Official Release : NightNight - Total Control + Total Control (Johnny Hostile Remix)

NightNight is the electronic project from Yasmeen Night, residing in Brooklyn, NY. 

Her upcoming full length release More Weight, is produced by Gareth Jones (Depeche Mode, Einstürzende Neubauten, Nick Cave). The album uses modular synths, found sounds, and live instrumentation to transport the listener to a place where we ask hard questions and seek for truth. Additionally, unreleased tracks from the record have been remixed by Johnny Hostile (Jehnny Beth, Savages) and A Place to Bury Strangers. 

NightNight has previously released material produced by the legendary Sylvia Massy (Prince, Tool, System Of A Down) and Jeff Berner from Psychic TV. Her first full length album Love Decayed spawned a remix EP featuring Void Visions and John Fryer.

Photo Credit: Madison Carroll

ARISING EMPIRE MEDIA ALERT: Vicious Rain Release New Single

Swiss metalcore powerhouse VICIOUS RAIN aren't slowing down — they're sharpening the blade.

With their brand new single "A Spotless Mind," the band unveil another intense chapter of an album cycle that has already seen momentum. Following the impact of "IKIGAI," "Spitting Blood Again," "Silent Therapy," and "Trading Hearts," Vicious Rain continue to prove that this era isn't built on one strong track — it's a statement of consistency and evolution.

"A Spotless Mind" dives deeper into the emotional weight that has defined this cycle so far, but it does so with a new level of urgency. Where previous singles balanced atmosphere and aggression, this one feels more immediate — sharp riffs, soaring tension, and a chorus that lingers long after the final breakdown fades. It's heavy, but controlled. Emotional, but not fragile. The kind of track that doesn’t just hit — it stays.

All of this leads toward their upcoming full-length release, set to drop on March 13th. If the singles so far are any indication, Vicious Rain aren't just releasing an album — they're cementing their place as one of the most compelling forces in modern European metalcore.

"A Spotless Mind" is another reminder: This isn't hype. It's momentum.

VCTMS Release Video for New Single "devil's // speak" Feat. Fox Lake

VCTMS return with a dark, aggressive nu-metal x metalcore track fueled by revenge and emotional exploitation. Blending crushing riffs with raw intensity, the song confronts betrayal head-on, cutting out every memory until the past is dead. Hell is still in other people and the devil speaks in absolutes. 

To top it all off, they have teamed up with fellow metalcore rising star, Nathan Johnson of Fox Lake, for a truly in-your-face track. Stay tuned for more new music and announcements from VCTMS in 2026.

Listen to the new track here.

Watch the video below.

The band shares more insight on their reinvigorated energy and collaboration on the new track, stating, "devil's/speak is one of the most energetic songs of the release — blending hip-hop elements, groove metal, and a catchy one liner that is sure to get people moshing. It caters to what fans have always loved about VCTMS: Relatable lyrics, a killer guest feature, and aggressive riffs. Nathan Johnson'a performance on the track gives it that 'all gas, no breaks' attitude that really shines from beginning to the end. devil's/speak is fun and an easily relatable song for those that are going through heartbreak and want to put that anger towards good use."

ABOUT VCTMS:
VCTMS — hellbent on groovy, chaotic, blistering and depressive noise — carry the banner of Illinois’ noisy, frenzied and manic take on alternative metal solely on their capable shoulders, coupled with an unshakable work ethic and unwavering dedication to their sprawling fanbase. 

From their first release, through cross-country tours and leviathan collaborations with the likes of Spite's Darius Tehrani, Emmure's Frankie Palmeri, and Paleface Swiss’ Marc Zelli, VCTMS have an immense discography consisting of five full-length records: Sickness Vol. 1 through their most recent LP, Vol. V: The Hurt Collection and an EP. With each release, VCTMS sound becomes more and more refined, but also more whimsical and effervescent, incorporating splashes of hip-hop, darkwave, industrial, post-hardcore and more to create something that defies simple genre classification—but remains, at its core, the same rapidly-cycling, depressive and devastating brand of metalcore that screams Chicago with a raw throat and swollen lungs. With lyrical content that oscillates from harshly introspective to immolating and homicidal, the band is as relatable as they come—which lends considerably to their overwhelming popularity on the road, touring alongside acts like Crystal Lake, Paleface Swiss, 156/Silence, Veil Of Maya, Cane Hill and more—just within the last few years. The band only continues to grow with each release.

VCTMS are experienced, crushingly heavy, startlingly innovative and, above all else, work in a way many of their peers can hardly fathom, making them a stand-out band where not just metalcore—but rather all of heavy music—is concerned. Welcome to the bad luck crew. It's bad luck season. 

Adam Ezra Group - NEW SINGLE - BIG LOVE

BIG LOVE OUT NOW !!!!

We felt like this was a good one to release on Valentine’s Day weekend...inspired by fatherhood and all the lessons I learn from my amazing little girls every day.  We hope you love it!!  Big Love is available on all streaming platforms!

We have now released 5 songs from our upcoming Revelate album, slated for full release on Saturday, June 20th.  We’ll be celebrating that night with our biggest concert ever at House of Blues in Boston!!  Have you grabbed your tickets yet?!?!?!?  Click HERE for info & tickets!

TOUR!

We’ve got a bunch of great shows coming up this spring leading up to the album release in Boston!  Warning: we’ve never experienced so many venues selling out exceptionally quickly, so this year especially, we encourage you to check out the tour page and plan ahead! 

This is so exciting… :)

CELESTIAL DEATH Release New Single “Death of an Empire”

Atlanta, Georgia blackened death metal band CELESTIAL DEATH have released their new single, “Death of an Empire.” The track marks a defining step forward for the band and solidifies their identity within the modern extreme metal underground. 

“Death of an Empire” delivers a fierce combination of tremolo-picked triplet arpeggios, relentless blast beats, and groove-driven black metal melody. The song opens with waltz-like tremolo phrasing before erupting into rapid-fire percussion and layered death metal riffing. From its first moments through its closing passages, the track moves with cinematic intensity and calculated aggression, showcasing the band’s fully realized sound.

Lyrically, “Death of an Empire” explores the collapse of powerful systems through the perspective of a lone survivor walking through the ruins of a devastated city. The imagery is vivid and confrontational, focusing on urban decay, environmental destruction, and the consequences of unchecked power. Opening lines such as, “The ruins of this city speak to me, in a language only I can understand,” set the tone for a narrative steeped in post-apocalyptic reflection.

The single addresses themes of ecological strain, corporate manipulation, warfare, and societal division. Jessup emphasizes collective responsibility and awareness, urging listeners to consider the long-term consequences of exploitation and polarization. The track functions as both a reflection and a warning.

