ANNIHILUS MUNDI Presents "The Dead Sea Scrolls, Mvt. II - 'Incursion'"

"The Dead Sea Scrolls, Mvt. II - 'Incursion'" is the new single release from progressive extreme metal project ANNIHILUS MUNDI. The track offers a further taste of the band's forthcoming sophomore album, The Dead Sea Scrolls,scheduled for independent release on November 6, 2026.  

Loosely following the story of the 1995 anime series Neon Genesis Evangelion, "The Dead Sea Scrolls, Mvt. II - 'Incursion'" opens with a flashback to the Katsuragi expedition. On the album, "The Dead Sea Scrolls, Mvt. I" and "Mvt. II" combine to form an epic 13-minute opus. While the former delves into project mastermind Daniel Saillant's personal experiences, the latter focuses on fictional examples from Evangelion. "The Dead Sea Scrolls, Mvt. II - 'Incursion'" describes a society who has constructed their goals based on face-value interpretations of the words of ancient civilizations, leading to their mutual destruction.

Lyrically, Composer and lyricist Daniel Saillant explains, "the opening verses about the Katsuragi expedition detail how the titular Dead Sea Scrolls led to the discovery of Adam, the First Angel in Antarctica. Future verses describe how the Angels’ mission to reunite with Adam is motivated by clandestine knowledge given to them by their God, which exists entirely in the shadows. Both the humans and Angels alike operate under the directive of ancient religious knowledge, and in both cases, countless lives are lost and endless destruction is wrought across the planet."

ANNIHILUS MUNDI traverse an amalgamation of styles across "The Dead Sea Scrolls, Mvt. II - 'Incursion'". The track opens with clean tones of acoustic guitar melodies, vocal harmonies, and an enveloping somber mood. Obliterating harsh tones strike through the atmosphere with thunderous impact, and the song features a guitar solo by Andrew Matarazzo (PERENNIAL QUEST). Orchestral strings bring an otherworldly power alongside aggressive harsh vocals and ferocious riffs. The dramatic interplay of light and shade pervades throughout the instrumental arrangements of "The Dead Sea Scrolls, Mvt. II - 'Incursion'".

The Dead Sea Scrolls explores the personal lived experiences of composer and lyricist Daniel Saillant. In a fusion of genres and artforms, ANNIHILUS MUNDI presents the central concepts through the lens of Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and its subsequent 1997 film The End of Evangelion. 

The Dead Sea Scrolls was produced, mixed and mastered, and engineered by Daniel Saillant at Wailing Pines Productions. The album's artwork was created by Chris at Misanthropic Designs.

About ANNIHILUS MUNDI:

Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.

ANNIHILUS MUNDI is:

Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)

Connect with ANNIHILUS MUNDI:

Bandcamp: https://annihilusmundi.bandcamp.com/music
Facebook: https://www.facebook.com/annihilusmundi
Instagram: https://www.instagram.com/annihilusmundi/
Threads: https://www.threads.net/@annihilusmundi
YouTube: https://www.youtube.com/@annihilusmundi
Twitch: https://www.twitch.tv/annihilusmundi
Spotify:
https://open.spotify.com/artist/1keHp0ZrVPtDqCcGspP3Xa?si=jUB4r9JRSzqTqB tKJ3RfEg
Apple Music: https://music.apple.com/us/artist/annihilus-mundi/1492843855
TikTok: https://www.tiktok.com/@annihilusmundi
Discord: https://discord.gg/PKJDYWPrg9

Hard Rock Supergroup ICONIC Unveils New Track "Take Me To The Place" + Visualizer

Today, hard rock supergroup ICONIC - featuring Michael Sweet (guitars), Joel Hoekstra(guitars), Marco Mendoza (bass), Tommy Aldridge (drums), and Nathan James (vocals) – have unveiled their new track, “Take Me To The Place,” ahead of the release of their upcoming sophomore album ‘II,’ set for release on July 31, 2026 via Frontiers Music Srl.

Michael Sweet comments on the track:

“'Take Me To The Place' is once again, a song that takes you back to the past. The whole point of this band/album is to remind people of the power of classic rock. Some of the greatest music came out of the 70’s/80’s, and we’re very proud to be able to continue waving that flag and carrying the torch!”

Joel Hoekstra shares:

“It was great fun to riff away to trade leads with Michael Sweet on this one. Nathan James is belting away, and the classic rock vibes are omnipresent. Hopefully you all like it as much as we liked recording it!”

Marco Mendoza also adds:

“Another great song coming from all the talent in this band...Michael and Joel killing it, Nathansounding great and delivering big time...Tommy driving!!!”



Watch the Visualizer for "Take Me To The Place" Below:

ICONIC returns with ‘II,’ a second album that doesn’t just continue the band’s journey - it defines it. Where their debut introduced the chemistry between five world-class musicians, II sharpens that vision into a clearer, heavier, and more confident sonic identity, delivering a sound that is more powerful, more direct, and unmistakably rock.

At the heart of the album lies the electrifying guitar partnership of Joel Hoekstra and Michael Sweet, delivering a masterclass in soaring melodies, blazing solos, and muscular riffs that perfectly balance technical brilliance with pure hard-rock attitude. Beneath them, the rhythm section of Tommy Aldridge and Marco Mendoza drives the record with thunderous authority, creating a groove that is both massive and relentless.

The album kicks off with “Cry No More,” a high-octane opener that immediately sets the tone - an energetic slice of hard rock packed with driving riffs, explosive drums, and a chorus built to stick. 

On the other side of the emotional spectrum, “Tears Keep On Falling” showcases the band’s dynamic range, unfolding as an electrifying power ballad where melody, atmosphere, and intensity come together in dramatic fashion.

