TRACK45 SHARES POIGNANT MENTAL HEALTH ANTHEM “WHEN I GROW UP” IN HONOR OF SUICIDE PREVENTION WEEK

Suicide is the third leading cause of death in the US among people between ages 15 and 24. While the stigma around seeking help for suicidal thoughts and mental health issues has decreased, some people still don’t know where to turn in their darkest moments.

 

Today (9.15), in honor of Suicide Prevention Week, rising country sibling trio Track45 offers a hopefulmessage to young people struggling with mental health with “When I Grow Up.”

 

Listen to “When I Grow Up” here

 

“When I Grow Up” was written by Track45’s Ben, Jenna and KK Johnson alongside Jonny Price (Tim McGraw, Keith Urban) and Jaida Dreyer (Reba McEntire, Brantley Gilbert). The song is a tribute to those who have lost their life to mental health battles, and a reminder that many people’s struggles go unseen. It’s a message of solidarity for those who feel alone in their trials.

 

“When I Grow Up is for anyone who feels like they’re alone in what they’re going through,” says Track45. “If you’ve ever been in a dark place, or had someone close to you struggle with mental illness, it can feel isolating — especially when you’re young. Hopefully this song will create a space where people can hear their own stories in this song and feel seen.”

 

Track45 will share a video for the song at 11 AM CT today on its YouTube channel.

“When I Grow Up” follows the band’s ‘Grew Up On’ EP, which was released on 7.14 and featured songslike the “churning, blasting track” (MusicRow) “Drinkin’ And Thinkin’.” Listen to ‘Grew Up On’ here.

 

The group behind songs recorded by Justin Timberlake, John Legend, Lauren Alaina, Kylie Morgan and more will release more new music in the near future.

About Track45:

Sibling trio Track45 – Jenna, Ben, and KK Johnson from Meridian, MS – have taken family-based, small-town values and made them relevant in a modern world. The trio’s crystalline harmonies and track-charged musicianship sound current yet classic as they draw from their assorted country, rock, R&B, and pop playlists. Each is a gifted songwriter and musician with individual publishing deals and impressive writing credits – including Justin Timberlake, Charlie Puth, Dierks Bentley, Weezer, Lee Brice, HARDY, and Lauren Alaina. Their combined hopes and passion for music can be heard in every note of their dream big sound. After receiving over 1.8 million views on their version of the global hit “Family” that the rising country trio wrote alongside Billy Mann, the band released their rendition of the song, which was originally made famous by David Guetta and Bebe Rexha. Following “Family,” the band reflected on their youth and the traditions that they’ll never outgrow on the 6-track EP ‘Grew Up On’ (7.14 via BBR Music Group / Stoney Creek Records). Featuring title track “Grew Up On” (6.16) and the band’s cheeky “Last Man In Tennessee” (4.21), which “packs a punch like a shot of sawdust and whiskey” (American Songwriter), the EP intertwines the siblings’ blood harmony “perfection” (MusicRow) while telling the nostalgic story of never outgrowing what you “grew up on.” The band’s poignant new suicide awareness anthem “When I Grow Up” is out now.

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EARSHOT's Fall Tour with Thousand Years Wide and MCHNZ Kicks Off September 29th!

Earshot announced they will be hitting the road this fall with special guests Thousand Years Wideand MCHNZ. The tour kicks off on September 29th in San Diego, CA at Brick by Brick and concludes on October 22nd in Mechanicsburg, PA at Lovedrafts.

Tickets and VIP upgrades are on sale now HERE

Earshot's latest single "UNRAVELING" can be streamed/downloaded at:

https://distrokid.com/hyperfollow/earshot/unraveling

Earshot Tour Dates:

9/29 SAN DIEGO, CA - BRICK BY BRICK

9/30 LAS VEGAS, NV - COUNT’S VAMP’D.

10/3 LUBBOCK, TX - JAKE’S BACKROOM

10/4 DALLAS, TX - TREES

10/5 SAN ANTONIO, TX - PAPER TIGER

10/6 AUSTIN, TX - PARISH

10/7 HOUSTON, TX - SCOUT BAR

10/10 MOBILE, AL - ALABAMA MUSIC BOX

10/11 TALLAHASSEE, FL - LEGACY AT THE RIVERFRONT

10/12 JACKSONVILLE, FL - JACK RABBITS

10/13 GREENVILLE, SC - THE RADIO ROOM

10/14 JACKSONVILLE NC - HOOLIGANS LIVE

10/15 VIRGINIA BEACH, VA - SCANDALS LIVE

10/18 NEWARK, DE - HALFTIME SPORTS BAR

10/19 CLIFTON, NJ - DINGBATZ

10/20 ALLENTOWN, PA - MAINGATE NIGHTCLUB

10/21 IRWIN, PA - BRANDY’S ON MAIN

10/22 MECHANICSBURG, PA - LOVEDRAFTS

Earshot's signature, driving, hard rock beats coupled with hook-laden harmonies are matched only by their unbridled creativity and willingness to experiment with musical textures and themes – elements that had captivated fans’ attention in the band’s early days and continue to do so today.

The genesis of lead vocalists, Wil Martin, with then members (Bassist) Guy Couturier, (Drummer) Dieter Hartman and (Guitarist) Scott Kohler– the Los Angeles-based band quickly shot to success after signing with Warner Bros. Records in 2002. They released their debut album LETTING GO(produced by David Kahne and mixed by Andy Wallace).

Upon its release, the band quickly found themselves on the road touring constantly with such notable rock acts such as Kid Rock, Staind, Shinedown, Hooabstank and Stone Temple Pilotsto support the record.

This national exposure, combined with an aggressive radio campaign, pushed their debut single “Get Away” to #4 on the U.S. Active Rock Radio Charts where it stayed in the Top 100 for over 64 weeks. At the same time, Earshot’s hit song “Headstrong” was featured on The Queen of The Damned soundtrack alongside other artists such as Disturbed, Deftones and Marilyn Manson,further cementing their place among rock’s elite.

However, it wasn’t until the band’s sophomore album TWO (produced by Johnny K. and mixed by Rich Costey), released by Warner Bros. Records, that they would hit mainstream success with their single “Wait.” It not only reached #9 on U.S. Active Rock Radio but was also featured on the Madden NFL 2005 and MX vs. ATV Unleashed video game soundtracks.

With three chart-topping albums under their belts and a rigorous seven years of touring and recording, Earshot took a hiatus after the release of THE SILVER LINING. Yet after a nearly decade-long break they emerged producing their long-awaited fourth studio recording AFTERMATH (produced by Wil Martin and mixed by Sam Hughes), a five-song EP featuring an intimate, re-recorded acoustic performance of “Fall Apart,” previously released on the band’s second and most beloved album TWO, as well as the release of the album’s first single "Now That It's Over."

Through the epic highs and lows of the music industry as well as life in general, Earshot once again reactivated in 2019 with four new members: Aaron Fink, the former lead guitarist for Platinum-selling Breaking Benjamin, bassist John Novak from the alternative rock band Down To Six, and drummer Mike Sylvia.

Regardless of the trends, trials and tribulations, Earshot has always remained true to themselves and continue to produce music that their fans can relate to on a deeper level, beginning with their remake of Alanis Morrisette’s “Uninvited” and their first single of 2021, “Been A Long Time”which was the #2 MOST ADDED on the Billboard (BDS) Mainstream Rock Indicator chart,reaching the Top 20 Billboard Mainstream and Active Rock Charts.

