New romantic post-punks Black Rose Burning reveal 'Fight!', final single ahead of 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC-based alternative rock outfit
Black Rose Burning presents their invigorating new single 'Fight!', a potent taste of their third full-length album 'Ad Astra', mastered by Jason Corbett of ACTORS at Jacknife Sound.  Earlier, the band released the singles 'Night Terrors' and 'Sing to Me (E.L.E.)'

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“The final single before the release of the full 'AD Astra' record, 'Fight!' was written from a standpoint of someone who is unhappy with a partner or a relationship and has essentially given up but, for whatever reason, won’t or can’t just end it,” says George Grant.

"It always seems like you’re in the midst of one great big battle. I think there are many reasons why this happens, from loyalty to fear of being alone to sometimes even selfishness. It’s painful to realize that your belief in someone/something that you once felt had so much promise and potential has deteriorated to the point that you have no choice but to let it all go.”

'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).
 
Grant says, “This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship."

Ad Astra' album order / Bandcamp https://blackroseburning.bandcamp.com/album/ad-astra
'Fight!' 
https://blackroseburning.bandcamp.com/track/fight

In 2021, Black Rose Burning released their second album 'The Wheel', one year after debuting 'The Year of the Scorpion' album. George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various genres has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.

'Fight!' is out now exclusively via
Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Lounge for The Red Party.

CREDITS
Music and lyrics written by George Grant
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - all guitars
Recorded by the band @ PVRCo (Putnam Valley Recording Company)
Mastered by: Jason Corbett (Actors)
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner
Booking:
Jack@rockyroadtouring.com 
Publicity by
Shameless Promotion PR

TOUR DATES
Thu, Oct 5th – Raleigh, NC @ Ruby Deluxe  
Fri, Oct 6th – Tampa, FL @Crobar for Absolution Fest
Sat, Oct. 7th – TBC
Sun, Oct 8th – Louisville, KE @ Art Sanctuary
Tue, Oct 10th – Indianapolis, IN @ The Black Circle
Wed, Oct 11th – Chicago, IL @ Be Afraid Of The Dark Fest
Thu, Oct 12th – Pittsburgh, PA @ Cattivo (with Visceral Anatomy)
Fri, Oct 13th – Richmond, VA @Fallout w/ Empathy Test
Sat, Oct 14th – Wilmington, DE @ Bar XIII (TBC)


Keep up with Black Rose Burning
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Toronto-NYC power trio ON relases 'Gator' single & announces North American tour dates with The Veldt and Snailmate

"A cool album. A smart album. A deftly crafted album. A rock album? Yes…but much more. So much more" ~ Big Takeover Magazine

"A clever blend of pop melody with raw rock abrasiveness in quite a potent sonic sucker punch. Their very tight weave of classic and alt rock coated grunge works fabulously" ~ The Spill Magazine

"Its DNA intwértwined with sounds once pounded out by the likes of the Pumpkins, Hole and L7...  one of the most exciting outfits to emerge post-pandemic" ~ Global Texan Chronicles


Toronto-NYC indie rock power trio
ON is back to blow our minds with their fresh single 'Gator', released via Toronto-based imprint Indiestructable Records. Like a 2000-pound-per-square-inch bite force from an Alligator, this 6/8 groove is a hook-laden rock waltz. It’s a parody and observation about living in a gated community amongst live Alligators roaming free. Gator’s meaning is two-fold.

ON is a riveting power trio led by Lucy Di Santo (vocals, bass) with Dan Cornelius on drums and Steve Fall on guitars. Their latest music output sees the trio carry on the legacy of the band from which they were formed - 90's Sire Records band
Acid Test. its members have also been in other popular Toronto bands Danko Jones and Deliuss.

“This song was written while the band was on a writing/recording session in Naples, Florida. We stayed in a gated community - meaning pass codes to enter the neighborhood and real “surveillance”. In the community was this pond - with freely roaming alligators. And there we have it - we think we are boundless and free - and yet we have lines and gates to keep us so called “safe”. There is the illusion  - masking the element control as “safety”…. While the alligators roam freely.  One begs to ask:  who of the two “gators” is really free here?” says frontwoman Lucy Di Santo.

'Gator' single  https://bit.ly/3L9kQdw

Dishing out infectious guitar riffs with a dash of groove, their adrenaline-laden music is a invigorating, the band paying homage to their post-punk, grunge, old-school funk and 90s college rock roots. 'Gator' follows up the band's latest single 'Make Me', a song of frustration and wanting to recapture that euphoria.

“We had a cool riff and Lucy had a great melody but we didn't have an intro to the song. We were working this up demoing it in Drew's 'Starsound Studios' in Cape Coral , Fla. Lucy took a break, went into the truck we rented and hummed a melody. I copied it on my guitar through my cheap Blackstar practice amp w/the delay feature and we put it down as a track. The vibe just worked so we kept that original track in the main verse and as a hook throughout the song. And that original track stayed even as we added more layers and mixed," says Steve Fall.

Dan Cornelius adds, “The song has a strong guitar hook and melody - and the drums are tailored to  support and enhance those elements. So I thought the drums  should be a drum pattern that anyone could tap along to ON their steering wheel while waiting for traffic. Simple drum groove. Simple drum fills.”

The band is currently busy recording their next record at 
BC Studio in Brooklyn with legendary producer Martin Bisi, famed for his groundbreaking work with Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Africa Bambaataa, Dresden Dolls, Unsane, Cop Shoot Cop and many other notable artists.

ON also recently completed an extensive US tour in support of their critically-acclaimed 'ON' album, co-produced by
Darius Szczepaniak (Sum 41, Black Crowes, Big Sugar, Bare Naked Ladies, Jann Arden) at Phase One Studios in Toronto. The album received extensive press and radio attention, not to mention charting in the Radio Indie Alliance charts consecutively for nearly a year.

As of September 5, 'Gator' is available from
 fine music platforms, including SpotifyApple Music and Bandcamp.

CREDITS
Written, arranged by ON (Di Santo, Fall, Cornelius)
Lucy Di Santo - vocals, bass
Dan Cornelius - drums
Steve Fall - guitars
Produced by ON and Darius Szczepaniak
Engineered, mixed and mastered by Darius Szczepaniak at Phase One Studios, Toronto
Preproduction & original engineering by Drew Howard at The Star Sound Studios, Cape Coral, FL
Photography by
Yuliya Skya 
Publicity by
Shameless Promotion PR

TOUR DATES
Fri 09/15 NYC, NY @Gold Sounds
Sat 09/16 Flemington, NJ @Flemington DIY
Tues 09/19 Baltimore, MD @The Crown  
Wed 09/20 Alexandria, VA @Galactic Panther
Thurs 09/21 Winston-Salem, NC @Monstercade (with The Veldt)
Fri 09/22 Raleigh, NC @Ruby Deluxe (with The Veldt)
Sat 09/23 Atlanta, GA - Tiny's Music (with The Veldt)
Sun 09/24 Nashville, TN - TBA (with The Veldt)
Tues 09/26 Cincinnati, OH @Northside Tavern (with The Veldt)
Wed 09/27 Detroit, MI @Smalls (with The Veldt)
Thurs 09/28 Toronto, ON - TBA (with The Veldt)
Wed 10/11 Joiliet, IL @Drunken Donut (with Snailmate)
Thurs 10/12 Port Huron, MI @Schwonk Stead Sound  (with Snailmate)
Sat 10/14 Peterborough, ON @Historic Red Dog  (with Snailmate)
Sun 10/15 Toronto @Bovine Sex Club (with Snailmate, Second Wife)
Tues 10 /17 Ithaca, NY @Deep Dive (with Snailmate)
Thurs 10/19 Kingston, ON @The Toucan  (with Snailmate)
Fri 10/20 Ottawa, ON @Avant-Garde Bar  (with Snailmate)
Sat 10/21 NYC, NY @Bar Frida  (with Snailmate)


Keep up with ON
Website | LinkTree | Bandcamp | ON Store | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | SongKick | Press contact

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UADA Streams New Album 'Crepuscule Natura' Ahead of Friday's Release

Enigmatic black metal masters UADA are now streaming their upcoming opus, 'Crepuscule Natura,' in its entirety ahead of Friday's release! Fans can tune in and hear the offering in advance below!

