DISSENTIENCE Level Cities With Crushing New Single "Kaiju"

DISSENTIENCE has released "Kaiju," the ferocious title track from their forthcoming EP Kaiju, arriving February 20, 2026. The new single opens with an explosive riff that immediately sets the stage for total destruction and signals the band’s most cinematic and punishing material to date.

Driven by relentless D beat heavy verses, "Kaiju" channels the raw aggression of punk influenced Swedish death metal pioneers like ENTOMBED and GRAVE while maintaining a distinctly modern edge. Riff after riff pummels the listener, creating a synesthetic clash between sound and story as the lyrics depict a colossal monster leveling a fictional city. The massive groove of the chorus adds a new dimension. It is catchy enough to linger yet crushingly heavy, proving that brutality and memorability can coexist.

Midway through the track, DISSENTIENCE briefly eases the throttle with a tense guitar break before detonating into what may be the heaviest riff on the EP. A haunting and dissonant solo from guitarist Connor Valentin escalates the chaos before trading off into searing pentatonic shredding from Jimmy Vitale. Just when it seems the song might relent, the final section surges forward, building intensity with each repetition and culminating in absolute chaos as soaring vocals collide with pummeling drum fills and harmonized riffing.

With "Kaiju," DISSENTIENCE continues to push the boundaries of modern metal storytelling, blending technical mastery with vivid cinematic scope. Fans can expect a fully immersive experience when Kaiju drops in full on February 20, 2026.

Kaiju is a four track concept EP inspired by Japanese monster cinema and Lovecraftian horror. Produced by the band alongside Corey Pierce, the record was engineered by Matt Menafro at Peach Pie Sound, mixed by Zeuss, and mastered by Alan Douches. The EP will be released independently on digital and CD formats.

Ireland's Ger Eaton shares 'I Thought I'd A Friend', highlighting debut 'Season Changes' album

Irish singer-songwriter Ger Eaton shares 'I Thought I'd A Friend', an enchanting track that highlights his debut album 'Season Changes', recently released via Peckham-based label Dimple Discs. With a rich progression from baroque pop and cinematic balladry to more folk elements, Eaton creates music that is laced with broad orchestral arrangements, drama, and honesty.

Accompanied by an endearing video by Damien Hickey and beautiful string arrangements, 'I Thought I'd A Friend' is the latest in a string of singles that include 'Season Changes', 'Hollow' and 'The Time It Takes To Fall', and recently-released live rendition of 'Phoenix (Reborn)' and 'Season Changes', recorded live at Hyde Dublin.  

A singer and sonic auteur with flair for Renaissance Pop, Ger Eaton is well known in his native homeland as a performer, his distinctive keyboards having graced many Irish bands of the last two decades. These songs carry echoes of Scott Walker, Jimmy Webb, Brian Wilson, Ian Brown and the high melodic heyday of the late 1960s, yet shot through with a contemporary slant and edge.  

"‘Season Changes’ is essentially an old fashioned break-up LP. All of the songs deal with the complexities, both emotional and physical, that come with the ending of a very long and significant relationship. Mirroring the seasons, ‘Season Changes’ charts the often inevitable decay of a relationship, from the glowing bloom of its Spring, gradually ebbing away to its wintery conclusion," says Ger Eaton.

"The songs were written about and recorded during the end of  my marriage, and I decided from the off that the Lyrics would be raw and honest… I felt I owed that much to myself. Musically, I wanted the arrangements and instrumentation to bring a lushness and drama that would wrap the words in the appropriate Musical Cloak ...For me, music has always been a place where I can both lose and find myself… a Solice … my Phoenix."
 
Each new song and accompanying video from Ger Easton has marked an exciting stage in his progress, for which he has received recognition and tremendous support from music writers and radio programmers in Ireland and the UK, and now in America and further abroad.

The 'Season Changes' album is out now on vinyl and CD, and is also available from digital platforms, including Spotify, Apple Music and also Bandcamp. 

CREDITS
All songs written by Ger Eaton
Produced, recorded and mixed by Ger Eaton, Duncan Maitland & Sean Coleman
Recorded at Old County Studios, The House of Horns, Clane HQ and at Ger Eaton's home
Mastered by Anthony Chapman
Cover Illustration and Design by Josh Fogarty
Ger Eaton - vocals, drums, guitars, mellotron, xylophone, sitar, tabla & percussion
Duncan Maitland - acoustic & electric guitars, bass, mellotron & vocals
Sean Coleman - glockenspiel, mini moog, guitars, harmonium  & vocals
Kieran Eaton - flutes & recorders
Ronan Dooney - trumpets & flugelhorns
Graham Hopkins - drums
Gavin Fox - bass
Castle Quartet - Strings
String Arrangements - Andrew Keeling
Released via Dimple Discs. Catalogue No DD 027LP
Publicity by Shameless Promotion PR


Keep up with Ger Eaton
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter  | Instagram | Proper Music | Press contact

Keep up with Shameless Promotion PR
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"Sounds of Ardul" by Chronicler of Ardul

Sounds of Ardul is a sweeping orchestral journey into the dark fantasy realm of Ardul, composed by David Williams of CHRONICLER OF ARDUL. Instead of relying on metal elements, the album embraces cinematic storytelling through rich symphonic textures, intimate folk tunes, and atmospheric worldbuilding. Each track feels like a moment from a larger adventure, guiding listeners through taverns, shadowed forests, ancient mists, and violent clashes. With recurring motifs, emotional character themes, and evocative arrangements, Sounds of Ardul invites audiences to step directly into the world itself, experiencing its wonder, danger, and humanity firsthand.

“Watch Over Me (feat. EXILED HOPE)” opens the album as a bardic folk song carried by clean guitar, violin, hand percussion, and the expressive voice of Sofia Frasz, following a lost traveler yearning for home while navigating the perilous roads of Ardul. “Watch Over Me (Village Version)” shifts to a smaller, more comforting space, portraying the safety and simplicity found within village walls through a short instrumental loop of guitar and violin. “You’re Gone (feat. SYYN)” brings the emotional weight of loss to the forefront, with Aaron Johnson III delivering a somber tavern ballad about love, its fleeting beauty, and the devastating revelation of death that reshapes the meaning of each chorus.