Earshot is:
Wil Martin - vocals / guitar
Aaron Fink - guitars
John Novak - bass
Michael Sylvia - drums

For More Information Please Visit:

EARSHOT

Official Website

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THOUSAND YEARS WIDE

Official Website

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MCHNZ

Official Website

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PLAGUESTORM Unveils Latest Single "Gardens of Fire" from Upcoming EP "Empty Eyes"!

Plaguestorm, the renowned solo artist from Argentina, is gearing up for the release of his upcoming EP Empty Eyes. Following the release of the first single "Thrown Into The Void", Plaguestorm has revealed the second track "Gardens of Fire"today, which is now available for streaming. Listen to the song below.

Stream the single HERE

Mastermind Sebastián Pastor comments:
"Gardens of Fire is a slow and steady song. It tells the story of a boy who is indoctrinated "in the name of God" since he arrived on this earth, in which he could never find the promised paradise. It's a song with many melodies, melancholic and dark, with a beautiful guitar solo... musically you can hear the great influence that Hypocrisy has on me... I think you already figured this out."

Plaguestorm has released a series of impressive albums including Everything's Gone Wrong (2015), Mother of Plagues (2019) and the recently dropped Purifying Fire (2021). This time around, Pastor is joined by the incredible vocal prowess of Okko Solanterä (HORIZON IGNITED) and the masterful drumming skills of Eugene Ryabchenko (FLESHGOD APOCALYPSE), along with the talented Diego Martinez. With such prominent support, Plaguestorm's upcoming offering is set to leave a lasting impact, showcasing his undeniable talent and delivering a sound that will appeal to fans of heavier and melodic sounds.

Empty Eyes was mixed and mastered by Sebastián Pastor and will be coming out on October 20 via Noble Demon. The EP is available for digital pre-order at THIS LOCATION

PLAGUESTORM is:
Sebastián Pastor
Guitars/Bass/Drum Programming
Music/Lyrics/Mix/Mastering

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California outfit Octavian Winters present 'Surreal', final single before debut EP 'The Line or Curve'

"The track feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma. There’s tectonic thunder in the pounding drums and rumbling bass... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine


San Francisco post-punk outfit
Octavian Winters presents the single 'Surreal', which is about being disconnected from your environment and the feeling that you can’t quite put your finger on objective reality. This is the quartet's third single from their debut EP 'The Line or Curve',

Recorded in San Francisco by
Mark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, this EP was produced by Octavian Winters and William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, Faith also mixed and mastered the EP at 13 Studio in Chicago.

Born into the ghostly isolation of San Francisco in 2022, Octavian Winters is Stephan Salit (guitar), Randy Gzebb (drums), Jay Denton (bass) and Ria Aursjoen (vocals, keyboards), who together weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

“Randy Gzebb and Stephan Salit first created the slow, melancholy progression that was to be the core of 'Surreal'. To me, it had a beautifully dark and watery feel, like being caught at night on a foggy ocean. The first words that came to me as I was working up the vocal melody were “it’s surreal, so find a way”, and I thought it was curious that I couldn’t seem to get away from those words and make anything else feel right," . says Ria Aursjoen.

"Usually I will start with the melody and placeholder lyrics but, in this case, it came at once from the start and those words stuck. I started to unspool the feeling behind them: the idea of being disconnected from everything and everyone, and feeling like you can’t quite put your finger on objective reality. I feel this is a distillation of many people’s experiences over the last three years of lockdowns and schism. The song also explores the theme of the “in between” or existing in a state that is neither here nor there, and in which it is impossible to tell what is real and what are just projections."

'Surreal'  https://open.spotify.com/track/2VMPEyxZuBQ6Pphk0VMPKP

Octavian Winters formed in late 2021 when Gzebb and Salit, former bandmates in Thrill of The Pull, met up to discuss a film/television publishing deal for Thrill’s catalog (a four-year licensing deal has since been finalized with Expressive Artists). A subsequent jam session produced several motifs, inspiring several more jams in the next weeks. Gzebb invited Aursjoen, whom he had met earlier via another project, to a session and the musical chemistry was immediately evident. Gzebb brought in bassist Jay Denton to round out the line up.

Their previous single 
'Undertow' is a dark propulsive offering underlining an aspect of separation from the world and the darkness that comes out of it - a sort of ominous current capable of pulling someone away from all hope. The video was directed, filmed, edited and  produced by Jay Adams.

Octavian Winters debuted with the single
'Ondine', drawing from a mythical tragedy of love for a sea nymph, and the search ever after for her after she returns to the sea. The music itself transports the listener to a mythical world of sea elementals and an almost courtly love,

Each member of Octavian Winters brings their own rich musical tapestry to the collective and have shared the stage with many iconic acts over the years, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

Ria (Amenti) Aursjoen, who has synesthesia and has nurtured generational musical seeds planted by her opera diva grandmother, has recorded and performed in the UK and US in genres ranging from Celtic folk to progressive metal and darkwave. She left her graduate work in theoretical physics to pursue music, touring as a Celtic harpist and vocalist for several years before making her home in San Francisco.

Drummer Randy Gzebb relocated to California from Canada, immersing himself in the San Francisco and Los Angeles music scenes in various projects. He was a member of '80s gothic rock band
Love Club, who were signed by Sandy Pearlman (The Clash and The Dictators), released on MCA Records, and produced by Bill Buchanan (Fields Of The Nephilim, Red Lorry Yellow Lorry, The Leather Nun).

Stephan Salit, who considers performing live his sacred space, has recorded and performed with a wide variety of groups including Specimen. Approaching each song as a canvas that calls for colour and depth, he views his playing as painting with sound.

Bay Area native Jay Denton, who spent some time on the road with Jack Kerouac, has had a diverse career performing classical and contemporary composers, and with various jazz and rock bands, playing extensively with the house band at San Francisco’s famous Condor strip club. Jay has toured in London, Japan and across the USA..

As of September 15, 'Surreal' will be available from fine music platforms, including
Apple MusicSpotify and Bandcamp. 'The Line or Curve' EP will be released on October 13 via Stratis Capta Records. On October 31, Octavian Winters will be playing Bottom of The Hill in San Francisco (with Dead Souls and The Reptile House), followed by a Sacramento show on November 8 at Cafe Colonial (with Ashes Fallen).

CREDITS 
Music written by Octavian Winters
Lyrics by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
Recorded at OW studios San Francisco, CA
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco, CA
Mixed and mastered by William Faith at 13 Studio, Chicago, IL
Produced by Octavian Winters and William Faith
Artist photos by Dina Marie Robinson
Jay Adams - Video director, cinematographer, editor producer
Eric Olson - Design
Steve Devaney - Design at Uroboros Choke
Concept, storyboard, set and costume design by Ria Aursjoen
Featuring
Cathenge art installation by David Normal


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

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Alkaloid Streaming New Album A Day Early

Alkaloid are metal's maddest scientists. The Bavarian band have crafted songs about what lies beneath the Arctic crust, on top of an ongoing, multi-part saga about a galactic civilization that ascends to god-like levels of domination.

'Numen' is their most intricate, thought-provoking and batshit insane album yet. The 70-minute behemoth hits shelves and streaming platforms tomorrow, but you can listen to all eleven tracks now thanks to our friends at No Clean Singing.    

Pre-order:
https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save:
https://orcd.co/numenpresave 

Alkaloid are still bonded together by their love of extreme metal. After all, they are a super group that's assembled from foundational members of Obscura, Dark Fortress, Triptykon and other genre heavyweights. The fiery, finger-tapped solo that squiggles loose halfway through lead single
"Clusterfuck" is crushed like an ant between colliding moons.

