Japanese Quintet coldrain Sign to Century Media Records

Freshly signed to Century Media Records, Japanese band coldrain are unleashing their newest work by the name “INCOMPLETE” - a song that captures the essence of feeling lost in a chaotic word. With this powerful and hopeful anthem, the quintet from Japan provides the perfect balance between heaviness and big rock sounds which will excite fans and new listeners alike. “INCOMPLETE” is coldrain’s first release since signing to Century Media Records.

About the single, coldrain shares:  

“When we draw closer to perfection, we lose something deeply human. Perhaps it is our incompleteness and the longing to be perfect that makes us truly human. We must never forget what it means to be human. We must never forget that we are not alone. We must never forget to care for one another. This is an anthem for the imperfect, the incomplete, the beautifully human.”.

About coldrain:

Formed in 2007 in Nagoya, Japan, and with a total of seven studio albums under their belt, coldrain is certainly not a new name in the scene. While releasing music in English, the quintet is known for blending melodic singing with heavy instrumentals and screaming, finding the perfect balance between genres. Through touring with international names such as Bullet for My Valentine and Papa Roach, coldrain has built an international audience over the years.

coldrain are:

Masato – Vocals 

Y.K.C - Guitar 

Sugi - Guitar 

RxYxO - Bass Guitar 

Katsuma - Drums

Maya Kuriel Unveils Haunting New Single, "Dead Weight"

Rising pop sensation, Maya Kuriel, has kicked off 2025 with a powerful new single, "Dead Weight," an eerie and emotionally charged track that explores the suffocating weight of toxicity. Through raw lyrics and

experimental production, Maya plunges listeners into a disorienting descent—much like Alice falling down the rabbit hole—where the lines between reality and nightmare blur.

"Dead Weight" paints a visceral picture of drowning while "clawing, screaming" into the depths where the light can’t reach. The song encapsulates the battle of confronting what drags us down and ultimately finding the strength to break free. The music video for "Dead Weight" brings the song’s theme to life with surreal, fluid movements that evoke the feeling of being dragged down. Featuring hypnotic and unsettling visuals,Maya Kuriel is seen struggling and drowning in water, symbolizing the emotional weight that threatens to consume her.

Stream “Dead Weight” Here

Born and raised in Seattle and now based in Los Angeles, Maya Kuriel is a first-generation Korean American artist redefining the landscape of pop music. She’s a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that’s long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats. Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she’s the storm brewing on the edge of pop’s horizon—one that refuses to be ignored.

Ian Munsick & Flatland Cavalry’s Cleto Cordero Team Up for “God Bless The West,” Out Now

When Ian Munsick moved to Nashville in pursuit of music more than 10 years ago, the Wyoming native was leaving behind more than just his home; he was walking away from a natural landscape whose ethereal beauty inspires him creatively like no other. Now, Munsick is sharing a wistful love letter to the West, alongside Flatland Cavalry’s Cleto Cordero, with the release of “God Bless The West,” available now.
 
Written by Munsick, Jeremy Spillman and Casey Beathard, and produced by Munsick, Spillman and Jared Conrad, “God Bless The West” is a longing tribute to the West, and a plea for the land to remain as wild as possible despite the demands of modern innovation.
 
“We all have that person and place we pray will always be there, untouched by the hands of time. That’s what the West is for me,” Munsick reflects. “Even though the people and the land are ever changing in this modern age, I hold onto the hope that the West will hold onto her rugged charm that draws us in.”
 
“Always been a fan of Ian’s good-vibe-energy and music so I was delighted to receive an invitation to record a song with him,” Cordero shares. “He sent me the song on a Monday night. I listened while chopping onions for a dinner recipe. I immediately replied, sending him a video of me crying (from the onions) saying how much I loved the song and was grateful for the opportunity. We ended up recording it the very next morning with him at the desk which I found truly impressive: the man can write, play, sing, dance AND engineer!? Indeed, God hath blessed the West!”
 
On collaborating with Cordero, Munsick adds, “From Montana to Texas and California to the Mississippi, there really is no place on God’s green earth like it. Turns out, Cleto Cordero from Flatland Cavalry feels the same. We may have grown up 1,000 miles apart, but the vastness of the West connects us… I have a feeling we aren’t the only ones.”
 
“God Bless The West” is the latest release off Munsick’s upcoming third studio album, Eagle Feather, due April 18 via Warner Music Nashville. With the 2023 release of his sophomore album White Buffalo, Munsick spread the Rocky Mountain gospel with his raw, untamed depiction of the American West. With Eagle Feather, Munsick expands on the concepts of the land, people, culture and stories that inspire him. 
 
While the white buffalo represents prosperity and rebirth, the eagle feather is inspired by the native symbol representing honor, strength and wisdom, and serves as a continuation of his sophomore project by highlighting Munsick’s personal growth through life experiences and lessons learned that have shaped him into who he is. 
 
Munsick is currently headlining his spring 2025 Horses Are Faster Tour featuring a rotating lineup of support including Colby Acuff, Avery Anna, Chayce Beckham, Bayker Blankenship, Kashus Culpepper, Hudson Westbrook and Jake Worthington. In 2024, Munsick opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. 
 
For more information and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over 900 million global streams across two albums – Coyote Cry and White Buffalo – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick is expanding on the concepts of the land, people, culture and stories that inspire him, readying the project’s follow-up 20-track album, Eagle Feather, due on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick is currently headlining his spring Horses Are Faster Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

ASKA Release The Album KNIGHT STRIKE to All Digital Services Release New Single and Video for Track 1944,

 BraveWords Records is pleased to announce the digital release of ASKA "Knight Strike". To accompany the digital release ASKA release the latest single and brand new music video for the track 1944.

 

Stream of Purchase "Knight Strike": https://smarturl.it/aska

 

Watch the video below:

ASKA talking about their new video 1944, "This song is a work of historical fiction which takes a pivotal point in world history and posits the question: "What if....?"

 

Controversial? Maybe. Yet there have been many books, films and television series written on the same premise. To say we find it a bit preposterous that we were forced to remove all symbology and iconography of one side's combatants and leadership from our video to meet YouTube's censorship standards would be the understatement of the year. Especially when one can see far worse on any documentary dealing with the actual events, not the fictionalized ones we were originally portraying here.

 

It goes without saying, the song is a work of historical, military fiction based on actual events. ASKA does not condone war, discrimination or persecution of anyone based simply on religion, gender or race.

 

Now crank up the volume, hit play, share with your friends and be sure to leave your thoughts in the comments section."

About ASKA:
ASKA, Dallas/Fort Worth, Texas-based, long-running heavy metal band has, as the title they gave their 3rd international tour can attest, "been there, done that". And how! In 1992, just a short year after the release of the group's self-titled debut album, they began touring the world performing at military bases, embassies and satellite installations around the globe for the U.S. Dept. of Defense/USO entertainment services. For nine years the group maintained a steady course, playing for U.S & foreign military troops in well over 56 countries and territories globally before turning their focus to the civilian world. There, they promptly played festivals around America and Europe and furthered their exposure in no small way. From inception to present, ASKA released seven full length albums on both national and international labels. 

 

During the process, ASKA's triple-threat frontman/vocalist/guitarist, George Call, came to the attention of cult, US underground metal pioneers, Omen, where he was promptly recruited to take over the lead vocalist slot for three years while still maintaining his role in ASKA. When that association dissolved, George was immediately snatched up by former Atlantic Records/Metal Blade, Midwestern, MTV veterans, Banshee, where he's been front and center on the band's two newest top notch releases. While helming both bands after a fateful meeting at a festival performance with ASKA in Germany, Call, was further enlisted to join U.K. legendary, cult NWOBHM band, Cloven Hoof, where he proceeded to record and release three critically acclaimed, fan-favorite albums. ASKA drummer Danny White joined George on two of these endeavors while the band's long-serving bassist/vocalist, Keith Knight, engineered and recorded a high percentage of George's extra-curricular activity at his Knight Recording Studios, keeping the three working together even when it was outside of the band. 
 
About BraveWords Records:
BraveWords Records has released albums by Paul Di'Anno's Warhorse, The Chris Slade Timeline, Rhett Forrester and Rob Robbins, Prophets of Addiction, Jack Starr and future releases from Lillian Axe, Crimson Glory and ASKA.


There is a serious void which desperately needs to be filled, hard-working and creative bands that have yet to find a partnership and a mutual vision with a professional team. The music-fuelled minds behind BraveWords Records, Brian Adams, Giles Lavery, Tim Henderson and Michael Brandvold, have built the ultimate home for an artist that will take you where you want to be. Collectively, with nearly 100 years of music industry experience under our belts, the BraveWords Records team will take care of all the crucial aspects of your project from global distribution (digital and physical), publicity and media coverage (web, radio, visual), social media blanketing and streaming opportunities (such as Streaming For Vengeance). Where most labels have forgotten the concept of actually marketing a release sensibly, BraveWords Records will construct a viable and comprehensive marketing plan, including visibility at BraveWords.com, which attracts a million visitors monthly. BraveWords Records has all senses on high alert as the music industry continues its never-ending transitioning, so the artist will always be aware of new opportunities to build their brand and strive for world domination. BraveWords will also have a focus on licensing film and TV content, both contemporary and retrospective across many genres. As artists and labels transition to the many new mediums available today for their work, BraveWords intends to stay ahead of the curve in providing and actively seeking opportunities for our roster of clients.

With the rapid spread of the world wide web, BraveWords.com was born in 2000 and quickly became the CNN of heavy metal. With its team of global writers and photographers, the site flourished with 24/7 updated news, features, reviews, audio and video steams.

For nearly 30 years, BraveWords wears their metal heart loudly on their sleeve, as they celebrate the greatest genre of music with the most dedicated and passionate fans on the planet!
 
http://bravewordsrecords.com

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GILLSAW Immerse Yourself with an Electrifying Experience with the Release of the bands Debut EP "FOG WATCH"

STREAM "FOG WATCH"

 The wait is over.

Prepare for the sonic storm of the year as industrial metal trailblazers Gillsaw prepare to unleash their highly anticipated debut EP, "Fog Watch", out NOW.

This six-track powerhouse will pull listeners into a relentless world of crushing rhythms, eerie atmospheres, and guttural intensity. With a unique blend of industrial noise, sludgy metal riffs, and haunting electronic landscapes,

Gillsaw carves out their own space in the genre.

"Fog Watch" showcases the band’s ability to blend chaotic energy with thought-provoking storytelling, offering an immersive experience that’s both exhilarating and unsettling.

FOG WATCH Narrative:

"Fog Watch" tells the tragic story of Ian, a man descending into madness. Through a series of increasingly distorted experiences, we witness his journey from isolated lighthouse keeper to drug-addicted nomad.

  • Fog Watch: Ian battles loneliness and encroaching insanity, symbolized by the perpetual fog. The lyrics reflect his isolation and mental deterioration.

  • Thankful: Ian's desire for validation turns to bitter rage as he resents the lack of gratitude from those he protects.

  • Rizen: Ian falls under the influence of a false deity, surrendering reason for blind obedience.

  • Siren Comes: Ian faces nightly temptations, battling internal fears and desires.

  • Trenched In: Ian's final act of devotion leads to his self-burial, a symbolic death and rebirth.

  • Bombay Way: The reality is revealed: Ian's experiences were drug-induced delusions, culminating in a fatal overdose in Bombay Beach.

"FOG WATCH" explores themes of isolation, the search for meaning, and the destructive power of delusion.

GILLSAW'S SOUND

Gillsaw's sound is a meticulously crafted fusion of heavy metal's muscularity and industrial music's stark, electronic edge. This powerful core is layered with intricate progressive structures and ethereal new age ambient textures, creating a dynamic and immersive atmosphere that defies genre boundaries.

Eric Church's 'Evangeline Vs. The Machine' Arrives May 2; Lead Single “Hands Of Time” Out Now

Eric Church, one of country music’s most fearless storytellers, marks another ambitious and sonically rich chapter in his groundbreaking career with Evangeline vs. The Machine, available everywhere on May 2. Pre-order/pre-save HERE.
 
A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”
 
Lead single “Hands Of Time,” impacting Country radio on March 24, is available now as a preview of that endeavor. “As I get older, I’m looking for things that make me feel not as old,” Church explains of the track. “I can honestly say that when I hear music or see something from my past, I feel like I did then; I relate to what it was then. I really believe that a good way to handle that is with music.”

Among the other songs featured on the album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
With such inspired tracks shaping the forthcoming Evangeline vs. The Machine – his first new album since 2021’s Heart & Soul trilogy  – Church continues his legacy of redefining modern country music on his own terms.  
 
Fans can also pre-order an Amazon Music exclusive Evangeline vs. The Machine vinyl in translucent light blue, available via Amazon.com or directly in the Amazon Music app, with fast and free shipping for Prime members. For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram @ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

"Accidentally Drunk," New Single from Traditionalist Bradley Gaskin, Available Now

Bradley Gaskin has some unfinished business. As the flagship artist for upstart independent 30A Life Records, the former major label artist’s soulful vocals and heartfelt lyrics, as featured in his lead single, “Accidentally Drunk,” will convince you his first new music in over a decade is well worth a listen. “Accidentally Drunk” [LISTEN HERE]—off Gaskin’s forthcoming Keith Stegall–produced album, Unfinished Business—is available now on all platforms and officially goes for radio adds Monday, March 31.

The Duck Springs, Ala., native got his first break in 2011 after Gaskin’s wife encouraged him to post a rough demo of “Mr. Bartender,” a song he’d written and recorded. Two weeks later, John Rich called and invited Gaskin to enter a talent contest he was organizing. Gaskin won, and the next thing he knew, he was center stage in the iconic circle at the Grand Ole Opry.

Gaskin’s first deal with a major record label took shape soon after with a self-titled EP and “Mr. Bartender” as the lead single. Unfortunately, Gaskin was deemed a bit too traditional, and his album was shelved in a management shakeup at the label. That disheartening event sent Gaskin back to Duck Springs where he hung drywall, worked at a sawmill and served as a janitor at his daughter’s school.

Now, thanks to 30A Life Records co-founder Jack Cole, a fan and successful businessman turned independent label exec, Gaskin is back in the game. “Accidentally Drunk” is a beautiful, bittersweet ballad about a broken-hearted barstool fool shedding tequila tears—I was tired of waking up to another hangover/Trying to get high, ending up a little lower/Swearing it’s the last time, like every other Friday night—and continually losing his battle with sobriety:

PHOTO: Amick Cutler

Written by Grammy Award–winning songwriter Ashley McBryde (“Never Wanted to Be that Girl,” McBryde/Pearce), artist Dan Smalley (The State of Country Music) and Justin Ebach (“Here Tonight,” Brett Young) “Accidentally Drunk” is performed by top Nashville musicians, with Brent Mason and Joel Key on guitar; Scotty Sanders on steel; bassist Glenn Worf; Mike Rojas on keys; drummer Tommy Harden and Stuart Duncan on fiddle.

“Keith and I were in his studio where I saw Grammy, CMA and ACM Awards,” Gaskin says, “so I asked him point blank, ‘You’ve worked with all these people and wrote all these songs. Why does a guy like you want to work with somebody like me?’ And he told me that the same way he believed in Alan Jackson and Randy Travis, he believed in me,” Gaskin relates, “and that’s when I felt a huge weight leave me.” 

“Singers are a dime a dozen,” Stegall explains, “but exceptional artists aren’t. Make no mistake—Bradley Gaskin is an artist.”

Looking back, Gaskin says, “I’m stronger because of what I went through. Everything I loved, which was music, was killing me. It seemed like nobody wanted my stuff. I couldn’t get one of the biggest labels in the world to put out my record.” When you go through that, he muses, “It makes you tougher. There’s more to my story that we haven’t gotten to tell, and there’s a lot of unfinished business to take care of.”

Gaskin will hold an album release party at AJ’s Good Time Bar in Nashville, Thursday, April 3 at 4 p.m. with the album officially out at Midnight, April 4. For more information, check out his socials: TikTok | Instagram |  Facebook.

MALEVOLENCE - Announce New Album 'Where Only The Truth Is Spoken' + Release Music Video For 'If It's All The Same To You'

Steel City Kings MALEVOLENCE have announced the details of their hugely anticipated new album, Where Only The Truth Is Spoken, set to be released on June 20th via MLVLTD in partnership with Nuclear Blast Records.

Alongside the news of their new album, MALEVOLENCE have also released the video for their monumental new single 'If It's All The Same To You'. Featuring acting legend Alan Ford, who most famously appeared as Brick Top in Guy Ritchie's classic British gangster film Snatch, the band's new video is their biggest visual production to date. It sees the five-piece take on an elaborate art heist, before engaging in a white-knuckle car chase with the Police. There may even be some easter eggs to be found throughout that hint at what MALEVOLENCE have in store for the future.

Pre-order and pre-save Where Only The Truth Is Spoken now at: 
https://malevolence.bfan.link/where-only-the-truth-is-spoken

Stream 'If It's All The Same To You' at: 
https://malevolence.bfan.link/iiatsty

On their new album, the band comments:

"'Where Only the Truth Is Spoken’ is a level up in every sense—musically, lyrically, and visually. This was our first time recording outside the UK, and doing it in LA with Josh Wilbur was fun and refreshing. He’s worked with some of the biggest names in metal, and his approach pushed us to challenge new heights. The production, the songwriting, the videos—everything about this record is bigger, heavier, and more refined.

Everything in Malevolence is, and always has been, a team effort and I feel like everyone really delivered on this record.

To everyone who supports what we do, thank you. It goes without saying that we wouldn’t be in this position if it wasn’t for your overwhelming support. I’m excited to see where the journey goes next!

Malevolence
Made in God’s own country,
Where Only The Truth Is Spoken"

ABOUT MALEVOLENCE

MALEVOLENCE have never waited for permission. From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work. Now, with their fourth studio album Where Only The Truth Is Spoken, Sheffield’s finest step into a new league.

Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s Nevermind, Fleetwood Mac’s Rumours, and Tom Petty’s Wildflowers. For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything MALEVOLENCE stands for. The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is MALEVOLENCE at their most punishing, urgent, and anthemic.

Lyrically, Where Only The Truth Is Spoken reflects the principles that MALEVOLENCE have lived by since day one—honesty, loyalty, and integrity. These are not just themes woven into the album but values the band holds in their personal and professional lives. This record doesn’t deal in facades or empty gestures; it’s an unfiltered expression of the struggles, victories, and unshakable brotherhood that have carried them this far.

MALEVOLENCE are:
Alex Taylor | Vocals
Konan Hall | Guitar / Vocals
Josh Baines | Guitar
Wilkie Robinson | Bass
Charlie Thorpe | Drums

Celtic Rockers 1916 Release New Single "The Mollies" via TLG|ROCK ​  

Celtic rock band 1916 has just unleashed their new single, “The Mollies,” available now via TLG | ROCK, distributed by Virgin Music Group. The track marks the first taste of the band’s forthcoming album. Produced by the acclaimed Ted Hutt, “The Mollies” comes to life with an infectious energy reminiscent of the early days of Celtic punk.

 

Frontman Billy Herring shares, "This new song is not only super catchy, but it's super personal as well. Basically it's a story told to me by my grandfather when I was young. So there's this family connection that makes songs like these so great to listen to on a very basic level. Our producer Ted loved this song right from the jump and we are all stoked that this is going to be our first single!"

 

"Reminding me of the spirit of early days of Flogging Molly, it was a total blast working with Billy and the gang at the magical Sonic Ranch Studios in El Paso, TX.  Irish whiskey, history lessons, stories, and vintage guitars were the backdrop for the sessions that became the new 1916 album.  There was a first for me too, which was the challenge of recording a massive Celtic war pipe," says Ted Hutt, the band's Producer.

 

“The Mollies” is available now on all major streaming platforms.

 

Listen to the single

https://linktr.ee/1916Band

 

WATCH The Mollies (OFFICIAL LYRIC VIDEO) BELOW:

About 1916:

 

Hailing from upstate NY, Celtic rockers 1916 are an explosive concoction of the modern Irish Punk movement with an original mix of psychobilly which gives 1916 a sound that stands apart from other bands of the genre.

 

Starting as an acoustic duo in 2006, singer Billy Herring and original drummer Steve LaDue played the traditional Irish ballads of the Dubliners and Wolfe Tones in the local pubs in and around their home-town of Rochester, NY.  They decided to call themselves 1916 to get people interested in Irish history.  In 2010 they took the music to a new level with the addition of electric guitars, traditional instruments, and a full drum set.  Within a few months of trying their new sound, 1916 were opening for the likes of the Dropkick Murphys, 21 Pilots, and New Politics, among other national acts.

 

On St. Patrick’s Day of 2012, 1916 released their first studio album, A Drop of the Pure, to rave reviews.  That same year, 1916 became the first band from Rochester, NY to get their own Pandora station with the addition of their music to the Pandora genome project.  With their music now reaching a global audience, the boys would soon gain fans all over the world.

 

The following year, 1916 released their sophomore album, Stand Up & Fight.  This new album, featuring a collection of covers and originals, had a more polished sound than the raw punk feel of  A Drop of the Pure.  This new full length album also featured more traditional Irish instruments to give the new LP a fun and full sound.

 

As the band continued to evolve, they kept touring and playing as many shows as possible.  With bigger audiences came a larger fan base for 1916 to interact with.  The band has always enjoyed hanging out with the crowd both pre- and post- shows.

 

In November of 2014, the guys went back into the studio to begin recording their third album, Last Call for Heroes.  Released in December of 2015, Last Call for Heroes was met with great enthusiasm from critics.  Named one of the “best punk albums of 2016,” both home and abroad, the new album appeared to have given the band the momentum they needed to move forward.

 

Mandolin player Jon Kane joined the band in early 2016, just before the boys hit the road to join Flogging Molly on their Salty Dog Cruise.  After a whirlwind spring of touring through the Bahamas and Europe, Jon was just what the band needed as he brought his energetic and fun stage persona into the fold.

 

The sound had certainly become streamlined and unique, but it wasn’t until 2017 that upright bassist Ryan Hurley would join 1916 to give the band the final integral piece that gives the music its psychobilly flavor. Soon after Ryan joined the band, 1916 further expanded their sound by the addition of accordion player Sam Sarratori to the crew!

 

Then…Covid hit in 2020. The band had just settled into a groove where they were poised for a northeastern US tour alongside a new live album. All that had to be put on hold indefinitely until further notice. After a year on hold, Billy knew something needed to be done to get momentum going again for his band. With that in mind, he packed up and moved to Nashville TN in order to give the music of 1916 more visibility. It was around this time the band welcomed the thundering drums of Chad Paetznick to take over behind the kit.

 

1916 has since been picked up by TLG|ROCK for a distribution deal for not only their fifth full length studio album Revolutions, but for their sixth LP, titled Conscience of Kings. This new record is being produced by Grammy Award winning musician & producer Ted Hutt at the legendary Sonic Ranch Studios in El Paso Texas.

1916 is:
Billy Herring - Lead Vocals/Guitar/Banjo

Ryan Hurley - Upright Bass/Back-Up Vocals

Chad Paetznick - Drums

 Sam Sarratori - Accordion/ Sunday Sauce


For More Information Please Visit:

 

Official Website

Facebook

Instagram

YouTube

Our Mirage Release Video for "Don't Talk" (Featuring Christopher Kristensen from Dead By April)

"Change is inevitable. The more you remain silent while others speak, the more you risk enduring harm without resistance.

"Now is the time to rise and take a stand. Face your inner struggles head on, because you are stronger than you believe.
 

"With this mindset, Our Mirage embark on a bold new chapter — one that is heavier, more powerful, and more intense than ever before. As life evolves, so does music.

"Prepare yourselves for Our Mirage 2.0 — a sound forged to inspire strength in the face of adversity. Even when your greatest battle is within yourself, you must stand your ground and emerge victorious.
 

"Our brand-new single, featuring none other than Christopher Kristensen from Dead By April, is out now! His powerful voice adds an incredible dynamic to this new era of Our Mirage.
 

"In addition to this exciting evolution, we are proud to announce a new member joining our journey. Please welcome David as the new guitarist of Our Mirage! David has been an invaluable part of our family for years, supporting us on tour as both a guitar technician and a dedicated fill-in guitarist. His commitment and talent have more than earned him this role, and we couldn't be happier to have him officially join the band.


Stay tuned for what’s to come — this is only the beginning."


More info about EU shows here

Watch the "Don't Talk" video below.

 Stream + download here.

Dorothy Releases "The Way" Today + Touring This Spring

Rock powerhouse DOROTHY is back, unleashing her highly anticipated new album, The Way, today via Roc Nation. Get it here or here. Fans can also shop Dorothy's online store and get the physical record here.

The album has already garnered widespread acclaim, earning praise from Rolling Stone, MTV, Revolver, Us Weekly, Forbes, INKED, Outburn, and more — solidifying Dorothy as a rising force in modern rock. 

Pre-release singles "MUD," "Devil I Know," "I Come Alive," and "Tombstone Town," featuring guitar legend Slash, have further elevated her position among rock's elite. "Tombstone Town" is currently climbing the Active Rock charts, sitting in the Top 20 and continuing to gain momentum. The video is at No. 4 on VEVO's chart.

Dorothy spotlights "Superhuman" as the album's release day focus track, a soaring anthem that captures the raw emotion and resilience woven throughout The Way. With soul-stirring vocals and thunderous instrumentation, "Superhuman" showcases Dorothy's ability to craft songs that are both deeply personal and universally anthemic — a defining trait of her artistry. Listen below.

Executive produced by Scott Stevens (Shinedown, Halestorm, Daughtry), The Way is a bold, unfiltered journey through themes of self-discovery, resilience, and redemption. Dorothy's signature blend of raw energy, soulful grit, genre-blending influences, and powerhouse vocals make this her most compelling work yet.

As a woman in rock, Dorothy continues to break barriers in a genre historically dominated by men, proving that ferocity, authenticity, and sheer talent know no gender. With The Way, she cements her place among rock's most formidable voices, standing alongside the greats while carving out her own lane.

Beyond the rock world, The Way is resonating across genres. The album landed on key playlists, including Hard Rock, Volume, and Heavy Queens (Spotify) and Breaking Hard Rock and New In Rock(Apple Music). Dorothy also made waves in country, with "Tombstone Town" earning spots on Country Rocks (Spotify) and New In Country (Apple Music), showcasing her ability to transcend boundaries while staying true to her gritty, unapologetic sound.

Dorothy shares, "This album is a love letter to the fans. I'm letting them know everything is going to be okay, and we'll help each other find the way — even if we get lost at times."

This spring, Dorothy will hit the road for a headlining tour, including major festival appearances at Welcome to Rockville and Boardwalk Rock. The tour kicks off on April 16 in Nashville. Full tour dates are listed below. Get tickets here

DOROTHY ON TOUR:
WITH CORY  MARKS (4/16 — 5/2):
WITH RETURN TO DUST (5/11-5/15):
3/21 — Los Angeles, CA —  El Rey Theatre
3/29 — Welch, MN — Treasure Island Resort & Casino
4/16 — Nashville, TN — Brooklyn Bowl
4/18 — Asbury Park, NJ — Stone Pony
4/19 — Lititz, PA — Mickey's Black Box
4/21 — Pittsburgh, PA — Preserving Underground
4/22 — Flint, MI — The Machine Shop
4/23 — Joliet, IL — The Forge
4/25 — Council Buffs, IA — Stir Cove/Whiskey Roadhouse
4/26 — St. Louis, MO — The Hawthorn
4/27 — Madison, WI — The Majestic
4/29 — Denver, CO — Oriental
5/1 — Oklahoma City, OK — Diamond Ballroom
5/2 — Albuquerque, NM — Backstage at Revel
5/3 — Phoenix, AZ — UFest*
5/6 — Austin, TX — Empire Control Room & Garage
5/7 — Dallas, TX — Studio at The Factory
5/10 — Camden, NJ — WMMR*BBQ*
5/11 — Charlottesville, VA — The Jefferson
5/13 — Charleston, SC — Music Farm
5/14 — Atlanta, GA — Variety Playhouse
5/15 — Destin, FL — Club LA
5/16 — Daytona Beach, FL — Welcome to Rockville*
5/18 — Ocean City, MD — Boardwalk Rock*
*FESTIVAL

Projecting a full-bodied voice with every inch of her being, Dorothy Martin kindles a spark of hope into a flame as bright as the sun itself. The Budapest, Hungary-born maverick singer, songwriter, performer, and frontwoman of the Los Angeles-based eponymous band, Dorothy brings gusto, grit, and glory back to hard rock, exuding superstar-size confidence coupled with the quiet resolve of an old school Western anti-hero. She has unassumingly blazed her own trail with sold out tours, major collaborations, and over 1 billion streams already in the rearview. 

However, her vision really catches fire on her fourth full-length album, The Way[Roc Nation].

Dorothy arrived with the force of a hurricane back in 2016, serving up the full-length debut ROCKISDEAD. Surging on all platforms on which fans discover new music, "Raise Hell" and "Wicked Ones" reeled in streams. The band organically attracted a diehard global fanbase with 28 Days in the Valley [2018] and Gifts From The Holy Ghost [2022]. KERRANG! hailed the latter as "a hot-blooded rock ‘n' roll record through and through," and RIFF raved, "Holy Ghost serves as a triumphant battle cry and a return to form." Perhaps, Outburn put it best, "It's her most bombastic and gloriously, victorious rock and roll work yet." Simultaneously, the singer took flight as the rare dynamo equally at home on a track with Slash and Nita Strauss of Alice Cooper or Staind and Scott Stapp of Creed. She even notably dueted with Stapp at the Grand Ole Opry. 

Over the course of 2024, she carefully architected what would become The Way alongside songwriter and producer Scott Stevens [Halestorm, Shinedown, Daughtry]. Expanding the creative palette, they leaned into heavier rock spiked with a healthy helping of Southern swagger and country-style storytelling.

ENVY OF NONE’S NEW SINGLE ‘THE STORY’ OUT TODAY WITH NEW VIDEO, TAKEN FROM THE HIGHLY ANTICIPATED NEW ALBUM STYGIAN WAVZ Aol

Ahead of the release of their new album Stygian Wavz (March 28th, Kscope), American/Canadian fourpiece Envy Of None have shared a brand-new single today. The second track from the new album, ‘The Story’ holds a special place in each of the band member’s hearts and is brought to life with a stunning new video by Jaden D.

Speaking about the new single and inspiration behind the video, songwriter and vocalist Maiah Wynne shared “I wrote about wanting to be better, to grow, and the sense of desperation that comes with that desire. To me, the song is about the struggle of not being able to break bad cycles. I had been stuck for a very long time and was trying to be better. I think it’s a theme a lot of people can connect with in some way. Whether it's habits, addiction, self-sabotage, or just unhealthy patterns, we all are trapped by something we are trying to break away from. If I had the power to write my own story, I’d want to be the hero, but so often I am my own villain.”

Envy Of None announced their new album back in January and have so far shared 3 standout singles, ‘Not Dead Yet’, ‘Under The Stars’ and ‘Stygian Waves’. To promote the album, the band recently appeared on Talk Shop Live in the US with host Steve Harkins to discuss the creation of Stygian Wavz, the writing and recording process and plans for the future. Check it out here.

STREAM/DOWNLOAD THE NEW SINGLE ‘THE STORY’


Though they’d never describe themselves as such,Envy Of Noneare the living, breathing definition of a supergroup. No other band on earth could rightly claim to have Alex Lifeson – one of rock’s most influential visionaries – heading up guitar duties, with Andy Curran of Coney Hatch and Soho 69 overseeing bass/programming as well as producer extraordinaire Alfio Annibalini on keyboards. However, the star in this band could very well be its youngest member – American singer-songwriter Maiah Wynne – whose wonderfully emotive vocals are able to spin the music in new exciting directions that thrill to the core.

On their self-titled debut of 2022, the group were able to prove that they were a lot more than the sum of their parts, with an abundance of panache and finesse poured into a contemporary alt rock sound that was hard to predict and even harder to categorise. This year’s sophomore release,Stygian Wavz, is the sound of a band basking in the radiant glow of creative confidence and coming into their own, staggering the listener with every twist and turn encased within their heady mix of genre-splicing brilliance.

PRE-ORDER ALL FORMATS, RELEASED MARCH 28TH, 2025


Envy Of None are:

Alex Lifeson- Guitar, Mandola, Banjo, Programming
Maiah Wynne - Lead Vocals, Background Vocals, Keyboards
Alf Annibalini - Guitar, Keyboards, Programming
Andy Curran - Bass Guitar, Synthesized Bass, Programming, Guitar, Background

Vocals, Stylophone
Follow Envy Of None:
https://www.instagram.com/envyofnone_
https://twitter.com/envyofnone_
https://www.tiktok.com/@envyofnone_
https://www.facebook.com/envyofnone
www.kscopemusic.com/artists/envyofnone
https://envyofnone.com/

Lost Saints Bring Three-Part Harmony to Anthem, “The One,” Available Today

Ramping up their quest to put three-part harmony back in modern country, emerging trio and Two Hats Music Group artists, Lost Saints share a better-late-than-never tribute to true soulmates in the new single, “The One,” available today. Listen Below.
 
Co-written by Dave Turnbull, Lonnie Fowler and Zach Dyer, the lucky-in-love anthem features the breathtaking harmony blend of a striking new group, plus a sunset-country blend full of gratitude and grace. 
 
All about the romantic discovery of a lifetime, a story of missed beginnings and living for the moment unfolds over rich pop-country production, revealing a modern-Nashville power ballad with timeless appeal.
 
Comprised of Afton Addington, Chris Biano and Derrick Casteel, the breakout country trio blends a silky-smooth contemporary sound with the soul-piercing magic of voices locked in sonic embrace, reviving one of the format’s core tenants – all but lost in recent years. 
 
“We do love a ballad,” Addington says about “The One.” “This was originally a song that Dave Turnbull wrote for his wife, which is really cute. It started out as a solo song, and then we went into the studio and were like, ‘Maybe this could be more of a duet – a his-perspective, her-perspective kind of thing.’ It stretched us a little bit, but we just love it.”
 
“Yeah, we knew it was his real story, so we had to nail it, and we tried our best to make it great,” Biano adds. “I’m married so I could resonate with the idea of not getting to share some of those early memories with someone but getting to be the rest of their life and see how those things create the person you love. It’s a timeless message that I think is said in such a cool and unique way.”
 
“I really love the production on this one, for sure,” Casteel notes. “Even aside from the main chorus harmony, there is so much cool stuff peppered into the background.”

Marking the next step forward for the emerging vocal phenoms, “The One” was produced by studio-guitar legend Ilya Toshinskiy, and follows the invigorating 2024 standout, “I Wanna Let You.” 
 
Set apart by their true-trio status (with each member on equal vocal footing), the group has spent years crafting an easy, all-natural vocal blend. Fusing the silky sheen of contemporary country with grassroots ‘90s authenticity and the rich, vivid harmony of the classic format, they began turning heads in 2020 through a series of self-styled singles and are now poised for a breakout with much more music – and news – to come. 
 
Stay tuned as Lost Saints have officially found their way. 
 
Connect with Lost Saints on the web, or via FacebookInstagramYouTube and more.

GEMINI SYNDROME UNLEASHES “2B1” – A DEFIANT OATH TO PERSEVERANCE AMIDST THE DARKNESS

There comes a moment when the weight of existence feels insurmountable—when every push forward is met with an equal and opposite force dragging you down. “2B1” is the sound of that battle. A brutal confrontation with despair, and the relentless pursuit of something more.

"They say I’m off the deep end, but I don’t care.

I never learned to swim."

Doubt and defiance. Fear and resilience. 

“2B1” is a raw confessional—peeling back the layers of struggle, revealing the jagged edge between survival and surrender. How many times can you fight the same battle? How many times can you bleed before you break?

"This song embodies that internal war," says drummer Brian Steele Medina. "There’s a moment when you realize the fight isn’t just against the world—it’s against yourself. And that’s the hardest battle of all."

Through crushing riffs, relentless rhythms, and soaring vocals, Gemini Syndrome dives deep into the abyss, confronting the cyclical torment of doubt, exhaustion, and the endless search for meaning.

"I spent some time with my depression, just to learn it’s all a state of mind."

The mind is both prison and sanctuary. To break free, you must first acknowledge the cage.

 

“2B1” isn’t just about enduring the pain—it’s about transcending it. Choosing to keep moving forward even when the odds seem insurmountable.

"Is it all for nothing? I’m running out of energy. Is anybody hearing me?"

The question echoes in the void. A plea, a challenge, a mantra for those who refuse to fade into silence.

"At its core, ‘2B1’ is about persistence," says vocalist Aaron Nordstrom. "It’s about pushing past your limits, even when it feels like you have nothing left to give. Maybe the victory isn’t in winning—but in refusing to quit."

This is the essence of Origin: From Nothingness to Everything—a cycle of destruction and rebirth, of breaking and rebuilding. The path is treacherous, but to walk it is to prove you are still alive.



Gemini Syndrome invites you into the fire, daring you to push, to pull, to ache, to bleed—until you decay, or until you transcend.

GEMINI SYNDROME

Aaron Nordstrom | Messanger

Brian Steele Medina | Drums + Programming

Meegs Rascón | Guitars

AP Paveri | Bass

NITE Premiere 'Cult of the Serpent Sun'

After journeying to the stars on their full-length venture, NITE now faces the shadowy mythology that lays dormant beneath society's underbelly on Cult of the Serpent Sun. Each of the eight fiery battles on their new album test the Bay Area torchbearers mettle. But amidst its poisonous perils, the band emerge triumphant with white-hot, blackened heavy metal. 

Cult of the Serpent Sun comes out tomorrow, Friday, March 14, but you can hear all eight slithering tracks today by listening to the full album stream on the Season of Mist YouTube channel. 

Listen to Cult of the Serpent Sun Below:

Pre-order & Pre-save
https://orcd.co/nitecultoftheserpentsun

"Cult of the Serpent Sun is our most focused and fully realized album to date", NITE says. "We've struck a balance between melody and aggression, between sophistication and primal simplicity. Our third album captures the dual nature of NITE, the light within the darkness".

To properly initiate their following into Cult of the Serpent Sun, this summer, NITE are touring the East Coast with the dark and dangerous Savage Master. Raise your spike-gloved fists to the high-flying single "Crow (Fear the Night)" and other battle anthems from their road-ready new album.

NITE 2025 East Coast Tour with Savage Master
June 13 - Atlanta, GA @ Boggs Social & Supply [TICKETS]
June 14 - Raleigh, NC @ The Pour House [TICKETS]
June 15 - Washington, D.C. @ Pie Shop [TICKETS]
June 16 - Philadelphia, PA @ Milk Boy [TICKETS]
June 17 - Brooklyn, NY @ TV Eye [TICKETS]
June 19 - Cambridge, MA @ Middle East [TICKETS]
June 20 - Quebec City, QC @ La Source de la Martinière [TICKETS]
June 21 - Montreal, QC @ Piranha Bar [TICKETS]
June 22 - Toronto, ON @ Monarch Tavern [TICKETS]
June 24 - Cleveland, OH @ No Class [TICKETS]
June 25 - Chicago, IL @ Reggies / Music Joint [TICKETS]
June 26 - Detroit MI @ Sanctuary [TICKETS]
June 27 - Indianapolis, IN @ Black Circle [TICKETS]
June 28 - Lexington, KY @ Green Lantern [TICKETS]

On Cult of the Serpent Sun, NITE guards the altar of blackened heavy metal with sharpened blades and axes raised.  


Lineup:
Van Labrakis: Guitar / Vocals
Scott Hoffman: Guitar
Avinash Mittur: Bass
Patrick Crawford: Drums

Recording studio
210 Studios San Francisco and The Hoagie Container

Production credits
Recorded by Van Labrakis
Produced by Van Labrakis and Nite
Mixed and mastered by Van Labrakis at 210 Studios San Francisco

Cover artist
Adam Vick

Available formats
Digital download
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Red with black splatters)
12" Vinyl Gatefold (Red and black marbled)

Pre-order & Pre-save
https://orcd.co/nitecultoftheserpentsun


Follow NITE
​​​​​https://music.apple.com/us/artist/nite/1499573755
https://nitemetal.bandcamp.com/
https://www.facebook.com/nitemetal
https://www.instagram.com/nitemetal
https://open.spotify.com/artist/6MjCnAA9RF0vy3j6QYyLG0
https://twitter.com/nitemetal
https://www.youtube.com/channel/UCo7-UhuJNohvsMB2DP05LAQ

Austin electronic artist Claude9 shares Jarre-esque 'The Shadow', previewing debut album

Austin-based electronic artist Claude9 will soon be releasing his debut album 'Chords of Love' album, out March 28 via indie imprint New Human Music. As part of this synth-based journey, he now shares another gem - 'The Shadow', a Jean-Michel Jarre-eque slice of futuristic wonderment that showcases this relaxing nine-track record.

This new offering arrives on the heels of 'Clouds So Low', a soulful track with chilled feel-good vibes, tastefully blends Enoesque ambient music and downtempo trip-hop. Encapsulating the dreamy, rhythmic energy that defines much of the album Claude9 also offers a sneak-peek of the full album via a mini-live set, shared on video.

Weaving together ambient and downtempo electronica, 'Chords of Love' offers a seamless listening experience with six extended tracks and three shorter interlude pieces that flow effortlessly into one another, creating the feeling of one continuous work. This diverse sonic palette brings in everything from cicada field recordings to lush pads, drones, and a mix of real and synthesized vocals.

With the simple yet profound mantra of “Slow down, relax, and listen”, this is a gateway to a relaxed and healing journey. At the same time, it doesn’t shy away from moments of tension or layers of social commentary, adding depth to its soothing exterior. Two tracks are also graced by the unmistakable talent of Jorja Chalmers (Roxy Music, Bryan Ferry, Italians Do It Better), whose saxophone elevates the intensity and emotional resonance of this project.

Claude9 has been involved in the Austin music scene for several decades, both as a live performer and recording artist. As a keyboard player and singer, he has worked with Reggae acts Pressure, the Killer Bees, and Raggamassive, cutting his teeth to become a sought-after keyboard player. From there, he joined forces with hiphop-funk act Afrofreque, Supercreeps and Hail Marley.

Emerging in the late 90s as one of Austin's first electronic producers, Claude9 was involved in several well-received House music collaborations in the early 2000s. His background as a live musician brought authenticity to the dub and funk elements in his electronic compositions and, more recently, to his
collaboration with Noëlle Hampton (the Belle Sounds) and Ken Christensen (East Coast Boogiemen) in synth pop band XANIMAL.

As a producer at Claude9 Studios, Claude continues to produce and record internationally recognized music in the House and Downtempo genres, while still pushing limits and being an influential member of the ever changing Austin music community.

'The Shadow' is available exclusively via Bandcamp, where 'Clouds So Low' can also be found - it is also available from fine music platforms, including Apple Music and Spotify. Out March 28, the 'Chords of Love' album is now available for pre-order - it will be released digitally and on vinyl.  That same evening, Claude9 will hold his record release party at Stargazer Bar in Austin.

ALBUM CREDITS
Claude9 - Keyboards, real and synthesized vocals, melodica, harmonica
Jorja Chalmers - saxophone on tracks 1 and 9
Recorded at Claude9 Studios (Austin, TX)
Initial session for track 4 at ESH INSTITUTE, Lockhart Tx.
Production assistance by Alec ESH
Mixed and mastered by Charles “Chicky” Reeves at Sublime
Studios London, UK
Album cover design by Fumihito Sugawara / Fumanstudios
Released by New Human Music
Distributed by Xelon Distribution
Publicity by Shameless Promotion PR


Keep up with Claude9
Website | Bandcamp | Facebook | Studio | Instagram | Soundcloud | Apple Music | Spotify | Press contact

Keep up with New Human Music
Website | Bandcamp | Facebook | Instagram | Soundcloud

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

BEWITCHER Shares New Digital Single, "The Warrior Trail," Kicks Off U.S. Tour on Friday

All the best tunes belong to the Devil, and Portland’s bastard sons BEWITCHER take back rock n’ roll in Baphomet’s name. The speed metal demons have unleashed a new digital single, "The Warrior Trail," which was previously only available via the Decibel Magazine flexi series. The song can now be streamed HERE.

The band is now joining forces with DEATHCHANT to co-headline a U.S. tour in celebration of their latest offering, 'Spell Shock,' along with support from PERSEKUTOR. In conjunction with BEWITCHER's appearance at Hell's Heroes Festival on March 30, the speed metal demons will wreak havoc across the country starting this Friday, March 14, in San Francisco, CA until the final stop back in their hometown of Portland on April 5! The full itinerary can be found below while tickets can be found HERE.

In addition, BEWITCHER will be conquering Europe and the UK this spring!

Joining Von Bewitcher, bassist A. Magus, and drummer A. Hunter in the studio this time was none other longtime BEWITCHER fan Lars Frederiksen. Most of the world knows Frederiksen as a force in his own right, playing in the likes of Bay Area punk heroes Rancid, as well as his own Old Firm Casuals. While to some, it may have been an unlikely pairing with Frederiksen taking the producer’s seat, for everyone in the studio the connection was immediate.

As Frederiksen previously commented on 'Spell Shock': "It’s the best record I’ve ever produced for one of the best bands in the world."

Magus explains about their experience with Frederiksen: “[Lars’] knowledge of heavy metal, black metal and thrash – as well as punk, is vast and extreme. It was definitely a match made in hell.'

'Spell Shock' is out now Century Media Records and can be found HERE.

Since their formation in 2013, Bewitcher has seen their signature “Black Magick Metal” sound go from humble beginnings to new heights of creativity and wild anthemic fervor. A small collection of long out-of-print demo tapes kicked off what has proven to be an enduring line of ripping studio albums, singles and EPs. They have earned a reputation as one of the hardest working touring acts around, bringing their volcanic, high energy live shows to every corner of North America and parts abroad.

From its eye-grabbing-and-gouging artwork by Italian horror maestro Solo Macello, to songs like the haunting “We Die in Dust,” to the epic closing track “Ride of the Iron Fox” (“That’s BEWITCHER’s Dokken song!” laughs A. Hunter.) Spell Shock is BEWITCHER at their most evolved and most devastatingly primal. “We wanted it to be an album experience,” says drummer A. Hunter. “Imagine King Diamond’s Abigail in terms of atmosphere merged with the energy of AC/DC’s High Voltage.”

Line-Up:

Mateo von Bewitcher – vox + guitars

A. Hunter – drums + percussion

A. Magus – bass guitar + backing vox

Artwork: Solo Macello

Producer: Lars Frederiksen

Follow:

Official Website

Facebook

Instagram

Pre-order: https://bewitcher.lnk.to/SpellShock

Formats:

Gatefold black LP

Ltd. Gatefold lilac LP (300x) available through cmdistro.de and various other retailers

Ltd. Gatefold translucent orange crush LP (US version, 300x) available only from BEWITCHER

Standard Jewelcase CD

Digital Album

BEWITCHER U.S. Tour Dates (w/ PERSEKUTOR + DEATHCHANT):

03/14: San Francisco, CA @ Bottom of the Hill

03/15: Sacramento, CA @ Cafe Colonial

03/16: San Diego, CA @ Brick by Brick

03/17: Los Angeles, CA @ Lodge Room

03/18: Phoenix, AZ @ Nile Underground

03/20: Houston, TX @ Hell's Heroes^*

03/21: Dallas, TX @ TX Tea Room

03/22: Austin, TX @ The Ballroom

03/23: Oklahoma City, OK @ 89th Street

03/25: Kansas City, MO @ Record Bar

03/26: Chicago, IL @ Reggie's

03/27: Milwaukee, WI @ X-Ray Arcade

03/28: St. Paul, MN @ Turf Club

03/29: Fargo, ND @ Aquarium

03/31: Denver, CO @ Hi-Dive

04/02: Richland, WA @ Ray's Golden Lion*

04/03: Seattle, WA @ El Corazon*

4/05: Portland, OR @ Twilight Cafe & Bar*

05/17: Vancouver, BC @ Modified Ghost Fest^*

^ No Deathchant

* No Persekutor

Debt Neglector Release New Single "Tough Luck, Kid" via Smartpunk Records

Smartpunk Records' outspoken political punk rockers Debt Neglector have released their new single "Tough Luck, Kid!" from their upcoming full-length album "Kinda Rips," which is set to release on April 4, 2025 via Smartpunk Records. 

The track taps into a more personal and vulnerable side of the band as they explore the pressures and fears of fatherhood. The lyrical themes are set to the backdrop of Debt Neglector's signature fast-paced, anthemic punk sound.

Listen Below:

When discussing the single, Debt Neglector says, "This song is about the fear and insecurities I have after becoming a father. I’m so scared of passing on my anxiety and depression to my son. I’m trying so hard to be a good dad and want him to have an easier time than I did growing up. But are some of my issues hereditary? Is it completely unavoidable? Was I selfish for having a kid at all? I worry about these things literally all the time."

ABOUT DEBT NEGLECTOR:
Formed in 2016, these Florida punks have spent the last 8 years honing a sound that showcases their ability to blend catchy hooks with a vicious attitude. With four releases firmly under their belt, the “Atomicland” LP (2017), “The Kids are Pissed” EP (2018), the “Bad Faith” EP (2020), and the “Dirty Water” LP (2021), the band has already established themselves as a group that pulls no punches in their pursuit to call out injustice. Just to name a few, the band has screamed, shouted, and sang about systemic failures and distrust of the government, the fear of impending nuclear war, loss, depression, illness, and the USA’s sick obsession with assault rifles. And they’ve put their money where their mouth is by using their releases to double as fundraising efforts for organizations like the ACLU. Musically, their influences cover a lot of familiar and legendary punk rock ground. Taking notes from punk favorites the Descendents, Dillinger Four, and Bad Religion among others, Debt Neglector aren’t afraid to put their own spin on things. Their music keeps both a reverence for the past and a foot firmly placed in the present. The end result allows the band to craft songs with ripping fast drum beats, sing along choruses, quirky chord changes, and headbanging breaks. With past tours covering the US, Canada, and Europe, the band has set their sights on bringing their brand of pissed off punk music to whoever is ready and willing to listen. Debt Neglector are also no stranger to the festival scene with several appearances at The Fest (FL) and Sing it Out Loud Festival, and a showcase at Pouzza Fest (MTL), they have managed to share the stage with the likes of Propaghandi, Descendents and more. In 2024 Debt Neglector returned to the studio to follow up their past releases with a batch of new songs that has now become the “Kinda Rips” LP (Smartpunk Records – 2025). Their new music remains viciously political but also features some deeply personal topics including the pressures of fatherhood, insecurity, and dealing with mortality. The culmination is an album that is dynamic and relatable from a band whose angry and honest approach is a blunt kick in the pants to the powers that be.

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Restless Mosaic releases ‘Quality Mirrors’ album, a sonic shift past the darkness

West Coast artist Restless Mosaic presents his third album 'Quality Mirrors', and 11-track offering that is saturated with surprise, following up his 2022 album 'Made By Thawing Ice'.  The haunting and hypnotic focus track 'Circling the Canopies' was inspired by electronic music legends Delerium. The album's lead track 'Lost Within This Time' features Anji Bee of iconic dreampop duo Lovespirals.

Restless Mosaic is the project of Brandon Isleib, an electronic songmaker based in Everett, WA, named for the idea of a mosaic's intricacy and structure, and how the parts and the whole relate in a way that they only make sense when they come together. Combining sounds and genres, usually considered disparate, he connects them into something greater than any one of them.

"The album title compares my low self-identity to being farsighted: I need others to hold up mirrors at a distance so that, in the reflections, I see what I am. My initial emotional literacy was taught not by people I knew but by artists like Peter Gabriel, Natalie Merchant, Tasmin Archer, and Kirsty Hawkshaw, and I clutch their work talismanically," says Brandon Isleib.

"This third Restless Mosaic album is a check-in on my emotional literacy, with mirrors held up by my amazing collaborators to see a fuller picture. It has more lyrics than I’d written in the past decade, and even though I’m using a lot of the same vocabulary, it’s coming from a much realer person. Topics like how power differentials between parents and children change with age ('7000 Sparks'), or my fears that therapists are teaching me how to be the best them instead of the best me ('The Emotion Right in Front of Me'), aren’t undone by intellectualization like they might have been when I was younger."

Restless Mosaic takes a principled approach to arrangement and textures, his lyrics are as vivid as they are polysyllabic. The music on this album is grounded - sonic adventures exploring a sense of restlessness. A setting in which listeners can expect the unexpected, this music is a boon for your neuroplasticity. With his music having been streamed over 3 million times via YouTube over the years, Restless Mosaic ow moves into the foreground with his own voice and a variety of collaborators.

This album showcases the artists' diversity, from a Eurodance track that soundtrack your shopping experience to the shoegaze influences next to P-Funk-tinged chaos presided over by rapper Declaime of Aloe Blacc, Madlib, and Flying Lotus (he is also executive producer of Georgia Anne Muldrow's Grammy-nominated 'Overload'). New York singer-songwriter Rose Alaimo contributes vocals on a track and even mastering engineer Vincent Villuis (best known for his ambient work as Aes Dana, his psychill label Ultimae Records and work with Stevie Nicks and Sheryl Crow) is also in on the fun.

Brandon Isleib adds, "With this album, my soul finally got to speak without coughing on the dust of my past. It still speaks idiosyncratically, but now it’s intelligible. Maybe because of that dusting off, the album might sound darker than my conscious headspace when making it. I have no idea if you’ll hear track three, 'Melt Spun', as happy or sad. But how often are we exclusively one or the other, anyway? Our inner light refracts in the prism of daily life. Sometimes we’re red by day and blue by night, trying to keep it all together. What colors do your mirrors reflect back to you?"

As of March 7, the 'Quality Mirrors' album is available everywhere, including Apple MusicSpotify and Bandcamp. Later this year, Restless Mosaic aims to release a new album that brings Declaime's poetry to Isleib's back catalog of instrumentals.

CREDITS
Music written and performed by Brandon Isleib (aka Restless Mosaic)
Mastered by Vincent Villuis / Ultimae Records
Recorded, mixed and produced by Brandon Isleib, except
'Song One Is a Lie' lyrics by Nick Merchant. Engineered by Mark Merchant
'Poet of the Mic' engineered by Daviance Blunt. Lyrics and vocals / rap by Declaime
'Nearest Pool of Chaos' recorded, mixed & produced with Rose Alaimo
'Lost Within This Time' recorded, mixed & produced with Anji Bee
Lyrics, melody, vocals & video footage by Anji Bee. Additional production by Ryan Lum
Thanks to Madame Maledicta and Anji Bee for lyrics advice on '7000 Sparks'
Album art, music video & promo photos by Jennifer Wee
Restless Mosaic website design by Simone Eppler
Publicity by Shameless Promotion PR


Keep up with Restless Mosaic
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Keep up with Anji Bee / Lovespirals
Lovespirals website | Anji Bee website | Bandcamp | Facebook | Instagram | YouTube | Apple Music | Spotify

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BRKN LOVE Release New Single "Diamonds"

Modern Canadian rockers BRKN LOVE are pleased to share a new single, "Diamonds"

from their forthcoming full-length album, 'The Program,' due out March 28th via Spinefarm.

About "Diamonds,Justin had this to say:

"I like to think it strikes a perfect balance between our classic sound and the soul and R&B influences we’ve been experimenting with on this record.

"'Diamonds' is the result of truly honing in on what we do best, defining the sound we’ve been searching for all these years. Lyrically, the song explores the idea that we all have greatness inside of us, but more often than not, we’re the ones standing in our own way. At the end of the day, real change comes from within—no one else can make it happen for you."

Exuding bravado, mystique, and a whole lot of heart, BRKN LOVE sets the rulebook on fire by plugging in, turning up, and churning out the kind of rock ‘n’ roll that makes you feel a little freer. Their gritty riffs pack enough punch to shake any stage while the grooves quake with just the right amount of hip-swinging gusto. Led by vocalist and guitarist Justin Benlolo, the music drips swagger, soul, and spirit amplified by arena-sized hooks and intriguingly inventive musicality.

Stream "Diamonds" HERE

An impromptu 2023 trip to visit a friend in Charleston, SC gave rise to their third studio album, 'The Program.' Justin initially planned on spending a weekend in town. That weekend turned into nine weeks, and he returned to Toronto with the bulk of the album’s material.

“I didn’t have anything else to do, so I brought all of my gear and studio equipment,” he recalls. “I was so inspired by the environment and the friends I made. It’s a big city, but it’s not huge. It’s just beautiful though. The experience inspired the whole record. Instead of being so picturesque and metaphorical, I told stories.”

The album title even referenced the name of the text group for his new friends in Charleston, embedding the experience and the city in the fabric of the music. The vision had already crystallized before he left for Los Angeles where he recorded with longtime producer Anton DeLost (CleopatrickThe WarningState ChampsDead Poet Society). These friends, and a variety of other characters he met, ultimately inspired the concept at the heart of "The Program."

“It was a collective of 10 people I’d never met before, and we kept using the term ‘The Program’ repeatedly like, ‘Let’s go here, because it would be good for The Program’,” he goes on. “It was cool to be surrounded by near-complete strangers, invite them to our place, and play demos. Their opinions were unfiltered and blunt—which was awesome. I was actively searching for inspiration, and I put myself out there in different situations. I was free and unchained to do anything.”

BRKN LOVE fulfilled a clear destiny to be as free as possible on their third full-length LP, 'The Program.'

“In the past, I put parameters on what BRKN LOVE is supposed to be,” Justin mentions. “I’ve been hesitant to put out certain songs because I was unsure if they were us. I’m older and wiser. I have more experience doing this. I know if I’m singing and writing a song, it’s going to be BRKN LOVE. I’m the filter the music passes through.”

Pre-Order 'The Program' HERE

BRKN LOVE emerged with their self-titled debut in 2020. The group quietly generated over a quarter of a billion total streams. They notched a Top 15 entry on Active Rock radio with “Shot Down,” while their cover of “River” by Bishop Briggs hit critical mass. It inspired over 2 billion-plus views on TikTok. It piled up 28 million Spotify streams. 2022’s 'Black Box' only maintained this momentum. “Like A Drug” notched north of 8.5 million Spotify streams, made waves at Active Rock, and emerged as their third Top 5 at Canadian radio.