SÉANCE OF SORROW UNVEILS HAUNTING NEW VIDEO ‘FROM THE BLACK’—A TALE OF REBIRTH FOR A DARK VALENTINE’S DAY

Born from the shadows of a brutal murder, dark rock outfit SÉANCE OF SORROW acts as a sonic bridge between the living and the dead. Arriving just in time for Valentine’s Day, their third single, 'From The Black,' is a cinematic hard rock anthem that explores rebirth through tragedy. 

SÉANCE OF SORROW reaches its turning point in 'From The Black'. This third installment shatters the status quo—where once there was a victim, there is now a force; where once there was silence, there is now a reckoning. The music video captures the immediate aftermath of Michael’s death as his consciousness dissolves into the void. Through graveyard symbolism and a looming supernatural chill, viewers witness a transformation: the birth of an entity no longer bound by flesh. This isn't a traditional resurrection—it’s an evolution.

SÉANCE OF SORROW comments, “From The Black isn’t just a song. it’s the moment after death when the silence starts speaking. It’s about realizing that what was meant to bury you becomes the place you rise from. Michael’s murder wasn’t the end of his story. It was the beginning of something darker… and far more powerful. This song is the sound of awakening inside the void.”

Watch the music video for 'From The Black' below:

Listen to 'From The Black' here.

'From The Black' was engineered and produced by Chris Collier, with Josiah Wiswell providing production assistance, mixing, and mastering.

Each song serves as a psychic vision for vocalist Michael Morrison, unearthing fragments of former lives, the shadows of grieving loved ones, and the echoes of tragic endings.

Condemned to ‘The Black’—a purgatory for forsaken souls with unfinished business—the band is driven by a singular purpose: to write the one song that will finally reveal the identity of their killer. Until that truth is found, SÉANCE OF SORROW broadcasts their cryptic hard rock from the depths of eternal darkness.

Step deeper into the darkness at seanceofsorrow.com, where the music videos are reborn as interactive comic book installments. Secure your piece of the ritual with exclusive band apparel, and follow along as each new single unearths another chapter of this tragic tale.

Close your eyes, open your hearts, and let the ritual begin.
This is the SÉANCE OF SORROW.

 

SÉANCE OF SORROW - 'From The Black' line-up :
Michael Morrison | Vocals
Gabe Gore | Rhythm Guitar
Joey Judas | Lead Guitar
Nic Necro | Bass
Cameron Crucifix | Drums

CURSED AWAKENING Unleashes New Single "Past Newtonium," A Relentless Harbinger Of The Next Album

Chicago death metal band CURSED AWAKENING (FKA - ARRHYTHMIA) returns with their new single "Past Newtonium," a punishing new track that serves as the first warning of a full length album coming later in 2026.

To sum up "Past Newtonium" in one word, unrelenting. The song opens with a slow and deceptively restrained introduction before rapidly giving way to steady, ferocious triplet feel chugging. Razor sharp riffing drives the track forward as it erupts into a blistering Kerry King esque solo. The final moments descend into a brutal breakdown filled with screaming pinch harmonics, before returning to the intro riff to seal the track with grim finality.

Lyrically, "Past Newtonium" reflects a moment in the album where panic and overwhelming self disgust take center stage. The themes focus on self loathing, irreversible mistakes, and the suffocating realization of one’s own perceived corruption, reinforcing the psychological weight carried throughout the record.

Most of the riffs for "Past Newtonium" were written by rhythm guitarist and lead vocalist Abraham Verdin, with the song’s ominous intro drawing inspiration from BEHEMOTH’s "Blow Your Trumpets Gabriel." The result is a track that blends old school death metal aggression with deliberate pacing, thrash influenced precision, and non standard song structure.

Listen Below;

About CURSED AWAKENING

Formed in Chicago, Illinois in 2021, CURSED AWAKENING (formerly known as ARRHYTHMIA) delivers a thrashy death metal sound rooted in classic influences such as DEATH, BOLT THROWER, AT THE GATES, SLAYER, THE BLACK DAHLIA MURDER, and SUFFOCATION. Their music combines old school riffing, melodic passages, neoclassical soloing, and introspective lyricism that goes beyond surface level extremity.

After reforming under the CURSED AWAKENING name in early 2026, the band solidified their creative identity and lineup. The current lineup consists of Abraham Verdin on rhythm guitar and lead vocals, Michael Nystrom Bala on lead guitar, Brady Dukart on bass and backing vocals, and Ronnie James Keough on drums.

Following their self released single "Rest In Chains" in August 2024 and notable live performances in Chicago and beyond, CURSED AWAKENING continues to sharpen their sound and vision. "Past Newtonium" stands as both a continuation and escalation, marking a darker and heavier chapter as the band moves toward their upcoming 2026 album.

CURSED AWAKENING is:

Abraham Verdin – Rhythm Guitar, Lead Vocals
Michael Nystrom Bala – Lead Guitar
Brady Dukart – Bass, Backing Vocals
Ronnie James Keough – Drums

Connect with CURSED AWAKENING:

PONTE DEL DIAVOLO Premiere Intoxicating New Album De Venom Natura

Fresh off of leaving a mark on their fiery debut, Ponte Del Diavolo are fanning the flames with their hotly-anticipated sophomore album. Drawing from the dark and dancing depths of the band’s dueling bassists and the raw spirit of their fiery live ritual, De Venom Natura delivers an all the more potent twist of blackened post-punk.

De Venom Natura comes out tomorrow, Friday, February 13 on Season of Mist, but you can hear all seven intoxicating songs today by listening to the full album stream below.

Pre-order & pre-save

https://orcd.co/pontedeldiavolovenomnatura

At the heart of De Venom Natura lies a central concept: Nature as both seduction and toxin, creation and annihilation. The record contemplates poison not as mere destruction, but as a transformative agent within an eternal cycle of life, death and rebirth. Across seven tracks, including “Lunga vita alla necrosi,” and “Il veleno della Natura,” the band articulate this duality through ritualistic repetition, lyrical invocations and a tension-driven sonic architecture.

Emerging from Turin’s underground in 2020, Ponte Del Diavolo have forged a distinct identity rooted in doom, black metal, post-punk and wave. Their uncommon dual-bass configuration remains central to the project’s character, grounding rhythmic guitars beneath wave-tinged female vocals and a raw, dynamic drum pulse. On De Venom Natura, that foundation is pushed further. The core instrumentation was recorded live at The Deepest Sea studio in Turin to preserve the immediacy and tension of their performances.

With De Venom Natura, Ponte del Diavolo extend their boundaries without abandoning their core identity. It is a record that channels stage-born intensity into a controlled studio ritual, where poison becomes revelation and decay becomes a form of consciousness.

PONTE DEL DIAVOLO craft a focused blend of doom, black metal, post‐punk, and wave—an aesthetic they call “blackened post‐punk.” Wave‐tinged female vocals anchor the project’s flaming core, supported by an uncommon dual‐bass setup that grounds the rhythmic guitars and a raw, dynamic drum pulse.

