The 3 Clubmen (XTC's Andy Partridge, Stu Rowe and Jen Olive) release debut EP and animated ‘Aviatrix‘ video

Dazzling pop, seriously good fun, and when you get musicians as outstanding as this they can make the complex layers of voices and instruments seem as simple as a bird taking flight" ~ Joyzine UK

"A warped, meter-shifting, proudly eccentric pop extravaganza" ~
The New York Times

"Modern pop, retro glam and many sonic explorations. Not far from XTC’s aesthetics, Andy Partridge and friends continues to stun with their vibrant harmonics" ~
London Cafe

"Pure uniqueness and in no time an addiction of individuality and enlivening adventure" ~ 
Ringmaster Review

'The 3 Clubmen' EP order https://burningshed.com/the-3-clubmen_the-3-clubmen-ep_cd

The 3 Clubmen - a new project made up of XTC's Andy Partridge, Jen Olive and Stu Rowe - present their eponymous debut EP, along with a clever vivid video for their debut single 'Aviatrix' - a perfect match of sounds and images.

Recalling XTC’s later pastoral period, a touch of Jen Olive’s math-pop angularity and the eclectic sound that runs through Stu Rowe’s Lighterthief back catalog, this EP is an avant-pop delight offering a strange, seductive blend of experimental pop, jazz and sci-fi cinema excellence.

'The 3 Clubmen' EP is supported by the home-team, so to speak, being released via Swindon's own Lighterthief label with distribution via Britain's Burning Shed.

The 3 Clubmen is the culmination of a decade of antics from these longtime collaborators - all of whom are part of the Lighterthief label family tree - with the writing and recording of this material starting years ago. While each artist has worked with the others in some form since 2008, This is the first time that Stu, Andy and Jen have combined forces as a trio, an inevitable partnership once described as “a three-headed Frankenstein's monster dancing at a neurodivergent singles club”.

"I’d go and hang out at Stu’s bunker, because it’s better than ‘playing with yourself’, arf arf, no, I think of him as a brother and love being down at his place. He’d say things like, “Andy, listen to what I found, that I think we’ve forgotten, it’s really good” or things like “I sent this idea to Jen and she zapped this great vocal suggestion back.” It kind of accrued like inventive barnacles, or fungus, really organically. But again, lots get thrown out. That’s the nature of improv. It’s heavy on the reject %. Miles Davis and Can knew that," says Andy Partridge.

"Our three musical sensibilities seemed to fit together very easily. Jen and Andy’s voices blend really well - we can all handle a little dissonance and odd time signatures - and we were all really open to any possibilities," says Stu Rowe.

Jen Olive adds, "The accidental discoveries are the best. I also really enjoy getting a piece of music that sounds like chaos and making sense of it somehow. That was real fun for me. Hearing something that by all rights should not be a “verse”- and saying “yep, this will be the verse” It becomes a game. Makes me giddy. But this setting created a lot of moments that I wouldn’t have on my own. There are a lot of favorite parts in that way."

Best known as co-founder of XTC, Partridge is known as the “godfather of Britpop". His most recent solo releases include
'My Failed Songwriting Career, Volumes 1 & 2', various XTC re-releases, the 'Planet England' EP with Robyn Hitchcock, the 'Powers' collection of sound pieces, and the 'Gonwards' album with Peter Blegvad. He has also recently written songs for The Monkees, Miles Kane and others.

Albuquerque-based LA native musician-songwriter Jen Olive has a series of albums to her name, in addition to writing and recording for A&M Records and contributing music to various American Film Institute projects. Her latest solo release was 2022's Stu Rowe-produced single 
'Two Futures'.

A key player on Swindon’s music scene, Stu Rowe has supported many artists as a guitarist, bassist and producer, including Paul Weller, Shriekback (Barry Andrews), Colin Moulding, Future Sound of London (The Amorphous Androgynous), and TC&I.
 
The Clubmen saga begins in 2006, when Andy and Stu first worked on
'Monstrance'. Riding on a mutual fascination with experimental music production,  a bi-weekly ritual soon emerged, starting at Stu’s Lighterthief Bunker and ending at the local pub, which resulted in sonic explorations and improvised recordings. A series of musical sketches gradually formed, setting the stage for Jen’s later involvement.

With interest reignited during the pandemic after being put on hold and largely forgotten, the trio decided to finish what they’d started all those years ago, resulting in their debut 4-track effort.

Signing to Andy’s label
APE HOUSE Records in 2008 (after recording her 'Warm Robot' album), Jen contributed lyrics and vocals on 'Up On Hi' and 'My Dream Sea', penned by Rowe and Partridge for Lighterthief's 'Trick Picture' and 'Hard Listening' EPs (released on APE HOUSE).
 
In 2010, the threesome were finally able to work together in person. The chemistry was instant, the room was buzzing and the ideas flowed. Over pints at The Roaring Donkey pub, they dubbed their project “The 3 Clubmen” after the local defence volunteer groups formed during the English Civil War. Clubmen protected themselves from both armies by fighting on their own side - the name seemed to fit.
 
After returning to the US, Jen released her
 'I Say Love' EP (involving collaborations with Andy and Stu individually) and then 'The Breaks' album, a three-year endeavor produced by Stu and released in 2014.

As of June 30, 'The 3 Clubmen' EP is available on CD via
Burning Shed.
and digitally from fine music platforms, including
Apple MusicSpotify and Amazon Music.

CREDITS
All songs written and performed by The 3 Clubmen  
Music by Andy Partridge, Jen Olive and Stu Rowe
Lyrics by Andy Partridge and Jen Olive
Film and Music production by The Encyclopedia Salesmen
Recorded and produced between 2010 and 2023 in The Lighterthief Bunker, Swindon, England
Additional recordings in Albuquerque, New Mexico
Andy Partridge - vocals, guitars, programming and production
Jen Olive - vocals and guitar
Stu Rowe - bass, guitars, keys, programming and production    
Frank Abrams - flute
Mikey Rowe - keys
Curtis Tweed - slide guitar
Andreas Rebhuhn - drums
'Bangy' - percussion
Produced by Stu Rowe
Mixed by The Encyclopedia Salesmen
Mastered by Jason Mitchell at Loud Mastering
Artwork by Carl Glover at Aleph Studio


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Ian Munsick Shares Stripped-Down Tracks from "White Buffalo" on "Me and a Fiddle" EP, Out Now

Whether bathed in the shadow of the Rocky Mountains or illuminated by the spotlight at CMA Fest’s Nissan Stadium, Ian Munsick is perhaps most at home when it’s just him and a fiddle. Today he shares five stripped-down tracks from his critically acclaimed album White Buffalo on the Me and a Fiddle EP (listen HERE). Intimate live performance videos of each track take the viewer to the majestic landscape of Sun Valley, Idaho alongside Munsick and violinist Tim Hayes (watch Below).
 
“Country music is at its finest when you strip it down. All the best songs translate the same (if not better) when all the noise is muted and it’s just a voice and one instrument. Well… maybe two instruments, cuz you know I gotta have a fiddle," shares Munsick. "I believe these five stripped versions from White Buffalo will take you right into my childhood living room in Wyoming where I fell in love with songwriting in the first place. Back where it all began. Just me and a fiddle.”
 
Hailed “Western music royalty” by The Tennessean, the Wyoming native earned accolades from Billboard, American Songwriter, GRAMMY.com, MusicRow and more for his 18-song sophomore album White Buffalo. Holler declared, “Through Munsick’s carefully crafted new project, you can experience the emotional ebbs and flows of the Green River, feel the highs and lows of the Grand Teton and witness the wild, free-spirited euphoria of a band of mustangs riding off into the sunset.” “Long Live Cowgirls,”the album’s celebrated duet with Cody Johnson, has earned more than 100 MILLION streams and been certified Gold by the RIAA.

Fans can see Munsick and a fiddle – and a whole lot more – at fairs and festivals throughout the summer. He will join Morgan Wallen’s One Night At A Time World Tour on Aug. 11 (Ohio Stadium) and Aug. 30 (PNC Park) before heading out this fall on his own headlining The Buffalo Roams Tour. The run, announced last week, will feature a rotating lineup of special guests including Giovannie & The Hired Guns, Randall King, Triston Marez, Catie Offerman, Tanner Usrey, Jake Worthington and Chancey Williams. Dates below. Visit 
www.ianmunsick.com for tickets and more details.