The album’s worldbuilding takes a lively turn with “Oh Me Oh My,” a rowdy late-night tavern song featuring vocals by David Williams, built from stomps, claps, bottle taps, and a catchy refrain meant for drunken patrons. “Woodlands” ventures outside into the dark beauty of Ardul’s forests using strings, harp, clarinet, piano, and choir to evoke mystery and deceptive warmth. Its variations expand that setting: “Woodlands (Alternate Version)” isolates the listener with cello, piano, and harp, while “Woodlands (Battle Theme)” heightens the danger with brass, percussion, and rhythmic urgency as hidden threats reveal themselves.

“In the Mists of the Myrewood (Remastered)” returns to the foundational themes of the larger Ardul mythos. A solo piano piece born early in the project’s history, it whispers with darkness and elegance, building into the thick, treacherous fog that defines the Myrewood. “Veiled Truth” explores moral ambiguity through shifting strings, piano, choir, and guitar, reflecting the uneasy question of whether familiar faces can be trusted. “Unwelcomed Guests” continues the rising tension with timpani heartbeats, clacking percussion, unsettling strings, and a divided choir as an unwelcome figure approaches with unclear intentions.

“To Arms! (String Quintet)” marks the snapping point where conflict erupts, delivering an intimate yet fierce battle theme reminiscent of classic RPG duels. “Temporary Respite” pulls the listener back into calm with soft piano and choir, offering a resting place after turmoil. “Moments From Disaster” churns with heavy drums, tense strings, rumbling voices, and pounding piano, capturing the split second before catastrophe when every instinct screams to act.

“Underground” descends into the cold, winding depths beneath Ardul where dissonant strings, heavy drums, male drones, and brooding piano create deliberate disorientation. “Underground (Alternate Version)” tightens the space to a quieter but more claustrophobic passage lit by a single torch. “To Arms!” unleashes the full symphonic battle, a large-scale conflict with expanded orchestration and dramatic intensity.

The album’s final bard song, “Zarek the Bloody,” introduces a legendary figure whose reputation is both heroic and ominous. With accordion, bass, percussion, and vocals by David Williams, the piece hints at Zarek’s deeds, the cursed blade he wields, and his place in the greater Ardul narrative.

Sounds of Ardul also includes extended ten-minute looping versions of twelve tracks, crafted for worldbuilders, tabletop players, writers, and listeners who want to immerse themselves even further. As the third pillar of CHRONICLER OF ARDUL’s overarching project, this album expands the world’s scope while maintaining musical motifs that connect past works to future stories. 

About CHRONICLER OF ARDUL:

CHRONICLER OF ARDUL is the cinematic dark fantasy project created by composer and multi-instrumentalist David Williams, blending orchestral storytelling with the atmosphere and intensity of extreme music. Formed in 2023, the project explores the mythic world of Ardul through three creative pillars: metal, orchestral composition, and written narrative. Every release expands the lore, using recurring motifs, character themes, and emotional worldbuilding to connect albums, stories, and songs into one cohesive universe. Influenced by SHADOW OF INTENT, MENTAL CRUELTY, Nobuo Uematsu, and Yasunori Nishiki, CHRONICLER OF ARDUL approaches concept music with the depth of a novel and the drama of a film score.

The project began as an idea in 2015 and has since grown into a multi-medium saga, starting with the Myrewood EP in 2023 and continuing with Sword of Virné and accompanying short stories. Williams handles all writing, recording, mixing, and artwork, giving the project a distinct voice anchored in emotional honesty and narrative purpose. Every melody is intentional and often foreshadows future events in the overarching story, creating a world that rewards close listening. CHRONICLER OF ARDUL stands as a unique fusion of fantasy, composition, and immersive storytelling, inviting listeners not only to hear the music but to live within the world it creates.

Connect with CHRONICLER OF ARDUL:

Official Website: chroniclerofardul.com
Bandcamp: https://chroniclerofardul.bandcamp.com/
Facebook: https://www.facebook.com/p/Chronicler-of-Ardul-100063489851273
Instagram: https://www.instagram.com/chronicler_of_ardul
YouTube: https://youtube.com/@ChroniclerOfArdul
Spotify: https://open.spotify.com/artist/5h3LfVFyzZA7Tl0eBhQxKg
Apple Music: https://music.apple.com/us/artist/chronicler-of-ardul/1678862672
TikTok: https://www.tiktok.com/@chronicler_of_ardul

Brutal Planet Records Announce the Remastered Releases of SIX FEET UNDER Albums “Unburied” and “Bringer Of Blood” on CD and Vinyl

Brutal Planet Records drags Six Feet Under Unburied and Bringer of Blood from obscurity with their first fully distributed vinyl editions. Unburied is pressed on Opaque Turquoise Vinyl and on CD. These nine unreleased tracks—grim outtakes from the Undead, Unborn, and Torment sessions—capture Six Feet Under in their most visceral and unrefined state. As Chris Barnes noted: “I always felt like these tracks were excellent Six Feet Under material. Real raw and in their earliest form.” 

Previously available only as a flimsy, low-quality cardboard-sleeve promo that barely surfaced in the collector world, Unburied has long been considered nearly impossible to obtain. This Brutal Planet Records edition finally gives these unearthed horrors a proper home in a jewel case with a 12-page lyric booklet, remastered by Rob Colwell and officially welcomed into the Metal Icon Series.

Brutal Planet Records resurrects the album with its first worldwide retail vinyl release, pressed on Opaque Turquoise Vinyl and mastered for vinyl by Rob Colwell. Housed in a traditional jacket with a 12x12 lyric insert, this edition finally gives Unburied the high-quality physical treatment fans have been waiting for. Only 500 LPs are being pressed. When they're gone, they’re gone.

The only previous vinyl pressing appeared briefly in Italy as a magazine kiosk bonus. It sold out instantly, was never placed into retail distribution, and is now almost impossible to locate. This Brutal Planet Records edition finally gives Unburied a proper physical home with upgraded sound mastered for vinyl by Rob Colwell, a traditional jacket, and a 12x12 lyric insert.