The result is an immersive, tension‐driven sound. Following the initial release of three EPs, the band signed to Season of Mist and unveiled their first full-length album, Fire Blades from the Tomb.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up:
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits:
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians:
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art:
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)

Photography:
Sergio Bertani

Pre-save & Pre-order: https://orcd.co/pontedeldiavolovenomnatura

Follow Ponte Del Diavolo:
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

FORGOTTEN SHRINE Release Haunting Version Of BREAKING BENJAMIN's "Crawl"

Emerging out from the shadows, folk metal ensemble FORGOTTEN SHRINE, comprised of Josh Alexander and Sofia Frasz (EXILED HOPE), present an explosive and thrilling cover of BREAKING BENJAMIN's "Crawl". 

Josh Alexander shares: "BREAKING BENJAMIN brings me back to a much simpler time of Halo LAN parties and hard rock, which we now call 'dad rock'. When Sofia approached me with the idea I was very excited because this song has almost no covers to be found online. And being that we are FORGOTTEN SHRINE, we had to put our own spin on things as far as the arrangement, both vocally and musically, evoking an almost horror vibe. I can't wait to see what everyone thinks!"

Sofia Frasz comments: "BREAKING BENJAMIN was the soundtrack to my middle school and high school years, and remains one of my favorite bands to this day. A few months ago, I was feeling nostalgic and wanted to cover a song that no one else seemed to pay much attention to. I had a specific idea for a cinematic cover of 'Crawl' in my head, and it turned out so beautifully that we couldn't wait to release it. I'm my own worst critic and almost never listen to my own music, but I've had this one on repeat on and off since we finished it back in November. I'm proud to have put such a special new twist on what I consider to be an underrated classic."

FORGOTTEN SHRINE create an eerie atmosphere in "Crawl" from the off with ethereal traditional instruments and haunting choir voices building into the heavy riffs. Enchanting folk parts, along with both Frasz and Alexander's clean vocals, are powerfully juxtaposed with heavy distortion and their fierce harsh. It's an enchanting and charismatic take on a noughties fan favorite. 

Stream "Crawl" here: https://youtu.be/mXHdzDese5I?si=CtZG5W8qkQrJUPg5

FORGOTTEN SHRINE is: 
Josh Alexander (Pennsylvania, USA) - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz (Maryland, USA) - Lead Vocals, Guitar, Lyrics, Composition.

Links: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://youtube.com/@ForgottenShrine
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

SIERRA LEVESQUE UNLEASHES RAWEMOTION WITH NEW SINGLE “DON’T GO” ​ 

Rising rock singer, songwriter, and multi-instrumentalist Sierra Levesque releases her new single “DON’T GO,” available now on all streaming platforms. The track delivers a cinematic rock experience driven by soaring guitars, impassioned vocals, and emotionally charged

songwriting that captures the tension between vulnerability and strength. “DON’T GO” was added to the Spotify Editorial Playlist “Rock Now”.

 

Fully self-written and recorded by Sierra, “DON’T GO” showcases her ability to translate raw emotion into a powerful, immersive anthem. Produced, mixed, and mastered with legendary guitarist and producer Ron “Bumblefoot” Thal, the song blends gritty guitar textures with a
modern edge, bridging classic rock influence and Gen Z energy.

 

“I wrote this song about the moment you realize someone you love is slipping away - that desperate feeling of wanting to hold on just a little longer,” says Sierra.

Listen here:

https://sierralevesque.hearnow.com/dont-go

https://linktr.ee/sierralevesquemusic

The release follows a string of standout achievements for the 20-year-old Canadian-born artist, including her debut album release back in September, 2025, more than 3 million Spotify streams, over 350,000 social media followers, and countless performances at notable venues
like Whisky A Go Go and the TD Place Arena. Known for her one-woman live shows - performing vocals, lead guitar, and original fully self-recorded backing tracks - Sierra continues to break boundaries as a fully self-produced rock artist.

 

Currently studying Songwriting at Berklee College of Music, Sierra is not only mastering her craft, but also inspiring a new generation of music fans through both her sound and story.

 

Tour Dates:

Feb. 15, 2026 12:00-2:00pm at Kavat Cafe/EyeforSound Gallery in Glendale, CA

Mar. 14, 2026 7:40-8:10pm at Universal Bar & Grill in Studio City, CA

Mar. 17, 2026 at Whisky A Go Go in West Hollywood, CA

Apr. 16 at Bar Lubitsch WFNM Showcase in West Hollywood, CA

Photo Credit: Rose Bennett

Born in Pembroke, Ontario and currently based in Los Angeles, Sierra Levesque is redefining rock for a new generation. Featured in Guitar World Magazine, recognized by Guitar.com as “Gen Z’s Most Ambitious New Guitarist” and featured among “10 Young Shredders Shaping
Rock and Metal Today,” she fuses pop, metal, and hard rock into anthems that are as bold as they are relatable. With a large social media following, national media recognition, and her upcoming debut album in the works, Sierra is solidifying her place as one of rock’s most exciting
new voices.

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

X

Four Thirty Four Breaks Through the Noise with Explosive New Single “Stuck Out”

FOUR THIRTY FOUR are back with “Stuck Out,” a high-octane new single that takes aim at thefrustration and fallout of modern-day breakups. Marking the band’s fourth release with

producer Kevin McNoldy, the track captures FOUR THIRTY FOUR at their most focused, intense, and emotionally charged. With hard-hitting riffs, driving rhythms, and emotionally charged vocals, the track showcases the band’s signature blend of modern rock intensity and relatable storytelling.

FOUR THIRTY FOUR continues to build momentum within the rock scene by delivering music that connects with fans through authenticity and relentless energy. With

“Stuck Out,” FOUR THIRTY FOUR pushes their sound to new heights, combining crushing instrumentation with memorable hooks that are sure to resonate with listeners and ignite

live audiences.

Lyrically, "Stuck Out" explores the breakdown of communication—two people talking past each other until there’s no way forward. It’s a breakup song for the present day: honest, loud, and unapologetic.

Fans can expect “Stuck Out” to further cement Four Thirty Four as a band to watch in the modern rock landscape. The single highlights the group’s evolution as songwriters and performers, capturing the urgency and passion that defines their music.

Sonically, FOUR THIRTY FOUR draw comparisons to Velvet Revolver on steroids, blending classicrock attitude with modern urgency and polish. “Stuck Out” is built to catch your ear and yourheart, delivering a hook-heavy rush that resonates long after the final

chorus fades.

“Stuck Out” is available on all major

streaming platforms.

“ROARING” RANDY HOUSER RETURNS TO COUNTRY RADIO WITH “BACK IN THE BOTTLE”

Country music’s most unmistakable voice is officially back where it belongs. Randy Houser’s new single, “Back In The Bottle,” impacts country radio today with 80 stations on board, marking a powerful homecoming for the multi-Platinum hitmaker.
 
Hailed as “one of the best voices in the genre” by Rolling Stone, fans and programmers alike have echoed the same sentiment: Randy Houser’s voice has been deeply missed on country radio. With “Back In The Bottle,” that absence gives way to “a certified honky tonk banger,” shares Whiskey Riff, marking a moment that feels less like a comeback and more like a long-awaited return home.
 
