth.lnk.to/EndEx

ABOUT 3TEETH

3TEETH first manifested their cybersocial intentions as early as 2013: a musical entity born out of Mincolla’s Downtown L.A. weekly gatherings known as “Lil’ Death” With Xavier Swafford (keys, synth), Chase Brawner (guitars) and Andrew Means (bass, synth) joining Mincolla. 3TEETH released their first self-titled album the following year. Alliances with the likes of TOOL and Rammstein resulted in the collective’s first live performances and a rise to further notoriety with the release of 2017’s album shutdown.exe. which took 3TEETH to global stages. Working alongside producer and mixer Sean Beavan (NIN) at new label home, Century Media, 3TEETH upped their own sonic arms race with Metawar (2019) and entered a new echelon of cultural consciousness with a collection of tracks including the biting “President X” and their haunting take on Foster the People’s “Pumped Up Kicks.”

"The modern carriers of the industrial rock torch" — Revolver

"State-of-the-art sensory overload with take-no-prisoners level of aggression" — Rolling Stone

“3TEETH bring the aggression with aplomb” — Loudwire

“3TEETH are one of the modern bands keeping industrial alive”

— Consequence

3TEETH is:

Alexis Mincolla – vocals

Chase Brawner – guitars

Xavier Swafford – keyboards and synthesizer

Andrew Means – bass

Nick Rossi – drums

Find 3TEETH Online

Website: https://3teeth.org/

Facebook: https://www.facebook.com/3Teeth

Twitter: https://twitter.com/threeteeth

Instagram: https://www.instagram.com/3teeth/

YouTube: https://www.youtube.com/channel/UCdUZ81wDL5GF_v0XUOyJRSg

MAYHEM Unveils Official Live Version of "Chainsaw Gutsfuck"

True Norwegian black metal pioneer MAYHEM will be releasing a monumental live album, 'Daemonic Rites,' on September 15, 2023 via Century Media Records! The record is a comprehensive look at the legendary band's chaotic and intense performances from various cities around the world over the last two years. The album promises to be a thrilling sonic journey for fans and a testament to Mayhem's unparalleled live prowess.

Now, Mayhem is debuting the live version of "Chainsaw Gutsfuck" along with a visualizer, which can be found below.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live," Necrobutcher previously explained. "As a treat to our fans, we decided to release this live recording.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever! I guess that’s a big reason why we still are here after 39 years—and counting.”

'Daemonic Rites' marks the culmination of the 'Daemon' era, which commenced in 2019 with the release of their critically acclaimed studio album, 'Daemon.' The journey continued with the savage EP 'Atavistic Black Disorder' in 2021, leaving audiences hungry for more. This latest live conglomeration serves as the ultimate chapter-closer for this landmark.

Fans can pre-order and pre-save 'Daemonic Rites' HERE.

For fans who are hungry for the real thing, fret not! Mayhem will be hitting the road later this year with Cannibal Corpse, Gorguts, and Blood Incantation. The extensive trek will kick off on September 22 in Nashville, TN and will draw the final curtain a month later on October 21 in Louisville, KY. Tickets can be found HERE. The full itinerary is as follows:

Mayhem Live North American Dates

(w/ Cannibal Corpse, Gorguts, Blood Incantation):

09/22: Nashville, TN @ Marathon Music Hall

09/23: Charlotte, NC @ The Fillmore

09/24: Knoxville, TN @ The Mill & Mine

09/26: Pittsburgh, PA @ Stage AE

09/27: Toronto, ON @ Rebel

09/28: Montreal, QC @ L’Olympia

09/29: Worcester, MA @ The Palladium

09/30: Brooklyn, NY @ Brooklyn Steel

10/02: Detroit, MI @ The Royal Oak

10/03: Gary, IN @ Hard Rock Live

10/04: Minneapolis, MN @ The Fillmore

10/06: Denver, CO @ Mission Ballroom

10/07: Salt Lake City, UT @ The Depot

10/09: Tacoma, WA @ Temple Theatre

10/10: Spokane, WA @ Knitting Factory

10/11: Boise, ID @ Knitting Factory

10/13: San Francisco, CA @ The Warfield

10/14: San Diego, CA @ SOMA

10/17: San Antonio, TX @ The Aztec Theatre

10/18: Dallas, TX @ The Factory

10/20: Atlanta, GA @ The Eastern

10/21: Louisville, KY @ Paristown Hall

BUY TICKETS HERE

'Daemonic Rites' will be available in the following formats:

- Ltd. CD Digipak

- Gatefold Black 2LP

- Ltd. Transp. Magenta 2LP (Limited to 1.000 units)

- Ltd. Gatefold Transp. Red 2LP (Limited to 500 units)

- Ltd. Gatefold Silver 2LP (Limited to 500 units)

- Ltd. Deluxe Box Set (incl. Gatefold Golden 2LP, CD, Poster, Setlist, Tour Laminate w. Lanyard

& Signed Guitar Pick Set - Limited to 1.000 units)

With a reputation built on their unyielding commitment to the darkness, Mayhem has

become a revered name in the world of extreme metal. As a band that defies expectations

and pushes the boundaries of the genre, their live performances are known for leaving

audiences breathless and in awe.

Mayhem is thrilled to share this live opus with their dedicated fans, who have stood by

them throughout their tumultuous and illustrious career. 'Daemonic Rites' is not only a

celebration of the past but also a declaration of the band's continued relevance and power

in the present-day metal landscape.

Lineup:

Necrobutcher – Bass

Hellhammer – Drums

Attila – Vocals

Teloch – Guitar

Ghul – Guitar

Follow Mayhem:

Official Website

YouTube

Facebook

Instagram

Twitter

THE VOYNICH CODE Announce New Album 'Insomnia'; Drop New Single "Slaves To The Machine"

Portuguese deathcore juggernaut, THE VOYNICH CODE has announced their new album ‘Insomnia’, today. The album is set for release on October 13th and will be the band's first release via their recently announced new label home, Unique Leader Records. The quartet has also unleashed brutal new single and music video “Slaves To The Machine”, giving fans the first taste of what's to come from the new release.