Brutal Planet Records also brings Bringer of Blood back from the underground, resurrecting one of Six Feet Under’s most savage chapters with its first-ever U.S. vinyl release. Originally unleashed in 2003 and recorded at Morrisound Studios, this album captures the band at peak ferocity—thick, pulsing riffs, grisly atmosphere, and Chris Barnes’ unmistakable guttural roar carving through each track like a bone saw.

SIX FEET UNDER – UNBURIED (Jewel Case CD)

Release Date: Out Now

For years, Unburied was the ghost in the Six Feet Under catalog — originally released digitally in 2018, with only a tiny number of flimsy cardboard-sleeve promo CDs that almost nobody ever found. The nine tracks on this album were pulled from the Undead, Unborn, and Torment sessions, and as Chris Barnes himself has said: “I always felt like these tracks were excellent Six Feet Under material. Real raw and in their earliest form.”

Key Features & Collector Details

  • First-ever real CD distribution of Unburied

  • Jewel case CD with 12-page lyrics insert booklet

  • Nine previously unreleased tracks

  • Material sourced from the Undead, Unborn, and Torment sessions

  • Remastered by Rob Colwell

  • Part of the elite Metal Icon Series on Brutal Planet Records

  • Original cardboard-sleeve CD was extremely limited and poorly distributed

  • Licensed from Metal Blade Records

  • Limited to 1,000 copies worldwide


SIX FEET UNDER – UNBURIED (Opaque Turquoise Vinyl)
Release Date: February 15, 2026

One of the rarest items in the SFU universe is the old Italian kiosk-only vinyl pressing of Unburied. It was never distributed, vanished instantly, and has been almost impossible to locate since the day it appeared.

Key Features & Collector Details

  • First-ever worldwide retail vinyl release of Unburied

  • Nine previously unreleased tracks

  • Traditional jacket with 12x12 lyrics insert

  • Pressed on Opaque Turquoise Vinyl

  • Material sourced from the Undead, Unborn, and Torment sessions

  • Mastered for Vinyl by Rob Colwell

  • Part of the elite Metal Icon Series on Brutal Planet Records

  • Licensed from Metal Blade Records

  • Original Italian kiosk-only vinyl pressing was extremely limited to 444 copies

  • Limited to 500 copies worldwide

SISTER KILL CYCLE Unleashes A Dark, Industrial Reckoning of CCR's Classic “BAD MOON RISING”

SISTER KILL CYCLE is back—and this time, they’re staring straight into the storm as they take the iconic Creedence Clearwater Revival classic song and is reborn as a crushing anthem for uncertain times.

The industrial rock provocateurs have released a ferocious new cover of “Bad Moon Rising,” transforming the legendary CCR anthem into a menacing, modern-day prophecy drenched in distortion, grit, and raw intensity. Where the original warned of trouble on the horizon, SISTER KILL CYCLE turns that warning into a full-scale sonic uprising.

From the first pulse to the final note,

“Bad Moon Rising” is reimagined through the band’s signature blend of industrial aggression, dark atmospheres, and unrelenting rhythm.

Grinding guitars collide with pounding electronics, while the vocals deliver the song’s ominous message with a snarling urgency that feels eerily relevant in today’s fractured world.

SISTER KILL CYCLE has long been known for pushing boundaries and refusing to play it safe, and this release is no exception. By taking a timeless rock classic and injecting it with industrial firepower, the band bridges generations—connecting the paranoia and unrest of the past with the volatile energy

of now.

Perfect for fans of hard-hitting industrial rock, dark alternative, and fearless reinterpretations, “Bad Moon Rising” stands as both a tribute and a warning: the moon is rising, the tension is building, and SISTER KILL CYCLE is here to soundtrack the fallout.

APPLE MUSIC

YOUTUBE

'Winter Movement' EP by Matt Wilier out Now

Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music.

From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works.

While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgement and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.

In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc.

‘Variations’, his 11-track album, was released on 28th June 2024. The recording of this album was no exception, with Matt once again focusing on resonances. ‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.However, this time the piano is not alone, with strings, string layers, ensemble and analog bass frequencies as accompaniment.

This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.

In September 2024, he recorded some solo piano tracks after a series of improvisational recordings, which he released in short bursts: 'Burning Through The Ground' and 'A Suspended Moment' (a two track EP which also included 'My Hand Lovingly Caressed Her Face, She Awoke Softly And Fixed Her Gaze Upon Mine').

Feb. 28, 2025 - He releases two versions of the song “Together”, one of which was recorded in a train station while waiting for departure time. In the studio, he added powerful strings, giving this track two very different worlds, as two people can be to each other.

'Music For Mass' (July 2025) is a 5-tracks EP without piano but strings and Church Organ ; 'The Chrysalis Awakes' (Aug. 2025), a live improvised version of a song played during his concert at Piano Revenge Festival, 1st Edition, in Paris in June 2025.
 
After a collaboration with the piano neo-classical label AD21 and its compilation 'Autumn Sketches, Vol.1' of original piano works - 'Promises' composed by Matt - Matt released 'Playing with Light' EP and then, 'Winter Movement'.
 
'Winter Movement' was recorded a year ago in the French Alps while it was snowing. But the timing wasn’t right to release it as spring was already approaching. This EP isn’t sad, but it invites the kind of introspection that snowy mountains inspire.

New Single Vianova -Remix

vianova continue their rise with the release of their new single and collaboration "Oh No (Ando San Remix)." 

Following a breakthrough year that firmly established them as an exciting new forces in heavy music, the band now pushes it sound into fresh territory with a bold and modern reinterpretation of one of its standout tracks.
 

The Ando San Remix injects "Oh No" with a new pulse, blending vianova's trademark heaviness and emotional intensity with electronic textures and club-driven energy, while preserving the raw impact that has fueled the band's rapid ascent. The result is a dynamic crossover moment that highlights vianova's openness to experimentation and their instinct for forward-thinking collaborations.
 

vianova's momentum has been nothing short of explosive.

Their debut album has already amassed over 10.5 million streams worldwide, resonating deeply within the modern metalcore scene and far beyond. Capping off this breakout run, the band were recently honored with the Nik Nocturnal Award for Best Breakthrough Band of 2025, a milestone that underlines their growing influence and visibility on an international level.