“Feeling the love from fans and country radio on this one means everything,” shares Houser. “I’m so grateful for all the support for this song, and I’m looking forward to sharing more new music with all of you this year.”
 
Written solely by Houser and co-produced by longtime collaborator Blake Chancey, “Back In The Bottle” is “a totally joyous listening experience,” lauds MusicRow, as “Roaring Randy Houser…possesses one of the most magnificent voices in contemporary country music.”

“Back In The Bottle” opens with the familiar wreckage of a rowdy night out, leading to a chorus that embraces the kind of night you’d gladly repeat, consequences be damned:

The single launches a new chapter for Houser, as he readies a steady stream of new music expected throughout 2026, alongside tour and festival dates this spring and summer, with more to be announced.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram, Facebook and Twitter/X @RandyHouser and TikTok @RealRandyHouser.
 
About Randy Houser
Lauded as “one of the best voices in the genre” by Rolling Stone, with an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser’s latest single “Back In The Bottle” arrives as the first taste of new music to come in 2026. Racking up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels, he topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. The deluxe version of Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features four new collaborations with artists including Cody Johnson, Justin Moore, Miranda Lambert and Riley Green. RIAA Gold-certified single and title track “Note To Self” marked his “powerful return” following 2019’s critically acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” For more information, visit RandyHouser.com.

Haste the Day Announce New Album "Dissenter" Out 5/1 + Share "Shallows" Visualizer

HASTE THE DAY, the metalcore band that made a scene splash in the '00s, returned in 2024 with the video for the new song "Burn." They also appeared at Furnace Fest that year. It was their first music in nearly a decade.

But they didn't stop there. Not a chance! 

Today, the band is thrilled to announce its new album DISSENTER, which arrives May 1 on Solid State Records. It's their first album since 2015. Pre-order it here. 

They have also shared the visualizer for new single "Shallows." Watch it below. 

"'Shallows' captures the core of what we set out to create on this record — aggressive, melodic metalcore," the band says. "Driven by high-energy riffs, heavy breakdowns, and a memorable chorus, the song balances nostalgia with contemporary influence. Lyrically, it confronts disillusionment, corruption, and the cost of defiance."

So absorb all of that insight and then open up the pit...

Haste The Day conjure the sound of coming full circle. The Indiana-bred band rekindles the spark at the heart of their signature style by sharpening the edges, tightening the melodies, and amplifying the scope with cinematic ambition. Haste The Day have clung to their integrity since initially emerging at the turn of the century. Following Burning Bridges [2004] and When Everything Falls [2005], Stephen made his formal debut as the group's frontman on Pressure The Hinges [2007]. The band unleashed a trio of fan favorite offerings, namely Dreamer [2008], the seminal Attack Of The Wolf King [2010], and Coward [2015]. The latter marked their second straight Top 20 entry on the Billboard Top Rock Albums chart and second Top 10 on the Hard Rock Albums Chart. Along the way, they toured with everyone from Hollywood Undead to Norma Jean. Despite going dormant in 2016, they amassed tens of millions of streams and continued to resonate with an ever-expanding audience. As such, their 2023 reunion gig at the sold-out Furnace Fest was met with overwhelming enthusiasm. Returning with their first full-length release in eleven years, the musicians tap into who they were and push forward together on their seventh LP, Dissenter [Solid State].
 

HASTE THE DAY ARE:
Stephen Keech — Vocals 
Scott Whelan — Guitar 
Dave Krysl — Guitar 
Giuseppe Capolupo — Drums 
Michael Murphy — Bass 
Brennan Chaulk — Guitar 

VRSTY Cover Bad Bunny's "qué pasaria"

Genre-blending and bending New York City-based collective VRSTY (pronounced "Varsity") further tap into their heightened pop sensibilities with their cover of Bad Bunny's "qué pasaría" — which arrives just in time for the Super Bowl, where Bad Bunny will serve as the Halftime Show entertainment!

Listen Below.

"I have such a deep love for Spanish music and my culture in general, so this song always stuck out to me," says singer Joey Tyler. "There's something incredibly sexy and forbidden about the original, and I definitely tried my hardest to translate that in my own way! It makes me think that I should just fully commit to doing Spanish songs at some point. We'll see!"

2026 is shaping up to be a massive year for VRSTY, with even more new music on the way.

Also, VRSTY are on the road, supporting Fire From the Gods. All dates are below.


VRSTY ON TOUR:
WITH FIRE FROM THE GODS:
2/05 — Brooklyn, NY — The Meadows
2/06 — Lowell, MA — Taffeta Music Hall
2/07 — Syracuse, NY — The Song & Dance
2/10 — Pittsburgh, PA — Crafthouse
2/11 — Columbus, OH — King of Clubs
2/12 — Cadillac, MI — Venue Event Center
2/13 — West Chicago, IL — WC Social Club
2/14 — Madison, WI — The Annex
2/15 — Minneapolis, MN — Underground Music Venue
2/17 — Denver, CO — HQ
2/19 — Los Angeles, CA — The Whisky A Go-Go
2/20 — Anaheim, CA — The Parish at House of Blues
2/21 — Las Vegas, NV — The Wall at Area 15

Eva Under Fire Drop "Murder Scene" Single + Video — A Rallying Cry for the Betrayed

EVA UNDER FIRE DROP "MURDER SCENE," A RALLYING CRY FOR THE BETRAYED RELEASED VIA BETTER NOISE MUSIC.

BAND INVITES THE BETRAYED TO SING IN UNISON AND POWER WITH THEM ON UPCOMING U.S. TOUR WITH JERIS JOHNSON + BUTCHER BABIES LAUNCHING FEBRUARY 8

Listening to EVA UNDER FIRE (@evaunderfire) is like hard rock therapy, turning scars and demons into anthems of inner strength. Nowhere is that clearer than on the Detroit band's latest single, the sonically fierce and lyrically razor-sharp "Murder Scene,"  via Better Noise Music.

Stream + download "Murder Scene" HERE.

Watch the lyric video for "Murder Scene" Below.

"'Murder Scene' explores eating disorders, body dysmorphia, self-doubt, and how dreams can become nightmares when the same people who once cheered for you are now criticizing you," says singer and songwriter Amanda Lyberg. "The dream of being on stage comes with a spotlight on my personal flaws. I'm just a body. To be picked apart and judged and perceived. Anxiety is a liar in my head. It tells me I'm not good enough to be here. So, I fight it. I changed my name and my image to prove it wrong. Still the anxiety gets louder. I think it's trying to kill me. In a world so desensitized, it feels like death has been redefined as a minor inconvenience. I'm insecure about my body so anxiety might win. My skin is crawling, and every part of my body feels wrong. Maybe I'll call a doctor and get it altered. Maybe if I don't eat, I'll feel better."

"Murder Scene" is the follow-up to the blistering and inspirational anthem "Awakening," released October 17 via Better Noise Music. It was the first taste of new music in two years from the Detroit, MI quintet.
  

For all of EVA UNDER FIRE's new music, Amanda drew on her career as a licensed therapist to foster an open dialogue among the band members, empowering everyone to be heard during the recording. Her work in therapy started in 2018 when she graduated with a Master of Arts in Psychology degree and went on to work at a mental health clinic in Detroit, Transcendence Behavioral Health (owned by Dr. Stephanie Williams). That same year, her father passed away due to a fentanyl overdose. Her mother survived the same batch that killed her father and has been sober for the past six years. In addition to her thriving and busy music career, Amanda is currently a practicing psychotherapist specializing in trauma work, grief and loss, and addiction recovery.

Her story turned into a 2023 short film, My Rockstar, which used EVA UNDER FIRE music throughout, and has won over 20 awards in several film fests including Orlando Film Fest, Wild Rivers Film Festival, Toronto WILDfilm Festival, and many others.

In touring news, EVA UNDER FIRE will hit the road for a six-week U.S. tour with Jeris Johnson and Butcher Babies starting February 8 in Portland, OR. Later this summer, EVA UNDER FIRE has been announced as a support act tour along with Cody Jinks for Five Finger Death Punch’s 20th Anniversary World Tour 2026. 

View all of EVA UNDER FIRE's current tour dates HERE.

Stay tuned for more new music to come throughout 2026.

EVA UNDER FIRE LIVE:
WITH JERIS JOHNSON AND BUTCHER BABIES:
 2/8 — Portland, OR — Hawthorne Theatre
2/11 — Salt Lake City, UT — Urban Lounge
 2/12 — Denver, CO — Bluebird Theatre
 2/13 — Oklahoma City, OK — 89th Street
2/15 — Dallas, TX — Puzzles
2/18 — Tampa, FL — The Orpheum
2/20 — Orlando, FL — Conduit
 2/21 — Atlanta, GA — Smiths
2/22 — Nashville, TN — The 58’
2/25 — Washington, D.C. — Pearl Street (FREE SHOW)
2/27 — Millersville, PA — Phantom Power
2/28 — Frenchtown, NJ — Arties
3/1 — Pittsburgh, PA — Jergel's Rhythm Grille
 3/4 — Saginaw, MI — The Vault
3/5 — Columbus, OH — A&R Bar
3/6 — Chicago, IL — WC Social Club
3/7 — Minneapolis, MN — Fine Line
 3/9 — Madison, WI — Majestic Theatre
3/10 — Ft. Wayne, IN — Piere’s
 3/12 — Houston, TX — Warehouse Live
 3/14 — Lubbock, TX — Soggy Dog
3/17 — Phoenix, AZ — Crescent Ballroom
3/18 — Los Angeles, CA — Whisky a Go Go
3/19 — San Francisco, CA — Brick & Mortar

WITH FIVE FINGER DEATH PUNCH AND CODY JINKS:
7/20 – Camden, NJ – Freedom Mortgage Pavilion
7/22 – Bangor, ME – Maine Savings Amphitheater
7/23 – Saratoga Springs, NY – Saratoga Performing Arts Center
7/25  – Hershey, PA – Hersheypark Stadium
7/26 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview
7/28 – Gilford, NH – BankNH Pavilion
7/30  – Mansfield, MA – Xfinity Center
8/1 – Montreal, QC – Centre Bell
8/2 – Toronto, ON – RBC Amphitheatre
8/4 – Wantagh, NY – Northwell at Jones Beach Theater
8/5  – Holmdel, NJ – PNC Bank Arts Center
8/7 – Burgettstown, PA – The Pavilion at Star Lake
8/8 – Noblesville, IN – Ruoff Music Center
8/10 – Cincinnati, OH – Riverbend Music Center
8/11 – Cuyahoga Falls, OH – Blossom Music Center
8/13 – Milwaukee, WI – American Family Insurance Amphitheater
8/15 – Grand Rapids, MI – Acrisure Amphitheater
8/16 – Clarkston, MI – Pine Knob Music Theatre
818 – Shakopee, MN – Mystic Lake Amphitheater
8/19 – Tinley Park, IL – Credit Union 1 Amphitheatre
8/21 – Saint Louis, MO – Hollywood Casino Amphitheater
9/8 – Morrison, CO – Red Rocks Amphitheatre
9/11 – Auburn, WA – White River Amphitheatre
9/12 – Ridgefield, WA – Cascades Amphitheater
9/14 – Wheatland, CA – Toyota Amphitheatre
9/16 – Mountain View, CA – Shoreline Amphitheatre
9/18 – Long Beach, CA – Long Beach Amphitheater
9/19  – Las Vegas, NV – Michelob ULTRA Arena
9/22 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
9/24 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
9/25  – Albuquerque, NM – Isleta Amphitheater*
9/27 – Houston, TX – Cynthia Woods Mitchell Pavilion
9/28  – Austin, TX – Germania Insurance Amphitheater
9/30  – Fort Worth, TX – Dickies Arena
10/2 – Rogers, AR – Walmart AMP
10/3 – Kansas City, MO – Morton Amphitheater
10/5 – Biloxi, MS – Mississippi Coast Coliseum
10/7 – Huntsville, AL – Orion Amphitheater
10/8 – Franklin, TN – FirstBank Amphitheater
10/10 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
10/11 – West Palm Beach, FL – iTHINK Financial Amphitheatre
10/13 – Alpharetta, GA – Ameris Bank Amphitheatre
10/14 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
10/16 – Charlotte, NC – Truliant Amphitheater
10/17 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach
10/19 – Greenville, SC – Bon Secours Wellness Arena
10/2  – Columbus, OH – Nationwide Arena
10/23 – Bristow, VA – Jiffy Lube Live

*Without Cody Jinks

KING ULTRAMEGA Release Tribute Cover of "Preaching The End Of The World" Honoring Chris Cornell and Supporting MusiCares

KING ULTRAMEGA have released a powerful new single, a cover of "Preaching The End Of The World", recorded in loving memory of Chris Cornell while raising funds and awareness for MusiCares, the Recording Academy’s nonprofit that provides mental health services, addiction recovery support, and emergency assistance to members of the music community.

Originally written and performed by Chris Cornell, "Preaching The End Of The World" remains one of the most emotionally resonant songs of his solo career. The new interpretation from KING ULTRAMEGA preserves the emotional core of the original while expanding its sonic landscape with layered guitars, cinematic keyboards, and a dynamic, atmospheric arrangement.

The recording features vocals by Ian Thornley of BIG WRECK, guitars by Pete Thorn, bass by Mark Menghi, keyboards and synth by Dave Kerzner and Frank Mitaritonna, and drums by Kenny Aronoff. The track was produced by Mark Menghi, engineered by Frank Mitaritonna, Dave Kerzner and Mark Menghi, mixed and mastered by Josh Wilbur, with cover artwork and video created by Costin Chioreanu. Original music by Chris Cornell.

Speaking about joining the project, Ian Thornley said, "Pete Thorn is a dear friend and fellow Canadian who I know played with Chris Cornell for many years. He’s a great musician, and we’re always looking for projects to do together, so it was a quick ‘yes’ from me."

Kenny Aronoff shared, "I wanted to be part of this project because I know Mark was involved, and I’ve always been a huge fan of anything Chris Cornell on so many levels. ‘Preaching The End Of The World’ is an amazingly beautiful song, and Chris’s vocal performance is one of the most passionate and emotional vocal performances I have ever heard."

Producer and bassist Mark Menghi reflected on the song’s meaning, saying, "It’s a song about loneliness and searching for connection, something I can relate to. Just listen to the lyrics of this song. Chris is authentic, emotional, and vulnerable."

Pete Thorn also looked back on performing the song live with Cornell. "‘Preaching The End Of The World’ is a beautiful song that I always enjoyed performing with Chris during my time on tour with him. I remember a show in Tel Aviv where he talked about writing it during a dark time, but ended by saying, ‘but I made it!’ I always think about that in a positive way. He made it for a long time, and we should all be thankful for that."

Discussing the musical direction, Menghi added, "When I chose this song for KING ULTRAMEGA, I had a late 60s Beatles production vibe in mind. I tried to honor what made Chris’s original recording so special, not only instrumentally but in the production as well."

Ultimately, the musicians view "Preaching The End Of The World" as a defining piece of Chris Cornell’s artistic legacy, and hope this tribute both honors his songwriting and helps support members of the music community through MusiCares.

The "Preaching The End Of The World" Lineup Is:

  • Vocals: Ian Thornley (Big Wreck)

  • Guitars: Pete Thorn (Chris Cornell)

  • Bass: Mark Menghi

  • Keyboards & Synth: Dave Kerzner & Frank Mitaritonna

  • Drums: Kenny Aronoff

Connect with King Ultramega:

kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

About MusiCares

MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S. based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts.

For more information please visit: www.musicares.org.

INDUCTION Release New Studio Album 'Love Kills!' And Music Video For "Strangers To Love"

modern power metal force INDUCTION mark the release of their new studio album Love Kills!, out now via Reigning Phoenix Music.

With Love Kills!, INDUCTION present their most focused and mature record to date, sharpening their signature mix of heavy power metal, strong hooks, and emotionally driven songwriting. The album shows a band operating with confidence, clarity, and a clear artistic direction.

To celebrate their album release in glorious style, INDUCTION unleash a powerful new music video for the epic track “Strangers To Love”, featuring none other than Clémentine Delauney from VISIONS OF ATLANTIS!

“Strangers To Love” stands as one of the album’s most emotional and cinematic moments. Blending soaring melodies and crushing guitars, the song showcases an intense vocal duet between Clémentine and INDUCTION frontman Gabriele Gozzi. It’s a powerful meeting of voices that elevates the song into true modern power metal territory.

"I am honored to feature on INDUCTION’s new album, especially on this song 'Strangers to Love' that carries a very nostalgic yet energetic vibe," the VISIONS OF ATLANTIS singer says. "I feel like I’m back in the vibrant eighties, singing about a love that is as impossible as it is to travel back in time… I had a lot of fun interpreting this song alongside the great Gabriele Gozzi!”

Stream/Download “Strangers To Love”: https://induction.rpm.link/strangersvoaPR

Watch the video clip premiering below:

INDUCTION guitarist Tim Kanoa Hansen comments on the collaboration: "The second that I had the demo of ‘Strangers To Love’ done, I knew it needed a second voice. With Clémentine from VISIONS OF ATLANTIS, we found the perfect match to bring the story to life. Clémi and Gabri complement each other beautifully! ‘Strangers To Love’ is probably the closest thing to a ballad that you will find on Love Kills!, and it's also probably one of my personal favorite hits. I believe everyone will somehow relate to this song, because it captures the essence of human experience at its core, and fits perfectly to the album's message: Love Kills…but it's never gonna die.”

But the connection between INDUCTION and VISIONS OF ATLANTIS doesn’t stop at the studio. Both bands have joined forces with WARKINGS for the “Pirates & Kings Over Europe” Tour, that just kicked off in Switzerland and leading through more than 20 cities across Europe, promising epic nights of melodic metal and unforgettable performances. Find all current and upcoming dates listed below!

Following a storm of milestones, including a series of live dates supporting the legendary SAVATAGE, a frenetically acclaimed debut at Wacken Open Air, and the release of fan-favorite singles “Beyond Horizons” and “Dark Temptation”,INDUCTION are now firing on all cylinders.

Crafted at Chameleon Studios and Boogie Park Studios in Hamburg, the new album was produced by Tim Kanoa Hansen, and was mixed and mastered by Eike Freese in collaboration with the guitarist. Love Kills! marks the beginning of a new era for INDUCTION, defined by musical evolution, emotional depth, and a fearless drive to push the boundaries of modern power metal.

“For me, this album carries a lot of raw and personal emotion", Tim recently said. "Life always moved forward, and even in the darkest times, love always found its way back. With Love Kills! we explore the beauty and cruelty of love in a futuristic power metal context. It’s Induction at our biggest, boldest, and most fun yet.”

LOVE KILLS! is out now via Reigning Phoenix Music. Order your copy at: https://induction.rpm.link/lovekillsPR

About INDUCTION
In the heart of the power metal resurgence stand INDUCTION, a name that has quickly become synonymous with the genre’s new wave. Led by Tim Kanoa Hansen, son of metal legend Kai Hansen (HELLOWEEN, GAMMA RAY), INDUCTION are a force to be reckoned with, igniting stages and captivating audiences worldwide.

Their rise began with a bang as their sophomore album, “Born From Fire,” was released under the wings of Reigning Phoenix Music, earning widespread acclaim and solidifying their status in the genre. Notable praises include being crowned “Power Metal Rising Star of the Year” by Rock Hard in 2022 and drawing the attention of German TV channel SWR, which chronicled their ascent in a documentary.
 
Building on this momentum, INDUCTION embarked on high-profile tours alongside metal giants such as STRATOVARIUS, SONATA ARCTICA, BATTLE BEAST, GAMMA RAY, ACCEPT, and more, showcasing their polarising live energy and winning over audiences across Europe and also Japan.

Though widely considered a progressive power metal band, INDUCTION refuse to be confined by a single genre. With each release, they defy expectations, seamlessly blending and evolving the boundaries of their music while staying true to their unmistakable core.

With their much-acclaimed new studio offering Love Kills!, INDUCTION remain a hungry force in the metal galaxy, fueled by a passion for music and an unwavering commitment to their craft. With the rallying cry “We bring the heat!” echoing in every riff and chorus, they invite fans to join them on their epic journey through realms of myth, majesty, and POWER!
 
INDUCTION are:
Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums
 

More on INDUCTION:
inductionofficial.com | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

Chase Rice Joins Ashland Craft for Duet Reimagining of “Momma Don’t Pray Like She Used To”

Chase Rice joins Ashland Craft on a striking new duet version of her track “Momma Don’t Pray Like She Used To,” out now. Originally appearing on Craft’s 2025 album Dive Bar Beauty Queen, the song, penned by Craft, Jess Grommet, Willie Morrison and Corey Elizabeth Grogan, captures the quiet ache of growing up and watching family, faith and perspective evolve over time. The reimagined duet brings new emotional weight, pairing Craft’s raw, lived-in vocals with Rice’s rugged delivery, creating a powerful reflection on change, gratitude and the roads that shape us. The accompanying music video, directed by Quinton Cook, is also available today following the exclusive premiere with People.