But Numen finds the band playing around with all kinds of experiments.
"The Cambrian Explosion" flips death metal on its horned head with seductive flurries of jazz and flamenco, while the title track is a dizzying seven-minute yarn of how a supermassive black hole came to burp up an unheard-of cosmic artifact that gives both the song - and the album - its name.  

"We proudly present our third album 'Numen', says Alkaloid. "Where 'The Malkuth Grimoire' dealt with the rearrangement of existing particles into new forms, and 'Liquid Anatomy' with the creation of new particles, this album looks at the universe from the perspective of imaginary deities detached altogether from the cycle of life and death of incarnated organisms. This hypothetical viewpoint is reflected on the scales of both biological and cosmological processes. If one could shape and manipulate life and the cosmos itself, how would one go about it, and what would it mean for everything in that cosmos?

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: 
https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: 
https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

Singer/Songwriter/ Multi-Instrumentalist Sierra Levesque Releases Debut Single “GET OFF MY STAGE”!

Stream/Purchase "GET OFF MY STAGE":

https://sierralevesque.hearnow.com/

https://linktr.ee/sierralevesquemusic

Sierra Levesque, the formidable singer, songwriter, and multi-instrumentalist, has taken the music scene by storm with the release of her highly anticipated debut single, "GET OFF MY STAGE." The track, a masterful blend of Levesque's distinct artistry and the renowned production expertise of Ron "Bumblefoot" Thal, became available on all major music platforms on September 1, 2023.

Ron "Bumblefoot" Thal, a celebrated musician known for his work with iconic bands like Sons Of Apollo, Asia, and as a former member of Guns 'N Roses, has lent his prodigious talents to produce, mix, and master this groundbreaking single. Thal's touch adds a layer of sonic brilliance that elevates "GET OFF MY STAGE" to a level of sonic excellence that's bound to resonate with music enthusiasts across the globe.

“I am very excited for everyone to hear my debut single, 'GET OFF MY STAGE'! This song is a combination of classic rock and modern pop influences, and it's sure to have any listener humming along!” says Sierra Levesque.

Sierra Levesque is an 18-year-old Rock singer/songwriter, guitarist, pianist, bassist, and drummer from Pembroke, Ontario, Canada. Her goal is to help lead the NEW GENERATION of Rock 'N Roll.

Recognized by Guitar.com as being “Gen Z’s Most Ambitious New Guitarist” and one of "10 Young Shredders Shaping Rock and Metal Today", Sierra's love for Rock music came from listening at a very young age to many Classic Rock and Heavy Metal bands from the 70s and 80s.

Sierra has been described as a combination of the powerful voice of Ann Wilson and the skilled, catchy guitar playing of Nancy Wilson.

Her musical influences throughout the years have been Pop, Rock and Metal acts such as Avril Lavigne, Ghost, Heart and Scorpions.

Having won the 2019, 2022, and 2023 MyFM Spirit Award for "Best Local Musician" in Pembroke, Sierra has already gained notoriety from large media outlets, as well as from some powerful figures in the Rock music industry including Nancy Wilson (Heart), Ron 'Bumblefoot' Thal (Sons Of Apollo, Asia, ex Guns 'N Roses), DJ Ashba (SIXX A.M, ex Guns 'N Roses), Desmond Child (Songwriter for Bon Jovi, Joan Jett, KISS), and Mark Slaughter (Slaughter) to name a few.

Sierra's powerful vocals, hard rocking guitar riffs, and relatable original songs always take every stage by storm!

For More Information Please Visit:

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UK indiepop duo KARAMELIEN releases single 'Living With The Moon', a sonic mental health boost, heralding debut album

'A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


UK indiepop duo
Karamelien presents their new single 'Living With The Moon',the title track from their forthcoming album by the same name. An energetic, upbeat, guitar-driven track that celebrates the rewarding path of learning to live with mental health challenges, accepting them, and feeling the freedom of just ‘going with the flow.

A poignant but cheeky track, it is wistful while also being full of a f*ck-you attitude. It’s about finding triumph through adversity. But most of all, it’s a great singalong indie pop anthem with a hook that may invade your brain and stay there for days.

Based in East Grinstead, Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them.
 
"I wrote this song after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!" says Léanie Kaleido.
 
“So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

'Living With The Moon' single https://ditto.fm/living_with_the_moon_karamelien

Earlier, the duo released the single 'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

The 'Living With The Moon' single is out now, available on
 Spotify, Apple Music and Bandcamp. The full album will be released on October 27 and can already be pre-ordered on Bandcamp.

CREDITS
Written by Léanie Kaleido
Léanie Kaleido – vocals, piano, keys, tenor electric guitar
Mark Foster – guitars
Lee Pomeroy – bass
Produced by Ian Caple Recording
Mastered by Jon Astley  

Keep up with Karamelian
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Iodine Releasing Classic, Out of Print Record From Garrison Now Available for The First Time In Over 20 Years

Garrison were born in Boston during the heyday of the prolific late '90s post-hardcore scene.

Their cohort featured heavy hitters like Piebald, Cave In, and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo — all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.

Garrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their debut LP A Mile in Cold Water. The record was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. The album opens with "After the Fight," which immediately hooks you with its melody, fast tempo, and emotional breakdowns, highlighting the band's hardcore roots and complex style. The LP rises with heavier post-hardcore moments, such as "The Dumbest Angel," and falls with several softer emo ballads, most notably on the somber closer "Favorite Goodbye Fuck."

Though Garrison went on to release numerous albums on Revelation Records and Iodine Recordings, A Mile in Cold Water remained their most significant and important release. While Garrison never broke in the same way that many of their peers did, this record clearly paved the way forward for many bands that followed in the post-hardcore and emo scenes.

Produced by Kurt Ballou (Converge) at God City Studio in 2001, Ballou returned in 2023 to completely remix the album to really make these songs shine the way they always intended to sound. Remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden. The album is being presented in a special gatefold jacket and features elements of the original art, and new artwork from Dan McCarthy.

The album is available for the first time in 20 years via Iodine Recordings on October 27. Get it
here.

Listen to "The Dumbest Angel"
here.

Garrison's original lineup will appear at The Middle East Downstairs in Boston on October 6 with Orange Island. They are also slated to play The Fest in Florida, as well.

WANTED: KILLED THE COWBOY MARKS DUSTIN LYNCH’S STATEMENT RECORD

There’s a high noon showdown going on inside MULTI-PLATINUM star Dustin Lynch. At 38 and single, he’s admittedly at a crossroads: Does he settle down, start a family, and lean into domesticity, or continue to carve out a life of extraordinary experiences that most people only dream of? Announcing his statement-making sixth studio album, Killed The Cowboy, today (9/8), the charismatic man in the Resistol hat bravely tries to figure that out. Celebrating the September 29 release, Lynch is now featured across Paramount’s billboards in New York City’s Times Square in partnership with CMT. Pre-save/pre-add Killed The Cowboy (Broken Bow Records) here.

“When I’m off the road and working on my farm, I have a lot of inner dialogue. It’s a boxing match inside of me, between living in the moment and enjoying where I am, versus what's the best version of me five, 10, or 20 years down the road,” Lynch explains. “What do I want to be? What do I want life to look like? Who do I want to be around? Killed The Cowboy is that back-and-forth. It’s me asking myself, ‘Am I okay? Or am I weird for not having found my person yet? And is she even out there?’ My hope is that this album finds someone who needs to hear it. I want Killed The Cowboy to embrace the single people of the world and lift them up, to let them know that you don’t have to live a ‘normal’ life to still be happy in your own skin.”