With "Oh No (Ando San Remix)," vianova once again prove that they are not content to stand still. Confident, ambitious, and constantly evolving, the band continues to redefine what modern metalcore can sound like – and its trajectory shows no signs of slowing down.

Catch the band live in 2026 — more info about vianova's EU shows here and UK shows here. 

VIANOVA U.S. 2026 TOUR DATES:
SUPPORTING THORNHILL:
 5/1 — Los Angeles, CA — El Rey Theatre
5/2 — Sacramento, CA — Ace of Spades
5/4 — Phoenix, AZ — The Van Buren
5/6 — San Antonio, TX — Vibes Event Center
5/7 — Dallas, TX — The Studio at The Bomb Factory
5/8 — Houston, TX — Warehouse Live Midtown
5/10 — Daytona, FL — Welcome To Rockville (Festival)
5/11 — Atlanta, GA — Variety Playhouse
5/13 — Charlotte, NC — The Underground
5/14 — Norfolk, VA — The NorVa
5/15 — Philadelphia, PA — Brooklyn Bowl
5/17 — Columbus, OH — Sonic Temple (Festival)
5/18 — Baltimore, MD — Baltimore Soundstage
5/19 — Boston, MA — Royale
5/20 — New York, NY — Webster Hall
5/22 — Toronto, ON — The Opera House
5/23 — Detroit, MI — The Majestic Theatre
5/24 — Chicago, IL — The Vic Theatre
5/26 — Englewood, CO — Gothic Theatre
5/27 — Salt Lake City, UT — The Complex
5/29 — Portland, OR — Roseland Theatre
5/31 — Seattle, WA — The Showbox

More info about vianova's U.S. shows here.

New Single Doomcrusher

German metalcore force Doomcrusher continue their ascent with the release of their brand-new single "Odyssey." Forged in an atmosphere shaped by uncertainty and upheaval, the project was created with a clear purpose: To push against stagnation and channel heaviness into something powerful, focused, and forward-moving.
 

Founded by Andy Posdziech (Any Given Day) alongside Jean Bormann (Rage), Marv Kinkel, and Rob Lee, Doomcrusher combine stomping, heavy mid-tempo industrial riffs with uncompromising guttural vocals that resolve into expansive, uplifting hooks. Layered electronic elements add depth and tension, creating a modern metalcore sound that feels both massive and controlled while staying firmly rooted in metal's foundations.
 

With "Odyssey," Doomcrusher take their next decisive step, expanding their sonic scope while maintaining the crushing intensity that has defined the project from the start. Following the strong response to their first releases"Breakout," "Reflect," and "Adrenaline," featuring Any Given Day, the band has already surpassed 1.2 million streams worldwide with only three singles — a remarkable foundation for a project still in its early stages.


Driven by a clear artistic vision and an uncompromising approach, Doomcrusher are not simply adding another chapter to their story with "Odyssey" — they are continuing a deliberate exploration of modern heavy music, proving that intensity, atmosphere, and ambition can co-exist at full force.

Out Now from Aunt Cynthia's Cabin!

The San Diego, CA, based psychedelic desert rock trio AUNT CYNTHIA'S CABIN, are preparing to celebrate their 2020 debut full-length album Misty Woman with a re-release containing a new bonus track. Recorded in the midst of the sun-scorched landscape in Austin, TX, at Electric Deluxe Recorders with Grammy-award winning producer Adrian Quesada, Misty Woman contains the influence of this impressive environment. The album will arrive on cyan and magenta vinyl, as well as on CD, via Black Throne Productions on December 19th, 2025.

"Kennel and the Dog" gently introduces the album with contrasting brighter guitar leads and grounding bass tones, before building into a fuzz-fueled powerhouse. There's a subtle underlying touch of shadow beneath the brightness of the psychedelic rock sound with doom influences. Found within are moments of catchiness, intriguing progressions and full immersion. "Which One Is the Jellyfish?" drifts away from the desert and down into the echoey depths as the prominent bass tones bring to life this watery world. A touch of drama carries through the enticing arrangement in which steadfast rhythms are interrupted with flourishes of keys, guitar licks and other sonic explosions. Seeing the overdrive turned up way past 11, this instrumental offering is characterful in its world building. 

The enticing seductive mood of "Misty Woman" is brought to life with a slow tempo, a more minimalist arrangement placing the focus on Brennan Justice's lead vocals. The playful layering of instrumental components sees the track ebb and flow, gently teasing. Gradually building into a full inviting sound, "Rider in the Desert Sun (Pt I)" sees a multitude of tones and textures manifest throughout it's journey. The presence of additional organ layers reveals a 'feel good' vibe in this instrumental track. Hidden further within, a heavier rock section reveals further stylistic influences in the band's sound. "Rider in the Desert Sun (Pt II)" follows on from it's brighter first half with a dustier, more raucous rock 'n' roll spirit. This guitar driven track brings memorable hooks in the lead vocal melody supported with fuzzy distortion laden chord progressions beneath. 

A sense of drama and adventure is prevalent from the off. "In the Valley"'s steadfast percussion hits contrast the bright tones of the guitar strums and notes that float above. There's an uplifting and comforting feel to this expansive and immersive instrumental offering. "There’s No Saving Cass" returns from the wild expanse of the valley into the Western plains. Subtle bass grounds the track while the lead guitar and lead vocal line entwine, rising and falling together. Reaching it's full arrangement, this charismatic track delves into the heart of the band's psychedelic rock style. "Grains of Sand", an interlude piece, briefly diverts in mood and feel. Acoustic guitar arrangement contribute to the track's melancholy feel that reverberates through a slow tempo and contemplative progressions. 

The intensity of "Black and Blue" hits instantly. The high octant feel and movement of the track's rhythms is instantly alluring. Dynamically, it ebbs and flows between brief moments of reflection and full on vigorous impact. Taken from the Miramar Sessions,the bonus track "Magic Touch" offers a more intimate feel of AUNT CYNTHIA'S CABIN's sound. 

