ARSENIC KITCHEN Unleashes Blazing Hard Rock Cover of PANIC! AT THE DISCO’S “I WRITE SINS NOT TRAGEDIES”

An Explosive Reinvention of a 2000s Classic — Now Louder and Heavier!

ARSENIC KITCHEN'S cover of 'I Write Sins...' by Panic At The Disco provides a new take on a beloved classic. Much of the instrumentation on the track remains true to the original, however the ARSENIC KITCHEN crew has added some of their personal style to the mix along with a fun music video that's sure to get a grin out of watchers. 

LISTEN HERE ON SPOTIFY

ARSENIC KITCHEN is a fusion of early 2000s Alternative and modern Post Hardcore that evokes feelings of nostalgia and heartbreak, anger and excitement, weaved into a theatrical stadium level performance no matter the setting.

From the deserts of Phoenix, Arizona the band stand out as uniquely high energy and meaningful musicians onstage & off. Through the musicality and lyrics of every song, ARSENIC KITCHEN is able to reach and connect with the deepest feelings and emotions of listeners. 

With new songs, videos and shows in the works, the band continues to grow, build connections and make an impact on concert goers and listeners alike. They hope to expand in the coming year, further east with two tours in 2025, 6 new singles, a new EP and more on the horizon! 

ASKA Release the Lyric Video for the Track "From Out Of The Sky"

BraveWords Records is pleased to announce that ASKA have released a video for the track "From Out of the Sky", taken from their latest album "Knight Strike". 

 

Stream of Purchase "Knight Strike": https://smarturl.it/aska

Watch the video below:

"From Out of the Sky" is a followup song ASKA wrote on one of their favorite topics - Extraterrestrial Alien Invasion.

 

George Call, from ASKA, "We love Science Fiction as much as we love writing about medieval fantasy and such. On our previous album, "Fire Eater", we had a brief soundscape called "The Last Message". It was a final message left on a beacon in space from a now extinct civilization where our world had once been. This message had been playing in space for practically an eternity before our listeners stumble upon it and hear the tale of humanity's demise. "FOotS" kind of picks up, extrapolates and delves deeper. I think we see it as a kind of sequel of sorts.  Questions are asked; Are they friend or foe? Will you run or will you stand and fight?

 

As "TLM" was put together by ASKA bassist, Keith Knight, and he was the principal songwriter on "FOotS", we felt it appropriate that he should take the lead vocals on this one. I thought it would be a great surprise for our fans as it's the first time Keith has sang lead vocal on an ASKA song  since our 3rd album, "Nine Tongues"."

 

Catch ASKA live with BraveWords Records labelmates, Lillian Axe on August 17th at Reno's in (Deep Ellum) Dallas.

http://askahq.com

https://www.facebook.com/askahq

https://www.instagram.com/askahq2024

https://www.tiktok.com/@aska.hq

https://www.youtube.com/@askahq

https://www.bandsintown.com/a/41166
 
About ASKA:
ASKA, Dallas/Fort Worth, Texas-based, long-running heavy metal band has, as the title they gave their 3rd international tour can attest, "been there, done that". And how! In 1992, just a short year after the release of the group's self-titled debut album, they began touring the world performing at military bases, embassies and satellite installations around the globe for the U.S. Dept. of Defense/USO entertainment services. For nine years the group maintained a steady course, playing for U.S & foreign military troops in well over 56 countries and territories globally before turning their focus to the civilian world. There, they promptly played festivals around America and Europe and furthered their exposure in no small way. From inception to present, ASKA released seven full length albums on both national and international labels. 

 

During the process, ASKA's triple-threat frontman/vocalist/guitarist, George Call, came to the attention of cult, US underground metal pioneers, Omen, where he was promptly recruited to take over the lead vocalist slot for three years while still maintaining his role in ASKA. When that association dissolved, George was immediately snatched up by former Atlantic Records/Metal Blade, Midwestern, MTV veterans, Banshee, where he's been front and center on the band's two newest top notch releases. While helming both bands after a fateful meeting at a festival performance with ASKA in Germany, Call, was further enlisted to join U.K. legendary, cult NWOBHM band, Cloven Hoof, where he proceeded to record and release three critically acclaimed, fan-favorite albums. ASKA drummer Danny White joined George on two of these endeavors while the band's long-serving bassist/vocalist, Keith Knight, engineered and recorded a high percentage of George's extra-curricular activity at his Knight Recording Studios, keeping the three working together even when it was outside of the band. 

Sainthood Reps Release New Single "Blue Nothing" + Announce Signing to Smartpunk Records -

Smartpunk Records welcomes Sainthood Reps to their label roster and celebrates the announcement with a new single, "Blue Nothing," out now. This is the first taste of more music and announcements from the band coming later this year!

The new track embodies the band's signature blend of heavy grunge and dreamy shoegaze that they have been honing since the late 2000s.

Listen below.

Speaking about the new single, Sainthood Reps vocalist and guitarist Cesco Montesanto shares, "Blue Nothing is kind of the pep talk I would give myself before finally deciding to move on with my life after losing something incredibly dear to me. It's about coming to the realization that the nothingness of what's been left behind is actually a substantial part of who we are, and the path forward isn't to block out the nothingness, but to embrace it. The chorus lyric is “elegize what you’ve lost and you know is gone for good.” If there were ever a "part 2" of this song, it would probably be the elegy itself. 

When it came time to lay down vocals for the bridge, we asked our dear friend Gerry Windus (Stand Still) to take the reins. We never even considered anyone else. Turns out, that was the right move because he smashed that part."

ABOUT SAINTHOOD REPS
Sainthood Reps have been known for their unique blend of grunge, post-hard, and shoegaze since the late 2000’s. After releasing Monoculture in 2011, Headswell in 2013, and a couple of singles here and there, the band spent several years pursuing other projects before eventually regrouping during COVID. Since 2022, the band has been in and out of the studio compiling new music that marks a definitive step forward without straying too far from their signature sound. 

Sainthood Reps consists of Derrick Sherman, Cesco Montesanto, Bradley Cordaro, and Jani Zubkovs, with Chris Smith featuring in live performances.

…AND OCEANS Premiere 'The Regeneration Itinerary'

Season of Mist is proud to announce the release of the expansive seventh album from …and Oceans. While they’ve always ebbed and flowed between different extremes, The Regeneration Itinerarysurges onto the scene as the symphonic black metal band’s most expansive experiment yet. Both darkly cinematic and shockingly cerebral, the album is a lesson in contrasts - between chaos and order, dissolution and regeneration.  