Pre-Save 'Insomnia' HERE.

Stream “Slaves To The Machine” HERE and watch the music video below.

Blending death metal, deathcore, and progressive metal, THE VOYNICH CODE brings technical guitar riffs, precise drums, atmospheric keyboards, and guttural vocals together into an unpredictable and enthralling sound. Since emerging in 2014 with debut single “Antithesis”, the band has built a dedicated fanbase and earned critical praise, including comparisons to genre leaders like Thy Art Is Murder.

Their crushing 2017 debut LP “Aqua Vitae” provided opportunity for extensive European tours, festival appearances, and a headlining tour of Japan and Asia. Now signed to Unique Leader Records, THE VOYNICH CODE is poised for their biggest milestone yet with “Insomnia”.

The 10-track album sees the band push their signature sound even further into dynamic new territory. Fans can preorder now at HERE for its October 13th release. Stay tuned for more from the fast-rising Portuguese metal innovators coming soon.

ABOUT THE VOYNICH CODE

Coming straight from the warm city of Lisbon, Portugal, THE VOYNICH CODE is a four-piece deathcore band that masterfully blends elements of Death Metal, Deathcore, and Progressive Metal to deliver an enthralling and unpredictable sound.THE VOYNICH CODE is characterized by its blend of technical proficiency and emotional depth with heavy guitar riffs, groovy drums and mysterious keyboards that are sure to captivate the fans of heavy music.

The band's debut 2014 single, "Antithesis," quickly garnered them a loyal following of fans and critical acclaim from the press. Their momentum continued to build with their first international performance at the prestigious UK Tech Fest in 2015.

The band's first full-length album, "Aqua Vitae," dropped in 2017, receiving high praise from notable publications such as Metal Hammer and Metal Sucks. The debut album provided the opportunity to tour Europe extensively, including supporting The Faceless on their album release tour, performing at major festivals like Resurrection Fest 2018 and UK Tech Fest 2018, and headlining a tour in Japan, Asia.

In 2021, the band unleashed their highly anticipated second EP, "Post Mortem," which showcased the truest and rawest representation of their sound yet. The record takes the listener on a journey through a more mature death metal style, pushing the boundaries with melodic guitar solos, fast drum patterns, and straight-to-your-face vocals.

The band signed to Unique Leader Records in the summer of 2023, marking one of the biggest moves in their career, and will be releasing their highly anticipated new album, 'Insomnia' on October 13th, 2023. With this new partnership, THE VOYNICH CODE is poised to reach even greater heights and solidify their position as one of the most exciting and innovative bands in the genre.

NEVARIS and BILL LASWELL present an audio-visual vignette of NYC on 'Interference' single

”Love this! They've made a work of supreme creativity” ~ Carlos Santana

"An excellent, calm and collected blend of grooves and moves, ambience and addiction, brass and bass, analogue and digital, the old and the new, the timeless and the forward-thinking all subsumed into a Dub sound" ~ Big Takeover Magazine

"An immersive and atmospheric experience within the realm of dub music...  a sonic landscape where every element has its place and purpose" ~ Skylight Webzine

"Evokes the imagination into eager action, sultry intimations echoed in the music’s warmly fragrant enterprise and inspiriting breath" ~ Ringmaster Review


Manhattan-based artist Nevaris presents a NYC audio-visual experience in 'Interference', a fabulous grooved-up track that was inspired by the energy of growing up in New York City. This soulful sonic offering can be found on Nevaris' debut 'Reverberations' album, a fertile soulful collaboration with legendary bassist-producer Bill Laswell, which combines dub, funk, Afro-Latin rhythms, turntablism and extended improvisation.

Released via Laswell's own label M.O.D. Reloaded, this rhythm-driven dub-based project, with breakbeat, funk, ambient, and afro-latin elements gained early support from Carlos Santana, who called this collection "a work of supreme creativity”.

The video for 'Interference' incorporates street videography from NYC, captured over a multi-year period. This includes footage of 5 Pointz before it was painted over, shot between the cars of the 7 train. Additionally, it features glitching signs at port authority, Hurricane Irene passing over, street scenes, and footage of the rhythm section behind the track in the studio and also live. The video features legendary bassist and producer Bill Laswell, drummer Lockatron, turntablist DJ Logic, and Nevaris on percussion.

"Interference is my favorite track off 'Reverberations' and the video captures some of the energy of NYC that has been a part of my life for so long. The A train, the West Side Highway, 14th Street, 181 Street, and the studio in West Orange New Jersey are all captured here, in addition to the shots of 5 Pointz from the 7 train from when I was working out of LIC for a while," says Nevaris.

"There's an energy when you move through the streets of NYC, especially at night. I enjoyed trying to capture that a little bit through the video both in terms of sound and the visual elements. I hope people enjoy it."

'Reverberations' is the third collaboration between Nevaris, Bill Laswell and this lineup of musicians (DJ Logic, Will Bernard, Peter Apfelbaum, Lockatron) with the addition of Matt Dickey. On this release, they focus more on the dub aspects of their sound. The artists' New York roots shine through. Bass, percussion, drums and turntables take center stage, with a sound that channels the city's vibrancy.

Nevaris is a musician and artist of Mexican and European descent, who is heavily influenced by Afro-Latin, dub, and funk music. Prior to recording 'Reverberations', Nevaris recorded and performed with an evolving lineup of musicians under the name Loud Apartment, most notably Bernie Worrell of P-Funk and Talking Heads fame.

"This record builds on the momentum from 'System Breakdown' and 'New Future', which we released in 2020 and 2022 as Loud Apartment. There were dub aspects of those recordings, so Bill Laswell and I decided to create a recording entirely focused on that sound. It was a logical next step and came together in an organic way. We let the music go where it needed to go," says Nevaris.

In addition to his work as a musician, Nevaris is a visual and multimedia artist, who has worked on a vast array of creative projects across mediums. He also co-founded Nolej Records, Nolej Studios and the Uncomun Festival.