Towering above it all is Nathan James, whose performance on ‘II’ is nothing short of extraordinary - powerful, soulful, and commanding, elevating every track with unmistakable presence.

With bigger riffs, deeper grooves, and a stronger sense of identity, ‘II’ captures ICONIC at full force: a band no longer introducing itself but fully owning its sound.

Pre-Order 'II' HERE

Line Up:

Nathan James - Vocals

Michael Sweet - Guitars

Joel Hoekstra - Guitars

Marco Mendoza - Bass

Tommy Aldridge - Drums

Keyboards by Antonio Agate

Backing Vocals by Marco Pastorino

Emptiness Release New Single “The Threat”

Black/death experimental metal band Emptiness are releasing “The Threat” as the second single from their upcoming seventh album Nowhere Speaks. Stretching the boundaries between black and death metal, “The Threat” is located in territory that, for the Belgian band, is intimately familiar: the darkness of the human condition.

Listen to “The Threat” below:

Nowhere Speaks comes out July 17th, 2026 on Season of Mist.

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Nowhere Speaks was played live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

Booking Contact:

Benny (Triple Bookings)

benny@triplebookings.com

MALVADA Shares New Single “Aventura Favorita” Out Now via Frontiers Music Srl

Today, women-led, talented Brazilian Rock band MALVADA are pleased to share their new single, “Aventura Favorita,” along with an official visualizer, available now via Frontiers Music Srl.

The band states:

“’Aventura Favorita’ is about finding someone who makes the world seem bigger and somehow still feels like home.”

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

Watch the Official Visualizer for "Aventura Favorita" Below:

MALVADA was initially formed in March 2020, at the beginning of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

In January 2021, MALVADA released their first single entitled "Mais Um Gole," which gained greater prominence in the scene. Shortly afterwards, in May of the same year, it was time to release the second single, "Cada Escolha uma Renúncia," which preceded the launch of the band's debut album, 'A Noite Vai Ferver.'

In 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest,and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme, and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoliand Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

Their latest self-titled album, released last June and produced by the Brazilian Grammy-award-winning producer Giu Daga, delivers a powerful and exciting musical experience, featuring tracks in both English and Portuguese, setting the bar for the band to conquer a global audience.

MALVADA recently toured Europe with Michael Schenker, wrapping the tour up last month, and is set to play again at Rock in Rio in September, along with Bring Me The Horizon, Avenged Sevenfold, Bad Omens, and Poppy.

Stream / Listen to "Aventura Favorita" HERE

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass

unpeople Announce Debut Album "we are unpeople" Set For 10/9 + New Single "friends" Out Now!

Today, rapidly ascending four-piece unpeople announce their unifying, genre-spanning debut album we are unpeople  out October 9 on SharpTone Records, which takes the philosophy behind the band's name and turns it into a powerful, uncompromising statement of intent.

The announcement is accompanied by brand new single "friends" — listen below.

"'friends' is essentially a love song from the perspective of someone who is wholly skeptical about the very concept of love and what it's come to mean in a modern context," explains vocalist Jake Crawford. "I am essentially saying I am going to kill the very concept of love before it's even had a chance to get a hold of me - I am that afraid of being that vulnerable. I'd rather not bother than risk saying something I don’t mean, and then pay for it emotionally down the line. I'm fully aware that this is not necessarily healthy, but the mind takes you to some strange places when strong feelings are involved."

A seamless ability to connect across boundaries and conjure communal spirit, sits at the very heart of this debut album. Built upon massive choruses, four-part vocal harmonies, and unabated heaviness, we are unpeople captures a band whose ambition is matched by their belief in the power of music to unite people.

With stadium-busting choruses,to '00s Reuben-esque mega riffs, and the stunningly unpredictable eccentricity of System Of A Down, the album is colorful and joyous, yet aggressive and intense, having already spawned infectious tasters that include "clouds," "the garden," and "waste."

Comprised of Jake Crawford, Luke Caley, Em Lodge, and Richard Rayner,unpeople have quickly established themselves as one of the UK's most exciting new alternative bands, earning themselves a reputation for creating music that feels equally at home on the biggest rock stages and the heaviest festival bills — having fittingly been described as the lightest band at Bloodstock, and the heaviest band at Kendal Calling — finding themselves equally at home in both settings.

Originally used to describe those considered politically unimportant or without value, the term "unpeople" has since become another way to dismiss those whose views differ from our own. The band have reclaimed the phrase entirely, transforming it into a celebration of shared humanity, individuality, and belonging.

Since forming in 2023, that approach has seen unpeople rise at remarkable speed, with Kerrang! hailing them as "one of alternative music's best new bands." Live, they've opened for Metallica in Vienna, shared bills with Smashing Pumpkins andCoheed & Cambria, drawn huge crowds at 2000trees, and will a perform a landmark Main Stage-opening set at Download Festival this weekend — as well as appearances at Reading & Leeds Festival, Copenhell, Hurricane, Southside & many more this summer.

The rest of 2026 and beyond is there for the taking for a band rapidly on the ascension. "'we are unpeople is released into the world on October 9 and we couldn’t be more proud of it," says the band. "We collectively put our absolute everything into it and we can’t wait to share it with you all!

we are unpeople.
you are unpeople.
we are all unpeople."