Ian Munsick 2023 Summer + The Buffalo Roams Tour Dates:
July 7 // Rhinelander, WI // Hodag Country Festival
July 8 // Jefferson City, MO // Capital Region MU Health Care Amphitheater &
July 12 // Nashville, TN // Grand Ole Opry House
July 14 // Adel, IA // Dallas County Fair
July 16 // Madison, NE // Madison County Fairgrounds
July 21 // Susanville, CA // Lassen County Fairgrounds
July 22 // Yerington, NV // Lyon County Fairgrounds
July 24 // Los Angeles, CA // El Rey Theatre
July 25 // Paso Robles, CA // California Mid-State Fair
July 28 // Jackson Hole, WY // Heaven On Earth
July 29 // Tooele, UT // Deseret Peak Complex
Aug. 4 // Prairie du Chien, WI // County Line Country Fest
Aug. 5 // Lima, OH // Greater Lima Region Park & Amphitheater
Aug. 11 // Columbus, OH // Ohio Stadium (w/ Morgan Wallen)
Aug. 12 // Hattiesburg, MS // Forrest County Multi-Purpose Center $
Aug. 13 // Atlanta, GA // Buckhead Theatre
Aug. 18 // Manhattan, KS // Britt's Farm (Britt’s Garden Acres) !
Aug. 19 // Imperial, NE // Chase County Fair
Aug. 24 // Dodge City, KS // United Wireless Arena !&
Aug. 25 // Pueblo, CO // Colorado State Fair 
Aug. 26 // Santa Fe, NM // Santa Fe Brewing Company @
Aug. 30 // Pittsburgh, PA // PNC Park (w/ Morgan Wallen)
Sept. 1 // Rexford, MT // Abayance Bay Marina
Sept. 2 // Emigrant, MT // The Old Saloon
Sept. 3 // Dillon, MT // Dillon Jaycees
Sept. 6 // Fort Madison, IA // Tri-State Rodeo
Sept. 15 // Enid, OK // Stride Bank Center !
Sept. 16 // Helotes, TX // John T Floore’s Country Store @&
Sept. 23 // Poplar Bluff, MO // Black River Coliseum @
Sept. 24 // Franklin, TN // Pilgrimage Music And Cultural Festival
Sept. 30 // Hempstead, TX // Waller County Fair
Oct. 6 // Athens, GA // Athens Fairgrounds
Oct. 7 // Opelika, AL // Auburn Rodeo
Oct. 8 // Ennis, TX // Texas Motorplex
Nov. 1 // Tulsa, OK // Cain’s Ballroom #
Nov. 2 // Tulsa, OK // Cain’s Ballroom @
Nov. 8 // Huntington, NY // The Paramount @
Nov. 10 // Silver Springs, MD // The Fillmore @
Nov. 11 // Boston, MA // House of Blues @
Nov. 16 // Royal Oak, MI // Royal Oak Music Theatre ^
Nov. 17 // Cleveland, OH // Agora Theater & Ballroom ^
Nov. 18 // Cincinnati, OH // The Andrew J. Brady Music Center @
Nov. 24 // Charlotte, NC // Coyote Joe’s @
Nov. 25 // Chattanooga, TN // The Signal @
Dec. 9 // Las Vegas, NV // The Cosmopolitan
 
* Giovannie & The Hired Guns
^ Randall King
# Triston Marez
& Catie Offerman
$ Tanner Usrey
@ Chancey Williams
! Jake Worthington
 
About Ian Munsick:
A native son of Wyoming, Ian Munsick is painting a stampeding, spirited portrait of the American West with his sophomore albumWhite Buffalo, out now. The 18-track album spans unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun. It builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Over the past three years, the 30-year-old has accumulated nearly half a billion global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and more. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson. Beyond his noteworthy professional accomplishments, he has also become both a husband and a father. Now the Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” off his debut album Coyote Cry. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest.

Dark Remedy Releases New Single "Now Or Never" + Official Music Video

Ready to seize the moment when opportunity knocks? How far would you go for the deal of a
lifetime? A timeless message of sacrifice, accompanied by infectious melodies and powerful riffs that will leave you hooked! Introducing "Now Or Never," Dark Remedy's anticipated third single of 2023, featuring Grammy nominated drummer Paul Crosby from Saliva! Following the success of their previous releases, reaching impressive positions on the SMR chart, Dark Remedy is ready to make an even bigger impact.

STREAM "Now or Never" HERE

WATCH Dark Remedy - "Now Or Never" (Official Video):

Dark Remedy is a formidable force in the world of melodic hard rock, delivering powerful and impactful music that resonates with audiences. The band was conceived amidst the chaos of the burgeoning COVID-19 pandemic by the talented songwriting duo of Vocalist/Lead Guitarist Steven Miller and Rhythm Guitarist/Vocalist Cary Parsons (also known to wrestling fans as Mister Sinister). In their quest to find solace during these dark times, Dark Remedy emerged as the ultimate remedy.

Driven by an unwavering determination to share their music and vision on the grandest stages, Dark Remedy has spared no effort in their creative pursuits. Despite the challenges, they tirelessly worked together, utilizing remote collaboration and embarking on long journeys to record and produce their groundbreaking songs and captivating music videos.

October 2022 marked a significant milestone for Dark Remedy when they joined forces with the illustrious Grammy-nominated and multi-platinum drummer, Paul Crosby (formerly of Saliva). Paul not only contributed his remarkable drumming skills to the band but also took on the role of band manager under Paul Crosby Management. This collaboration has added an incredible depth to Dark Remedy’s already impressive sound.

Dark Remedy is known for their mastery of the expansive arena sound, featuring roaring guitars, infectious hooks, tastefully mesmerizing synths, and thunderous drums. Their music goes beyond mere entertainment, evoking contemplation and addressing the highs and lows of everyday life.

The band has experienced resounding success in the mainstream with their chart-topping radio hit, “Blood Money,” which reached an impressive #15 on the Secondary Market Chart. Building on this triumph, their follow-up single, “Haunted,” quickly climbed the radio charts as well, further solidifying Dark Remedy’s prominence in the industry.

Dark Remedy shows no signs of slowing down. With an unwavering dedication to their craft, they continue to write and produce new music, ensuring a continuous stream of captivating content for their global fanbase to enjoy. Stay tuned for more exhilarating releases and prepare to be captivated by the unwavering talent of Dark Remedy.

Dark Remedy is:
Cary Parsons - Guitar/Backing Vocals
Steven Miller - Lead Guitar/Lead Vocals

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

TikTok

CAVO Releases New Single "Comes Back On" + Official Music Video via TLG/INgrooves

Stream/Download "Comes Back On"

https://ffm.to/cavo-comesbackon

Find all things CAVO withe the LinkTree below:

https://linktr.ee/cavomusic

CAVO released their new single "Comes Back On" to all major platforms via TLG/INgrooves along with the official music video.

"This was the song that I feel took the most work. The demo was done a while ago, and it had just fallen off my radar. A song like this really makes me appreciate the band and the relationship that we have. We worked really hard to get this one to a point where everyone was happy w/ it. The groove of this song really stands out to me and pushed me to try and write something that pushes back against it, but in a complimentary way. After all these years, it still amazes me that I can walk into a studio completely unsure of a song and walk out extremely happy and content w/ the final outcome," says Casey Walker.

The creative force of Rock/Alternative from St. Louis is still creating and releasing new music. Humble beginnings to major label success to where they are now seems like a whirlwind but a lot of bands find themselves in these spaces. Bassist Brian Smith says “We are still a band releasing music we want to release and we hope people dig what we are doing”. Drummer Andy Herrin adds, “Every EP or record we do won’t be like one previously released and we have a lot of music to share and create." “The great thing about the four of us in Cavo is that we’ve always been fully committed to this band,” explains bassist Brian Smith. “Even if we haven’t been in a spotlight for a bit and we have other projects going on, our bond is as tight as ever, and we’ve never stopped releasing music. We love writing together, playing together and just being together as friends, and that’s why we’ve been able to keep going together as long as we have.”