'Reverberations' is out now, available from fine digital music platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
All songs written by Agustín Crawford (Ollin Publishing, BMI) & Bill Laswell (BassMatter BMI)
Nevaris - percussion, electric piano, Hammond organ
Bill Laswell - bass, EFX
DJ Logic - turntables
Peter Apfelbaum - horns, Busilacchio electric reed organ
Will Bernard - guitar
Matt Dickey - guitar
Lockatron - drums
Produced by Bill Laswell
Created at Orange Music, West Orange, NJ
Engineered by James Dellatacoma
Mastered by Michael Fossenkemper at Turtletone Studio
Horn arrangements by Peter Apfelbaum
Cover artwork by Realize. Designed by Yoko Yamabe
Bill Laswell uses Ampeg amplification & D'Addario string

Keep up with Nevaris
Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with M.O.D. Reloaded
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud

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Manchester's Harry Stafford (Inca Babies) & North Carolina's Marco Butcher lay down the 'Rules of the House' ahead of new album

"Unapologetically weaving their way through varied genres, Stafford and Butcher’s bluesy story-based music is raw around the edges, while sucking you willingly inside – a sonic diamond in the rough, so to speak" ~ The Spill Magazine

"The symmetry between the two artists is remarkable... refreshing, meshing the grit of blues with an urban thematic. This is dirty but agreeable... Goes down smooth like a good shot of bourbon" ~ Big Takeover Magazine


Manchester underground music icon Harry Stafford (Inca Babies) and US-based trash blues guitarist Marco Butcher present 'The Rules of the House', the second taster of their forthcoming album 'We Are The Perilous Men', out in September via Black Lagoon Records.

Directed by Harry Stafford with camera work by Marco Butcher and Jonny Stafford, the accompanying video was filmed in Wales and North Carolina in 2023.

On this track, Marco shows what a total stone rocker he is, with foot to the floor guitars and drums. Harry adds the story, which was inspired by a terse publican’s list of rules on the specials blackboard. Harry Stafford says, "I don’t remember them all, but 'get a round in' was definitely one of them".

Marco Butcher adds, "Rules of the House is a diabolical and swampy kind of song, mixing some sort of very solid groove with over-the-edge 'No Wave' type of guitars, cutting and dancing with the rhythm".

This single follows the release of the lead track 'Walk Among The Spectres', which explores our own fragile mortality, the video for which was filmed in the expansive Southern Cemetery in Didsbury South Manchester, which dates back to 1700 and was used throughout the Victorian era. Now a public park, people are invited to wander among the tombstones... to literally Walk among the Spectres.

Following the resounding triumph of their 'Bone Architecture' album in 2021, the duo present the second chapter of this exploration, upholding their lockdown-inspired tradition of sending ideas back and forth between North Carolina and Manchester. Creating this album unconsciously - perhaps even telepathically - their musical connection has ignited this album with an infectious energy and spirit.

Based in North Carolina, Brazil-raised trash blues guitarist Marco Butcher (Jam Messengers, Jesus and the Groupies) provides a solid backbeat, jumping with a frenetic rhythm. This foundation ranges from a mess of blues to a stumbling electro beat with Dwayne Eddie funeral guitar. His forages into dance and Hip hop see him mess with the rhythmic DNA, often inspiring the creation of a new dance shuffle at will.

'Rules of the House' is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp. The 'We Are The Perilous Men' album will be released on September 8 and will be available on black vinyl, as well as digitally.

CREDITS
Harry Stafford - vocals, piano, organ, wah wah guitar, jazz flute, synth
Marco Butcher - drums, percussion, guitars, sequencers, bass, keyboards
Tex Napalm - Drones and loops
Produced and Mastered by Marco Butcher at Boombox Studio
Catalogue no. BLRLP0057


Keep up with Harry Stafford
Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Vimeo | Spotify | Apple Music | Booking contact | Press contact

Keep up with Marco Butcher
Facebook  | Bandcamp | Twitter | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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GO AHEAD AND DIE RELEASE MUSIC VIDEO FOR FIRST SINGLE 'TUMORS' + NEW ALBUM UNHEALTHY MECHANISMS OUT OCTOBER 20TH!

Arizona death-crusters GO AHEAD AND DIE will deliver their caustic sophomore album Unhealthy Mechanisms on October 20th via Nuclear Blast Records. A torrential whirlwind born from the livid minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY, CAVALERA CONSPIRACY). This new installment to the band's dystopian catalog is a fresh dive into the madness of society and the pollution that ravages our minds.

The first taste of the album comes in the form of the single 'Tumors'. The headbang-inducing track is a call out to the backstabbers who are toxic and are the "tumors" of life that if left to spread can become cancer. Check out the animated video created by Romanian artist Costin Chioreanu. 

Max Cavalera comments, "The new G.A.A.D. is on its way! More brutal, feral, extreme, and intense than ever before! The album goes in a deep dive into the mental health subject and it’s produced by Igor A! It’s by far the most anarchist record I’ve ever been a part of in my entire career!"

Igor Amadeus Cavalera states, "I’m so excited to release this monster of a record! This album will take you through the darkened madness of declining mental health. It is definitely the heaviest record I’ve ever created, and I can’t wait to unleash it on the masses! G.A.A.D.!"

Stream the new single 'Tumors' here: https://goaheadanddie.bfan.link/tumors.ema

Watch the music video for 'Tumors', below.

Pre-order/pre-save Unhealthy Mechanisms here: https://goaheadanddie.bfan.link/gaaduhmech.ema

Unhealthy Mechanisms was produced by Igor Amadeus Cavalera while John Aquilino handled the recording in his Platinum Underground Studio steeped in the mystic ambiance of the Superstition Mountains’ foothills. The mixing and mastering were once again handled by Arthur Rizk (CAVALERA, SOULFLY, TURNSTILE ). For the artwork, the band enlisted Santiago Jaramillo of Triple Seis Design to create the unnerving design that fits with the album title. GO AHEAD AND DIE's newest record is a testament to declining mental health around the world, and a reminder that we are not alone in our pain. The mind is lost. The fuse is lit. Time to set everything ablaze.