It's a stunningly self-aware series of questions not only for Lynch to ponder, but for single and newly single people everywhere. Through his 12-track journey – with five to his songwriting credit – on Killed The Cowboy, they’ll realize they’re not alone, thanks to highlights like the introspective “If I Stop Drinkin’,” the shadowy ballad “Blue Lights,” and the yearning come-on “Lone Star.” But they’ll also find a friend at the party via his raise-‘em-up anthems, from “Honky Tonk Heartbreaker” and “George Strait Jr.,” to “Chevrolet” – a nostalgic dirt road rocker with Lynch’s labelmate Jelly Roll. 

Available today (9/8), the lone cowboy squares off in the brooding title track with a power strong enough to bring even the toughest man to his knees: “A girl like you.” Set to Zach Crowell’s moody production and creating a smoky, midnight-Country sound as muscular as it is wounded, theJordan Reynolds, Devin Dawson, Anderson East-penned ode captures a romantic duel where only one will walk away. 
Listen to “Killed The Cowboy” and watch the visualizer below.

“When I first heard ‘Killed The Cowboy,’ I was drawn to its haunting melody, and then I got to thinking about the lyric and realized, ‘Damn, I'm this guy right now in my life,’” adds Lynch. “Relationships can come in hot and heavy and then implode. But that heartbreak, in a weird way, also makes you feel alive, to have another person move you like that. You feel that roller coaster of emotion and passion, and that sparks me creatively as an artist.”

* Produced by Zach Crowell

Co-Produced by Zach Crowell and Ben Johnson

Co-Produced by Zach Crowell and Ben Phillips

Co-Produced by Zach Crowell and Kyle Fishman

 

As the much-anticipated follow-up to Blue In The Sky, Lynch’s 2022 release delivered the history-making “Thinking ‘Bout You (feat. MacKenzie Porter),” which became the #1 song on the Mediabase 2022 Year-End Chart Country and #2 on the Billboard 2022 Year-End Country Airplay Songs chart. The PLATINUM, six-week #1 collaboration remains the longest-running Top 10 single in Billboard Country Airplay chart history at 28 weeks and Broken Bow Records’ longest-reigning single at Country radio. The acclaimed fifth studio album also featured hit “Party Mode” – launching an in-demand PARTY MODE TOUR – and Lynch’s latest chart-rising single “Stars Like Confetti,” that’s currently Top 15-and-rising at Country radio.


Stacking a mix of upcoming headlining dates and music festival appearances, 
click here for a full list of tour stops.

Photo Credit: Alysse Gafkjen

ABOUT DUSTIN LYNCH:
Dustin Lynch has "built one of the most consistent recording careers in modern country music” (Billboard), achieving eight #1s, four Top 5 albums, 10 GOLD and PLATINUM certified singles, and tallying over 5.4 BILLION cumulative global streams. His sixth studio album, Killed The Cowboy (Broken Bow Records), makes a statement on September 29. The follow-up to Blue In The Sky, which delivered the history-making PLATINUM, six-week #1 “Thinking ‘Bout You (feat. MacKenzie Porter)” – the most-played song at Country radio in 2022 landing at #1 on the Mediabase and #2 on the Billboard Year-End Country Airplay charts – also featured current Top 15-and-rising single “Stars Like Confetti” and hit “Party Mode.” Since his PLATINUM breakout “Cowboys and Angels” in 2012, Lynch has headlined packed venues and toured with Country’s biggest names like Luke Bryan, Florida Georgia Line, Brad Paisley, and Kane Brown. Likewise, the Tennessee native has earned industry recognition as a Grand Ole Opry member, as well as high-profile nominations for the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards, and CMT Music Awards.

KEEP UP WITH DUSTIN LYNCH
WEBSITE | FACEBOOK TWITTER | INSTAGRAM | YOUTUBE | TIKTOK

NAOMI COOKE JOHNSON INVOKES A MUSICAL ADRENALINE RUSH WITH LATEST SMASH “LIVIN’ AIN’T KILLED ME YET” OUT NOW

Equipped with an adventurous and fiery attitude, former Runaway June lead singer and chief songwriter Naomi Cooke Johnson returns with a pavement pounding anthem, "Livin' Ain't Killed Me Yet."  Semi-autobiographical, the song is a musical adrenaline rush celebrating living life to the fullest. Listen now HERE.

 

“This song is a perfect glimpse into the lenses in which I view life. To make my way through life I have had to take massive chances and risks, some of which have brought me to very scary places where thelessons were intense and the growth was painful,” said Cooke Johnson. “My brushes with danger, and even death, have made me want to live my life how I want to live it and on my terms with a sort of ‘is that all you got?’ attitude. If there is one thing I’m sure of, it’s that this all comes to an end for every single one of us and I want to feel alive while I am alive. I hope you love ‘Livin’ Ain’t Killed Me Yet.’”

 

Co-written by Naomi Cooke Johnson alongside Phil Bentley and producer Dan Muckala, “Livin’ Ain’t Killed Me Yet” is a scorching celebration of carefree fun with a chosen family of friends. 

 

Watch below

 

The release of “Livin’ Ain’t Killed Me Yet” follows Cooke Johnson’s first offering of music in her solo catalog, “Girls of Summer.” Never resting on her laurels and teeming with a wanderlust for life and its stories, she’s anchored a career sharing songs that chronicle her childhood years of homeschooling and living on a renovated school bus to her current life as a working mom with a new baby balancing a recording artist’s schedule.

Photo Credit: P Tracy

About Naomi Cooke Johnson:
Naomi Cooke Johnson’s life is a song worth writing and a story worth telling. Growing up impoverished with no education, Cooke Johnson found her refuge and purpose in music. She’s a real-world example of what’s possible when hope transcends hardship and a real product of the American Dream. This former lead vocalist of Runaway June, who co-wrote many of the trio’s acclaimed hits including the Top 5 smash “Buy My Own Drinks," made her official solo debut in the Country music scene with a strong dose of Shania Twain sass releasing “Girls of Summer,” a spirited celebration of carefree fun with a chosen family of friends. With powerhouse vocals and an irresistibly upbeat tempo, “Girls of Summer,” was fans’ first taste of blazing new music from Cooke Johnson who has truly come into her own as a solo artist. Her sophomore release is coming equipped with an adventurous and fiery attitude, as Naomi returns with, "Livin' Ain't Killed Me Yet” via BMG/BBR Music Group.  Semi-autobiographical, the song is, in typical Naomi fashion, a musical adrenaline rush celebrating living life to the fullest.

 KEEP UP WITH NAOMI COOKE JOHNSON

WEBSITE |  TIKTOK | INSTAGRAM | YOUTUBE | FACEBOOK | TWITTER

Distortion Music Group is Proud to Release the Stand Alone New Single "IKU-TURSO" from Finland’s Winter War Machine Wolfheart!!

WOLFHEART is set to unveil their highly-anticipated standalone single, "Iku-Turso,"in collaboration with Distortion Music Group. This powerful track is available on all major music platforms today, September 8, 2023.

Crafted by the talented songwriter Tuomas Saukkonen, "Iku-Turso" is a testament to his creative prowess. The single has been expertly brought to life by Saku Moilanen, who handled the production, recording, mixing, and mastering with finesse at DeepNoise Studios.

"Seems like with each concept album we make there is one story that is left behind and deserves a sequel to the theme. Our previous full length "King Of The North" was fully focused on Finnish Mythology and we did thorough job covering everything between creation of the nordic realm to the demigods of Finnish nature. But one truly primeval and malevolent creature, sea monster called Iku-Turso was left behind and now we are back to tell the story about a hunt of this beast that was also believed to be the god of war,” says Tuomas Saukkonen.