Cavo has teamed up with independent distributor TLG/INgrooves to expose all of these new crafted songs to a broader global audience. The band has released several songs from the first of 6 planned EPs. Three original and three cover EPs. The first original EP is titled The Shakes with songs “Not Over You”, "Dizzy" and the self-titled track “The Shakes” currently released and “Synchronicity II” and “Drive”from the bands CAVO Cover vol.1 EP also released. Casey adds “We are almost finished with our second original EP and after that we start work on the second covers EP.” “It’s just a really cool creative thing we have here and we are really excited to share what we are doing with everyone,” adds Chris.

It's safe to say the CAVO boys are simply writing and recording new material and plan to release tons of new music in 2023 and for unforeseeable future!

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

Slaughter To Prevail Drop Live Album - 'Live In Moscow'; Global Livestream PPV Premiere of Concert Airing Tonight

Russian Deathcore demolishers, Slaughter To Prevail, have released new live album, 'Live In Moscow' today. The album was recorded at the band's sold-out performance at 1930 in Moscow on December 15th, 2021 in front of 2500 crazy fans. Stream the album in full now HERE.

The band previously announced the global premiere of the concert footage, which took place during a livestream PPV broadcast earlier this month. The full concert film is now available to rent or purchase via the Sumerian store HERE. The live concert footage is directed by Nikita Korzhov with sound by Aleksandr Zhelekov.

To give fans a taste of what to expect from 'Live In Moscow', Slaughter To Prevail previously dropped a live video of their performance of track "Bratva" earlier this month. The clip can be viewed below.

About Slaughter To Prevail

Slaughter To Prevail released their debut EP, 'Chapters Of Misery' in 2016 and followed with their debut full-length album, 'Misery Sermon' in 2017. They released stand alone singles "Agony" and "Demolisher" in 2019 and 2020 respectively, followed by their second full-length, Kostolom, released in 2021 to huge critical acclaim with Revolver describing the album as "one bloody deathcore barrage after another" when including it on their 25 Best Albums Of 2021 list and Metal Injection stating that "Kostolom proves that Slaughter to Prevail can get hooky without getting wimpy". Kostolom spawned massive hit singles "Baba Yaga" and "Zavali Ebalo".

The released anti-war anthem '1984' in August of 2022 to oppose Russia's war on Ukraine. The video for which has racked up 2.3 million views.

The band are one of the most popular and heavily featured bands within the YouTube 'reacts' community, on account of vocalist Alex Terrible's insane vocal abilities and his own YouTube channel which has over 1.01 million subscribers.

To date, the band have clocked up an impressive 971.1 million cross-platform streams.

Expect more from Slaughter To Prevail soon.

Slaughter To Prevail Are

Alex Terrible - Vocals

Jack Simmons - Guitar

Mikhail Petrov - Bass

Dmitry Mamedov - Guitar

Evgeny Novikov - Drums

Find Slaughter To Prevail Online:

SlaughterToPrevail.com

TILL THE DIRT (Kelly Shaefer) Joins Nuclear Blast; Scott Burns Produced Debut Album, "Outside The Spiral," Out Aug 25th

Massively influential death metal legend and ATHEIST vocalist Kelly Shaefer has returned with a new band, TILL THE DIRT, and joined forces with Nuclear Blast Records for the band’s debut record, “Outside The Spiral,” due out August 25th.

Shaefer comments on the signing to Nuclear Blast:

“As an extreme metal artist, there is no better place to land than Nuclear Blast. A staff that is second to none, and as a label I feel they share the same passion I have for metal music. So it's a true honor to release this record to the world on the best metal label on the planet!” 

With his new project, Shaefer steers away from mining his own extensive well of death metal, exploring beyond the genre’s traditional confines and incorporating an extreme fusion of grunge, black metal, jazz, rock, dark wave, a dash of classic pop and other styles. The new record also features a slew of guest musicians each contributing their own skills to Shaefer’s overall vision.

Shaefer says of the new record:

“My writing went into overdrive during lockdown, and I was writing and recording a new song almost daily as well as playing on the demos. I was inviting friends for solos and guest spots, one being Jeff Loomis (Arch Enemy/Nevermore) and also John Longstreth (Origin). Scott Burns really helped me pull it all in, because we had so many songs to work with and had to narrow to 11. It's one of the most prolific moments in my career and I'm proud to say there is zero filler on this record. I couldn't be more proud of it.”

That’s right. “Outside The Spiral” was produced by non-other than death metal G.O.A.T. Scott Burns (DEATH, CANNIBAL CORPSE, DEICIDE), who came out of retirement to oversee the record’s production.

Burns comments on the collaboration:

“Kelly and I were talking and he said let me send you some of my new bands  material.  The first track he sent me was ‘Outside The Spiral.’  I was blown away. I loved everything about it.  It was simply a great song to me.  It was brutal, it was catchy, and it was memorable where I could sing it back in my head after a couple of listens.  I also loved it because it didn't sound like anything I heard on Sirius XM’s Liquid Metal.  To me it was original just like in the old days when I used to record bands.  It was why the bands I recorded  got signed,   because they were original. And then to top it off  he sent me dozens of others songs and they were equally as good.  I think TTD rocks and wish nothing but the best for the band.  It is but a sliver.....”

Today, TILL THE DIRT has revealed the record’s first single, the title track “Outside The Spiral,” which features a guest performance by TESTAMENT bassist Steve Di Giorgio.

Shaefer adds about the new song:

“‘Outside the Spiral’ was the very first of over 25 songs I wrote for what would become the debut for Till The Dirt.  However I didn't start with the intention of a new band or album, I was writing and recording Atheist ideas during the early lockdown of covid. So when I finished the demo, I sent to people I trust to give me honest opinions, one being bassist extraordinaire Steve Digiorgio, and the other legendary producer Scott Burns. Both agreed that it was something of a hybrid..sort of a  different path. Inevitably it was inspiring to hear the positive feedback. Scott Burns then agreed to produce this record, and Steve agreed to play bass on this track.”

Di Giorgio says:

"Kelly and I go back with our own bands as far as 1987, Raging Death comp. I've always appreciated the level and precision that Atheist played, and admired the multifaceted vocals of Mr. Shaefer. When he hit me up to throw down a bass track on his new project it was a no-brainer. Hell yes! Not only was it an easy decision based on old friend, Scott Burns, being involved...but Kelly gave ME the choice of which track appealed to me. I chose ‘Outside the Spiral’ for the eerily spacial riffs and the trippiness of the vocals. Both qualities befitting my whacked out fretless contributions on bass. Killer track on a killer new album...enjoy!"

Pre-Order “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-A

Stream the new single “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-sg

“OUTSIDE THE SPIRAL” LYRIC VIDEO:

About TILL THE DIRT:

Kelly Shaefer is doing it again. With his new band TILL THE DIRT and their debut album “Outside The Spiral,” the legendary Floridian death metal revolutionary is set to inject a much-needed dose of fresh blood into this aging, saturated and self-referential thing that the style has morphed into over the decades. 
 
Everything in the genre of death metal basically rests on two pillars: extreme musical force and insane technicality – or in short, variations of more of the same that satisfies die-hard followers of this scene, but offers a rather limited artistic range. Now, Kelly and his co-conspirators in and around TILL THE DIRT have put all the fun back into extreme music by deliberately straying from the very formula that the Floridian guitarist unleashed onto the world as one of its leading proponents. One of the privileges of being a living legend is the freedom to do whatever you like without the need to prove anything to anybody. And this is exactly what happens on “Outside The Spiral.” Never shy in denying his death metal roots, Shaefer takes the liberty to amalgamate any musical influence into his songs as long as they fit. Don’t be surprised to find grunge, black metal, jazz, rock, dark wave, a dash of classic pop, and many other stylistic colors fused into tracks that range from relaxed malice to vitriolic face-ripping. 