Unhealthy Mechanisms will be available digitally and in the following formats:

• CD Jewel

• Red Cassette (Limited to 400)

• Vinyl

  • Red W. Black Splatter

  • White W. Black Splatter

GO AHEAD AND DIEis:
Max Cavalera| Vocals, Guitar
Igor Amadeus Cavalera| Vocals, Guitar, Bass 
Johnny Valles| Drums

Photo Credit: Kevin Estrada

Visit GO AHEAD AND DIE at:
www.facebook.com/GoAheadAndDieBand
www.twitter.com/GAADband
www.instagram.com/GoAheadAndDieBand
www.youtube.com/@GoAheadAndDie

WORMHOLE Rage Against the Machine on New Single

WORMHOLE warp brutal riffs and screeching dissonance into a signature tech-slam combo. So it's no surprise that the Baltimore band are huge gamers. Their new album 'Almost Human' was inspired by stomping fools at Metroid and Doom as much as headbanging to Artificial Brain and Dysrhythmia.       

Today, Wormhole are premiering a heroic new single with Slam Worldwide. Watch the monstrous visualizer for "Spine Shatter High-Velocity Impact" below.  

'Almost Human' comes out 22 September. Pre-save the album HERE.  Pre-order it HERE.

"This song has our hero struggling as they make their last stand," says Wormhole. "They're desperately trying to rally, but despite their rage, they just keep falling apart. Is the impossible really going to happen? Is our hero, the one we love and cherish so much, really going to lose?"

"Spine Shatter High-Velocity Impact" might be the fastest and sludgiest song on 'Almost Human'. But it's definitely the most disgusting. Brothers Sanil and Sanjay Kumar scrape out stomach-churning riffs, while the rhythm section chews on the breakdown. Julian Kersey's death growl is so fierce and rotten, you can practically smell the stench wafting through your speakers.

When you invent your own genre, you can make the rules, and in space, no one can correct your math. If Wormhole’s excellent The Weakest Among Us was 50% tech death and 50% slamming brutal death metal, their Season of Mist debut is a veritable leveling up of the Baltimore-based act’s trademark “tech slam.” It’s the kind of record that can scramble your brain and give your neck a nice chiropractic workout; Almost Human feels like the future of extreme metal, dropped down from either outer space or delivered by Nintendo cartridge (more on that later).  

So, what the hell exactly is “tech slam?” Well, the gleefully amorphous and unholy term comes from an ethos that guitarists Sanil “Noni” Kumar and Sanjay Kumar discovered and perfected over (probably) thousands of hours of Metroid and Doom games, as well as, you know, actual musical mastery. Almost Human, out September 22, 2023, is more powerful, more agile, and more confounding for pie-chart-enthusiasts than anything else that came before it. The sequel is always bigger, darker, and in this case, covered in much more pixelated space horror viscera. My Wormholio calculator puts their sound at 91% tech and 89% slam, with an increase in awesome stats somewhere in the 420% range. There’s also a clear emphasis on amplifying their dissonant death influence, the kind of eerie melodies that feel like being stomped on by Samus.
 
There’s a clear balance to everything on Almost Human: the songs are more adventurous while also being instantly memorable. No two songs sound alike, and that diversity in songcraft (level design?) sees Wormhole pushing and pulling along their tech and slam dials to figure out what’s best for the song; spoiler, it’s always riffs. What also becomes evident after repeated listens is how carefully the Kumar brothers understand a sense of place, humor, and a consistent vibe. This is still the same band that’s known for throwing on Saturday morning cartoons, and Almost Human continues to hammer home that Wormhole the musical entity is deadly serious, but the guys that make tech slam are not stoic creatures. There’s a warmth and sense of joy when chatting with them that only gets brighter when you ask their favorite Metroid game (that’s a question for a live show). So, what is this vibe they are chasing? Sanjay shares:
 
“The tech slam imagery is based on Metroid lore, Doom lore, and we haven't written a song about it yet, but Alien as well. Those three things are brutal sci-fi universes, so we're trying to embody that sound. The slam riffs, you can connect the brutal killing of stuff with the brutal chunky riffs; that's been a match that's existed since the nineties. So that's the slam part, and then the tech part was harder to fit that vibe, so we kind of do it differently. I lean into very dissonance-vibe stuff, like Artificial Brain and Dysrhythmia. I think disso-death and heavy, they aren't usually paired together, even though they should be.” 

“And then as far as chasing the vibe,” Noni adds, “I kind of go about it two ways. With the Metroid soundtrack or universe, that vibe, there's some dark and gloomy atmosphere, but there's a lot of pretty imagery as well. We wanted to find a way to match that very pretty, kind of out-there sound cohesively in songs with a very aggressive and guttural approach.”
 
Like another famous sci-fi horror masterpiece of a different media, Wormhole’s shifting, amorphous style is perfectly suited to blend in and amaze just about any fan of heavy music. That’s The Thing: they can pull off whatever they want, but it’s always boiled down to that tech slam vibe. Do you like tech, melody, breakdowns, atmosphere, or dissonance? Tech slam can fill whatever void you seek.
 
If previous albums were early generation, lower-resolution visions of tech slam, Almost Human is the 4K reboot, where you can see every pixel of terror and awe. Wormhole are absolutely ready for their closeup. Prepare your worms and your holes, tech slam is here to stay. 

Line-up
Julian Kersey: vocals
Sanil Kumar: guitar
Sanjay Kumar: guitar
Bass: Basil Chiasson
Drums: Matt Tillett

Recording studio: Guitars and vocals were recorded at Wormhole HQ. Drums were recorded at AJ Viana Productions.

Producer & engineering: 'Almost Human' was produced and engineered by Wormhole and AJ Viana. Bass parts were produced and engineered by Alex Weber.