About CELESTIAL DEATH:

Rising from the Atlanta metal underground, CELESTIAL DEATH was forged in 2023 by guitarist and vocalist Forrest Jessup and drummer Matthew Carmichael. The band began under the name IMPERII with a different lineup but underwent a rebirth when Matt took over on drums. This marked a turning point where Forrest decided to rename, rebrand, and reimagine the project as CELESTIAL DEATH, channeling a darker and more atmospheric vision. Soon after, guitarist Jason Schwartzwalder joined the fold, bringing with him years of experience from acts such as MOTHER’S TOMB, KHAOTIKA, and BRUTALITY. The band rounded off their lineup with the addition of new bassist Robbie Marsh in early 2026. 

CELESTIAL DEATH craft a sound that merges the bleak ferocity of black metal with a melodic and cinematic atmosphere. Drawing influence from bands like WOLVES IN THE THRONE ROOM, CATTLE DECAPITATIONS, FALLUJAH, and SKELETONWITCH, the group shapes a sonic landscape that is at once suffocatingly heavy and hauntingly vast. The music is raw in execution yet deliberate in its storytelling, each track serving as a descent into themes of cosmic horror, existential collapse, and apocalyptic rebirth.

The band’s debut single “Anti-Preacher,” released December 13, 2024, marked the first official offering under the CELESTIAL DEATH name. It set the tone for the project’s sound, combining blackened chaos with melodic undertones, and hinted at the larger creative arc the band continues to develop. Their most recent single “Aeons,” written during Forrest’s most turbulent years, explore Lovecraftian imagery and catastrophic narratives that have become central to the band’s identity.

CELESTIAL DEATH’s music is built on foundations of atmosphere and intent, stripped to core instrumentation of guitars, drums, bass, and venomous vocals while retaining a cinematic scope. Their songs unfold like parables, grim yet reflective, destructive yet transformative. This ethos reflects Forrest’s own journey, from personal darkness and addiction to sobriety and clarity, with CELESTIAL DEATH becoming both a vessel for catharsis and a statement of purpose.

With a steadily growing presence in Atlanta’s extreme metal scene, CELESTIAL DEATH stand poised to carve their name into the modern blackened metal pantheon. The band represents not just heaviness but vision, not just destruction but creation. For those who seek music that feels apocalyptic in scale and deeply human in spirit, CELESTIAL DEATH is a name to remember.


CELESTIAL DEATH is:
Jay Crash - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums

Social Links:

KEVIN STEELE RELEASES THE SECOND SINGLE, “THERE’S A BETTER DAY COMIN’” A SONG ABOUT HOPE, FROM HIS FIRST SOLO ALBUM “ONE THING LEFT TO DO”

Kevin Steele recently announced his first solo album, One Thing Left To Do, that will be released on February 27, 2026, via Steele Records/Amplified Distribution. The second single “

There’s A Better Day Comin’” is out now on digital services.

"I've had some pretty dark times in my life and I've sung about some of them on this album but I'm a survivor and I wanted to end the record on a positive note. "There’s A Better Day Comin’" is a song about hope. No matter who you are or what your life experience is, no matter what you believe in or what your politics or preferences are, just to get out of bed every morning and face the day in this ever increasingly crazy world we live in you've got to have a little hope. Some people might think this song has religious overtones or that I'm singing about the hereafter. I'm not. I'm singing about tomorrow, right here. That's what we've got. You've got to make the best of this short life we're given. For me, music has always been my savior. You've got to fight to find your light of love and a way to let it shine!" - Kevin Steele

Pre-save or Pre-order: https://snd.click/cyc6

All of these songs showcase Kevin's masterful songwriting across all the musical styles that have shaped his colorful career, including glam, punk, rock, blues, and even southern gospel. Kevin’s band Roxx Gang were one of America’s great bands and the first rock band signed to Virgin Records in America. Their debut record, the classic "Things You've Never Done Before", sold over 250,000 copies. In a way, they were the bridge between glam and grunge and The Mojo Gurus played a vital role in keeping rock-n-roll alive in "the Tens" working with legendary producers Jack Douglas (John Lennon, Aerosmith, New York Dolls) and Tommy Henricksen (Alice Cooper, Lou Reed, The Hollywood Vampires). With One Thing Left To Do, Steele brings his musical journey full circle with a truly remarkable record that you just have to hear.

Joining Kevin on this new record is guitar phenom / co producer Billy Summer (Florida, Luxury Mane, The New Brutarians) whose music has been heard on major TV shows and films such as Ted Lasso, The Affair, Harpoon, Life and Beth, Chicago Fire, Property Brothers and many others.The result is one hot slab of Rock 'n' Roll revelry covering several genres that showcase a track list of impressive playing and songwriting.

"Billy and I made such a great team. Instant connection of the minds. He knew instinctively where I was going musically with each song before I would even tell him. That's why they call us the Cosmic Twins”, said Kevin.

The band is an allstar collection of Tampa Bay, Florida musicians playing at the top of their game. They formed an instant camaraderie and the good times had in the recording sessions shine across every track!

Kevin Steele - Lead Vocals, Harmonica

Billy Summer - Guitars, Bass, Vocals, Percussion

Steve Peake - Keyboards

Steven C. Tanner - Drums

Rob Pastore - Pedal Steel Guitar

Jim Stevens - Bass on “The 9 Lives Blues”

Kyle Lovell - Drums on “I Know What Yer Up To”

Scott Myers - Trombone, Vocals

Adam Turkel - Vocals, Percussion

Linda Militello & Zoe Summer - Vocals

All songs written by Kevin Steele - Too Cool Music Publishing - BMI

except Sad, Sad Song written by Kevin Steele & Billy Summer

Too Cool Music Publishing - BMI & Billy Summer Music - BMI

Recorded at The Ward, St. Petersburg, FL

Produced by the Cosmic Twins (Billy Summer & Kevin Steele)

Engineered by Billy Summer

Mastered by Brian Merrill at Studio B, St. Petersburg, FL

Cover Art by Adam Turkel

Photography by Linda Militello

 

Links:

https://www.facebook.com/KSteeleRoxxGang

IRON SAVIOR Unleash New Video For A-HA Classic "Take On Me" From Upcoming Cover Album Awesome Anthems Of The Galaxy

Hamburg-based power metal veterans IRON SAVIOR have just released a new video clip for their latest single, “Take On Me” - the band’s electrifying metal reworking of the classic A-HA hit. The track is taken from their highly anticipated cover album Awesome Anthems of the Galaxy, set to arrive on March 27, 2026 via PERCEPTION – a division of Reigning Phoenix Music!