A fly on the wall would have witnessed Kelly frantically composing night after night, only putting his guitar down to contact friends around the globe and sending them demos looking for feedback to either affirm his gut - feeling that his new material was going into interesting places or to put a stop to this fountain of creativity. Yet, one by one his friends were at least as excited about those tracks as the composer. A new metal juggernaut had started to roll and there was no stopping. Kelly recruited enlisted young musicians full of raw energy and passion to the cause of TILL THE DIRT and most importantly one of his first listeners offered his invaluable services: Scott Burns (ATHEIST, DEATH, OBITUARY, CANNIBAL CORPSE, CYNIC, MALEVOLENT CREATION, SUFFOCATION). 

"When Kelly sent me some demos, I was at first reluctant to listen to them,” reveals Scott Burns. "I thought I had kind of heard it all by now and I did not want to want to disappoint an old friend. When I finally gave the tracks a chance, it felt like being hit by an electric shock: These tracks were fresh, exciting, and fun – just like in the old days. Those demos blew me away. I was immediately hooked to the point where I really wanted to be involved. I really thought that I had stopped producing death metal for good, but here we are now!" 
 
The pieces of this puzzle started to fall into place and while the guitarist kept chucking out killer tracks at neck-breaking speed, the producer started to add structure to the process by drawing from decades of experience. "I could not believe my luck that Scott Burns is throwing the full force of his amazing talent and status behind TILL THE DIRT, " enthuses Kelly. "He obviously did not expect to be hijacked and put back on the producer's chair, but I am glad to say that it did not take much convincing. I am extremely happy about this privilege: The mighty Scott Burns is back to bang your heads!"
 
With “Outside The Spiral,” TILL THE DIRT take you on a surprise-filled tour de force that will redefine the extreme metal genre in at least as many ways as ATHEIST did more than 30 years ago. Don't take our word for it, trust your ears!
 

Line up:

Kelly Shaefer | Vocals
Jerry Witunsky| Guitars
Ian Waye | Guitars
Yoav Ruiz Feingold| Bass
Dylan Marks| Drums

Follow TILL THE DIRT:

Facebook / Instagram / Youtube / TikTok

A ROSE ON THE ROAD (At the traffic lights) JULES MAXWELL (featuring Polly Scattergood)

Archangelo Recordings is proud to announce the release of A Rose On The Road (At The Traffic Lights) by Jules Maxwell and Polly Scattergood on Friday 30th June 2023.

A Rose On The Road first appeared as an instrumental on Jules Maxwell's exquisite 2022 album Cycles. The title however had originated from a suggestion made by Polly Scattergood and, after the Cycles release, she and Jules continued to develop this darkly cinematic vocal version. Featuring Scattergood's quietly seductive words and Maxwell's delicate orchestration, the song paints a picture of a city, late at night and dark events unfolding, unnoticed, in plain sight.

The track is also available in a remixed version by Glowlines.

Jules Maxwell is a multi-instrumentalist composer and songwriter.

He plays keyboards for Australian band Dead Can Dance and in May 2021 released a critically acclaimed album with Lisa Gerrard, entitled Burn.

In 2021 he also released Nocturnes on Archangelo Recordings - a beautifully melancholic collection of instrumental pieces, much of it written in collaboration with the UK dance company Vincent Dance Theatre.

This was followed in 2022 by a second volume of instrumentals entitled Cycles.

He composed 4 songs for Le Mystére des Voix Bulgares 2018 album Boocheemish and the song First of July which appeared on Foy Vance’s debut album Hope.

Jules has also collaborated with Duke Special on numerous recordings, shows and projects including the 2009 National Theatre production of Mother Courage directed by Deborah Warner.

His work at Shakespeare’s Globe, includes the 2016 production of The Merchant of Venice starring Jonathan Pryce and the 2017 production of Boudica starring Gina McKee.

He has created modern dance soundtracks for Wayne McGregor, Cathy Marston, Vincent Dance Theatre, Bern Ballet, Skanes Dansteater Malmö, Jasmin Vardimon and Candoco Dance Company and in 2019 his debut full length opera The Lost Thing was presented by the Royal Opera House, Covent Garden.

2023 marks the release of One Night in Porto, a live recording of his Burn show with Lisa Gerrard.

Jules Maxwell is originally from Ireland but currently lives in London with his wife and young son.

Polly Scattergood is a British-based indie electronic artist who enjoys experimenting with sound and lyrics. Polly studied at The Brit School before signing with Daniel Miller - Mute/EMI.

Polly has released four studio albums, three under her own name and one as a side project called onDeadWaves with Mercury-nominated MAPS.

Polly set up her own label and studio, "Future Paradise," based on the Kent Coast and released her last album and EP through FP.

Polly's latest full-length album entitled "In This Moment," charted at number 23 on the Official UK Independent Album Charts.

Polly also hosts a podcast alongside Katie Melua called "The Detail" about the art of songwriting and making records.

Polly is currently in the process of writing her fifth studio album.

Jules Maxwell

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Finnish Melodic Death Metallers VOIDFALLEN Release Music Video and New Single "Starved Of Martyrs"!

Melodic death metallers Voidfallen have unleashed an intense new single, "Starved Of Martyrs", a first taste of the upcoming album the band is currently working on. The track is accompanied by a brand new and captivating music video, which you can watch here:

Stream the single HERE

Commenting on the new single, Voidfallen states: "Starved of Martyrs is a fast and relentless track that adds almost a thrashy feeling to the band’s otherwise blackened melodeath sound palette. The theme of the song revolves around the toxic glorification of living in misery."

Hailing from Helsinki, Finland, and formed in 2019 as a two man project by guitarists Tommi Kangaskortet and Henri Vuorenmaa, the goal has always been to learn from previous mistakes and to create music with no compromises. After recording the band's debut EP titled The Sinners, the Plague and the Voidfallen (2019) the remaining slots were filled with skilled musicians in order to prepare for live shows and ever since, Voidfallen has been making a fast-growing name for itself.

But not only musically in terms of quality of compositions and production, this band has always paid lots of attention to the visual aspects, taking the melodeath genre to new heights with their dark approach and stunning visual effects.

Following the release of their critically acclaimed debut album The Atlas of Spiritual Apocalypse (2021), Voidfallen caught the attention of German record label Noble Demon, with whom the band will release their highly anticipated sophomore full-length record in early 2024.

Voidfallen on the signing and working with Noble Demon:

"Since the beginning of this band we’ve aimed to find partners with whom we can not only elevate our art always to the next level but who also are directly eye to eye with our thoughts of the band and where we want to take it. Patrick and the rest of the Noble Demon crew are people who are not only talented but also have a great vision of the future and we are stoked to work with them!"

Voidfallen are:
Lauri Honkola: Vocals
Henri Vuorenmaa: Guitars
Tommi Kangaskortet: Guitars
Lauri Myllylä: Bass
Mika Lumijärvi: Drums

Find Voidfallen online:

Instagram

Facebook

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

KATAKLYSM RELEASE MUSIC VIDEO FOR SECOND SINGLE, 'DIE AS A KING'

For almost three decades, the US/French Canadian-based melodic death metal syndicate KATAKLYSM has delivered unapologetic waves of powerful sound across the entire globe. On August 11th, 2023 the band’s fifteenth full-length studio album Goliath will be unleashed unto the masses via Nuclear Blast Records.

Today, KATAKLYSM releases the second single, 'Die As A King'. The single is the prequel to the first single 'Bringer Of Vengeance' both lyrically as well as the theme of the video. Musically, 'Die As A King' is the modern update of traditional death metal meets catchiness. 

Maurizio Iacono comments, “'Die as a King' is the prequel to the first single 'Bringer of Vengeance,' the song shows the fall of King Richard I 'Lionheart' and the message is one of standing tall for your convictions until the end, even when facing certain death. The song embodies some of the KATAKLYSM melodic trademarks with a brutal undertone and groove-ladened rhythmic section that intertwined with each other."

Stream the new single 'Die As A King' here:  
https://kataklysm.bfan.link/die-as-a-king

Watch the music video for 'Die As A King' directed by Ivan Colic of ICODE, below.