Mixing: AJ Viana at AJ Viana Productions

Mastering: Alan Douches

Artwork: Adam Burke at Nightjar Illustration

Photos: Eric DeCarlo

Biography: Nick Senior

Pre-order: https://redirect.season-of-mist.com/AlmostHuman
Pre-save: https://orcd.co/almosthumanpresave

Available formats
CD Digipack
Digital Download
Vinyl (Black)
Vinyl (Grey)
Vinyl (Orange)
Vinyl (Green)
 
Links
https://wormholemetal.bandcamp.com/
https://www.facebook.com/wormholemetal/
https://www.instagram.com/wormholetechslam/?hl=en
https://open.spotify.com/artist/2foAanYCza7knczRDB8DFt?si=hxz_IV21RzuSeLcibU2tkQ&nd=1

Singer-Songwriter Milky Day Releases Emotionally Charged EP Impulses

Milky Day, the talented singer-songwriter and producer known for his unique blend of R&B and soulful melodies, has released his highly anticipated EP, Impulses. Accompanying the release, Milky has launched the presale for his first Vinyl, which you can purchase here while supplies last. An EP that was primarily written during Covid isolation; Impulses is not only a reflection of internal conflict and struggles, it's also a project written from the perspective of Milky reflecting on all the craziness of the world, from the "window" of his trapped environment. As the world grappled with unprecedented challenges during the pandemic, he goes back and forth between tracks and even sometimes within a single

track, talking specifically about his personal struggles and then switching the narrative to a much larger questioning of purpose and existence. Inspired by raw honesty and life's inevitable struggles, this body of work presents a departure from Milky Day's classic themes of love, instead offering an emotionally charged exploration of life's complexities and challenges.

At the heart of this exploration is the EP’s focus track, "Temptation," which represents the above mentioned perspective within the opening line; "Waiting for better days.” The overall lyrics hint at a dialogue with oneself, questioning if he can be greater than his past self, battling the desire for growth while being trapped in a dark path. This track serves as a powerful introduction to the overarching theme of the EP - grappling with impulses and their consequences. "Aura" delves into the actions taken as a result of these urges, and it unravels the internal struggle between fleeting desires and the longing for stability and self-control. The haunting and poignant "Losing My Grip" follows, shedding light on the aftermath of impulsive decisions. Milky Day's soulful vocals resonate deeply, expressing the sense of loss and confusion that arises when one feels disconnected from life's purpose and meaning. "Rest in Peace" reflects on the transformation and growth that occurs when one decides to break free from the grip of impulsive tendencies, letting go of one's old self and embracing new beginnings. Finally, the EP concludes with the uplifting track "So Good." In this song, Milky Day explores the idea of finding peace with his mind, bidding farewell to negative thoughts, and embracing a brighter future. The song's cheerful vibe towards the end indicates a sense of hope and resolution after the tumultuous journey through impulses and self-discovery.

"Through my observations and life experiences, I realized that everyone struggles with their own inner demons in some shape or form - so I've been exploring more general themes of life struggles and suffering through my music, as you'll hear in my upcoming EP," says Milky Day, shedding light on the inspiration behind Impulses. With Impulses, Milky Day seeks to raise awareness about the shared nature of life's struggles and offer solace to those facing similar challenges. Through his candid and soul-baring approach, he aims to connect with his audience on a profound level, letting them know that they are not alone in their battles and that healing is possible.

Hailing from New Zealand and educated at Amherst College in the United States, where he graduated with a double major in Math and Music, Milky Day is a rising star in the R&B scene. His technical prowess in music production, influenced by his mathematical background, is a testament to his commitment to his craft. Simultaneously, his exceptional songwriting skills showcase his boundless creativity and ability to connect with his audience. Milky Day has released several popular tracks, including "You'll Be Alright" and "Take it Slow," which have gained significant traction on streaming

platforms, with over 47 million combined plays on Spotify alone. Stay tuned for more updates on Milky Day's musical journey and join him as he fearlessly bares his soul through his heartfelt compositions.

DAWN OF ASHES Unveil Official Lyric Video for Dark New Single, “Heart Wrapped In Suicide”! Out NOW via ARTOFFACT RECORDS

LA based Dark Industrial Metal band DAWN OF ASHEScontinues their sonic exploration of extreme depression and mental illness with their newest single, “Heart Wrapped In Suicide.” Originally premiered with METAL INSIDER, "Heart Wrapped In Suicide” was mixed by front-man KRISTOF BATHORY with ANGEL, CROWE, and BRENDIN ROSS (who also mastered), and is the first single off of the band's upcoming album, Reopening The Scars, release date TBD via ARTOFFACT RECORDS.

“The latest single, ‘Heart Wrapped In Suicide,’ describes the process of mental suffering. Sometimes when all hope is gone. People drift towards suicide. Obsessed with internal conflict from some outside source. The mind and heart gets clouded with depression, anxiety, and despair. A voice tells us that the only way out is to end everything.” - KRISTOF BATHORY

Purchase / Stream “Heart Wrapped In Suicide” via BANDCAMP

Within Temptation Announce New Album "Bleed Out" + Share Title Track — LISTEN

Bleed Out signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, Within Temptation have created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who isn't afraid to make a stand on issues the members care about.

Since the start of the war in Ukraine, Within Temptation have shifted their focus from writing about personal emotions and societal subjects to tackling global injustices and reflecting the tumultuous state of the world in a way that other artists seem unable or unwilling to do.

Vocalist Sharon den Adel states, "The war in Ukraine has influenced us a lot. As artists we are inspired by the world, and we have this platform. We are storytellers, and I think as human beings, these are things we should be talking about."

Whilst songs such as "Wireless" and "We Go To War" examine the authoritarian aggression on display in Ukraine and other warzones, the title track itself addresses the plight of women fighting for their rights in Iran after the murder of Mahsa Amini. 

den Adel explains, "I lived in Yemen when I was a kid. My parents lived in several countries in the Middle East, and I've visited them a lot when they were there. It's a different world. Due to my time there, I feel connected to that part of the world. I've been so incredibly impressed by the bravery of the young women there who've been burning their scarves knowing they were going to be thrown in prison or worse — it's heartbreaking." 

