Jenna Paulette Lives on Love with "Anywhere The Wind Blows," Available Everywhere Now

Rising country songstress and cowgirl Jenna Paulette is shedding past woes and heartbreaks, replacing them instead with an excited sense of anticipation for a future yet to come. The carefree, wistful love detailed in her latest song, “Anywhere the Wind Blows,” serves as a testament to how far she’s come - and how far she plans to go. Listen to “Anywhere the Wind Blows” below.
 
“Anywhere the Wind Blows,” written by Paulette alongside ACM Songwriter of the Decade Rhett Akins and producer/songwriters Will Bundy and Jeb Gipson, is the latest off her upcoming debut album The Girl I Was.
 
The project was inspired by one of Paulette’s favorite childhood memories of selling cattle with her grandfather as a young girl. It’s where she first recognized her love of being a cowgirl and felt most true to herself. Realizing how disconnected she had become from who she once was throughout the course of a ten year relationship, The Girl I Was follows her soul-searching journey - and finds Paulette re-emerging stronger and more confident than ever before as she rediscovers that child-like joy she had long since lost. Pre-save The Girl I Was, available March 31 HERE.
 
"This song is about letting go of the things that weighed me down and into what God has for me,” Paulette shared. “I have so much hope for my future right now-- everything I thought I could never have is working out just fine and I feel so light and ready for the adventure ahead."
 
Recently named Apple Music’s March Country Riser of the Month, Paulette’s first episode on “The Ward Guenther Show” will be available to stream on Apple Music today at 3pm CT HERE.

About Jenna Paulette:
Named a CMT Next Women of Country Class Member of 2022, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Her finely calibrated blend of toughness and sensitivity is on full display in tracks like “Country in the Girl” and “Pretty Ugly”. Her most recent single, "Slow Drawl", gives a glimpse into Paulette's songwriting abilities and finds a way to present the western way of life in a mainstream way. Paulette settled in Nashville, where she struck up a mentorship with Ashley Gorley, a veteran songwriter with 50+ No. 1 tunes under his belt. Since collaborating with songwriters like Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey on his 2019 national tour, Parmalee, John Michael Montgomery and Clay Walker, Paulette landed brand partnerships with Boot Barn, George Dickel Whiskey and Ranch Water, and ultimately signed a publishing deal with Sea Gayle Music in June 2021. Last year, Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the Professional Bull Riding World Finals; as well as, day working on ranches across Texas, securing opening slots and performing in multiple festivals including CMA Fest. With her debut album, The Girl I Was, due March 31, 2023, Paulette hopes to continue building her audience as fans get a deeper look into who she is as an artist.

ENSLAVED: New Album, "Heimdal," Is Out Now!

We are of the waters carrying the countless names
above, below, absorbed and besung
We are of the Eternal Sea, crossing to wander in shadows

Today, Enslaved are proud to release their latest avant-garde creation, Heimdal. Their breathtaking 16th studio album is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. It's a record that points towards new beginnings, and a dawn that’s on the other side of the apex of the land. Prepare for a psychedelic journey through arcane Norse folklore, to connect with one's ancient ancestors and our future selves.

Enslaved's Grutle Kjellson commented,
“After more than three decades, I still get excited when I hear Ivar’s demos; we may be older now, and as life has evolved are unable to spend as much time on music as we would like, but the song writing process for Enslaved hasn’t changed much. Ivar works on the seeds and shapes of songs, sends them to the rest of us, and we’ll form our own narratives - these phantom sketches eventually come to life and they speak to us, and hopefully they speak to our fans as well.

In my opinion, our band is even more creative, more experimental, more diverse and somehow more  musical than when we started. I suppose one of the main reasons we continue as a band is that we have never reached a place where we bore ourselves. Our passion for telling stories, writing riffs, put words to them and exploring the human condition through music and myth, has only increased over the years and Heimdal is a reflection of who we are as artists, musicians and human beings in the year 2023.”

Enslaved have also revealed a masterly lyric video, created by Ingo Spörl, for album focus track 'The Eternal Sea'. 

You can order/stream Heimdal here: https://enslaved.bfan.link/heimdal.ema
Watch 'The Eternal Sea' lyric video below.

Caravans to the Outer Worlds (Live from The Otherworldly Big Band Experience)
Watch the video here: https://youtu.be/sh7l0I3l2Fg

Heimdal was produced by Enslaved's own Ivar Bjørnson, Iver Sandøy and Grutle Kjellson. Mixing was handled by Jens Bogren at Fascination Street Studios, and the final treatment was mastered by Tony Lindgren. The concept and lyrics for Heimdal was, as always, developed by Ivar Bjørnson and Grutle Kjellson in tandem. 

The album was recorded primarily at Solslottet Studios in Bergen, which is owned by Iver SandøySolslottet is a satellite of the well-known Duper Studios, where the drums were recorded and engineered by Iver himself, with assistance from Vegard Lemme. The main guitars, bass, pianos, organs, and vocals were also recorded at SolslottetArve 'Ice Dale' Isdal recorded his guitar leads at his own Earshot & Conclave Studios. The final touches and a few experimental ideas were added at the Overlook Hotel using Solslottet’s mobile studio rig. All music for Heimdal was written and demoed at Ivar Bjørnson’s own Crow’s Nest studio.

The record features psychedelic track 'Caravans To The Outer Worlds' from last year's EP of the same name. Album bonus versions contain an extra track, 'Gangandi', alongside a Blu-Ray copy of 2021's stunning Otherworldly Big Band Experience streamed event the band's boldest project to date, featuring fellow Norwegian prog band Shaman Elephant. The kaleidoscopic stage show features a stellar setlist, covering Enslaved's career, both past and present.

ENSLAVED + INSOMNIUM 
NORTH AMERICAN CO-HEADLINE TOUR 2023

w/ Black Anvil
05 April   New York, NY - Irving Plaza
06 April   Boston, MA - Big Night Live
07 April   Montreal, QC - Corona Theatre
08 April   Toronto, ON - The Opera House
10 April  Detroit, MI - Saint Andrew's Hall
11 April  Chicago, IL - House Of Blues
12 April   Minneapolis, MN - Varsity Theater
14 April   Denver, CO - The Gothic Theatre
15 April   Salt Lake City, UT - The Complex
17 April   Seattle, WA - The Crocodile
18 April   Vancouver, BC - The Rickshaw
19 April   Portland, OR - Hawthorne Theatre
21 April   Berkeley, CA - The UC Theatre Taube Family Music Hall
22 April   Los Angeles, CA - The Fonda Theatre
23 April   Phoenix, AZ - Nile Theater
25 April   Austin, TX - Come And Take It Live
26 April   Dallas, TX - The Echo Lounge & Music Hall
28 April   Atlanta, GA - Variety Playhouse
29 April   Raleigh, NC - Lincoln Theatre
30 April   Baltimore, MD - Baltimore Soundstage

VIP tickets for NA shows available hereenslaved.soundrink.com

ENSLAVED - 2023 FESTIVAL SHOWS
13 May   UK, London - Incineration Festival
05 Aug   NO, Bergen - Beyond The Gates
10 Aug   CZ, Jaroměř - Brutal Assault
12 Aug   DE, Thüringen - Party.San
16-19 Aug   UK, Bristol - ArcTanGent
06-07 Sep   PO, Aleksandrów - Summer Dying Loud
10-11 Nov   MX, Monterrey - Mexico Metal Fest

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved in 2023 are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

Gramercy Arms release star-studded 'Deleted Scenes' LP, inspired by the artistic heyday of ‘70s and ‘80s-era New York City

"Gentle and perfectly arranged, it is both calming and genuine, straightforward and talented, giving space and voice everywhere that the song and its story requires. A hidden Americana-indiepop gem, Gramercy Arms show that music truly is a journey"~ The Spill Magazine

"A slice of mature, soulful pop, gentle and refined, a swirl of gorgeous boy-girl harmonies, laced with elegant guitar lines and the perfect balance between a slightly nostalgic then and a now calling out for such astute, chart-friendly pop. A future classic" ~ Big Takeover Magazine

"Melancholic yet radiant, emotively shadowed but joyfully rousing, Yesterday’s Girl swiftly and keenly had the body swinging and pleasure bubbling, its melodic jangle and rhythmic kneading just as magnetic" ~ Ringmaster Review


NYC indie rock outfit Gramercy Arms have released their much-anticipated third album 'Deleted Scenes' via New Jersey-based Magic Door Record Label.

A revolving collective, masterminded by Dave Derby (The DambuildersLloyd Cole), Gramercy Arms is inspired by the artistic heyday of ‘70s and ‘80s-era New York City. They make addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time, remembering your favorite mistake.

Produced, recorded and mixed by Ray Ketchem (Guided By Voices, Luna, Elk City) at Magic Door Recording in Montclair, NJ, this album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Earlier, Gramercy Arms teased the singles 'Yesterday's Girl' (plus an acoustic version), Derby co-penned by Derby and music legend Lloyd Cole and performed as a duet with Derby and Renée Lo Bue (Elk City, Flowers of America), and 'Tricky Love Stuff', featuring violinist Claudia Chopek (Bright Eyes, The Little River Band), saxophonist Peter Hess (Phillip Glass Ensemble, Anti-Social Music, Slavic Soul Party) and backing vocals by Lo Bue, Jessie Kilguss and Gary Burton (Dovedale).

This album is quite the star-studded affair, involving Lloyd Cole, Kevin March (Guided by Voices, The Dambuilders, Shudder to Think), Doug Gillard (Guided by Voices, Nada Surf), Sean Eden (Luna), Rainy Orteca (Joan As Police Woman), Mark Lizotte (Diesel), Rafa Maciejak (Lloyd Cole and the Negatives), Phoebe Summersquash (Small Factory), Lysa Opfer (Aeon Station), Kendall Meade (Mascott), Verena Wiesendanger (Semi Gloss), John Leon (Royal Arctic Institute), Hilken Mancini (Fuzzy), Richard Alwyn-Fisher (King Canutes), Mike Errico, Steve Hurley (Gigolo Auntsand Carl Baggaley (Elk City, Royal Arctic Institute), 

"Every step of this record has been about collaboration. Before we started, Ray Ketchem and I documented our vision for how the record should be. We wanted it to be simple, melodic, powerful and beautifully recorded. We were almost finished with the record and then COVID happened and we had to cancel what were initially intended to be the final sessions of making the album," says Dave Derby.