In addition, UADA is currently retraversing the void on an extensive North American headliner, which sees support from CLOAK and GHOST BATH. The ongoing trek will make its way around the continent until the final curtain draws on October 1 in North Hollywood, CA. The full itinerary can be found below and tickets are now on sale HERE.

'Crepuscule Natura,' which will be released worldwide on September 8, 2023 via Eisenwaldand is available for worldwide pre-sale HERE.

The album follows up UADA's 2020 release, 'Djinn,' which was regarded as "the most important record of the year" by Metal Insider, named one of the Best Albums of 2020 by New Noise Magazine, and regarded as "worthy of our your undivided attention at worst, and complete worship at best" for the Decibel Magazine October 2020 issue cover story.

UADA North American tour (w/ support from Cloak and Ghost Bath):

9/5: Calgary, AB @ Dickens

9/6: Edmonton, AB @ Starlite Room

9/7: Saskatoon, SK @ Coors Event Center

9/8: Winnipeg, MB @ The Good Will

9/9: Minneapolis, MN @ Studio B at Skyway Theatre

9/10: Milwaukee, WI @ X-Ray

9/11: Cleveland, OH @ No Class **NEW VENUE**

9/12: Pittsburgh, PA @ Preserving Underground

9/13: Toronto, ON @ Lee's Palace

9/14: Ottawa, ON @ Brass Monkey

9/15: Quebec City, QC @ La Source De La Martiniere

9/16: Montreal, QC @ Petit Campus

9/17: Brooklyn, NY @ Meadows

9/18: Philadelphia, PA @ Milkboy

9/19: Baltimore, MD @ Metro Gallery

9/20: Raleigh, NC @ The Pour House

9/21: Atlanta, GA @ Masquerade

9/22: New Orleans, LA @ Gasa Gasa

9/23: Houston, TX @ Secret Room

9/25: Austin, TX @ Come and Take It Live

9/26: El Paso, TX @ Rockhouse

9/27: Albuquerque, NM @ Launchpad **NEW VENUE**

9/28: Phoenix, AZ @ Pub Rock Live

9/29: Las Vegas, NV @ The Usual Place **NEW VENUE**

9/30: San Diego, CA @ Brick By Brick

10/1: North Hollywood, CA @ Knitting Factory

Ever since the cloaked Pacific Northwest band appeared on the music radar, UADA has always been electrified by both polar worlds. Their echelon was stark and meaningful. Within the stretch of three albums as well as dense and triumphant live shows across the globe, they have not only spiked the map of extreme metal music but their unrelenting touring schedule and unbridled will to push forward into new horizons has also earned them a reception in all the extremes imaginable, be it worship or spite.

Five sonic vessels form the nucleus of 'Crepuscule Natura,' and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura,' UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.

'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photography by Peter Beste, shows UADA on fire to unleash the marrow of black heavy metal.

Album Credits:

All music by UADA

Mixed and Mastered by Jake Superchi at Obsidian Spells

Album Cover & Moon emblem by Kris Verwimp

Photography by Peter Beste

Layout by Valkenstijn

Released via Eisenwald

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

Digital album released on September 8, 2023

CD formats to be shipped on or around September 15, 2023

Vinyl formats to be shipped on or around November 3, 2023

UK indiepop duo KARAMELIEN releases single 'Living With The Moon' - one step for stronger mental health - heralding debut album

'A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


UK indiepop duo
Karamelien presents their new single 'Living With The Moon',the title track from their forthcoming album by the same name. An energetic, upbeat, guitar-driven track that celebrates the rewarding path of learning to live with mental health challenges, accepting them, and feeling the freedom of just ‘going with the flow.

A poignant but cheeky track, it is wistful while also being full of a f*ck-you attitude. It’s about finding triumph through adversity. But most of all, it’s a great singalong indie pop anthem with a hook that may invade your brain and stay there for days.

Based in East Grinstead, Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them.

'Living With The Moon' single https://ditto.fm/living_with_the_moon_karamelien

"I wrote this song after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!" says Léanie Kaleido.
 
“So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Earlier, the duo released the single
'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

As of September 1, the 'Living With The Moon' single will be available on
 Spotify, Apple Music and Bandcamp. The full album will be released on October 27 and can already be pre-ordered on Bandcamp.

CREDITS
Written by Léanie Kaleido
Léanie Kaleido – vocals, piano, keys, tenor electric guitar
Mark Foster – guitars
Lee Pomeroy – bass
Produced by Ian Caple Recording
Mastered by Jon Astley  

Keep up with Karamelian
Bandcamp | Twitter | YouTube | Facebook | Instagram | Spotify | Apple Music | Press contact

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Atoll Unleashes New Album 'Human Extract' via Unique Leader Records

Atoll fans, rejoice! Today, the Phoenix, AZ extreme metal quintet has unleashed their latest album 'Human Extract', out via Unique Leader Records. Prior to today, the band dropped the album's titular title track "Human Extract" about a horrifying tale of alien abduction, and "The Simmering", a bone-shatteringly heavy story of being boiled alive. In celebration of the news, Atoll has released a visualizer for their song "The Final Conflict". Speaking about the track, vocalist Wade Taylor commented:

"'The Final Conflict' unearths the darkest corners of the human psyche, immersing you in a lyrical narrative that explores the eschatological battle between good and evil. Prepare to witness the rise of the Son of Satan, the clash of celestial powers, and the impending judgment day. Atoll's chilling lyrics evoke a sense of foreboding, painting a vivid picture of the final battle that will leave you breathless."

Stream 'Human Extract' in its gruesome entirety at the link here, available now on all platforms.

Emerging from the scorched desert wasteland in 2014, the Phoenix, Arizona-based death metal quintet, Atoll, has been aggressively serving up their unique style for nearly the last decade. Brilliantly blending groove-based slamming brutal death with more traditional death metal elements, grind, and at times even a sprinkle of ‘core, funk, and thrash. Their composition favors a "riff piling" approach rather than the more common and simplistic verse-chorus-verse arrangement, giving the music something of a progressive element with very few repeated riffs, and less predictable movements. Atoll has remained a staple in the metal fest scene, and you may have caught them live playing with the likes of Skinless, Gorgasm, Ingested, and Aborted. Their love of the tour bus life and an importance placed on always having the highest quality, high-energy performances have gained them a reputation for being a consistent, unrelenting live force.

April 2014 birthed this bulbous abomination that has grown into the mighty Atoll when they conspired to create percussive, not frills, chugging brutality. The band immediately shot up in the local AZ scene and very quickly began to expand their live performances throughout the southwest United States, building up momentum for their 2016 debut album, and straight up slammer, The Gathering Swarm. Produced by the late Griffin “The Father” Kolinski (Knights Of The Abyss) and Jamie King (Between The Buried And Me) the album was quickly picked up and released by Amputated Vein subsidiary, Ghastly Music. 

The initial success of their debut album caught the eye of Gorehouse Productions who went on to release the 2017 sophomore album, Fallout Frenzy. The vocals on this album show significant expanse in dynamic range, incorporating highs, mids, and some of the most nasty gutterals you’ll ever hear. Lyrically Fallout Frenzy expanded further on the origins of the band name, embracing themes of the atom bomb tests of Bikini Atoll in the 1950’s, and the subsequent radioactive fallout and mutations that occurred after the bombings. 