Following a series of successful singles previewing the album, including their fiery rendition of IRENE CARA’s “Fame” and the powerful take on ALPHAVILLE’s “Forever Young”, the “Take On Me” video adds a fresh chapter to IRON SAVIOR’s cosmic mission of transforming beloved ’80s pop anthems into full-throttle power metal epics. 

Frontman Piet Sielck reveals: "'Take On Me' for sure is one of the most successful pop songs ever. So in the beginning it was more a 'must' than a 'want'… but during the process of transforming it, I started to love this version more and more. Today I am more than happy to have this classic on the album and I‘m proud of the outcome!"

Stream / Download "Take On Me" at: https://ironsavior.rpm.link/takeonmePR 

Watch the video below:

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!” 
 

From the electrifying rush of A-HA’s “Take On Me” and the thunderous drama of PHIL COLLINS’s “Against All Odds” to the cinematic pulse of JERMAINE JACKSON & PIA ZADORA’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by MICHAEL SEMBELLO, IRON SAVIOR turn pop classics into heroic, melodic metal anthems. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!

 
Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
Website | Facebook | Youtube

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF RISING COUNTRY VOICE MARY KUTTER

With “Bed of Roses,” out today via BBR Music Group/BMG Nashville, Mary Kutter makes a stark, unapologetic entrance to the roster. Written by Kutter alongside John Frank and Tom Pino, and produced by Kurt Allison and Tully Kennedy, the song unfolds like a Southern noir short story with equal parts grit, dark humor, and a sense of reckoning. Listen BELOW.

Built on razor-edged riffs and a pulse that cuts like a thorned guitar pick, “Bed of Roses” drops the listener straight into the fallout, where lines have been crossed, secrets stay buried, and beauty grows from something far more dangerous. Kutter’s vocal sits at the center of the tension, cool and unflinching, daring the listener to lean in closer.

Rather than softening the story or looking away, “Bed of Roses” leans all the way in planting itself in a lane of revenge country anchored by hits like The Chicks “Goodbye Earl.” The song lets implication do the heavy lifting, pairing vivid imagery with a sharp sense of humor that keeps the narrative firmly in control. It’s a reminder that sometimes survival isn’t loud. It’s quiet, calculated, and final.

“‘Bed of Roses’ lives in the kind of storytelling country I grew up loving,” says Kutter. “I love songs that make you lean in, raise an eyebrow, and maybe laugh at the wrong moment. This song has teeth. It’s playful with its dark humor, and it doesn’t ask permission. Those are the songs that made me fall in love with this genre in the first place.”

“Bed of Roses” marks a new chapter for Kutter as she steps forward as an artist unafraid to say the quiet part out loud. Leading with classic country storytelling while letting a harder edge show through, the track introduces a voice that doesn’t chase approval or resolution, only truth, however uncomfortable it may be.

About Mary Kutter:

Kentucky raised and Nashville based, Mary Kutter writes songs that live in the gray area blurring genre lines and creative narratives. Drawing from country storytelling and rock-leaning intensity, her music favors sharp images over easy answers. As both a songwriter and recording artist, Kutter gravitates toward characters on the edge, flawed, resilient, and unapologetically human. Before stepping fully into her own voice as an artist, she built a reputation as a songwriter willing to go where others would not, with her work appearing on major-label releases and charting records by Bailey Zimmerman, Nate Smith, and Zach John King. Those experiences sharpened her instincts and reinforced her belief that the most powerful songs are the ones that tell the truth plainly, without sanding down the rough edges. Onstage, Kutter brings that same intensity into the room. Her performances are direct and unfiltered, rooted in connection rather than theatrics. Whether playing intimate venues or larger stages, she commands attention through presence, letting the songs do the heavy lifting. With “Bed of Roses,” Kutter begins a new chapter defined by confidence, clarity, and a refusal to soften the point.

KEEP UP WITH MARY KUTTER
WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK

DUSTIN LYNCH TURNS THE KEY ON “GETAWAY CAR” — OUT NOW

Multi-platinum recording artist Dustin Lynch accelerates his genre-defining momentum with “Getaway Car,” available everywhere. Marking another tent-pole moment in Lynch’s evolving run of new music, the track reinforces his role as a leader in the country-dance crossover space, where storytelling and high-energy production collide. Fueled by sleek, propulsive production from Petey Martin and Pete Hammerton, the song captures a full-throttle rush where country drive meets escape velocity, built for fast decisions, open roads, and disappearing into the night with no destination required. Listen BELOW.

With the needle pinned red and the bass hitting hard, “Getaway Car” finds Lynch leaving the rooftop bar in the rearview, letting the night blur as momentum takes over. Equal parts reckless and magnetic, the track taps into the adrenaline of living in the moment, a sound Lynch has increasingly come to own as he continues expanding what modern country can look and feel like beyond traditional boundaries.

“‘Getaway Car’ is about that split-second decision to throw it all in drive and see where the night takes you,” shares Lynch. “No plan, no map, just vibes, velocity, and trusting the moment. It’s one of those songs that feels just as good blasting through speakers as it does screaming down the highway."

“Getaway Car” builds on a lane Lynch has steadily carved out, where country roots intersect with nightlife culture and dance floor energy in a way only Lynch can. The release arrives as Lynch continues one of the most dynamic runs in modern country music, with his latest single “Easy To Love,” currently climbing the charts. With 10 number ones at country radio, billions of global streams, and a reputation for delivering hit driven, high energy live shows, Lynch has continued to evolve while maintaining the core identity that defines his career.

Fresh off major announcements including a co-headlining show with Chase Rice at Red Rocks Amphitheatre and his return to Las Vegas extending Wynn Nightlife’s first ever country music artist residency, “Getaway Car” soundtracks the next chapter of Lynch’s trajectory, further cementing his position at the forefront of the country dance crossover and signaling that this space is not a moment, but a movement.

From packed arenas to DJ booths and late-night highways, Dustin Lynch continues to prove his music is built for wherever the night leads.
 

KEEP UP WITH DUSTIN LYNCH
WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK 

Rising Country Star Maddox Batson Releases New Track “If I See Her Again”

Hailed by the LA Times as “a country Justin Bieber in the making” and the youngest male to ever appear on Billboard’s 21 Under 21, Maddox Batson releases “If I See Her Again,” an upbeat groove with heart-on-his-sleeve lyrics. Listen to “If I See Her Again” via Warner Records / Prosper Entertainment here and watch the official music video below.
 