UNPEOPLE LIVE:

6/10–6/14 — Hradec Králové, CZ — Rock For People
6/11–6/13 — Interlaken, CH — Greenfield Festival
6/14 — Donington, UK — Download Festival
6/19–6/21 — Scheeßel, DE — Hurricane Festival
6/19–6/21 — Neuhausen ob Eck, DE — Southside Festival
6/25–6/27 — Ysselsteyn, NL — Jera On Air
6/27 — Copenhagen, DK — Copenhell
7/17–7/18 — Joensuu, FI — Ilosaarirock
7/31–8/2 — Manchester, UK — Radar Festival
8/27–8/30 — Reading & Leeds Festival — UK
9/3 — Torquay, UK — The Foundry

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

New Jersey's DEARDARKHEAD reveals 'In Another Life', previewing first album in 26 years

New Jersey alternative rock outfit Deardarkhead presents 'In Another Life', their second offering from 'The Pendulum Swings', - their first full-length album in 25 years. Balancing tension between crystalline guitar arpeggios, a wall of fuzzed out tremolo, and melodic baselines, the band concocts an introspective atmosphere about what could have been.

Built around soaring guitar leads and melodic bass hooks, this follows the lead track 'Letting Go'. A song about growth and change, centered on releasing old patterns and embracing new directions, this track features keyboardist Joe McGinty, known for his work with The Psychedelic Furs, Nada Surf, Ryan Adams and Deborah Harry, adding additional layers of atmosphere and texture.

Now made up of guitarist Kevin Harrington, drummer Robert Weiss and bassist James Malizia, who recently replaced Brandon Howard following the recording of this album. Deardarkhead has built a distinctive identity since the departure of vocalist-bassist Michael Amper in 2009, shifting fully into instrumental composition where melody and texture take the place of vocals. 

With many notable milestones over their nearly four decades, including shows with the likes of Supergrass, The Psychedelic Furs, Everclear, Nothing and The Lilys, the new album captures an ever-evolving band, refining their voice through texture, atmosphere, and emotional momentum. 

Taking their name from the 1867 Irish poem “Cean Dubh Dilis” by Samuel Ferguson -- a work about a beautiful dark-haired girl -- Deardarkhead was formed in 1988 in the Atlantic City, New Jersey area. Their identity rooted as much in mood as in melody, their music blends atmospheric dreampop, shoegaze shimmer and ethereal rock, unfolding as an original, guitar-driven psychedelic tightrope walk balancing moody textures and shimmering melodies. 

Drummer, Robert Weiss was particularly inspired by sitar music for the rhythmic droning lead sections while writing the song. He shares, "'In Another Life' is about the choices you didn’t make which still haunt you to some degree. The what ifs we all think about, but ultimately have no real impact. There’s no way of knowing where a different path would have lead, so you can’t be too bothered about it. One must live in the present."

Deardarkhead's sixth recording and second full-length album, 'The Pendulum Swings' captures a period of renewed experimentation and refinement. Recorded at Miner Street Recordings in Philadelphia, they worked with producers Brian McTear and Amy Morrissey (The War on Drugs, Kurt Vile, Sharon Van Etten) and Grammy-nominated mastering engineer Joe Lambert (Animal Collective, Blonde Redhead, Beach House, M83, Wild Nothing).

Across ten instrumental tracks, the record moves through shifting moods ranging from soaring, psychedelic-tinged guitar anthems to driving post-punk rhythms and more ambient, abstract passages. The result is a dynamic and cohesive work that highlights the band’s signature blend of shimmering guitars, pulsing bass, and powerful percussion. The band pushes the envelope with their instrumental approach, using drum loops, unusual time signatures, ebow, bass VI, and expanded guitar layering.

Deardarkhead has released five recordings via Fertile Crescent Records, beginning with their 1998 debut album 'Unlock the Valves of Feeling', and featured on numerous US and Japanese indie compilations. In 2011, Captured Tracks released 'Oceanside: 1991-1993', a retrospective of their early material (and second released in their Shoegaze Archives series). They then joined iconic label Saint Marie Records in 2015, releasing their critically-acclaimed 'Strange Weather' EP with them in 2016.

As of June 9, 'In Another Life' is available from music platforms, including Spotify, Apple Music and Bandcamp. Now available for pre-order, 'The Pendulum Swings' album will be released on CD, digitally, and on 180-gram vinyl on July 10.

CREDITS
Written by Robert Weiss & Kevin Harrington
Kevin Harrington - guitars (all tracks) and bass VI, ebow & bass (track 10)
Robert Weiss - drums & percussion
Brandon Howard - bass (tracks 1-9)  
Joe McGinty - keyboards (track 6)  
Recorded at Miner Street Recordings, Philadelphia, PA  
Produced, engineered & mixed by Brian McTear & Amy Morrissey
Mastered by Joe Lambert  
Cover photography & design by Robert Weiss
Video directed and edited by William Murray
Band photos by Mike Maney & Rob Weiss
Publicity by Shameless Promotion PR


Keep up with Deardarkhead
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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South Arcade Reveal New Single "Deadmeat"

About to embark on a massive summer of festivals, shows, and more music, South Arcade are back with their latest single, "DEADMEAT." The track is available now on all streaming platforms via BKM in partnership with Atlantic Records. Listen Below.

Speaking of the new single, the band says, "We went into writing wanting to tell a sort of modern Romeo and Juliet story (but with a less depressing ending), and we left with 'DEADMEAT.' It has this reckless optimism about it where the two characters' worlds shouldn't really overlap but they've found each other regardless — they want to escape all of that noise, steal a car, and leave town. It had this 'Us against the world' energy that we loved."

The energetic track shows a playful side to the band while keeping their signature sound. The four-piece have revealed the single ahead of a summer packed of festivals including playing mainstage at Download, Rock 4 People, and TRNSMT before heading to the U.S. later this month for the Idobi Summer School Tour and the iconic Vans Warped Tour (see full itinerary below). Recently finishing the huge UK and EU arena tour with global band 5 Seconds Of Summer, South Arcade teased fans with "DEADMEAT," building huge anticipation for the release.

"DEADMEAT" follows on from last single "SUPERMAN" which was released in April and became the band's biggest streaming debut to date with over 1.5 million streams on Spotify alone. The band recently announced their biggest headline show to date, playing the iconic O2 Academy Brixton in London on February 25, 2027, marking a huge milestone in their already incredibly impressive career. The last few remaining tickets are available here.

Named one of "the most exciting rising artists to watch in 2026" by Alternative Press, South Arcade are conquering all areas of the industry, amassing over 180 million global streams, building a social following of over 2.2 million fans across socials, and completely selling out their first-ever North American headline tour last fall. 

Hot off the heels of EPs PLAY! and 2005, both championed relentlessly by BBC Radio 1 across multiple shows, South Arcade have made the kind of noise that's impossible to ignore. With standout cuts "FEAR OF HEIGHTS," "Supermodels," and "Drive Myself Home" turning heads, they're taking over the alternative scene and the loudest chapters are still to come...

SOUTH ARCADE 2026 TOUR DATES:
Idobi Radio Summer School Tour (6/20-7/23):
Vans Warped Tour (7/25-26, 11/14-15):

6/12 — Hradec Králové, CZ — Rock For People Festival
6/13 — Donington Park, UK — Download Festival
6/14 — Glasgow, UK — TRNSMT Festival
6/20 — Los Angeles, CA — The Belasco
6/21 — Phoenix, AZ — The Van Buren
6/23 — Dallas, TX — House of Blues
6/24 — Houston, TX — House of Blues
6/26 — Orlando, FL — House of Blues
6/27 — Atlanta, GA — Buckhead Theatre
6/28 — Charlotte, NC — The Fillmore
6/30 — Silver Spring, MD — The Fillmore Silver Spring
7/1 — New York, NY — Irving Plaza
7/5 — New Haven, CT — Toad’s Place
7/7 — Boston, MA — House of Blues
7/8 — Allentown, PA — Archer Music Hall
7/10 — McKees Rocks, PA — Roxian Theatre
7/11 — Cleveland, OH — House of Blues
7/12 — Cincinnati, OH — Bogart’s
7/14 — Detroit, MI — Saint Andrew’s Hall
7/16 — Chicago, IL — House of Blues
7/17 — Minneapolis, MN — Uptown Theater
7/19 — Denver, CO — Summit
7/20 — Salt Lake City, UT — The Depot
7/22 — Seattle, WA — Showbox SoDo
7/23 — Portland, OR — McMenamins Crystal Ballroom
7/25 — Long Beach, CA — Vans Warped Tour
7/26 — Long Beach, CA — Vans Warped Tour
8/6 — Eschwege, DE — Open Flair Festival
8/7 — Rothenburg, DE — Taubertal Festival
8/8 — Hamburg, DE — Amplified Festival
8/14 — Osaka, JP — Summer Sonic
8/16 — Tokyo, JP — Summer Sonic
11/14 — Orlando, FL — Vans Warped Tour
11/15 — Orlando, FL — Vans Warped Tour

SOUTH ARCADE ARE:
Harmony Cavelle — Vocals
Harry Winks — Guitar
Ollie Green — Bass
Cody Jones — Drums

Alternative Metal Trailblazers COLEPITZ Return with "End of Everything" + Lyric Video Premiere on The PRP

After a 17 year hiatus, COLEPITZ return with their brand new single, "End of Everything." Driven by founding members Rob Korhonen and Ray Suhy, the band is now rounded out by Shane Kinney, an early collaborator from the origins of COLEPITZ.

"End of Everything" was built in collaboration with Grammy award winning singer and songwriter Dave Gutter and mixed by renowned producer Sky Van Hoff (Sleep Token). The new track arrives alongside a lyric video premiering on The PRP, available to view below.

Vocalist Rob Korhonen shares:

"'End of Everything' is our first new drop in 17 years. Nobody gets eased in. The song is a list of things already lost — the prayer, the dog at the gates, the child, the king, the god.”

Check Out the Lyric Video Premiere for "End of Everything" below:

COLEPITZ started in Biddeford, Maine, a beat-up mill town. Birmingham had Sabbath. Biddeford had this.

They tore through the Portland scene in less than a year, leading Wonderdrug Records out of Boston to sign them. The band released its self-titled debut in 1999. Touring behind the record, they played hundreds of shows, crossing the country in a van with Chimaira and sharing stages with Glassjaw, Candiria, Shadows Fall, and Unearth. One song, "Puppet," ended up in an episode of Supernatural, introducing the band to a whole new audience.

Then they stopped.

In 2008, original members Ray Suhy and Rob Korhonen rekindled their friendship, seven years after the band dissolved. They started writing again. 'No Tomorrow Tonight' came out of it, self-released, expansive, ambitious. The two of them were a creative force again.

Life moved on. Rob had two boys and wanted them to have what he did not. They did. Raywent on to join East of the Wall, then Cannabis Corpse, then Six Feet Under. He also released jazz quartet records on Sunnyside. Shane built a booming drum shop and business.

Now, the band returns swinging like they never left with their brand new single, "End of Everything."

This is not a reunion. It is a continuation. The reaper takes his time.

Stream / Listen to "End of Everything" HERE

COLEPITZ are:

Rob Korhonen - Vocals

Ray Suhy - Guitar

Shane Kinney - Drums

Metalcore Band Provenance Release New Single + Music Video "Broken Bonds" via Arson Theory

Massachusetts metalcore band Provenance have released their powerful new single, "Broken Bonds," alongside an accompanying music video that brings the song's themes of betrayal, abandonment, and emotional turmoil to life.

Released via Arson Theory, the four-piece metalcore band from Fitchburg, Massachusetts, formed in 2025 and has quickly begun carving out its place in the modern heavy music scene with an aggressive sound.