The album also grapples with the complex issues around a woman's right to choose in recent single "Don't Pray For Me" and throughout, this impassioned and political focus is reflected in the intensity and heaviness of the music. Embracing a new era of musical exploration and lyrical depth, Within Temptation have pushed boundaries and showcased their artistic evolution, delivering a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music. 

Imbued with a vast dynamic range that plumbs the full depth of symphonic heaviosity, Bleed Out is as exuberantly heavy as it is politically profound.

For further details and to pre-order the album here. 

Bleed Out will be released in multiple physical formats and across all streaming via Within Temptation's own label Force Music Recordings in a joint venture with Bertus Distribution for worldwide distribution and Amped Distribution for the U.S. and Canada. 

CYHRA Release Third Album "The Vertigo Trigger"

Four years after their last studio album No Halos in Hell, CYHRA proudly present their new album “The Vertigo Trigger.” The Swedes' third full-length has been released today, and it reflects exactly what the melodic metal band stands for: ear-splitting riffs, catchy choruses and plenty of melodies that make the band truly stand out. 

The band based around singer Jake E (ex-AMARANTHE) and guitarists Jesper Strömblad (THE HALO EFFECT/ex-IN FLAMES) Euge Valovirta (ex-SHINING),  drummer Alex Landenburg (KAMELOT), and guitarist Marcus Sunesson (ex-THE CROWN / ex-ENGLE) demonstrate that they haven’t slowed down. With “The Vertigo Trigger,” CYHRA has not only further developed their distinctive sound, but also proven how diverse they are. The best example for this is the latest single “Ashlight,” which combines hard-hitting elements with a gentle attitude. And if that wasn't enough, the Swedes also deliver a new music video for the latest single to celebrate the album release.

Watch the music video for ''Ashlight" below.

Vocalist Jake E comments: 
“It feels amazing to FINALLY have new music to release again! We put a lot of effort into finding out what the future of Cyhra's music was to be and I must say I am overwhelmed with the result. Both with the album and also the songwriting!. I think that we have made a fantastic follow-up to both of our first two albums, but also at the same time we’ve managed to modernized the songwriting. I can assure you that no Cyhra fan will be disappointed!"

Drummer Alex Landenburg adds: 
“To me, this is a perfect successor to our first two records. It has all the Cyhra trademarks, but it’s a bit more Rock’n’Roll, more raw, in the way we recorded it. And on top of that, Euge’s great mix and Jacob Hansen’s mastering are a wicked combination!”

Guitarist Euge Valovirta about the new song: 
"This is the first album we produced by ourselves and it turned out to be just like I heard it in my head before we even started to record it. We still wanted to have (long time producer) Jacob Hansen's input on it so he did the mastering and I did the mixing. I'm very proud of it. And us. Something old, something new, something borrowed and something blue."

Marcus Sunesson adds:
“It’s the first of the three Cyhra albums that I played guitar on and also contributed to the songwriting. It was a fun and very creative process, but also challenging since we wanted to break new ground in order to make the best Cyhra album possible. I am so happy and proud of this beast of an album! This time we took a deep breath and dove down to explore a slightly darker, more progressive and modern side of ourselves. Yet still sounding like the Cyhra you all know and love. This album will definitely turn some heads. You will love it!”

Jesper Strömblad comments as well:
“It's so great to have a new album around the corner. We have kept the essential Cyhra sound, but at the same time upgraded and updated it a bit. I love what Euge has done to the mix and I know you are not gonna be disappointed!”


Stream or purchase “The Vertigo Trigger” here: https://cyhra.bfan.link/tvtglp

Recorded in the summer/autumn of 2022, “The Vertigo Trigger” is the band's darkest album to date. The album was entirely self-produced and mixed by guitarist Euge Valovirta, whilst the mastering was handled by long-term producer Jacob Hansen. This new album offers fans the classic CYHRA sound, full of the band's trademarks, but fresh and refined. The Swedes have modernised their song writing meaning that no CYHRA fan will be disappointed, making The Vertigo Trigger a more than worthy successor to their first two albums.

And although guitarist Jesper Strömblad isn’t a part of CYHRA's live shows currently, he was deeply involved in the writing and recording process of the album. Therefore, the band can hardly wait for his return as soon as he is ready again.

CYHRA is:
Jake E – lead vocals
Euge Valovirta – lead guitar (and bass)
Alex Landenburg – drums
Marcus Sunesson – guitars
Jesper Strömblad – guitars (and bass)

Follow CYHRA:

https://www.facebook.com/CyHraofficial

https://www.instagram.com/cyhra_official

https://www.youtube.com/cyhraofficial

Scotty McCreery Releases Heartbreak Single "Cab in a Solo"

Following several teases on his social media and with five consecutive No. 1 hits under his belt, Triple Tigers recording artist Scotty McCreery begins the next chapter in his career with today’s release of his latest single “Cab in a Solo.” The country crooner, who turns 30 this fall, has spent almost half his life making country music while continuing to push himself and grow creatively as well as personally. Stream the new track HERE.
 
Written by McCreery, Frank Rogers and Brent Anderson and produced by Rogers, Derek Wells, and Aaron Eshuis, “Cab in a Solo” offers the first taste of new music from McCreery since the release of his 2021 album Same Truck.
 
“I brought several of my writer buddies to the mountains of North Carolina for a few days to write songs, and that’s where ‘Cab in a Solo’ was born,” said McCreery. “This song is pure country. I’m excited to share it with everyone.”
 
With a hint of neotraditional country and dash of 90’s country nostalgia, the heartbreak track finds the happily married father in unfamiliar territory – lamenting a failed relationship.

The new single follows the recent success of “It Matters to Her” the fastest climbing single of McCreery’s career. The singer/songwriter has earned five consecutive No. 1 hits in the last few years including RIAA Platinum-certified No. 1 “Damn Strait” and RIAA Gold-certified No. 1 “You Time,” all found on Same Truck: The Deluxe Album. 

Earlier this summer McCreery joined the Brooks & Dunn REBOOT Tour 2023. He is currently out on the road for his own headlining tour with 25+ dates through the fall.
 