Written by Batson, Grant Averill, Dave Cohen and Jackson Foote and produced by Cohen and Foote, Batson internalizes scenarios for a second encounter with a young romantic interest.

“‘If I See Her Again’ is about one of those chance encounters where you wish you would say something but don't. You never get that time back. I think everyone can relate,” shares Batson. “Proud of this one and pumped to get it to my fans. Hope y'all like it!”

“If I See Her Again” arrives on the heels of Batson’s “Any Other Night,” a coming-of-age anthem combining smooth vocal flow, clean guitars and a laid back digital beat. Listen to “Any Other Night” here or watch the official music video with fan favorite guest star Embreigh Courtlyn here.
 
“If I See Her Again” debuts in anticipation of Batson’s Live Worldwide Tour 2026, which kicks off Feb. 17 in Ft. Lauderdale. The Live Worldwide Tour 2026 will crisscross the U.S. before heading to Canada, Ireland, the United Kingdom, Germany, the Netherlands, Norway and Sweden, on Batson’s first headlining European trek. Joined by special guests Baylee Lynn, Jenna Davis, Just Jayne and Timmy McKeever on select dates, tickets for all shows are available now at MaddoxBatson.com.
 
Batson jump starts his most ambitious year yet – including more new music to come, his collaboration with Ringling Bros. and Barnum & Bailey – the first-ever artist collaboration in the brand’s 150-year history – and a win at Good Good Golf’s Desert Open in Tempe, Arizona. Batson and teammates Garrett Clark (co-founder of Good Good) and Marissa Wenzler (University of Kentucky golf alumna) competed against six other three-person teams (two Good Good players and one musician) before taking home the golden hat trophy. 

After making his Stagecoach festival and Grand Ole Opry debuts in 2025, Batson wrapped his 29-city I Need A Truck Tour and supported select dates on Lainey Wilson’s Whirlwind Tour. The 16-year-old artist has already caught the attention of Forbes, USA Today, American Songwriter, NBC Nightly News, PEOPLE, This Past Weekend with Theo Von and others, with more to come in the year ahead.
 
Live Worldwide Tour 2026 Routing:
Feb. 17  |  Ft. Lauderdale, FL  |  Revolution Live
Feb. 18  |  St. Petersburg, FL  |  Jannus Live
Feb. 20  |  Atlanta, GA  |  Coca-Cola Roxy
Feb. 21  |  Augusta, GA  |  Bell Auditorium
Feb. 22  |  Macon, GA  |  Macon City Auditorium
Feb. 28  |  Allentown, PA  |  Archer Music Hall
March 1  |  Montclair, NJ  |  The Wellmont Theater
March 4  |  Stamford, CT  |  The Palace Theatre
March 6  |  Syracuse, NY  |  Landmark Theatre
March 7  |  Schenectady, NY  |  Proctors Theatre
March 8  | Providence, RI  |  The Strand Ballroom & Theatre
March 11  |  Montreal, QC  |  Beanfield Theatre
March 12  |  Toronto, ON  |  The Danforth Music Hall
March 14  |  Buffalo, NY  |  Buffalo Riverworks
March 15  |  Cleveland, OH  |  Agora Theatre & Ballroom
March 18  |  Detroit, MI  |  Royal Oak Music Theatre
March 20  |  Chicago, IL  |  The Salt Shed
March 21  |  Madison, WI  |  The Sylvee
March 22  |  Minneapolis, MN  |  The Fillmore Minneapolis
March 26  | Calgary, AB  |  Grey Eagle Event Centre
March 28  |  Vancouver, BC  |  Vogue Theatre
March 31  |  Portland, OR  |  McMenamins Crystal Ballroom
April 1  |  Seattle, WA  |  The Showbox
April 3  |  Sacramento, CA  |  Channel 24
April 4  |  San Francisco, CA  |  The Fillmore
April 8  |  Los Angeles, CA  |  The Wiltern
April 11  | San Diego, CA  |  The Observatory North Park
April 16  |  Salt Lake City, UT  |  The Complex
April 18  |  Phoenix, AZ  |  The Van Buren
April 19  |  Albuquerque, NM  |  Revel Entertainment Center 
April 22  |  Austin, TX  |  ACL Live at The Moody Theater 
April 24  |  Houston, TX  |  Bayou Music Center
April 26  |  Tulsa, OK  |  Cain’s Ballroom 
April 29  |  St. Louis, MO  |  The Factory at The District 
May 3  |  Nashville, TN  |  The Pinnacle 
May 12  |  Dublin, IE  |  3Olympia Theatre
May 13  |  Glasgow, UK  |  SWG3 Galvanizers
May 15  |  Manchester, UK  |  Manchester Academy 2
May 16  |  London, UK  |  O2 Shepherd’s Bush Empire
May 19  |  Cologne, DE  |  Club Volta
May 20  |  Amsterdam, NL  |  Tolhuistuin
May 21  |  Hamburg, DE  |  Bahnhof Pauli 
May 23  |  Oslo, NO  |  Vulkan Arena
May 24  |  Stockholm, SE  |  Fryshuset Klubben
 
STAY TUNED WITH MADDOX BATSON
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TX2 Drops New Single "Murder Scene" Featuring Magnolia Park

LA-based alt-rock artist TX2 has today released his debut album End Of Us via Hopeless Records. The 13-track album features collaborations with Black Veil Brides, Magnolia Park, Ice Nine Kills, DeathbyRomy, and Ekoh, and arrives after a decade of building one of heavy music's most polarizing and devoted fanbases. Today’s release is highlighted by focus track, "Die Alone" which captures the album's emotional core. Fans can listen to the full album HERE. 

Speaking on today’s highly anticipated release,TX2 frontman, Evan Thomas shares

“After 11 years of building toward this moment, the band and I are excited to unveil our debut album, ‘End of Us’, structured as a rock opera. Each single leading up to this release has told a story painting the larger album theme of, ‘The Resistance’, the final survivors in a world devastated by a vampire holocaust. I hope the story we’ve told through our debut album reminds the X Movement and those all around us that they cannot erase us.”

End Of Us marks a turning point for an artist who did what most won't: weaponized being the internet's punching bag and turned online hate into undeniable momentum. With 1 million monthly Spotify listeners, 1.3 million TikTok followers, and 100 million streams on previously released singles before the album even dropped, TX2 turned algorithmic outrage into a self-sustaining business outside traditional development models.

The album collects previously released singles including "The End of Us" featuring Black Veil Brides, "Murder Scene" featuring Magnolia Park, "HOSTAGE (they will not erase us)," "The Rain," "Feed" featuring DeathbyRomy, and "Nice Guy" featuring Ekoh, alongside new tracks that complete the album's narrative arc. Between them, the previously released songs generated 100 million streams and 42 million TikTok likes in the last 12 months alone.