At the heart of "Broken Bonds" is a deeply personal message about being left behind when support is needed most. The song's emotional centerpiece arrives in the lyric, "You watched the whole world fall around me," which perfectly captures the song's central theme of feeling abandoned by someone who was expected to stand by your side.

"'You watched the whole world fall around me' heavily reinforces the overall feeling of this song and what it's about being let down and abandoned by someone you counted on for support," says the band.

With "Broken Bonds," Provenance continue to establish themselves as a promising new voice in the metalcore scene, delivering music that resonates with listeners facing their own struggles with loss, disappointment, and fractured relationships.

"Broken Bonds" and its official music video are available now on all major streaming and video platforms.

STREAM "Broken Bonds"

https://arsontheory.vyd.co/ProvenanceBrokenBonds

WATCH "Broken Bonds" (Official Music Video) Below:

Upcoming Shows: 
June 23rd @ The Worcester Public Market in Worcester Ma
June 26th @ Pub on Park in Rhode Island
July 3rd @ Bad Brgr in Manchester, NH
July 25th @ The Webster Underground in Hartford, CT
July 31st @ The Bungalow in Manchester, NH
August 1st @ The Met in Rhode Island
August 15th @ Buffalo Iron Works in Buffalo, NY

Band Members: 
Jake Aveyard - Vocalist
DeAundre Smith - Guitarist 
Kyle Ford - Drummer
Corey Muchata - Bassist

For More Information Please Visit:

Instagram

Facebook

TikTok

YouTube

Violet Breed featuring Brian Wheat (Tesla) Releases Lyric Video for Single "SING"

Violet Breed return with their fifth single “SING,” an electrifying rock anthem with music and lyrics written by Alex Gonzato & Brian Wheat, that blends alternative and classic rock influences with a bold modern edge. From the very first note, the track commands the attention of the listener. Driven by an anthemic chorus- layered in melodic vocal harmonies, soaring gritty guitars and thunderous drums that create an undeniable sense of urgency. It’s clear that with this latest release the band have explored a heavier and rebellious rock sound. The band has released the official lyric video for "SING."

STREAM "SING"

https://linktr.ee/violetbreed

WATCH Violet Breed - SING (Official Lyrics Video) Below:

With its chant-like hook and high-energy delivery, “SING” is an uplifting rock song about using your voice as a rallying cry. Standing up for yourself and others around you urging listeners to break free from the routine and restrictions of everyday life and spreading a message of hope.

With bassist and founding member Brian Wheat at the helm of the track’s production and engineering, Violet Breed’s sound is pushed to its maximum potential- establishing a polished authentic sound that highlights the raw emotion and vocal performance of lead singer AleX.

Violet Breed continue to carve out their place within the alternative rock scene. “SING” showcases a sound that is both refreshingly urgent and unapologetically bold, marking an exciting new chapter for the band as they push their creative boundaries.

Violet Breed represents a powerful collaboration between Wheat, a seasoned rock icon, and AleX, a fresh and dynamic voice in the music industry. The pair have spent the last five years meticulously crafting an album that draws from their own life experiences, creating music that resonates with listeners of all ages. With honest and emotive lyrics, Violet Breed’s sound blends rich rock and pop influences, promising a unique and compelling listening experience.

The debut album showcases the musical prowess of the duo. Fans of both Tesla and AleX will be eager to hear the new material, as Violet Breed looks to make a significant impact on the global music scene.

Brian and AleX are able to tap into experiences from these diverse generations, which add to the depth of the music they produce. Their passion and inspiration for music is born from a shared love for records by The Beatles, Paul McCartney, Queen, and My Chemical Romance. Influences from these bands is subtly interwoven into their music.

For More Information Please Visit:

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RAZORWIRE HALO Take On NINE INCH NAILS Classic with Haunting New Cover Of "SOMETHING I CAN NEVER HAVE"

"When approaching the cover of "Something I Can Never Have", our goal was not to reinvent the song, but to honor what made it special while incorporating elements of our own musical identity. We stayed closely aligned with the original piano and synth-driven foundation, preserving the mood and intimacy that define the track. At the same time, we introduced our own stylistic touches through the performance, production and overall sonic texture to create a version that feels both familiar and uniquely ours."

The recording process focused heavily on atmosphere and emotion. We wanted every piano note, synth layer, and vocal phrase to contribute to the emotional journey of the song. Rather than overcomplicating the arrangement, we concentrated on capturing the sense of longing and reflection that has made the original such a timeless piece. Finding the right balance between staying faithful to the source material and expressing our own artistic voice was the most important part of the process.

Covering "Something I Can Never Have" was an opportunity to pay tribute to a song that has inspired us for years, and we are excited to share our interpretation with listeners who have loved the original as much as we do.

RAZORWIRE HALO has never been a band afraid to embrace darkness, vulnerability, and raw emotion. Now, the band is paying tribute to one of the most influential acts in alternative and industrial rock history with their powerful new rendition of the Nine Inch Nails classic, "Something I Can Never Have."



Originally appearing on Nine Inch Nails' groundbreaking 1989 debut Pretty Hate Machine, the song has long stood as one of Trent Reznor's most emotionally devastating compositions. Rather than simply recreate the original, RAZORWIRE HALOdigs deep into the song's haunting core, delivering a version that is both respectful of its legacy and unmistakably their own.

From the opening notes, RAZORWIRE HALO transforms the familiar track into a cinematic journey of heartbreak, obsession, loss, and longing. Atmospheric textures, crushing dynamics, and emotionally charged vocals breathe new life into a song that has resonated with listeners for generations.

LISTEN ON BANDCAMP

RAZORWIRE HALO BIO

In the tumultuous realm where electronic pulses collide with the visceral power of rock, emerges RAZORWIRE HALO, a force to be reckoned with, carving a niche in the sonic landscape with a relentless fusion of heavy electronics and searing rock intensity. Drawing inspiration from the likes of Nine Inch Nails, RAZORWIRE HALO pushes the boundaries of genre, creating a sonic maelstrom that captivates and consumes.

RAZORWIRE HALO is the brainchild of visionary artist,

Tak Kitara, whose hauntingly evocative lyrics and impassioned vocals serve as the band's guiding force. Joined by Skylar Kitara, Rob Harrington, Kyle Potter,

Billy Alexander, and Drew Greer, the group weaves a sonic tapestry that is as intricate as it is ferocious.

RAZORWIRE HALO'S music is an exploration of the darker facets of the human experience, delving into themes of inner conflict, societal discord, and the relentless pursuit of self-discovery. The band's sound is a relentless barrage of electronic beats, pulsating synths, and razor-sharp guitar riffs that cut through the air like a sonic weapon. Their live performances are a visceral experience, a cathartic journey that blurs the lines between man and machine, emotion and electricity.

The band's discography is a testament to their commitment to pushing the boundaries of electronic rock. From the industrial onslaught of "Retaliate" to the introspective depths of "All The Terrible Things" RAZORWIRE HALO'S music is a sonic odyssey that transcends the conventional.

With a growing legion of fans drawn to their electrifying live shows and genre-defying sound, RAZORWIRE HALO stands poised at the forefront of the electronic rock revolution. Unapologetically intense, their music resonates with those who seek a sonic escape into the unknown, a journey through the shadows where raw emotion meets the cold embrace of technology.

As RAZORWIRE HALO continues to carve its name into the annals of heavy electronic rock, one thing is certain, their music is a force that cannot be contained. Brace yourself for the electrifying onslaught of RAZORWIRE HALO, where the wires of emotion and technology entwine, creating a sound that is as captivating as it is destructive.

Remnants Release New Single + Video "Bend//Break" ​

Indianapolis Metal Band Delivers Powerful Aggression on Latest Release

Rising metal force REMNANTS have unleashed their newest single and music video, "Bend//Break," showcasing the band's signature combination of blistering riffs, crushing breakdowns, and soaring melodic hooks through Arson Theory.

Based out of Indianapolis, REMNANTS has quickly established themselves as a formidable presence in the modern metal scene. The five-piece band delivers a sound that balances relentless heaviness with memorable melodies, creating music that resonates with metal fans across multiple subgenres.

Driven by fast, aggressive guitar work, thunderous rhythms, and powerful vocal performances, "Bend//Break" highlights the chemistry and musicianship that have become hallmarks of the REMNANTS experience. This newest track paints the story of a frustration fueled breaking point after years of emotional damage and neglect - a sonic journey through isolation, inner conflict, and the scars left behind by trauma. "Bend//Break" is an unforgettable declaration of survival from those who have been pushed to the edge fighting some of their darkest moments alone. 

"Bend//Break" is available now on all major streaming platforms, accompanied by an official music video.

For more information on REMNANTS, follow the band on social media and streaming platforms. 

Upcoming shows can be found HERE

STREAM "Bend//Break"

https://arsontheory.vyd.co/RemnantsBendBreak

WATCH "Bend//Break" Below:

Remnants: 

Paul Duplessie - Vocals 

Aaron Myers - Guitar  

Rory Hill- Guitar 

Carlos Salas - Bass 

Andrew Moser - Drums 

 For More Information Please Visit:

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Merrimack Cover Depeche Mode’s “Wrong”

Veteran French black metal band Merrimack are releasing a cover of “Wrong” by Depeche Mode. Originally appearing on the UK synth-pop band’s 2009 album Sounds of the Universe, “Wrong” reached the Top 10 in nine countries and peaked at Number #1 on the U.S. Billboard Dance Club Songs chart. While faithful to the original, Merrimack’s cover is black metal in every breath.

Listen to “Wrong” Below:

Stream

https://orcd.co/merrimackwrong

Merrimack’s latest album, Of Grace and Gravity, is available now on Season of Mist.

Order

https://redirect.season-of-mist.com/MerrimackGraceGravity

Merrimack’s cover of “Wrong” is rooted in long-standing devotion. Guitarist, Perversifier, who proposed the cover to his bandmates,describes Depeche Mode as having "only grown better over the years". He singles out "Wrong" for "already carrying more darkness than even Black Metal rarely reaches."

Merrimack recorded their cover of “Wrong” during the sessions for  their 2012 album The Acausal Mass. The cover was shelved for more than a decade before the band returned to record vocals. Perversifier says their cover "highlights just how dark the original song already is". They preserved all the notes from the original, only bringing "the level of violence that Black Metal can bring”. Where Depeche Mode channel obsessive self-negation through cold synth-pop, Merrimack strip away any distance the original might have offered.

Although MERRIMACK decided to reach out to a larger audience with the release of their first full-length 'Ashes of Purification', the Parisians did not sever their roots with the underground at any time. With the following albums, 'Of Entropy and Life Denial' (2006) and 'Grey Rigorism' (2009), MERRIMACK closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording 'The Acausal Mass' (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, MERRIMACK embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany's Party-San Open Air and Summer Breeze as well as Montreal's Messe des Morts in Canada. With their latest album, 'Omegaphilia', MERRIMACK were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

Line-up

Vestal — Vocals
Perversifier — Guitars
A.K. — Guitars
Daethorn — Bass
Blastum — Drums

Recording Studio

Music: Necromorbus Studio (Stockholm, Sweden), Vocals: Tehom Productions

Production Credits

Music produced, recorded & mixed by Tore Stjerna at Necromorbus Studio

Vocals recorded, mixed & mastered by Xavier Berthiaume at Tehom Productions

Cover Art

Photo by © Alizée Adamek

Follow Merrimack
Bandcamp: https://merrimack.bandcamp.com/

Facebook: https://www.facebook.com/merrimackofficial

Instagram: https://www.instagram.com/merrimack666/

Deezer: https://www.deezer.com/en/artist/99176

Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV

Tidal: https://tidal.com/browse/artist/3642745

Apple Music: https://music.apple.com/artist/merrimack/41660594

Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

GET OUT ALIVE SHARE "DEATH HAS BEEN DEFEATED"

"'Death Has Been Defeated' is an emotionally deep cut that explores the idea that death is not truly the end," says GOA's Chas Huff. "The song lyrically dives into the darker side of spirituality, suggesting that with strong enough faith, even death itself cannot win. Emotionally intense and driven by slamming drums, hardcore-inspired guitars, and honest vulnerability, the song is a desperate plea for God to reach out a hand and pull you away from the self sabotaging destruction behaviors of the world."

Chas Huff is a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

he didnt Releases New Single "Death to Self" From Forthcoming Album Dark Making

he didnt announces the release of "Death to Self", the most melodic moment from the forthcoming album Dark Making, out July 3rd via drone alone productions. 

Built from a beat, an acoustic guitar and a humming vocal, "Death to Self" is a simmering opting-out of society. It is stark, direct and strangely beautiful: a song that steps away from noise without losing the tension, distortion and unease at the centre of he didnt.

he didnt began as a solo project exploring industrial noise, riffs and drones with guitars. As the project and albums developed, samples and electronics became necessary to fully realise the ideas, both live and in the studio. The sound now combines live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

Influenced by 1980s industrial, early MINISTRY albums, Pretty Hate Machine and PUBLIC IMAGE LTD, Dark Making follows that vein and shows he didnt’s use of technology and distortion as writing tools, and as forces for expressing emotion.

Some of the tracks on Dark Making are rough and cut in awkward, jarring ways, with sparse arrangement and production, like an idea creeping out of an underground DIY radio station at 4am. The album continues and develops the sound of he didnt’s debut album Anti-Ambient Passive Resistance, while albums two, three and four moved further into drone territory. Dark Making returns with more of a goth-industrial edge.

Playing drones live is great, but you also need some shorter and more direct songs to keep people interested, and some beats to dance to. Even if that dancing is a slow swaying of the arms and head.

he didnt’s fifth album is a journey into the distortion navel that umbilically links us all. At the centre of that journey is "Death to Self": melodic, minimal and withdrawn, a song for stepping out of the system without knowing where else to go.

About he didnt:

Rooted in industrial noise, the Oxfordshire, UK, based solo project he didnt initially started to explore industrial noise, riffs and drones with guitars. As the project has developed, he didnt began to incorporate further electronics and samples to achieve the desired sound. The project now operates with a combination of live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

For live performances, he didnt doesn't use software, syncing or turntables. Instead he didnt utilizes a laptop, the main basic track, extra samples and various guitar pedals to build the sound.

Since its inception, he didnt has release four full length albums via drone alone: Anti-Ambient Passive Resistance and Blood Red (2023), Nothingness Manifested (2024) and Distraction Threshold (2025). he didnt has received praise for previous releases from Bandcamp Daily, BBC Introducing, The Quietus and Electronic Sound. 

The forthcoming album, Dark Making, is scheduled for release on July 3, 2026, via drone alone productions. 


Connect With he didnt / drone alone productions:

Instagram: https://www.instagram.com/drone_alone_prods/
YouTube: https://www.youtube.com/@dronealoneprods
Bandcamp: https://dronealoneprods.bandcamp.com/

LAINEY WILSON’S NEW SINGLE “PHONE, KEYS, WALLET” OUT NOW

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson’s new single, “Phone, Keys, Wallet,” is out now, featuring special guest John Mayer on guitar. Listen to the song below (BBR Music Group/BMG Nashville), which world premiered at country radio across the U.S. and Canada today. 

Written during the final leg of the Whirlwind World Tour and recorded at Mayer’s Chaplin Studios in Los Angeles, the track finds Wilson embracing the messy, fast-moving parts of life, and celebrating the person who chooses to love her through it all. 

“I feel like a tornado with boots on half the time, and this song is really about finding somebody who’s okay with that chaos and chooses to love you through it anyway,” Wilson shares. 

“Phone, Keys, Wallet” follows Wilson’s recent releases “Younger You,” a special collaboration with Miley Cyrus, and “Can’t Sit Still,” which Billboard calls, “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” while iHeartRadio praises, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.” 

The new music adds to yet another monumental year for the Louisiana native, who headlined Stagecoach with an electric set, is the subject of the new Netflix documentary, Lainey Wilson: Keepin’ Country Cool (watch HERE) and recently kicked off a run of stadium shows with Chris Stapleton, which will continue through the summer. Wilson also made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him earlier this spring, was selected as one of USA Today’s 2026 Women of the Year and featured on the cover of People Magazine. 

“The reigning current standard-bearer for women in country” (Variety), Wilson hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991) last fall, where she won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, this past August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.” 

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” the 3x PLATINUM certified “Watermelon Moonshine” and the 4x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, Yellowstone, and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

LAINEY WILSON CONFIRMED TOUR DATES

June 6—Nashville, TN—CMA Fest
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 26—Nashville, TN—Nissan Stadium (Alan Jackson: Last Call – The Finale)
June 28—Calgary, AB—Country Thunder Alberta
July 4—Boston, MA—Hatch Shell at Charles River Esplanade
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
July 17—Pasa Robles, CA—California Mid-State Fair
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
September 19—Las Vegas, NV—iHeartRadio Music Festival
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

 Photo Credit: Cece Dawson

Ray Hawthorne Is Nine Years Sober And Proud Of Every Scar On "I Tried"

Pop punk's most lovable liability, Ray Hawthorne, is back with his latest single, "I Tried", trading in his usual chaos to step into a confessional for a moment. A bruising, yet beautiful ballad, "I Tried" tackles the particular weight of being deep in addiction and deciding that trying, even poorly, was the only thing left to offer. Listen to the new single, "I Tried", Below.

Serving as the sixth single of his latest era, "I Tried" encapsulates Ray Hawthorne's journey prior to sobriety. Now proudly nine years sober, Ray Hawthorne peers back at the moments where survival felt like too much to ask for. Almost as if it was a scar that is shown off by someone who made it out, "I Tried" is proof that all stories have a next chapter after all.

Rather than address the emotional weight of his most vulnerable work to date, Ray Hawthorne chose to discuss why the current state of the entertainment industry should inspire you to listen to his latest single:

"Nick Cage is Spider-Man. YouTubers are making hit Hollywood movies. A Lego store is somehow the most exciting thing in the news cycle. Also Beartooth exists. And here I am trying to make you care about my song. How, in this climate, can I even compete? Well I think I’ve got something.

Remember in Beauty and the Beast when Belle is rolling around singing about books? She’s like “It’s my favorite. Far off places, daring sword fights, magic spells, a prince in disguise!” What if I told you that “I Tried” also has all those things. The far off places are places secret drug deal locations. The sword fights are my internal struggle to stop. The magic spells are drugs. I wasn’t able to figure out how to connect the prince in disguise part so I’ll leave that up to you. I tried though. How’s that? I bet you’ve never heard someone link their stories of almost dying as a drug addict to Beauty and the Beast. Good thing Disney never sues anybody. I bet that makes you want to listen. Go ahead. I won’t stop you.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records and is set to unleash their devastating new single “Flesh" worldwide on all major streaming and digital platforms on Friday, June 5, 2026.

Today, the band has unveiled the music video for the single (see below). 

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

In addition to the release, Dead By Wednesday has been announced as part of Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed. The band will perform Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

For More Information Please Visit:

Official Website

Facebook

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YouTube

NYHC Crossover Pioneers CRO-MAGS Unleash New Single "Wired for Chaos" + Official Music Video

Today, CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, "Wired for Chaos." The new track marks CRO-MAGS' first new music in six years, giving fans a taste of what's to come.

"Wired for Chaos," which shares its name with last year's documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

Watch the Music Video for "Wired for Chaos" Below:

On the new single "Wired for Chaos," Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition."

Harley continues, "The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to "Wired for Chaos" HERE

CRO-MAGS Live:

Europe:

June 6 — Emmen, Netherlands @ Pitfest

June 7 — Hamburg, Germany @ Hafenklang

June 8 — Copenhagen, Denmark @ Beta

June 9 — Berlin, Germany @ Neue Zukunft

June 10 — Schwerin, Germany @ Club Zenit

June 12 — Venlo, Netherlands @ Grenswerk

June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T

June 14 — Hoofddorp, Netherlands @ C-Punt

June 15 — Heidelberg, Germany @ Halle02

June 16 — Essen, Germany @ Turock

June 17 — Saabrucken, Germany with Sepultura @ Garage

June 18 — Luzern, Switzerland @ Sedel

June 20 — Clisson, France @ Hellfest

July 20 — Gdansk, Poland with Biohazard @ B90

July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja

July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry

July 24 — Debrecen, Hungary @ Campus Festival

July 25 — Martinska, Croatia @ Punk + Zestoka Festa

August 5 — Vagos, Portugal @ Vagos Metalfest 2026

August 7 — London, UK @ United and Strong Fest

August 8 — Newport, UK @ Corn Exchange

August 9 — Blackpool, UK @ Rebellion Festival

USA:

September 26 — Daytona Beach, FL @ Party Weekend

October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGSstand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanaganwas playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGSdemos — four songs that would become the blueprint for the seminal 1986 release, 'Age of Quarrel.' Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining 'Age of Quarrel' demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since 'Best Wishes' (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

UK Alt-Metal Trio TROPIC GOLD Returns with New Single "Witch House (Feat. Harpy)" Marking Their First Release Under New Label BLKIIBLK

Today, ahead of their Download Festival appearance next month, hotly-tipped Essex trio TROPIC GOLD returns with their brand new single, “Witch House” featuring Harpy, marking their debut under their new label partner, BLKIIBLK. "Witch House" arrives alongside an official music video, available below.

On the new track, the band shares:

“'Witch House' explores the all encompassing parasite of an external force consuming and trapping its victim. This force is experienced in many forms, 'Witch House' addresses the relationship and connection between two people, one being the trapped, feeling they’re within a hex they cannot break.”

Watch the Official Video for "Witch House (Feat. Harpy)" Below:

TROPIC GOLD pulls from metalcore, industrial noise, electronic production, and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics, and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang!, and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker, and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier, and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festival this summer, TROPIC GOLD are starting to feel less like a promising new act and more like a band properly breaking through.

TROPIC GOLD Live:

June 13 - Donington @ Download Festival

June 30 - Newcastle @ Think Tank *

July 1 - Leeds @ Hyde Park Book Club *

July 2 - Southampton @ 1865 *

July 3 - Bedford @ Esquires *

July 4 - Norwich @ The Waterfront *

July 5 - Brighton @ Patterns *

July 10 - Cheltenham @ 2000 Trees Festival

November 28 - Sheffield @ Novocaine Festival



* Co-headline w/ Banks Arcade