McCreery is among six inductees in the 2023 class scheduled to be enshrined in the North Carolina Music Hall of Fame during the annual induction ceremony this fall. The induction ceremony will take place on Thursday, October 19, 2023 at the Mooresville Performing Arts Center in Mooresville, N.C. VIP and General Reserved tickets are available HERE.

McCreery returns to the Grand Ole Opry on September 14 to perform as part of “Opry Country Classics.”  He’ll be back on the Opry stage on December 3 as part of “Opry Country Christmas.” Tickets can be purchased for both shows at Opry.com.
  
Upcoming Headlining Tour Dates

Aug. 18           Lampe, MO                            Black Oak Amphitheater
Aug. 19           Denton, TX                             North Texas State Fair
Aug. 23           Gray, TN                                 Appalachian Fair
Aug. 24           St. Louis, MO                         The Armory
Aug. 25           Marshfield, WI                       Central Wisconsin State Fair
Aug. 26           Dekalb, IL                               DeKalb Corn Festival
Aug. 30           Lincoln, NE                            Memorial Stadium
Sept. 1             Evansville, IN                         Victory Theatre
Sept. 2             Freeport, ME                          L.L. Bean Discovery Park
Sept. 14           Nashville, TN                         Opry Country Classics at the Grand Ole Opry
Sept. 15           Stillwater, OK                         McKnight Center for the Performing Arts
Sept. 16           Midland, TX                           Momentum Bank Ballpark
Sept. 17           Long Beach, CA                     Coastal Country Jam
Sept. 22           Tempe, AZ                              Boots In The Park
Sept. 23           Englewood, CO                      Fiddlers Green Amphitheater
Sept. 27           Southaven, MS                       Mid-South Fair – Landers Center
Sept. 29           Mount Vernon, KY                 Renfro Valley Entertainment Center
Sept. 30           New Haven, KY                     Log Still Distillery
Oct. 12            Flint, MI                                  Capitol Theater Flint
Oct. 13            Winchester, VA                      Patsy Cline Theatre
Oct. 14            Harrisburg, NC                       Harrisburg Park Amphitheater
Oct. 20            Biloxi, MS                              Beau Rivage
Oct. 21            Hiawassee, GA                       Georgia Mountain Fairgrounds
Oct. 26            Edinburg, TX                          Bert Ogden Arena
Oct. 27            San Antonio, TX                     H-E-B Performance Hall – Tobin Center
Oct. 28            Ft. Worth, TX                         Billy Bob’s Texas
Nov. 4             Surf City, NC                          Southside Park
Nov. 17           Mashantucket, CT                  Foxwoods Resort and Casino
Nov. 18           Wilkes-Barre, PA                    F.M. Kirby Center for the Performing Arts
Nov. 19           New Philadelphia, OH            Kent State Tuscarawas Performing Arts Center
Dec. 1              Wheeling, WV                        Capitol Theatre
Dec. 3              Nashville, TN                         Opry Country Christmas at the Grand Ole Opry
Dec. 6              Athens, OH                             Templeton Blackburn Alumni Memorial Auditorium
Dec. 8              Ottumwa, IA                           Bridge View Center
 
Tickets for dates above can be purchased at ScottyMcCreery.com.
 
About Scotty McCreery
Scotty McCreery has been a household name for nearly half his life, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album, the Platinum-certified Clear as Day, at No. 1 on the all-genre Billboard Top 200 Albums chart. The soon-to-be 30 year old has sold more than 4 million albums and achieved 5 consecutive No.1 hits: the RIAA Platinum-certified “Damn Strait,” the RIAA Gold certified “You Time,” the RIAA Gold certified “It Matters to Her,” the RIAA Platinum certified “This is It,” and the RIAA Triple Platinum certified ‘Five More Minutes.” His new single “Cab in a Solo,” which McCreery wrote with Frank Rogers and Brent Anderson, is from a forthcoming album due out in 2024. The North Carolina native has earned one Triple Platinum, five Platinum and three Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won the CMT Music Award for Breakthrough Video of the Year (‘The Trouble with Girls’) in 2012; and BMI Awards for writing One of the Top 50 Country Songs of the Year five times (in 2015 for “See You Tonight,” in 2018 for “Five More Minutes,” in 2019 for “This is It,” in 2021 for “In Between,” and in 2022 for “You Time”). He was awarded Pandora Billionaire status in 2021 in recognition of his music achieving more than one billion streams on Pandora. His song “Five More Minutes” inspired two popular holiday movies which aired on the Hallmark Movies & Mysteries Network: “Five More Minutes” in 2021 and “Five More Minutes: Moments Like These” in 2022. He released his first book Go Big or Go Home: The Journey Toward the Dream in 2016. His most recent album is Same Truck: The Deluxe Album. On October 19, 2023, McCreery will be inducted into the North Carolina Music Hall of Fame. The singer/songwriter married his high school sweetheart Gabi in 2018, and the couple had their first son Avery in October 2022. For more information, visit ScottyMcCreery.com

OBSCURA - announce live album "A Celebration I - Live in North America

Step into the realm of mind-bending melodies and technical prowess as OBSCURA presents their highly anticipated live album, A Celebration I - Live in North America, which will be released on October 27th via Nuclear Blast Records.

Witness the sheer brilliance of this German metal band as they take the stage by storm, leaving audiences spellbound with their awe-inspiring performance.

A Celebration I - Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan-favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction. Experience the sheer energy and raw intensity of their stage presence, captured flawlessly in this one-of-a-kind live recording.

Not only does this live album showcase OBSCURA's unparalleled musical mastery, but it also offers a glimpse into their latest studio release, A Valediction. Immerse yourself in the sonic landscapes of their most recent opus, as they explore new depths and push the boundaries of metal.

Mixed & Mastered by award-winning producer and engineer Fredrik Nordström, in Gothenburg, Sweden, where mastermind Steffen Kummerer collaborated with him for one week on the live material.