The critically acclaimed album, Zoopocalypse is released in 2019 through Gorehouse Productions. This album is in-your-face aggression from front to back. A departure from the more rudimentary slams of their earlier works, Zoo implements more technicality, more tremolo and scaling, mathier leads, and a generally more advanced death metal sound that would represent the direction of the band moving forward. The mix/master was completed by Miguel Tereso of Demigod Recordings (Analepsy, Organectomy), and features a guest vocal spot from Matti Way (Disgorge, Abominable Putridity, Pathology)

During the global limbo of lockdown Atoll was able to strike a deal with the legendary Unique Leader Records, and in 2022 put out the Prepuce EP. The mini-release serves as a taster of things to come as Atoll has completed the production of two upcoming full-length albums, scheduled to drop through Unique Leader in 2023 and 2024. This two-part release will be the most technically ambitious to date. Keep your eyes peeled on the tour front, and ears open because, like an atomic tsunami, Atoll is primed to decimate the masses.

Atoll is:

Andy Luffey - drums

Cameron Broomfield - bass

Chris Nick - guitar

Spencer Ferguson - guitar

Wade Taylor - vocals

CARNIFEX - RELEASE VIDEO VISUALIZER FOR SECOND SINGLE 'DEATH'S FORGOTTEN CHILDREN' FEAT. TOM BARBER (CHELSEA GRIN)

Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX have returned with their ninth full-length studio album, Necromanteum, out October 6th via Nuclear Blast Records. After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation.

The band offers fans the next single from the album entitled, 'Death's Forgotten Children' which features Tom Barber of CHELSEA GRIN. Lyrically the song was inspired by near-death experiences that Scott and Tom have lived through. 

CARNIFEX's Scott Ian Lewis comments, “I really had a great time working with Tom. Not only did we collaborate on the vocal patterns but we co-wrote the lyrics, which is something I’ve never done before. The song came out great and we both hope the fans love it as much as we do.” 

Stream the new single 'Death's Forgotten Children' featuring Tom Barber (CHELSEA GRIN) here:
https://carnifex.bfan.link/deaths-forgotten-children

Watch the video visualizer for 'Death's Forgotten Children' featuring Tom Barber(CHELSEA GRIN) below;

Pre-order/pre-save Necromanteum here:
https://carnifex.bfan.link/necromanteum

The recording process took place over the course of several weeks with producer Jason Suecof in Florida, and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality. 

Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief or considered a form of prophecy. Necromanteumpresents the concept: what if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.

Necromanteum will be available digitally and in the following formats:

  • CD Jewel

  • vinyl

    • Neon Green w/ Purple Splatter

This fall,CARNIFEXwill head across the U.S. on their 'Necromanteum Tour'. The 24-date trek will kick off on October 10th in Arizona and will make stops in Dallas, Columbus, and Denver before concluding on November 11th in Los Angeles. Joining the band each night are SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE.

Tickets for the tour can be purchased at 
http://carnifexmetal.com/.

Confirmed dates forCARNIFEX's 'Necromanteum Tour'with SIGNS OF THE SWARM, TO THE GRAVE, and THE LAST TEN SECONDS OF LIFE are:

10.11.2023 U.S. Tucson, AZ – The Rock
10.13.2023 U.S. San Antonio, TX – The Rock Box
10.14.2023 U.S. Austin, TX – Come and Take It Live
10.15.2023 U.S. Dallas, TX – Gilley's (Monster Mosh Fest)
10.17.2023 U.S. New Orleans, LA – House of Blues
10.19.2023 U.S. Murfreesboro, TN – Hop Springs Beer Park
10.21.2023 U.S. Atlanta, GA – Masquerade – Heaven
10.22.2023 U.S. Orlando, FL – Level 13
10.24.2023 U.S. Greensboro, NC – Hangar 1819
10.25.2023 U.S. Virginia Beach, VA – Elevation 27
10.26.2023 U.S. Asbury Park, NJ – House of Independents
10.27.2023 U.S. Patchogue, NY – Stereo Garden
10.28.2023 U.S. Reading, PA – Reverb
10.29.2023 U.S. Hartford, CT – Webster Theater
10.31.2023 U.S. Syracuse, NY – The Song & Dance
11.01.2023 U.S. Columbus, OH – King of Clubs
11.02.2023 U.S. Louisville, KY – Headliners Music Hall
11.03.2023 U.S. Joliet, IL – The Forge
11.04.2023 U.S. Milwaukee, WI – The Rave
11.06.2023 U.S. Omaha, NE – Slowdown
11.07.2023 U.S. Denver, CO – Summit Music Hall
11.09.2023 U.S. Albuquerque, NM – Sunshine Theater
11.10.2023 U.S. Mesa, AZ – Nile Theater
11.11.2023 U.S. Los Angeles, CA – The Belasco

Visit CARNIFEX at:
https://www.facebook.com/CarnifexMetal
https://www.instagram.com/carnifex 
https://twitter.com/carnifex
https://www.youtube.com/carnifex
http://carnifexmetal.com

Horsewhip Announce "Consume and Burn" + Band Shares "Plague Machine"

HORSEWHIP — comprised of Shaun Drees, Jeff Howe, Alex Bond, and Dave Teten — will release Consume and Burn via Iodine Recordings on November 10. Pre-order it here.

Today, the band has shared "Plague Machine." Listen
here.

"Mankind is a true disease or parasite to earth," states Drees about the track.

Spawned in the dark swamp-scapes of Tampa Bay, Horsewhip has established itself as one of the most formidable and heaviest underground acts in hardcore. The environment that shaped them resonates in their sound — dark, ugly, and furious.  

Their new full-length LP Consume and Burn is an uncompromising sonic odyssey. Horsewhip merges together the darkest corners of hardcore punk, screamo, and metal into their own vision of annihilation. Comprised of members of Reversal of Man, Combatwoundedveteran, Sutek Conspiracy, and a myriad of other acts, it’s an album that shows the band's pedigree in writing heavy music. But more than anything, there’s a clear hunger to push the genre forward with each song. 

Horsewhip show moments of dissonance and unexpected beauty amid the oppressive weight of their sound. Songs like "Buried" offer brief respites of melody to create a forlorn sense of dread before redoubling their efforts. The aptly titled "Pain" shows its subject matter through multiple lenses, opening with a reflective riff before plummeting into breakneck speeds and full-throated chaos. Their strength lies in the raw, unadulterated fury that few can truly tap into.

The band's punishing new focus is thanks to a change in lineup, adding Dave Teten on guitar and allowing for a delta in riffage, as well as moving Shaun Drees to main vocals and Jeff Howe on back up vox. Consume and Burn calls to mind His Hero Is Gone and Disfear at their most disgusting, or Neurosis at a sped-up RPM. Each member is a master of their craft, drums guitar and bass all synchronizing into an aural mugging of heaviness. It’s a testament to the depth and richness that can be found in anger, and why hardcore is at its best when it's mean. 

Consume and Burn was tracked and mixed by John Howard at War House Recordings and Mastered by Will Killingsworth at Dead Air Studios. Album art by Christopher Norris at Steak MTN.

The band is also performing at The Fest in Florida on October 29 with Strike Anywhere.

Gvllow Drops New Darkwave Banger - "IT'S SO COLD"

Gvllow has released brand new single, "It's So Cold", today. The new track channels the very best of 80s goth and darkwave, offering a spooky, etheral vibe that perfectly offsets the track's lyrical theme. Stream the new track HERE and watch the accompanying music video below.

Speaking on the release of his new track, Gvllow shares

"I wrote this song back in the beginning of 2023 when it was consistently cold every single day in Southern California. 