The Regeneration Itinerary come out  Friday, May 23 on Season of Mist, but you can hear all 10 unpredictable songs today by listening to the full album stream below.

Thirty years into their ebullient career, …and Oceans have now assembled a body of work that absorbs the band’s entire lineage. The Regeneration Itinerary synthesizes the Finnish band’s disparate identities into a two-sided whole. From the trance-inducing intensity of opener and lead single “Inertiae” and maze-like riffs of “Prophetical Mercury Implement” to the sharper death metal edge of “Förnyelse i Tre Akter”, the album is a dance with duality: body and spirit, destruction and rebirth, copper and mercury.

Vocalist Mathias Lillmåns draws inspiration from alchemical symbolism and the interplay between light and shadow. Guitarists Timo Kontio and Teemu Saari, bassist Pyry Hanski, keyboardist Antti Simonen, and drummer Kauko Kuusisalo flesh out his visions with layered textures and a frenetic precision that’s anchored by both the visceral production of Juho Räihä and the finishing touch of Tore Stjerna’s mix and master at Necromorbus Studio.

Rebirth is never static. This itinerary is ever-evolving.

“The Regeneration Itinerary explores the interplay between darkness and light, chaos and order, spiritual and material realms, with each song embodying an experience for the mind and body, navigating a passage to the present moment,” explains Lillmåns.

“The album works like a guide,” he continues. “Teaching us that not everything can be defined as simply being ‘good’ or ‘bad’, ‘light’ or ‘dark’, ‘copper’ or mercury’, underscoring the perpetual dance of dualities in the human experience.”

Line-up:
Mathias Lillmåns - Vocals
Teemu Saari - Guitar
Timo Kontio - Guitar
Pyry Hanski - Bass
Antti Simonen - Keyboards
Kauko Kuusisalo - Drums

Production Credits:
Recorded at Inka Studio / SoundSpiral Audio, Orimattila, Finland.
Producer & Engineered by Juho Räihä.
Mixed & Mastered by Tore Stjerna at Necromorbus Studio,  Söderfors, Sweden.

Cover Art:
Adrien Bousson

Biography:
Spencer Grady

Pre-order & Pre-save

https://orcd.co/andoceanstheregenerationitinerary

Follow ...and Oceans:
Bandcamp: https://andoceans.bandcamp.com/
Facebook: http://www.facebook.com/andoceans/
Instagram: https://www.instagram.com/andoceans_official/
Spotify: https://open.spotify.com/artist/0rWmH68lIyVOGYhhvayFzu
Apple Music: https://music.apple.com/artist/and-oceans/32204550
Deezer: https://www.deezer.com/artist/11172
Tidal: https://tidal.com/browse/artist/3565685

PLAIINS Announce Debut Album "Happy Faces" Out 8/15 + Share "Row She Said"

Fiery indie punk band PLAIINS have today announced their upcoming debut album Happy Faces, set for release on August 15 via Long Branch Records. 

PLAIINS have been on a musical rollercoaster since their inception in late 2020. Already having played with the likes of ITCHY, Cold Years, LEAP, Press Club, and many more, the band signed with Long Branch Records of SPV in 2024. The hard-working group has already released over 20 songs to date, regularly hitting the top playlists on Spotify since the beginning, as well as garnering features on BBC Radio 1, BBC Introducing, KERRANG! chart, and RBB fritz. There's no stopping their momentum as PLAIINS bring a unique blend of British punk, indie, and alt rock, pulling inspiration from the likes of IDLES, Hives, Soft Play, Bad Nerves, The Streets, and Viagra Boys.

"I wanted us to make an album that would stand the test of time, is coherent and characterful, unique and of our own, and would be a great contribution to the wonderful catalog of rock music. I have so much love, reverence, and adoration for the greats and I wanted us to at least be on that level," says singer Chris Reardon.

Along with the album news, the band has also released the new single "Row She Said." 

Stream "Row She Said" here.

"'Row She Said' is a song against right wing nationalism," comments Reardon. "We talked about writing a song like this for a while. I wanted to do it with class and not [write] something lyrically one-dimensional, It had to be done poetically with layers and also [be] open for different interpretations unless you read the lyrics and also knew the context where we were coming from. They're my favorite kind of songs, especially when discussing a topic such as this."

He continues, "There are too many punk songs that tackle this subject too plainly, in my opinion, although that also has its place. But I think we really did it right on this one. 'She' in this context is the country where the protagonist is from and how they feel their country calls them and pushes them to protect their idea of sovereignty. I was writing more from the UK point of view, since it's where I'm from, especially in the wake of Brexit. But we also wrote it from the perspective where the [other] guys are from — Germany — but can apply to any country really."

When it came down to the album, Reardon explains, "We all talked about what we wanted to achieve on the album musically speaking and how we wanted to go into the process. We all reflected on what we felt we do best as a band and how we can really hone those elements in and push them to the limit. We all also wanted to add more indie elements into the music, something we've touched on but we wanted to make that more significant in the album. As well as the Britishness to the sound.

"As the singer, it was quite funny because the guys asked me why don't I sing in my normal English accent? I had never thought about it before. I always had a bit more of an American twang when I sang but that was something we opened up and of course felt very natural! In songs like 'Wooha!' and 'Snvkes.,' we had pushed this more rhythmic 'rap' like vocal style too and that was something we wanted to incorporate more. We really worked the songs and never settled for 'that will do.'

"We wanted the album to be fun and bombastic. To have lyrics that would make you laugh but once you sat down and read them would have much more lyrical depth. This is where the idea of paper bags came around. On the surface, there's a face painted on a paper bag which makes you laugh or takes you back for a moment. But when you take off the mask, there's a person underneath that takes time to know and understand and is more complex. There's an element of characterture, almost cartoonish and over blown in some of the lyrics and vocal delivery. We wanted something visual that represented that too.

"Our producer was Manuel Renner as well as mixing and mastering engineer of Ueberlaerm Studios for the album. We have worked with him since the beginning of the band and he has always been such an incredible collaborator and producer. He really helped us take the songs to the next level. We recorded the drums at Sound Pauli in Hamburg where we are based and Manuel and Tobi Schmidt did a great job. We recorded the guitars, bass, and vocals mostly at Ueberlaerm Studios and bits and pieces at my studio in Hamburg."