Finnish frontrunners WOLFHEART have proven themselves to be one of metal’s most captivating acts of northern heritage and one of the fastest rising bands in the international melodic death metal scene. Over the course of the last three years alone, the band has remained relentless with the release of their highly acclaimed full-length, Wolves of Karelia (2020) and Skull Soldiers EP (2021), gaining massive praise from fans and press alike with their icy tales of battle and triumph. The new album, King Of The North (out September 16, 2022 via Napalm Records), picked up right where WOLFHEART left off - taking every aspect of their trademark sound of colossal melodies, growling vocals and driving drum rhythms to searing new levels. Each song on King Of The North was dedicated to a different story of Finnish mythology - underlined by WOLFHEART’s grand, crushing songwriting and production. “Ancestor”, featuring none other than Jesse Leach of Killswitch Engage fame, is the album’s top frostbitten anthem, unleashing WOLFHEART’s most crushing blast beats and cutting-edge vocal performances. “The King” marches on, telling the tale of the forest god with horns and pianos accompanying heavy guitar riffs and solos, before raising the energy levels once more on the relentless “Cold Flame” featuring Karl Sanders of legendary extreme metal group Nile. King Of The North is a true masterpiece of melodic death metal, crafted with loads of attention to detail and intricate mythology-driven storytelling - showcasing WOLFHEART at never before heard artistic levels!

One story from the colossal theme album King Of The North was left behind and 8th of September will tell the tale of the malevolent sea monster known by the name Iku-Turso. There is various descriptions about Iku-Turso from a god of war to a father of diseases and overall it is truly primeval creature in Finnish mythology and definitely deserver and epic and thundering track to tell its tale and that is what WOLFHEARTdelivers briefly prior to their 1st headline tour in Europe in November 2023

"Iku-Turso" Single Out Now!

Stream/Buy here: https://bfan.link/wolfheart-iku-turso

WATCH WOLFHEART - Iku-Turso (Official Video):

Photo credit: Valtteri Hirvonen

Eric Sardinas Shares New Track "Tonight" — LISTEN

NEW ALBUM MIDNIGHT JUNCTION OUT OCTOBER 13 VIA EARMUSIC

Following the success of his recent single "
Long Shot," blues-rock virtuoso Eric Sardinas ignites the scene once again with his scorching new single "Tonight," which is available now.

Listen to the new single 
below.

"I play slide guitar, I play blues, but it's rock 'n' roll that I interpret in my own way," says Sardinas, highlighting the driving force behind his music, a seamless blend of blues heritage and rock's unbridled energy. A master of his craft, Sardinas has garnered acclaim for his mesmerizing guitar skills, and raw, soul-stirring vocals. Nine years after the release of his last record, the new album Midnight Junction is poised to showcase his artistic journey while staying true to the blues rock roots that have earned him a dedicated global following.

 Sardinas is joined by an excellent rhythm section, compromised of Chris Frazier (Whitesnake, Foreigner) on drums, Koko Powell (Lenny Kravitz, Sheila E) on bass guitar, David Schulz (The Goo Goo Dolls, Bo Diddley) on keys and organ, with very special guest Blues harmonica legend Charlie Musselwhite. Produced by Matt Gruber.

Witness Eric Sardinas and his all-star crew keeping the great blues rock tradition alive and kickin! Midnight Junction is available as CD Digipak, 1LP (black/180g) and Ltd. Red Marbled LP (180g) for pre-order now here.

Synthwave Horror Duo MIDNIGHT DANGER Announces U.S. West Coast Tour

GET TICKETS HERE

Synthwave horror duo MIDNIGHT DANGER will be performing in the United States for the first time ever this October! Just in time for Halloween, the horror-themed outfit will embark on its "Nightmare Over the West Coast" starting on October 26 in Phoenix, AZ. The trek will then make its way up the coast and draw the final curtain on October 31 in Seattle, WA. The full itinerary can be found below!

In celebration of the upcoming tour, MIDNIGHT DANGER will be releasing a brand new single, "Radio Hell," on September 29, 2023! Pre-save the single HERE.

For a taste of what to expect from MIDNIGHT DANGER's dynamic and haunting performances, watch the official video for "Live at The Slaughterhouse" below

Midnight Danger "Nightmare Over the West Coast" Tour Dates:

10/26: Phoenix, AZ @ Endgame

10/27: Los Angeles, CA @ Knucklehead Hollywood

10/28: San Francisco, CA @ DNA Lounge

10/30: Portland, OR @ The Secret Warehouse

10/31: Seattle, WA @ Central Saloon

Hailing from Stockholm, Sweden, rising star Midnight Danger brings an electrifying fusion of influences to the music scene. Conceived by producer and guitarist Chris Young in late 2015, this music endeavor draws inspiration mainly from synthwave music, '80s metal, and classic horror. Midnight Danger crafts a nostalgic soundtrack journey with pulsating synthesizers, driving rhythms, and a cinematic essence that instantly transports listeners back to the era of neon lights, arcade games, and VHS tapes. While evoking a sense of nostalgia for the 1980s, their tracks also add modern production techniques to create a unique fusion of old and new.

Setting the stage alight both musically and visually, Midnight Danger's live performances are an enthralling spectacle that marries their music to a synchronized light show engaging the audience in a theatrical like horror movie experience.

In January 2018, the debut album "Malignant Force" was released through NRW Records, instantly carving its mark on the synthwave landscape. The album rapidly soared in popularity, with vinyl and cassette editions selling out in a flash and accumulating a staggering 4,5 million streams on Spotify.

The release catapulted Midnight Danger in the synthwave/retrowave movement and resulted in numerous live performances over Europe and South America alongside some of the main artists on the genre, including also an unforgettable appearance at São Paulo's Horror Expo alongside revered metal acts like Therion and Deathstars.

The journey continued with a cascade of singles, collaborations, and contributions, such as being featured in the soundtrack of the documentary "In Search of Darkness," a comprehensive tribute to '80s horror. The sophomore album "Chapter 2: Endless Nightmare," unleashed in August 2020, made waves by capturing the essence of synthwave/darksynth reaching best-selling charts on both Bandcamp and iTunes. The album has currently over 1,3 million streams on Spotify. The tracks "Endless Nightmare" and "To the Shadows and Back" were elevated further through music videos that showcased the enigmatic Scary Dee on drums - an undead persona that takes center stage in Midnight Danger's live performances.

The saga continued with the release of "Nights at Lake Milsen" in November 2021, a groundbreaking work that saw collaboration with a legion of rock and metal icons spanning four generations. Guitarists Kane Roberts (Alice Cooper), Rafael Bittencourt (Angra), Martin Sweet (Crashdïet) and Sonia Anubis (ex-Crypta), singer Danny Rexon (Crazy Lixx), and Australian saxophonist Max Cruise, lent their virtuosity to this remarkable endeavor. The original graphic novel titled “Chapter 1: The Malignant Force” is included in the vinyl edition of the album, showing the background story that connects all of Midnight Danger’s albums.

With three full-length albums, numerous singles, and a trail of sold-out physical albums, Midnight Danger's music has resonated worldwide, garnering millions of plays and streams. Also renowned for captivating live performances, in 2022 Midnight Danger returned to the stage following a three-year hiatus, reaffirming their commitment to thrilling the fans and continuing to illuminate the synthwave landscape.

Now, marking a significant milestone, Midnight Danger makes their debut in the United States, showcasing a setlist that features songs that trace their entire career.