The recordings were all made in the USA, Canada, and Mexico between 2022 and 2023 as part of the 'A Valediction World Tour'.

Today, we get a taste with a stunning live video for the track ´The Anticosmic Overload´from the album Cosmogenesis, filmed by Vincent Grundke, who has been accompanying the band as a videographer and photographer since 2021.

Watch the video below.

Listen to the song on all platforms: https://obscura.bfan.link/taco

Pre-order the album here: https://obscura.bfan.link/acilina

Steffen Kummerer comments: “A Celebration I - Live in North America covers a selection of concerts we performed in the United States of America, Canada, and Mexico between 2022 and 2023 as part of the 'A Valediction World Tour'. Within 20 years, we are looking towards the first live album of Obscura, spiked with songs of our last five releases. It was a pleasure working through every recorded show to pick the best song, the loudest possible audience and a stellar performance by a band that's on fire. As a first impression, we choose 'The Anticosmic Overload' performed in the United States of America, since this was the first song ever we performed in North America back in 2009."

More information:
www.realmofobscura.com
www.facebook.de/realmofobscura
www.twitter.com/realmofobscura
www.instagram.com/realmofobscura
www.youtube.com/realmofobscura

Cody Hibbard Tributes Military Families in “Bend,” Available Now

Droptine’s Cody Hibbard began his unlikely path to music as a Naval Academy cadet, before an injury sidelined his service dreams and ultimately led him to pick up a guitar. While his career trajectory changed, his deep-rooted respect for the military remained, inspiring his latest cut, “Bend,” out now. 
 
“‘Bend’ shows the bond between someone who has gone through chaos and the person that gets them through everything,” Hibbard shares. “It’s a song about vulnerability and admitting that sometimes the only thing to do is to ask for help.”
 
Self-written by Hibbard and produced by Julian King and Jim Catino, the battle worn track is an ode to the spouses of military members, acknowledging their sacrifice and dedication to weathering through life’s roughest storms. A willow tree serving as the song’s metaphorical backdrop, its ability to bend rather than break while being battered by winds encapsulates the emotional and psychological toll returning from deployment often has on families.
 
        This road's been narrow
        Took a few wrong turns to get this far, ain’t no one’s hero
        But baby you can hide these scars, cause like those willows
        I run stronger in the wind, when we’re holdin hand in hand, you got my soul on the mend
        So Baby bend
 
To coincide with the release, Hibbard continues to highlight the stories of real families who have lived through these experiences with his interview series “The Heroes Behind The Song,” available on YouTube beginning Monday, Aug. 21. “The Heroes Behind The Song” features candid conversations between spouses, delving into the hidden challenges military families face while shining a light on the battle that follows them.
 
For more information, visit CodyHibbard.com or follow @CodyHibbard_ across social media.

Alkaloid Reach Critical Mass on New Single

No one has conquered the far reaches of the metalverse quite like Alkaloid. The Bavarian band have crafted songs about what lies beneath the Arctic crust, on top of an ongoing, multi-part saga about a galactic civilization that ascends to god-like levels of domination. 

Today, Alkaloid are releasing the latest chapter in the Dyson Saga. "Numen" is a cosmic seven-minute yarn of how a supermassive black hole came to burp up an unheard-of cosmic artifact that gives both the song - and their new album - its name.

Watch the heady lyric video below.  

'Numen is out on September 15. Pre-order the album HERE. Pre-save the album HERE.

"We proudly present the title track of our new album, and the first of three new chapters in the ongoing Dyson saga up the Kardashev Scale", says galactic leader Morian from Alkaloid's space station via interstellar transmission. "Through the mindbogglingly complex manipulation of mass, electromagnetism and the structure of spacetime itself over countless aeons, "Numen" transforms into an acceleration hub for sentinel worldlets sent toward other galaxies". 

"Numen" amasses sounds from across the spectrum of extreme metal: alien growls mixed with luminous cleans, drum fills that hurtle between mind-bending bass grooves, and riffs that crunch with the force of asteroids while also swirling like the milky way.

"Musically, I mangled materials inspired by Rainbow and Pink Floyd, as well as Meshuggah into a polyrhythmic context, while still staying true to the sound of our Dyson world," says Morian. "The subtle but continuous disturbance of the main 12/16 groove by a stubborn 7/16 layer is a hint at the massive forces at play in the story". 

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

PRIDE IN PIECES Release Official Music Video for New, Alt-Metal Single "SURVIVAL"!

Denver, CO based, Alternative Metal band PRIDE IN PIECES has released the official music video for their new single, "SURVIVAL". Directed by JEREMY STEGMAN, and the mile high quartet's third single since reforming in 2022, "SURVIVAL" inspires with roaring, contemplative lyrics delivered alongside thundering riffs and blood pounding bass.

"'SURVIVAL' is a song about just that. It’s a fight to want to stay alive for many people, and many have lost that battle. Only through deep connection and a reason to live will we survive. Life & Death are one decision away from each other, the edge of a knife. If this song brings any hope, then we will count that as success. " (LEVI JOHNSON – Bass and Vocals)

Purchase / Stream "SURVIVAL" Online

PRIDE IN PIECES (PiP) was formed in 2010, in Denver, Colorado. Taking 2nd place in the 2014 Best of the West Battle of the Bands, and winning the Heart for Hayden Battle of the Bands, PiP recorded their full length album, ‘ Reformation, which was mixed and mastered by BRAD SMALLING at Evergroove Studios. That album was released in 2016, but the band took a hiatus soon after that release in 2017.

PRIDE IN PIECES is
LEVI JOHNSON – Bass and Vocals
DAVID CULBERT – Guitar
STEVEN FIGUEROA – Drums
AARON GRAVES – Guitar and Vocals

After taking some time off, Stevie and Levi starting families, and adding David Culbert into the mix, PRIDE IN PIECES reformed in early 2022. The band collaborates, online via zoom, and plans to be pumping out music as fast as possible while keeping a music / life balance. “One More Day” and “Remorse” have been released since reforming, with “SURVIVAL” being their 3rd single release.

Connect with PRIDE IN PIECES