PLAIINS ARE:
Chris Reardon — Vocals + Guitars
Timon Lanzinger — Bass
David Suhlrie — Drums
Florian Kaninck — Guitars

ENVELOPE THE SKY Drops Powerful NEW Single “DROWNING” FEATURING AARON NORDSTROM OF GEMINI SYNDROME

A Thunderous Anthem of Struggle and Survival

Prepare to be submerged in a tidal wave of raw emotion and sonic firepower. Rising alt-metal force ENVELOPE THE SKY has just dropped their latest single, "DROWNING," a blistering track that cuts deep into the soul. Amplifying the intensity is a gripping feature from Aaron Nordstrom, lead vocalist of chart-topping industrial-metal heavyweights

Gemini Syndrome.

"DROWNING" is a visceral journey through the chaos of inner conflict — a song that resonates with anyone who's ever fought to stay afloat amidst life's darkest moments. With haunting melodies, seismic riffs, and Nordstrom’s unmistakable voice elevating the chorus to explosive heights, the track captures both the agony of being pulled under and the strength it takes to rise.

"DROWNING" music wise was written during covid when I was at a low point in my life, and it literally encapsulates how I was feeling and that ultimately it just took a really good friend to reach out and ask me how I'm doing.

- Paul Byrne

Heavy Rock Outfit Wucan Showcase Their Artistic Depth With New Single + Video for "KTNSAX"

Three years after the release of their studio album Heretic Tongue, the German heavy rock outfit Wucan made a strong statement in March 2025 with the single "Irons in the Fire." 

Now the band is following up with the song "KTNSAX," proving their ability to develop artistically.

While "Irons in the Fire" offered a more classic rock energy, "KTNSAX" embarked on a significantly different path. The song turns out to be unexpectedly danceable and, with its straightforward beat, inevitably encourages you to tap along before the powerful, distorted guitar finally paves its energetic way.

Watch the "KTNSAX" video below. 

Stream the single here.

"'Farm some time, watch it grow,' that line came to me on a Monday morning in September 2024, after two weeks bedridden — and harvesting a solid 12 hours of daily screen time on my phone," says singer Francis Tobolsky. "Twelve hours a day in which I believed I was fully up to date: The latest news, trending memes, my friends' daily lunches – and yet completely disconnected from the world around me. The political climate, social media manipulation, filter bubbles, AI – these were things I needed to process.

"At first glance, it all seems so convenient: The library of the world in our hands, the ability to join any conversation, to be the discourse. And yet we hide behind carefully curated images, profiles on platforms, pretending to be someone we're not… and perhaps even falling for the façades and profit-driven illusions of others. In the end, what remains is the paradoxical truth: Blessed are the ignorant."

More info about Wucan's Europe shows here.

WUCAN ARE:
Francis Tobolsky — Vocals, Guitar, Flute, Theremin
Tim George — Guitar, Keyboards
Philip Knöfel — Drums
Alexander Karlisch — Bass

KATAKLYSM | RELEASE VIDEO VISUALIZER FOR NEW SINGLE 'THE RABBIT HOLE'

For almost three decades, the US/French Canadian-based melodic death metal syndicate KATAKLYSM, has delivered unapologetic waves of powerful sound across the entire globe. Today, the band offer fans a new track entitled, 'The Rabbit Hole'.

With a brutal honesty and relentless force, it rips through the illusion of control and dares listeners to wake up, fight back, and resist. A soundtrack for the disillusioned—unapologetic and unrelenting. The song features Clemens Wijers (CARACH ANGREN) who curated the tracks ambient sound effects and synth section.

KATAKLYSM'S Maurizio Iacono states,  "'The Rabbit hole' is the bands first stand alone single since the bands classic 'Iron will' track. As the world spins out of control and people search for purpose and truth, we felt questioning these things is something important to do, theres a lot of noise and lots of distortion these days, but always  trust your gut and what is right vs what is forced fed, so why not put these thoughts to music, so while we wait for the next record, we decided to drop this heavy hitter, spread it an enjoy!"

The single was recorded earlier this year at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabinin Orlando, FL and Silver Black Studio, Laval, QC, Canada. 'The Rabbit Hole' was produced, mixed, and mastered by the band's very own J-F Dagenais.

Watch the visualizer video for the learning anthem of rebellion 'The Rabbit Hole' which was created by Ingo Sporl at Hard Media, below:

Stream 'The Rabbit Hole' here: https://kataklysm.bfan.link/the-rabbit-hole

KATAKLYSM is:
Maurizio Iacono | Vocals
Jean-François Dagenais | Guitar
Stephane Barbe | Bass
James Payne | Drums

More information:
www.facebook.com/kataklysm
www.twitter.com/kataklysmband
www.instagram.com/kataklysmband
www.youtube.com/kataklysm
www.kataklysm.ca

MORS PRINCIPIUM EST To Release 9th Studio Album, 'Darkness Invisible,' Through PERCEPTION

Finnish melodic death stalwarts MORS PRINCIPIUM EST announce their long-awaited ninth studio album, Darkness Invisible. Officially signed to PERCEPTION, the latest imprint of Reigning Phoenix Music, the band will once again embrace listeners with razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.
 
Viljanen comments: “Joining PERCEPTION marks a powerful new chapter for us. We’re proud to be part of a label family that houses so many legendary titans. With their support, we’re ready to unleash our most furious, blistering and ambitious work yet. The future burns bright, shrouded in “Darkness Invisible.””
 
“Throughout their career, MORS PRINCIPIUM EST have kept impressing me and the rest of the metal world with solid melodic death of the faster kind. Although they’ve never been the most active live band, they succeed in growing their following with each of their releases what underlines the masterfulness of their craft additionally...and in this case, ‘[Of] Death’ is really just the beginning. Welcome to PERCEPTION!” states label strategist Nils Wasko.
 
MPE are also not stingy with details above all: Darkness Invisible will finally be unleashed upon the world on September 26, 2025, and was once again self-recorded at Ansa Studio (Ulvila, Finland); Jens Bogren mixed and Tony Lindgren mastered the ten new tracks (plus CD / digital bonus song) at Örebro, Sweden’s Fascination Street Studios (AMORPHIS, SEPULTURA, KREATOR etc.). Alvaro Valverde Fernandez was hired to create artwork and layout.
 
Pre-order your copy: https://mpe.rpm.link/darknessinvisiblePR
 
Despite delivering MPE’s much-loved trademark elements, Darkness Invisible is not content to simply revisit old formulas, but it expands upon them: the arrangements are more cinematic than ever, layered with subtle electronic textures, ambient passages, and dynamic shifts that mirror the emotional weight carried within the lyrics - and the result is a work that feels both cathartic and devastating.
 
First single "Of Death," also the opening track of their new record, a bone-shattering yet enormously melodic piece with a darkly majestic chorus, can be heard below:

About MORS PRINCIPIUM EST
 
Over the course of seven original studio albums, MORS PRICIPIUM EST refined their modern approach to melodic death metal again and again. Members came and gone, but their music remained untouched: razor-sharp riffing, sweeping orchestration, melancholic harmonies, and relentless rhythmic precision - topped by Ville Viljanen’s unmistakable vocals.
 
MORS PRINCIPIUM EST were founded in Pori in 1999 and are one of the longest serving Finnish melodic death metal bands. With frontman Viljanen being the most stable members, the present quintet survived several line-up changes before original members and guitarists Jori Haukio and Jarkko Kokko returned to MPE and already took part in recording their latest offering Liberate The Unborn Inhumanity [2022]. Also contributing to these refreshing re-recordings from their early years were former bassist Teemu Heinola and drummer Marko Tommila. A statement to honour the group’s history and to celebrate the freshly motivated line-up, which is now set to blast out their ninth album titled Darkness Invisible on September 26, 2025 through new label home PERCEPTION.
 
MORS PRINCIPIUM EST are:
Ville Viljanen | vocals
Jori Haukio | guitars, programming
Jarkko Kokko | guitars
Teemu Heinola | bass
Marko Tommila | drums
 
More on MPE:
morsprincipiumest.com | Facebook | Instagram | YouTube | Spotify | Apple Music

027 Releases New Single “Umbilical Cord” OUT TODAY!

As of recently, 027 has been toiling away in their storage unit rehearsal space. Practicing and writing new material while trying to learn from each other and grow through their music. The result is a powerful new single, “Umbilical Cord,” out today! It’s a teaser for the magnitude of what is to come for this Ontario band. Producing their music in their basement recording studio, 027 aspires to create art and to inspire others to do the same! 

 

Intensity abounds in this stunning new track from 027. The intro is jerky and atonal, leading to a double-time wallop of angry vocals and head-banging ferocity. This is arguably the band’s most toe-tapping number yet as it conjures images of grinding mosh

pits and flying elbows while the catchy riffs hold up the edges. “Umbilical Cord” is a true harbinger of 027’s increasingly evolving musical maturity. 

 

The band calls it a “cute and adventurous track we have enjoyed playing live for quite some time.”

Today 027 is also releasing their self-titled album that compiles one new song alongside a selection of pre-released tracks spanning from 2023 to 2025. Acting as both a retrospective and a powerful statement of identity, '027' captures the full scope of the band’s evolution—from the raw grit of their earliest DIY recordings to the sharpened chaos of their most recent work.

The album is a curated journey through their sonic development, offering fans old and new a cohesive snapshot of the trio’s relentless drive, genre-defying riffs, and unfiltered energy that have become their trademark. It stands not just as a release, but as a declaration of who 027 is—and where they're heading next.

Order '027' + Other Merch HERE

027 (pronounced zero two seven) is an energetic fuzz-rock trio shaking Ontario’s underground music scene with raw, unfiltered energy since 2022. Known not only for their crushing live fuzz-rock but for putting on live shows and being stalwarts of the scene they have come up in, this young band puts passion and vigor into self-producing and promoting their music and shows. 

 

The band’s sonic force is powered by a lifelong friendship between Keagan Ross(guitars/vocals) and Caleb Lavictoire (bass). Bonding over music in elementary school, the two played in bands throughout public school. In November 2022, Keagan scored a gig opening for a popular local band. Although he didn't formally have a band assembled, he quickly put together what is now 027. Caleb and Gray Laine (drummer) had never met until that point, and they played that first show having never practiced or rehearsed as a three-piece. The rest, as they say, is history.

 

The trio loved jamming together and found a similar ethos ran between the two best friends and their new cohort. In spring of 2023, 027 self-produced their first EP, ‘Light Of The Black Sun,’ printing CD jackets using their school’s printers and paper and burning the discs themselves. The band followed up the following spring with an intense EP entitled ‘You’re Not Supposed to Know,’ released in March of 2024. 

 

Definitive supporters of the youth, 027 are committed to only playing venues that allow all ages, and they do their best to book younger bands on their bills to allow them the same exposure they strive for themselves. They are currently working hard on expanding their live audience with multiple Ontario dates already set for May. Rendering a sound that blends punk, metal, stoner rock, and fuzzcore. 

See all tour dates below:

05.23.25 Orangeville, ON @ Oddfellows Hall

05.24.25 Hamilton, ON @ Into The Abyss

05.25.25 Toronto, ON @ Array Music

06.07.25 Toronto, ON @ Steelworks Hall

06.08.25 Kitchener, ON @ Midnight Run

06.14.25 Aurora, ON (early) @ 169 Edward st

06.14.25 St Catherine's, ON (late) @ NAC Center

06.22.25 Toronto, ON @ Seascape **19+

06.28.25 Kitchener, ON @ Union

027 are:

Keagan Ross – lead guitar and vocals

Gray Laine – drums

Caleb Lavictoire – bass

ALEX THORN Drops Electrifying NEW Rock Anthem “SHE OWNS THE NIGHT”

Rock is far from dead — and ALEX THORN is here to prove it. The dynamic singer, guitarist, and rock revivalist has just released his latest single, "SHE OWN'S THE NIGHT," a full-throttle anthem packed with swagger, seduction, and stadium-shaking energy.



Blending the gritty punch of modern hard rock with the glam-soaked vibes of the '80s,

"SHE OWN'S THE NIGHT" is a sonic tribute to the kind of woman who lights up the darkness and commands every room she enters. Driven by searing guitar riffs, thunderous drums, and Thorn’s magnetic vocals, the track is a bold declaration: the night belongs to her — and you’d better keep up.

"SHE OWN'S THE NIGHT" isn't just a song; it's an anthem for the woman who commands the darkness. Every step, every word, every glance unleashes a primal energy that captivates all under the moon's gaze. This is her domain, and she rules it with untamed desire."

- ALEX THORN

Five years carving a path through the Spanish rock scene. Seven shots fired as singles. Now, the five-song EP is the warning. 10K online get it. 300+ have witnessed the live chaos. 3.8 million YouTube views can't be wrong. 19K Twitter mentions? Just the sound of the impending storm. My solo project is here to unleash the defiant spirit of 80s sleaze rock on the world.

Five years carving a path through the Spanish rock scene. Seven shots fired as singles. Now, the five-song EP is the warning. 10K online get it. 300+ have witnessed the live chaos. 3.8 million YouTube views can't be wrong. 19K Twitter mentions? Just the sound of the impending storm. My solo project is here to unleash the defiant spirit of 80s sleaze rock on the world.

RADIO PLAY DOWNLOAD ASSETS FOR "SHE OWN'S THE NIGHT"

CONNECT WITH ALEX THORN

California electronic artist Matthew Nowhere to release debut 'Crystal Heights' album on May 23

California electronic-synthpop artist Matthew Nowhere presents his debut album 'Crystal Heights' - a sonic love letter to the 1980s. Throughout its 13 hook laden tracks, this record celebrates and pays homage to new wave classics with memorable songs and a lush, synth and tape-laden production style.

Originally from the San Francisco Bay Area, vocalist, multi-instrumentalist and producer Matthew Nowhere explores sounds of the 1980s with inspired reverence, his unique music bringing good vibes, poetic lyrics and gritty new wave beats. Currently residing in California's Nevada County in the forests of the Sierra Mountains, Matthew Nowhere uses analog production styles in creating deeply authentic and soulful music that speaks to the power of love to overcome all obstacles.  

A self-described "lover and mystic", Matthew Nowhere's lyrics on 'Crystal Heights' deliver on that promise. Themes of wonder, transcendence and mystery weave through the album, along with a constant emphasis on the importance of love. Though some songs are introspective and melancholy, overall, 'Crystal Heights' is an uplifting album, following a palpable arc of love, growth, and redemption.

“This album takes another look at something beautiful once rejected. I decided to return to the music that was all around during my childhood, and to explore the entire emotional landscape of those incredibly formative years. 'Crystal Heights' represents an embracing of a forgotten part of early childhood, and a celebration of all the incredible creativity that was everywhere at the time," says Matthew Nowhere.

With gritty drum machines and analog synths, 'Echoes Still Remain', ‘Crystal Heights’ and 'Love Is Only What We Are' recall synthpop greats such as OMD, Depeche Mode and New Order.  Elsewhere, on ‘Ruby Shards’ and ‘Everything’s True’, Matthew Nowhere delivers a more band-driven sound with echoes of The Church or Psychedelic Furs.

Standout tracks 'Transforming' and 'Persist3nce' feature Lunar Twin, made of up vocalist Bryce Boudreau and multi-instrumentalist Christopher Murphy. Mainstays on the dreamgaze scene for many years, their contributions weave a fine layer of silk into the fabric of this sublime retro-futuristic music. On ‘Transforming’, Nowhere spins neon-lit electronica, mixing beautifully with Boudreau’s emotive, broody vocal style. On ‘Persist3nce’, Nowhere and Boudreau are joined by the darkwave synth stylings of Lunar Twin's Chris Murphy and angelic choir tones by the Antonio Family Singers.

"Music to me is literally magic. I am transforming feelings into sounds. And if I’m going to do that kind of alchemy, the feelings I want to share are ones that are meaningful and transformative. Life is wild and mysterious, and it doesn’t always make sense. But the important things - connection, love - are always grounding and I can’t think of anything else I want to focus my life on," says Matthew Nowhere.

As of May 23, 'Crystal Heights' is available from fine music platforms, including Apple Music, Spotify and Bandcamp. Now available for pre-order, this record will be released digitally and on Limited Edition transparent blue vinyl.

CREDITS
Music composed by Matthew Nowhere (Matthew Lin Packard)
Lyrics by Matthew Nowhere
except ‘Transforming’ and ‘Persist3nce’ - lyrics by Bryce Boudreau
Matthew Nowhere - vocals, synths, bass, guitar, drums, drum machines, programing & sequencing
Bryce Boudreau – lead vocals on ‘Transforming’ and ‘Persist3nce’
Chris Murphy – additional synths on ‘Persist3nce’
Antonio Family Singers – choir on ‘Persist3nce’
Produced by Matthew Nowhere. Co-produced by Bryce Boudreau
Mixed & mastered at Nowhere Sound Studios
Recorded at Nowhere Sound (Grass Valley, CA), Tiny Flame Studios (Petaluma, CA), Ohia Forest Recordings (Kealekua, Hawaii), Desert Heat Studio (Salt Lake City, Utah)
Cover artwork by Violet Flame Design
'Transforming' video directed by Zoey Nguyen
Additional stills directed by Simona Lonardo Cinematography (Beneveto, Italy)
Publicity by Shameless Promotion PR

Keep up with Matthew Nowhere
Website | Bandcamp | Facebook | Instagram | BlueSky | TikTok | Soundcloud | YouTube| Apple Music | Spotify | Press contact

Keep up with Lunar Twin
Bandcamp | Facebook | Instagram | Twitter | Threads | YouTube | Spotify | Apple Music

Keep up with Shameless Promotion PR
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BEAR MACE Release Crushing New Single “Drown Them In Their Blood”

Chicago death metal destroyers BEAR MACE have unleashed their latest single, “Drown Them In Their Blood,” a brutal, mid-tempo assault taken from their acclaimed third album Slaves of the Wolf. With its menacing groove and war-torn lyrical themes, the track stands out as one of the album’s heaviest moments. Pre-orders for Slaves Of The Wolf are available HERE.

“Going deep into your enemy’s territory to annihilate them in the middle of the night. It is sometimes a necessity in warfare,” says vocalist CHRIS SCEARCE, whose lyrics bring a visceral, tactical realism to the band’s ferocious sound.

Originally written at a much faster pace, the band made a deliberate choice to shift gears and let the weight of the riffs do the talking.

“‘Drown Them…’ started out as a much faster song,” explains guitarist MARK SUGAR. “But on a record that already has a lot of fast songs, we decided this one would work better as a slower, Bolt Thrower-ish crusher, and we made it so.”

The result is a grinding, doom-laced death metal anthem that channels the grim finality of combat and the unstoppable force of old-school heaviness. With its thunderous riffs and deliberate pacing, “Drown Them In Their Blood” is both a nod to death metal’s roots and a statement of BEAR MACE’s unstoppable evolution.

About BEAR MACE:

Formed in Chicago in 2012, BEAR MACE stands as a relentless force in the death metal genre. The band's name reflects their fierce approach to music—uncompromising and formidable. Drawing deeply from the well of early death metal influences, BEAR MACE crafts a sound that combines the raw aggression and complex narratives reminiscent of genre pioneers like Bolt Thrower and Massacre. Their music is not just an onslaught of sound but a meticulously woven tapestry of historical and fantastical themes, delivered with technical prowess and intense energy.

Over the years, BEAR MACE has solidified their reputation through both their recorded music and dynamic live performances. Albums like Butchering The Colossus and Charred Field Of Slaughter showcase their ability to blend brutal riffs with deep lyrical content, exploring themes from ancient wars to modern dystopias. With each release, BEAR MACE continues to hone their craft, engaging fans with music that is both thought-provoking and viscerally satisfying.

As they prepare to release their third album, Slaves Of The Wolf, BEAR MACE remains dedicated to pushing the boundaries of the death metal genre, ensuring their music is not only heard but felt—a true testament to their passion for and dedication to the spirit of heavy metal.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

PATCHWORK Releases New Album 'Scars'

After nearly a decade since their debut, metal band PATCHWORK returns today with the release of their powerful new album, Scars. The album is accompanied by the debut of a lyric video for the emotionally devastating closing track, “At The End," available HERE. 

Formed in 2010 by five longtime friends reuniting after years away from music, PATCHWORK has evolved from a thrash cover band into a formidable force of original songwriting. Scars serves as a conceptual sequel to their 2015 debut Exit Wounds, digging deeper into the emotional and psychological aftermath of trauma. Where Exit Wounds explored the moment of impact, Scars lingers in its wake.

The album showcases PATCHWORK's signature fusion of thrash, power, and speed metal, sharpened by tighter songwriting, intense performances, and guest contributions from heavyweights like Bobby Gustafson, Kragen Lum, Michael Gilbert, Dallas Toler-Wade, and Ronnie Parmer. New vocalist Heith Gruner and bassist Liza Sanchez inject fresh energy into the band’s lineup, giving the record a modern edge while staying true to its roots.

Among Scars’ 13 tracks is the heart-wrenching closer, “At The End,” a tribute to late band member Mark Sheetz, who passed away from cancer in 2023. Featuring lyrics written by Dave Caruana, solos by Kragen Lum, and a final recorded message from Sheetz himself, the track stands as the album’s emotional core.

Scars was written over six years and recorded at multiple studios, including Scars Studio and The Junkyard, with reamping completed at TVR Studio. The album’s production mirrors its themes: raw, honest, and unrelenting. Scars is available for purchase HERE.

About PATCHWORK:

PATCHWORK is a dynamic metal band hailing from Rockford, IL, known for their aggressive blend of thrash, power, and progressive metal. Since their inception in 2010, PATCHWORK has captivated audiences with their intense soundscapes and thought-provoking lyrics. Composed of Heith Gruner on vocals, Brad Carlson on guitars, Liza Sanchez on bass, and Dave Caruana on drums, the band has forged a unique path in the metal scene, distinguished by their musical complexity and deep thematic content.

The origins of PATCHWORK trace back to a group of seasoned musicians looking to reflect on their personal experiences and the broader human condition through music. The name "PATCHWORK" itself symbolizes the diverse elements that each member brings to the band, stitched together to form a cohesive and resilient artistic tapestry. Over the years, PATCHWORK has undergone several lineup changes, each time emerging with a renewed focus and energy that have enriched their sound and artistic direction, with Dave and Brad remaining as integral songwriters and collaborators.

Their debut album, Exit Wounds, released in 2015, introduced PATCHWORK to the world, showcasing their ability to blend melodic precision with raw power. The album was well-received, establishing the band as a formidable presence in the metal community. Since then, PATCHWORK has continued to evolve, exploring new themes and musical territories with each subsequent release.

The band’s latest album, Scars, is a profound exploration of the scars—both physical and emotional—that life’s trials leave behind. The album reflects the band's journey, marked by personal losses and the challenges of the ever-changing music landscape. Through Scars, PATCHWORK delves into the process of healing and the strength found in vulnerability, themes that resonate deeply in their meticulously crafted tracks.

Despite not being a live band currently, PATCHWORK's music continues to reach a wide audience through their recordings and online presence. Their dedication to creating authentic, powerful music that speaks to the resilience of the human spirit remains unwavering.

With a reputation for meticulous craftsmanship and a passionate approach to music, PATCHWORK stands as a beacon in the metal genre, inviting listeners to find solace and strength in their thunderous riffs and compelling narratives.

PATCHWORK is: 

  • Dave Caruana - Drums

  • Brad Carlson - Guitars

  • Heith Gruner - Vocals 

  • Liza Sanchez - Bass

Connect with PATCHWORK:

AGENTS OF YOUR DEMISE Featuring STEPHEN CHESNEY, SLASH'S SNAKEPIT VOCALIST ERIC DOVER, BILLY SHEEHAN, KoRn's RAY LUZIER & G'N'Rs DIZZY REED for Fiery NEW Single "Sick Existence"

AGENTS OF YOUR DEMISE

Featuring STEPHEN CHESNEY, 

SLASH'S SNAKEPIT VOCALIST ERIC DOVER, BILLY SHEEHAN, KoRn's RAY LUZIER & GUNS N' ROSES DIZZY REED for Fiery

NEW Single "SICK EXISTENCE"  

 "SICK EXISTENCE" is another song that musically sounds a lot happier at some points than it really is... it tells an important story, If you know you know. I've been waiting to finish this song for a long time so getting it out into the world has been a long time coming." 

- Stephen Chesney

ON THE SICK EXISTENCE RECORDING PROCESS:

“We'd been hanging out at a crochet circle and after a lot of hand cramps and light banter we decided to throw our knitting needles at the b*tch giving the class and say stick these up your ass, we're going to go rock this f*cker.” - Eric Dover

THE SONGS

"What you hear on the record in a lot of ways is the story of the last 10/15 years of my life. They’re songs written during some crazy peaks and valleys and I think that makes it a very relatable record. A lot of anger, a lot of venting and a few receipts (maybe…) but there’s a pretty good sense of humor kept within the lyrics throughout. The musicianship of the guys involved is as incredible as you’d expect from them, it was amazing having the songs come together with guys that have the ability that these guys do... and then having Dizzy sign on for the final two songs I was tracking made all the time that it took to get to this point worth it.” - Stephen Chesney

THOUGHTS ON THE RECORD

“I had such a blast playing on this record,

Ray Luzier is so awesome on drums and Stephen played some spectacular guitar on his great songs. I’m glad I could be a part of this!”

- Billy Sheehan

ON THE BAND COMING TOGETHER

“Stephen called me and said hey so i’ve got this idea and these guys in mind to put a band together for a record so I said whats in it for me? - He said he’d buy me a lap dance from a stripper and take you to Buc-ee's to buy beef jerky and I said you know what when you put it that way... by god I’m in.” - Eric Dover

BASK Cover The Brian Jonestown Massacre

After a smoking hot tour with their labelmates and fellow North Carolinians Weedeater, Bask are now ready to turn over a different kind of leaf. The Asheville natives will release their fourth album later this year. But first, the band are looking back at one of their influences. 

"We've always been inspired by acts like The Brian Jonestown Massacre", says guitarist and vocalist Zeb Wright. "They write songs that feel outside of time and place". 

To celebrate the 20th anniversary of the documentary that thrust The Brian Jonestown Massacre into the spotlight, today, Bask are releasing a cover of "Anemone". The road to get to this point has been much smoother than it was for the shaggy San Franciscan collective, but the heavy dose of Americana that the band bring to this cult classic shows how far they've come. 

Listen to Bask's heavy and heady cover of "Anemone" below:

Stream
https://bask.fanlink.tv/Anemone

Even though they're separated across coastlines and nearly three decades, Bask and The Brian Jonestown Massacre were in a similar headspace heading into their fourth albums. While partially named after the Rolling Stones' guitarist, BJM shifted from spaced-out shoegaze to flower-powered '60s psychedelia on 1996's Their Satanic Majesties' Second Request. Bask's upcoming full-length also ventures into headier pastures, though their cover of that album's sleeper hit "Anemone" is plucked straight from the band's Appalachian roots.

"You should be picking me up / Instead you're dragging me down", Wright repeats in a dazed drawl while twanging on his banjo. 

Bask haven't endured nearly the same amount of lineup turnover as their kindred spirits in The Brian Jonestown Massacre. On "Anemone", Drummer Scott Middleton and bassist Jesse Van Note hold down a bottomless groove that's as sludgy and free-flowing as a riverbed. But this cover is the first release since Jed Willis joined as the band's official fifth member. As his pedal steel ripples against Ray Worth's colorfully swirling leads, the band take cosmic country into a whole new dimension.
 
"'Anemone' is hypnotic in its repetition and perfectly expresses the combination of emotional distress and unbothered cool that to us feels so integral to BJM's sound and songwriting", Bask says. "It's also really fun to play and riff on".

Hailing from Carolina’s storied Blue Ridge Mountains, Bask came together in the fall of 2013. Guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note and guitarist/vocalist Zeb Wright produce sounds that reflect their lush yet rugged Appalachian habitat.

The band's upcoming fourth album is an inter-dimensional Western that digs its heels into their trailblazing Heavy Americana by swirling between raw, metallic energy and country twang.

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Kenny Harrington - Tambourine

Recording studio
Echo Mountain Spring

Production
Produced, Engineered and Mixed by Kenny Harrington and Zeb Wright.

Mastered by Joe Hutchinson at Garage Masters in Nashville, TN

Order & Stream
https://bask.fanlink.tv/Anemone

Follow Bask
Official website: www.baskband.com
Bandcamp: https://basknc.bandcamp.com/
Facebook: http://www.facebook.com/basknc
Instagram: https://www.instagram.com/baskband/
Twitter: https://twitter.com/thebandbask
Spotify: https://open.spotify.com/artist/44JvnzLiXzAtiMSDJTnFC7
Apple Music: https://music.apple.com/us/artist/bask/209266263

Canadian pop songstress Linds Sais presents 'Golden Hour’, heralding debut EP

Canadian pop starlet Linds Sais presents the single 'Golden Hour', a slick and grooving sonic delight that heralds her debut 'Glitter Cowgirl' EP. With a voice that floats like vapor and hits like velvet, this a sun-soaked ballad that channels the glow of radiant selfies into a playful, feel-good anthem for your inner hype squad.

This song explores the sunny intersection of self-love, community and social media. While it's true that social media often gets a bad rep for its negative aspects, 'Golden Hour' challenges this notion by highlighting the positive elements of these apps. In the accompanying video, Linds Sais acts as a hype woman, encouraging girls to feel their best and summon their best selves to shine through.

"Golden Hour was inspired by the social media trend, where girls take selfies of themselves during the magical part of the day, when the sun hits just right in a brilliant golden hue," says Linds Sais.

"The song is like being in the comment section of your best friend's selfie - empowering, fun and carefree, tied together with cheeky lyrics!"

Hailing from the heart of Canada—Winnipeg, where prairie skies stretch as wide as her vocal range—Linds Sais is a study in contrasts. Quiet in conversation, bold in expression, she’s the kind of artist who doesn’t need to shout to be heard. The moment she steps behind the mic, her voice—delicate as sugar, yet commanding when called—becomes her loudest truth.

Inspired by Lauryn Hill and Whitney Houston, and rooted in the soul-bearing intentionality of Alicia Keys and vocal fire of TLC, Linds blends classic influence with a fresh sensibility that feels entirely her own. Her sound is silk-wrapped storytelling: smooth, vulnerable, and unexpectedly powerful when the emotion demands it.

The seeds for this debut EP were laid during the hush of the pandemic, when something shifted. The world paused—and Linds hit play on the backlog of emotion and experience she had yet to articulate. What emerged was a flood of songwriting that felt both personal and universal with lyrics and hooks that often hit in the middle of the night.

We have her a glimpse of her forthcoming debut abum 'Glitter Cowgirl' - a mood, a movement and a mirror for those trying to grow up gracefully in this chaotic world. Imagine leafing through your best friend’s diary while the stereo pumps a disco beat. There are slumber party highs, teary-eyed truths, and basslines that feel like heartbeats. From live instrumentation to shimmering synths, it’s part pop confessional and part cosmic dancefloor.

The 'Golden Hour' single is out now from fine music platforms, including Spotify, Apple Music  and Bandcamp. Her self-released 'Glitter Cowgirl' EP will be released digitally on August 1.

CREDITS
Music & Lyrics written by Lindsay Johnston, Tyler John
Performed by Linds Sais
Produced by Tyler John
Mixed by Garrett Ward
Mastered by Joao Carvalho Mastering
Cover artwork by Lindsay Johnston & Bogos Demsas
Artist photos by Devon Gray
Publicity by Shameless Promotion PR

Keep up with Linds Sais
Bandcamp | Instagram | TikTok | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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The Dogs of Hope" Charity Comp Featuring KsE, Snapcase, Deadguy, Walter Schreifels, + More to Benefit Alabama Shelter

ALTERNATIVE + METALCORE A-LISTERS UNITE FOR THE DOGS OF HOPE— A COMPILATION ALBUM TO RAISE FUNDS FOR NO-KILL ANIMAL SHELTER IN RURAL ALABAMA

"This isn't about changing the whole world,” says Tom Bejgrowicz, who began volunteering at RCAS in 2020. "It's about changing a world—one animal at a time."

For every one of us who have asserted that "dogs are man's/human's best friend," Iodine Recordings and Tom Bejgrowicz (who has worked with The Beastie Boys, Quicksand, and Johnny Cash) have corralled some of the finest names in the alternative, hardcore, and metal scenes to put their money where their mouths are.

Complete with 14 (13 of them exclusive) tracks from Snapcase, Walter Schreifels (Quicksand, Gorilla Biscuits), Alex Skolnick (Testament), Killswitch Engage, Jeromes Dream, Death Ray Vision, Orange 9MM, Deadguy, Lybica, Roman Candle, Drought, Enforced, and Taken, this is a tribute like none other. Slated for release on August 8, this summer is officially going to the dogs. 

PRE-ORDER YOUR COPY OF THE DOGS OF HOPE HERE

Listen to "Pigs on the Wing (Part 1)" by Schreifels below:

With a cover designed by Jeremy Dean (Green Day, The Rolling Stones, The Bronx) and the project mastered by the legendary Jack Shirley (Deafhaven, Joyce Manor, Quicksand), The Dogs Of Hope is a sonic love letter to the canines that roam the streets of Randolph County in Alabama. Their slobbery smiles of trust have emboldened some of the greatest musicians to put pen to paper to share songs for some of the most deserving four-legged friends around.

A living and breathing symbol of the indie community's love for community care, 100% of the sales both digitally and physically from The Dogs Of Hope will be going directly to the Randolph County Animal Shelter (RCAS), nestled in rural Wedowee, Alabama.

This no-kill, privately run facility has to date saved thousands of animal's lives, all despite their lack of public funding or support from the county.

Operating with a small staff at a completely full capacity since 2021, the Randolph County Animal Shelter is a beacon of hope in a region that features no spay/neuter programs. Committed to providing life-changing services for the animals of Wedowee, we can now all be a part of making this ever-changing world a better place to live in by supporting and listening to artists who are already the favorites of millions.

Ride-or-Die Love Takes Center Stage in Maya Kuriel’s New Single “Alibi”

Rising pop sensation, Maya Kuriel, has officially dropped her second single of 2025, "Alibi" — a brooding, cinematic anthem that fuses passion with peril. Released today, the track showcases Maya’s signature

ability to turn intense emotion into immersive sonic experiences. "This song is for anyone who's ever chosen love over logic," says Maya.

Produced by Gavin Hudner and co-written by Maya, Julia Joy Thompson, Gavin Hudner, and Peyton Incollingo, "Alibi" plunges listeners into a shadowy world where loyalty and secrecy reign supreme. With moody, atmospheric production and evocative lyrics, the song paints a vivid portrait of two lovers on the run — bound by a vow to protect each other at all costs. Imagine Bonnie and Clyde reimagined for the digital age: late-night getaways, new identities, and a relentless pursuit of freedom and love.

"Alibi" follows Maya’s earlier 2025 release, "Dead Weight," a chilling and emotionally raw track that delves into the heavy toll of toxic relationships. While "Dead Weight" explored emotional entrapment, "Alibi" flips the script, celebrating a reckless yet unwavering devotion. With her genre-blurring storytelling and hauntingly emotional vocal delivery, Maya Kuriel continues to carve out a bold new space in the pop landscape.

MORE INFO:
Born and raised in Seattle and now based in Los Angeles, Maya Kuriel is a first-generation Korean American artist redefining the landscape of pop music. She’s a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that’s long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats. Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she’s the storm brewing on the edge of pop’s horizon—one that refuses to be ignored.

MAYA KURIEL ON SOCIALS:

YOUTUBE | INSTAGRAM | SPOTIFY | TIKTOK | TWITTER

Alternative Metal Band ODC Unveils New Single “Love, I Tore It Apart” + Music Video

The newly signed French alternative metal band ODC are thrilled to unveil their new single, “Love, I Tore It Apart,” out now via BLKIIBLK. The new single is accompanied by a music video, available to view below.

 

With its polished production, dynamic structure, and vulnerable lyrics, this new single places ODC firmly in the new wave of genre-bending metal acts.

 

Commenting on the track, ODC states:

“The track blends heavy, syncopated guitar riffs with electronic textures and powerful, emotional vocals - a bold and cinematic take on modern metal. It dives deep into themes of toxic love, identity loss, and emotional struggle, capturing the chaos of a relationship that slowly destroys from the inside.” 

Watch the Music Video for "Love, I Tore It Apart" Below:

ODC is the soundtrack of a hybrid generation. A sonic uppercut, balancing raw power and elegance. It’s also the voice of a generation searching for meaning - standing at the crossroads of styles, cultures, and influences.

 

Born in Paris in 2017, ODC is the result of two worlds coming together: the world of Celia Do, a vocalist with a striking identity, and that of a composer driven by the same fire - the desire to create an alternative metal project that breaks free from conventions: bold, modern, and uncompromising. From this spark, a true sonic and visual odyssey emerged.

 

ODC - named after Celia’s stage name acronym - became a totally creative space, where heavy riffs, catchy melodies, and contemporary electronic textures collide in a unique blend of raw energy and polished aesthetic. ODC is a bold blend of metal, modern rock and immersive electronic atmospheres.

Stream / Listen to "Love, I Tore It Apart" HERE