Genre: Synthwave/Retrowave

For Fans Of: Dance with the Dead, Carpenter Brut, Lazerhawk, Perturbator

Lineup:

Chris Young

Scary Dee

Links:

Official Website

Bandcamp

Facebook

Instagram

X (formerly Twitter)

YouTube

TikTok

Spotify

Apple Music

HourHouse Drop "BODYBAG MUSIK" (Feat. Shaolin G ) Video

NEW BANGER FEATURING A CAMEO FROM SHAOLIN G OF UNITYTX


Storming straight outta the Bayou, New Orleans-based quintet HourHouse are proudly rap metal. HourHouse, who announce their signing to UNFD earlier this summer, have concocted a fully loaded, riff 'n' rhyme proposition, splitting at the seams with dirty grooves, heavy riffage, and thumping beats.
 
Their music oozes confidence and swagger — with influences varied and diverse, ranging from $uicideboi$ to Meshuggah, Kendrick to Korn. 

Want proof?

Oh, we've got proof.

Watch the video for the frenetic, teeth-rattling new single "BODYBAG MUSIK," featuring a raucous guest verse from UnityTX's Shaolin G,
below.

Set your speakers to stun and find yourself breathless amid all this glorious musical chaos, where guitars, grooves, beats, and flow collide in feral kinesis.

"'BODYBAG MUSIK' is exactly what the title says it is," says vocalist Milly, referring to the song and its relationship the band's hometown. "This is the soundtrack to the boot. It's way more than just Mardi Gras and voodoo. It's a real warzone out here no matter what walk of life you come from, and we wanted to let the listener into what our corner of the south is like on a daily basis. Shaolin is someone I feel needed to be on the song, because his band UnityTX is another group bringing REAL rap to metal — not just using it for clickbait."
 
Shaolin G weighs in, saying, "'BODYBAG MUSIK' is a sick song...when I first heard it, I got that instant head nod from how groovy the intro riff was.
Milly and the HH gang really did some shit with this track, and I'm stoked to see more of this kinda music touching places it couldn't before. The music video shoot was real casual I didn't feel out of place or anything like that. Just rockin' out, burnin' trees, and making history with the guys."

STREAM "BODYBAG MUSIK" (FEAT. SHAOLIN G)

HOURHOUSE ARE:
Robb — Drums
Neeco — Guitarist + Clean Vocalist
Milly — Vocalist
Travv — Bass + Backup Vocals
Mattie — Guitar + Vocals

New romantic post-punks Black Rose Burning reveal 'Fight!', final single ahead of 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC-based alternative rock outfit
Black Rose Burning presents their invigorating new single 'Fight!', a potent taste of their third full-length album 'Ad Astra', mastered by Jason Corbett of ACTORS at Jacknife Sound.  Earlier, the band released the singles 'Night Terrors' and 'Sing to Me (E.L.E.)'

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“The final single before the release of the full 'AD Astra' record, 'Fight!' was written from a standpoint of someone who is unhappy with a partner or a relationship and has essentially given up but, for whatever reason, won’t or can’t just end it,” says George Grant.

"It always seems like you’re in the midst of one great big battle. I think there are many reasons why this happens, from loyalty to fear of being alone to sometimes even selfishness. It’s painful to realize that your belief in someone/something that you once felt had so much promise and potential has deteriorated to the point that you have no choice but to let it all go.”

'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).
 
Grant says, “This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship."

Ad Astra' album order / Bandcamp https://blackroseburning.bandcamp.com/album/ad-astra
'Fight!' 
https://blackroseburning.bandcamp.com/track/fight

In 2021, Black Rose Burning released their second album 'The Wheel', one year after debuting 'The Year of the Scorpion' album. George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various genres has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.

'Fight!' is out now exclusively via
Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Lounge for The Red Party.

CREDITS
Music and lyrics written by George Grant
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - all guitars
Recorded by the band @ PVRCo (Putnam Valley Recording Company)
Mastered by: Jason Corbett (Actors)
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner
Booking:
Jack@rockyroadtouring.com 
Publicity by
Shameless Promotion PR

TOUR DATES
Thu, Oct 5th – Raleigh, NC @ Ruby Deluxe  
Fri, Oct 6th – Tampa, FL @Crobar for Absolution Fest
Sat, Oct. 7th – TBC
Sun, Oct 8th – Louisville, KE @ Art Sanctuary
Tue, Oct 10th – Indianapolis, IN @ The Black Circle
Wed, Oct 11th – Chicago, IL @ Be Afraid Of The Dark Fest
Thu, Oct 12th – Pittsburgh, PA @ Cattivo (with Visceral Anatomy)
Fri, Oct 13th – Richmond, VA @Fallout w/ Empathy Test
Sat, Oct 14th – Wilmington, DE @ Bar XIII (TBC)


Keep up with Black Rose Burning
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube| Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Toronto-NYC power trio ON relases 'Gator' single & announces North American tour dates with The Veldt and Snailmate

"A cool album. A smart album. A deftly crafted album. A rock album? Yes…but much more. So much more" ~ Big Takeover Magazine

"A clever blend of pop melody with raw rock abrasiveness in quite a potent sonic sucker punch. Their very tight weave of classic and alt rock coated grunge works fabulously" ~ The Spill Magazine

"Its DNA intwértwined with sounds once pounded out by the likes of the Pumpkins, Hole and L7...  one of the most exciting outfits to emerge post-pandemic" ~ Global Texan Chronicles


Toronto-NYC indie rock power trio
ON is back to blow our minds with their fresh single 'Gator', released via Toronto-based imprint Indiestructable Records. Like a 2000-pound-per-square-inch bite force from an Alligator, this 6/8 groove is a hook-laden rock waltz. It’s a parody and observation about living in a gated community amongst live Alligators roaming free. Gator’s meaning is two-fold.

ON is a riveting power trio led by Lucy Di Santo (vocals, bass) with Dan Cornelius on drums and Steve Fall on guitars. Their latest music output sees the trio carry on the legacy of the band from which they were formed - 90's Sire Records band
Acid Test. its members have also been in other popular Toronto bands Danko Jones and Deliuss.

“This song was written while the band was on a writing/recording session in Naples, Florida. We stayed in a gated community - meaning pass codes to enter the neighborhood and real “surveillance”. In the community was this pond - with freely roaming alligators. And there we have it - we think we are boundless and free - and yet we have lines and gates to keep us so called “safe”. There is the illusion  - masking the element control as “safety”…. While the alligators roam freely.  One begs to ask:  who of the two “gators” is really free here?” says frontwoman Lucy Di Santo.

'Gator' single  https://bit.ly/3L9kQdw

Dishing out infectious guitar riffs with a dash of groove, their adrenaline-laden music is a invigorating, the band paying homage to their post-punk, grunge, old-school funk and 90s college rock roots. 'Gator' follows up the band's latest single 'Make Me', a song of frustration and wanting to recapture that euphoria.

“We had a cool riff and Lucy had a great melody but we didn't have an intro to the song. We were working this up demoing it in Drew's 'Starsound Studios' in Cape Coral , Fla. Lucy took a break, went into the truck we rented and hummed a melody. I copied it on my guitar through my cheap Blackstar practice amp w/the delay feature and we put it down as a track. The vibe just worked so we kept that original track in the main verse and as a hook throughout the song. And that original track stayed even as we added more layers and mixed," says Steve Fall.

Dan Cornelius adds, “The song has a strong guitar hook and melody - and the drums are tailored to  support and enhance those elements. So I thought the drums  should be a drum pattern that anyone could tap along to ON their steering wheel while waiting for traffic. Simple drum groove. Simple drum fills.”

The band is currently busy recording their next record at 
BC Studio in Brooklyn with legendary producer Martin Bisi, famed for his groundbreaking work with Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Africa Bambaataa, Dresden Dolls, Unsane, Cop Shoot Cop and many other notable artists.

ON also recently completed an extensive US tour in support of their critically-acclaimed 'ON' album, co-produced by
Darius Szczepaniak (Sum 41, Black Crowes, Big Sugar, Bare Naked Ladies, Jann Arden) at Phase One Studios in Toronto. The album received extensive press and radio attention, not to mention charting in the Radio Indie Alliance charts consecutively for nearly a year.

As of September 5, 'Gator' is available from
 fine music platforms, including SpotifyApple Music and Bandcamp.

CREDITS
Written, arranged by ON (Di Santo, Fall, Cornelius)
Lucy Di Santo - vocals, bass
Dan Cornelius - drums
Steve Fall - guitars
Produced by ON and Darius Szczepaniak
Engineered, mixed and mastered by Darius Szczepaniak at Phase One Studios, Toronto
Preproduction & original engineering by Drew Howard at The Star Sound Studios, Cape Coral, FL
Photography by
Yuliya Skya 
Publicity by
Shameless Promotion PR

TOUR DATES
Fri 09/15 NYC, NY @Gold Sounds
Sat 09/16 Flemington, NJ @Flemington DIY
Tues 09/19 Baltimore, MD @The Crown  
Wed 09/20 Alexandria, VA @Galactic Panther
Thurs 09/21 Winston-Salem, NC @Monstercade (with The Veldt)
Fri 09/22 Raleigh, NC @Ruby Deluxe (with The Veldt)
Sat 09/23 Atlanta, GA - Tiny's Music (with The Veldt)
Sun 09/24 Nashville, TN - TBA (with The Veldt)
Tues 09/26 Cincinnati, OH @Northside Tavern (with The Veldt)
Wed 09/27 Detroit, MI @Smalls (with The Veldt)
Thurs 09/28 Toronto, ON - TBA (with The Veldt)
Wed 10/11 Joiliet, IL @Drunken Donut (with Snailmate)
Thurs 10/12 Port Huron, MI @Schwonk Stead Sound  (with Snailmate)
Sat 10/14 Peterborough, ON @Historic Red Dog  (with Snailmate)
Sun 10/15 Toronto @Bovine Sex Club (with Snailmate, Second Wife)
Tues 10 /17 Ithaca, NY @Deep Dive (with Snailmate)
Thurs 10/19 Kingston, ON @The Toucan  (with Snailmate)
Fri 10/20 Ottawa, ON @Avant-Garde Bar  (with Snailmate)
Sat 10/21 NYC, NY @Bar Frida  (with Snailmate)


Keep up with ON
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UADA Streams New Album 'Crepuscule Natura' Ahead of Friday's Release

Enigmatic black metal masters UADA are now streaming their upcoming opus, 'Crepuscule Natura,' in its entirety ahead of Friday's release! Fans can tune in and hear the offering in advance below!

In addition, UADA is currently retraversing the void on an extensive North American headliner, which sees support from CLOAK and GHOST BATH. The ongoing trek will make its way around the continent until the final curtain draws on October 1 in North Hollywood, CA. The full itinerary can be found below and tickets are now on sale HERE.

'Crepuscule Natura,' which will be released worldwide on September 8, 2023 via Eisenwaldand is available for worldwide pre-sale HERE.

The album follows up UADA's 2020 release, 'Djinn,' which was regarded as "the most important record of the year" by Metal Insider, named one of the Best Albums of 2020 by New Noise Magazine, and regarded as "worthy of our your undivided attention at worst, and complete worship at best" for the Decibel Magazine October 2020 issue cover story.

UADA North American tour (w/ support from Cloak and Ghost Bath):

9/5: Calgary, AB @ Dickens

9/6: Edmonton, AB @ Starlite Room

9/7: Saskatoon, SK @ Coors Event Center

9/8: Winnipeg, MB @ The Good Will

9/9: Minneapolis, MN @ Studio B at Skyway Theatre

9/10: Milwaukee, WI @ X-Ray

9/11: Cleveland, OH @ No Class **NEW VENUE**

9/12: Pittsburgh, PA @ Preserving Underground

9/13: Toronto, ON @ Lee's Palace

9/14: Ottawa, ON @ Brass Monkey

9/15: Quebec City, QC @ La Source De La Martiniere

9/16: Montreal, QC @ Petit Campus

9/17: Brooklyn, NY @ Meadows

9/18: Philadelphia, PA @ Milkboy

9/19: Baltimore, MD @ Metro Gallery

9/20: Raleigh, NC @ The Pour House

9/21: Atlanta, GA @ Masquerade

9/22: New Orleans, LA @ Gasa Gasa

9/23: Houston, TX @ Secret Room

9/25: Austin, TX @ Come and Take It Live

9/26: El Paso, TX @ Rockhouse

9/27: Albuquerque, NM @ Launchpad **NEW VENUE**

9/28: Phoenix, AZ @ Pub Rock Live

9/29: Las Vegas, NV @ The Usual Place **NEW VENUE**

9/30: San Diego, CA @ Brick By Brick

10/1: North Hollywood, CA @ Knitting Factory

Ever since the cloaked Pacific Northwest band appeared on the music radar, UADA has always been electrified by both polar worlds. Their echelon was stark and meaningful. Within the stretch of three albums as well as dense and triumphant live shows across the globe, they have not only spiked the map of extreme metal music but their unrelenting touring schedule and unbridled will to push forward into new horizons has also earned them a reception in all the extremes imaginable, be it worship or spite.

Five sonic vessels form the nucleus of 'Crepuscule Natura,' and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura,' UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.

'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photography by Peter Beste, shows UADA on fire to unleash the marrow of black heavy metal.

Album Credits:

All music by UADA

Mixed and Mastered by Jake Superchi at Obsidian Spells

Album Cover & Moon emblem by Kris Verwimp

Photography by Peter Beste

Layout by Valkenstijn

Released via Eisenwald

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

Digital album released on September 8, 2023

CD formats to be shipped on or around September 15, 2023

Vinyl formats to be shipped on or around November 3, 2023

UK indiepop duo KARAMELIEN releases single 'Living With The Moon' - one step for stronger mental health - heralding debut album

'A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


UK indiepop duo
Karamelien presents their new single 'Living With The Moon',the title track from their forthcoming album by the same name. An energetic, upbeat, guitar-driven track that celebrates the rewarding path of learning to live with mental health challenges, accepting them, and feeling the freedom of just ‘going with the flow.

A poignant but cheeky track, it is wistful while also being full of a f*ck-you attitude. It’s about finding triumph through adversity. But most of all, it’s a great singalong indie pop anthem with a hook that may invade your brain and stay there for days.

Based in East Grinstead, Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them.

'Living With The Moon' single https://ditto.fm/living_with_the_moon_karamelien

"I wrote this song after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!" says Léanie Kaleido.
 
“So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Earlier, the duo released the single
'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

As of September 1, the 'Living With The Moon' single will be available on
 Spotify, Apple Music and Bandcamp. The full album will be released on October 27 and can already be pre-ordered on Bandcamp.

CREDITS
Written by Léanie Kaleido
Léanie Kaleido – vocals, piano, keys, tenor electric guitar
Mark Foster – guitars
Lee Pomeroy – bass
Produced by Ian Caple Recording
Mastered by Jon Astley  

Keep up with Karamelian
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Atoll Unleashes New Album 'Human Extract' via Unique Leader Records

Atoll fans, rejoice! Today, the Phoenix, AZ extreme metal quintet has unleashed their latest album 'Human Extract', out via Unique Leader Records. Prior to today, the band dropped the album's titular title track "Human Extract" about a horrifying tale of alien abduction, and "The Simmering", a bone-shatteringly heavy story of being boiled alive. In celebration of the news, Atoll has released a visualizer for their song "The Final Conflict". Speaking about the track, vocalist Wade Taylor commented:

"'The Final Conflict' unearths the darkest corners of the human psyche, immersing you in a lyrical narrative that explores the eschatological battle between good and evil. Prepare to witness the rise of the Son of Satan, the clash of celestial powers, and the impending judgment day. Atoll's chilling lyrics evoke a sense of foreboding, painting a vivid picture of the final battle that will leave you breathless."

Stream 'Human Extract' in its gruesome entirety at the link here, available now on all platforms.

Emerging from the scorched desert wasteland in 2014, the Phoenix, Arizona-based death metal quintet, Atoll, has been aggressively serving up their unique style for nearly the last decade. Brilliantly blending groove-based slamming brutal death with more traditional death metal elements, grind, and at times even a sprinkle of ‘core, funk, and thrash. Their composition favors a "riff piling" approach rather than the more common and simplistic verse-chorus-verse arrangement, giving the music something of a progressive element with very few repeated riffs, and less predictable movements. Atoll has remained a staple in the metal fest scene, and you may have caught them live playing with the likes of Skinless, Gorgasm, Ingested, and Aborted. Their love of the tour bus life and an importance placed on always having the highest quality, high-energy performances have gained them a reputation for being a consistent, unrelenting live force.

April 2014 birthed this bulbous abomination that has grown into the mighty Atoll when they conspired to create percussive, not frills, chugging brutality. The band immediately shot up in the local AZ scene and very quickly began to expand their live performances throughout the southwest United States, building up momentum for their 2016 debut album, and straight up slammer, The Gathering Swarm. Produced by the late Griffin “The Father” Kolinski (Knights Of The Abyss) and Jamie King (Between The Buried And Me) the album was quickly picked up and released by Amputated Vein subsidiary, Ghastly Music. 

The initial success of their debut album caught the eye of Gorehouse Productions who went on to release the 2017 sophomore album, Fallout Frenzy. The vocals on this album show significant expanse in dynamic range, incorporating highs, mids, and some of the most nasty gutterals you’ll ever hear. Lyrically Fallout Frenzy expanded further on the origins of the band name, embracing themes of the atom bomb tests of Bikini Atoll in the 1950’s, and the subsequent radioactive fallout and mutations that occurred after the bombings. 

The critically acclaimed album, Zoopocalypse is released in 2019 through Gorehouse Productions. This album is in-your-face aggression from front to back. A departure from the more rudimentary slams of their earlier works, Zoo implements more technicality, more tremolo and scaling, mathier leads, and a generally more advanced death metal sound that would represent the direction of the band moving forward. The mix/master was completed by Miguel Tereso of Demigod Recordings (Analepsy, Organectomy), and features a guest vocal spot from Matti Way (Disgorge, Abominable Putridity, Pathology)

During the global limbo of lockdown Atoll was able to strike a deal with the legendary Unique Leader Records, and in 2022 put out the Prepuce EP. The mini-release serves as a taster of things to come as Atoll has completed the production of two upcoming full-length albums, scheduled to drop through Unique Leader in 2023 and 2024. This two-part release will be the most technically ambitious to date. Keep your eyes peeled on the tour front, and ears open because, like an atomic tsunami, Atoll is primed to decimate the masses.

Atoll is:

Andy Luffey - drums

Cameron Broomfield - bass

Chris Nick - guitar

Spencer Ferguson - guitar

Wade Taylor - vocals

CARNIFEX - RELEASE VIDEO VISUALIZER FOR SECOND SINGLE 'DEATH'S FORGOTTEN CHILDREN' FEAT. TOM BARBER (CHELSEA GRIN)

Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX have returned with their ninth full-length studio album, Necromanteum, out October 6th via Nuclear Blast Records. After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation.

The band offers fans the next single from the album entitled, 'Death's Forgotten Children' which features Tom Barber of CHELSEA GRIN. Lyrically the song was inspired by near-death experiences that Scott and Tom have lived through. 

CARNIFEX's Scott Ian Lewis comments, “I really had a great time working with Tom. Not only did we collaborate on the vocal patterns but we co-wrote the lyrics, which is something I’ve never done before. The song came out great and we both hope the fans love it as much as we do.” 

Stream the new single 'Death's Forgotten Children' featuring Tom Barber (CHELSEA GRIN) here:
https://carnifex.bfan.link/deaths-forgotten-children

Watch the video visualizer for 'Death's Forgotten Children' featuring Tom Barber(CHELSEA GRIN) below;

Pre-order/pre-save Necromanteum here:
https://carnifex.bfan.link/necromanteum

The recording process took place over the course of several weeks with producer Jason Suecof in Florida, and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality. 

Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief or considered a form of prophecy. Necromanteumpresents the concept: what if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.

Necromanteum will be available digitally and in the following formats:

  • CD Jewel

  • vinyl

    • Neon Green w/ Purple Splatter

This fall,CARNIFEXwill head across the U.S. on their 'Necromanteum Tour'. The 24-date trek will kick off on October 10th in Arizona and will make stops in Dallas, Columbus, and Denver before concluding on November 11th in Los Angeles. Joining the band each night are SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE.

Tickets for the tour can be purchased at 
http://carnifexmetal.com/.

Confirmed dates forCARNIFEX's 'Necromanteum Tour'with SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE are:

10.11.2023 U.S. Tucson, AZ – The Rock
10.13.2023 U.S. San Antonio, TX – The Rock Box
10.14.2023 U.S. Austin, TX – Come and Take It Live
10.15.2023 U.S. Dallas, TX – Gilley's (Monster Mosh Fest)
10.17.2023 U.S. New Orleans, LA – House of Blues
10.19.2023 U.S. Murfreesboro, TN – Hop Springs Beer Park
10.21.2023 U.S. Atlanta, GA – Masquerade – Heaven
10.22.2023 U.S. Orlando, FL – Level 13
10.24.2023 U.S. Greensboro, NC – Hangar 1819
10.25.2023 U.S. Virginia Beach, VA – Elevation 27
10.26.2023 U.S. Asbury Park, NJ – House of Independents
10.27.2023 U.S. Patchogue, NY – Stereo Garden
10.28.2023 U.S. Reading, PA – Reverb
10.29.2023 U.S. Hartford, CT – Webster Theater
10.31.2023 U.S. Syracuse, NY – The Song & Dance
11.01.2023 U.S. Columbus, OH – King of Clubs
11.02.2023 U.S. Louisville, KY – Headliners Music Hall
11.03.2023 U.S. Joliet, IL – The Forge
11.04.2023 U.S. Milwaukee, WI – The Rave
11.06.2023 U.S. Omaha, NE – Slowdown
11.07.2023 U.S. Denver, CO – Summit Music Hall
11.09.2023 U.S. Albuquerque, NM – Sunshine Theater
11.10.2023 U.S. Mesa, AZ – Nile Theater
11.11.2023 U.S. Los Angeles, CA – The Belasco

Visit CARNIFEX at:
https://www.facebook.com/CarnifexMetal
https://www.instagram.com/carnifex 
https://twitter.com/carnifex
https://www.youtube.com/carnifex
http://carnifexmetal.com