About AUNT CYNTHIA'S CABIN:
AUNT CYNTHIA'S CABIN is comprised of San Diego’s Brennan Justice (guitar, lead vocals), Anthony DeFreitas (bass, vocals) and Jeremy Luvaas (drums, percussion). Beginning as a duo, Justice and DeFreitas' previous time in a surf rock ensemble saw the pair develop their signature western tones with an excessive use of spring reverb, translating now to the ethereal, dusty sound of psychedelic desert-rock. The band’s name is born from a fictional 1970s murder mystery novel dreamt up by the trio on a drunken night, capturing their embrace of “strange and heavy”, aptly fitting of the uncanny elements entwined in their sound. AUNT CYNTHIA'S CABIN produce an neo-psychedelic sound that carries an eerie quality. The sonic atmosphere envelopes with nostalgia. 

The trio began as a self-recording band with a home-brew analog-meets-digital rig set up. The DIY approach was left behind in 2019 when the outfit ventured from their hometown of San Diego, CA to Austin, TX to record Misty Woman in a studio they felt would best fit the vibe of their new compositions. Working with producer Adrian Quesada (The Black Pumas, 7-time Grammy-nominee) at Electric Deluxe Recorders, the very sun-beaten landscape that surrounds the studio fed into the quality and mood of the recordings. 

Initially released by Nasoni Records in February of 2020, the enthralling textures and captivating character of AUNT CYNTHIA'S CABIN's Misty Woman returns including the new track "Magic Touch", on vinyl and CD via Black Throne Productions on December 19th, 2025.

AUNT CYNTHIA'S CABIN is:
Brennan Justice (guitar, lead vocals)
Anthony DeFreitas (bass, vocals)
Jeremy Luvaas (drums, percussion)

COLIN STOUGH’S VULNERABLE NEW BALLAD “BEST FOR YOU” AVAILABLE NOW –

19 Recordings/BMG Nashville artist Colin Stough gets vulnerable on his brand-new ballad, “Best For You,” out now. Penned by Stough along with Phillip Kane, the new track slows the pace after the up-tempo energy of “White Trash” and his recent release, “20 Bucks.” With growing streaming momentum, a rapidly expanding fanbase, and strong engagement across socials and live shows, the Mississippi native and American Idol finalist’s newest release offers a heartfelt, country lyric as it mines his emotional depths. Stough shared the story behind the song and an intimate acoustic performance live last night on Instagram.

 

“This song’s about loving somebody and watching ’em walk away like it’s nothing, but still wanting the best for them,” shares Stough. “Now felt like the right time to release this since the seasons are changing and y’all were begging me on socials to drop it. Hope y’all like it.”

“Best for You” by Colin Stough is a raw, heart-on-the-sleeve country ballad about loving someone enough to let them go. Through imagery of airplanes, streetlights, and unanswered calls, the lyrics paint the pain of watching someone move on while you’re still stuck in the hurt. Even as he admits he keeps coming back and can’t numb the heartbreak, the chorus lands on a powerful truth: no matter how bad it gets, he doesn’t wish her ill will. In the end, the love stays unconditional. He still wants the best for her, even if it breaks him.

About Colin Stough

Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty, and Koe Wetzel, he first picked up a guitar at age eight, later trading in his prized possessions for a pawn shop acoustic — one he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride: a standout third-place finish, a deal with 19 Recordings / BMG Nashville, and breakout songs like “Sober,” “’Til The Day One Does,” and 2025’s hard-edged anthem, “White Trash.”

With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of over 800k across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, and his recent releases, “White Trash,” “20 Bucks,” and “Best For You,” keep with the no-holds-barred, hold-nothing-back theme. On the road, he’s opened for acts like Chase Matthew, Drake White, and Kidd G, and is continuing to build his live show through 2025. A student of Skynyrd and the outlaw spirit, Stough isn’t chasing trends — he’s telling the underdog’s truth, one song at a time.

KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

BLAZONER Announces First Single "I'm In Love With My Car" From Upcoming Covers EP Sonic Chambers

Fredericksburg, Virginia heavy rock trio BLAZONER has released "I'm In Love With My Car," the first single from their upcoming covers EP Sonic Chambers, due out February 13, 2026. The track offers an electrified and harmony rich reinterpretation of the classic QUEEN deep cut.

The band approached the recording with a mix of respect, intensity, and playfulness. Drummer Andy Murray takes the lead vocal, a nod to Roger Taylor’s original performance, while Brian Carnes and Stephen Sullivan join him to build thick, layered choruses that showcase the trio’s signature multi vocal sound. The band recorded an extensive number of vocal tracks to capture the fullness and dramatic lift that makes the original song such a standout. Longtime friend and producer Jeff Covert helped guide the arrangement and brought extra clarity and dimension to the performance.

"I'm In Love With My Car" marks the first look at Sonic Chambers, a collection born from a spontaneous decision to record a few favorite covers in the studio. What began as a simple session quickly evolved into a five track EP that celebrates the music that shaped BLAZONER’s sound and spirit. The single highlights their ability to blend heavy rock power with melodic precision while staying true to the emotional core of the source material.

Listen Below;

About BLAZONER:

BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.

Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.

BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.

Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.

BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.

CLOCKTOWERS Present Emotive and Atmospheric Single "Genesis"

Thundering heaviness and atmospheric melodic elements intertwine seamlessly across CLOCKTOWERS' new single, "Genesis". The song is a deeply emotive reflection on fatherhood, and the delicate balance of wanting to provide protection from the chaos of our modern world. The single showcases the heart of the forthcoming full length, Genesis, set to arrive in early 2026. 

Rising modern rock outfit CLOCKTOWERS fuse together the ferocious power of metal and grit of rock into a dynamic modern sound. Conveying emotion through carefully crafted melodies, technical details add further dimension to the band's musical arrangements.

CLOCKTOWERS' "Genesis" sees classical-style riffs emerge through a haunting atmosphere before the darker intensity of the track takes form. This new offering contains catchy moments and memorable hooks that see it draw the listener further into CLOCKTOWERS' compelling narratives. 