"During the pandemic, when the entire world seemed to go on break, we reached out to friends like Mike Errico, John Leon (Royal Arctic Institute, Roky Erickson), Stephen Hurley (Gigolo Aunts) and Mark Lizotte (Diesel), who were able to contribute remotely. Their contributions really transformed the record."

Ray Ketchem adds, "We were lucky to work with Greg Calbi, legendary Grammy-winning mastering engineer of classic records from Talking Heads, David Bowie and Bruce Springsteen. Calbi called me after spending the afternoon working on 'Deleted Scenes' and said, “Who IS this guy? Every one of these songs are fantastic!”

Lyrically driven and rich on vocal-harmony, interspersed with elements of 60s sunshine pop and folk-rock, 'Deleted Scenes' follows previous albums 'The Seasons of Love' (2012) and 'Gramercy Arms' (2008).

'Deleted Scenes' is out now across online platforms, including Apple MusicSpotify and other online stores, as well as Bandcamp. On March 1, Gramercy Arms hosts their record release show at Sid Gold's in New York, the first in a series of monthly Public Access TV Musical Variety Shows hosted and produced by Gramercy Arms, Jessie Kilguss, Gary Burton, Richard Alwyn Fisher and Dave Derby.

CREDITS
Produced, Recorded & Mixed by Ray Ketchem at Magic Door Recording
Mastered by Greg Calbi at Sterling Sound
Publishing Passive-Aggressive BMI / Warner-Chappell
Artist photos by Max Skaff and Debora Francis
Cover artwork by Debora Francis and Ray Ketchem
'Tricky Love Stuff' video by Qian Wenyu
'Yesterday's Girl' video by Debora Francis

Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud  | Apple Music | Spotify | Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

SILVERTUNG RETURNS AFTER TWO-YEAR HIATUS WITH NEW SINGLE, “INTEGRITY”

Mid-Atlantic rock band Silvertung is back! Following a two-year hiatus of uncertainty, they were left with the most important decision of their music career...shut down or face the adversity they've been dealt.
 
"Giving up was NOT an option," asserts lead vocalist, Speed Vincent. After experiencing the world-changing effects of the pandemic, he reformed Silvertung with all new members and a reinvented sound.
 
Injecting new styles and ideas, Silvertung is setting their own pace and rules within the quartet’s musicianship. Their newest single “INTEGRITY” is an unrelenting sonic message with intense, hard-hitting beats, aggressive guitar riffs and confident, demanding statements like “Hope you see the light, before the light becomes your enemy.” Unified with infectious melodies, fierce screaming vocals, and harmonies, firing up a massive, uplifting chorus. Mastering the elusive balance between surprising new elements, without deviating from the empowering motivation the band is known for.
 
"INTEGRITY" reveals the fortitude to fight through and stand on your own after dominating the fears of emotional and physical abuse, and the anger of being used.
 
Pre-save "INTEGRITY" here: https://show.co/izckWT3tps://show.co/izckWT3
 
This track was produced by Steven Wright at Wright Way Studios and Silvertung. Mastered by Tony Eichler at Goldtone MasterWorks, LLC

Fresh off a 32-day tour in 16 states throughout the mid-west, "INTEGRITY" is Silvertung's first release in 2023. "The band has more new music, videos, and touring coming this year," says Vincent. "Not only is Silvertung back, we’re just getting started!"
 
Catch Silvertung on tour following the "INTEGRITY" release and festivals, including Rock Fest 2023, Featuring SlipKnot, Pantera, Godsmack, Falling in Reverse, Ice Nine Kills, Papa Roach, Asking Alexandria, In This Moment, Highly Suspect, 10 Years, among others.
 
“We are excited about our upcoming tours,” says Speed, “plus playing festivals. We’re eager to get back on the road and meet you all!” The accompanying video for “INTEGRITY” gives a glimpse into the band’s energetic live performance.
 
THE BLACK AND BLUE TOUR*:
3/2 – Kent, OH @ The Outpost Concert Club
3/3 – Danville, KY @ The Nook
3/4 - Janesville, WI @ The Back Bar
3/5 - Springfield, Mo @ Outland Ballroom
3/8 - Lombard, IL @ Brauer House Lombard
3/9 - Chippewa Falls, WI @ Joel`s 4 Corners
3/10 – Mankato, MN @ The What`s Up Lounge
3/11 – Kansasville, WI @ Live at 1175
4/28 – Baltimore, Md @ Zen West
4/29 – Frenchtown, NJ @ Artie’s Bar and Grill
4/30 – Mt Holy, NJ @ Union Firehouse
 
*More dates to be announced.
 
Festival appearances:
6/9 – Unity, WI @ Monster Hall Music Festival
7/15 – Cadott, WI @ Rockfest 2023
8/12 – Jones, MI @ Summerfest 2023
 
*More dates to be announced.
 
FOR MORE INFORMATION:
 
Please visit: https://linktr.ee/SILVERTUNG

Silvertung on Spotify - https://open.spotify.com/artist/0CyHz6LKA5mImI5Ugszggb
 
SILVERTUNG
Speed Vincent - lead vocals/guitar
Marc Marchetti – lead guitar
Jimy Grime – bass/backing vocals
Andy Romeo - Drum

Paleface Swiss Drop Music Video For Brand New Track, "Best: Before Death"

Switzerland's finest purveyors of brutality, PALEFACE SWISS, have dropped brand new stand-alone single "Best Before: Death" today. The new release comes with a brand new music video and is in celebration of the band's first ever US tour, which kicked off in West Palm, FL with Bodysnatcher, Angelmaker and Distant. Find the track on streaming platforms HERE, watch the video below and get tickets HERE.

Speaking on his band's latest release, frontman Marc 'Zelli' Zellweger shares

"The song is about the expiry date of us humans and how we as people get closer to that date with every breath we take, with every addiction, greed, hate, over-working, etc.

 

You could say we are made to be used before our death. In essence, the human becomes useful after their death.

 

We don't have much longer because: the world is fucked, the people are fucked and our lives are fucked.“

Today is a special day for PALEFACE SWISS, not only because they unleashed their first new music in almost a year, but also because it also marks the start of their first ever US tour. The run kicked off in West Palm, FL last night and the mostly-sold-out run with Bodysnatcher, Angelmaker and Distant will hit a further 26 cities across the US before culminating in Worcester, PA on March 29th. Full routing below. Remaining tickets available from palefaceswiss.com/tour

Speaking on his excitement for the upcoming trek, Zelli continues

"A few year’s ago, me, the little swiss boy Zelli decided that I wanted to form a band with my friends. Over the years, we have luckily gained a lot of attention from heavy music fans in the US. Now, after long months and years of preparing, it is finally time for the four boys from Switzerland to head over to the states not just for our first us tour but also to make one of the biggest dreams we have as a band come true.

We are obviously extremely exited to finally give back to our US fans who have supported us so much and so constantly over the years! Something they deserve. We have a lot of respect and we’re honestly a little bit nervous but we can’t wait to finally rock through the whole country with an AMAZING line up and a nearly sold out tour! See you in the pit! "

PALEFACE SWISS US Tour Dates

w/ Bodysnatcher, Angelmaker and Distant

3/03/2023 Masquerade (Hell) - Atlanta, GA

3/04/2023 Hangar 1819 - Greensboro, NC

3/05/2023 The End - Nashville, TN

3/06/2023 Red Flag - St. Louis, MO

3/07/2023 The Rino - Kansas City, MO

3/08/2023 89th Street - Oklahoma City, OK

3/09/2023 Trees - Dallas, TX

3/10/2023 The Rock Box - San Antonio, TX

3/11/2023 Warehouse Live - Houston, TX

3/13/2023 Nile Underground - Mesa, AZ

3/14/2023 Chain Reaction - Anaheim, CA

3/15/2023 Strummer's - Fresno, CA

3/16/2023 Goldfields - Roseville, CA

3/17/2023 Neck Of The Woods - San Francisco, CA

3/18/2023 American Legion Post 8 - Las Vegas, NV

3/19/2023 The Complex - Salt Lake City, UT

3/20/2023 HQ - Denver, CO

3/21/2023 1867 Bar - Lincoln, NE

3/22/2023 Subterranean - Chicago, IL

3/23/2023 The Sanctuary - Detroit, MI

3/24/2023 The Winchester - Cleveland, OH

3/25/2023 Preserving Underground - Pittsburgh, PA

3/26/2023 Lovedraft's - Mechanicsburg, PA

3/27/2023 The Brooklyn Monarch - Brooklyn, NY

3/28/2023 Webster Underground - Hartford, CT

3/29/2023 The Palladium Upstairs - Worcester, MA

PALEFACE SWISS will also be playing a small number of headline shows with Distant and will be appearing at this year's Blue Ridge Rock Festival in September. Full dates below:

PALEFACE & DISTANT

3/30/2023 Metro Gallery - Baltimore, MD

3/31/2023 Riffhouse - Chesapeake, VA

4/01/2023 - New Brookland Tavern - W. Columbia, SC

4/02/2023 - Justice Pub - Jacksonville, FL

9/7/2023 - 9/10/23 - Blue Ridge Rock Festival

"Best Before: Death" follows the band's 2022 full-length album, "Fear & Dagger". Which shot the band into the upper echelons of the "deathcore renaissance" and spawned singles "The Orphan", "Deathtouch", "Dead Man's Diary" feat. LANDMVRKS frontman Florent Salfati and most recently, fan favourite and stylistic curveball, "My Grave / Lay with Me" which was released last month. The album focuses on more mature and critical topics related to the fears and struggles young people have to contend with in the 21st century, most importantly, the topic of mental health.

Since its release, the album has clocked up 10 million cross-platform streams, nearly 1 million YouTube views and has seen the band's monthly Spotify users increase by over 300%, currently at 320k.

The neutrality Switzerland is known for globally does not apply to PALEFACE SWISS

 

They have come to destroy. 

ABOUT PALEFACE SWISS

Since the release of their third album, 'Chapter 3: The Last Selection', independent outfit, PALEFACE SWISS have gained international recognition throughout the Deathcore and Beatdown Community. Known for their huge, aggressive riffs, brutally bombastic rhythm section, frontman, Zelli's outstanding vocals and a pinch of humor. This is Switzerland’s finest heavy music.

PALEFACE SWISS was formed in Zurich, Switzerland in 2017 by vocalist Marc Zellweger (Zelli) and drummer Colin Hammond (CJ) having met through a mutual friend in 2016. After bonding over a shared love of beatdowns and hardcore, Zelli and CJ shook hands at a concert in 2017 and promised they would create the craziest beatdown band ever together. 

 

They recruited guitarist Yannick Lehmann to the band and released their debut ‘Chapter 1: From The Gallows’ in 2018. Later that year, they brought bassist Tommy-Lee Abt to PALEFACE SWISS family. They played their first show in October 2018 and quickly grew in popularity with the song “Deprivation Method”. 

 

In early 2019, Paleface started writing ‘Chapter 2: Witch King’ which was released in May 2019. The band started to gain international attention with the release of tracks “Human Hunter” and “Skin People”. They released the single “No Mercy At All” at the end of 2019 and started working on the final installment of the dark story they’d created with Chapters 1 & 2. 

 

Chapter 3: The Last Selection’ was released on October 30th 2020 to much acclaim. PALEFACE SWISS released fourmusic videos for huge tracks “Curse Us”, “The Rats”, "Lights Out" and “Skalpell” which quickly ranked high in the deadown/hardcore charts and saw the band become cover stars on Spotify’s Heavy Beatdown playlist.

In 2022 the band released their most ambitious and brutal album yet, 'Fear & Dagger'. The album was widely considered a huge step up for the band as plaudits began to roll in for frontman Zelli's vocal ability, Metal Injection accurately summed it up in their review by saying, "It's fun to get caught up in Paleface's unrelenting instrumentals, but Zelli's really the star of Paleface. This is largely because he treats his screams like rap bars.".

The album's technical proficiency and no-holds barred brutality, coupled with Zelli's unique delivery and highly emotional lyrics struck a chord with fans worldwide and saw the band's monthly listeners on Spotify increase by nearly 300%. It was released to much acclaim with New Transcendence stating "Paleface have created one of the most emotionally relevant and intriguing beatdown releases to date" and Wall of Sound calling it "an unashamedly brutal and angry album".

As Metal Injection so astutely put it in their review of 'Fear & Dagger' - "Stop pretending to be cultured, and get down with the beatdown.".


PALEFACE SWISS Are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano Toma



Find Paleface Online 

www.palefaceswiss.com

ARRIVAL OF AUTUMN - RELEASE GUITAR PLAYTHROUGH FOR "SCARS"

ARRIVAL OF AUTUMN absorb the icy emotion of their surroundings in a hard-hitting hybrid of heavy metal proficiency, metalcore intensity, and skyscraping melodic sensibility. The group channel this energy on their second full-length offering, Kingdom Undone which will be unleashed on May 26th via Nuclear Blast Records.

Last week, the band set the stage with the incendiary fretwork and pummeling drums that erupt throughout “Scars.”. The contagious melody will lead listeners on an energetic journey that will leave them shouting along  “Why don’t you show your scars?” 

Today, the band release the guitar playthrough for the single. Watch as guitarists Brendan Anderson and  Ryan Sorenson breakdown the song, below.

Watch the video for "Scars" here: https://youtu.be/WBgqZiYlWr0
Listen to "Scars" on all streaming platforms: https://bfan.link/AOA-Scars

Jamison Friesen comments, “We are very excited to release the first track off our upcoming album Kingdom Undone! 'Scars' is about being real with the people around you and to stop pretending to be something you’re not. It doesn’t matter what’s on the outside, it’s about having the courage not to hide who you are! We look forward to playing it on our upcoming tours!”

ARRIVAL OF AUTUMN began the recording of Kingdom Undone in August of 2021 at Mark Lewis Studios in Hendersonville, Tennessee & at their own studio in Grande Prairie AB, and concluded in December 2021. The album was engineered by the band and Mark Lewis who also was in change of producing,  mixing, and mastering. The artwork for the album was created by Travis Smith.

Pre-order Kingdom Undone here: https://bfan.link/AOA-KingdomUndone 

Kingdom Undone will be available in the following formats:

  • CD Jewel case

  • T-shirt

  • CD + T-shirt Bundle

  • Orange/ Blue Swirl Vinyl

  • This month, ARRIVAL OF AUTUMN will hit the road with labelmates and Bay Area thrash legends HEATHEN. The "Empire Of The Blind" tour will kick off on March 9th in Rhode Island and will travel up and down the east coast making stops in Chicago, Atlanta and Orlando before concluding in Philadelphia on March 26th.

    Confirmed dates for the  "Empire Of The Blind"  Tour with headliners HEATHEN's are:
    3/09/2023  PROVIDENCE, RI - ALCHEMY
    3/10/2023  BROOKLYN, NY - THE KINGSLAND
    3/11/2023  MONTREAL, QC - PETIT CAMPUS
    3/12/2023  TORONTO, ON - SNEAKY DEE’S
    3/13/2023  DETROIT, MI - THE SANCTUARY
    3/14/2023  CUDAHY, WI - X-RAY
    3/15/2023  CHICAGO, IL - REGGIES
    3/16/2023  CINCINNATI, OH - LEGENDS  
    3/17/2023  KNOXVILLE, TN - THE BRICKYARD
    3/18/2023  ATLANTA, GA - BOGGS
    3/19/2023  TAMPA, FL - BRASS MUG
    3/20/2023  MIAMI, FL - GRAMPS
    3/21/2023  ORLANDO, FL - THE HAVEN
    3/23/2023  CHARLOTTE, NC - THE MILESTONE
    3/24/2023  CHESAPEAKE, VA - RIFFHOUSE
    3/25/2023  BALTIMORE, MD - METRO
    3/26/2023  PHILADELPHIA, PA - MILKBOY

    ARRIVAL OF AUTUMN is:

    Jamison Friesen | Vocals
    Brendan Anderson | Guitar
    Ryan Sorensen | Guitar
    Liam Frith| Bass
    Ty Fox | Drums

Ashley McBryde Joins “The Jennifer Hudson Show” as “Light On In The Kitchen” Debuts to Critical Acclaim

ASHLEY McBRYDE JOINS “THE JENNIFER HUDSON SHOW”
 
New Single Light On In The Kitchen” Debuts to Critical Acclaim;
Impacts Country Radio March 27
 
“Ashley McBryde maintains her position as 
country’s most down-to-earth songwriter”
 The New York Times

Grand Ole Opry member Ashley McBryde joined “The Jennifer Hudson Show” yesterday, March 1 to discuss her latest release, recent GRAMMY win for Best Country Duo/Group Performance for her chart-topping “Never Wanted To Be That Girl” with Carly Pearce and performed an impromptu song based on an audience member’s story.
 
Last week, McBryde debuted her latest single “Light On In The Kitchen” to critical acclaim, with The New York Times praising, “Ashley McBryde maintains her position as country’s most down-to-earth songwriter,” while Rolling Stone observes, “With its gentle, brushed drums and light shadings of mandolin, it’s a delicate ballad that feels ready for radio and the Grand Ole Opry stage but comes with mountains of good advice.”
 
With “Light On In The Kitchen” impacting Country radio on March 27, Billboard boasts, “Is Ashley McBryde capable of writing a less-than-stellar song? It seems not,” calling it “another ace from this singer-songwriter,” as Stereogum notes “McBryde excels at tough-minded character sketches with Southern-rock edges, but she’s also great at this kind of sentimental fare.”
 
The Arkansas native performed in her home state over the weekend and heads back out on the road next week before embarking on a run of additional headlining shows, festivals, two dates at the Grand Ole Opry, three dates with Eric Church on The Outsiders Revival Tour and seven shows with Jelly Roll this spring and summer. Tickets are available at AshleyMcBryde.com.
 
Ashley McBryde Upcoming Tour Dates
 
March 8           The Cove at River Spirit Casino Resort                     Tulsa, Okla.
March 9           NRG Park                                                                   Houston, Texas
March 11         Grand Ole Opry House                                               Nashville, Tenn.
April 1             Country Thunder Arizona 2023                                  Florence, Ariz.
Aril 15             Isleta Resort & Casino                                                Albuquerque, N.M.
April 16           Ector Theatre                                                              Odessa, Texas
April 21           River Center Theatre                                                  Baton Rouge, La.
April 22           The Crawfish Music Festival 2023                            Biloxi, Miss.
April 28           Double Decker Arts Festival 2023                             Oxford, Miss.
April 29           Paramount Center for the Arts                                    Bristol, Tenn.
April 30           EKU Center for the Arts                                             Richmond, Ky.
May 12            Choctaw Grand Theater                                              Durant, Okla.
May 13            Cook’s Garage                                                            Lubbock, Texas
May 16            Grand Ole Opry House                                               Nashville, Tenn.
May 18            American Music Theatre                                            Lancaster, Pa.
May 19            Newton Theatre                                                          Newton, N.J.
May 20            Hampton Beach Casino Ballroom                              Hampton Beach, N.H.
May 21            Bottle & Cork                                                             Dewey Beach, Del.
May 28            Fairplex                                                                       Pomona, Calif.
June 2-4          BackCountry Festival 2023                                        Gardnerville, Nev.
June 17            Morgan County Fairgrounds                                      Martinsville, Ind.
June 22            Luther F. Carson Four Rivers Center for the              Paducah, Ky.
                        Performing Arts
June 23            Pine Knob Music Center                                            Clarkston, Mich.
June 24            Blossom Music Center                                               Cuyahoga Falls, Ohio
June 29            Credit One Stadium                                                    Charleston, S.C.
July 8              Hodag Country Festival 2023                                     Rhinelander, Wis.
July 20-23       Country Thunder Wisconsin 2023                              Twin Lakes, Wis.
July 22            Ionia Free Fair Fairgrounds                                        Ionia, Mich.
July 27-29       Headwaters Country Jam 2023                                   Cardwell, Mont.
Aug. 4             Oregon Jamboree Music Festival 2023                      Sweet Home, Ore.
Aug. 6             Big Valley Jamboree 2023                                          Camrose, Alberta
Aug. 11           Jiffy Lube Live                                                           Bristow, Va.
Aug. 12           Veterans United Home Loans Amphitheater              Virginia Beach, Va.
Aug. 19           Hollywood Casino Amphitheatre                               Maryland Heights, Mo.
Aug. 25           CHI Health Center Omaha                                         Omaha, Neb.
Aug. 26           T-Mobile Center                                                         Kansas City, Mo.
Sept. 19           Paycom Center                                                           Oklahoma City, Okla.
Sept. 21           Germania Insurance Amphitheater                             Austin, Texas
 
About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York TimesNPRRolling StonePasteThe Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and Benjy Davis earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard and Stereogum, among many more. McBryde recently wrapped The Judds: The Final Tour with Wynonna and two sold-out nights at the Ryman Auditorium with Ashley McBryde Presents: Lindeville Live. Her latest single “Light On In The Kitchen,” available everywhere now, will impact Country radio on March 27. McBryde will embark on a run of additional headlining shows, festivals, two dates at the Grand Ole Opry, three dates with Eric Church on The Outsiders Revival Tour and seven shows with Jelly Roll this spring and summer. For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, Twitter, TikTok and YouTube.

PhaseOne + Void of Vision Drop Sizzling "Eyes Wide Shut" Collab

Hot on the heels of explosive, 2022-released collabs with forward-thinking metal bands ERRA and Polaris, hard-hitting Aussie producer PhaseOne has now partnered with Void Of Vision for raucous new track titled "Eyes Wide Shut."

It's a radioactive cauldron of synths and beats, thunderous sounds, soaring vocals, and clawed-the-bowels-of-hell screams. It's a sonic thrill ride in which you will experience ALL of the feels. It's an excellent execution of an EDM x metalcore mashup, as PhaseOne has become known for!

Listen here

"The instrumental for this song was the first demo I made for this UNFD project," PhaseOne states. "It evolved many times before the final product, but the final result is something I'm very proud of! It is a metalcore-focused song with synth riffs mimicking the guitars throughout the entire track, giving it that electronic blend before breaking off into a full blown drum & bass section, which catches the listener off-guard in the best way possible. Jack [Bergin] from Void Of Vision sent me his vocal top line, and it was the cherry on top, as it really tied the track together. He nailed the assignment, fulfilling all the sections super tastefully with his wonderful vocal range."

"The idea of working alongside PhaseOne has always been something floating around VOV camp as we've delved further into the electronic world we're now within, whether it be between ourselves or with colleagues," says Bergin. "When we were approached for the collab, it was an absolute no brainer, not just in the aspiration sense, but also to continue pushing the envelope of areas where we can go as a band." He continues "It's been a rewarding year creating and releasing our most experimental work to date so getting to release this track which is somewhat of a culmination of every area we've been exploring sonically, was just a perfect way to keep up the momentum and leave people still curious as to what comes next. Getting to experiment a lot more with a more dynamic vocal range was such a huge confidence booster for myself and I can't thank PhaseOne enough for letting me tackle some new things in this one."

Bergin finishes, "Lyrically, 'Eyes Wide Shut' serves as a mental slap in the face for myself, a reminder to snap out of falling back into old habits which I've done so well of keeping out of the past few years. As I was personally wrapping the year that had been with a hectic touring schedule and leaving my old job, I felt like I was almost developing some kind of martyr complex amidst the burnout. When I hopped into the studio to record for this one, it was very easy to pen down that exact moment and place it within the art, kind of preparing me mentally to go into the new year with a clean slate."

As noted, PhaseOne is no stranger to collaborations in the rock and metal world, with the acclaimed EDM artist having previously teamed up with the likes of Northlane, Silverstein, Crystal Lake, Thy Art Is Murder, and countless others, with his distinct brand of hard hitting guitars welded to heavy-duty bass endearing him globally, racking up 75 million streams and a formidable live reputation in the process. And while his sensational emergence onto the scene back in 2013 saw him whip ears and crowds into a frenzy via his unique take on bass music production, his latest endeavor — a collection of collaborations with some of the hottest names in heavy music curated by UNFD — is seeing him reach new audiences and fresh creative heights.

"Icarus," the collaboration with Polaris, has already tallied nearly 1.5 million streams, while "World Unknown" with ERRA is just about to hit a million streams since it's December release.

MORE PHASE ONE COLLABS:
 "World Unknown" (With ERRA)
"Icarus" (With Polaris)

From Stylophone to Stylish Indie-Pop: London's Mari Dangerfield releases 'Love And Other Machines' album

"Sonically pleasing, lyrically clever, easily accessible, largely danceable and totally relatable... Recalling the best of such artists as Lowell, Chvrches, Kate Nash, Saint Etienne and Dubstar" ~ Amplify Music Magazine

"Instantly gripping that it draws you in completely, leaving its mark with no apologies... entire album is so artistically riveting, both technically and lyrically, that it takes you on the swells and waves of their journey" ~ Mobile Musician Magazine

“...truly catchy melodies and a stunning chorus (that is to die for) that will undoubtedly get stuck in your head” - American Pancake

“Definitely both melodic and somewhat quirky. It has an undeniable hook and a catchy synth melody” ~ Loudness


Rising London indie pop gem Mari Dangerfield has released her album 'Love And Other Machines', a collection of 12 catchy synth-driven alternative pop tunes, on CD via Dimple Discs. She also presents a series of fun buoyant videos, including for the uber-catchy 'Screen Time', driven by concern about technology and its effects, and the endearing and reverie-filled electro-ballad 'The Stars Were Wrong'.  

Hailing from Ealing, West London, Mari Dangerfield is a multi-talented and colourful alternative / electronic pop artist, producer, writer and musician with a knack for fragile songs bursting with originality. Coining her sound "Quirkpop of the mind, body and laptop", her productions are characterised by rich vocal harmonies, catchy hooks and cinematic arrangements.

Broadly a concept album, 'Love And Other Machines' explores the connections between emotions and technology and is filled with love songs that use objects and gadgets as songwriting metaphors. Dangerfield made her first appearance on the music scene after winning a Mute Records video competition. In 2017, she also won a competition created by French composer Yann Tiersen, for which she covered his song ‘Porz Goret’, winning in the Best Non-Piano category.

Building on a string of self-released singles and videos since 2018, she has been able to build a devoted audience, both online and for her unique live shows. Already something of a polymath, she records, arranges and produces all her own material, as well as designing the visual content for artwork, new media and video. She’s also known for re-popularising the Stylophone, which features in her early singles and her live set.

Thematically, many of the songs are connected to technology (whether from exhaustion of its use or anguish from the way it highlights loneliness, dependency or one's psychological condition), with other songs about love and relationships. 'Love Machine' is the anchor that binds those themes tightly together, exploring how love can be a mechanical process (certainly on the biological and psychological side of things). 'Coping Mechanism''Virtually', 'Screen Time' and 'Webcam' continue this exploration.

“This album is so much more than just a collection of songs to me – It’s a sort of record of the first few years of my career, and an even longer period of my life. It reveals so much about me, personally and professionally. It feels like my artist's palette has been formed. If you really listen to these songs, you can get to know me on quite a deep level. There’s a lot of my reality embedded within the concept and the stories. I would have been lost without making music. It saved my mental wellbeing,” says Mari Dangerfield.

This album is as diverse in sound as it feels in how it’s travelled with me as I’ve developed as an individual over the past three years: No song sounds the same and, as I’m sure you’ll agree, it feels like I’m in a very different place at the end from where I was when it began. Undeniably, some of the songs delve into some quite personal struggles of mine and were inspired by my time in therapy between 2015 and 2018, as I came out of some incredibly dark places. I was so lucky to have been gifted all this time to learn about myself and my inner wounds, and not only improve as a person, but to be left with the tools to continue to reflect on my struggles, as undoubtedly, they would and do return in different guises."

'Love And Other Machines' is out now, available both on CD and digitally. It can be ordered via Bandcamp or elsewhere from all fine online music platforms, including Apple Music and Spotify.

CREDITS
Track 2, 4, 7, 8, 12 - Produced by Mari Dangerfield
Tracks 1, 9, 10 - Produced by Mari Dangerfield and Jamie Macneal
Track 6 - Produced by Mari Dangerfield and Leigh Kemp
Track 3 - Produced by Mari Dangerfield, Alberto Hernandez and Grgur Raic
Track 5 - Produced by Mari Dangerfield and Charlie Westropp
Track 1, 9, 10 - Mixed by Jamie Macneal
Track 4, 6, 7, 8, 11, 12 - Mixed and mastered by Diogo Almeida
Track 2, 3 - Mixed and mastered by Grgur Raic
Track 5 -  Mixed and mastered by Charlie Westropp
Track 1, 9, 10 - Mastered by Katie Tavini
All songs written and performed by Mari Dangerfield, except
Track 1 - Performed by Mari Dangerfield and Jamie Macneal
Track 5 - Written and performed by Mari Dangerfield and Charlie Westropp
Track 11- Performed by Mari Dangerfield, Hytallo Yuri and Roy Salmon Weinheber (the latter two recorded at City Studios, Lisbon)


Keep up with Mari Dangerfield
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | TikTok | Apple Music | Spotify | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

Out of Brooklyn NY Comes Mag Electric with Their New Single "Thorn In My Side"

MAG ELECTRIC release their new single/video "THORN IN MY SIDE". Mag Electric plays music that can best be described as hard rock with a healthy dose of psychedelic influence. "Thorn In My Side" garners all of those motions put into place by a distinct bass and drum drive. The vocals were undeniably written and sung to fit the jam. This is a complete work formed with overtures of classic and psych rock. With their second release, it is time to give Mag Electric their due. "Thorn In My Side" is set to bring the rock loud and proud!

'"Thorn in my Side" is Mag Electric's hard rock expression of life's annoyances and problems. Brought about by daily struggles most everyone experiences in all walks of life, the song expresses a response to the thorn in your side in your own life. All wrapped up in a psychedelic hard rock package, "Thorn" figures to be song rock fans can relate to as we go through life picking thorns out of our own sides."' - William Peluso

"Thorn In My Side'' is the second single from NYC 3-piece Mag Electric. Building off the hard rock foundation the band laid with their debut "Iron Horse", "Thorn In My Side" sees the band explore more of their musical roots. The psychedelic influences of guitarist Jack Simchak are on full display, from beginning to end. In addition, the unique arrangement necessitated by the song's intro section showcases the band's appreciation of non-traditional song structures. Make sure to check out "Thorn In My Side", a song that could be an instant classic among fans of the genre.

Song mixed by David Tyo

Mastering Engineer - Lachlan Carrick

Music video producer/editor - Brennan Gervasi aka @freakdemographic

PURCHASE "THORN IN MY SIDE"

ABOUT:

Mag Electric is a 3 piece hard rock band from Brooklyn. The band consists of Jack Simchak (guitar and vocals), Scott Meyer (bass), and Bill Peluso (drums). The three came together out of a shared love of old-school hard rock bands like QOTSA, Black Sabbath, Led Zeppelin, Soundgarden, and ZZ Top, as well as master musicians like Jeff Porcaro. Mag plays music that can best be described as hard rock with a healthy dose of psychedelic influence. Through each song written and performed the band strives to stay true to what they love about their musical roots while maintaining relevance to what they as individuals want to express. On the heels of their first release Roadie music mag said this about their debut single "Iron Horse", "What Jack Simchak (guitar and vocals), Scott Meyer (bass) and Bill Peluso (drums) did on Iron Horse, can be considered an immediate classic, such is the strength of its hard rock with seventies influences, but which borders on the lines of stoner rock, at certain times, showing enormous versatility in their heavy and adrenaline-filled sound, with an intense footprint and a lot of originality on the surface at all times." The band is currently gigging around NYC in support of their upcoming sophomore single "Thorn In My Side" coming out in the winter of 2023. Looking ahead you can find the band on the road touring the northeast this spring with more releases coming throughout the rest of 2023 so make sure to follow and stay tuned.

*Mag Electric will be going out on tour in late April-early May throughout the northeast going down as south as Virginia and as far north as Maine hitting many places in between. More information will be available on all band social media accounts as the dates get closer.

Band Members:

Jack Simchak-Guitar and vocals

Scott Meyer-Bass

William Peluso-Drums

CONNECT:

Facebook:

https://www.facebook.com/MagElectricband/

Twitter: 

https://twitter.com/magelectricband

Instagram:

https://www.instagram.com/magelectricband_nyc/?hl=en

Spotify Mag Electric

http://bit.ly/41jF3Ur

Spotify "Thorn In My Side":

https://open.spotify.com/track/0pvHD0Cum1fhkn99Wdhy7m?si=eaa72cffc9b74557

"Thorn In My Side" Purchase:

https://magelectric.bandcamp.com/

Website:

https://linktr.ee/magelectricband

Merchandise:

https://magelectric.bandcamp.com/merch/mag-electric-t-shirt

Special thanks to David Tyo (mixing) Lachlan Carrick (mastering)

Nate Kamp (artwork) Brennan Gervasi (video production and editing)

JOETOWN Pays Homage to AC/DC Anthem and Brings Bagpipes Back to Rock’n’Roll; Original AC/DC Manager Calls the New Version “Authentic and Respectful”

Out everywhere on Mindsnap Music, Now. Grab it here:https://orcd.co/joetown_its-a-long-way-to-the-top

Bagpipes & Rock’n’Roll. If not for the venerable Bon Scott & AC/DC these two things would have remained mutually exclusive. But, for Joetown, it served as inspiration for the style and sound of the band to which they are so proud. Joe gave some insight, “Kerry Gollarney (Guitarist and Bagpiper) is a secret weapon! When those pipes come out the crowd goes f’n mental, it’s like a war cry!”. The new single is a remade version of the Bon Scott era AC/DC classic "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" and is complete with video of the band rolling through the city streets in major civic events such as the St. Patrick’s Day Parade. “The video just happened to work out since we have been doing so many public events, I figured, let’s do it like the original AC/DC video they did through the streets of Melbourne. The song and the video are a way to honor how much the song and lyrics have been an inspiration – they are our musical heroes and I think we capture the spirit of what it is all about.”

Frontman Joe Delaney, (also the voice of popular hair rockers Bomber Alley), gives the signal of much more bagpipes in the mix and is excited that the next single is an original tune that features the pipes, “that sound is stuck in my head now and as a songwriter, I hear melody in that register every time, similar to having its a horn section or B3 player.”

The band will be performing at the St Patrick’s Day Parade in Hartford & New Haven Connecticut, USA, March 11th & 12th with a release party at their hometown haunt, Cherry Street Station in Wallingford on St Patrick’s Day, March 17th.

“Good to see this band called Joetown, from another generation and continent, do a very authentic and respectful retake of the iconic AC/DC video that I was involved in 'Long Way To The Top'," says Michael Browning, AC/DC Manager (1974-1979).

Chris Slade (Ex-AC/DC) is quoted as saying, ”Great Pipes!”

For More Information Please Visit:

Official Website

Facebook

Twitter

Spotify

YouTube

Ingested Share "Echoes of Hate" Video — WATCH // Band to Return to North America For Tour This Spring👂

NEW ALBUM ASHES LIE STILL OUT NOW VIA METAL BLADE

BAND TO RETURN TO U.S. FOR NORTH AMERICAN HEADLINE TOUR THIS SPRING

INGESTED released Ashes Lie Still last fall via Metal Blade. Get it here.

Today, the band has shared the video for "Echoes of Hate." Watch it here.

The visual features impaled skeletons and is bathed in red and orange tones, set against thunderous blast beats and deep grooves.

"We are utterly ecstatic to unleash the music video for 'Echoes of Hate," says vocalist Jason Evans. "Of all the singles we've released so far, this is the one I've been looking forward to the most, as this is by far the most brutal song on the album, with an absolutely catastrophic ending that will please old school Ingested fans and I'm certain will cause explosions of bodies in the pit at our upcoming shows with Cannibal Corpse. We've teamed up once again with our partner in visual crime Loki Films to bring yet another skull crushing music video for you all. Super proud of this one, absolute brutality at its terrifying best. Enjoy."

Ingested will return to the road on a North American headline tour this spring. All dates are below.

INGESTED ON TOUR: 
WITH DEVOURMENT, EXTERMINATION DISMEMBERMENT, + ORGANECTOMY

 5/4 — Brooklyn, NY — Brooklyn Monarch
5/5 — Mechanicsburg, PA — Lovecraft's
5/6 — Baltimore, MD — Soundstage
5/7 — Greensboro, NC — Hanger 1819
5/9 — Miami, FL — Gramps*
5/10 — Orlando, FL — Conduit*
5/11 — Atlanta, GA — Masquerade
5/12 — Nashville, TN — The End
5/13 ­— Little Rock, AR — Rev Room**
5/14 — Dallas, TX — Amplified Live**
5/16 — Houston, TX —Scout Bar**
5/17 — Austin, TX — Come and Take It Live**
5/18 — Albuquerque, NM —Launchpad
5/19 — Mesa, AZ — Nile Underground 
5/20 — Anaheim, CA —Chain Reaction
5/21 — San Francisco, CA — Neck Of The Woods
5/23 — Portland, OR — Bossanova Ballroom^
5/24 — Seattle, WA — El Corazon^
5/25 — Spokane, WA — The Big Dipper
5/26 — Boise, ID — The Shredder
5/27 — Salt Lake City, UT — Metro Music Hall
5/28 — Denver, CO — Roxy Theater
5/30 — Chicago, IL — Cobra Lounge
5/31 — Detroit, MI — Sanctuary
6/1 — Cleveland, OH — No Class
6/2 — Toronto, ON —Velvet Underground
6/3 — Montreal, QC — Foufones Electriques
6/4 — Cambridge, MA —Sonia
*With Implosive Disgorgence
**With Peeling Flesh
^With I Declare War

ABOUT INGESTED:
Ingested are the flagbearers of modern UK death metal. They have been churning out bilious anti-anthems for more than a decade-and-a-half, dropping a string of releases that have helped shape the genre. They return with Ashes Lie Still, their most dynamic, inventive, and daring release to date, holding nothing back. The band describes it as "a modern essential. It still has the core Ingested elements of groovy slamming riffs, quick drumming, and guttural vocals but there's also atmosphere, ethereal moments, and some raw old school aggression."  Over the course of 10 tracks, Ingested hack, slash, and steamroll through everything in their path, and Ashes Lie Still easily stands as the highpoint of an already impressive career. Founded in 2006 in Manchester, England, Ingested have since toured extensively with Cannibal Corpse, The Black Dahlia Murder, Nile, Carnifex, and Revocation, and have been seen on European festival stages including Summer Breeze Open Air. Slimmed down to a three-piece, the band feels it is in the best place it ever has been, enabling the members to work at the top of their game.

Ashes Lie Still was mixed and mastered by Christian Donaldson. It was co-produced by the band and previous collaborator Nico Beninato, with drummerLyn Jeffs living close to Beninato's studio in Mallorca and recording his drums there, while Sean Hynes recorded his guitars at home in the UK with the producer assisting remotely. Vocal tracking was interrupted by Jason Evansfalling seriously ill when finally making it to Mallorca and was ultimately tracked back in Manchester. Bass was again supplied by Dominic Grimard (Ion Dissonance/The Last Felony).

Ingested succinctly encapsulate their existence, saying, "We've always been the underdogs, always fighting for scraps. Well it's time to get out of the fucking way, because now it's our turn to eat at the table."

You've. Been. Warned.

INGESTED ARE:
Jason Evans — Vocals
Sean Hynes — Guitars + Backing Vocals
Lyn Jeffs — Drums

Rising Prog-Metal Juggernauts STELLAR CIRCUITS Ink Deal With Nuclear Blast

Nuclear Blast Records is proud to announce the signing of progressive-metal juggernauts STELLAR CIRCUITS. Recruited by A&R legend Monte Conner, the Winston-Salem, North Carolinians join the ranks of the world's biggest metal label with plans to release their eagerly awaited sophomore album later this year. 

Commenting on the signing, the band states: 

"We’ve always been such big fans of Nuclear Blast and the bands they’ve worked with over the years. It’s an honor and a privilege to be welcomed into the NB family like we have. This partnership marks the beginning of a new era of Stellar Circuits and we couldn’t be more excited.

Combining the progressive artistry of innovators like TOOL and the powerful ferocity similar to that of GOJIRA, STELLAR CIRCUITS recent upward trajectory is no surprise. Amassing millions of Spotify plays on their own, the band has developed a worldwide cult following with their distinctive prog sound that weaves in and out of metal sub-genres, providing a dynamic yet fully accessible listening experience as heard on previously released singles like "Go With Your Ghost," "Penny Dreadful" and "Skylights."

Details of their impending second, full-length album will be revealed in the weeks to come. 

About STELLAR CIRCUITS

Formed in 2015, Stellar Circuits emerged to combine the conceptual polarities of groove-oriented music with progressive-minded technicality. Over the quartet’s lifespan, they’ve managed to fulfill their own prophecy, formulating a core sound that is complex and layered, while providing a listenability that extends well beyond the rock genre. Visceral, intellectual, groovy, technical, and melodious are rarely indicators that can all be used to describe the aural essence of one band. In the case of Stellar Circuits, the rare combination makes a striking and definitive appearance in all they do. 
 
The Winston-Salem, NC foursome followed their 2015 debut EP with their first full-length album in 2018. "Ways We Haunt" would be recorded with North Carolina’s own Jamie King (Between The Buried And Me, He Is Legend), a legend in his own right, bringing his signature touch to Stellar Circuits’ first long form release. 
 
Generating significant attention, especially from the band’s more veteran industry peers, Stellar Circuits would go on to be invited as special guests on Chevelle’s 2021 N.I.R.A.T.I.A.S. tour.  Completing a nationwide trek that introduced Stellar Circuits to a significantly broader audience, the foursome immediately saw their fanbase increase exponentially, prompting a shift in their attention to a new record with which they could continue to build on the solid foundation they had since established.

Follow STELLAR CIRCUITS:
https://stellarcircuits.com/
https://www.facebook.com/stellarcircuits/
https://www.instagram.com/stellarcircuits/
https://twitter.com/StellarCircuits
https://www.tiktok.com/@stellarcircuitsofficial
Youtube: https://www.youtube.com/StellarCircuits
Spotify: https://spoti.fi/3IPiAYo
Apple Music: https://apple.co/3EBbQe8

MACABRE CELEBRATE 30TH ANNIVERSARY OF SINISTER SLAUGHTER WITH REISSUES ON APRIL 14!

Chicago legends of Murder Metal/Death Metal MACABRE released their second full-length album Sinister Slaughter in 1993 via Nuclear Blast. This April marks the 30th anniversary and what better way to celebrate than reissues of the iconic album available in CD, 3 vinyl variants, and a red cassette? Don't miss your chance to add the physical format to your collection on April 14th!

Pre-order your copy of Sinister Slaughter 30th anniversary reissue here: https://bfan.link/Macabre-SinisterSlaughter

Sinister Slaughter 30th Anniversary Edition will be available in the following formats:

  • CD Jewel Case

  • Vinyl

    • Sinister Splatter

    • Blue/Red Solit w/ Black Splatter

    • Orange In Red W/ White Splatter (Band Exclusive, limited to 300)

  • Red cassette

Pre-order your copy of Sinister Slaughter 30th anniversary edition here: https://bfan.link/Macabre-SinisterSlaughter

Kingsmen Release New Single + Music Video For "Diamondize" via Sharptone Records

Hailing from Providence, RI, hard rock quintet Kingsmen have unveiled their new single and music video for their track "Diamondize". The single is taken from the band's upcoming new album 'Bones Don't Lie' set for release on Friday, March 31 via Sharptone Records. Speaking on today's release, guitarist Tim Lucier comments:

"'Diamondize' was written with the mindset of experimenting with soundscapes on a different level than the band has used in the past. We wanted to deliver a heavy message that affirms no matter the pressure of self-doubt, there is always a way to cut through the tough times. From pickaxes to crushing distorted percussion, we bring you 'Diamondize'."

Stream "Diamondize" here, watch the music video below, and pre-save 'Bones Don't Lie' here.

Fans will have their chance to see Kingsmen hit the stage across the US later this month on the Bones Don't Lie Tour with special guests Rise Among Rivals and Zonezero (on select dates). For ticket information, please click here.

Bones Don't Lie Tour

March 23 - Amityville, NY @ Amityville Music Hall

March 24 - Clifton, NJ @ Dingbatz

March 25 - Albany, NY @ Empire Underground

March 26 - Manchester, NH @ Jewel Music Venue

March 28 - Providence, RI @ Alchemy*

March 29 - Brooklyn, NY @ Meadows*

March 30 - Philadelphia, PA @ Warehouse On Watts*

March 31 - Baltimore, MD @ Angels Rock Bar (Explicit Content)*

April 1 - Harrisburg, PA @ HMAC*

April 2- Lakewood, OH @ The Foundry*

April 4 - Toledo, OH @ The Ottawa Tavern*

April 5 - Chicago, IL @ Cobra Lounge*

April 6 - Indianapolis, IN @ Black Circle*

April 7 - Columbus, OH @ Ace Of Cups*

April 8 - Pittsburgh, PA @ Black Forge Coffee*

* with Zonezero

ABOUT KINGSMEN:

Like carbon atoms crystallized into precious stone, radiant transformation was clearly an important aspect for vocalist Tanner Guimond, bassist Adam Bakelman, drummer Michael Perrotta, and guitarists Tim Lucier and Nick Gilbert as they set out to craft their forthcoming ten-track offering, Bones Don't Lie. Yet, just as diamonds aren’t formed without a little heat, the metal outfit welcomed a good challenge in the name of personal growth.

Embracing their most experimental outlook to date, the tight-knit group wasted no time stepping outside their comfort zone and even across the country in search of inspiration. Recorded primarily in Los Angeles, California, with a short stop in Lancaster, Pennsylvania, Kingsmen took a substantial risk, discarding around twenty-five already mapped-out tracks and arriving at the studio with an almost completely clean slate. Combined with a willingness to soak in their new environment, the band developed the chorus of "Bitter Half" while on a thoughtful drive through Santa Monica, transformed a moving visit to Gettysburg into the poignant theme of comradery in Trial By Fire, and along with the guidance of new collaborators Zach Jones’ (Chelsea Grin, Fever 333, Silent Planet), Josh Strock (Bad Wolves, Pop Evil), and Ricky Armellino (Ice Nine Kills, This or the Apocalypse), effectively hit their stride.

A distinct difference in approach from previous album Revenge. Forgiveness. Recovery, in which the majority of the music was written prior to entering the studio, Bones Don’t Lie stemmed from the back-and-forth teamwork of real-time feedback. For Kingsmen, bouncing ideas around in a room full of friends was an ideal scenario as opposed to “ripping our hair out trying to figure out how to add to an already completed picture.” And, according to Gilbert, it was this “push-and-pull dynamic that kept us creative.”

Setting their sights on achieving what they’ve dubbed a “big metal sound that fills up your whole brain when listening to it between the headphones,” the group had fun bashing steel pipes, hammers, and pickaxes together for a striking industrial feel ("Bones Don’t Lie") and incorporating components such as the glass slide ("No Road Home") for an eerie unsettling atmosphere. Reflecting on his classical training, Guimond even found himself rediscovering a singing voice he felt he had left in the past long ago but was destined to revisit.

The most important unwavering factor, however, was the fighting Kingsmen spirit. Connecting with listeners through universal themes and lyrical stories ranging from championing positivity to coming together in the face of adversity, shining light, and hope into all they do is something the band has no intention of changing.

“To be a kingsman is to be someone that has the courage to endure the worst, but still reflect the best parts of humanity,” Guimond expressed. “So, with all of our songs, that’s what we try and showcase. There’s no way that anyone will go through life without experiencing some terrible things. But to grow from that… to become a better person after the fact is, we believe, one of the true purposes of life. Maybe someday we’ll do something wild like a concept album with ogres and elves. But we really believe that when you’re conveying your emotions through music, it comes across when you’re being honest. So as often as we can, and as many different ways possible, there’s no doubt that you’ll see a lot more of that kind of attitude through our music in the future.”


Kingsmen Are:

Tanner Guimond - Vocals

Tim Lucier - Guitar

Nick Gilbert - Guitar

Adam Bakelman - Bass

Mike Perrotta - Drums

CLOAK Premieres New Song + Music Video, Reveals New Album Details

PRE-ORDER

Blackened heavy metal masters CLOAK will be releasing their third full-length, 'Black Flame Eternal,' on May 26, 2023! To celebrate this release, the Atlanta quartet is now sharing the blistering first single, "Invictus," along with a music video! The scorching new video was co-directed by Nic Adams and Cloak frontman Scott Taysom and it can be found below.
 

Cloak drummer Sean Bruneau comments on the song, “No composition written by the band has so perfectly captured our essence to date. The time spent in isolation allowed not only personal growth, but tremendous reflection on a lifetime of inspiration. The song came together aggressively once we started working on new material, and it was clear that we were approaching things differently this time around. Anger and empowerment were much more evident as opposed to the more melody driven material in the past albums. To us, 'Invictus' is a thesis of sorts. It’s everything about who we were before this band and where we are headed together moving forward.”
 

In addition, CLOAK is now announcing a very special hometown album release performance, which will take place place at The Earl in Atlanta, GA on June 10!

Prior to that, the band will be performing at the Carolina Chainsaw Massacre Fest II in Greensboro, NC on May 6 followed by an appearance at the inaugural Hell in the Harbor festival, which takes place the weekend of the album's release in Baltimore, MD. All dates and tickets can be found below!

CLOAK is following up 2019's 'The Burning Dawn,' which was named one of the Best Albums of the year by Metal Insider (#6), A&P Reacts (#8), Treble Zine (#11), and others.

'Black Flame Eternal' can be pre-saved across all streaming services HERE and pre-ordered in North America HERE.

However, the universe isn’t ready for Cloak to unleash its fury today! And so, due to an unforeseen technical difficulties, the official European store launch has been delayed and will be revealed at a later date! In the meantime, you can pre-order the new album and merch via Bandcamp HERE.

CLOAK Live U.S. Dates:
05/06: Greensboro, NC @ Carolina Chainsaw Massacre Fest II [TICKETS]
05/27-28: Baltimore, MD @ Hell in the Harbor Fest [TICKETS]
06/10: Atlanta, GA @ The Earl [TICKETS] **HOMETOWN SHOW**

“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.” - Rudyard Kipling

In an era that is designed to beat down and weaken the individual, Black Flame Eternal is an album that represents strength, empowerment, and total opposition. With mounting pressure to engage in modern societal tribalism, Cloak invokes a spiritual rebellion that exists beyond good and evil with album number three. 

“All of our albums are created with a spiritual focus, dealing with how we see life, death, and everything in between. I think the earlier records dealt more with the mysteries that surrounded delving deeper into the world of dark spirituality, whereas the new material has taken what we’ve learned and used it to move forward with force,” says Cloak frontman Scott Taysom of the record’s underlying philosophy. “Black Flame Eternal is a statement of spiritual empowerment in every sense. For the first time we want people to grasp on to this sentiment, instead of keeping it completely personal within our world of Cloak. The themes and the sheer power can be felt much more within the songs that this album contains."

“Our goal is complete spiritual liberation, which is where true power and freedom exists,” he adds. “We’ve reached a point in history where people are forced to pick a side or to join a team, so to speak. Cloak stands in complete opposition to this. We aim to be a giant middle finger in the face of the empty modern world.”

While Cloak might rage against societal conventions, the Atlanta quartet embraces the rebellious and time-tested traditions of heavy metal. Whether it be the conjuring the chaotic spirit of Swedish black metal purveyors Watain and Dissection, summoning the deep, dark and sensual groove of Danzig, or evoking the raw speed and raucous energy of Motörhead, the influence of metal’s founding fathers is deep within Cloak’s DNA. Cloak’s charm, however, does not merely lie within its romanticism of the past, but rather is the way each of these genres has shaped Cloak’s own personal identity. And with Black Flame Eternal, the record sees Cloak continue to strengthen its own unique established sound.

Cloak recognizes the importance of a band’s third record, with Taysom explaining, “These influences will always be important to us, as they are some of the best and most important bands of our time. On the other hand, what is so special about getting to the third record of our career is that inspiration starts to move inwards. We had enough experience and material at this point to really know what we do best and how we can utilize these skills in the best way possible. If you look at some of the most iconic bands, their third albums were massive steps towards greatness. So to us, we feel our third record will be a very important one in our time as a band.”

The Atlantan’s evolution is evident in the fury displayed on Black Flame Eternal,which flawlessly compliments the grandiose melodic atmosphere. “This was a conscious effort. Early on before the album even started, I knew it was going to be a much more aggressive and powerful album. I wanted to take a step away from certain sounds and add a bit of brutality back in. The overall vibe matches who we are much more, so it was only fitting to move towards this sound. It almost feels like we are going back to our roots as people in certain ways,” explains Taysom.

Black Flame Eternal follows up sophomore effort The Burning Dawn, which was released in November 2019, with hell unleashing its fury on the globe just a few short months later. As plans to tour the new album around the world came to a screeching halt, the band did not stagger or falter, and instead used this gift of time to write. When reflecting upon the lost years and its impact, Taysom seemingly embraces the situation with little regrets, “Considering Cloak is a sacred space for us, these exterior things did not have as much of an impact as one might think. But it was impossible to ignore some of what was going on throughout these tumultuous years. It’s bound to affect people’s personal lives and the way the mind works during these interesting times. One thing that it did greatly affect was the fact that we could not promote The Burning Dawn properly after the one U.S. tour we did with 1349. We feel this hurt the record, but there was nothing we could do. We were one of the earliest out of the gate after venues started to open back up, and we’ve been continuing to tour in promotion of that album all the way up until now.”

Cloak utilized every minute of this time to focus on fully realizing its vision for Black Flame Eternal. “The initial stage of the writing process started in January of 2020, and lasted all the way until May 2021. It was the longest spanning album process for us so far, with many long days, nights, and weeks trying to piece the songs together the best we could.” While the record did not come together swiftly or easily, the care and attention put into its creation is evident in its powerful composition.

Making up for lost time, these road warriors have already embarked on several high profile North American tours since the autumn of 2021, commanding audiences in every major city with their chaos magick. Each performance merges the spirit of black metal with the backbone of rock ‘n’ roll as the band consistently delivers a blistering set from start to finish. Taysom describes Cloak’s live approach as “a mixture of ethereal atmosphere and total abrasive chaos. The mixture of these two opposing energies is where Cloak lies; the meeting of high and low. To us, this is where the most interesting moments happen, both emotionally and physically.”

With no borders or boundaries, Cloak is ready to embark on this new chapter as the leader of its own pack. The band bows to no one, forging its own path as one of the governing metal forces of this decade as ‘Black Flame Eternal’ promises to scorch the earth and leave its hallowed mark.

Lineup:
Scott Taysom - vocals/guitar
Max Brigham – guitar
Billy C. Robinson – bass
Sean Bruneau - drums

Links:
http://www.facebook.com/cloakofficial
https://www.instagram.com/cloak_atlanta/
https://cloakatlanta.bandcamp.com/

Recording Studio: The Green House 

Mixing: Cameron Webb

Mastering: Audiosiege

Cover Art: Jordan Barlow

Pre-save: https://orcd.co/cloakbfe

Pre-order (Worldwide): https://cloakatlanta.bandcamp.com/
Pre-order (U.S.): https://shopusa.season-of-mist.com/band/cloak

World-Famous Tribute Icons TRAGEDY Reveal Metallic Cover of Disco Anthem "I Will Survive"

World-Famous Tribute Icons

TRAGEDY

Reveal Metallic Cover of Disco Anthem,

"I Will Survive"

Watch the New Video Below

 

New Album, 'I Am Woman',

Out this Friday, March 3, 2023 via Napalm Records

Pre-Order HERE

 

USA Tour with Steel Panther & Crobot Happening NOW!

+ Co-Headlining with Nanowar of Steel

in the UK & Europe Next!


New York City tribute masters TRAGEDY will release their upcoming full-length album, 'I Am Woman', this Friday, March 3, 2023 via Napalm Records! Flipping the script on sleaze rock tropes, 'I Am Woman' pays tribute to the most powerful force in the band's lives - celebrating womanhood in all forms on 14 newly-reinvented disco and soft rock anthems.

What better way for the inventors of “disco metal” to ring in their new album and tour than by revealing a metallic cover of one of the greatest disco anthems of all time? That's right - as they continue on their current USA tour with Steel Panther and Crobot and prepare to drop 'I Am Woman', TRAGEDY brings fans a campy, charging cover of Gloria Gaynor's hit track "I Will Survive"! Evoking the spirit of Queen with soaring choral harmonies before landing with an 80s metal twist, the track boasts fun electric riffage and blazing solos!

TRAGEDY says about "I Will Survive":

"Here, we deconstruct this iconic disco anthem, and dig deep into the fear and rage lingering under the surface of the original. In the video, the Greek chorus, Mo'Royce and his dancer alter-ego tell the story of emerging from a toxic relationship and learning how to thrive as a strong, independent spirit. It embodies the album's theme - inhabiting each other's stories while turning sweet disco into hot, molten metal."

TRAGEDY had a glitter-encrusted grip on the entertainment world when they emerged in the early 2010’s. Now, following the 2015 breakout viral music video for their cover of Grease’s “You’re The One That I Want” and 2017’s second viral hit, a cover of Stayin’ Alive” by the Bee Gees, TRAGEDY are back with a brand new twist on I Am Woman!

 

Having introduced their raucous trademark stage show to audiences in the USA, the UK, Germany, France, Switzerland and beyond, and releasing several albums of metallized disco, soft rock and pop covers before even tasting their first viral hit, TRAGEDY proved early on that they were never just your everyday satirical cover band. These six warriors of wacky fully embody the soul of the original and reimagine it from the top down, infusing the tracks with an undeniably infectious energy that can be felt both on stage or on wax. And while their 80s hair metal image would imply that plenty of misbehavior is to be seen on the surface, one only need witness TRAGEDY live a single time to understand that the band’s true overarching message is one of carefree joy, humanity, acceptance and the simple pursuit of a damn good time.

 

"...Shiny costumes, dramatic eye makeup and headbanging hilarity…”

- The Village Voice (US)

 

“Hard riffs, tight white flares, and even tighter octave-scraping harmonies… essential listening"

- The Sun (UK)

Pre-Order 'I Am Woman' HERE

On 'I Am Woman', TRAGEDY turn the energy up to 11 with recharged dancehall favorites like “Le Freak”, “Respect” (featuring soul powerhouse Marcy Harriell) and I’m So Excited”, and double down on the drama with heavy, recomposed covers of belt-worthy classics “Memory” (featuring legendary drag performer, singer and guitarist Mrs. Smith), “Goldfinger” and “Roar”.

Tracks like “I Will Survive” evoke the spirit of Queen with choral harmonies and blazing solos, while unabashed anthems like “She Bop” and Venus” fully convince with authentic 80s hair metal flavor. Power metal reigns on the band’s opus-like version of “Flashdance… What a Feeling” and the theatrical Maiden-meets-Meatloaf-esque “Lay All Your Love on Me”.

'I Am Woman' is bolstered by a retro production aura that allows the intricacy of each rearrangement decision to shine, as blistering guitar work, classic drumlines and dynamic vocal performances cascade throughout each track. With 'I Am Woman', TRAGEDY truly embody the spirit of metal classics while providing a fresh take on some of the world’s most timeless classics of empowerment, independence and self-love - important messages that resonate now more than ever!

As mentioned above, TRAGEDY recently kicked off their tour with Steel Panther and Crobot in the USA! After gracing American audiences with their raucous stage show, TRAGEDY will continue on to their co-headline European tour alongside fellow comedy metal icons and labelmates NANOWAR OF STEEL, beginning April 18 in Southampton, UK. See below for all tour dates!

TRAGEDY: US Tour with Steel Panther and Crobot (as special guest)

03.01.23 – US: Houston, TX – House Of Blues

03.03.23 – US: Dallas, TX – House Of Blues

03.04.23 – US: Oklahoma City, OK – Diamond Ballroom

03.06.23 – US: Nashville, TN – Marathon Music Works

03.08.23 – US: Ft. Lauderdale, FL – Culture Room

03.10.23 – US: Orlando FL – The Plaza Live

03.11.23 – US: St. Petersburg, FL – Jannus Live

03.12.23 – US: Atlanta, GA – Buckhead Theatre

03.14.23 – US: Baltimore, MD – Rams Head Live

03.16.23 – US: New York, NY – Irving Plaza

03.17.23 – US: Philadelphia, PA – Keswick Theatre

03.18.23 – US: Sayreville, NJ – Starland Ballroom

03.19.23 – US: Worcester, MA – The Palladium

03.21.23 – US: Detroit, MI – The Fillmore

03.22.23 – US: Columbus, OH – The Bluestone

03.24.23 – US: Indianapolis, IN – Egyptian Room

03.25.23 – US: Chicago, IL – House Of Blues

03.26.23 – US: Bloomington, IL – The Castle Theatre

03.28.23 – US: Milwaukee, WI – The Eagles Club Stage

03.29.23 – US: Minneapolis, MN – The Fillmore

03.31.23 – US: Lincoln, NE – Bourbon Theatre

04.01.23 – US: Denver, CO – The Fillmore

04.02.23 – US: Salt Lake City, UT – The Depot

04.04.23 – US: Portland, OR – Crystal Ballroom

04.06.23 – US: West Hollywood, CA – Whisky A Go Go

04.07.23 – US: West Hollywood, CA – Whisky A Go Go

04.08.23 – US: San Diego, CA – House Of Blues

TRAGEDY are:

Disco Mountain Man - vocals, keys

Mo'Royce Peterson - vocals, guitar

Andy Gibbous Waning - bass, vocals

Gibbon Ass Freehly - guitar, vocals, horns

The Infernal Demigibb - drums

DEATHSTARS - Unleash New Video For second Single "Midnight Party"

Swedish industrial cult act DEATHSTARS recently announced their return with the new album Everything Destroys You, which is set to be released on May 5th via Nuclear Blast Records.

Fans have eagerly waited for their first release in over eight years, which brings us back to the good old Scandinavian Deathglam and destructive urban party nights.
Today, the band reveals the second album single, "Midnight Party".

The track is accompanied by a complimentary video - filmed in Stockholm, it depicts the band attending a packed club show, watching a Deathstars female cover band. Hint: this alternative Deathstars might feature some familiar faces…

Frontman Whiplasher Bernadotte comments on the song:

"I wanted to write a kind of worst slash filthy slash dark yet catchy party song and lyrics; something that was bad in a good way – bringing moral downfall up- to - speed al dente.. It’s about those times when you end up binge partying and don´t go to sleep for days, it’s just constantly midnight with the additional clear and present downward spiral and debauchery that eventually makes you go insane. The party that never stops until you collapse. Very different from David Lee Roth-poolpartyrock, to say the least.”


Check out the video below.
Listen / pre-order here: https://deathstars.bfan.link/party-2802.ema  

The album will be released in the following formats:

CD jewel case with 16-page booklet
1LP Sleeve + A2 Poster white
1LP Sleeve + A2 Poster splatter dark green & yellow

LINE-UP

Whiplasher Bernadotte - Vocals

Nightmare Industries - Guitars and Keys

Cat Casino - Guitars

Skinny Disco - Bass

Listen / pre-order: https://bfan.link/deathstars-thisis-1152.ema  

Angel Vivaldi Releases New Track & Video "Six"; Taken From Upcoming Album 'Away With Words Part 2' Out April 7th

Guitar virtuoso, Angel Vivaldi, has released new single "Six" today taken from his recently announced new EP 'Away With Words Pt 2 ' (out April 7th). Much like its predecessor, "Eight" which was released with news of the album, "Six" exhibits yet another completely different facet of Angel's playing to the heavier rock output he was previously known for and further cements him as one of the most talented and versatile guitarists in the world. Speaking on his latest release, Angel shares

" Playing with different instruments/musical textures such as fingerstyle, two-hand tapping, open tunings, thinlines and of course electric, resulted in what I feel is the most beautiful song in my discography to date. This song represents the core of my musical values these days."

"Six" can be found on all streaming platforms HERE and the official music video can be viewed below.

A Way With Words: Part 2” will be released on April 7th. Part 1 (2014) consisted of heavier yet melodic rock and metal while the newly announced Part 2 explores a wide range of genres including funk, latin, classical and acoustic. The concept is based on the yin/yang of what we are capable of - that we are more than just the one thing people see us as. Pre-orders for the upcoming release launched today and are available HERE.

Elaborating on his feelings about his upcoming EP, Angel continues,

“Few words can describe what it feels like to finally share the full scope of this concept record 9 years after I started it. While the seeds I initially planted took longer to bear fruit, I’m grateful it took this long as it helped to make the grapes that much sweeter. Part 2 is an unexpected musical journey that has something on it for any lover of music.”

ABOUT ANGEL VIVALDI 

Across his five solo releases, Angel Vivaldi’s blend of spell-binding guitar anthems and tasteful yet virtuosic playing have reached and inspired tens of millions. Vivaldi, starting his independent solo career in 2003, joined forces with the newly reformed 40 Below Summer in 2008. He continued to release multiple solo albums including The Speed of Dark (2009) and the critically acclaimed Universal Language in 2010, which has become a staple in today’s modern instrumental album catalogue. In 2012, Vivaldi joined supergroup Vext featuring Tommy Vext (ex-Bad Wolves) as well as members from Mutiny Within. After the loss of his best friend to ALS in 2014, not long after the crowd-funded release of Away With Words Part 1, Angel realized that the only thing worse than living with regret would be to die with it. So in 2015, putting his confidence and trust in his audience, Vivaldi quit his day job, committing himself fulltime to his career in music and touring.

 

Since beginning to headline national US and European tours in 2015, he has shared the stage with icons such as Yngwie Malmsteen, Andy James (Five Finger Death Punch), Nita Strauss, Gus G (Ozzy Osbourne) as well as modern titans such as Plini, Intervals and Devin Townsend. His last full-length album, Synapse (2017), is a conceptual opus that immerses listeners with an introspective sonic adventure coupled with stunning visuals massing millions of views. Vivaldi’s commitment to his art is total; during the recording process, he painted and repainted his studio to correspond with the mood of each song. Tracks like “Adrenaline,” “Oxytocin,” “Dopamine,” “Endorphin,” and “Serotonin” musically elicit the exact type of emotions implied by connotation. Later that same year, he launched his annual Guitar Collective tour which has featured artists such as Nita Strauss, Scale the Summit, Andy James, Yvette Young and more.

 

2019 saw the debut of Angel’s signature guitar, the Charvel Nova. The line continues to expand with multiple models, including both 6 and 7 strings versions. He’s since appeared on numerous records with the likes of Marty Freidman, Nuno Bettencourt, Alex Skolnick (Testament) and Jeff Loomis (Arch Enemy). He continues to operate as a self-managed, independent artist.

 

Angel Vivaldi takes the foundation laid down by the icons of heavy guitar and builds upon it with his unique speed, sophistication, futurism, and ambition. The result is a body of work that’s increasingly immersive and sublime, maximizing modern technology and raw instinct to expand the boundaries of instrumental rock. Angel has racked up over 40 million YouTube views and 70 million streams across his solo catalogue and has appeared on records with Marty Freidman, Nuno Bettencourt, Alex Skolnick (Testament) and Jeff Loomis (Arch Enemy). 

Punk Rock Factory Unveil New Single + Music Video "Defying Gravity"

Rambunctious pop-punk rascals PUNK ROCK FACTORY are ready to turn your world quite literally upside down with the release of their boisterous new single "Defying Gravity" and its official video. Made world famous by the hit musical 'Wicked', PRF's reimagined track joins 10 more high-octane bangers on their highly anticipated new album, It's Just A Stage We're Going Through, set for release on March 31 and available to pre-order now at the link here.

The band add:

"Defying Gravity is a song our fans have been begging us to reimagine for a long time. After we did a short clip of it on TikTok and the fans went crazy it was clear to us that we had to add it to the album. We had great fun breaking the song down and adding our PRF spin to it, and are super happy with how it came out in the end.

We worked with Sitcom Soldiers on this video again, after how awesome 'You’ll Be Back' came out. We found an awesome upside-down house in Thurrock to film the video in so the perspective looks amazing. When we arrived there it took everyone a good while to acclimatise to the house as it wasn't just upside down but slanted too, which made walking around extremely difficult, let alone playing!

It’s got us performing and doing all manner of silly things while hanging off the ceiling. Try not to get sea sick!"

Since their debut self-release in 2019, PUNK ROCK FACTORY have been steadily gaining a colossal online fan base. The cultural sensations have already racked up over 26 million streams on Spotify and 5.1 million likes on TikTok, with over 250,000 followers on Instagram, and over 11 million views on YouTube.

Feast your eyes and ears on the spectacular official video for "Defying Gravity" below. The single is available on all streaming platforms now!

PUNK ROCK FACTORY played their first ever live show at the UK's Bloodstock Festival in 2021 and followed up with a sold out UK tour and slots at Download and Slam Dunk in 2022. The band have steamrolled into 2023 and are currently on the road for their second ever UK tour, with dates selling out in advance again including their largest headline show to date at Nottingham's infamous Rock City.

The group will also pack in 12 recently announced UK shows in Oct/Nov 2023 on the It's Just A Stage We're Going Throughtour, in support of their new album. Special guests will be Adam & The Metal Hawks, plus a DJ set from Matt Stocks. Younger fans will be delighted that the majority of the Oct/Nov dates are aged 8+ (under 14s must be accompanied, under 16s in Brighton), with just Bristol and Norwich shows aged 14+. 

The remaining headline UK dates to catch PUNK ROCK FACTORY at present are listed below. To buy tickets, and for a full list of all performances, including festivals already confirmed for 2023, please visit www.punkrockfactory.com.

ABOUT PUNK ROCK FACTORY:

PUNK ROCK FACTORY are the kings of turning any song into a pop punk masterpiece. The boisterous four-piece take all your favourite tracks and make them sound like you never quite imagined they could! No one is immune - these four lads from South Wales have adapted everything from Disney classics and assorted rock & pop hits to TV themes from across the decades. 

The group rehearse, write, and record everything themselves in their own purpose-built studio in Wales, affectionately known as The Sausage Factory. They regularly include a wide range of special guests in their music, which have included the likes of actress/singer Jessica Darrow (Disney's Encanto), Jaret Reddick (Bowling For Soup), and Spencer Charnas (Ice Nine Kills) amongst others - next welcoming Simple Plan’s Jeff Stinco for a face-melting solo on "Waving Through A Window" (from ‘Dear Evan Hansen’).

With festivals practically queuing up to book them and all their headline shows continuing to sell out across the board too, don't miss an opportunity to catch them on stage if you can!

New album 'It's Just A Stage We're Going Through' is set for release on March 31.