Irish Folk / Celtic Rock Band JOLLY JACKERS Release New Single "WAR" + Official Music video ​   

Irish Folk/Celtic Rock band JOLLY JACKERS unveiled their latest single, "WAR" now available on all major platforms. The single is from their forthcoming EP, The Blue Disc, due out this May.

 

With spirited melodies and electrifying rhythms, they invite listeners on an unforgettable journey through the heart of their musical realm. Get ready to be swept away by their signature blend of tradition and innovation as they infuse every note with the soul-stirring spirit of Ireland.

 

"A theme for most generations but we always hope not ours. War is hell, war never changes. Let's hope for a brighter future, and never give up hope.," says the band about "WAR".

 

STREAM "WAR"
Spotify

This newly-released song is now available to stream and download, and the music video, can be viewed below:

With over 13,000 Facebook followers and nearly 34,000 monthly Spotify listeners, the Jolly Jackers have now played in 13 European countries. The band is getting more and more attention on the Hungarian and international press.

 

The Budapest based Jolly Jackers, founded in January 2013, is a truly unique and professional production with more than 300 concerts, 5 records and 5 singles behind them.

 

The band roars like an incredible energy bomb on every stage, be it in a small pub somewhere in the Swiss mountains or at a big international festival in the heart of Spain. They have already played together with artists such as The Rumjacks, Fiddler's Green, or Eluveitie.

The Band:
Rea - vocal, flute, whistle
Enéh - bass
Ilka - violin
Simi - drums
Mark - guitar, mandolin

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Larry Fleet's Ode "A Lotta Women" Out Now

Country hitmaker Larry Fleet may be a self-proclaimed rollin’, ramblin’ and gamblin’ man, however behind it all is the woman who keeps him steady—his wife. Built from grit and grace, her unshakable loyalty shines as the inspiration behind Fleet’s newest release, “A Lotta Women.” Listen Below.

Fleet’s release arrives as his headlining Hard Work & Holy Water Tour spans the United States with sold-out shows featuring Kentucky-rooted Everette on select dates. Showcasing his dynamic vocals and an ace band, he also brings the tour to Europe in August.

Written by Fleet, James McNair and Jake Mitchell, “A Lotta Women” offers a unique perspective on relationships as a touring artist.
 
“There’s not a lotta women that put up with this kind of life, especially with everything that entails: being gone all of the time and traveling,” Fleet shares. “I’ve got me one of those women that sticks around through it all and gives me the opportunity to pursue this dream. And that’s true for a lot of us workin’ folks.”
 
A lotta women woulda washed their hands of a man like me
Changed the locks
Pawned the rock
I’d be forgotten but not forgiven
 
“It’s a different side of me,” Fleet continues. “It’s a little more rock with a cool vibe to it and I dig what our producer Trent Willman did to this arrangement. Hope y’all enjoy.”
 
The release follows Fleet’s “Hard Work & Holy Water,” which reflects Fleet's background in pouring concrete by day and playing in local bars by night, encapsulating the work ethic that’s helped the troubadour transition into the independent artist he is today.
 
As Billboard observes, “with a style that delves into blues, rock and retro-country with ease,” Fleet’s years of hard work are paying off. 
 
Whether writing about his days working construction (“Earned It” and “Working Man”) or balancing his life present-day (“Things I Take For Granted” and “Muddy Water”), you leave Fleet’s 20-plus song headlining sets with a deeper sense of gratitude and optimism he’s proud to impart. 
 
For more information, visit LarryFleet.com.

See Larry Fleet Live: 
April 3, 2025 || Pensacola, FL || Vinyl Music Hall*
April 4, 2025 || Bossier City, LA || Margaritaville Resort Casino-Paradise Theatre
April 10, 2025 || Asheville, NC || The Orange Peel*
April 11, 2025 || Charlotte, NC || The Fillmore*
April 12, 2025 || North Myrtle Beach, SC || House of Blues*
April 17, 2025 || Orlando, FL || House of Blues*
April 19, 2025 || Charleston, SC || The Refinery *
April 24, 2025 || Columbus, OH || The Bluestone*
April 25, 2025 || Wyandotte, MI || District 142*
April 26, 2025 || Rosemont, IL || Joe’s Live*
May 1, 2025 || Binghamton, NY || Touch of Texas*
May 2, 2025 || Huntington, NY || The Paramount*
May 3, 2025 || New Haven, CT || Toad’s Place*
May 8, 2025 || Indianapolis, IN || Deluxe at Old National Centre*
May 9, 2025 || Pittsburgh, PA || Stage AE*
May 10, 2025 || Norfolk, VA || The NorVa*
May 15, 2025 || Pelham, TN || The Caverns*
May 16, 2025 || Pelham, TN || The Caverns*
May 17, 2025 || Sevierville, TN || Blooming BBQ Music & Food Festival
June 12, 2025 || Morgantown, WV || Hazel Ruby McQuain Park
June 13, 2025 || Clanton, AL || Peach Jam Jubilee
June 19, 2025 || Ashvland, VA || Hanover Vegtable Farm
June 20, 2025 || Baltimore, MD || Power Plant Live!
June 21, 2025 || Wildwood, NJ || Barefoot Country Music Fest
June 26, 2025 || South Greenfield, MO || Baker-Spain Stampede
July 4, 2025 || Madison, IN || Roostertail Music Festival
July 18, 2025 || Twin Lakes, WI || Country Thunder Wisconsin
July 19, 2025 || Franklin, OH || JD Legends
July 26, 2025 || Winston Salem, NC || Lawrence Joel Veterans Memorial Coliseum
Aug. 20, 2025 || Glasgow, UK || SWG3^
Aug. 22, 2025 || Camden, UK || Electric Ballroom^
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival^
Aug. 26, 2025 || Belfast, UK || Limelight 1^
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street^
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival^
Sept. 13, 2025 || Burnsville, MN || Buck Concert Series
Oct. 5, 2025 || Winnsboro, SC || Field & Stream Festival
 
* With Special Guest Everette
^ International Tour Dates

ABOUT LARRY FLEET
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson, and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021's tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin' Hard, 2023’s Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “Hard Work & Holy Water.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.” 

CONNECT WITH LARRY FLEET
WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE

Chicago's Push Puppets presents 'This Whole Endeavor' + fab video for 'All Together on 3', previewing fourth album

Melodic indie pop-rock outfit Push Puppets presents 'This Whole Endeavor', the second single from their new long-play album 'Tethered Together', as well as a wonderful new video for the cinematic 'All Together On 3', produced by Scott Thiele and Sebastian Gonzales, and edited by Daniele Arcuri. Both sonic gems preview their fourth record, out on May 16 via Flowering Tree Music

Based in Chicago, Push Puppets is the creative outlet for singer-songwriter and guitarist Erich Specht. The five-piece creates songs with earworm melodies and shiny production that belie often bittersweet sentiments. Specht (lead vocals, guitar) is joined by a core of Steve Frisbie (backup vocals, guitar), Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums). 

Most songs on this album also involve a string quartet, with a horn section on one. We see the quartet's impeccable performance in the video for 'All Together On 3', with Stephanie “Sly” Young on violin, Katherine Andrick on viola, Molly Rife on cello and Kelly Jozwiak on violin (note: Janis Sakai performs in the audio recording).

Its timeless quality and melancholic reflection take us on a sonic trip that is as stimulating as it is emotionally resonant. A moody and musically progressive song about how we’re stronger when we work together, it builds to a cathartic reprise of live strings and harpsichord with a desperate vocal crying for a helping hand as violins punctuate the lines with elegance.

The latest single This Whole Endeavor', a rocker about a relationship that has ended, draws you in with an instantly memorable piano hook. Describing the ebb and flow of a relationship with flowing lyrics, this is sincere yet engaging, the song's reflective bridge and breakdown followed by a driving finale. With the first verse noting love at first sight at a bar - somewhat foreteling the outcome - the story takes a turn and ends in disarray, the author ultimately wishing it was she with him in bed rather than his dog.

"I get a kick out of referring to love at first sight as ‘a trainwreck just about to happen’.  My Pete Townshend fandom might be apparent in this one between the 70s synth phrases and guitar smacks,” says Erich Specht.  “As much as I hate to admit it, after reflecting on the lyrics, it seems clear that this song is somewhat about the relationship with my ex-wife".

The 'Tethered Together' album is graced with impeccable songwriting that shines with lush harmonies, angular guitars, dramatic keyboards and strings backed by a rhythm section to ensure a continually high groove factor. Erich Specht muses on relationships and loss, as well as the weight and joy of life, in a manner that is poetic and seems effortless, his lyrics fitting to the melody like pieces of a puzzle. Wearing his vulnerabilities like a badge of honor, this music takes us on a journey to unexpected places.  

"This album offers a nod to the artistic excesses of the 70s, whether it's a wall of phased vocals or a moment where guitars and strings rip a quick line together between phrases.  The tracks are widely varied yet cohesive - and within a given song, you're likely to be taken elsewhere" says Erich Specht.

'All Together on 3' and 'The Whole Endeavor' are available from fine digital platforms, including Spotify, Apple Music and Bandcamp. The 'Tethered Together' album, now available for pre-order, will be released digitally and on CD on May 16. Push Puppets will hold their album release show at Robert's Westside in Forest Park, IL on May 30.

'THIS WHOLE ENDEAVOUR' CREDITS
Lyrics and music by Erich Specht (ASCAP)
Produced by Doug McBride and Erich Specht
Mixed and mastered by Doug McBride at Gravity Studios
Erich Specht – Lead vocals and guitars
Kyle Magnusson – Keyboards
John William Lauler – Bass
Greg Essig - Drums
Tommi Zender – Backup vocals and guitar

'ALL TOGETHER ON 3' CREDITS
Erich Specht – Lead vocals, guitars, string arrangements
Steve Frisbie – Backup vocals
Kyle Magnusson – Keyboards
John William Lauler – Bass
Greg Essig - Drums
Stephanie “Sly” Young – Violin
Janis Sakai – Violin (Kelly Jozwiak appears in the video)
Katherine Andrick – Viola
Molly Rife – Cello
Video produced by Scott Thiele & Sebastian Gonzales
Video edited by Daniele Arcuri

Cover artwork by Crow Prints
Released & published by Flowering Tree Music (ASCAP)
Artist studio photos by Gintas Zaranka
Artist live photos by Gabi Bucataru
Publicity by Shameless Promotion PR 


Keep up with Push Puppets 
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | TikTok | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Seattle indie rocker AudioGust presents punchy feel-good 'Here We Go Again', heralding new album

Seattle-based indie rock artist AudioGust presents his latest single 'Here We Go Again', the bright and punctuated title track from his forthcoming second album, set for release in late spring. This song kicks things off with an upbeat tribute to the unpredictable nature of creative inspiration.

AudioGust is the solo project of songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started in the 1980s as a guitarist and bassist in various bands. After a decades-long detour in the software industry (including 20 years at Microsoft), he has returned to his true passion, writing and recording in his own studio. He has since released over three dozen songs and collaborated with artists worldwide, drawing inspiration from bands such as Green Day, The Police, and Foo Fighters.
 
'Here We Go Again' captures the artist’s late-night encounter with his muse—an unexpected, almost mystical moment when a song begins to take shape in his mind. As dawn approaches, the rush of ideas intensifies, and he scrambles to keep up, fearing that if he lets them slip away, inspiration may stop visiting altogether. With driving energy and vivid storytelling, Evans sets the tone for the album’s exploration of the highs and lows of the creative process.

This 3 a.m. creative encounter and subsequent search for its significance is a story that fits well with AudioGust's menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections.

This first offering is an intriguing introduction to AudioGust's new 14-track album. Deeply personal and universally relatable, this is an ode to the highs and lows of creativity, including some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
 
AudioGust explains, "This album is split into songs that describe the extremes of the fickle nature of inspiration and songs that have come to me in both of those places". Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.
 
With a knack for crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and evocative guitar arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic exploration of the modern human condition. AudioGust released his debut album 'Walk With Me' in 2023, followed by the 'Hope from Darkness' and 'Love and Pain' EPs.

As of March 31, the single 'Here We Go Again' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The full album by the same name will be released on May 30.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Artist photos by Ernie Sapiro
Publicity by Shameless Promotion PR

Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

Female-Led Upon Wings Drop Metalcore Anthem "My Remedy"

Upon Wings are back in full force in 2025, and the female-led band has just released their second single of 2025, "My Remedy," which is a metalcore anthem.
 
On "My Remedy," Upon Wings unleash their heaviest song to date, with hard-hitting breakdowns, loud guitars, and pummeling rhythms backing vocalist Anne Autumn Erickson's angelic, heartfelt vocals. This powerful new song, which is about that one thing in life that gets your through hard times, is available now.

Stream and download the song on all platforms HERE.

Upon Wings were quiet in 2024, but they're enjoying a fantastic 2025.

In January, the band released "Haunting Me," an emotive electronic ballad with  dark beats and production. Meanwhile, their music has been strong on streaming platforms, with their 2022 heavy metal single, "Last Love," garnering more than 26,000 streams on Spotify, and their 2023 single, "Distant Memory," is at nearly 12,000 Spotify streams. Both of those songs feature guitars from Kevin Jardine and pummeling rhythms from Kyng drummer Pepe Clarke Magaña. "Distant Memory" also features a shredding guitar solo from Lita Ford guitarist Patrick Kennison.

Meanwhile, their debut single, "Afterlife" featuring Brett Hestla of Creed and Dark New Day, is also still going strong.

Anne's "Women of Rock and Metal," "Metal and Rock That Slays," and "Fire Tracks" playlists have taken off on Spotify, too.

Find Upon Wings on Spotify HERE and on Apple Music HERE.

Find Anne Autumn Erickson's solo music on Spotify HERE and on Apple Music HERE, and find her work at Audio Ink Radio here.

Volumes Return With Visualizer for Crushing New Single "Sidewinder"

Los Angeles quartet Volumes — Michael Barr [vocals], Raad Soudani[bass], Myke Terry [vocals], and Nick Ursich [drums] — have just dropped the visualizer for "Sidewinder," their first new track in over two years.

And trust us — it was worth the wait. 

The song is so sonically violent that it's the musical equivalent of the alien bursting from astronaut Kane's chest in the classic horror film Alien. The song is erected on djenty riffs that will loosen your teeth from your gums, industrial crunch, heavy artillery percussion, and the kind of screams that nightmares are made of. So, basically, it's a killer metal track. But the ante has been upped to 11.

Watch the visualizer below.

Volumes also discussed the song in an exclusive interview with Knotfest. Read it here.

"'Sidewinder' is an unapologetic hate letter to a world gone mad, especially the corruption within the music industry," Barr states, sharing insight into the subject matter that's as in your face as the sonics. "It offers an unfiltered perspective on a society in chaos, with no optimism or positivity. It’s a song that captures the feeling of everything unraveling as we know it."

 Volumes have been making a metallic racket since erupting onto the scene in 2010. Armed with a rich catalog spanning three EPs and four full lengths, with over 224 million streams and press praise from Kerrang!, Revolver, New Noise, and more, the band's signature, progressive metalcore style boasts djenty riffs, guttural screams, and crunchy synths. Volumes, who've welcomed singer Michael Barr back into fold twice, have never shied away from experimenting with their dual vocal sound or releasing reimagined and instrumental versions of their songs, demonstrating the depth and breadth of their songwriting prowess. They've hit the road with the likes of Ice Nine Kills, Counterparts, Northlane, Born of Osiris, Dance Gavin Dance, Secrets, and Crown the Empire. Clearly, Volumes cannot be bound by genre parameters and limitations. Now, with "Sidewinder," they are ready for the next era and the Volume(s) is turned all the way up.

The Band Light Debuts With Powerful Single "All I Need" Via Red Van Records

Rising pop-rock group The Band Light makes a bold entrance with their debut single “All I Need,” available now via Red Van Records. The track marks the group’s first release since signing with Red Van Records, Jonas Publishing Group and Jonas Group Entertainment in late 2024. Listen to the song below.
 
Produced by John Fields, the multi-platinum writer, producer and mixer known for his work with Switchfoot, Jonas Brothers, Jimmy Eat World and Demi Lovato, “All I Need” blends timeless rock influences with fresh, modern energy. Of the new music, Fields said, “I had a blast creating studio magic with TBL.” 
 
Formed in Spring Hill, Tennessee, The Band Light – featuring Konnor Dolberry (lead vocals), Jack Glenn (bass/vocals), Garrett Goodrich (lead guitar/vocals) and Trevor Young (drums/vocals) – came together through a high school music production and quickly found chemistry both on and off stage. Since then, the band has amassed over one million streams on their independently released music and spent early 2024 touring across the country, opening for breakout acts Quarters of Change and New Hope Club.

“All I Need” was written backstage during a high school theater production by drummer Trevor Young, capturing the tension and introspection of growing up in a hyperconnected world. The song explores the relationship between youth and technology – personal yet universal in its message.
 
“Excited, determined, and grateful don’t begin to describe how I feel about this release,” says Young. “There’s a magic in this song that’s connected with our fans from day one. ‘All I Need’ was born out of a moment of real emotion and change, and we hope listeners feel that too. It represents a new chapter for us.”
 
With emotionally rich lyrics, soaring harmonies and a nostalgic sound that echoes the best of the ‘60s and ‘70s, The Band Light brings rock credibility and raw charisma to every note. “All I Need” is just the beginning of what promises to be an exciting journey for the Nashville-based group.

Photo Credit: Cole Barnhill

From Fall to Spring Share New Single

From Fall to Spring have released a special rendition of the Backstreet Boys hit "Incomplete." The song was originally created for the ESC 2025 preliminary round and combines the band's signature metalcore elements with emotional melodies and powerful vocals.

In addition to their festival appearances all over Europe like Nova Rock, Barcelona Rock Fest, Resurrection Fest, Taubertal Festival, and many more, From Fall Spring will embark on their first international headline tour across Europe and the UK in October 2025. The tour kicks off on October 22 in Bochum, Germany, and includes stops in cities such as Cologne, Hannover, Hamburg, Eindhoven, London, and Manchester. Tickets for several shows are already sold out, highlighting the band's growing popularity.
 

With their unique interpretation of "Incomplete," From Fall to Spring once again showcase their talent for blending creativity with raw emotion.


More info about their festival dates and headline Europe and UK tour here

GEMINI SYNDROME RELEASES NEW SINGLE “CAROUSEL” – A SONIC RECKONING WITH THE CYCLES OF SELF-DESTRUCTION AND TRANSFORMATION

In the ever-turning wheel of existence, where past, present, and future blur into a singular, cyclical motion, Gemini Syndrome unveils their latest offering, “Carousel”—a haunting meditation on the cycles we trap ourselves in and the courage it takes to break free.

"I am my own worst enemy."

A confession. A revelation. A truth buried beneath layers of pretense. We sabotage ourselves in the shadows, hiding behind the illusion of control. The turmoil within is relentless, unseen yet omnipresent. “Carousel” rips the mask away, exposing this eternal conflict—the conscious self at war with the unconscious. The driver and the passenger. The master and the captive.

"We can often be our own worst enemies," says drummer Brian Steele Medina"There’s this illusion of control, like we’re holding the reins, but sometimes we don’t realize we’re just along for the ride. ‘Carousel’ captures that duality—the war between who we are and who we want to be."

To break the cycle requires an act of will—but true will is more than defiance; it is surrender. The courage to let go of the illusions that bind us. How can we evolve if we refuse to release the weight of our past? How can we ascend if we remain tethered to a wheel that never stops spinning?

"How can we become better than our present selves, when we live our lives like we’re on a carousel?"

The question lingers like an incantation, a challenge to all who dare to listen. “Carousel” is not just a song—it is a rite of passage, a moment of reckoning for those willing to look into the mirror and confront the storm behind their own eyes.

"At some point, you have to face the mirror," vocalist 

Aaron Nordstrom adds. "The song is about that reckoning—when you finally admit that you’re the architect of your own suffering. But acknowledgment is the first step to change."

With towering riffs, hypnotic rhythms, and a chorus that lingers like a whispered truth, “Carousel” embodies the struggle between stagnation and self-awareness.

This is the journey of Origin: From Nothingness to Everything—the transmutation of the self through trial and tribulation. The endless fight to wake up, break free, and become more than the sum of our past mistakes.

The ride is not over. But the choice is yours: remain in endless repetition, or shatter the cycle and step beyond.

As Gemini Syndrome continues their journey of musical and philosophical alchemy, “Carousel” stands as a call to arms for those willing to step off the loop and forge a new path.

GEMINI SYNDROME

Aaron Nordstrom | Messanger

Brian Steele Medina | Drums + Programming

Meegs Rascón | Guitars

AP Paveri | Bass

StarAce Release Debut Single & Music Video, "My America" Produced by David Frangioni

Brazil’s fast-rising rock trio, StarAce has arrived with their anthemic debut single “My America.” Produced by multi-award-winning producer David Frangioni (Aerosmith, KISS, Ringo Starr), the track showcases the band’s phenomenal ability to blend classic rock, blues, and timeless storytelling into a sound that feels simultaneously nostalgic and fresh and is a declaration of resilience, self-belief, and the pursuit of dreams. Listen to "My America" HERE and watch the accompanying music video below.

My America” captures the struggle of finding one’s place in a fast-moving world, where competition, judgment, and division can feel overwhelming. The lyrics paint the picture of someone searching for a personal sense of belonging—a metaphorical ‘America’ where individuality and creativity thrive. From the opening guitar riff to the soaring chorus, "My America" channels both vulnerability and strength. It speaks to the universal longing to belong—standing as a testament to the resilience required to stay true to yourself in a world that demands conformity.

Speaking on the single, StarAce share:  

“Our debut single, ‘My America’ talks about hope and the pursuit of your dreams. It is a single that shows our band's versatility and strength.  

‘My America’ originated from the opening guitar riff, which inspired a hopeful kind of lyricism. That’s exactly what we’ve tried to express—to tell the story of someone lost in their thoughts, struggling to find where they belong in modern society. The world today moves at breakneck speed, with people fighting for attention in an overcrowded space filled with a million opinions and judgments. It’s a world that demands resilience. The only way forward is to believe in what you do, to carve your own path, and chase your dreams. That’s what ‘My America’ represents—‘your own individual America’—a place where every person has the freedom to create and paint their future in whatever colors they choose.”  

StarAce is a band shaped by contrasts. Raised in a house filled with music—from The Beatles to Metallica—the Starace brothers fuse American rock 'n' roll with their unique experiences growing up in Sao Paulo, Brazil giving their songs an unparalleled spirit and raw, modern edge. Their sound is built on the tension between light and dark, chaos and peace. Rock 'n' roll is their language of choice—transcending borders and divisions to connect people through shared emotion and experience.

As they prepare to take their music to the global stage, StarAce remain true to their artistic core: authentic, passionate, and unrelenting. Their music is a rallying cry for connection, resilience and self-expression—a reminder that even in chaos, there’s beauty to be found in coming together.

Built on passion, perseverance, and a deep love for timeless rock ‘n’ roll, the band's incendiary live performances with their full band of six have seen them quickly and relentlessly winning over new fans with every electrifying show they play. The group consists of actual brothers:  

- Julio Starace (vocals/guitar) – The band’s principal songwriter and driving creative force, influenced by legends like Bob Dylan, Neil Young, and Jimmy Page.  

- Luiz Starace (bass) – The rhythmic anchor, bringing deep grooves and intricate arrangements shaped by Paul McCartney, Cliff Burton and Geddy Lee.  

- Thomaz Starace (drums/production) – A powerhouse drummer - influenced by the likes of Ringo Starr, Keith Moon and John Bonham - and skilled producer, ensuring that StarAce’s sound remains raw, yet sonically rich.  

The band will be bringing their infamous live shows to the US to play a small run of dates across Florida next month. For further details and tickets, head to StarAce.com

Sun, Apr 13     Key West FL | Surly Siren Saloon

Thu, Apr 17    Boca Raton FL | Crazy Uncle Mikes

Wed, Apr 23    Orlando FL | Conduit

Thu, Apr 24     Tampa FL | New World Brewery

"My America" embodies the band's core identity—a fusion of classic rock roots and forward-thinking creativity. It's a track that encourages listeners to break free from expectations and define success on their own terms. The band’s upcoming debut album, also produced by the legendary David Frangioni, is set for release later this year and promises to deliver more of the band’s signature blend of gritty rock anthems and heartfelt ballads.

ABOUT STARACE

StarAce is more than just a band—it’s a brotherhood of sound and spirit. Hailing from São Paulo, Brazil, brothers Julio, Luiz, and Thomaz Starace have spent years refining their craft, creating a distinct fusion of classic rock, blues, and American roots music with a modern edge. Raised in a household filled with music, their early exposure shaped their passion for storytelling and musicianship. After experimenting under various names like Ferrorama and Ted Marengos, they ultimately returned to StarAce, a name that embodies both their family heritage and artistic evolution.

With influences spanning a who's who of rock 'n' roll legends such as Led Zeppelin, Bob Dylan, The Rolling Stones, and Muddy Waters, StarAce’s music is a blend of raw energy, intricate melodies, and heartfelt lyricism. Their sound bridges past and present, layering soulful guitar riffs, grooving bass lines, and dynamic drum beats with emotionally driven storytelling. Their upcoming debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), captures this fusion of classic and contemporary, delivering a collection of hard-hitting anthems and soul-stirring ballads that showcase their depth as musicians.

Each member brings a unique essence to the band’s chemistry—Julio leads with his powerful vocals and intricate guitar work, drawing from the greats like Neil Young and Jimmy Page. Luiz anchors the rhythm section, blending Paul McCartney’s melodic sensibilities with Geddy Lee’s technical prowess, while Thomaz commands the drums with precision, balancing raw energy with a producer’s ear for sonic excellence. With their roots deeply embedded in classic rock and their vision set on the future, StarAce is ready to carve their own path and bring timeless rock ‘n’ roll into a new era. They're not here to save the world, they're here to bring people together and provide fans with the soundtrack to their own salvation.

Italian Alternative Rock Duo PEAKS! Unveil New Single “MORPHIA” + Video Out Now Via FLG

Today, Italian alternative rock duo PEAKS! are excited to unveil their new single “MORPHIA”, out now via FLG. The new single is accompanied by a music video, available to view below.

PEAKS! comments on the new single:

'MORPHIA' explores the struggle between self-destruction and the desperate need to feel something real. It’s about those moments when silence becomes unbearable, when the weight of unspoken thoughts and bottled-up emotions pushes you to the edge. The song channels that chaos, that inner conflict between escape and confrontation, turning it into something tangible - something loud. Because when everything is falling apart, when there’s nothing left to hold onto, sometimes the only thing left to do is scream at the top of your lungs.

"Sonically, 'MORPHIA' mirrors that emotional push and pull, blending raw energy with an undeniably infectious melody. The bittersweet contrast between soaring hooks and gritty intensity reflects the song’s core tension - between drowning it all out and feeling it to the fullest. Recorded with a sense of urgency, capturing emotions at their peak, every note carries the weight of that internal battle, making it impossible to shake off, long after the last chord fades."

Watch the Music Video for "MORPHIA"

PEAKS! is an exceptional alternative rock duo from Turin, Italy, who started their musical journey towards the end of 2020 with the jaw-dropping debut song ‚ “Blackout, which amassed over 2 million Spotify streams.

PEAKS! is intensely creative and has formed a very strong distinctive image through their visual output since the start: they shoot and create their own videos and content, while collaborating with the renowned Italian graphic designer Giulia Lunge to realize and stay true to their vision.

From big fuzzy guitar riffs to catchy hooks, their musical influences draw from 70s rock to 90/2000s Electro Pop, as well as current bands such as The Score, Twenty One Pilots, Imagine Dragons, grandson, YUNGBLUD, Bishop Briggs, Welshly Arms, SAINT PHNXand more.

Stream/Listen to "MORPHIA" HERE

PEAKS! debuted live at The Great Escape (2022) in Brighton, gaining huge acclaim that led to festival slots at 2000 Trees in the UK and supporting Pearl Jam at BST Hyde Park in London, then Placebo in Mantova (Italy), their Italian debut in front of 10,000 people. They wrapped up 2022 by playing with Frank Carter and the Rattlesnakes.

2023 saw PEAKS! returning to The Great Escape in Brighton, playing at the first Slam Dunkin Italy, followed by support slots with Dead Poets Society in Holland, and summer shows with Placebo in Italy and Switzerland. They played with Placebo again in 2024, as well as performing at the Storing Festival in The Netherlands.

Over the years, PEAKS! have received great support from DSPs, including placements on New Music Friday playlists across Europe on Spotify, and Fresh Rock and New Rockplaylists on Amazon Music. 

The band have been featured on BBC Radio 1’s ‘Future Artists’ with Jack Saunders and on Kerrang! Radio, as well as earning strong airplay in the UK and across Europe. On TV, their music has been used on Love Island in the UK and on BBC’s Match of the Day, as well as on various US sync projects.

PEAKS! are:

Luca Del Fiore

Lorenzo Mazzucchi

Japanese Quintet coldrain Sign to Century Media Records

Freshly signed to Century Media Records, Japanese band coldrain are unleashing their newest work by the name “INCOMPLETE” - a song that captures the essence of feeling lost in a chaotic word. With this powerful and hopeful anthem, the quintet from Japan provides the perfect balance between heaviness and big rock sounds which will excite fans and new listeners alike. “INCOMPLETE” is coldrain’s first release since signing to Century Media Records.

About the single, coldrain shares:  

“When we draw closer to perfection, we lose something deeply human. Perhaps it is our incompleteness and the longing to be perfect that makes us truly human. We must never forget what it means to be human. We must never forget that we are not alone. We must never forget to care for one another. This is an anthem for the imperfect, the incomplete, the beautifully human.”.

About coldrain:

Formed in 2007 in Nagoya, Japan, and with a total of seven studio albums under their belt, coldrain is certainly not a new name in the scene. While releasing music in English, the quintet is known for blending melodic singing with heavy instrumentals and screaming, finding the perfect balance between genres. Through touring with international names such as Bullet for My Valentine and Papa Roach, coldrain has built an international audience over the years.

coldrain are:

Masato – Vocals 

Y.K.C - Guitar 

Sugi - Guitar 

RxYxO - Bass Guitar 

Katsuma - Drums

Maya Kuriel Unveils Haunting New Single, "Dead Weight"

Rising pop sensation, Maya Kuriel, has kicked off 2025 with a powerful new single, "Dead Weight," an eerie and emotionally charged track that explores the suffocating weight of toxicity. Through raw lyrics and

experimental production, Maya plunges listeners into a disorienting descent—much like Alice falling down the rabbit hole—where the lines between reality and nightmare blur.

"Dead Weight" paints a visceral picture of drowning while "clawing, screaming" into the depths where the light can’t reach. The song encapsulates the battle of confronting what drags us down and ultimately finding the strength to break free. The music video for "Dead Weight" brings the song’s theme to life with surreal, fluid movements that evoke the feeling of being dragged down. Featuring hypnotic and unsettling visuals,Maya Kuriel is seen struggling and drowning in water, symbolizing the emotional weight that threatens to consume her.

Stream “Dead Weight” Here

Born and raised in Seattle and now based in Los Angeles, Maya Kuriel is a first-generation Korean American artist redefining the landscape of pop music. She’s a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that’s long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats. Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she’s the storm brewing on the edge of pop’s horizon—one that refuses to be ignored.

Ian Munsick & Flatland Cavalry’s Cleto Cordero Team Up for “God Bless The West,” Out Now

When Ian Munsick moved to Nashville in pursuit of music more than 10 years ago, the Wyoming native was leaving behind more than just his home; he was walking away from a natural landscape whose ethereal beauty inspires him creatively like no other. Now, Munsick is sharing a wistful love letter to the West, alongside Flatland Cavalry’s Cleto Cordero, with the release of “God Bless The West,” available now.
 
Written by Munsick, Jeremy Spillman and Casey Beathard, and produced by Munsick, Spillman and Jared Conrad, “God Bless The West” is a longing tribute to the West, and a plea for the land to remain as wild as possible despite the demands of modern innovation.
 
“We all have that person and place we pray will always be there, untouched by the hands of time. That’s what the West is for me,” Munsick reflects. “Even though the people and the land are ever changing in this modern age, I hold onto the hope that the West will hold onto her rugged charm that draws us in.”
 
“Always been a fan of Ian’s good-vibe-energy and music so I was delighted to receive an invitation to record a song with him,” Cordero shares. “He sent me the song on a Monday night. I listened while chopping onions for a dinner recipe. I immediately replied, sending him a video of me crying (from the onions) saying how much I loved the song and was grateful for the opportunity. We ended up recording it the very next morning with him at the desk which I found truly impressive: the man can write, play, sing, dance AND engineer!? Indeed, God hath blessed the West!”
 
On collaborating with Cordero, Munsick adds, “From Montana to Texas and California to the Mississippi, there really is no place on God’s green earth like it. Turns out, Cleto Cordero from Flatland Cavalry feels the same. We may have grown up 1,000 miles apart, but the vastness of the West connects us… I have a feeling we aren’t the only ones.”
 
“God Bless The West” is the latest release off Munsick’s upcoming third studio album, Eagle Feather, due April 18 via Warner Music Nashville. With the 2023 release of his sophomore album White Buffalo, Munsick spread the Rocky Mountain gospel with his raw, untamed depiction of the American West. With Eagle Feather, Munsick expands on the concepts of the land, people, culture and stories that inspire him. 
 
While the white buffalo represents prosperity and rebirth, the eagle feather is inspired by the native symbol representing honor, strength and wisdom, and serves as a continuation of his sophomore project by highlighting Munsick’s personal growth through life experiences and lessons learned that have shaped him into who he is. 
 
Munsick is currently headlining his spring 2025 Horses Are Faster Tour featuring a rotating lineup of support including Colby Acuff, Avery Anna, Chayce Beckham, Bayker Blankenship, Kashus Culpepper, Hudson Westbrook and Jake Worthington. In 2024, Munsick opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. 
 
For more information and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over 900 million global streams across two albums – Coyote Cry and White Buffalo – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick is expanding on the concepts of the land, people, culture and stories that inspire him, readying the project’s follow-up 20-track album, Eagle Feather, due on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick is currently headlining his spring Horses Are Faster Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

ASKA Release The Album KNIGHT STRIKE to All Digital Services Release New Single and Video for Track 1944,

 BraveWords Records is pleased to announce the digital release of ASKA "Knight Strike". To accompany the digital release ASKA release the latest single and brand new music video for the track 1944.

 

Stream of Purchase "Knight Strike": https://smarturl.it/aska

 

Watch the video below:

ASKA talking about their new video 1944, "This song is a work of historical fiction which takes a pivotal point in world history and posits the question: "What if....?"

 

Controversial? Maybe. Yet there have been many books, films and television series written on the same premise. To say we find it a bit preposterous that we were forced to remove all symbology and iconography of one side's combatants and leadership from our video to meet YouTube's censorship standards would be the understatement of the year. Especially when one can see far worse on any documentary dealing with the actual events, not the fictionalized ones we were originally portraying here.

 

It goes without saying, the song is a work of historical, military fiction based on actual events. ASKA does not condone war, discrimination or persecution of anyone based simply on religion, gender or race.

 

Now crank up the volume, hit play, share with your friends and be sure to leave your thoughts in the comments section."

About ASKA:
ASKA, Dallas/Fort Worth, Texas-based, long-running heavy metal band has, as the title they gave their 3rd international tour can attest, "been there, done that". And how! In 1992, just a short year after the release of the group's self-titled debut album, they began touring the world performing at military bases, embassies and satellite installations around the globe for the U.S. Dept. of Defense/USO entertainment services. For nine years the group maintained a steady course, playing for U.S & foreign military troops in well over 56 countries and territories globally before turning their focus to the civilian world. There, they promptly played festivals around America and Europe and furthered their exposure in no small way. From inception to present, ASKA released seven full length albums on both national and international labels. 

 

During the process, ASKA's triple-threat frontman/vocalist/guitarist, George Call, came to the attention of cult, US underground metal pioneers, Omen, where he was promptly recruited to take over the lead vocalist slot for three years while still maintaining his role in ASKA. When that association dissolved, George was immediately snatched up by former Atlantic Records/Metal Blade, Midwestern, MTV veterans, Banshee, where he's been front and center on the band's two newest top notch releases. While helming both bands after a fateful meeting at a festival performance with ASKA in Germany, Call, was further enlisted to join U.K. legendary, cult NWOBHM band, Cloven Hoof, where he proceeded to record and release three critically acclaimed, fan-favorite albums. ASKA drummer Danny White joined George on two of these endeavors while the band's long-serving bassist/vocalist, Keith Knight, engineered and recorded a high percentage of George's extra-curricular activity at his Knight Recording Studios, keeping the three working together even when it was outside of the band. 
 
About BraveWords Records:
BraveWords Records has released albums by Paul Di'Anno's Warhorse, The Chris Slade Timeline, Rhett Forrester and Rob Robbins, Prophets of Addiction, Jack Starr and future releases from Lillian Axe, Crimson Glory and ASKA.


There is a serious void which desperately needs to be filled, hard-working and creative bands that have yet to find a partnership and a mutual vision with a professional team. The music-fuelled minds behind BraveWords Records, Brian Adams, Giles Lavery, Tim Henderson and Michael Brandvold, have built the ultimate home for an artist that will take you where you want to be. Collectively, with nearly 100 years of music industry experience under our belts, the BraveWords Records team will take care of all the crucial aspects of your project from global distribution (digital and physical), publicity and media coverage (web, radio, visual), social media blanketing and streaming opportunities (such as Streaming For Vengeance). Where most labels have forgotten the concept of actually marketing a release sensibly, BraveWords Records will construct a viable and comprehensive marketing plan, including visibility at BraveWords.com, which attracts a million visitors monthly. BraveWords Records has all senses on high alert as the music industry continues its never-ending transitioning, so the artist will always be aware of new opportunities to build their brand and strive for world domination. BraveWords will also have a focus on licensing film and TV content, both contemporary and retrospective across many genres. As artists and labels transition to the many new mediums available today for their work, BraveWords intends to stay ahead of the curve in providing and actively seeking opportunities for our roster of clients.

With the rapid spread of the world wide web, BraveWords.com was born in 2000 and quickly became the CNN of heavy metal. With its team of global writers and photographers, the site flourished with 24/7 updated news, features, reviews, audio and video steams.

For nearly 30 years, BraveWords wears their metal heart loudly on their sleeve, as they celebrate the greatest genre of music with the most dedicated and passionate fans on the planet!
 
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GILLSAW Immerse Yourself with an Electrifying Experience with the Release of the bands Debut EP "FOG WATCH"

STREAM "FOG WATCH"

 The wait is over.

Prepare for the sonic storm of the year as industrial metal trailblazers Gillsaw prepare to unleash their highly anticipated debut EP, "Fog Watch", out NOW.

This six-track powerhouse will pull listeners into a relentless world of crushing rhythms, eerie atmospheres, and guttural intensity. With a unique blend of industrial noise, sludgy metal riffs, and haunting electronic landscapes,

Gillsaw carves out their own space in the genre.

"Fog Watch" showcases the band’s ability to blend chaotic energy with thought-provoking storytelling, offering an immersive experience that’s both exhilarating and unsettling.

FOG WATCH Narrative:

"Fog Watch" tells the tragic story of Ian, a man descending into madness. Through a series of increasingly distorted experiences, we witness his journey from isolated lighthouse keeper to drug-addicted nomad.

  • Fog Watch: Ian battles loneliness and encroaching insanity, symbolized by the perpetual fog. The lyrics reflect his isolation and mental deterioration.

  • Thankful: Ian's desire for validation turns to bitter rage as he resents the lack of gratitude from those he protects.

  • Rizen: Ian falls under the influence of a false deity, surrendering reason for blind obedience.

  • Siren Comes: Ian faces nightly temptations, battling internal fears and desires.

  • Trenched In: Ian's final act of devotion leads to his self-burial, a symbolic death and rebirth.

  • Bombay Way: The reality is revealed: Ian's experiences were drug-induced delusions, culminating in a fatal overdose in Bombay Beach.

"FOG WATCH" explores themes of isolation, the search for meaning, and the destructive power of delusion.

GILLSAW'S SOUND

Gillsaw's sound is a meticulously crafted fusion of heavy metal's muscularity and industrial music's stark, electronic edge. This powerful core is layered with intricate progressive structures and ethereal new age ambient textures, creating a dynamic and immersive atmosphere that defies genre boundaries.

Eric Church's 'Evangeline Vs. The Machine' Arrives May 2; Lead Single “Hands Of Time” Out Now

Eric Church, one of country music’s most fearless storytellers, marks another ambitious and sonically rich chapter in his groundbreaking career with Evangeline vs. The Machine, available everywhere on May 2. Pre-order/pre-save HERE.
 
A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”
 
Lead single “Hands Of Time,” impacting Country radio on March 24, is available now as a preview of that endeavor. “As I get older, I’m looking for things that make me feel not as old,” Church explains of the track. “I can honestly say that when I hear music or see something from my past, I feel like I did then; I relate to what it was then. I really believe that a good way to handle that is with music.”

Among the other songs featured on the album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
With such inspired tracks shaping the forthcoming Evangeline vs. The Machine – his first new album since 2021’s Heart & Soul trilogy  – Church continues his legacy of redefining modern country music on his own terms.  
 
Fans can also pre-order an Amazon Music exclusive Evangeline vs. The Machine vinyl in translucent light blue, available via Amazon.com or directly in the Amazon Music app, with fast and free shipping for Prime members. For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram @ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

"Accidentally Drunk," New Single from Traditionalist Bradley Gaskin, Available Now

Bradley Gaskin has some unfinished business. As the flagship artist for upstart independent 30A Life Records, the former major label artist’s soulful vocals and heartfelt lyrics, as featured in his lead single, “Accidentally Drunk,” will convince you his first new music in over a decade is well worth a listen. “Accidentally Drunk” [LISTEN HERE]—off Gaskin’s forthcoming Keith Stegall–produced album, Unfinished Business—is available now on all platforms and officially goes for radio adds Monday, March 31.

The Duck Springs, Ala., native got his first break in 2011 after Gaskin’s wife encouraged him to post a rough demo of “Mr. Bartender,” a song he’d written and recorded. Two weeks later, John Rich called and invited Gaskin to enter a talent contest he was organizing. Gaskin won, and the next thing he knew, he was center stage in the iconic circle at the Grand Ole Opry.

Gaskin’s first deal with a major record label took shape soon after with a self-titled EP and “Mr. Bartender” as the lead single. Unfortunately, Gaskin was deemed a bit too traditional, and his album was shelved in a management shakeup at the label. That disheartening event sent Gaskin back to Duck Springs where he hung drywall, worked at a sawmill and served as a janitor at his daughter’s school.

Now, thanks to 30A Life Records co-founder Jack Cole, a fan and successful businessman turned independent label exec, Gaskin is back in the game. “Accidentally Drunk” is a beautiful, bittersweet ballad about a broken-hearted barstool fool shedding tequila tears—I was tired of waking up to another hangover/Trying to get high, ending up a little lower/Swearing it’s the last time, like every other Friday night—and continually losing his battle with sobriety:

PHOTO: Amick Cutler

Written by Grammy Award–winning songwriter Ashley McBryde (“Never Wanted to Be that Girl,” McBryde/Pearce), artist Dan Smalley (The State of Country Music) and Justin Ebach (“Here Tonight,” Brett Young) “Accidentally Drunk” is performed by top Nashville musicians, with Brent Mason and Joel Key on guitar; Scotty Sanders on steel; bassist Glenn Worf; Mike Rojas on keys; drummer Tommy Harden and Stuart Duncan on fiddle.

“Keith and I were in his studio where I saw Grammy, CMA and ACM Awards,” Gaskin says, “so I asked him point blank, ‘You’ve worked with all these people and wrote all these songs. Why does a guy like you want to work with somebody like me?’ And he told me that the same way he believed in Alan Jackson and Randy Travis, he believed in me,” Gaskin relates, “and that’s when I felt a huge weight leave me.” 

“Singers are a dime a dozen,” Stegall explains, “but exceptional artists aren’t. Make no mistake—Bradley Gaskin is an artist.”

Looking back, Gaskin says, “I’m stronger because of what I went through. Everything I loved, which was music, was killing me. It seemed like nobody wanted my stuff. I couldn’t get one of the biggest labels in the world to put out my record.” When you go through that, he muses, “It makes you tougher. There’s more to my story that we haven’t gotten to tell, and there’s a lot of unfinished business to take care of.”

Gaskin will hold an album release party at AJ’s Good Time Bar in Nashville, Thursday, April 3 at 4 p.m. with the album officially out at Midnight, April 4. For more information, check out his socials: TikTok | Instagram |  Facebook.

MALEVOLENCE - Announce New Album 'Where Only The Truth Is Spoken' + Release Music Video For 'If It's All The Same To You'

Steel City Kings MALEVOLENCE have announced the details of their hugely anticipated new album, Where Only The Truth Is Spoken, set to be released on June 20th via MLVLTD in partnership with Nuclear Blast Records.

Alongside the news of their new album, MALEVOLENCE have also released the video for their monumental new single 'If It's All The Same To You'. Featuring acting legend Alan Ford, who most famously appeared as Brick Top in Guy Ritchie's classic British gangster film Snatch, the band's new video is their biggest visual production to date. It sees the five-piece take on an elaborate art heist, before engaging in a white-knuckle car chase with the Police. There may even be some easter eggs to be found throughout that hint at what MALEVOLENCE have in store for the future.

Pre-order and pre-save Where Only The Truth Is Spoken now at: 
https://malevolence.bfan.link/where-only-the-truth-is-spoken

Stream 'If It's All The Same To You' at: 
https://malevolence.bfan.link/iiatsty

On their new album, the band comments:

"'Where Only the Truth Is Spoken’ is a level up in every sense—musically, lyrically, and visually. This was our first time recording outside the UK, and doing it in LA with Josh Wilbur was fun and refreshing. He’s worked with some of the biggest names in metal, and his approach pushed us to challenge new heights. The production, the songwriting, the videos—everything about this record is bigger, heavier, and more refined.

Everything in Malevolence is, and always has been, a team effort and I feel like everyone really delivered on this record.

To everyone who supports what we do, thank you. It goes without saying that we wouldn’t be in this position if it wasn’t for your overwhelming support. I’m excited to see where the journey goes next!

Malevolence
Made in God’s own country,
Where Only The Truth Is Spoken"

ABOUT MALEVOLENCE

MALEVOLENCE have never waited for permission. From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work. Now, with their fourth studio album Where Only The Truth Is Spoken, Sheffield’s finest step into a new league.

Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s Nevermind, Fleetwood Mac’s Rumours, and Tom Petty’s Wildflowers. For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything MALEVOLENCE stands for. The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is MALEVOLENCE at their most punishing, urgent, and anthemic.

Lyrically, Where Only The Truth Is Spoken reflects the principles that MALEVOLENCE have lived by since day one—honesty, loyalty, and integrity. These are not just themes woven into the album but values the band holds in their personal and professional lives. This record doesn’t deal in facades or empty gestures; it’s an unfiltered expression of the struggles, victories, and unshakable brotherhood that have carried them this far.

MALEVOLENCE are:
Alex Taylor | Vocals
Konan Hall | Guitar / Vocals
Josh Baines | Guitar
Wilkie Robinson | Bass
Charlie Thorpe | Drums

Celtic Rockers 1916 Release New Single "The Mollies" via TLG|ROCK ​  

Celtic rock band 1916 has just unleashed their new single, “The Mollies,” available now via TLG | ROCK, distributed by Virgin Music Group. The track marks the first taste of the band’s forthcoming album. Produced by the acclaimed Ted Hutt, “The Mollies” comes to life with an infectious energy reminiscent of the early days of Celtic punk.

 

Frontman Billy Herring shares, "This new song is not only super catchy, but it's super personal as well. Basically it's a story told to me by my grandfather when I was young. So there's this family connection that makes songs like these so great to listen to on a very basic level. Our producer Ted loved this song right from the jump and we are all stoked that this is going to be our first single!"

 

"Reminding me of the spirit of early days of Flogging Molly, it was a total blast working with Billy and the gang at the magical Sonic Ranch Studios in El Paso, TX.  Irish whiskey, history lessons, stories, and vintage guitars were the backdrop for the sessions that became the new 1916 album.  There was a first for me too, which was the challenge of recording a massive Celtic war pipe," says Ted Hutt, the band's Producer.

 

“The Mollies” is available now on all major streaming platforms.

 

Listen to the single

https://linktr.ee/1916Band

 

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About 1916:

 

Hailing from upstate NY, Celtic rockers 1916 are an explosive concoction of the modern Irish Punk movement with an original mix of psychobilly which gives 1916 a sound that stands apart from other bands of the genre.

 

Starting as an acoustic duo in 2006, singer Billy Herring and original drummer Steve LaDue played the traditional Irish ballads of the Dubliners and Wolfe Tones in the local pubs in and around their home-town of Rochester, NY.  They decided to call themselves 1916 to get people interested in Irish history.  In 2010 they took the music to a new level with the addition of electric guitars, traditional instruments, and a full drum set.  Within a few months of trying their new sound, 1916 were opening for the likes of the Dropkick Murphys, 21 Pilots, and New Politics, among other national acts.

 

On St. Patrick’s Day of 2012, 1916 released their first studio album, A Drop of the Pure, to rave reviews.  That same year, 1916 became the first band from Rochester, NY to get their own Pandora station with the addition of their music to the Pandora genome project.  With their music now reaching a global audience, the boys would soon gain fans all over the world.

 

The following year, 1916 released their sophomore album, Stand Up & Fight.  This new album, featuring a collection of covers and originals, had a more polished sound than the raw punk feel of  A Drop of the Pure.  This new full length album also featured more traditional Irish instruments to give the new LP a fun and full sound.

 

As the band continued to evolve, they kept touring and playing as many shows as possible.  With bigger audiences came a larger fan base for 1916 to interact with.  The band has always enjoyed hanging out with the crowd both pre- and post- shows.

 

In November of 2014, the guys went back into the studio to begin recording their third album, Last Call for Heroes.  Released in December of 2015, Last Call for Heroes was met with great enthusiasm from critics.  Named one of the “best punk albums of 2016,” both home and abroad, the new album appeared to have given the band the momentum they needed to move forward.

 

Mandolin player Jon Kane joined the band in early 2016, just before the boys hit the road to join Flogging Molly on their Salty Dog Cruise.  After a whirlwind spring of touring through the Bahamas and Europe, Jon was just what the band needed as he brought his energetic and fun stage persona into the fold.

 

The sound had certainly become streamlined and unique, but it wasn’t until 2017 that upright bassist Ryan Hurley would join 1916 to give the band the final integral piece that gives the music its psychobilly flavor. Soon after Ryan joined the band, 1916 further expanded their sound by the addition of accordion player Sam Sarratori to the crew!

 

Then…Covid hit in 2020. The band had just settled into a groove where they were poised for a northeastern US tour alongside a new live album. All that had to be put on hold indefinitely until further notice. After a year on hold, Billy knew something needed to be done to get momentum going again for his band. With that in mind, he packed up and moved to Nashville TN in order to give the music of 1916 more visibility. It was around this time the band welcomed the thundering drums of Chad Paetznick to take over behind the kit.

 

1916 has since been picked up by TLG|ROCK for a distribution deal for not only their fifth full length studio album Revolutions, but for their sixth LP, titled Conscience of Kings. This new record is being produced by Grammy Award winning musician & producer Ted Hutt at the legendary Sonic Ranch Studios in El Paso Texas.

1916 is:
Billy Herring - Lead Vocals/Guitar/Banjo

Ryan Hurley - Upright Bass/Back-Up Vocals

Chad Paetznick - Drums

 Sam Sarratori - Accordion/ Sunday Sauce


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