TX2 has earned co-signs from Caleb Shomo, Ice Nine Kills, Black Veil Brides, Magnolia Park, and From First to Last while building the X Movement, a Discord-based mental health community with thousands of active members. As an openly queer artist, his refusal to sanitize his advocacy has made him both a target and a lifeline.

Thomas describes the album's sound as "punk meets vampire-core with an Eminem edge," drawing from influences like My Chemical Romance, Green Day, Black Veil Brides, and Linkin Park while carving out space entirely his own. He self-directed all music videos alongside guitarist Cameron Rostami with horror aesthetics inspired by Resident Evil and Silent Hill.

TX2 begins his US "End of Us" headline tour this month before heading to Australia with Rain City Drive in March, followed. He then returns to the US for a North America tour supporting Black Veil Brides before heading to Europe for a massive European festival run including Download Festival (alongside Linkin Park, Guns N' Roses, and Limp Bizkit), Rock AM Ring, Rock Im Park, Rock For People, Novarock, Graspop, Jera On Air, and Vainstream. For tickets and further information head to tx2merch.com/pages/tour

TX2 - THE END OF US TOUR (w/ Buffalo Farm & Flat Out)

Feb 6 - Grey Witch - Las Vegas, NV

Feb 7 - SOMA - San Diego, CA

Feb 8 - Temblor Bowling Company - Bakersfield, CA

Feb 11 - Lowbrow Palace - El Paso, TX

Feb 12 - Come And Take It Live - Austin, TX

Feb 13 - Laser City Music Hall - Oklahoma City, OK

Feb 15 - Vinyl Music Hall - Pensacola, FL

Feb 17 - The East - Nashville, TN

Feb 18 - Off Broadway - St. Louis, MO

Feb 19 - xBk Live - Des Moines, IA

Feb 21 - 4th & Polk Music & Event Space - Topeka, KS

Feb 23 - Uptown Funk Dueling Pianos - Albuquerque, NM

Feb 24 - 191 TOOLE - Tucson, AZ

TX2 w/ BLACK VEIL BRIDES - NORTH AMERICA 2026

Apr 25 - Riverside Municipal Auditorium - Riverside, CA

Apr 26 - Grand Theatre at The Grand Sierra Resort - Reno, NV

Apr 28 - Showbox SoDo - Seattle, WA

Apr 30 - The Union Event Center - Salt Lake City, UT

May 1 - Fillmore Auditorium - Denver, CO

May 2 - The Astro - Omaha, NE

May 4 - House of Blues - Dallas, TX

May 5 - House of Blues - Houston, TX

May 6 - The Aztec Theatre - San Antonio, TX

May 8 - Tabernacle - Atlanta, GA

May 11 - Piedmont Hall - Greensboro, NC

May 12 - The NorVa - Norfolk, VA

May 14 - The Fillmore Philadelphia - Philadelphia, PA

May 15 - Stage AE - Pittsburgh, PA

May 17 - The Fillmore Detroit - Detroit, MI

May 19 - Egyptian Room at Old National Centre - Indianapolis, IN

May 21 - The Fillmore Minneapolis - Minneapolis, MN

May 22 - Ramova Theatre - Chicago, IL

May 23 - The Sylvee - Madison, WI

May 25 - HISTORY - Toronto, ON

May 26 - MTELUS - Montreal, QC

May 28 - Palladium Times Square - New York, NY

May 29 - The Fillmore Silver Spring - Silver Spring, MD

May 30 - The Palladium - Worcester, MA

ABOUT TX2

TX2 is the project of Los Angeles-based artist Evan Thomas, known for raw, emotionally charged alt-rock that refuses to play by the rules. Since going viral on TikTok in 2023 with "I Would Hate Me Too," TX2 has amassed 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a touring resume that includes opening for Beartooth, I Prevail, Killswitch Engage, Ice Nine Kills, and Parkway Drive on the Summer of Loud tour.

Thomas founded the X Movement, a community dedicated to mental health awareness and creating safe spaces for fans who feel like they don't belong. He's openly queer, vocally advocates for LGBTQ+ rights and fan safety, and stays after every show to meet every fan, sometimes for hours. He's been called emo's most hated artist and its most necessary voice, often in the same breath. His debut album End Of Us is out now via Hopeless Records.

THE HELLACOPTERS RARITIES COMPILATION CREAM OF THE CRAP! VOLUME 3 IS OUT TODAY + FULL ALBUM STREAM AVAILABLE VIA YOUTUBE

Today marks the release of Cream Of The Crap! Collected Non-Album Works • Volume 3, the newest, long-overdue entry in a series of rarities collections by Swedish high energy rockers THE HELLACOPTERS, combining rare and lesser-known material from a myriad of singles, EPs, and compilation songs. The 24 tracks featured in this set have originally been released between 1998 and 2005, most of them only on vinyl and out-of-print CDs, and include originals like ‘Disappointment Blues’, ‘Freeway To Hell’, ‘Doggone Your Bad-Luck Soul’, 'Ferrytale' and ‘Long Gone Losers’ as well as cover versions of songs by Motörhead, Wilson Pickett, MC5, Smokey Robinson, Lynyrd Skynyrd, Bob Seger, Alice Cooper, The Ramones, The Nomads, Adam West – whose singer Jake Starr penned liner notes for this release – and many, many more. Furthermore, a lot of these songs have never been released digitally. Meticulously compiled by Robert Eriksson, transferred from master tapes and vinyl by Henke Jonsson, and remastered for maximum audio fidelity by Magnus Lindberg, with Cream Of The Crap! Collected Non-Album Works • Volume 3 THE HELLACOPTERS present a stunning collection of incredible, high-octane rock’n’roll on this more than 75 minutes long double vinyl, CD and digital release. Scroll down for the full track list and release formats.

Purchase or stream Cream Of The Crap! Collected Non-Album Works • Volume 3:
https://hellacopters.bfan.link/cotc

A full album stream via Youtube is available below;

ABOUT THE HELLACOPTERS

Less than three years after their triumphant, chart-storming comeback record, Eyes Of Oblivion, which entered on #1 in their home country, on #3 in Germany, and on #6 in Finland, Sweden's most consistently great rock outfit is back with another banger of an album called Overdriver, due out on January 31st, 2025.

In the meantime, THE HELLACOPTERS have celebrated their triumphant return by playing a show with the mighty Iron Maiden in Gothenburg in July 2022, and gigs with Ghost in Germany in June 2023, apart from their own string of headline shows throughout Europe. Eager to keep the rock flowing, February 16th, 2024 saw THE HELLACOPTERS release not one, but two stunning versions of their classic Grande Rock album, which was originally released in 1999. Grande Rock Revisited included a remastered original version and a remixed and partially re-recorded version as a companion piece, showing how the album could have sounded in a parallel universe with guitarist Dregen being in the band at the time. After making rock grande again, the group set sights on new material, debuting the phenomenal single 'Stay With You'  in May 2024 and releasing it as limited 7inch via Lightning Records.

Their ninth full-length Overdriver was recorded at Strawberry Studio & The Honk Palace and is the first HELLACOPTERS album entirely produced by Nicke Andersson. As you might expect from a HELLACOPTERS album it's filled to the brim with roaring guitars and earth-shattering grooves, fist-raising energy and anthemic choruses, while keeping the variety richer than ever before. Overdriver was hailed by many as a career highlight and it was a huge success, entering the Swedish charts on #1 and the German charts on #6 upon release.

THE HELLACOPTERS ONLINE:
https://linktr.ee/thehellacopters

THE PUBLIK Unleashes Bold, Unfiltered New Single “Guaranteed”, A Fearless Rock Anthem Challenging Modern Censorship, Hypocrisy, and Social Division

THE PUBLIK returns with their explosive and unapologetic new single, “Guaranteed,” a track that refuses to pull punches while diving headfirst into one of today’s most controversial cultural conversations — the erosion of free expression and the rise of performative morality in modern society.

Driven by raw energy, sharp lyrical delivery, and the band’s signature hard-hitting sonic intensity, “Guaranteed” stands as both a rallying cry and a reflection of growing frustrations felt across America. The track blends aggressive rock instrumentation with emotionally charged storytelling, creating a song that is as thought-provoking as it is sonically powerful.

At its core, “Guaranteed” challenges listeners to confront uncomfortable truths about modern discourse, social division, and the blurred lines between personal belief and public condemnation.

Speaking about the inspiration behind the song, THE PUBLIK shares:

“‘Guaranteed’ is about how in America right now we’ve gradually lost the freedom of speech to the point now where when you do say what you want to say and truly express concerns or beliefs, the threat of being reprimanded is very real. Furthermore, the same people enforcing these things are the same people who think they’d get into heaven and deserve some form of righteous, rewarded afterlife, while in reality no god would ever reward this fake mask of devotion while you’re splitting families apart and promoting pure hatred in their everyday lives. We live in a country where so many people are disguising and excusing their wrongdoings and ill wills and writing them off as ‘political views’.”

Musically, “Guaranteed” captures THE PUBLIKat their most intense and honest. The track fuses gritty guitar work, commanding rhythms, and emotionally charged vocal delivery to create a sound that mirrors the urgency of its message. The band continues to solidify their reputation for crafting music that doesn’t just entertain but sparks conversation and reflection.

With “Guaranteed,” THE PUBLIK reinforces their commitment to fearless artistic expression, pushing boundaries both musically and lyrically while remaining rooted in authenticity and emotional truth. The single marks another step forward in the band’s evolution as they continue to carve their place in the modern rock landscape.

Fans of bold, socially conscious rock music will find “Guaranteed” to be both a powerful listening experience and a call to think deeper about the world around them.

"GUARANTEED"

IS AVAILABLE ON ALL STREAMING PLATFORMS

Band Bio:

THE PUBLIK is a 4-piece Alternative Rock band based out of Chicago. Formed in 2019,

THE PUBLIK has meticulously paved a path through the Chicago rock scenes with their distinct musical precision and destructive live performances. THE PUBLIK is a representation of an unfitting jigsaw puzzle of influences, spanning back decades and across genres including funk, post-punk, and alternative, landing on an idiosyncratic take on Alternative Rock. Constructed with chaotically scattered leads, melodic but sharp rhythm, and thunderous percussion, they deliver nothing short of a powerful experience that remains in the minds of new and returning listeners. After the release of their debut LP Deeper Still,

THE PUBLIK continues to expand their presence, having played at some of Chicago’s most recognizable venues such as Reggie’s, Cobra Lounge, The Burlington, The Cubby Bear, Beat Kitchen, Bookclub and more, as well as being featured in Passdown Magazine’s eighth issue in October of 2024.

SÉANCE OF SORROW UNVEILS HAUNTING NEW VIDEO ‘FROM THE BLACK’—A TALE OF REBIRTH FOR A DARK VALENTINE’S DAY

Born from the shadows of a brutal murder, dark rock outfit SÉANCE OF SORROW acts as a sonic bridge between the living and the dead. Arriving just in time for Valentine’s Day, their third single, 'From The Black,' is a cinematic hard rock anthem that explores rebirth through tragedy. 

SÉANCE OF SORROW reaches its turning point in 'From The Black'. This third installment shatters the status quo—where once there was a victim, there is now a force; where once there was silence, there is now a reckoning. The music video captures the immediate aftermath of Michael’s death as his consciousness dissolves into the void. Through graveyard symbolism and a looming supernatural chill, viewers witness a transformation: the birth of an entity no longer bound by flesh. This isn't a traditional resurrection—it’s an evolution.

SÉANCE OF SORROW comments, “From The Black isn’t just a song. it’s the moment after death when the silence starts speaking. It’s about realizing that what was meant to bury you becomes the place you rise from. Michael’s murder wasn’t the end of his story. It was the beginning of something darker… and far more powerful. This song is the sound of awakening inside the void.”

Watch the music video for 'From The Black' below:

Listen to 'From The Black' here.

'From The Black' was engineered and produced by Chris Collier, with Josiah Wiswell providing production assistance, mixing, and mastering.

Each song serves as a psychic vision for vocalist Michael Morrison, unearthing fragments of former lives, the shadows of grieving loved ones, and the echoes of tragic endings.

Condemned to ‘The Black’—a purgatory for forsaken souls with unfinished business—the band is driven by a singular purpose: to write the one song that will finally reveal the identity of their killer. Until that truth is found, SÉANCE OF SORROW broadcasts their cryptic hard rock from the depths of eternal darkness.

Step deeper into the darkness at seanceofsorrow.com, where the music videos are reborn as interactive comic book installments. Secure your piece of the ritual with exclusive band apparel, and follow along as each new single unearths another chapter of this tragic tale.

Close your eyes, open your hearts, and let the ritual begin.
This is the SÉANCE OF SORROW.