Goliath was recorded at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabin in Orlando, FL by J-F Dagenais, who also produced and engineered the album. For the mixing and mastering, the band returned to Chris Clancy with assistance from Colin Richardson. The cover artwork required an image that captured the iconic battle of David versus Goliath theme that is echoed throughout the album while matching the power of the music. The band enlisted renowned Berlin metal illustrator Eliran Kantor (TESTAMENT, FLESHGOD APOCALYPSE) to create the artwork which took the KATAKLYSM look and gave it a macabre filter that compliments the brooding sense of uneasiness that was felt during the writing and recording of the album.

Pre-order/pre-save Goliath here: https://bfan.link/kataklysm-goliath

Goliath will be available digitally and in the following formats:

  • CD Jewel

  • Vinyl

    • Orange (Limited to 1000, NB US)

    • Orange w/ Brown Swirl and Black Splatter (Limited to 300, Band Store)

    • Brown (Limited to 1000, NB EU)

“Beer Problem;” Cody Hibbard’s 24 12-Ounce Reasons That To-Do List Can Wait

Adair, Oklahoma native and former blue-collar pipeline worker Cody Hibbard understands the common problems that people face. When that broken down truck or list stacking up becomes too much to handle, sometimes it all simply becomes just a “Beer Problem.” Listen to Hibbard’s latest release via Droptine Recordings Below.

"This song is more than a drinkin' song. This song represents every redneck I ever grew up with or worked with that said, ‘screw it, it'll be there tomorrow to fix,’" shares Hibbard. “It's a rocky-tonk, fun time song that is going to be perfect for summer."

Written by Alex Maxwell, Hibbard, Bryan Frazier, Dawson Edwards and Marc Oriet, “Beer Problem” is a relatable song about having 24 12-ounce reasons on ice that stand in the way of getting through that long list of to-dos that just keeps piling up on hot summer days. 
   
      I got 24 12 oz reasons buried in some reddy ice
     And an I don’t give a damn feeling 
     Saying I’ll get to it some other time
     When I start drinking I start thinking
     That as far as I can see 
     Yeah it sounds like a beer problem to me

Known in Nashville circles for his expert A&R ear, music veteran Jim Catino of Droptine Music first discovered Hibbard’s music while diving into streaming services on the lookout for new artists to capture his attention. With recent development for Dalton Dover leading to a publishing deal with Droptine and Sony Music Publishing along with a record deal with UMG Nashville, Catino is excited to see Country’s tent expanding to encompass even more prowess.
 
Hibbard’s recent release, “
We Speak Country,” is available on all streaming services.
 
CodyHibbard.com | Instagram | Facebook  | TikTok | YouTube | Spotify | Apple | Amazon

Taking Back Sunday Return With "The One" — WATCH

BELOVED ROCK BAND SHARES FIRST NEW TRACK IN FOUR YEARS — LISTEN HERE 

BAND ALSO SIGNS TO FANTASY RECORDS

HEADLINING SAD SUMMER FEST BEGINNING JULY 6

Today, rock powerhouse Taking Back Sunday — John Nolan (lead guitar, piano, vocals), Adam Lazzara (lead vocals), Shaun Cooper (bass), and Mark O'Connell (drums) — shared a brand-new track and video entitled "The One," the multi-platinum selling rock band's first new music in over four years. An inspiring declaration of love, hope, and acceptance, "The One" is a soaring reminder to seize the moment and live your dreams while you still can.

Listen to "The One" 
here.

In the track's accompanying video, directed by DJay Brawner, the band primes for the next gig and new roads that lay ahead — inviting us along for the mystery ride.

Watch the official video for "The One" BELOW

Produced by Tushar Apte (Demi Lovato, Nicki Minaj), and mixed by Neal Avron (Twenty One Pilots, Bleachers), "The One" finds the influential rock band flexing its creative muscles and evolving its sound without ever losing sight of the explosive riffs, affecting vocals, and epic choruses that has resonated with their audiences for so long. The anthemic new track also marks the band's first release for Fantasy Records, the L.A based indie label who signed the influential quartet to a world-wide recording contract earlier this year.  

"'The One' is a sweet love song — full on John Cusack holding a boombox," the band says in a nod to the classic '80s cinema moment in Say Anything. "We've been waiting a long time to share this song and we're so excited that we finally can. We hope you love it as much as we do."

On the track's deeper meaning, the band explains, "This song came from a riff that Shaun Cooper wrote the day he lost his grandmother while she was in a nursing home at the start of the Covid pandemic. Devastated with overpowering sadness, he found comfort in writing music and initially titled the riff 'Posivibes' in an effort to find some light through the darkness. He never shared the story of the title or how that riff came together with us until after it was complete. Shaun didn’t want his story affecting the ultimate meaning of the song, because it’s actually an uplifting one."

Taking Back Sunday is set to hit the road this summer for a nation-wide tour (they are calling "Rad Summer"), that includes headlining the 16-date Sad Summer Fest 2023 through July and a plethora of additional dates in August and September. Find tickets HERE and the full routing below. 

For over two decades, Taking Back Sunday have cultivated a massive, dedicated fanbase built around music that reverberates with supreme sincerity, desire, and connection. Originally from Long Island, NY, the band brought mature songcraft and pop sensibilities to punk's rigid conformity, helping expand the genre's contours while carrying the band to new heights.

TAKING BACK SUNDAY ON TOUR:
SAD SUMMER FEST 2023:
7/6 — Jacksonville, FL — Daily's Place
7/7 — Clearwater, FL — Coachman Park
7/8 — Alpharetta, GA — Ameris Bank Amphitheatre
7/11 — Portsmouth, VA — Atlantic Union Bank Pavilion 
7/12 — Baltimore, MD — Pier Six Pavilion
7/14 — Holmdel, NJ — PNC Bank Arts Center
7/15 — Philadelphia, PA — Skyline Stage at Mann
7/16 — Boston, MA — Leader Bank Pavilion
7/18 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
7/19 — Cincinnati, OH — The Andrew J Brady Music Center
7/21 — Chicago, IL — Huntington Bank Pavilion at Northerly Island
7/22 — Indianapolis, IN — TCU Amphitheater at White River State Park
7/23 — Nashville, TN — Ascend Amphitheater
7/25 — Irving, TX — The Pavilion at Toyota Music Factory
7/26 — Austin, TX — Germania Insurance Amphitheater
7/29 — Irvine, CA — FivePoint Amphitheatre
8/12 — Washington, PA - Four Chord Music Festival 2023
8/19 — Las Vegas, NV — Downtown Rocks FREE Concert Series
8/25 — St Louis, MO — Ballpark Village 
8/26 — Kansas City, MO — KC Live!
9/29 — Cocoa, FL — Cocoa Riverfront Park
9/30 — Jupiter, FL — Dastoberfest

CELESTE - Release Video For New Single 'Il se vide lentement' + New EP "Epilogue(s) Out November 17th

French extreme metal avant-gardists CELESTE have released a video for their new single 'Il Se Vide Lentement', which is the first song from their upcoming new EP, Epilogue(s), due out on November 17th through Nuclear Blast Records.

The EP features three exclusive bonus tracks from their most recent album, ‘Assassine(s)’ (2022). Scroll down for the tracklist and available formats.

WATCH 'IL SE VIDE LENTEMENT' (OFFICIAL VIDEO):

LISTEN TO 'IL SE VIDE LENTEMENT':
https://celeste.bfan.link/il-se-vide-lentement

PRE-ORDER / PRE-SAVE THE NEW EP 'EPILOGUE(S)':
https://celeste.bfan.link/epilogue-s

About CELESTE:

Having played more than 500 shows around the world, including appearances at several prestigious extreme music festivals, theaters and venues (Hellfest, Roskilde, Copenhell, SummerBreeze, Brutal Assault, Roadburn, Psycho Las Vegas...), with one EP and six albums under their belt, CELESTE have succeeded in creating their own musical atmosphere and are today considered to be one of the most important bands of the "French Avant-Garde Black-Metal" scene.

Revisit CELESTE's most recent album, ASSASSINE(S):
https://celeste.bfan.link/assassine-s

CELESTE is:
Johan Girardeau - Vocals & Bass
Guillaume Rieth - Guitar
Antoine Royer - Drums
Sébastien Ducotte - Guitar

pop punk rockers Short Stack are back in sparkling form with a 90s-soaked bop courtesy of their latest single Shotgun Wedding.