I was recording in a weird space that I had rented out for a little bit in between moving and it made me realize how much of a home body I am. I love being home, it was freezing outside, and I was having all kinds of weird dreams from melatonin and out came the lyrics for this instrumental I had written for weeks. Dreams about ghosts from my past, being too far away from home, and being cold everyday. Sometimes it takes me weeks to write lyrics to my songs but I've just learned to let them come to me, I don't force it anymore"

GVLLOW released his acclaimed 'Spiritwalker' EP in the Spring of 2021, the release saw his stylistic expansion into post-punk and dark wave. Heavily influenced by by the likes of Drab Majesty, Sisters Of Mercy and Bauhaus, the transition began with highly acclaimed single "Last Dance" from his previous, eponymous full-length and continued with the 'Spiritwalker' EP and his 2022 releases - "Die By Your Hand", "Falling Down", "Not Sorry" and the 'Suffer' EP.

What The Press Say About Gvllow

"A fascinating solo artist bringing together elements of goth, darkwave, punk and rap."

- Kerrang!

"SoCal's Gvllow...pulls elements of Eighties goth, post-punk and death-rock into his eerie, dance-floor-ready brand of heavy hip-hop."

- Revolver

"truly a must-listen for anybody who values variety and intrigue in their playlists."

- Alternative Press

"From gritty hip hop to cold dark wave, the emerging prospect goes beyond genre to assert an identity all his own."

- Knotfest.com

About Gvllow

GVLLOW blends the sonic and visual aesthetics of 80s new wave and southern California punk rock mixed with the beach sounds of Dick Dale and The Beach Boys to create a sound that is fresh, diverse and completely unique. Born and raised in Riverside, California, he grew up in the SoCal Punk scene. He started playing drums at age nine and would go to The Showcase Theatre in Corona every weekend to watch bands such as Dr Know, TSOL and Narcoleptic Youth.

In 2015, he became involved in the bludgeoning underground rap scene, DJing for the likes of Ghostemane and Lil Peep in Schemaposse. Since then, he has gone on to perform as touring DJ for the likes of City Morgue, as well as release two solo albums; 2018’s “Waste Away” and “Gvllow” released in July of 2020, which features guest appearances from the likes of Travis Barker, Brennan Savage and Jack Grisham (TSOL) and has spawned singles “Fear”, Johnny Cash” and “Last Dance”. 

To date, GVLLOW has clocked up over 31 million career streams on Spotify, 242,000 monthly Spotify listeners, and 1.4 million YouTube views.

Randall King Debuts 2 New Tracks: “Hard To Be Humble” & “The One You’re Waiting On”

Hereford, Texas native Randall King brings his Billboard-praised “sturdy baritone” to the forefront alongside a healthy dose of hubris and equal parts vulnerability on latest double-shot delivery: “The One You’re Waiting On” and “Hard To Be Humble.” Listen HERE
 
The son of a working man, King was raised on the influences of country music greats Alan Jackson, George Strait, Keith Whitley and more; his neo-traditional style a byproduct of living life the way he often heard reflected in their lyrics. It was this same authenticity that rang out when King first heard “The One You’re Waiting On” and was instantly drawn to the longing, reflective track.
 
“The first time I heard this song, I had it playing in my truck and was just blown away, pretty sure I missed a turn,” King laughs. “The song is just incredible. I have sung along to it so many times runnin’ down the highway. I have always loved it and you can hear my passion for this song reflected in my vocals. I’m beyond excited to have this one out there.”
 
On the other hand, where “The One You’re Waiting On” hangs on King’s ability to project the anguish of love slipping away, “Hard To Be Humble,” also out today, balances as an upbeat, cheeky brag. With his head held high, King sings:
 
        No I can't help talk about you
        Walk a little taller in my old boots
        Never liked showing off what I got
        But look at you baby, how could I not
        Ain't anybody else that I wanna be
        When every guy in here wants to be me
        Walking in with you on my arm
        Lovin’ you’s easy, but girl it's so hard
        To be humble
 
“We were pitched ‘Hard To Be Humble’ by my buddy Jake Gear (produces Hailey Whitters), and the email had gotten lost in the mess of what my inbox is. Two days before we went in to cut I just happened to be going back through my old emails and found this song sittin’ there, put it on, and went ‘Whoa… how was this song missed?!’ We cut this catchy fun love song and boy I got to tell ya, I’m sure glad I double checked my Gmail that day!”
 
As he continues to tease new music, King is set to kick off “KingFest” at the Nashville Palace tonight for the first of two back-to-back shows in Music City. The two-day branded festival event features support from Tyler Booth, Braxton Keith, Drake Milligan and Jon Stork. 

Already known for his road warrior diet of over 150 dates each year touring across the United States, King continues his trek internationally next month with 11 European tour stops. With five of the shows already sold-out, the overseas dates have been met with fan enthusiasm, leading King to set his sights on larger venues to meet the demand. Once he returns from the European run, King will join as direct support on select dates of Jon Pardi’s Mr. Saturday Night World Tour.

For upcoming tour dates and more information, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.
 
Randall King 2023 Performances: 
Aug. 18            Nashville, TN                         Nashville Palace
Aug. 19            Nashville, TN                         Nashville Palace
Aug. 24            Fayetteville, AR                     George's Majestic Lounge
Aug. 25            Dallas, TX                              Longhorn Ballroom
Aug. 26            Amarillo, TX                          Hodgetown Stadium
Sept. 8              Gstaad, Switzerland               Festivalzelt
Sept. 9              Gstaad, Switzerland               Festivalzelt
Sept. 11            Glasgow, UK                          Óran Mór
Sept. 12            Manchester, UK                     The Deaf Institute
Sept. 13            London, UK                           Bush Hall
Sept. 15            Cologne, Germany                 Club Volta
Sept. 17            Hamburg, Germany                Bahnhof Pauli
Sept. 18            Berlin, Germany                     Kesselhaus
Sept. 19            Stuttgart, Germany                 Studio, Im Wizemann
Sept. 21            Vaduz, Liechtenstein              Rheinpark Stadion
Sept. 23            Vaduz, Liechtenstein              Rheinpark Stadion
Sept. 29            Pasadena, TX                         Pasadena Livestock Show And Rodeo
Sept. 30            Durant, OK                            Bubba's Brewhouse
Oct. 5               Stephenville, TX                    Twisted J Live
Oct. 6               College Station, TX                Hurricane Harry's
Oct. 7               Nacogdoches, TX                   Banita Creek Hall
Oct. 8               Austin, TX                              Austin City Limits Music Festival (ACL)
Oct. 13             Conroe, TX                             Conroe Cajun Catfish Festival
Oct. 14             Sonora, TX                              JL Bar Ranch, Resort & Spa
Oct. 15             Austin, TX                              Austin City Limits Music Festival (ACL)
Oct. 19             Oklahoma City, OK                Diamond Ballroom
Oct. 21             Corpus Christi, TX                  Brewster Street Ice House
Nov. 2              Nampa, ID                               Ford Idaho Center
Nov. 11            Luckenbach, TX                      Luckenbach Texas
Nov. 16            Royal Oak, MI                        Royal Oak Music Theatre
Nov. 17            Cleveland, OH                        Agora Theater & Ballroom
Nov. 18            Hershey, PA                            GIANT Center
Nov. 30            Independence, MO                 Cable Dahmer Arena
Dec. 1              Tulsa, OK                                BOK Center
Dec. 2              Fort Worth, TX                       Dickies Arena
 
About Randall King:
One of country’s new crop of modern traditionalists, Warner Music Nashville artist Randall King grew up on the endless plains of West Texas – and his sound is steeped in their timeless beauty with a mix of grit and grace. He grew up singing in the back of a ‘93 Chevy Suburban, mimicking the pure-country vocals of stars like Keith Whitley, George Strait, Alan Jackson and John Anderson and over the years became drawn to the electrifying energy of modern stars like Eric Church, Dierks Bentley and Jason Aldean. After years of hustling and a road-warrior’s diet of 150 shows each year, King produced and released the defiant 2016 EP, Another Bullet, then followed up with a 2018 self-titled album. Now, King is bringing an organic, timeless sound to the mainstream with his major label debut album Shot Glass. The 11-song collection, seven of which were co-written by King, centers around a night out at a bar, with each track representing a different point of view of those in the room. The album was named to Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far), making him the only male country artist to make the list. With over 200+ million career streams to his name, the 2023 Music Mayhem Magazine and 2022 Pandora and Country Now Country Artist to Watch is looking to the anywhere-and-everywhere future with music that captures the essence of a Western poet who’s never been afraid to be himself.

DEKO ENTERTAINMENT TEAMS UP WITH MOTION ENT. WORLDWIDE TO RELEASE THEN AGAIN...BY LEGENDARY TRIUMPH GUITARIST/VOCALIST RIK EMMETT

Rik Emmett is best known as the guitarist/vocalist for the legendary Canadian hard rock band Triumph. Between its 16 albums and DVDs, it has received 18 gold and 9 platinum awards in Canada and the United States. They were nominated for multiple Juno Awards, including the Group of the Year Award in 1979, 1985, 1986, and 1987. It was inducted into the Canadian Music Industry Hall of Fame in 2007, into the Canadian Music Hall of Fame in 2008, and into Canada's Walk of Fame in 2019.

Emmett is now releasing worldwide Then Again... through Deko Entertainment (ADA/Warner Music Group) as part of a new deal with Music in Motion Ent. As he states about the release, “There seems little point in simply trying to repeat history, so we came at it from a different place: the place where Dave Dunlop and I dealt with these songs, on smaller nightclub & intimate listening room stages. Honoring the endurance of these songs, but giving them a fresh, stripped-down and 21st century D.I.Y. perspective.” Enjoy reimagined versions of classics like, “Lay It on the Line,” “Magic Power,” and “Fight the Good Fight.”

Listen to “Magic Power” here:
ADA.lnk.to/MagicPower

The classic Triumph album Allied Forces sold over a million copies in the US, while attaining the highest chart positions any Triumph album would attain: #23 in the US and #13 in Canada. It included the songs "Fight the Good Fight" and "Magic Power." "Magic Power" reached #8 on the Billboard Mainstream Top Rock Tracks chart and #51 on the Hot 100, while "Fight the Good Fight" went to #18 on the Top Rock Tracks chart. This bodes well for the success of Emmett’s Then Again....

Then Again... will be available on CD and limited-edition vinyl. Preorder your copy now and get a very limited signed copy while supplies last:
https://bit.ly/RikEmmett

For more information, visit
https://www.rikemmett.com/
www.dekoentertainment.com
Deko Entertainment–Art Has Value

THE FRONTMEN RELEASE "GOD BLESSED TEXAS (THE FRONTMEN EDITION)" AND "IT WAS ALWAYS YOU" VIA BBR MUSIC GROUP/BMG

More new tunes have arrived from The Frontmen. The trio, consisting of Larry Stewart of Restless Heart; Richie McDonald, formerly of Lonestar; and Tim Rushlow, formerly of Little Texas, today released two new songs via BMG/BBR Music Group. "God Blessed Texas (The Frontmen Edition)" and "It Was Always You" are available now through all digital streaming music providers.

 

Today's newly-released songs from The Frontmen feature Rushlow singing lead on Little Texas' 1993 smash hit, "God Blessed Texas (The Frontmen Edition)," as well as "It Was Always You," an all-new tune written by Rushlow and Danny Orton.

 

"When Danny Orton and I wrote 'It Was Always You,' we were pulling from personal experiences and especially some of my own," says Rushlow. "This song is a reminder that real love can heal wounds and help you paint your life with a new canvas. It’s sort of an anthem that tells somebody how you really feel about them, even years later."

 

"Doing iconic hit songs from our past was not something we took lightly," continues Rushlow. "With the help of our producer, Mickey Jack Cones, we were able to pay homage to the original master recordings, but also put our own 'Frontmen spin' on the songs, and I couldn’t be more proud of this rockin' new version of 'God Blessed Texas (The Frontmen Edition).'"

 

Earlier this year, The Frontmen debuted "Amazed (The Frontmen Edition)" and "Left Their Mark," (with McDonald singing lead on both tracks). More music, of which will be included on an upcoming EP, will be released soon, with the next round featuring lead vocals by Stewart. Two-time GRAMMY-nominated Mickey Jack Cones is producing the project.

 

Download "Amazed (The Frontmen Edition)" and "Left Their Mark" HERE

About The Frontmen:

The Frontmen features three singers who were THE voices of three of the top country bands of the '90s: Richie McDonald, formerly of Lonestar, Tim Rushlow, formerly of Little Texas, and Larry Stewart of Restless Heart. From their rave review performances around the globe for our troops, to casinos, fairs and corporate events, to their globally televised performance on the steps of the hallowed Lincoln Memorial in Washington, DC, The Frontmen are making their mark on the country music scene. Stewart, Rushlow and McDonald have collectively sold over 30 million records and had over 30 major hits between them. They have a chemistry and brotherhood seldom matched, and they have logged the travel miles to prove it, wowing audiences around the globe with their brand of highly successful intimate unplugged shows. Powerhouse hits performed by The Frontmen include Restless Heart classics, “The Bluest Eyes in Texas,” “That Rock Won’t Roll,” “I’ll Still Be Loving You” and “Why Does It Have to Be (Wrong or Right)." Lonestar smashes such as “Amazed,” “Front Porch Looking In,” and “I’m Already There,” plus Little Texas hits including “God Blessed Texas,” “Amy’s Back in Austin,” and “What Might Have Been.” These songs and many others included in their shows are the soundtrack of a generation. With their combined vocal and instrumental talents, The Frontmen deliver a high-energy show packed with fan-favorites from their three award-winning and critically acclaimed bands. For more information, visit thefrontmenlive.com

SINGER-SONGWRITER ROB ROTH RELEASES “AWOL” A Melodic Escape into Self-Discovery

New York-based multi-talented powerhouse and rising star, Rob Roth, has released his new single “Awol,” today. The song, co-written by Rob Roth himself, boasts an infectious hook with powerful lyrics that resonate with anyone who has ever felt disillusioned by the corporate world. The main hook of "Awol" revolves around a universal theme of feeling overwhelmed and disconnected from the world, prompting the powerful lyrics, “I don’t wanna do it no more, think I’m going Awol.” Rob Roth masterfully captures the emotions of those who have experienced being caught in the corporate world's labyrinth, where individual value can often be overlooked. The song beautifully portrays a journey of self-discovery, self-awareness, and ultimately, breaking free from the constraints of societal expectations.

"Awol" is a song that masterfully combines Rob Roth's 90s/00s pop-rock influences; with its guitar riff-driven foundation, uplifting atmosphere, bright synths, and lively percussion. Influenced by artists such as Dave Matthews, John Mayer, Goo Goo Dolls, Avicii, Chainsmokers, among others, Rob Roth aims to evoke a wide range of emotions through his songwriting, encompassing pain, hardship, healing, and love. Collaborating with renowned vocal coach RAab Stevenson, who has worked with top artists like Dave Matthews, Justin Timberlake, Rihanna, and more, Rob Roth continuously hones his craft to deliver exceptional performances.

Listen to "Awol": https://shorturl.at/rBDM3

Credits

Writers: Robert Roth, Ian Holmes, Dom Paul Feil-Roots

Producers: Robert Roth, Ian Holmes, Dom Paul Feil-Roots

Mixing Engineer: Dom Paul Feil-Roots

Rob Roth's entry into the music scene has been nothing short of remarkable. After battling consecutive major sport related injuries and surgeries in his early 20s, he reconnected with the guitar, igniting a passion for music that he had never fully explored before. From the very beginning of his musical endeavors, Rob Roth's talent and potential were evident. In his first-ever vocal lesson in 2019 he received a profound compliment from his coach, when his voice was likened to the legendary Chester Bennington of Linkin Park. This comment served as a catalyst, fueling Rob's motivation to practice tirelessly throughout the pandemic, reaching a point where he felt compelled to pursue music seriously. Rob's musical transformation took flight in 2021, when he released his first-ever song and subsequently delivered an impressive repertoire of 11 tracks and an EP. Now, with the release of "Awol," Rob has expanded his horizons into production. In 2022, he focused on learning the art of production, even taking on an internship with his EP Co-Producer, Adam Clark. As a result, he has a collection of self-produced tracks ready for release in the upcoming fall/winter season.

NYC's Black Rose Burning presents 'Night Terrors', previewing new 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC-based alternative rock outfit
Black Rose Burning presents their new single 'Night Terrors', previewing their third full-length album 'Ad Astra', due out in mid-September.

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“Night Terrors is pretty much straight forward - if you have them, then you know. If you don’t, imagine being in the middle of sleep - but feeling wide awake and in a nightmare. There can even be “monsters” that sometime remain in your consciousness even after you’ve woken up. Nasty business this. I tried to encapsulate the feeling in a song, but I’m not sure you could ever REALLY explain the experience. I haven’t had this happen to me in years, and I hope it never happens again honestly,” says George Grant.

“This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship.”

'Night Terrors'  https://blackroseburning.bandcamp.com/track/night-terrors

This single follows the lead track 'Sing to Me (E.L.E.)', released in June. Grant says, "'Sing To Me' is about that point in a relationship when things just aren't the same any more - the rough time before the breakup. That point where your partner doesn't seem to feel the same the way you STILL do. It can be devastating. You just want them to see you the way they used to - because you still care."

In 2021, Black Rose Burning released their second album 
'The Wheel', mastered by Jason Corbett of ACTORS. one year after debuting 'The Year of the Scorpion'album.

George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various styles has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.
 
'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).

'Night Terrors' is out now exclusively via
Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Loungefor The Red Party.

CREDITS
Music and lyrics written by George Grant
Recorded and mixed by George Grant at PVRCo (Putnam Valley Recording Company)
Mastered by Eric Enjem at Echometrics
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - guitar
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner


Keep up with Black Rose Burning
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VELVET CHAINS Returns with Surprising, Uplifting Single, "I Am The Ocean”!

After a successful South American tour opening for STONE TEMPLE PILOTS and THE WINERY DOGS, as well as a remarkable performance at the Summer Breeze Brasil festival alongside giants such as SEPULTURA, LAMB OF GOD, and SKID ROW, VELVET CHAINS is back in full force with the single “I Am The Ocean”, available from July 21st on all major streaming platforms, starting a series of releases that will continue up to 2024. Produced, recorded, and mixed by KELLEN MCGREGOR, the new single cements the band's musical identity and, at the same time, brings new musical nuances, presenting a work in constant evolution and maturation.

Shot in the band's hometown of Las Vegas, and featuring new guitarist BURTON CAR, who was brought in on the South American Tour, the official music video for "I Am The Ocean” was directed by BRIAN COX (BRING ME THE HORIZON, THE USED, HOLLYWOOD UNDEAD.

Purchase / Stream "I am the Ocean" Online

VELVET CHAINS emerged in 2018, and showed their face to the world three years later with the solid album Icarus, which featured the special participation of RICHARD FORTUS (GUNS N 'ROSES) on one of the tracks. The band's incessant work continued with an impressive sequence of singles, which culminated in the EP Morbid Dreams in 2022. Always looking to expand their musical spectrum, VELVET CHAINS continues to climb steps in the world rock scene. With “I Am The Ocean”, the band proves that there is a lot of rock and roll of the best quality to come.

Dalton Dover Revisits '90s Country with "Night To Go"

As current single “Giving Up On That” continues climbing the charts, MusicRow-dubbed “master country talent” Dalton Dover releases a new Friday night anthem with “Night To Go” via UMG Nashville/Mercury Records. Listen to the new song HERE.
 
“When I heard this song for the first time, it took me back to being a kid. This is the kind of music I grew up listening to,” shares Dover. “I wanted to do something that would make my ‘90s Country heroes proud.”
 
Written by Cole Taylor, Trea Landon, Shane Minor and Michael Carter, “Night To Go” is a nostalgic ‘90s barn burner with copious steel guitar, as Dover showcases his powerful voice and delivers the perfect night in the country:
 
       It ain’t parking with your buddies at the same ol’ bar
       Drinking all the same ol’ drinks
       It ain’t hangin’ at the house all by yourself
       Staring at a football game
       Well there’s a million different ways to burn some moonlight
       But if you asked me there ain’t nothing like
 
       Pick her up at seven, she climbs on in
       Ride around a little to a country song
       Pull into that county line and go
       And go and get our cold beer on
       Lean in for a kiss underneath the stars
       Til the sun shows up, just hold her close
       That’s about as good as a good ol’ boy
       Would ever want a night to go
 
Dover’s first official single “
Giving Up On That” debuted as the most-added song at Country radio, with MusicRowcalling it “a solid winner,” boasting, “this power ballad of regret and yearning gives him a super showcase for his dynamic, whisper-to-a-scream vocal ability,” and of Dover, “make this man a star.”
 
Ahead of Mother’s Day, the Georgia native paid tribute to his mother with “
I Wouldn’t Be Here” and delivered a preview of the song as he shared his mom’s reaction to hearing it for the first time on his Instagram.
 
Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his international debut earlier this year at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, he performed across four stages at CMA Fest, including the Nissan Stadium Platform Stage, and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. For more information and tickets, visit
DaltonDoverOfficial.com/Tour.

Dalton Dover Upcoming Tour Dates
 
Aug. 12           Voices of America Country Music Festival 2023       West Chester, OH
Aug. 16           KTOM Summer Concerts at the Winery                    Carmel, CA
Aug. 18           KATM Country in the Grove                                      Stockton, CA
Aug. 24           Soldiers and Sailors Memorial Auditorium                Chattanooga, TN
                        w/ Parker McCollum
Aug. 25           Skyla Credit Union Amphitheatre                              Charlotte, NC
                        w/ Parker McCollum
Aug. 26           CCNB Amphitheatre at Heritage Park                       Simpsonville, SC
                        w/ Parker McCollum
Sept. 1             Georgia Country Music Fest                                      Marietta, GA
Sept. 2             Taste of Madison                                                        Madison, WI
                        w/ Priscilla Block
Sept. 9             KNCI Country in the Park                                          Sacramento, CA
Sept. 23           Fiddler’s Green Amphitheatre                                    Greenwood Village, CO
Sept. 27           Pasadena Rodeo                                                          Pasadena, Texas
Jan. 29-Feb. 1 Boots on the Beach                                                     Punta Cana, Dominican Republic
 
“Night To Go” Lyrics Available for Download
HERE
 
About Dalton Dover
Lauded by MusicRow as a “master country talent,” Dalton Dover’s current chart-climbing single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds and garnered over 1 million streams in the first two weeks of its release. Dover recently released “Night To Go,” an upbeat barn-burner following “I Wouldn’t Be Here,” a song co-written with Russell Sutton and Dan Isabell for his mother. Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit
DaltonDoverOfficial.com or follow along on InstagramTikTokTwitter and Facebook.

HUNTERGIRL RELEASES POWERFUL NEW BALLAD “AIN’T ABOUT YOU”

Showing the limitless bounds of her artistry, American Idol runner-up HunterGirl today releases her most powerful song yet with the hauntingly beautiful and self-written Ain’t About You.” Listen now HERE.

"If there's anybody out there right now thinking about giving up on a dream or something they love, I hope they listen to this song and think twice about it," says HunterGirl. "We're all here to do something special." 

The songstress, who grew up winning singing and songwriting competitions and cutting her teeth performing on Lower Broadway, came home from back-to-back writing sessions one day with an ache she just couldn’t shake. Seeing the success of her friends - signing record and publishing deals - she couldn’t help but wonder if she was on the right path, still chasing her musical dream in Nashville, when she hadn’t made much leeway.

Discouraged with a breaking heart, trembling voice and eyes filled with tears, she put pen to paper for a 45-minute conversation with Jesus. Entirely self-written just two weeks before she auditioned for ABC’s American Idol, the hauntingly honest words of “Ain’t About You” flooded out of her like a resounding prayer, reminding her there’s “purpose in the wait.” 

Scared of rejection, she kept the song a secret, until she finally had some liquid courage and sang it for American Idol winners Chayce Beckham and Noah Thompson at a BBQ cookout where they were passing around a guitar. It wasn’t until she heard their shocked response and fervent encouragement that she finally decided it was time to share it: 

What if there’s a heart who needs some hope

And finds it in the words that you almost never wrote

So before you say you’re not good enough

That all your dreams are wishing dust

You call it quits, walk away, and say you’re through

What if it ain’t about you

 

A gutsy and prolific songwriter, her work with veterans’ organizations where she uses music therapy to transform warrior’s stories into songs allowed her to give in whole-heartedly to her emotions, writing the song with pure honesty, not worrying about fitting it into a certain mold. 

 

Fast forward just weeks after she wrote “Ain’t About You,” the rising star won 2nd place on American Idol, signed a record deal with 19 Recordings/BBR Music Group/Wheelhouse Records and co-headlined a pack-out tour. Now, the beautifully honest song that started everything, “Ain’t About You” - produced by Lindsay Rimes (Kane Brown, Kelsea Ballerini) - is available now. 

Photo Credit: David McClister

About HunterGirl:

A Tennessee native, singer/songwriter HunterGirl has been performing since she was three years old and writing songs since she was 9. In her early teens, she performed at venues across the United States, competed in singing competitions and won the 2014 Texaco Country Showdown. After graduating high school, she moved to Nashville and immediately started playing gigs at Nashville’s most famous venues including Tootsie’s, Rippy’s, Jason Aldean’s Bar, The Listening Room, and HonkyTonk Central, winning songwriting contests such as “Nash Next” and the prestigious “Nashville Songwriter Association International” in her spare time. Due to having family members who served in the military, HunterGirl holds a deep admiration for our Country’s armed forces and tenaciously works with many veteran organizations, where she uses music therapy to transform veterans’ stories into songs. She’s shared the stage with Country superstars Old Dominion, Florida Georgia Line, Kane Brown, Alan Jackson, Lainey Wilson, Trace Adkins, Charlie Daniels, Sara Evans and more. Last year, she competed on American Idol, where the “country singer with a bright future” (Hollywood Life) delivered standout performances that Taste of Country called “impressive,” “shining,” “chill-worthy,” and “glowing,” winning the hearts of millions across the country. Praised by Idol judge and Country superstar Luke Bryan as the “new age Miranda Lambert” and his “favorite female Country voice,” “HunterGirl has wowed the Country music community since she stepped foot onto the American Idol stage” (Billboard). “Despite missing out on the win, her crooning vocals and intimate original song, ‘Red Bird,’ has made her one to watch in the Country scene (American Songwriter). Skyrocketing to No. 1 on iTunes All-Genre and Country charts, “the budding Country star” (Taste of Country) performed her heartfelt and deeply personal original track “Red Bird” on Live with Kelly & Ryan and has appeared on Good Morning America. Now, with the release of her label debut tracks “Hometown Out Of Me,” “Lonely Outta You” and the hauntingly powerful “Ain’t About You,” driven by her distinct and genuine vocals, unwavering tenacity, and heart of gold, HunterGirl is on the fast track to becoming Country’s next big female artist.

KEEP UP WITH HUNTERGIRL

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IgikoPop Teams Up With DJ RiggL3 & Ignabui For The Release Of Their Single “VRGirl”

Introducing IgikoPop, a trailblazing artist who defies musical boundaries with her electrifying fusion of pop-punk, EDM, and opera. Drawing inspiration from the late 90s and early 2000s anime, video games, and J-Fashion culture, IgikoPop has captured the hearts of fans nationwide and across the globe. Her latest triumph, the collaboration on DJ RiggL3 & Ignabui's upcoming EDM single "VRGirl," is out now and poised to be a game-changer in the music landscape. This vibrant track, inspired by the modern era's infatuation with Vtubers and the timeless allure of otaku culture, features IgikoPop's distinctive vocals that pay homage to EDM luminaries such as DJ S3RL and the iconic Dance Dance Revolution era.

As Vtubers rise to fame, captivating audiences with their interactive virtual personas, "VRGirl" captures the essence of this new otaku phenomenon with an innovative sonic twist. IgikoPop, the lyrical powerhouse behind "VRGirl," delves deep into her encounters with otaku enthusiasts, weaving their tales of yearning for a 3D virtual companion into the heart of the song. Departing from her usual nuanced approach to

otaku culture, IgikoPop embraces her nerdy side with vibrant and relatable lyrics that bridge the gap between the virtual and the real.


Stream "VRGirl"

https://distrokid.com/hyperfollow/riggl3andignabui/vrgirl-feat-igikopop

IgikoPop's repertoire boasts a diverse range of accomplishments, including providing vocals and compositions for the Internet phenomenon PC game 'Yandere Simulator' and a collaboration with Happy Hardcore DJ S3RL on the track “I Feel Alive.” In a stunning crescendo of her artistic journey, 2023 saw the release of her debut album titled IgikoPop 1st Mix, a collection that showcases her boundless creativity and genre-defying approach. IgikoPop's influence extends beyond music, as she stands as a powerful force in the realm of Harajuku fashion. An avid enthusiast and influencer, IgikoPop's unique style has been featured alongside her twin sister and fellow influencer, Kawaiiconic, on Barcroft's 'Hooked on the Look.' She has also collaborated with renowned brands such as Hot Topic, Splat Hair Dye, ACDC RAG, and 6% DOKI DOKI, leaving an indelible mark on the fashion landscape.

Reflecting on her influences, IgikoPop pays homage to a tapestry of musical luminaries, from Hikaru Utada and Bemani idol group BeforU to Lady Gaga and Wolfgang Amadeus Mozart. Her dedication to opera shines brightly, inspired by her family's lineage of musical excellence. IgikoPop's distinct sound and unwavering authenticity set her apart as a "gateway artist," bridging the gap between mainstream appeal and the fervent embrace of her gaming and anime communities. Her music is a testament to her truest self, a fearless explorer of sonic realms, and a passionate curator of cultural nuances.

Rooted in a rich heritage, IgikoPop's journey began in Kenai, Alaska, where she harnessed her musical talents as a member of the Jabila'ina Dance Group of the Kenaitze Indian Tribe. Together with her twin sister Kawaiiconic, she charmed audiences and embarked on a path that would eventually lead them to prominence both online and abroad. From the neon lights of Tokyo to the stages of international festivals,IgikoPop's journey has been nothing short of remarkable. Her musical odyssey as a solo artist enchanted audiences in Tokyo during 2018 and 2019 before forming her band in the creative hub of Portland, Oregon in mid-2020. With a deep-rooted love for anime, video games, and J-Fashion, IgikoPop's music is a mesmerizing blend that resonates with both nostalgic and modern sensibilities.

EXTINCTION A.D. Call Out False Allies with New Single "Morality Bait"

New York metal heathens Extinction A.D. are returning with another blistering slice of their signature metallic hardcore punk in the form of new single "Morality Bait". Listen to the new track, out via Unique Leader Records below.

Serving as a scathing callout of performative activists, "Morality Bait" focuses Extinction A.D's impeccable combination of groove metal, thrash and hardcore in to a furious riff-storm overlaid by a pointed lyrical evisceration of those exploiting morality for personal gain. Vocalist Rick Jimenez elaborates:

"Exploitation of moral causes is nothing new but it has never been more prevalent and transparent as it's been recently. No surprise that people talk out of both sides of their mouth when there is profit to be made though. "Morality Bait" is a powerhouse song that takes the frustration with false allies and rallies for their destruction with the weightiest Extinction A.D. riffs yet."

"Morality Bait" is just the beginning of the next chapter of Extinction A.D. Keep it locked for big news coming soon.

ABOUT EXTINCTION A.D.

For almost a decade, Long Island, New York’s Extinction A.D. have been bringing an intense and ferocious approach to metal. The frenetic energy and power of their live show is now matched on the brand new track, "Morality Bait" and the new era of the band it heralds, following the band's 2022 full length release, Culture Of Violence.

So many different worlds shaped this band; from writers like Alan Moore and George Orwell; lyricists like Wreak Havoc and Chuck D; to directors like Tarantino and John Carpenter. But musically, Extinction A.D. hook up a tube of early 90s era of metal into their veins. Not just bands like Pantera and Machine Head, but the often overlooked 90s offerings from Testament, Sepultura and Slayer.

Thrashing just as hard as their predecessors, the band also break their surroundings down and deliver some heavy as hell riotous mosh; hitting that all-important sweet spot mixture of 80s thrash, 90s extreme metal and New York hardcore, all encompassed into one.

KIMONO PAT RELEASES “DEMON SLAYER” Urban Pop Meets Japanese Melodies: Kimono Pat's Music Redefines Genre Boundaries

Multi-talented powerhouse and rising star in the music industry, Kimono Pat, has released his new single “Demon Slayer,” today. This captivating song, inspired by personal experiences and influenced by anime and Japanese culture, promises to resonate deeply with listeners around the world. "Demon Slayer" was born from Kimono Pat's relentless pursuit to connect his personal journey with the struggles that people face every day. The song embodies the emotional rollercoaster of hopelessness and hope, exploring the constant battle between feeling defeated and triumphant. Drawing on instruments such as piano, drums, guitar, and shamisen, the track's eclectic mix creates a mesmerizing fusion of urban pop and Japanese culture.

Recalling the genesis of "Demon Slayer," Kimono Pat revealed, "I got the idea from watching an anime with the same title, but I wanted to find a way to make it relevant to my experiences and the challenges we all face in life." "Demon Slayer" is set to captivate audiences worldwide, leaving listeners inspired by the message of resilience and the drive to embrace personal evolution. As Kimono Pat himself asserts, "Music is always evolving, and it's essential to stay true to your artistry, drawing from life experiences to continuously evolve as an artist." Inspired by the likes of Jaden Smith, Travis Scott, Amine, Don Toliver, Tobi Lou, as well as legendary producers Timbaland and Pharrell; Kimono Pat has a personal commitment to successfully merge hip-hop with Japanese culture, creating a one-of-a-kind musical and visual experience for his fans.

A true music aficionado, Kimono Pat's passion for music ignited at a young age, when he found solace in playing various instruments in his grandfather's church in Alabama. Growing up, Kimono Pat found refuge in video games, often losing himself in their captivating worlds. Although anime and Japanese pop culture weren't widely accepted at the time, especially in the South, his fascination with the art form persisted. "My love for Japanese culture and music are the two things that have been with me for the longest. Playing instruments in my grandfather's church since 3rd grade and immersing myself in anime and Japanese pop culture led me to the name 'Kimono Pat,' symbolizing the seamless fusion of these essential aspects of my life," Kimono Pat explained. Guided by this early devotion, he studied music education at Alabama A&M and earned an audio engineering degree at The Los Angeles Recording School. Under the mentorship of esteemed music director Charlie Wilson and through collaborations with award-winning composer Jermaine Stegall, Kimono Pat has emerged as a versatile and gifted artist. His diverse musical expertise has allowed him to craft a sound that transcends genres, merging the best of hip-hop and Japanese cultural influences into an electrifying musical fusion.

Listen to "Demon Slayer" HERE

CONNECT WITH KIMONO PAT:

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Alternative-electronic duo Alien Gothic presents 'Shine The Lights', second dark offering from debut album 'High and Dry'

"The two lead tracks sound closest to A Shoreline Dream... However, ‘Shine The Light’ also exhibits pronounced elements of Bauhaus and Front Line Assembly" ~ Amplify Music Magazine

"Both symphonic and diabolical (in the way that Dante would have used the word), a blend of gothic electronica and cavernous, squalling anthemics, crashing tsunamis of sound washing over industrial and angular acoustic structures" ~ Big Takeover Magazine

"A haunting quality... The blend of genres creates a unique and entrancing soundscape that sets Alien Gothic apart from conventional Gothic Rock acts... The voice gracefully dances over the music, conjuring images of a lost soul wandering through a desolate dreamscape" ~ Skylight Webzine

"An engaging and enchanting experience... an underlying energy that is both hypnotic and addictive" ~ Thoughts Words Action


Colorado-based artist
Alien Gothic presents the single 'Shine The Lights', following up their debut offering 'In The Night'.  Both songs preview their 'High and Dry' album, which will be released via Latenight Weeknight Records on August 18.

Conjuring up music that can be described as gloom from other worlds, the duo - made up of Ryan Policky of 
A Shoreline Dream and Andy Uhrmacher of Genessier - has been trying to find their way back to the original trajectory they were on previous to crash landing. Stretching cosmic goth music into a whole new realm, the Denver-based duo combines all the elements they have been striving to integrate into the project over the four years since they decided to launch this project.

"Shine the Lights is one of the first that truly formed based on all the layers we tossed at it. We pulled out all the tech, and organic instruments to mix this one up into a whirlwind of cosmic tones," says Ryan Policky.

"It's a symphony of alien sounds and favorite mellotron moments. It soars like a massive whale, while being pulled down into tight rhythms and mechanical goth patterns. A complete experiment that formed a lot of our overall sound... cosmic goth as we like to call it."

Alien Gothic creates deep gothic electronica, fused with spatial goth autoharp symphonies, deep mellotron overtures mixed with noises from unknown origins on the vast hour-long debut. Themes and words recall events that the duo have had from the far reaches of the beyond. With deep beats, lush goth rock entwines with psych and shoegaze layers to create cosmic, pulsating melodies.

Recorded from 2020-2023, Alien Gothic takes a journey out of a world gone mad, to spread a sound that is immersive and rich with varied instrumentation. Soundscaping goth is what these artists have become known for elsewhere along the milky way, their spectrums now hitting earth to bring forth a dreary alien orchestra, lost deep in a dark forest beyond the normal stretches of human imagination.

"It’s something we knew would destroy the seedy, cobweb filled dance clubs of the past, bringing forth a new era of goth... alien goth!" says Ryan Policky.

'Shine The Light' is available exclusively via
Bandcamp. On August 18, the full 'High and Dry' album will be released digitally across all fine music platforms.

CREDITS
Written by Ryan Policky and Andy Uhrmacher
Ryan Policky - Vocals, Guitar, Bass, Synth, Percussion
Andy Uhrmacher - Guitar, Bass, Synth, Percussion
Mixed, Mastered & Produced by Ryan Policky
at AG Studios in Barnum, Colorado 2021-2023
Video directed by Ryan Policky
Filmed by Ryan Policky & Andy Uhrmacher
Shot in Denver and Colorado Springs, Colorado

Keep up with Alien Gothic
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Keep up with Latenight Weeknight Records
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