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

LONG LOST CULT CLASSIC BY ARMAGEDDON IS CELEBRATING ITS 50TH ANNIVERSARY AND IS BEING REISSUED

Armageddon was formed in 1974, and their self-titled debut, Armageddon, released in 1975, was recorded in England and released in the United States on A&M Records. The albums' original liner notes use the term "supergroup", as their personnel were drummer Bobby Caldwell (previously a member of Captain Beyond), singer Keith Relf (who had fronted the band the Yardbirds and was a co-founder of Renaissance), guitarist Martin Pugh (from Steamhammer), and bassist Louis Cennamo (also formerly of Renaissance and Steamhammer).

This classic has now been remastered and repackaged in a beautiful gatefold on 180G Atomic Red Vinyl with additional photos and credits to celebrate the 50th Anniversary.  There is a Limited (100 copies) signed bundle that comes with a 10x10 print signed by all three-surviving members (Bobby Caldwell, Louis Cennamo, Martin Pugh). As Caldwell states, “Hello!  It was a great pleasure to have written and worked on the Armageddon album with the late Keith Relf, Martin Pugh, and Louis Cenamo, some of the finest players in England!  We had a lot of fun, and we are delighted to see the album being re-issued by Deko Entertainment. We hope you enjoy it. Many thanks! Best Wishes.

Listen to “Buzzard” Below:

Pugh continues, “I am thrilled that Deko is recognizing the 50th anniversary of Armageddon with this timely release of the vinyl. Keith, Louis and myself flew out from London following a dream, when we arrived in Hollywood, met and jammed with Bobby, the dream came true.” Cennamo concludes, “Armageddon, our supergroup that nearly was and now just might always be!”

Armageddon is a limited pressing of 500 copies and continues in the tradition of Deko Entertainments mission to bring lost classics back to life and sometimes for the first time ever on vinyl. Recent releases have included Trapeze, Angel, Dokken, Warrant, Slaughter, Stevie Salas, and others.

You can pre-order Armageddon here: https://www.dekoentertainment.com/reissues/armageddon

Theodor Bastard Return with New Single “Nebo”

For three decades, Theodor Bastard have bridged the traditions of the old world with the new. Now, five years removed from their last full-length journey, the Karelian pioneers of electro-folk are beginning a new venture that reconnects with their earliest roots.    

Today, Theodor Bastard are releasing their first single in five years. While written specifically for the award-winning Russian crime drama The Method, “Nebo” offers an initial glimpse at the band’s upcoming ninth studio album. Yana Veva’s vocals continue to twirl with the fragility of snow, but the way the song’s beat rolls like smog recalls their early electronic experiments with World Music.  

“We leaned on analog synthesizers, most notably the Soviet-era Polivoks and modern Arturia MiniBrute”, says Theodor Bastard’s founding member Fedor Svolotch. “Our recent albums have focused more on acoustic and ethnically-inflected textures. Returning to analog gear felt like coming home to a language we missed”.    

Listen to “Nebo” Below;

Stream

https://theodorbastard.fanlink.tv/Nebo

Theodor Bastard were commissioned to write “Nebo” for the third season of The Method’, which premiered on Kinopoisk last Friday, December 12. The song plays during the show’s end credits and will soundtrack one of its pivotal scenes.

Theodore Bastard’s latest album Volch’Ya Yagoda, along with the recently reissued Vetvi and Oikoumene, are available now through Season of Mist.

Order

https://redirect.season-of-mist.com/theodorbastard

Their latest single, “Nebo”, appeared in a key scene during the third season of the Russian crime drama The Method. It will also appear on the band’s upcoming ninth album.

“Nebo” recording line-up:

Alexander Starostin (Fedor Svolotch) - Synths, Guitars, Drum and Synth Programming, Sound Design

Yana Veva - Vocals, Synths

Full line-up:
Fedor Svolotch - Dulcimer, Samplers, Vocals
Yana Veva - Vocals, Bawu, Ocarina
Alexey Kalinovskiy - Keyboards
Andy Vladich - Drums
Kusas - Percussions, Winds
Slava Salikov - Cello Morin Khuur
Ekaterina Dolmatova - Backing Vocals

Production Credits
Recorded, Mixed and Mastered at Theo Studio.
Produced, mixed & mastered by Fedor Svolotch

Cover Art
Fedor Svolotch

Order

https://redirect.season-of-mist.com/theodorbastard

Booking contact

Maxim Krupoderya

theodorbastard@gmail.com

Follow Theodor Bastard
Website: https://theodorbastard.com/
Bandcamp: https://theodorbastard.bandcamp.com/
Spotify: https://open.spotify.com/artist/2PQ9UX4kWDE3mf2fYGRzqF
Apple Music: https://music.apple.com/us/artist/theodor-bastard/204585292
YouTube: https://www.youtube.com/theodorbastard
Facebook: https://www.facebook.com/TheodorBastard/

Instagram: https://www.instagram.com/theodor_bastard/?hl=en

Jagged City (feat. Defeater, ex-Explosions In The Sky) Reveal Debut Single + EP // Share "Imaginary Lines" Video

Post-rock trio Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their debut single "Imaginary Lines." They have also announced their debut EP, There Are More of Us, Always, to be released on January 30 via Pelagic Records.

Watch the "Imaginary Lines" video Below.

Stream the single here.

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Woodruff and Torres. What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the songs' structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut.

"We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected," comments Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, VT, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilizes a diverse range of influence, giving a freshness to each uniquely realized track.

"This record is a product of collaboration and love and creativity - we hope it inspires people to be connected and think collaboratively and creatively together. That's the only way forward." concludes Woodruff.

JAGGED CITY ARE: 
Jake Woodruff — guitar
Carlos Torres — bass
Urian Hackney — drums & production
Featuring Takaakira Goto as guest guitarist on "Deluge in a Paper Cup"

Piebald's "If It Weren't For Venetian Blinds..." to Be Released on Vinyl Via Iodine Recordings

Before PIEBALD were known for their anthemic sing-alongs and offbeat charm, there was ...Venetian Blinds, an evolution from hardcore roots into something uniquely their own with all of their trademark chaos and cleverness. 

Originally released in 1999 on Big Wheel Recreation, If It Weren't For Venetian Blinds, It Would Be Curtains For Us All brought Piebald's blend of the sincere and the satirical to the '90s emo and indie rock scene 
 
Now, Iodine Recordings proudly presents a deluxe reissue of this quintessential record. It has been completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) at The Atomic Garden, and has been out of print since its original release. Calling all collectors!