Behind the new single, Shotgun Wedding.

“We wanted to write a really fun, 90s pop punk song influenced by the bands we grew up listening to," shares vocalist Shaun Diviney, "blink-182, NOFX, Good Charlotte kind of vibes. We really wanted it to be fast and energetic, I love Bradie’s drums just powering through the whole song.”

STREAM 'SHOTGUN WEDDING'

Caskets Share "Better Way Out" Video

NEW ALBUM REFLECTIONS OUT AUGUST 11 VIA SHARPTONE RECORDS

Yorkshire melodic metallers Caskets, who recently announced their new album Reflections for an August 11 release on SharpTone Records, have today released an affirming new single "Better Way Out."

Watch the video
below.

Speaking of the track, frontman Matt Flood says, "'Better Way Out' is a song that relates to suicidal thoughts and tendencies. It's a song about noticing and understanding the trials and tribulations of life, about rising above the feelings of depression and anxiety and knowing your self-worth. To have somebody say that they see you and they hear you, or to have a community by your side while you go through these daily battles, isn't something afforded to everybody. So many of us can blindly walk through the barriers that we build inside our heads, alone without a shoulder to cry on or a friend to lend an ear."

 He continues,"No matter what you've been through and might still be going through... there are always routes out of your situation. You are strong, you are beautiful, you are loved, and you are enough. Don't walk that road alone. We all need each other."

There's an art to looking back. For Caskets, it could have been easy to plough forwards regardless, riding the wave of success from their breakthrough debut Lost Souls (over 80 million streams to date), that opened tours up across the United States and mainland Europe, and secured appearances at landmark festivals Download and Slam Dunk. But having swapped the bedrooms that fostered album number one for countless hours on the road, reflecting on that journey and the decisions that led them down certain paths quickly became unavoidable.

If Lost Souls was primarily driven by Flood's personal experiences, Reflections delivers a wider picture of Caskets as a whole, borne out of the usual interpersonal differences that all bands face at least once in their career. For some it marks the end, but for others, it fosters a collaborative environment that pushes the music well beyond what has come before.

The result reflects each individual member of Caskets, with Matt joined by guitarists Benji Wilson and Craig Robinson, bassist Chris McIntosh, and drummer James Lazenby. The record has more upbeat moments that carry impactful melodies, upping the ante from Lost Souls with considered force, while the powerful ambient moments play out with real finesse.

In a step away from the singular retellings of Lost Souls, the Dan Weller (Bury Tomorrow, Enter Shikari, Holding Absence)-produced Reflections is a series of individual lessons, looking back at a specific moment in one of the band member's lives; a thought, feeling, or events, and how that moment shaped the present.

"Reflections shows how much more we can get out of the band musically if we all put our heads together a bit more," Flood beams, positive about a record that not only showcases Caskets as a full entity but represents the impressive range of influences that have soundtracked the five piece's times on the road and in the studio, helping to rapidly expand their sound. "It's always about the music, that’s the whole point of being in a band," he concludes. "If we can fit as much into our sound but it still sounds like us, that's my lifelong goal with Caskets."

Pre-order Reflections
here.

Introducing ASINHELL, Featuring Volbeat's Michael Poulsen! Band to Release "Impii Hora" on 9/29🔥

INTRODUCING... ASINHELL

BAND FEATURES VOLBEAT'S MICHAEL POULSEN, MARC GREWE (INSIDIOUS DISEASE, EX-MORGOTH), +  MORTEN TOFT HANSEN (RAUNCHY)

DEBUT ALBUM IMPII HORA OUT SEPTEMBER 29 VIA METAL BLADE RECORDS

BAND SHARES "FALL OF THE LOYAL WARRIOR" LYRIC VIDEO

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favorite old-school groups. The songs are rooted in crushing riffs yet injected with strong guitar hooks and shout-along refrains. 

 Impii Hora will be released September 29 via Metal Blade. Pre-order it
here.

"We're very excited to share the first taste of Asinhell with 'Fall of the Loyal Warrior,'" says Poulsen. "The song is kind of a tribute to bands I love, like Bolt Thrower, Entombed, Autopsy, Grave, and Darkthrone. They're the reason why we can do this in the first place, and we're proud to wear our influences on our sleeve. The album was inspired by late '80s and early '90s old school death metal, and one of our brightest points of inspiration was the mighty Death, fronted by the legendary Chuck Schuldiner. There's a lot of Death in there. Schuldiner is one of my favorite death metal vocalists, the other being our vocalist Marc [Grewe]. So to me, this song is the combination of two of my favorites. 'Let the metal flow,' as Chuck would have said!"

While Poulsen sings in Volbeat and sang for Dominus, he didn't want to front Asinhell. So, in March 2022, he called his old friend, ex-Morgoth singer Marc Grewe (Insidious Disease) and invited him to join the party. "I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was 'Yes, of course!'"

After considering drummer friends from established bands, Poulsen asked Morten Toft Hansen from Danish group Raunchy to join. Not only does Morten play like a fiend possessed, his and Poulsen's six-year-old daughters are good friends… and, it takes just 10 minutes to drive to Morten's place.

The two veteran musicians started practicing and completed a full song almost every time they got together. Grewe was tied up at home in Germany when it came time to write the vocals, so Poulsen sent the singer phone recordings from rehearsals to start the process. Through Poulsen and Toft Hansen's years of experience and renewed hunger to destroy, they captured a firestorm in a bottle. 

Asinhell went from being a mere idea to recording the piledriving full-length Impii Hora in about a year. Poulsen asked Volbeat's management to help find a home for Asinhell and was thrilled when they mentioned that Metal Blade founder Brian Slagel would love the band. As soon as he heard Impii Hora, Slagel made Asinhell a top priority. "It's such a dream come true for me to get to be on fucking Metal Blade Records," Poulsen exclaims. "When they said they wanted to put out the album, I felt like I was 17 years old again. I was like, 'Oh my God, I'm making a deal with Metal Blade! How cool is that?' It was like I was finally getting the record deal I dreamed of when I was a teenager."

The album will be available in the following formats:
*Jewel case CD
*180g Black Vinyl (Europe excl.)
*Crimson Red Marbled Vinyl (Europe excl.)
*White Vinyl (Europe excl., ltd. 1000)
*Gold/Black Dust (EMP excl., ltd.300)
*Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)
*Silver Vinyl (US excl.)
*Silver w/ Red Splatter Vinyl (US. excl.)
*Black & White Melt Vinyl (US excl.)
*Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

THEODOR BASTARD Playing Special Shows

THEODOR BASTARD have been polishing up their impressive record collection. Over the past year, they've reissued two of their most-acclaimed albums, starting with 'Vetvi', followed by 'Oikoumene', which arrived earlier this month and included three unreleased songs and a re-imagined tracklist.

But you really need to see them live. While they're often recognized for the mystic melodies of vocalist Yana Veva or Fedor Svolotch, who started Theodor Bastard 20 years ago, the seven-piece band are known around the globe for weaving Nordic strings, primeval flutes, dark wave, trip-hop, tree roots and even human bone into an otherworldly performance of Karelian neofolk.     

This summer, Theodor Bastard are celebrating the reissues of 'Vetvi' and 'Oikoumene' with two special outdoor concerts. They'll start by visiting Menshikov's Garden in their native St. Petersberg on July 20, before gracing the VK Summer Stage in Moscow on July 27. Both shows will feature new choreography and songs that the band has never performed live, including "Mama Terra". 

07/20 St. Petersburg @ Menshikov Garden
[TICKETS]
07/27 Moscow @ Summer Stage
[TICKETS] 

Order 'Vetvi'
HERE
Order 'Oikoumene' 10th Anniversary Reissue
HERE

THEODOR BASTARD’s music is set out to take listeners to unexplored and other worlds. From the cold and twilight realms of the marshy swamps of taiga and mossy tundra, to unexplored places where the earthly plane and the spiritual world are separated only by a thin ghostly veil. For over twenty years THEODOR BASTARD have been known for their amazingly serious attitude to the world beyond that very frontier.