 

SÉANCE OF SORROW - 'From The Black' line-up :
Michael Morrison | Vocals
Gabe Gore | Rhythm Guitar
Joey Judas | Lead Guitar
Nic Necro | Bass
Cameron Crucifix | Drums

CURSED AWAKENING Unleashes New Single "Past Newtonium," A Relentless Harbinger Of The Next Album

Chicago death metal band CURSED AWAKENING (FKA - ARRHYTHMIA) returns with their new single "Past Newtonium," a punishing new track that serves as the first warning of a full length album coming later in 2026.

To sum up "Past Newtonium" in one word, unrelenting. The song opens with a slow and deceptively restrained introduction before rapidly giving way to steady, ferocious triplet feel chugging. Razor sharp riffing drives the track forward as it erupts into a blistering Kerry King esque solo. The final moments descend into a brutal breakdown filled with screaming pinch harmonics, before returning to the intro riff to seal the track with grim finality.

Lyrically, "Past Newtonium" reflects a moment in the album where panic and overwhelming self disgust take center stage. The themes focus on self loathing, irreversible mistakes, and the suffocating realization of one’s own perceived corruption, reinforcing the psychological weight carried throughout the record.

Most of the riffs for "Past Newtonium" were written by rhythm guitarist and lead vocalist Abraham Verdin, with the song’s ominous intro drawing inspiration from BEHEMOTH’s "Blow Your Trumpets Gabriel." The result is a track that blends old school death metal aggression with deliberate pacing, thrash influenced precision, and non standard song structure.

Listen Below;

About CURSED AWAKENING

Formed in Chicago, Illinois in 2021, CURSED AWAKENING (formerly known as ARRHYTHMIA) delivers a thrashy death metal sound rooted in classic influences such as DEATH, BOLT THROWER, AT THE GATES, SLAYER, THE BLACK DAHLIA MURDER, and SUFFOCATION. Their music combines old school riffing, melodic passages, neoclassical soloing, and introspective lyricism that goes beyond surface level extremity.

After reforming under the CURSED AWAKENING name in early 2026, the band solidified their creative identity and lineup. The current lineup consists of Abraham Verdin on rhythm guitar and lead vocals, Michael Nystrom Bala on lead guitar, Brady Dukart on bass and backing vocals, and Ronnie James Keough on drums.

Following their self released single "Rest In Chains" in August 2024 and notable live performances in Chicago and beyond, CURSED AWAKENING continues to sharpen their sound and vision. "Past Newtonium" stands as both a continuation and escalation, marking a darker and heavier chapter as the band moves toward their upcoming 2026 album.

CURSED AWAKENING is:

Abraham Verdin – Rhythm Guitar, Lead Vocals
Michael Nystrom Bala – Lead Guitar
Brady Dukart – Bass, Backing Vocals
Ronnie James Keough – Drums

Connect with CURSED AWAKENING:

PONTE DEL DIAVOLO Premiere Intoxicating New Album De Venom Natura

Fresh off of leaving a mark on their fiery debut, Ponte Del Diavolo are fanning the flames with their hotly-anticipated sophomore album. Drawing from the dark and dancing depths of the band’s dueling bassists and the raw spirit of their fiery live ritual, De Venom Natura delivers an all the more potent twist of blackened post-punk.

De Venom Natura comes out tomorrow, Friday, February 13 on Season of Mist, but you can hear all seven intoxicating songs today by listening to the full album stream below.

Pre-order & pre-save

https://orcd.co/pontedeldiavolovenomnatura

At the heart of De Venom Natura lies a central concept: Nature as both seduction and toxin, creation and annihilation. The record contemplates poison not as mere destruction, but as a transformative agent within an eternal cycle of life, death and rebirth. Across seven tracks, including “Lunga vita alla necrosi,” and “Il veleno della Natura,” the band articulate this duality through ritualistic repetition, lyrical invocations and a tension-driven sonic architecture.

Emerging from Turin’s underground in 2020, Ponte Del Diavolo have forged a distinct identity rooted in doom, black metal, post-punk and wave. Their uncommon dual-bass configuration remains central to the project’s character, grounding rhythmic guitars beneath wave-tinged female vocals and a raw, dynamic drum pulse. On De Venom Natura, that foundation is pushed further. The core instrumentation was recorded live at The Deepest Sea studio in Turin to preserve the immediacy and tension of their performances.

With De Venom Natura, Ponte del Diavolo extend their boundaries without abandoning their core identity. It is a record that channels stage-born intensity into a controlled studio ritual, where poison becomes revelation and decay becomes a form of consciousness.

PONTE DEL DIAVOLO craft a focused blend of doom, black metal, post‐punk, and wave—an aesthetic they call “blackened post‐punk.” Wave‐tinged female vocals anchor the project’s flaming core, supported by an uncommon dual‐bass setup that grounds the rhythmic guitars and a raw, dynamic drum pulse.

The result is an immersive, tension‐driven sound. Following the initial release of three EPs, the band signed to Season of Mist and unveiled their first full-length album, Fire Blades from the Tomb.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up:
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits:
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians:
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art:
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)

Photography:
Sergio Bertani

Pre-save & Pre-order: https://orcd.co/pontedeldiavolovenomnatura

Follow Ponte Del Diavolo:
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

FORGOTTEN SHRINE Release Haunting Version Of BREAKING BENJAMIN's "Crawl"

Emerging out from the shadows, folk metal ensemble FORGOTTEN SHRINE, comprised of Josh Alexander and Sofia Frasz (EXILED HOPE), present an explosive and thrilling cover of BREAKING BENJAMIN's "Crawl". 

Josh Alexander shares: "BREAKING BENJAMIN brings me back to a much simpler time of Halo LAN parties and hard rock, which we now call 'dad rock'. When Sofia approached me with the idea I was very excited because this song has almost no covers to be found online. And being that we are FORGOTTEN SHRINE, we had to put our own spin on things as far as the arrangement, both vocally and musically, evoking an almost horror vibe. I can't wait to see what everyone thinks!"

Sofia Frasz comments: "BREAKING BENJAMIN was the soundtrack to my middle school and high school years, and remains one of my favorite bands to this day. A few months ago, I was feeling nostalgic and wanted to cover a song that no one else seemed to pay much attention to. I had a specific idea for a cinematic cover of 'Crawl' in my head, and it turned out so beautifully that we couldn't wait to release it. I'm my own worst critic and almost never listen to my own music, but I've had this one on repeat on and off since we finished it back in November. I'm proud to have put such a special new twist on what I consider to be an underrated classic."

FORGOTTEN SHRINE create an eerie atmosphere in "Crawl" from the off with ethereal traditional instruments and haunting choir voices building into the heavy riffs. Enchanting folk parts, along with both Frasz and Alexander's clean vocals, are powerfully juxtaposed with heavy distortion and their fierce harsh. It's an enchanting and charismatic take on a noughties fan favorite. 

Stream "Crawl" here: https://youtu.be/mXHdzDese5I?si=CtZG5W8qkQrJUPg5

FORGOTTEN SHRINE is: 
Josh Alexander (Pennsylvania, USA) - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz (Maryland, USA) - Lead Vocals, Guitar, Lyrics, Composition.

Links: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://youtube.com/@ForgottenShrine
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

SIERRA LEVESQUE UNLEASHES RAWEMOTION WITH NEW SINGLE “DON’T GO” ​ 

Rising rock singer, songwriter, and multi-instrumentalist Sierra Levesque releases her new single “DON’T GO,” available now on all streaming platforms. The track delivers a cinematic rock experience driven by soaring guitars, impassioned vocals, and emotionally charged

songwriting that captures the tension between vulnerability and strength. “DON’T GO” was added to the Spotify Editorial Playlist “Rock Now”.

 

Fully self-written and recorded by Sierra, “DON’T GO” showcases her ability to translate raw emotion into a powerful, immersive anthem. Produced, mixed, and mastered with legendary guitarist and producer Ron “Bumblefoot” Thal, the song blends gritty guitar textures with a
modern edge, bridging classic rock influence and Gen Z energy.

 

“I wrote this song about the moment you realize someone you love is slipping away - that desperate feeling of wanting to hold on just a little longer,” says Sierra.

Listen here:

https://sierralevesque.hearnow.com/dont-go

https://linktr.ee/sierralevesquemusic

The release follows a string of standout achievements for the 20-year-old Canadian-born artist, including her debut album release back in September, 2025, more than 3 million Spotify streams, over 350,000 social media followers, and countless performances at notable venues
like Whisky A Go Go and the TD Place Arena. Known for her one-woman live shows - performing vocals, lead guitar, and original fully self-recorded backing tracks - Sierra continues to break boundaries as a fully self-produced rock artist.

 

Currently studying Songwriting at Berklee College of Music, Sierra is not only mastering her craft, but also inspiring a new generation of music fans through both her sound and story.

 

Tour Dates:

Feb. 15, 2026 12:00-2:00pm at Kavat Cafe/EyeforSound Gallery in Glendale, CA

Mar. 14, 2026 7:40-8:10pm at Universal Bar & Grill in Studio City, CA

Mar. 17, 2026 at Whisky A Go Go in West Hollywood, CA

Apr. 16 at Bar Lubitsch WFNM Showcase in West Hollywood, CA

Photo Credit: Rose Bennett

Born in Pembroke, Ontario and currently based in Los Angeles, Sierra Levesque is redefining rock for a new generation. Featured in Guitar World Magazine, recognized by Guitar.com as “Gen Z’s Most Ambitious New Guitarist” and featured among “10 Young Shredders Shaping
Rock and Metal Today,” she fuses pop, metal, and hard rock into anthems that are as bold as they are relatable. With a large social media following, national media recognition, and her upcoming debut album in the works, Sierra is solidifying her place as one of rock’s most exciting
new voices.

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

X

Four Thirty Four Breaks Through the Noise with Explosive New Single “Stuck Out”

FOUR THIRTY FOUR are back with “Stuck Out,” a high-octane new single that takes aim at thefrustration and fallout of modern-day breakups. Marking the band’s fourth release with

producer Kevin McNoldy, the track captures FOUR THIRTY FOUR at their most focused, intense, and emotionally charged. With hard-hitting riffs, driving rhythms, and emotionally charged vocals, the track showcases the band’s signature blend of modern rock intensity and relatable storytelling.

FOUR THIRTY FOUR continues to build momentum within the rock scene by delivering music that connects with fans through authenticity and relentless energy. With

“Stuck Out,” FOUR THIRTY FOUR pushes their sound to new heights, combining crushing instrumentation with memorable hooks that are sure to resonate with listeners and ignite

live audiences.

Lyrically, "Stuck Out" explores the breakdown of communication—two people talking past each other until there’s no way forward. It’s a breakup song for the present day: honest, loud, and unapologetic.

Fans can expect “Stuck Out” to further cement Four Thirty Four as a band to watch in the modern rock landscape. The single highlights the group’s evolution as songwriters and performers, capturing the urgency and passion that defines their music.

Sonically, FOUR THIRTY FOUR draw comparisons to Velvet Revolver on steroids, blending classicrock attitude with modern urgency and polish. “Stuck Out” is built to catch your ear and yourheart, delivering a hook-heavy rush that resonates long after the final

chorus fades.

“Stuck Out” is available on all major

streaming platforms.

“ROARING” RANDY HOUSER RETURNS TO COUNTRY RADIO WITH “BACK IN THE BOTTLE”

Country music’s most unmistakable voice is officially back where it belongs. Randy Houser’s new single, “Back In The Bottle,” impacts country radio today with 80 stations on board, marking a powerful homecoming for the multi-Platinum hitmaker.
 
Hailed as “one of the best voices in the genre” by Rolling Stone, fans and programmers alike have echoed the same sentiment: Randy Houser’s voice has been deeply missed on country radio. With “Back In The Bottle,” that absence gives way to “a certified honky tonk banger,” shares Whiskey Riff, marking a moment that feels less like a comeback and more like a long-awaited return home.
 
“Feeling the love from fans and country radio on this one means everything,” shares Houser. “I’m so grateful for all the support for this song, and I’m looking forward to sharing more new music with all of you this year.”
 
Written solely by Houser and co-produced by longtime collaborator Blake Chancey, “Back In The Bottle” is “a totally joyous listening experience,” lauds MusicRow, as “Roaring Randy Houser…possesses one of the most magnificent voices in contemporary country music.”

“Back In The Bottle” opens with the familiar wreckage of a rowdy night out, leading to a chorus that embraces the kind of night you’d gladly repeat, consequences be damned:

The single launches a new chapter for Houser, as he readies a steady stream of new music expected throughout 2026, alongside tour and festival dates this spring and summer, with more to be announced.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram, Facebook and Twitter/X @RandyHouser and TikTok @RealRandyHouser.
 
About Randy Houser
Lauded as “one of the best voices in the genre” by Rolling Stone, with an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser’s latest single “Back In The Bottle” arrives as the first taste of new music to come in 2026. Racking up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels, he topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. The deluxe version of Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features four new collaborations with artists including Cody Johnson, Justin Moore, Miranda Lambert and Riley Green. RIAA Gold-certified single and title track “Note To Self” marked his “powerful return” following 2019’s critically acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” For more information, visit RandyHouser.com.