This remastered edition features fully updated artwork reconstructed from original source materials and photos, as well as a retrospective commentary written by the band.
 
Springing from the thriving Merrimack Valley scene that produced Converge and Cave In, Venetian Blinds bridged the gap between underground post-hardcore experimentation and the hook-driven songwriting that would soon define an era. Witty, heartfelt, and impossible to categorize, this deluxe reissue celebrates a crucial piece of Piebald's history.

Pre-order the release here. 

PIEBALD ARE:
Jon Sullivan
Andrew Bonner
Aaron Stuart
Travis Shettel 

Piebald are playing shows through the end of the year. All dates, including a 2026 show, are below.

PIEBALD LIVE:
12/7 — Detroit, MI — The Fillmore (With Hot Mulligan)
12/8/ — Millersville, PA — Phantom Power (With The Worst)
12/10 — Albany, NY — Lark Hall (With The Worst)
12/11 — Hamden, CT — Space Ballroom (With The Worst) 
12/12- Worcester, M  — Palladium (With Saves The Day, Glassjaw)
12/13 — Portland, ME — House of Music (With The Worst)
3/26/ — Boston, MA — Roadrunner (With The Format, Adult Mom)

STEVE GORDON MIA RELEASES EXPLOSIVE NEW MUSIC VIDEO FOR “BROKEN” FEAT. RAY WEST (SPREAD EAGLE)

Rock/Metal Guitarist, Producer, Mixer, and longtime industry veteran “Steve Gordon MIA” has officially released the music video for his breakout single “BROKEN”, featuring powerhouse vocalist Ray West of Spread Eagle. The track has already made major noise at radio currently at #22 on Metal Contraband Radio Charts--and the new visual brings the song's emotional intensity, modern heaviness, and cinematic atmosphere to life.

“BROKEN” marks the second collaboration between Gordon and West, following their acclaimed single “We Go To War,”that climbed to #18 on the Metal Charts and continues the sonic blueprint Gordon has spent years crafting: classic metal emotion delivered with hard hitting modern production.

The new video is the most fully realized chapter of the “Steve Gordon MIA” visual universe so far. Combining gritty cinematics, emotional narrative, and Gordon’s signature heavy aesthetic, the “BROKEN” video plunges viewers into the darker themes behind the song—pain, recovery, addiction, rebirth,survival and the razor-thin line between destruction and redemption. Ray West’s soaring performance is on fire, backed by Gordon’s relentless guitar work and massive mix, delivering a modern metal anthem—but unmistakably stamped with Gordon’s veteran sonic identity.

STEVE GORDON MIA “Broken” Official Music Video below:

 

Listen to BROKEN: https://hypeddit.com/stevegordonmia/broken

About Steve Gordon MIA

With deep New York roots, Steve Gordon MIA is a guitarist, songwriter, producer, and mixer. His sound merges the brutality of modern Metal with the precision and musicality only decades of top-tier experience can create.

STEVE GORDON MIA may be a newer solo name to many fans, but his fingerprints are all over the rock world & radio worldwide. A Grammy-nominated engineer, a 50+ Gold & Platinum guitarist, and a behind-the-scenes force across rock, metal, pop, R&B, and film, Gordon has played guitar for, Produced or Mixed:

Bon Jovi, Wu-Tang Clan, Rod Stewart, Phil Collins, Prince, Toni Braxton, Celine Dion, Frank Sinatra, Morgan Wallen, Rob Thomas, Motley Crew/2 Live Crew (HanginWith The Homeboys Movie Soundtrack), Regina Belle, Matt Kramer (Saigon Kick), Inner Circle, and Tito Jackson, Phyllis Hyman, Betty Wright, Gregory Abbott, Dr. John, Rita Marley, Kirk Whalum, Najee, Walter Beasley, David Sanborn, Donell Jones, Aretha Franklin, Howard Hewitt, Natalie Cole, Bad Company (Brian Howe) & more.  

In addition to his recording and session work, Gordon has placed over 30 songs in major films and soundtracks, including “The Little Things” starring Denzel Washington, “80 For Brady” starring Jane Fonda, Sally Field, Rita Moreno, Lily Tomlin, and NFL legend Tom Brady, and “Mafia Mama” starring Toni Collette and Monica Bellucci. His work also extends to Disney movies & soundtracks, as well as placements across Netflix, HBO, and Paramount & Showtime, showcasing his versatility and wide-reaching impact. After decades shaping the sound of Icons & other artists, Gordon is now carving out his own lane—leading into the upcoming full-length album “In The Blink Of An Eye” that features world class internationally known Hard Rock Metal singers in the Hard Rock / Metal arena coming out January 2026). Gordon is also a Grammy-nominated engineer credited for the“Betty Wright & The Roots’ song titled “Surrender”.

 
Links to Website and All Socials 

https://stevegordonmia.com

https://www.facebook.com/profile.php?id=61576615768613

https://www.instagram.com/stevegordon_mia

https://youtube.com/@stevegordon1562

LEVELS Drop "Black Dove" Video

Central Arkansas-based, cyber-industrial x metal quartet LEVELS — Kolby Carignan [vocals], Jager Felice [guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — have come roaring out of the gates to close out the year with the video for the new single "Black Dove."

Watch it below.

The song, with its glitchy riffs, deep grooves, and kinetic vocals, will take up real estate in your brain for days on end. And the balls-out breakdown will leave you seeing stars.

"'Black Dove' is a requiem for lost faith and forbidden love, a haunting prayer that drifts through the ruins of devotion to ghosts born in the mind," the band explains

The new track follows "Covert One," which arrived over the summer.  Watch the video here.

LEVELS are known for fusing heavy music with elements of pop, electronic, and drum and bass. Since forming in 2016, they have independently amassed millions of streams, drawing influence from artists as diverse as Billie Eilish, The Prodigy, Static-X, and The Weeknd.