Listen to “Momma Don’t Pray Like She Used To” HERE. Watch the music video Below.
 
“Momma Don’t Pray Like She Used To” is a universal anthem for all of us growing up and figuring out life,” shares Craft. “When first brainstorming ideas around the revisiting of this song, my hope was to find someone who could give an honest, heartfelt, male perspective to the storyline. In all the years that I’ve had the opportunity to tour with Chase Rice, his storytelling is something I wholeheartedly connected with, and with both of us having Carolina upbringings, it felt like the perfect fit for this project. I feel like he added a whole new layer of meaning and made himself right at home in this song!”
 
“I’ve gotten to know Ashland out on the road, and seeing her night after night, you realize pretty quick she’s a total badass,” says Rice. “This song is her story, but it’s mine too. I know my mom did more than her fair share of praying raising three boys, but I’d like to think I’m finally making things a little easier on her these days.”

About Chase Rice
Few artists have had the enduring impact on country music Chase Rice can claim – and fewer still possess the courage to leave it in the past, and blaze a new trail. A true singer-songwriter with success in both disciplines, Rice’s 15-year career has taken the Florida-born North Carolina native to chart peaks and global stages … but with his eighth studio album, ELDORA, his only destination is the American West. A 10x Platinum artist who burst onto the country scene as a Diamond certified songwriter (“Cruise”), while hits like “Drinkin’ Beer. Talkin’ God. Amen.” and “Eyes On You” helped Rice post two No. 1’s at Country Radio, igniting a movement through chest-thumping euphoria and bold romantic passion. He sold out international tours and shared stadium billing with Garth Brooks and Kenny Chesney, before leaving the major label system for good. Now, with full independence and over 3 billion streams to his credit, ELDORA signals Rice’s dedication to the storytelling craft. Written in Colorado and inspired by a hidden mountainside town, the 12-song set is easily the most raw, unguarded expression of Rice’s talent to date – born in the afterglow of an epic show at the Red Rocks Amphitheatre. Working hand-in-hand with co-writer/producer Oscar Charles, Rice adopts the unfiltered, rough-hewn approach of an off-the-grid maverick, both embodying the Western mystique, and boldly going where few of his stature would dare.
 
For more information, visit ChaseRice.com and follow on Facebook, Twitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.
 
About Ashland Craft
Known for her fearless, soul-bearing storytelling and sonic grit, CMT Next Women of Country honoree and Pandora Country Artist to Watch Ashland Craft first established her unique brand of country music with the release of acclaimed debut album, Travelin’ Kind (released in 2021) - and it’s only been up from there. Deeply influenced by her honky-tonk, South Carolina roots, and drawing inspiration from legends like Def Leppard, Chris Stapleton, Bonnie Raitt, The Chicks and Sheryl Crow, Craft has been praised by fans and industry alike, with American Songwriter declaring, “there’s a new country badass in town, and her name is Ashland Craft,” noting the “star quality flying out of her boots,” and Nashville Lifestyles adding, “with equal parts sass and strength, she’s poised to be a major voice in country music.” Her prowess can now be heard on most recent project release Dive Bar Beauty Queen, available now and featuring current radio single, “Kick Rocks Cowboy.” In addition to ongoing music releases, Craft has shared the stage with notable names like Zac Brown Band, Ashley McBryde, Marcus King, Cody Johnson, Brothers Osborne, Luke Combs, Morgan Wallen, Ian Munsick and Elvie Shane. Most recently, she supported Cody Johnson on The Leather Tour, Tucker Wetmore on his Waves on a Sunset Tour and Luke Bryan on his Country Song Come On Tour.

To learn more about Ashland Craft, visit ashlandcraft.com, and follow Craft on Facebook, Instagram, TikTok and YouTube

Fight From Within Partners with Arson Theory and Releases New Single “Checkmate” ​  

Upstate New York metalcore outfit Fight From Within kick off 2026 with the release of their new single, “Checkmate,” marking an exciting new partnership with Arson Theory. Produced by Todd Golder of Sirens & Sailors, the track showcases the band’s aggressive precision, and dynamic songwriting.

 

“We’re incredibly excited to work with a bunch of awesome bands and homies over at Arson Theory," the band shares. "It was a pleasure to work with a legend in our local scene for our next single. Checkmate is just the beginning of 2026.”

 

With Todd Golder at the helm, the single captures both the raw energy of Fight From Within’s live presence and the refined edge of their studio sound. As their first release of the year, “Checkmate” sets the tone for what promises to be an active and impactful 2026, with more new music and announcements on the way.

“Checkmate” is available now on all major streaming platforms.

 

Listen to Talk Is Checkmate:

https://arsontheory.vyd.co/FightFromWithinCheckmate

 

WATCH the Visualizer for "Checkmate" Below :

FIGHT FROM WITHIN ON TOUR:

The Mini Gun Mini Run w/ Autumn Lies Buried

4/23 Ironton, OH - The Crows Nest
4/24 Owensboro, KY - Escape Today
4/25 Fort Wayne, IN - Piere's
4/26 Joliet, IL - The Forge

Headliner for Thanatos Release Party

6/13 Scanton, PA - Moon Tavern

 

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

 

In 2022, they began tracking new music with Pablo Viveros of Chelsea Grin. They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration. The band is headed into 2026 like a freight train — all gas, no brakes.

 

For More Information Please Visit:

 

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

Solo Black Metal Project PETRICHOR Launches Pre-Orders for Debut EP, 'Seduced By Conquering Darkness'

Solo black metal project PETRICHOR is now launching the physical pre-sales for its debut EP, 'Seduced By Conquering Darkness,' in conjunction with Bandcamp Friday. The artist's inaugural music was previously released on digital formats only and will be made available in 10-inch LP.

'Seduced By Conquering Darkness' is an independent release and can now be found below or the official Wolf Mountain Productions website HERE. Orders will be shipped sometime in March.

Album Credits:

Composed & performed by JK

Drums, recording, mixing & mastering by NS

Graphic Design & Photography by Wolf Mountain Productions

For fans of: Gorgoroth (early), Darkthrone, Dissection, Bathory (early)

Links:

Bandcamp

YouTube

Instagram

Apple Music

Spotify

Amazon Music

Merch Store

The cover artwork was created by Wolf Mountain Productions

Brutal Planet Records Announce Lizzy Borden’s The Murderess Metal Road Show Returns — Three Limited-Edition Vinyl Variants

Few live albums capture spectacle, danger, and pure heavy-metal theater the way Lizzy Borden – The Murderess Metal Road Show does. Recorded at the height of the band’s rise, this ferocious live set documents Lizzy Borden in full command—blades flashing, crowds roaring, and American metal exploding from the Sunset Strip straight onto wax.

Now, Brutal Planet Records brings this legendary performance back in a fully remastered 2-LP vinyl edition, cut for maximum impact and pressed across three stunning collector variants. Every version is housed in a deluxe gatefold and mastered specifically for vinyl by Rob Colwell, ensuring the power, aggression, and atmosphere of the original performance hits harder than ever.

Pre-orders begin February 5th, with the albums being released on May 29th.

This album captures Lizzy Borden before the mythology fully hardened—a band already commanding the stage with theatrical violence, razor-sharp musicianship, and an undeniable connection to the crowd. From the explosive opening moments to the patriotic finale of “American Metal,” this is a live document of a band carving its legacy in real time.

More than a concert recording, The Murderess Metal Road Show plays like a full-scale metal production—equal parts concert, horror show, and declaration of intent.

This isn’t just a reissue—it’s a resurrection. Three variants. One legendary performance. No second pressing.

When the lights go down and the needle drops, The Murderess Metal Road Show takes the stage again—louder, heavier, and deadlier than ever.

The most premium edition of the release, pressed on striking red & blue vinyl and limited to just 200 copies worldwide. This version includes an exclusive 8.5×11 printed set list insert featuring a printed Lizzy Borden autograph, making it the definitive collector’s piece for die-hard fans.

Boone's Overstock Webstore Exclusive (Premium Variant)

  • Red & Blue Vinyl limited to just 200 copies

  • Includes Exclusive 8.5x11 Set List (with printed Lizzy autograph) (only 200!)

  • Part of the exclusive Brutal Planet Records Metal Icon Series

  • 2-LP Vinyl Deluxe Gatefold with amazing photos!

  • Mastered for Vinyl by Rob Colwell (Helstar, Voivod, Lizzy Borden, Starwood)

  • First time vinyl has ever been reissued!

  • Vinyl includes all original 17 original tracks total

  • "Live & Let Die" a cover of the Paul McCartney song, years before Guns 'n Roses

  • "(Wake Up) Time to Die" based on the classic movie Blade Runner

  • Officially licensed from Metal Blade Records (1986)

  • Tracks 16-17 are studio recordings

  • Recorded live at Chuck Landis' Country Club, Reseda, CA. Friday, December 13, 1985

Limited to 400 Copies, A visually brutal Blood Moon Swirl pressing that perfectly matches the intensity of the performance. This edition delivers the full Murderess Metal Road Show experience in a deluxe gatefold—no extras, just pure live metal fury.

Limited to 400 Copies, Pressed on bold Metallic Gold vinyl, this variant celebrates Lizzy Borden’s place in American metal history. A classic presentation for fans who want the album loud, proud, and permanently etched into their collection.

 

Purchase Lizzy Borden – The Murderess Metal Road Show Red & Blue

Vinyl: https://boonesoverstock.com/products/lizzy-borden-the-murderess-metal-road-show-2-lp-red-white-vinyl-2026-webstore-excl-w-set-list-ltd-200-copies

Purchase Lizzy Borden – The Murderess Metal Road Show Gold Vinyl: 

https://boonesoverstock.com/products/lizzy-borden-the-murderess-metal-road-show-2-lp-metallic-gold-vinyl-2026

Purchase Lizzy Borden – The Murderess Metal Road Show

Blood Moon Swirl Vinyl: https://boonesoverstock.com/products/lizzy-borden-the-murderess-metal-road-show-2-lp-blood-moon-swirl-vinyl-2026

DIRKSCHNEIDER & THE OLD GANG Strike Back with "Batter The Power" Video

Another new video has arrived from the already released album “Babylon” by DIRKSCHNEIDER & THE OLD GANG (released in October 2025, RPM).

Following the strong impact of previous clips, with “It Takes Two To Tango” and “Hellbreaker” each surpassing one million views, the band now present the video for “Batter The Power”, continuing the visual journey through their latest release.

“Batter The Power” is a classic heavy shuffle driven by a true metal riff and an anthem-like sing-along chorus that instantly evokes the spirit of “old times.” What initially appears to be a deliberately straightforward and repetitive verse structure is given a sharper edge by the accusatory vocal interplay between Udo Dirkschneider and Peter Baltes, adding tension and attitude to the song’s message.

Manuela “Ella” Bibert puts the icing on the cake with her distinctive solo vocal interludes during the final choruses, while Mathias Dieth’s extraordinary guitar solo breaks free from any convention, unapologetically bold and perfectly in line with the band’s uncompromising approach. Why should we care about rules?

Lyrically, “Batter The Power” draws on classic heavy metal imagery of battle, resistance and liberation. Lines like “we’ll die to be free” and “never surrender” underline the song’s central message: relentlessly challenging oppressive power in the name of freedom and justice.

With the “Batter The Power” video, DIRKSCHNEIDER & THE OLD GANG once again highlight the timeless strength of classic heavy metal, reinforcing Babylon as an album that proudly bridges the past and present with experience, conviction and raw power.

Watch the video Below:

Listen to Babylon on your favourite streaming platform or get your CD/LP/Earbook here: https://datog.rpm.link/babylon

About DATOG:

DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth(guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.

 

DATOG are:

Udo Dirkschneider | lead vocals

Peter Baltes | bass, lead & backing vocals

Manuela “Ella” Bibert | lead & backing vocals, keys

Stefan Kaufmann | guitars, backing vocals

Mathias “Don” Dieth | guitars, backing vocals

Sven Dirkschneider | drums, backing vocals

 

More on DATOG:

datog.de | Facebook | Instagram | Spotify | Apple Music | YouTube | RPM

SYLOSIS - drop psychological heavy-hitter 'Lacerations' from forthcoming album 'The New Flesh'

SYLOSIS have revealed the third single from their fiercly anticipated record, The New Flesh, due to drop on February 20th via Nuclear Blast Records. The New Flesh is being hailed as a towering testament to destructive riffing, incisive melody and refined brute force.

Today's new single, the psychological heavy-hitter 'Lacerations', showcases SYLOSIS at a career apex - stacked with anthemic hooks, razor sharp, and heavy-as-hell. The track encapsulates brutality and catchiness in perfect symbiosis.   

Josh Middleton stated,
"Lacerations has become a firm favourite amongst those that have heard the new record. After this song came together during the early stages of writing, I felt a huge sense of relief knowing that we had achieved our best song to date. I couldn’t get the chorus out of my head and that’s usually a good sign. Once we had this song under our belts we knew this album would a big step up in terms of our writing abilities.

Musically it calls back to some of the darker melancholic sounds from Edge of the Earth or even The Supreme Oppressor but with a ton of heavy riffs in there. Lyrically, this song is about facing your own mortality and health anxiety. I think a lot of people can relate to spiralling out of control when they think something’s wrong and how differently you look at your life, and what matters most when confronted with those intrusive thoughts."

Pre-order album The New Flesh here: https://sylosis.os.fan/
Watch the 'Lacerations' video Below :
Stream 'Lacerations' here: https://sylosis.bfan.link/lacerations

SYLOSIS are currently tearing across Europe for their biggest ever tour. Check out all dates below!

Last week, it was announced that Heaven Shall Burn, The Black Dahlia Murder and Frozen Soul, will all be joining the bill for their show on February 20th, at London's O2 Forum Kentish Town. This crushing line-up is guaranteed to be metal’s billing of the year!

SYLOSIS will also be hosting an 'Album Release Party Event' on February 20th from 12-3.30pm, at The Black Heart, Camden. The free-entry event will include an album signing session, a full-band Q&A, a merch pop-up, and food and drink specials.

SYLOSIS will also be touring North America across April and May 2026 with Bleed From Within, Great American Ghost & Life Cycles. Full dates are here:

NORTH AMERICA 2026
w/ Bleed From Within, Great American Ghost & Life Cycles

02.04 - Worcester MA, The Palladium
03.04 - Montreal QC, Theatre Beanfield
04.04 - Toronto ON, Opera House
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Tickets on-sale now via https://sylosis-band.com

When the going gets tough, metal gets heavier. SYLOSIS have always been devoted to the fine art of breaking necks, but in recent times, the urgency of their mission has grown exponentially. Still surfing on a wave of acclaim and the effusive fan response to their last album, 2023’s A Sign Of Things To Come, Josh Middleton’s virtuoso wrecking crew are poised to release their latest and best album, The New Flesh. A towering testament to destructive riffing, incisive melody and refined brute force, the band’s seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.  

The New Flesh is a fearsome statement of renewed intent. Harder, heavier and more ruthless than its predecessor, it is full of the kind of explosive, riff-driven anthems that guarantee carnage in the pit. But this is no exercise in mindless bludgeon: instead, Josh Middleton has penned his most evocative and thought-provoking songs to date. From the punishing grooves and breakneck viciousness of the opening 'Beneath The Surface', to the epic conflagration of album closer 'Seeds In The River', The New Flesh is an artful and nuanced take on the pure metal that SYLOSIS hold close to their hearts. This is brutality and catchiness in perfect symbiosis.   

Dark and destructive, but dynamic and diligent, SYLOSIS are on blistering, career-best form on The New Flesh. The purposeful reset that began with The Sign Of Things To Come has evolved into something unstoppable, and the band’s latest work brims with confidence and authority. If it’s skull-shattering, 21st century heavy metal you want, The New Flesh brings it like never before.  

SCHATTENMANN Unleash Music Video For New Single "Kamikaze" From Upcoming Album Endgegner Out on March 13, 2026 via PERCEPTION

SCHATTENMANN strike back with the release of the official music video for their new single "Kamikaze". The track is taken from the upcoming studio album Endgegner, set for release on March 13 via PERCEPTION - A Division Of Reigning Phoenix Music! Sonically aggressive yet emotionally uplifting, the band once again proves they are not here to play it safe.

“Instead of destruction, this is about joy, energy, and freedom,” says vocalist Frank Herzig. “’Kamikaze’ translates to ‘divine wind.’ Our song captures the feeling of being carried by the moment, uplifted, full of energy, enjoying every second to the fullest while leaving all rules and conventions behind.”

Driven by pounding rhythms, sharp-edged guitars, and an instantly infectious chorus, "Kamikaze" shows SCHATTENMANN at their most explosive and lifeaffirming. Herzig adds: “It’s a positive, high-energy metal track where the ‘divine wind’ carries you, turning risk into euphoria. It’s about living the moment to the max. KAMIKAZE MODE ON!”

Stream / Download "Kamikaze": https://schattenmann.rpm.link/kamikazePR
 

Watch The official video Below:

The song signals a decisive next step for the band and sets the tone for a new chapter in their musical journey. With Endgegner [German for “Final Boss”], SCHATTENMANN present themselves sharper and more focused than ever.

Produced by Henning Verlage, the album represents a clear cut and a deliberate evolution of the band’s sound. Following four studio albums and their first Top 10 chart entry with “Día de Muertos”, SCHATTENMANN continue to prove that change and progression remain at the core of their identity. Heavier, more aggressive, and unapologetically metal, Endgegner sees the band reborn in steel and fire, poised to claim their place in today’s heavy music landscape!

Pre-order Endgegner at this location: https://schattenmann.rpm.link/endgegnerPR

About SCHATTENMANN
Founded in 2016, Nuremberg-based band SCHATTENMANN have entered the metal world by storm! Pinnacling with their top 10 album “Día de muertos” in 2023, the quartet - singer Frank Herzig, guitarist Jan Shook, bass player Luke Shook & drummer Rorschach - paved their way with impactful songwriting but also with energising live shows. A thrilling combination which has resonated with a wide range of range (mostly) European metalheads so far. Sheer metal and continuous touring are the keys of why SCHATTENMANN have become one of the leading German ambassadors in the hard ‘n’ heavy universe within less than 10 years.
 

SCHATTENMANN are:
Frank Herzig | vocals
Jan Shook | guitars
Luke Shook | bass
Rorschach | drum

More on SCHATTENMANN:
schattenmann.band | Linktree | Facebook | Instagram | TikTok
Bandsintown | YouTube | Spotify | Apple Music

Funeral Release Lyric Video for “Three Dead Men”

As their latest album, Gospel of Bones, continues to resonate, today, FUNERAL are sharing a new lyric video for “Three Dead Men”. This song is an autobiographical reflection by drummer and composer Anders Eek on the loss of three close friends within a seven year period, including former Funeral members Einar Fredriksen and Christian Loos.

Watch the video for "Three Dead Men” below:

Gospel of Bones is out now via Season of Mist.

Order & Stream: https://orcd.co/funeralgospelofbones

The vocals on “Three Dead Men” are performed by guest vocalist Espen Ingierd of Beyond Dawn, whose restrained and human delivery contrasts with the operatic approach heard elsewhere onGospel of Bones. The song’s slow tempos and dense arrangements favor atmosphere and emotional gravity over excess. It addresses grief as a lasting condition rather than a closed chapter, aligning closely with the album’s broader focus on lived experience, endurance and emotional aftermath.

The new video for “Three Dead Men” uses symbolic imagery centered on movement, stillness and isolated physical gestures to convey memory, absence and vulnerability. Rather than offering narrative resolution, its closing moments suggest continuation, with emotional weight remaining present as life moves forward.

Roughly 20 tracks were composed throughout the Covid pandemic(9 of whom made it to the studio), and yet again recorded and mixed at Toproom Studio, by Børge Finstad.

Violinist Øyvind Rauset, from the cult Norwegian folk-rock band FOLQUE, is performing on 2 tracks as a guest musician, as well as Espen Ingierd, with his very distinct singing-style in the vein of John Lennon, Michael Gira (SWANS)etc from cult doom/death band BEYOND DAWN singing on 2 tracks.

The album also contains an instrumental cover song , written by Kjetil Selvik, and is a melancholic piece only consisting of harding fiddle and church organ.

The lyrical content of the album is an autobiography of life’s mishaps of drummer/composer  A. Eek, and deals with real darkness, misery, pain and loss.  A Gospel of Bones.

Line-up:
Anders Eek - Drums
Eirik Krokfjord - Vocals
Ingvild Johannesen - Violin
Rune Gandrud - Bass
Stian Kråbøl - Guitars
Morten Søbyskogen - Guitars

Recording Studio:
Toproom Studio & Studio 42

Production Credits:
Produced by Børge Finstad
Sound Engineered by Anders Langberg
Mixed & Mastered at Toproom Studio by Børge Finstad

Guest Musicians:
Øyvind Rauset
Espen Ingjerd
Vilde Kråbøl
Anders Langberg

Cover Art:
Tristan Diaz Bastie

Photography:
Guilherme Henriques

Order & Stream: https://orcd.co/funeralgospelofbones

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777