THEODOR BASTARD is one of Russia’s most unusual bands representing the electronic Karelian neofolk genre. Also elements of dark wave and trip hop are present in the band’s music. The message doesn’t carry out everyday problems and is mainly focused on mythology and shamanism. The hallmarks of the band are the unique and bewitching lead vocals of multi-talent Yana Veva and the impeccable sound producing skills of Fedor Svolotch, founder of the band who created the band 20 years ago.

From album to album, THEODOR BASTARD carefully and masterly combine many different exotic and traditional instruments. The special northern atmosphere of their albums is created with Nordic nyckelharpa and jouhikko, primeval flutes created from tree roots and shamanic percussion.

“We live in the north of Russia in Karelia, which has a difficult fate” states band leader Fedor Svolotch. He continues: “This is a harsh northern region with unpredictable nature, with spruce and pine forests. Bears are found here. Moose and hare come straight to my house. In Karelia there are beautiful cliffs and clear lakes with fresh water. These are our personal places of power, the places where stones and winds are talking to us. Singing for us a songs of the northern harsh nature”.

THEODOR BASTARD consists of 6 musicians, turning their performances into a dark magic act that sends the audience back to Northern musical traditions, to the Karelian and the Russian folk. The musicians use a lot of electronic devices and ethnic instruments, but also use their own hand-made instruments from stones, human bone and the roots of Karelian birch.

Line up
Fedor Svolotch: dulcimer, samplers, vocal
Yana Veva: vocal, bawu, ocarina
Kusas: percussion, winds
Alexey Kalinovsky: keyboards
Sergey Smirnov: drums
Ekaterina Dolmatova: back vocal
Slava Salikov: cello, morin khuur

Links:
https://theodorbastard.com/
https://theodorbastard.bandcamp.com/
https://open.spotify.com/artist/2PQ9UX4kWDE3mf2fYGRzqF
https://music.apple.com/us/artist/theodor-bastard/204585292
https://www.youtube.com/theodorbastard
https://www.instagram.com/theodor_bastard/?hl=en

Germany's PARA LIA presents vibrant indie rock anthem in new 'Yellow Rose'

“J Mascis style guitar works alongside sharply defined songwriting, with elements of The Cure in their late 80s pomp” ~ Clash Magazine

"The embers of Arcade Fire and The Mission with a more pop bent... Listen on repeat to invigorate your day" ~ Big Takeover Magazine

"Superior in their own-right without reinventing the wheels of the past" ~ Skope Magazine

"Captivates immediately and guides you through the theatric, robust vocals"~ Imperfect Fifth


Alternative rock / post-punk duo
Para Lia once again please our earbuds with their new single 'Yellow Rose', along with its new video. Conveying reverence for life, this melodic dreamy rock composition is the second taste of their album 'In Clash With The Zeitgeist', which is slated for release on August 25 via the Berlin label About Us Records.

Para Lia is multi-instrumentalist René Methner and vocalist Cindy Methner - for this duo, symbolism and lyricism are of importance. 'Yellow Rose' is an ode to losing a loved one who can never be forgotten and keeping a piece of them in your heart. The yellow rose stands for loyalty, close friendships and the circle of trust. Here, Para Lia creates the perfect symbiosis of these - melancholy with warmth, sadness with joy, and the prospects of hope - all at the same time.  

This album sees them blend their love for late 80’s and early 90’s indie rock with 60’s influences, psychedelic, garage rock and early prog rock elements. This follows up the lead single
 'Sunchild' - a driving, guitar-laden indie rock lead track that is accompanied by a fun-filled nostalgic self-directed video.

"This is a song about the loss of a loved person, a very emotive track and an attempt to mirror the fragility of life in the song's arrangement. Para Lia is joined here by two fantastic musicians – Fady Haddad from Baltimore, who provides beautiful synth parts and also joined us on our last album for two tracks. And Christian Georgi - a classical musician, who has been part of the staff at the Staatstheater Cottbus for many years - who plays the E-piano on this track," says René Methner.

Cindy Methner adds, "What is the best way to express emotions? Spoiler: there are not so many ways. Whether it’s joy, excitement, melancholy or sadness. Often you can feel several things at once and you don't even recognise what you‘re dealing with. This is especially the case when you lose somebody important in your life - whatever the reason, wherever it takes place. this applies to friends, soulmates as well as family - people who have grown dear to you.

Ignoring the zeitgeist of this day and age, Para Lia creates music that is far from mainstream. Debuting with the
'Soap Bubble Dreams' album in 2019, followed by 'Gone With The Flow', which involved artists from the USA, Canada and the UK, as well as a collaborative interactive art exhibition with painter Louis Renzoni.

Mastered by 
Thommy Hein (Die Ärzte, Nina Hagen, Udo Lindenberg) at Tonstudios Berlin and self-recorded and produced at their home studio in Cottbus, Germany, 'In Clash With The Zeitgeist' sees Para Lia grow on yet another level with the band expanding from two members to six with an eye towards upcoming live performances.

'Yellow Rose' is out now and available digitally
across fine music platforms, including Apple MusicSpotify and Bandcamp. As of August 25, 'In Clash With The Zeitgeist' album will be released on vinyl and digitally.

ALBUM CREDITS
René Methner - guitars, bass guitar, keys, drum programming, vocals
Cindy Methner - vocals
Fady Haddad - synth on 'Yellow Rose‘  
Christian Georgi - e-piano on 'Yellow Rose‘ and 'Sunchild (Reprise)'
Andreas Jäpel - vocals on 'Mr. Perry'
Lyrics and music by René Methner
Recorded and produced by Para Lia
Mixed by Para Lia and Thommy Hein
Mastered by Thommy Hein at The Thommy Hein Tonstudios Berlin
Cover artwork by: Georgia Moschogianni
P&C 2023 Para Lia under exclusive license to About Us Records GmbH
Videos by René Methner


Keep up with Para Lia 
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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Alternative singer-songwriter Fred Abong presents pensive new single 'My Way', previewing 'Fear Pageant' album

“Purity and honesty in his approach that gets more and more intense with each track... like you’re riding a wave of energy” ~ Higher Plain Music

“Thoughtful, minimalist. The ghost of Syd Barrett watches over everything... ‘another sonic leap forward” ~ Real Gone Rocks

“An almost painful intimacy to his words despite the oblique phrasing and imagery he conjures” ~ Isolation Records

“An ascent out of singer-songwriter folk territory into something bordering on punk and psychedelia” ~ Fatea Magazine

“Beautifully raw, uncluttered and quite cinematic... Melodically infectious and lyrically mysterious ~ Newport Naked


Singer-songwriter / indie rock artist 
Fred Abong presents 'My Way', the second singe from his forthcoming 'Fear Pageant' album, slated for release in late summer via Seattle-based label Disc Drive. Earlier, Abong released the record's lead track 'Father'.

This is Abong's seventh album (most were self-released, as were his two EPs), following up his
'Yellowthroat' album, released in mid-2022 and recorded together with Rob Ahlers (50FOOTWAVE, Kristin Hersh Electric Trio). On this release, Abong - a Filipino-American alternative singer-songwriter and multi-instrumentalist - upholds his reputation for creating a blend of “ragged Replacements and lyric-driven Bob Dylan” and as “Elliott Smith with balls”.

A musical and geographical wanderer, he grew up in the Northeast, has lived in Southern California, and currently calls New Orleans home. His songs are existentially and romantically focused, poetic, and slightly off-kilter. Detuned guitars, unconventional song structures, and a raw and unpolished production aesthetic characterize the overall sound. Fred’s hypnotic, sometimes gravelly voice adds to the effect.

"Unlike the Sinatra song of the same name, this is not a manifesto of self-determination or a reflection on individualism and world-beating fearlessness. It’s also not a send-up of that attitude or sentiment. My ‘My Way’ is, accidentally, closer to the subject matter (but not the sentiment) of the original French version of the Sinatra song. In the French version, of which I only recently became aware, the gradual erosion of marriage and love by the crushing boredom of mundane life is the focus," says Fred Abong.

"While I may be able to relate to both versions on some level, they were neither the inspiration nor the reference for my song. That said, ‘My Way’ is definitely a kind of self-portrait and a meditation on love and marriage. But it is not triumphant or regretful. It’s more about the mixing of romance and resignation than anything else. It also recognizes the omnipresence of death, both physical and spiritual. And it explores the longing, conscious or unconscious, for wholeness and 'completion' present in intimate relationships. Given that these things are universal, I probably should've called the song 'The Way' rather than 'My Way'. You can call it that if you want."

Getting his musical start in 1980’s Rhode Island as a drummer, bassist and guitarist in an array of hardcore punk bands, Abong spent the early 1990s playing bass for Throwing Muses and then Belly. He then put music as a profession on hold for academic pursuits, earning a PhD in Humanities and serving as a professor at various universities for eight years before returning to music.

Continuing to write songs as a solo artist, Abong's music has a raw and unpolished production aesthetic with an overall direct, though deceptively imaginative and oblique, presentation. Apart from his work as a solo artist, Fred Abong is also currently bassist in the Kristin Hersh Electric Trio and has also been a
practicing Vedic astrologer for the past 20 plus years.

'My Way' is available from fine music platforms, including
Bandcamp, where his 'Yellowthroat' record is also available in all formats. The full 'Fear Pageant' album will be released (digitally and on vinyl) on July 20.

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Atoll Announce New Album 'Human Extract' Out August 25 via Unique Leader Records

Hailing from Phoenix, Arizona, extreme metal powerhouse Atoll has announced their new upcoming record 'Human Extract' out on Friday, August 25 (via Unique Leader Records). In celebration of the news, the band has unleashed their bone-shatteringly heavy titular track "Human Extract" from the new album. When asked about the creative inspiration behind the forthcoming full-length, vocalist Wade Taylor shared:

"We wanted to create a sonic experience that would engulf listeners in an eerie atmosphere, where the boundaries between reality and the unknown blur. With 'Human Extract,' we aimed to capture the essence of fear and vulnerability, delivering a musical journey that mirrors the horrors of alien abduction and the horrors of earth and man. It's an intense, cathartic exploration of the human condition."

Speaking to the "Human Extract" single, the band commented:

"This song delves into the realm of alien abduction, deliriously describing the process of extracting the essence and energy of the human form. The track offers a harrowing narrative, painting a grotesque picture of dissection and the cold detachment of otherworldly beings."

Pre-save 'Human Extract' at the link here, watch the music video for "Human Extract" below, and stream the track here.

Atoll fans also have the chance to see the band on the road this summer with Pyrexia, Cerebral Incubation, and Reeking Aura. For ticket information, please click on the links listed below and be sure to keep your eyes peeled for more Atoll news coming soon.

Upcoming Atoll Tour Dates

July 30 - Little Rock, AR @ Heath's Hideaway** (tickets here)

July 31 - Nashville, TN @ The Cobra** (tickets here)

August 2 - Providence, RI @ Dusk**

August 3 - Frederick, MD @ 611 Cafe (tickets here)

August 4 - Richmond, VA @ Another Round (tickets here)

August 5 - Charlotte, NC @ The Milestone (tickets here)

August 6 - Spartanburg, SC @ Ground Zero (tickets here)

August 7 - Atlanta, GA @ The Masquerade (Purgatory) (tickets here)

August 8 - Tampa, FL @ Brass Mug (tickets here)

August 9 - Orlando, FL @ Conduit (tickets here)

August 10 - TBD

August 11 - Newark, DE @ Halftime Sports Bar (tickets here)

August 12 - Clifton, NJ @ Dingbatz (tickets here)

August 14 - Dallas, TX @ Reno's Chop Shop** (tickets here)

**Atoll only

Emerging from the scorched desert wasteland in 2014, the Phoenix, Arizona-based death metal quintet, Atoll, has been aggressively serving up their unique style for nearly the last decade. Brilliantly blending groove-based slamming brutal death with more traditional death metal elements, grind, and at times even a sprinkle of ‘core, funk, and thrash. Their composition favors a "riff piling" approach rather than the more common and simplistic verse-chorus-verse arrangement, giving the music something of a progressive element with very few repeated riffs, and less predictable movements. Atoll has remained a staple in the metal fest scene, and you may have caught them live playing with the likes of Skinless, Gorgasm, Ingested, and Aborted. Their love of the tour bus life and an importance placed on always having the highest quality, high-energy performances have gained them a reputation for being a consistent, unrelenting live force.

April 2014 birthed this bulbous abomination that has grown into the mighty Atoll when they conspired to create percussive, not frills, chugging brutality. The band immediately shot up in the local AZ scene and very quickly began to expand their live performances throughout the southwest United States, building up momentum for their 2016 debut album, and straight up slammer, The Gathering Swarm. Produced by the late Griffin “The Father” Kolinski (Knights Of The Abyss) and Jamie King (Between The Buried And Me) the album was quickly picked up and released by Amputated Vein subsidiary, Ghastly Music. 

The initial success of their debut album caught the eye of Gorehouse Productions who went on to release the 2017 sophomore album, Fallout Frenzy. The vocals on this album show significant expanse in dynamic range, incorporating highs, mids, and some of the most nasty gutterals you’ll ever hear. Lyrically Fallout Frenzy expanded further on the origins of the band name, embracing themes of the atom bomb tests of Bikini Atoll in the 1950’s, and the subsequent radioactive fallout and mutations that occurred after the bombings. 

The critically acclaimed album, Zoopocalypse is released in 2019 through Gorehouse Productions. This album is in-your-face aggression from front to back. A departure from the more rudimentary slams of their earlier works, Zoo implements more technicality, more tremolo and scaling, mathier leads, and a generally more advanced death metal sound that would represent the direction of the band moving forward. The mix/master was completed by Miguel Tereso of Demigod Recordings (Analepsy, Organectomy), and features a guest vocal spot from Matti Way (Disgorge, Abominable Putridity, Pathology)

During the global limbo of lockdown Atoll was able to strike a deal with the legendary Unique Leader Records, and in 2022 put out the Prepuce EP. The mini-release serves as a taster of things to come as Atoll has completed the production of two upcoming full-length albums, scheduled to drop through Unique Leader in 2023 and 2024. This two-part release will be the most technically ambitious to date. Keep your eyes peeled on the tour front, and ears open because, like an atomic tsunami, Atoll is primed to decimate the masses.


Atoll is:

Andy Luffey - drums

Cameron Broomfield - bass

Chris Nick - guitar

Spencer Ferguson - guitar

Wade Taylor - vocals

Solence Unveil New '_hope is a cult_' Acoustic EP + Release "Life Goes On" Official Music Video via Hopeless Records

Swedish electropop-metal quartet Solence has released their first ever acoustic EP of select tracks off their latest album, '_hope is a cult_' (out via Hopeless Records). In celebration of the release, the band has also unveiled the official music video for "Life Goes On". Speaking about the EP, vocalist Markus Videsäter commented:

"We’ve never done any acoustic versions of any songs before, but with the emotional content on Hope Is A Cult it felt like the perfect match. Working with Sam (Guaiana) was a dream and we’re so happy with how they turned out."

Stream the '_hope is a cult_' acoustic EP here, watch the music video for "Life Goes On" below, and be sure to keep your eyes peeled for more Solence news coming soon.

No matter where we come from, music draws us together and bonds us. For as much as SOLENCE sonically conjoin elements of metal, electronic, alternative, and pop, the Swedish group also appeal to an expansive swath of personalities with a universal message. Equally suitable for the mosh pit or Coachella, the band—Markus Videsäter [vocals], David “Viking” Vikingsson [drums], David Strääf [guitar], and Johan Swärd [keys]—rally around a familial energy meant to be shared as loudly as possible. After quietly generating north of 200 million streams and counting, they welcome everyone closer on their third full-length offering and Hopeless Records debut, _hope is a cult_, and more to come.

“We want to build up this family around positivity, hope, and the belief you can change things,” notes Markus. “We want you to forget everything that bothers you when you listen to this album. If we’re doing our job, audiences feel like they’re a part of it. When you go to a SOLENCE show, you have a good time, so hope is a cult for us.”