Following the success of their 2023 EP PULSE on SharpTone Records, which surpassed 1 million streams, LEVELS aren't adding to the noise, they're building something new, sharp, and unapologetically their own. Their sound fuses digital grit with raw emotion; dark, distorted, and built to break through the static. LEVELS have built their rise on a fierce DIY ethic, steadily growing from small rooms to bigger stages, playing alongside bands such as: Kittie, ERRA, Beartooth, The Devil Wears Prada, and more.

LEVELS are more than a band. Their ever evolving world is built from cinematic visuals, visceral performances, and immersive storytelling, standing out in a hyper-connected yet emotionally disconnected era. With each track, they seek to reignite authentic connection. As they continue to carve their path through the metal landscape, their mission remains clear: Don't bury emotion. Embrace it. Channel it. And turn it into something that makes you feel again.

ROADRUNNER SIGNS LEGENDARY BOSTON HARDCORE BAND BLOOD FOR BLOOD BAND SHARES "YOU'RE GONNA HAVE TO KILL ME" — ITS FIRST SINGLE IN TWO DECADES

ROADRUNNER RECORDS is thrilled to announce the signing Boston hardcore institution BLOOD FOR BLOOD.

Since 1994, Blood for Blood have quietly achieved their rightful place in the hardcore pantheon, thanks to an all-out punk and hardcore assault delivered with metallic precision, laced with venomous swagger and spiked with a sarcastic sense of humor.

Today, they share their new single "YOU'RE GONNA HAVE TO KILL ME." It's the first new song from Blood for Blood in 21 years. And it rips.

Fueled by the very unbridled aggression that propelled them to the top of the hardcore scene in the '90s and early '00's, BFB are, put simply, fucking back.

Opening with that hardened grit that only a Boston-bred voice could deliver, the band hasn't missed a (two) step — with bass lines that slap and their perma-quintessential middle fingers raised high. It's all fingerpointing, floorpunching, and fist-in-the-air fury.

Listen Below:

Notice the tip of the hat to Paul Newman in Cool Hand Luke, giving way an ominous groan of distortion and frenzied double bass. The riffs thrash and roll, and the groove quakes with enough force to register on the Richter scale. Its bellowing chorus splits the pit with a call-to-arms: "Stay down you're gonna have to kill me, 'cause we won't stay down 'til we're dead." A melodic call-and-response burns like a light at the end of the tunnel.

About the song itself, singer Rob Lind says, "It's a straight-up-the-pipe Blood for Blood song. Initially, it points out pop culture's fascination with criminality and outlaw nonsense. Everybody is trying to be wild, gangster, or whatever, all of which 'You're Gonna Have To Kill Me' sneers at. For all of this contempt, it ends on a really  positive note. It might even be uplifting, which is my hope."

Furthermore, the band declares, "Blood for Blood have returned from exile with new music and new live dates. We're proud to say we've signed with Roadrunner Records, and our new single 'You're Gonna Have to Kill Me' is streaming everywhere now."

The band's upcoming live dates are below. Shows go on sale on Friday, December 12 at 10am local time. Get tickets here. [[ADD LINK]]

RETURN FROM EXILE TOUR DATES:
FEATURING SKINHEAD:
4/9 — Philadelphia, PA — Underground Arts 
4/10 — Brooklyn, NY — Brooklyn Monarch 
4/11 — Cambridge, MA — The Middle East 
4/17 — Los Angeles, CA — The Belasco 
4/19 — Berkeley, CA — The Cornerstone
5/30 — Detroit, MI — Tied Down  
11/20 — Netherlands — Revolution Calling*
*Blood For Blood Only

ABOUT BLOOD FOR BLOOD:
Blood for Blood came out swinging on 1997’s Spit My Last Breath. You could say they unassumingly reflected the intensity of a scene overlooked by the music industry and simultaneously mirrored the aggression of a working class forgotten by its country's "leaders." During 1998, BFB uncorked unadulterated rage with Revenge on Society, which Axe To Grind cited as one of the "5 Hardcore Albums That Defined 1996-2000." The musicians rallied together with 1999's Livin' In Exile hailed as "definitive" by Boston Phoenix. The 2002 opus Outlaw Anthems resonates to this day with millions of streams. Moreover, they toured with everyone from Dropkick Murphys to Terror and Sick of It All. Garnering praise, New Noise Magazine marveled at how "their unforgiving attitude of give no fucks simultaneously created their own niche of a scene, a style, and a culture within sub-genres of music which quickly spread worldwide," and Invisible Oranges attested, "Rob Lind is a friggin' genius in my book.” No Jumper even touted them among "the best hardcore bands of all time." Save for a few short-lived reunion attempts, the band was more or less dormant from 2004 onward. Shocked to life once more by founder, guitarist, and vocalist "White Trash" Rob Lind and O.G. bassist Ian McFarland, Blood For Blood are back with shows and their first original release in 21 years "You're Gonna Have To Kill Me."

BLOOD FOR BLOOD ARE:
Rob Lind — Guitar + Vocals 
Pete Morcey — Vocals 
Ian McFarland — Bass 
Justin Legere — Guitar 
Jamie Muckinhaupt — Drums 

THE VICE Release Music Video for "Waltz de Anima"; New 3-track EP "The Red Tape Sessions" out now via Noble Demon!

Stockholm-based dark metal four-piece THE VICE have unveiled the music video for "Waltz de Anima", the epic closing track from their newly released 3-track EP "The Red Tape Sessions". The EP is available now via Noble Demon. 

About the track, the band comments: "Waltz de Anima", in my opinion is definitely our most 'epic' song to date. The chorus was the first segment written and it immediately felt like one of the 'big choruses' we'd wanted to write for a long time, but it just hadn't come to us yet. But from the first demo-recording of the song we knew that this was one for the books. It has a very majestic, regal tone to it which we kept close in mind when writing the rest of the song. And with the strange, smoke-drenched, early 1900's jazz-club-vibe in the intro and the interlude reminiscing of parties of the bourgeoisie in huge ballrooms centuries ago, or some twisted night at the Royal Opera or Ballet even, I think we did quite well in highlighting that mood throughout the entire song."

Watch the video for "Waltz de Anima" Below;

Listen to "The Red Tape Sessions" in full HERE

 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else. Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

 

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - is out now and available for purchase HERE.

 

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon