Chart-Topping Rock Heavyweights THEORY OF A DEADMAN Release New EP 'Part 1: Funeral Songs' — Out Now via ONErpm

Chart-topping veterans THEORY OF A DEADMAN are proud to release their new EP, 'Part 1: Funeral Songs,' out now via ONErpm. Celebrating the release, the band also shares the new single, "Monster Truck," alongside an official video.

Marking a new chapter for the band, comprising Tyler Connolly, Dave Brenner, Dean Back, and Joe Dandeneau, the new EP delivers their signature mix of gritty riffs, anthemic hooks, and unfiltered lyricism with a renewed sense of urgency.

On the new track, Connolly shares:

“'Monster Truck' came about when we went and watched grave digger practice one day. The driver Tyler was super cool. It was so loud and huge. I was like this is the sound of america."

On the EP release, he continues, "We're focusing now on a ‘more music more often’ kinda approach. With an EP out this September then another in March. Eventually will put them together as a whole LP with even more new songs for our fans sometime in 2027.”

Watch the Video for "Monster Truck" Below:

THEORY OF A DEADMAN have carved out their own lane as one of modern rock’s most unapologetic forces, racking up multi-platinum hits, chart-topping albums, and sold-out shows worldwide. Blending witty, candid songwriting with undeniable riffs and massive melodic hooks, the Canadian quartet—Tyler Connolly, Dean Back, Dave Brenner, and Joe Dandeneau—have built a career defined by both attitude and staying power.

From fan favorites like “Santa Monica” to gold-certified hit “All Or Nothing,” platinum singles “Hate My Life” and “Bitch Came Back,” and the double-platinum “Not Meant To Be,” the band has delivered a steady stream of rock staples. They’ve landed twelve Top 10 hits on the Billboard Mainstream Rock Chart, including four #1 singles: “Bad Girlfriend,” “Lowlife,” “History Of Violence,” and “Rx (Medicate).” The latter stands as the biggest hit of their career, earning a nomination for “Rock Song of the Year” at the iHeartRadio Music Awards.

Along the way, TOAD have achieved two Top 10 debuts on the Billboard 200, four Top 5 debuts on the Canadian Albums Chart, and multiple Juno Award nominations, while drawing praise from outlets including American Songwriter, Billboard, and Classic Rock Magazine.

Now, THEORY OF A DEADMAN are ready to further their prolific career with the release of their new EP, 'Part 1: Funeral Songs,' out now via ONErpm.

Order 'Part 1: Funeral Songs' HERE

THEORY is currently on The Dead / Seven Tour alongside fellow heavyweights Sevendustwith more headlining tour dates to be announced next week. For a full list of dates, please see below.

THEORY OF A DEADMAN Live:

THE DEAD / SEVEN TOUR 2026

Sep 4 - Huntsville, AL @ Mars Music Hall

Sep 5 - Atlanta, GA @ The Tabernacle

Sep 6 - Dothan, AL @ The Plant

Sep 8 - New Orleans, LA @ The Fillmore New Orleans

Sep 9 - Houston, TX @ Bayou Music Center

Sep 10 - San Antonio, TX @ Boeing Center at Tech Port

Sep 12 - Corpus Christi, TX @ Concrete Street

Sep 13 - Midland, TX @ Wagner Noël Performing Arts Center

Sep 15 - El Paso, TX @ Abraham Chavez Theatre

Sep 16 - Phoenix, AZ @ Marquee Theatre

Sep 18 - Las Vegas, NV @ Bel-Aire Backyard at Durango Casino & Resort

Sep 19 - Del Mar, CA @ The Sound at Del Mar

Sep 20 - Riverside, CA @ Riverside Municipal Auditorium

Sep 22 - Salt Lake City, UT @ Rockwell at the Complex

Sep 23 - Idaho Falls, ID @ Mountain America Center

Sep 25 - Boise, ID @ Revolution Concert House

Sep 26 - Umatilla, OR @ Rock The Locks Festival (No Return to Dust)

Sep 28 - Great Falls, MT @ The Newberry

Sep 29 - Bozeman, MT @ The Commons

Oct 1 - Sacramento, CA @ Aftershock Festival (No Return to Dust)

THEORY OF A DEADMAN are:

Tyler Connolly - Vocals, Guitars, Keys

Dean Back - Bass

Dave Brenner - Guitar

Joe Dandeneau - Drums, Vocals

Silvertomb Drop "Graves in the Sky Video"

Doom Metal masters SILVERTOMB release their new single and video today. 

The song "Graves In The Sky" is also included on the upcoming studio album The Interpretation Of Nightmares. The album arrives November 13 via SPV.

Watch the video below.

Guitar player and singer Kenny Hickey says, "'Graves in the Sky' was a piece that was written from acoustic guitar and piano — a different creative approach for the band that yielded a new texture for the music, blending acoustic guitar, strings, and distorted guitar along with piano. I felt I was coming close to death at the time of writing this song and the lyrics deal with that reality!"

The Interpretation Of Nightmares will be released on November 13 through Steamhammer worldwide in the following configurations:
*CD DigiPak
*LP, 140 g, black vinyl, padded inner sleeve, coloured insert
*Exclusive LP Version and CD/LP Bundles with a shirt only at the Steamhammer shop
*Download + Streaming

Pre-order any and all configurations here.

ALBUM RELEASE: Zahna Releases New Album 'Break or Breakthrough'

Mexican-born heavy rock artist Zahna has released her new album, Break or Breakthrough, out now via XOVR Records, the label founded by Brian “Head” Welch of Korn. The ten-track record is Zahna’s third full-length studio album and her first full album release through XOVR. Listen to Break or Breakthrough HERE and watch an album sampler Below.

Produced and mixed by Kellen McGregor of Memphis May Fire, with co-writing and associate production from Cory Brunnemann of Through Arteries and mastering by Ted Jensen of Sterling Sound, Break or Breakthrough is the record that comes after survival.

Where Zahna's 2023 album Stronger Than Death was shaped by her near-terminal battle with kidney failure and subsequent transplant, Break or Breakthrough begins in the aftermath. The years that followed brought pandemic isolation, medical bills and financial pressure, lost momentum, family grief, betrayal, damaged relationships and faith pushed hard against its limits. Across the album, Zahna turns that fallout into ten tracks of hard rock force, metalcore intensity, dark pop atmosphere and ferocious vocal power, moving through rage and forgiveness, destruction and deliverance, grief and love, and the brutal work of rebuilding a life once the immediate fight to survive is over.

Sharing his thoughts on Zahna's album release, Brian 'Head' Welch says

"We are so happy for Zahna as she finally releases Break or Breakthrough to the world! This isn’t just another album title. Zahna and her team literally lived through it.

While facing so many obstacles, heartbreaks, and difficult moments while putting this album together, Zahna had every reason to break to pieces and give up. Instead, she chose to push through the pain and turn it into something powerful.

I have so much respect for Zahna and crew, and I can’t wait for the world to hear this amazing work of art!"

Speaking on the her journey creating Break or Breakthrough, Zahna shares:

“Two years of work, thousands of lessons, and one great adventure culminated into this moment. 'Break or Breakthrough' will always be the stone in the slingshot. I can’t wait to see the ceilings it will shatter, and the walls it will bring down.”

The album’s emotional and spiritual extremes have been revealed piece by piece throughout its release campaign. “Defiler”, featuring Brian “Head” Welch of Korn, introduced one of its darkest confrontations with spiritual corruption. “The Archer” arrived as a battle cry for truth, justice and the reckoning that follows when evil can no longer hide. On title track “Break or Breakthrough”, the fight turned inward as Zahna explored a damaged relationship finding its way back through vulnerability, humility, grace and forgiveness.

Most recently, “Love & Loss” pulled the record into its rawest territory. Written following the sudden death of Zahna’s father-in-law, a major musical mentor to both Zahna her husband and drummer Patrick Madsen, the song sits inside the disorientation of grief and the questions that surface when loss shakes the foundations of everything you believe.

Patrick Madsen plays drums throughout Break or Breakthrough, making the record an intensely personal collaboration as well as a musical one. Together with Kellen McGregor and Cory Brunnemann, Zahna built an album where its considerable weight never comes at the expense of melody, detail or emotional precision.

“Defiler” has also carried Zahna’s momentum deep into active rock, earning support across SiriusXM Octane, Music Choice, HardDrive Radio and stations across the country. The track remained on the active rock chart for over a month and reached the Top 20 on SiriusXM Octane.

With more than 20 million streams already to her name, Break or Breakthrough arrives at the point where Zahna’s intensely personal world is connecting with an increasingly broad heavy music audience.

ABOUT ZAHNA

Zahna is a heavy rock artist, vocalist, guitarist, songwriter and vocal coach whose music combines hard-hitting rock, metalcore intensity, dark pop atmosphere and deeply personal storytelling. First emerging as the vocalist of alt-rock band ILIA, she launched her solo career with Red For War and later released 2023’s Stronger Than Death, an album shaped by her experience surviving a near-terminal battle with kidney failure.

Her new album, Break or Breakthrough, will be released September 4 via XOVR Records, the label founded by Brian “Head” Welch of Korn. Produced and mixed by Kellen McGregor of Memphis May Fire, with co-writing and associate production from Cory Brunnemann of Through Arteries, the album explores spiritual warfare, endurance, freedom and the possibility of life after crisis.

Zahna has amassed over 20 million streams and continues to build growing support across SiriusXM Octane, Music Choice, HardDrive Radio and active rock radio. Beyond music, she is a vocal coach, a passionate advocate for those living with chronic illness, and an artist whose work pulls from faith, anime, literature, gaming and visual storytelling. Across every chapter,Zahna’s mission remains clear: to create songs with substance, honesty and enough fire to help people keep going.

METALITE Unleash Video Clip for New Single "The Metal Elite"

Swedish modern melodic metal frontrunners METALITE have unleashed a visualizer video for their brand-new single "The Metal Elite," another electrifying taste of their highly anticipated studio album Discovery, set for release on September 25 via PERCEPTION – Powered by Reigning Phoenix Music.
The new single captures METALITE at full intensity: Powerful, energetic and made to connect with a crowd, the track channels the adrenaline of a live show into an unapologetic celebration of metal and the bond between band and fans.

Guitarist, producer, songwriter and founder Edwin Premberg comments:
“The Metal Elite is all about stepping on stage and giving everything you’ve got, like it’s the last day of your life. It’s about that raw energy, the connection with the crowd, and delivering every note with full intensity. No holding back, just pure, unstoppable metal.”

Stream "The Metal Elite" here: https://metalite.rpm.link/elitePR 

Mixed and mastered by acclaimed Danish producer Jacob Hansen (Volbeat, Evergrey, Amaranthe), their new album Discovery pushes METALITE’s futuristic vision further than ever before. Across twelve dynamic tracks, the album explores themes of human evolution, technology, survival, liberation and hope in a universe shaped by digital realities and cosmic exploration in the year of 2058, three years after humanity left a collapsing Earth in search of a new beginning.

Building upon the sonic worlds established on Heroes in Time (2017), Biomechanicals (2019), A Virtual World (2021) and Expedition One (2024), the band once again proves why they are regarded as pioneers of modern sci-fi-inspired melodic metal!
 

Discovery will be released on September 25 via PERCEPTION, pre-order the album HERE: https://metalite.rpm.link/discoveryPR

ABOUT METALITE

Founded in 2015 by guitarist Edwin Premberg, METALITE quickly gained recognition with their debut album Heroes in Time, establishing a fresh and modern approach to melodic metal. In 2019, vocalist Erica Ohlsson joined the band for Biomechanicals, helping elevate the group’s futuristic identity through an even more refined blend of electronic textures and melodic power metal. Their evolution continued with A Virtual World and reached new conceptual heights with Expedition One, a visionary sci-fi journey set in the year 2055.

In 2024, drummer Erik Junttila joined METALITE, bringing renewed energy and precision to the band’s explosive live and studio performances. Following his debut live appearance in Linköping in early 2025, the band continued touring extensively alongside acts such as Pain, Leaves' Eyes, and The Night Flight Orchestra, while also appearing at major festivals including Sweden Rock Festival and Masters of Rock.
With millions of streams worldwide and a rapidly growing international fanbase, METALITE continues redefining the future of melodic metal. Discovery is bold, emotional, futuristic, and unapologetically ambitious — a powerful statement of innovation, exploration, and the limitless possibilities of modern power metal!


METALITE is:
Erica Ohlsson – Vocals
Edwin Premberg – Guitar / Additional Vocals / Programming
Robert Örnesved – Guitar
Erik Junttila Johansson – Drums
Robert Majd – Bass
 

More on METALITE:
Website
Instagram
Facebook
Spotify

FRAXURES UNLEASH HEXES — NEW IMMERSIVE ALBUM ARRIVES SEPTEMBER 4th VIA CLEOPATRA RECORDS

Southern California metal force FRAXURES unleash their highly anticipated new album, Hexes, September 4th via Cleopatra Records, accompanied by the release of the official video for the album’s title track, “Hexes.” 

A dark, heavy and deeply conceptual record, Hexes takes FRAXURES into ambitious new territory. Built around a singular premise, each song explores the forces that bind, haunt, manipulate and ultimately shape the human experience.

The title track serves as the gateway into that world.

The official “Hexes” video was directed and edited by FRAXURES bassist Vinny Marvaso of Marvaso Media and incorporates fragments from the upcoming film The Behemoth, creating a cinematic visual counterpart to the album’s ominous atmosphere and central theme. The Behemoth is forthcoming through Cleopatra Venom.

The release of Hexes follows the album’s third single, “Trauma Bond,” which introduced listeners to the record’s curse-driven concept through the destructive cycle of a relationship built around shared trauma.

Frontman Travis Neal described “Trauma Bond” as being about two people who remain helplessly connected despite the toxicity between them — trapped in a constant push and pull until the bond can finally be broken and freedom found outside the chaos.

That was only the beginning.

Across Hexes, FRAXURES expands the concept into a collection of individual stories, with each track examining its own form of darkness, while the album as a whole creates a larger narrative of entanglement, consequence, struggle and release.

Formed in 2020 in southern California, Fraxures line up as: Travis Neal (vocals), Fred Aching (drums), Vinny Marvaso (bass), Nolan Davis (guitar, vocals) and Esty Sanchez (guitar) - seasoned musicians from renowned acts such as William Shatner Band, Deadgroove, Kings Of Thrash, Divine Heresy, Powerflo, BillyBio, The Bloodline, and A Hero Within.  The members’ shared passion for creating earth-shattering music saw FRΛXURES emerge as a force to be reckoned with, blending the raw energy of metal with a modern edge. 

Born during the uncertainty of the pandemic, FRAXURES quickly developed into a formidable heavy music entity, combining the visceral impact of metal with melody, atmosphere and a distinctly modern edge. The members’ collective musical history is unmistakable, but rather than relying on the past, FRAXURES have used those foundations to establish an identity entirely their own.

That evolution has been reinforced onstage, where the band has performed alongside artists including Fear Factory, Snot, Taproot, Orbit Culture, Of Mice & Men and Unearth.

FRAXURES made their recorded debut with the critically acclaimed Firewater Sessions EP, produced by Billy Graziadei of Biohazard. Its combination of crushing riffs, expansive melodies and thought-provoking lyrics laid the groundwork for the band’s next chapter and ultimately led to FRAXURES joining the Cleopatra Records family.

The band subsequently released “Blackheart Serenade” and its interpretation of Depeche Mode’s “It’s No Good,” which broke onto Billboard’s Mainstream Rock chart.

Now, with Hexes, FRAXURES deliver the record toward which that momentum has been building.

For listeners who want to venture deeper into the album’s concept, the physical editions provide another layer to the experience, with the band inviting fans to “grab the vinyl or deluxe CD to explore the deeper meaning of each track.”

Hexes arrives worldwide September 4, 2026 via Cleopatra Records.

FRAXURES — HEXES

CD / VINYL: https://cleorecs.com/search?q=fraxures+hexes

DIGITAL: https://orcd.co/fraxures_hexes

Progressive Rock Duo DATURA LODGE Present A Psychological Thriller In Horror Inspired Video For "Hole"

Progressive rock duo DATURA LODGE delve into themes of regret and self-destruction through the warm analog comfort of David Lynch inspired visuals in the new release "Hole". Directed by Samantha Feyerabend-Muljat, the music video for "Hole" manifests in the form of a psychological horror as the protagonist spirals into self-sabotaging behaviors. The track is taken from the forthcoming, self-titled album set for release on October 2, 2026, via ARQUEN Records.

On the new release Nicky B explains the compositional process: "Musically this started for me with the small seed of the intro guitar and some effects I was playing with. It kind of fell together from there. One of the late additions to the arrangement that I am really happy with is the vibraphone in the bridge section. I was thinking specifically of the song 'Drifting' by Jimi Hendrix and knew Adam [Holzman, keys] would nail it since he had used similar sounds in his work with Steven Wilson. 'W' delivers an epic and emotional guitar solo that could not have been any more perfect for the song."

“W” adds: "This is undoubtedly the best song on the album. When we recorded this one, Ben proclaimed that 'this is the single!' Nicky B knocked it out of the park in the writer’s room and I think the band did a particularly good job handling the dynamics starting with the soft melancholy beginning and constantly building it up until it detonates with Nicky B belting the final chorus."

Director Samantha Feyerabend-Muljat comments on her creative approach:
"Since the band wanted to avoid a literal interpretation of the lyrics, I aimed to translate the emotional baggage into a tense, psychological mystery."

Emotional and captivating, the soundscape of "Hole" contains a dream-like atmosphere. The instrumental and vocals layers across the track are enveloping and immersive; they shut out the external world allowing one to become lost in their internal thoughts.

The band's debut self-titled album, Datura Lodge, is scheduled for release later this year via ARQUEN Records. 

Datura Lodge was produced by DATURA LODGE and Ben Karas. Tracks 1-5 were recorded at Frightbox Recording in Passaic, NJ, while tracks 6-9 were recorded at Frost Gauntlet Recording in Lyndhurst, NJ, all with engineer Ben Karas who mixed the album. The release was mastered by Andy VanDette at Evolve Mastering. The cover artwork for Datura Lodge was created by Samantha Feyerabend-Muljat.

Across the album, DATURA LODGE is joined by Adam Holzman on keyboards and Russell Holzman performing drums, with Ben Karas lending violin to "Stone". 

About DATURA LODGE:

DATURA LODGE is the latest musical endeavor from Nicky B and “W". Based out of Bergen County, New Jersey, USA, the duo has been performing music together since their early teens. From taking to stages locally in cover bands to releasing a video performing “Starless” by KING CRIMSON with John Wetton that amassed over 350,000 views on YouTube, the duo brings an array of experiences into their new project. 

Musical inspiration is primarily drawn from legendary progressive rock acts including GENESIS, KING CRIMSON, THE MARS VOLTA, and RUSH. DATURA LODGE strives to inject approachability into their sound while delivering hard-hitting hooks. Taking a bold creative direction, the band incorporates unexpected twists and turns across their tracks.


DATURA LODGE Is:

Nicky B - bass, vocals
“W” - guitar, vocals

Connect With DATURA LODGE:

Facebook: https://www.facebook.com/daturalodge
Instagram: https://www.instagram.com/daturalodge
Threads: https://www.threads.com/@daturalodge
Twitter/X: https://x.com/daturalodge
YouTube: https://www.youtube.com/@daturalodge
TikTok: https://www.tiktok.com/@daturalodge

Glam Rock Star BOBBIE DAZZLE Unveils New Single "Wonder" + Official Video

BOBBIE DAZZLE, the catsuit-sporting queen of UK Glam Rock, is proud to unveil her new single, "Wonder," taken from her upcoming sophomore album, ‘Star Power,’ set for release on October 2nd via Rise Above Records. The new track arrives alongside an official video.

Watch the Official Video for "Wonder" Below:

Since the release of her debut, BOBBIE DAZZLE has rapidly established herself as one of the most distinctive new voices in UK Glam Rock, sharing stages with legendary artists including Alice Cooper, Sweet, Lita Ford and Thunder’s Luke Morley, as well as appearing at London’s Hyde Park with Jeff Lynne’s ELO. Along the way, the artist born Siân Greenaway has transformed her flamboyant alter ego into a fully realized musical world built on infectious melodies, theatricality, dazzling musicianship and unapologetic fun.

Now, BOBBIE DAZZLE channels that whirlwind experience into ‘Star Power,’ an album that expands upon the sonic and visual identity established on ‘Fandabidozi’ while introducing a little more grit and bite. The eleven-song collection was overwhelmingly written by BOBBIEand keyboardist Chris Dando and was recorded in the same studio as her debut, creating a natural connection between the two records.

Star Power' features several notable collaborations. Former Runaways guitarist Lita Ford contributes a blazing guitar solo to the closing track, "Feel It Too," while Pendulum’s Gareth McGrillen co-wrote and plays bass on "Snakes And Ladders," bringing an unexpected connection between BOBBIE’s glam rock world and the electronic intensity of drum & bass.

Throughout ‘Star Power,’ BOBBIE’s love of classic rock, glam, progressive rock and theatrical songwriting remains at the forefront. The album’s opening title-track picks up where‘Fandabidozi’ left off, while songs such as "Jack Rabbit" showcase her willingness to embrace the grand, elaborate arrangements of her influences. Her signature flute playing also remains an integral part of the sound, adding another dimension to an album that refuses to be confined to a single era or genre.

Chris Dando once again plays a key role in shaping the BOBBIE DAZZLE sound, particularly through his intricate stacked vocal harmonies, while guitarist Ash Baker and bassist Leon Smith, both members of her live band, contribute throughout the record and to its production.

At its core, ‘Star Power’ is an album about joy, escapism and the power of music to provide a world away from everyday struggles.

Better Noise Signs Death Valley Dreams // Band Shares Cover of Chris Isaak's Melancholy Classic "Wicked Game"

BETTER NOISE MUSIC is pleased to welcome the ever-enigmatic DEATH VALLEY DREAMS to the label's roster. The band serves up a cocktail of brooding rock, atmospheric vibes, neo-new wave synths, and gloomy guitars. Indeed, Death Valley Dreams are a master class in gloriously melancholic music — they provide the soundtrack for nyctophiles.

Siphoning influence from '80s pioneers The Cure, Depeche Mode, Bauhaus, and Echo & The Bunnymen, as well as early '00s torchbearers The Killers, and Interpol while appealing to fans of newer acts like Nation of Language and Boy Harsher, Death Valley Dreams are magnets for those who prefer the darker side of life.

Lexie Viklund, Director of A&R, says, "Death Valley Dreams brings an exciting new dimension to the Better Noise roster. With a group of seasoned professionals coming together to pursue their shared passion for music, the possibilities are truly endless. We couldn't be more excited to welcome them to the Better Noise family."

Alongside the signing news, the band has shared its cover of Chris Isaak's elegiac "Wicked Game." They've added their own slow-burning spin to this haunting classic. 

Watch the video Below:

The cover is an inspired choice for Death Valley Dreams, whose own music thrives in the same space between darkness, desire, melancholy, and tension. Shimmering guitars, pulsing textures, and an intoxicating sense of suspense amplify the song's underlying ache, turning a familiar classic into something seductive, modern, and unmistakably their own.

There's an undeniable nocturnal quality to Death Valley Dreams’ rendition: Unsettling yet beautiful, like stumbling into a tantalizing late-night scene from a Quentin Tarantino film where you know something dangerous is about to happen. The song feels drenched in neon, shadows, desire, and mystery, capturing the magnetic pull of the original while heightening its cinematic allure. Rather than simply recreating "Wicked Game," DEATH VALLEY DREAMS tap into what made the song so enduring and reimagines it through their own dark-alternative lens.

"It's one of those songs that’s just hauntingly beautiful and dark," offers the band's singer and keyboardist. "I've always gravitated toward that kind of mood, and ‘Wicked Game' has always been one of those songs that stuck with me. It fits the world we've built as a band so naturally that it just made sense to take our own approach to it."

Fans of rock new and old can catch on the road this fall with The Rasmus and Saint Agnes. These September dates offer the perfect chance to experience DEATH VALLEY DREAMS in their element — after dark, surrounded by a room full of people discovering a band that feels destined for much bigger stages. All dates are below.

DEATH VALLEY DREAMS ON TOUR:
WITH THE RASMUS + SAINT AGNES:

9/6 — Chicago, IL — Bottom Lounge

9/8 — Toronto, ON — The Opera House

9/9 — Montreal, QC — Le Studio TD

9/10 — Allston, MA — Brighton Music Hall

9/11 — Quebec City, QC — Salle Montaigne

9/13 — New York, NY — Racket

9/14 — Philadelphia, PA — Union Transfer

9/16 — Flint, MI — The Machine Shop

9/17 — Louisville, KY — Louder Than Life Festival

9/19 — Minneapolis, MN — Varsity Theater

9/20 — St. Louis, MO — Delmar Hall

9/22 — Hidalgo, TX — Payne Arena

9/23 — Dallas, TX — The Studio at The Bomb Factory

9/24 — Houston, TX — Bad Astronaut

9/25 — Austin, TX — Come and Take It Live

9/27 — Englewood, CO — Gothic Theatre

9/28 — Salt Lake City, UT — The Grand at The Complex

9/29 — Grand Junction, CO — Mesa Theater

10/1 — Portland, OR — Hawthorne Theatre

10/2 — Boise, ID — The Shrine Social Club

10/3 — Seattle, WA — El Corazon

10/4 — Vancouver, BC — Rickshaw Theatre

10/6 — Sacramento, CA — Ace of Spades

10/7 — Reno, NV — Cargo Concert Hall

10/8 — San Francisco, CA — August Hall

10/11 — San Diego, CA — House of Blues

10/12 — Los Angeles, CA — The Regent Theater

LANIE GARDNER RELEASES FADED POLAROIDS (DELUXE) VIA BBR MUSIC GROUP/BMG NASHVILLE

Lanie Gardner releases Faded Polaroids (Deluxe) today via BBR Music Group/BMG Nashville, adding three new songs to the collection she released in 2025. Featuring “You Ain't My Daddy,” “Bye Bye,” and “Say It Sober,” the 21-track project brings resolution to a deeply personal chapter for Gardner while offering a glimpse at the woman and artist she's becoming. Listen to Faded Polaroids (Deluxe) below.

For Gardner, Faded Polaroids was always about more than a collection of songs. The album captured the lessons, heartbreaks and growing pains of her early twenties, but she felt the story needed one final chapter before she could move forward. The three new songs offer that resolution, reflecting the perspective Gardner gained after living through the experiences that shaped the original album.

 “This project captures the lessons, heartbreaks, and growing pains of my early twenties while reflecting my desire to keep pushing the boundaries of country music,” Lanie shared. “Faded Polaroids (Deluxe) reveals, specifically, more of the woman I've become after living through those experiences and carrying the wisdom they left behind.”

The three new songs were written and recorded with Kristian Bush, who Gardner credits with helping bring her vision to life while allowing her to remain at the center of the creative process. Working without phones, distractions or outside comparisons, the pair and their team focused on building a world around the songs that felt entirely their own. The result is a collection that continues Gardner's genre-blurring approach while giving her room to explore a more evolved perspective.

At the center of the new collection is “Say It Sober,” which offers a more reflective side of Gardner following the unapologetic energy of “You Ain't My Daddy.” The track serves as another piece of the story Gardner wanted to finish telling before turning the page on the Faded Polaroids era.

Earlier this summer, Gardner gave fans the opportunity to choose which of the three new songs they wanted to hear first, with “You Ain't My Daddy” ultimately earning the most votes. The response reinforced the connection Gardner has built with an audience that sees itself in her honesty and independence. As she puts it, “The girls aren't taking the backseat anymore!” The song's message of supporting women rather than controlling them resonated not only with her female fans, but with listeners who connected to the idea. 

Now, as Gardner brings Faded Polaroids to the road, the deluxe edition marks both an ending and a beginning. She recently wrapped select dates with Jordan Davis, continues Luke Bryan's “Word On The Street Tour”into the fall before joining Ty Myers. With the final chapter of Faded Polaroids now complete, Gardner is carrying its lessons forward while leaving behind the parts of herself that no longer fit.

KEEP UP WITH LANIE GARDNER

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

ABOUT LANIE GARDNER:
Hailing from the Appalachian Mountains of North Carolina, Lanie Gardner has quickly established herself as one of country music’s most distinctive new voices, blending the storytelling heart of country with the grit of rock, the soul of blues and the hooks of pop. She first captured global attention with her viral cover of Fleetwood Mac’s “Dreams,” which has amassed more than 100 million views and helped launch her career. Since then, she has been named a 2025 Artist to Watch by the Recording Academy and Amazon Music, an Apple Music Riser of the Month, a member of CMT’s Next Women of Country: Class of 2025 and a SiriusXM Highway Find. Gardner made her Grand Ole Opry debut in 2025 and has performed everywhere from Stagecoach to TODAY, while sharing the stage with artists including Luke Bryan, Jason Aldean, Jelly Roll, Ty Myers, the Jonas Brothers, Cody Johnson and ZZ Ward. Her songwriting has also led to collaborations with Thomas Rhett, Warren Zeiders and Dorothy, with “What Could Go Right” reaching No. 1 on SiriusXM’s The Highway. Released in 2025, Faded Polaroids introduced listeners to Gardner’s most personal collection of songs to date. Now, Faded Polaroids (Deluxe) expands that story with three new tracks, continuing to explore the experiences and emotions that have shaped Gardner both personally and creatively.

Gavin Adcock’s Latest Release is “One Hell Of A Steal;” Listen Now

Georgia native Gavin Adcock is continuing his release streak, today sharing the eighth of 26 songs off his upcoming album, The Day I Hang It Up. Written by Adcock, Luke Laird, Jack Hummel and Chase McDaniel, “One Hell Of A Steal” is available everywhere now. Listen Below. 
 
“‘One Hell Of A Steal’ is for that buddy who swears he’s going to be single forever, and then finds a girl who changes everything,” Adcock shares. “I think a lot of people can relate to this one – or know someone who can.”

“One Hell Of A Steal” is Adcock’s latest release in a flurry of instant grat songs from the album, including “Workin’ Man,” “Having One Now,” “Anymore” and “Shoes,” marking five consecutive weeks of new music. “Shoes” left Country Central remarking, “unfortunately for the haters, he has done it again.”
 
American Songwriter has dubbed Adcock a “modern-day outlaw,” while Music Row Magazine hails his “rowdy, high-octane performance” —a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
In addition to the standard CD/Vinyl, The Day I Hang It Up limited edition exclusive bone-colored vinyl is now available for pre-order. Built for the die-hards, this exclusive two LP is pressed on raw, bone-colored wax and wrapped in a killer limited-edition alternate cover. To cap it off, every copy drops with a custom 12x12 insert hand-signed by Adcock himself.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026
Sep 11 || Cleveland, Ohio || Jacobs Pavilion # ^                     
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !

PARMALEE RELEASES NEW TRACK “MEET MY MAKER”

Six time #1 hitmakers Parmalee release their latest song, “Meet My Maker.” Written by Matt Thomas, David Fanning, Andrew DeRoberts, Taylor Phillips and Andy Albert, the catchy love song shows appreciation for God sending the perfect person to one’s life and gives thanks to the Maker. Recently earning the longest-running number one by a band in nearly 14 years on the Billboard Country Airplay chart, Parmalee’s current single, “God Knew Better,” is currently climbing the country charts. Listen to “Meet My Maker” Below. 

“We’re excited to release ‘Meet My Maker,’ a song about thanking the Man Upstairs for creating the person you’re with,” says Matt Thomas. “At its heart, it’s about love, faith, and being grateful for the person standing beside you.”

Parmalee is currently on tour:
9/5 Bedford, TX - Bedford Beats and Eats Fest
9/11 Chittenango, NY - The Haven of The Wild – Chittenango, NY
9/12 Norwalk, CT - Norwalk Oyster Festival
10/4 Doswell, VA - State Fair of Virginia
10/10 Palmyra, MO - Marion County Fairgrounds
10/16 Cave Creek, AZ - Harold’s Cave Creek Corral
11/13 Indianapolis, IN - 8 Seconds Saloon

KEEP UP WITH PARMALEE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Fight From Within Release New Single “The End of My Rope” ​

Upstate New York metalcore/hardcore band Fight From Within are back with their latest single, “The End of My Rope,” available now via Arson Theory. Produced by Daniel Thabet of Liquid Studios, the new track marks a new chapter for the band as they continue to sharpen their aggressive blend of metalcore, hardcore, and beatdown while expanding their reach with a newly announced run of dates supporting Tallah.

“The End of My Rope” captures Fight From Within at their most intense, delivering crushing heaviness, relentless energy, and the raw emotional urgency that has become central to the band's sound. Built for the pit but rooted in genuine frustration and perseverance, the track showcases a band continuing to push their sound forward without sacrificing the aggression that brought them together.

Alongside the new single, Fight From Within have announced “The Absence of Good Tour,” a tour supporting Tallah that will bring the band’s high-impact live show to stages across the country.

The new era also comes with a change behind the scenes, as Fight From Within are now under the management of Eric Ellis, formerly of Bury Your Dead. Ellis' experience within the heavy music community brings a new level of momentum as the band prepares to take “The End of My Rope” on the road and introduce Fight From Within to an even wider audience.

“The End of My Rope” is available now on all major streaming platforms.

Listen to The End of My Rope:

https://arsontheory.vyd.co/TheEndOfMyRope

WATCH the Lyric Video for "The End of My Rope Below:

FIGHT FROM WITHIN ON TOUR:

“The Absence of Good Tour” supporting Tallah

10-15 MILLERSVILLE, PA - PHANTOM POWER

10-16 HUNTINGTON, WV - JERK'S
10-17 ASHEVILLE, NC • SLY GROG LOUNGE
10-18 KNOXVILLE, TN- KARNS EVENT CENTER
1O-20 CLEVELAND, OH - FOUNDRY CONCERT CLUB
10-21 COLUMBUS, OH - SPACEBAR
10-22 EVANSVILLE, IN - SIX STRINGS ON FRANKLIN
10-23 CHATTANOOGA, TN - THE EDGE
10-24 ATLANTA, GA - 529 EAV
10-25 JACKSONVILLE, EL- THE ALBATROSS
10-27 GREENSBORO, NC - HANGAR 1819
10-28 VA BEACH, VA - SCANDALS LIVE
10-29 SALISBURY, MD - LURKING CLASS
10-30 ELMWOOD PARK, NJ - BLVD BAR & GRILL
1O-31 MANCHESTER, NH - BUNGALOW BAR

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration to Louder Than Life. The band headed into 2027 like a freight train — all gas, no brakes.

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

Victoriana Infused Electronic Metal Duo CODEX LOVELACE Release Album 'Galvanized Heart' With Video For "The Corps"

CODEX LOVELACE present the debut full-length Galvanized Heart. With a shared love of Victoriana, history, and a bit of cyber punk, CODEX LOVELACE, led by Joan Avant and Holly Royle (DISCONNECTED SOULS), fuses dark EDM with metal. The album release arrives alongside a new video for "The Corps". 

"The Corps" lifts the curtain on the darker side of entertainment. This song is about Les Petits Rats (little rats) who were corps ballet dancers in the nineteenth century and they were expected to prostitute themselves to certain patrons of the ballet. These are the girls in the shadows in Edgar Degas’ paintings being watched by lurking men.  

With high energy and eerie changing moods, "The Corps" delivers rhythmic intensity across electronics and metal instruments. Seductive lyrics and enthralling moments are met with a thunderous and shadowy quality revealing the sinister aspects beneath. 

Order Galvanized Heart HERE: https://codexlovelace.bandcamp.com/album/galvanized-heart

About CODEX LOVELACE:
Devised from a shared love of Victoriana, fantasy and admiration for history’s ‘invisible’ women, CODEX LOVELACE is an eclectic project led by Joan Avant and Holly Royle (DISCONNECTED SOULS). 

The band’s name is a direct reference to Ada Lovelace whose story, among others, is explored across the music and lyrics of their debut album, Galvanized Heart. Musically, the thunderous power of heavy metal, ethereal quality of orchestral arrangements and ambience of electronic textures become entwined across CODEX LOVELACE’s sound. 

The project arose from what was initially intended to be a sole collaboration song between Texas, US, based Joan Avant and Chester, UK, based Holly Royle. Before long, the scope of their creativity grew into a full-length offering. 

Produced by Joan Avant, the track list contains compositions spearheaded by both members demonstrating a wide breadth of genre and style influences from EDM to djent guitars. At the core, CODEX LOVELACE is designed to combine catchy simplicity, dance quality with intriguing textural layers, emotive soundscapes and stories of lives often overlooked. The debut album Galvanized Heart is scheduled to arrive on September 4th, 2026. 
 

CODEX LOVELACE is: 
Joan Avant: multi-instrumentalist, vocalist, composer & lyricist, producer. 
Holly Royle: multi-instrumentalist, vocalist, composer & lyricist.

Album Credits:
Guitar performance, bass, violin, drums, synth programming, vocal performance, composition and lyrics by Joan Avant
Guitar performance, synth programming, vocal performance, composition and lyrics by Holly Royle
Produced and mixed by Joan Avant
Mastered by Andy Fernihough
Cover artwork by Marisol Maerz
Photography by Tom Lloyd Photography / Joan Avant


Links:
Instagram: https://www.instagram.com/codex_lovelace/
YouTube: http://www.youtube.com/@CodexLovelace
Bandcamp: https://codexlovelace.bandcamp.com

156/Silence Unleashes New Album 'From A Distance' and Release Album Title Track Featuring Alex Reade of Make Them Su

It's a great day for 156/Silence fans! Today, the Pittsburgh, Pennsylvania atmospheric metalcore powerhouse has released their new album 'From A Distance' via Pure Noise Records. 'From A Distance' is the quintet's sixth full-length and their most recent album release since 2024's critically acclaimed 'People Watching'. In celebration of today's news, the band has dropped the official music video for the album title track "From A Distance" featuring the inimitable Alex Reade of Make Them Suffer, who also appears in the video. When asked about the inspiration behind the song, the band shared:

"Love. Love is the most important thing in the world no matter what. Through all the bad and evil, there will always be more good. Even if it’s from a distance, the love we share is worth more than anything."

'From A Distance' is available now on all streaming platforms at the link here.                                                   Watch the "From A Distance (ft. Alex Reade)" music video below.

Having recently wrapped the 'It's Not You, It's Me' tour with Chiodos just last week, 156/Silence will next kick off their 'From A Distance'US headlining tour with Aviana, Heavensgate, and Fromjoy as support. The 20-date headlining run begins next Wednesday, September 9, in Worcester, Massachusetts, and concludes in the band's hometown of Pittsburgh, Pennsylvania, on Saturday, October 3. During the headliner, the band will also be bringing the heat at this year's Louder Than Life festival on Sunday, September 20. Never ones to rest on their laurels, 156/Silence will then cross the pond to hit the road on the EU/UK Flowers Tour with The Devil Wears Prada in October, and kick off the new year touring Australia alongside Thrown in February 2027. Dates are already selling out, so be sure to get your tickets at the link here before it's too late.

'From A Distance Tour' US Headlining Dates with Aviana, Heavensgate & Fromjoy:

Wed Sep 9 - Worcester, MA @ Palladium Upstairs - Sold Out

Thu Sep 10 - Brooklyn, NY @ The Meadows - Selling Fast

Fri Sep 11 - Philadelphia, PA @ The Foundry @ The Fillmore - Sold Out

Sat Sep 12 - Baltimore, MD @ Soundstage - Selling Fast

Sun Sep 13 - Richmond, VA @ Canal Club - Selling Fast

Tue Sep 15 - Durham, NC @ Motorco Music Hall - Selling Fast

Wed Sep 16 - Atlanta, GA @ Terminal West

Thu Sep 17 - Winter Park, FL @ The Conduit - Sold Out

Fri Sep 18 - Jacksonville, FL @ Albatross

Sat Sep 19 - Greenville, SC @ Radio Room - Selling Fast

Tue Sep 22 - Dallas, TX @ Puzzles Deep Ellum - Selling Fast

Wed Sep 23 - San Antonio, TX @ The Rock Box

Fri Sep 25 - Mesa, AZ @ Rosetta Room - Sold Out

Sat Sep 26 - Santa Ana, CA @ The Observatory - Selling Fast

Sun Sep 27 - Sacramento, CA @ Goldfield Trading Post - Selling Fast

Tue Sep 29 - Denver, CO @ Marquis Theater - Sold Out

Wed Sep 30 - Kansas City, MO @ RecordBar - Selling Fast

Thu Oct 01 - Chicago, IL @ Reggies Rock Club - Selling Fast

Fri Oct 02 - Detroit, MI @ TSDMAAC (Sanctuary) - Selling Fast

Sat Oct 03 - Pittsburgh, PA @ Preserving - Selling Fast

Louder Than Life Festival 2026

Sep 20 — Louisville, KY — Kentucky Expo Center

EU/UK Flowers Tour Dates with The Devil Wears Prada, Novelists and Oversize:

Oct 7 - Munchen, DE @ Backstage - Low Tickets

Oct 8 - Wiesbaden, DE @ Schlachthof

Oct 9 - Hamburg, DE @ Docks

Oct 10 - Eindhoven, NL @ Effenar

Oct 12 - Vienna, AT @ Simm City - Low Tickets

Oct 13 - Leipzig, DE @ Felsenkeller

Oct 14 - Prague, CZ @ Archa+

Oct 16 - Cologne, DE @ E-Werk - Low Tickets

Oct 17 - Antwerp, BE @ Zappa

Oct 18 - Paris, FR @ Élysée Montmartre - Low Tickets

Oct 20 - Bristol, UK @ Electric

Oct 21 - Leeds, UK @ Project House

Oct 23 - London, UK @ Electric Brixton

Oct 24 - Manchester, UK @ New Century Hall - Low Tickets

Oct 25 - Birmingham, UK @ Institute 1

AU Tour Dates with Thrown, Boundaries and Volatile Ways:

Feb 3 - Perth, AU @ Freo Social

Feb 5 - Adelaide, AU @ The Gov - Final Tickets

Feb 7 - Melbourne, AU @ Forum - Final Tickets

Feb 10 - Canberra, AU @ UC Hub

Feb 11 - Sydney, AU @ Liberty Hall - Final Tickets

Feb 12 - Newcastle, AU @ King St Bandroom

Feb 13 - Brisbane, AU @ The Tivoli - Final Tickets

ABOUT 156/SILENCE

156/Silence makes intense, foreboding, and haunting music. Their songs are cinematic, blending brutality with intellect. They draw on real and imagined terror, all woven into melody and power. Vocalist and lyricist Jack Murray, guitarist and primary songwriter Jimmy Howell, guitarist Ryan Wilkinson, drummer Kyle O’Connell, and bassist Mike Ernst form a formidable unit, forged through shared passions and losses since the band’s earliest incarnation first formed in Pittsburgh in 2015. 

2024’s crowd pleaser, People Watching, was a watershed moment, boasting breakout anthems “Better Written Villain” and “Character Development (Cold Start).” Distorted Sound wrote, “There is enough in the band’s repertoire to not only keep you entertained but also keep you guessing.”

From a Distance, its spiritual sequel and the band’s first album with Pure Noise Records, ups the ante with gut-wrenching depth and atmosphere. Their sixth album is dark and ponderous yet triumphantly self-assured. (It follows the devastating standalone single “Our Parting Ways,” released in 2025 in loving tribute to longtime bassist Lukas Booker, who passed away unexpectedly earlier that year.)

The group’s reputation as a live force of nature was earned on the road, where they deliver audience connection and sonic devastation while touring with the likes of The Devil Wears Prada, Chiodos, Fit For A King, Counterparts, Silent Planet, and The Acacia Strain, among other contemporaries. 

Produced by Josh Schroeder (King 810, Lorna Shore, The Plot In You), From a Distance finds 156/Silence heavy as hell, while leaning into atmosphere, mood, and emotional impact even harder. The group reverently namechecks classic game scores like Resident Evil and Silent Hill, and the heady concepts of prestige TV like Twin Peaks (a sample from Apple TV’s Severance opens the album). 

Murray’s lyrics remain keenly observational, personal, and incisive. From a Distance serves as a bold thematic companion to its predecessor. While earlier records often documented tension at close range, From a Distance observes from a wider vantage point, examining social behavior, celebrity worship, intrusive thoughts, and interpersonal connection with steely focus. 

That authenticity is crucial to the band’s ever-growing audience.  

No two 156/Silence albums are alike, from the unhinged frenetic chaos of Undercover Scumbag (2018) to the gloriously savage and technical Irrational Pull (2020), which Metal Hammer likened to Converge and Botch. The diverse ruminations found in Narrative(2022) took things even further. BrooklynVegan called that album “bolder and richer” and “an exciting step forward for [the] band.” 

People Watching continued the prolific outfit’s tradition of steadfast evolution and innovation. Revolver praised the dark melodic edge of the Animal Farm-inspired “Better Written Villain,” declaring, “156/Silence may have just penned an instant classic of their own canon.” 

As Howell points out, they’d never really tried singing choruses and hooks prior to People Watching. “It went so well that we decided to double down on that.” From a Distance also features guest appearances from some formidable vocalists: Mike Hranica of The Devil Wears Prada, Alex Reade of Make Them Suffer, and Tony Castrati of Crippling Alcoholism. It also cranks up the soundscapes. 

“I look toward bands we love that grew with their listeners, like Thrice and Bring Me The Horizon,” Howell says of their continuing creative mission. “They have a sound, but they grow and change. Some bands are comfortable repeating the same thing again. I don’t want to do that. I want to make you feel the way you do when you hear one of those important bands, without sounding like them.”

Murray describes the title track as “a love song” and “probably the most Twin Peaks-inspired song.”

From a Distance cuts deeper into People Watching’s lyrical heart. “Proxy Idols” tackles celebrity worship. “Order & Entropy”contemplates maintaining focus amid the utter devastation of things falling apart. “Swept from Under (Call of the Void)” sees Murraywrestling with intrusive thoughts. “They tell you to hurt yourself, even when you don’t feel bad,” he says. “It’s just the ever-looming shadow of weird and intrusive thoughts, and negativity, of just being swept from under by the void.” 

From straightforward hard rock to synth-heavy experimentation and all the way back to the band’s deadly mathcore roots, 156/Silencehave established themselves as unbound by any genre limitation. 

“We could go anywhere now, and that’s the goal,” Howell says. “Nothing is ever off the table.” 

BEHEMOTH - Unleash New Single & Video 'In League With Satan' + New Release "I, Scvlptor" Out Now!

Polish extreme metal legends, BEHEMOTH, unleash 'In League with Satan', the second single from their new studio release, I, Scvlptor, which is out today via Nuclear Blast Records (digitally) and Massacre Records (physically). The music video for 'In League with Satan' was produced by the acclaimed Polish production collective Grupa 13. The song and the video feature very special guest, Shagrath of Dimmu Borgir.

Nergal commented on the new single:
 
“When we were looking for a name for our tour with Dimmu Borgir, I thought it would be great to use a timeless slogan and basically quote the gods of satanic rock’n’roll — Venom and “In League with Satan” perfectly fit my vision. I honestly don’t remember what came first — the idea for the tour name or the idea of recording the song itself. What matters is that we recorded it on seven-string guitars with Shagrath from Dimmu as a guest vocalist. The song gained a massive weight and a completely new dimension. We’re planning to play it live and I think our version turned into something truly powerful.”

Stream I, Scvlptor in full: 
https://behemoth.bfan.link/i-scvlptor

Purchase the physical edition of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor
(all vinyl variants, cassettes and bundles sold out)

Watch the music video for 'In League With Satan' Below:

'I, Scvlptor', which is out today, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

Artwork: Bartek Rogalewicz/ LODGE.BLACK

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  

IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
17 Oct – London, UK – O2 Brixton Academy
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek 
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

AIRBOURNE’S New Self-Titled Album Out Today: A “Big, Bombastic” Blast Of Pure Aussie Thunder

AIRBOURNE’s NEW self-titled studio album, out today, September 4th, is a true rock ‘n’ roll tale of no compromise, no sleep and still no ballads (or bullshit); a story fuelled by the riveted will of four musicians, brothers Joel & Ryan O’Keeffe, ably supported by Justin Street & Brett Tyrrell, to create a body of work that proudly offers a full 21 gun salute to hard rock’s glorious traditions, its heritage and its heartbeat, whilst keeping sights firmly trained on the road ahead.

To celebrate the album's release, the band has dropped their new video for the song 'Kid in a Candy Store.'

Watch the Video For 'Kid in a Candy Store' Below:

AIRBOURNE’s sixth studio album is the one that plants the flag deepest for everything the Aussie outfit stands for, their unwavering commitment to The Great Rock ‘n’ Roll Cause, leaving everything (apart from Lemmy’s Bar, of course) on the stage on a nightly basis.

“When I look up to the sky, rub the blood and sweat from my eyes

Hell, no, I ain't dead yet, as long as I can breathe, I can get…”  ‘Gutsy’

PRODUCED BY Brian Howes (who helmed 2013’s ‘Black Dog Barking’); engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’); mixed by Zakk Cervini (BMTH, Architects, Evanescence); and mastered by the legendary Ted Jensen, ‘Airbourne’ The Album is the statement, line in the sand recording that only one band could have made.

For staunch sons of Warrnambool, Joel & Ryan, here was the moment: to create not just the finest body of work in the Airbourne canon, but to raise the bar as high as possible in the name of the hard rock community; to seek out new turf, to protect the ground hard won by heroes past, some sadly fallen, and to both strengthen and celebrate the special, sacred bond with rock fans everywhere…

“Our aim from the start was to create something iconic, gargantuan,” states vocalist / guitarist Joel, “real blockbuster shit. It’s a rocket we’ve been building and building; we’ve filled it with fuel, now we’re ready to let it go.”

“We said, this is it, let’s make the oracle,” continues drummer Ryan, “and if we’re going to do it, no corner can be cut. All of the things we love most about rock‘n’roll are on this record. I firmly believe it’s our very best work…”

In order to embrace the mighty task, AIRBOURNE felt it wise to stay close to home, with Music Farm Studio in the “jungle” outside Byron Bay, South Eastern Australia, the chosen locale; not only does Music Farm host the original Neve console from Albert Studios in Sydney, the desk on which AC/DC, Rose Tattoo and The Angels recorded their classic early albums, but it’s also home to late AC/DC guitarist / founding member Malcolm Young’s eight-track Neve, and naturally both were put to full an’ fruitful use on the

AIRBOURNE sessions.

By choosing vintage gear (and recording to tape), these sessions were never going to be gremlin free, but as things turned out, technical issues were just a part of the story, with near cyclonic storms, deadly snakes and even deadlier super sized spiders (the fabled Big Boy!) adding to the list of perils. They say what doesn’t kill (or bite) you makes you stronger, and for musicians and studio team alike the overriding vision never blurred; nights around the fire pit were spent talking about the big, bold, bombastic albums they’d skipped their homework to listen to; those layered, beautifully crafted records, the recognised classics, that had made them rock fans in the first place…

Next stop, Hothouse Studios in Melbourne; here, all recording was completed alongside engineer / studio owner, Craig Harnath. Rounding things off at Hothouse was an easy choice to make; not only was it where the band had recorded their first EP, but the console, also a Neve, is from Alberts Studio 2, allowing the connection to prime rock history to be maintained.

The challenge was there. The game on.

‘Here She Comes’, one of the two Lange / Adams co-writes, the other being ‘Who Put The Rhythm In You?’, followed in late July, which brings us on a mighty wall of Eddie Van Halen inspired feedback to album focus track, ‘Bogotá’, complete with lashings of EVH ‘Frankenstein’ action, the first time Joel had wielded the instrument!

It’s surely impossible to be a guitarist and not realise the significance of EVH, who (along with Lemmy, Doc Neeson, John Bonham, Bon Scott, Little Richard, Malcolm Young & Ozzy) gets a hand on heart namecheck on album closer, ‘Send Me To Rock‘N’Roll Heaven’, the song that most clearly defines the album’s key themes of lifestyle and legacy; of artists being kept alive in the hearts and minds of fans; of the rock ‘n’ roll torch being passed from one generation to the next, the flame still burning…

‘When you play this riff, you give me back my hands

When you drop the needle, I'm back in the band…’  ‘Alive After Death (Last Plane Out)’

‘AIRBOURNE’. Made with passion. Made in Australia. The Great Barrier Riff.

Now officially out of its cage.

AIRBOURNE Shows with Guns N’ Roses, November / December 2026.

11/29: Adelaide, AU

12/2 Townsville, AU

12/5 Brisbane, AU

12/8 Newcastle, AU

12/11 Melbourne, AU

12/14 Sydney, AU

12/17 Auckland, NZ

California's Soft Science releases fifth album 'Sand', their most immersive record to date

Northern California quintet Soft Science returns with 'Sand', their fifth album, released via Shelflife Records in North America and Spinout Nuggets in the UK.. Building on the band’s signature mix of dream pop, post-punk, shoegaze, and darkwave, this record is both intimate and expansive - rooted in melody, atmosphere, and emotional depth. 

Across these 10 songs, the band pairs shimmering textures with renewed urgency, delivering a dynamic and immersive record that is unmistakably Soft Science. 'Sand' explores the fragile, cyclical nature of love, tracing how relationships can shift beneath our feet while still offering moments of clarity, devotion, hope, and renewal.

The singles 'Spinning', 'Understand' and 'Fade' pair propulsive energy with ethereal vocals and luminous guitars, finding beauty in moments that inevitably slip away. ‘Spinning’ captures the frustration of being caught in a loop of recurring conversations and patterns. ‘Understand’ delivers a buoyant, Lush-infused burst of hope rooted in the healing passage of time. ‘Fade’ shifts into a more intimate yet expansive space, pairing a classic four-on-the-floor pulse with dreamy vocals and reflective lyrics about memory, change, and connection. Together, they showcase the creative blend of layered harmonies, cascading guitars, electronic textures, and hook-filled melodies that define the sound of 'Sand'.

Lyrically, throughout 'Sand' runs a strong sense of being stuck in cycles: spinning, circling, repeating old patterns, trying to be heard, trying to understand what went wrong. But it’s not all bleak. The album strikes chords of tenderness and resilience, as evidenced by phrases like “there is hope for us,” “we find a way,” “let in the light” and “steady as we sway” - lyrics that create a push-pull dynamic between weariness and a stubborn belief that connection and perseverance can still produce a better tomorrow. 

Soft Science features Katie Haley (lead vocals, percussion), brothers Matt Levine (lead guitar) and Ross Levine (guitar, backing vocals), partners Tony Cale (drums) and Becky Cale (bass, backing vocals), along with frequent collaborator Hans Munz (electronics). Built around ethereal vocals, twin 12-string guitars, bass, drums and synthesizers, the band creates lush, transportive songs that balance melody, harmony, and rhythm. Praised by critics, Soft Science pairs gauzy textures with restless momentum, blending dream pop, shoegaze, and indie rock into a sound that is hypnotic, melodic, and emotionally direct.

Soft Science's latest album 'Lines' (2023) was preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with a split 7”with The Luxembourg Signal (2015) and The House of Love cover ‘I Don’t Know Why I Love You’ and a rendition of Northern Picture Library's ‘Paris’ (2018).

Critically acclaimed, Soft Science has done live sessions at KEXP, WFMU and Part-Time Punks, and performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest, Dreamgaze PDX, and other festivals across the USA. Soft Science was also highlighted on Sound Opinions’ “Shoegaze Genre Dissection” as one of the hosts’ recent genre favorites (August 21, 2026, Show 1082).

With 'Sand', Soft Science pushes further into the noisier edges of dream pop while preserving the hooks, texture and emotive resonance at the center of their work. Examining how love, memory and identity are shaped by change, they ask what it means to stay connected in an uncertain world. 'Sand' stands as the band's most focused, poignant collection to date. As Dagger Zine wrote, “Pop hooks bump up against heaving waves of sonic swirl and it all shimmers and shines in all the right places,” a fitting description of a group that continues to expand its sound without losing its melodic core.

'Sand' is out September 4 on CD and vinyl, with digital availability through major streaming and download platforms, including Spotify, Apple Music and Bandcamp

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at RedRedPaw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
Vinyl UPC code 759159696649 / CD UPC code 759159696656
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with Soft Science 
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Wage War Announce New Album "LANDFALL" Out 10/9 + Band Shares Title Track

Florida's WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — continue to absolutely dominate 2026. After releasing the It Calls Me By Name EP this past spring, the band is now pleased to announce the new album Landfall, out digitally October 9 via Fearless Records. Pre-order it here.

The band has shared the visualizer for the vicious title track. Watch and listen below. 

Opening with a foreboding emergency broadcast-style alarm before erupting in a bludgeoning riff, Wage War continue to indulge their heaviest side with "Landfall." It's a groove-heavy, guitar-forward anthem that sounds like... vengeance. The hellbound screams of Bond are punctuated by Quistad's melodic singing, making it a gloriously unpredictable listen. Wage War are at their heaviest and most melodic — EVER — with this track, as they continue to push their own boundaries. It's Wage War, but bigger, stronger, louder, and as impactful as ever.

"'Landfall' is a song about imminent danger and the realization that we aren't in control," Wage War offer. "Referencing our Florida roots, the hurricane imagery became a way of talking about that feeling of being completely at the mercy of something bigger than yourself. Musically, we wanted the verses to feel heavy and threatening, with the chorus being somber and inevitable."

Wage War will return to U.S. stages for a headline tour this fall, with We Came As Romans, Varials, and Cane Hill as support. The "Emergncy Broadcast" tour kicks off October 25 in San Antonio and runs through Novemebr 27 in Orlando in the band's native Florida. Get tickets here.

WAGE WAR ON TOUR:
WITH WE CAME AS ROMANS, VARIALS, + CANE HILL:
10/25 — San Antonio, TX — The Aztec Theatre
10/26 — Houston, TX — White Oak Music Hall
10/29 — Las Vegas, NV — House of Blues
10/30 — Tempe, AZ — Marquee Theatre
10/31 — Riverside, CA — Riverside Municipal Auditorium
11/2 — Albuquerque, NM — Revel Entertainment Center
11/3 — Oklahoma City, OK — Diamond Ballroom
11/4 — Kansas City, MO — Uptown Theater
11/6 — Madison, WI — The Sylvee
11/7 — St. Louis, MO — The Pageant
11/8 — Columbus, OH — KEMBA Live!
11/10 — Indianapolis, IN — Egyptian Room at Old National Centre
11/11 — Cincinnati, OH — The Andrew J Brady Music Center
11/13 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
11/14 — Sayreville, NJ — Starland Ballroom
11/16 — Toronto, ON — HISTORY
11/17 — Buffalo, NY — Buffalo RiverWorks
11/18 — Huntington, NY — The Paramount
11/20 — Silver Spring, MD — The Fillmore
11/21 — Philadelphia, PA — Franklin Music Hall
11/22 — Norfolk, VA — The NorVa
11/24 — Nashville, TN — Marathon Music Works
11/25 — Charlotte, NC — The Fillmore
11/27 — Orlando, FL — Hard Rock Live

HEY NOW RECORDS SIGNS KYLE SCHUESLER

HEY NOW Records hit the streets hard, delivering the first independent complete radio panel lock on a first week single with Kenny Chesney’s “Carry On.” That same passion has fueled more groundbreaking, record-shattering moments, including Chesney’s 100th charting single and elevating him to the country artist with the most Billboard Country Airplay Top 10 singles, alongside the most Billboard Country Airplay No. 1 singles.

“To follow that kind of momentum, we knew we would need a very special artist – and we have been in discussions with several songwriter-artists, performers with massive social media and/or live followings,” offers HEY NOW President & Co-Founder Kris Lamb. “But we couldn’t be more thrilled to announce our first signing being Kyle Schuesler, a West Coast-based roots-songwriter who has a way of wrapping his songs around emotions most people miss – but they’re the ones that really define our lives.”

Schuesler, a 22-year-old guitarist, vocalist and writer, makes good on the promise of Southern California’s Laurel, Coldwater and Topanga Canyon’s vast heritage. With the sweeping urgency, freedom and love of the moment that defined Buffalo Springfield, certain moments of the Byrds, the Burritos, The Beach Boys and Jackson Browne without ever becoming a reductive re-enactor, Schuesler’s music is stained as much by the foam on the waves as the cerulean skies and sun-burned roads rolling up the coastline from San Diego to San Francisco.

“People don’t really know what to call it: Indie? Alt-folk? Acoustic-pop? Coastal country? I’m not sure why people feel they need to label it instead of just listening and enjoying the music,” says the easy-going Huntington Beach, Californian. “The things I love don’t fit in boxes – Noah Kahan, The Lumineers, Zach Bryan – but they feel right when you hear them. That’s what drew me to HEY NOW, no one at the label cared what it was, as much as how much they loved these songs.”

Having signed to Liz Rose Music after releasing 12 individual singles on his own, Schuesler has been taking his writing to new heights and places. Always an introspective artist who’s unafraid of the vulnerable truths, he’s spent the last few months exploring the creative possibilities with Tom Douglas, Jaren Johnston, Ryan Hurd, Troy Cartwright, Joe Fox and Lauren McLamb while continuing to play shows around his native California and beyond, plus Austin’s South By Southwest, Coastal Country Jam and opening shows for Vance Joy, Alana Springsteen, Evan Honer, Jonah Kagen and Logan Crosby.

“Kyle has such a unique way of merging styles,” says Lamb. “It’s seamless, all these genres that people love as his own sound. As a vocalist, not only does his voice have a real warmth that draws you in, he can do things very few singers can. When he goes into a falsetto, you don’t realize how hard that is – and it’s the way he makes everything seem so easy that makes you want to keep listening.”

Continuing to write with some of Nashville’s most elite songwriters, current collaborators and on his own, he’s slated to enter the studio in the next few months. Look for music on HEY NOW in late 2026.

Kyle Schuesler signs with HEY NOW Records.
Front Row L to R: Kyle Schuesler and Kris Lamb (Co-Founder, President, HEY NOW Records)
Back Row L to R: John Esposito (Co-Founder, HEY NOW Records) and Clint Higham (Co-Founder, HEY NOW Records) | Photo Credit: Zach Wesner/HEY NOW Records

Liverpool stalwarts The Room explore the dark side of Modern Life on new ‘Doom Pop!’ album

Liverpool post-punk pioneers The Room present their third album 'Doom Pop!', released via 9x9 Records, as well as the video for the album focus track ‘The Room’. Inspired by the strange days in we are living through, ‘Doom Pop!’ explores the rise of authoritarianism, disinformation, war and paranoia. But it equally draws inspiration from science fiction, horror, and cinematic liminal spaces.

Recorded and mixed at Ark Studios in Liverpool, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"We aimed at shorter, sharper, more pop-oriented songs than on our previous album 'The Telling', which was a continuous story told in eleven songs without repetition or distinct choruses. The ‘pop’ element mainly harks back to the roots of our music, updating our original spiky, post-punk independent sound with Ethan Kyme’s keyboard stylings. Lyrically, it is a response to the current climate of emerging fascism and paranoia that increasingly colonizes all media," says Dave Jackson.

"While the songs ‘Drones’, ‘Drill, Baby, Drill’, ‘Continent of Lies’ and ‘Doom Patrol’concern the paranoia and destruction emanating from worldwide warmongers and oligarchs, other songs are influenced by a love of science fiction, horror and liminal spaces. ‘The Room’ is about the film 'Stalker' and a man who guides ‘tourists’ through a Zone corrupted by alien technology. ‘Temptation Harbour’ references three films by the late director Bela Tarr.

Earlier, the band shared the lead track 'Drill, Baby, Drill!' and 'Things Have Learnt to Walk that Ought to Crawl', an adrenaline-fueled blast of melodic post-punk driven by jangling guitars, relentless momentum, and distinctive drumming. In re-envisioning their 1982 cult classic, The Room revisits their roots, exploring themes that remain topical today, proving the enduring power of this music, 

'Doom Pop!' is The Room's third album with 9x9 Records, preceded by 'Restless Fate' (2023) and 'The Telling'(2024). This a collection of eleven hook-driven post-punk songs confronts the anxieties of modern life, balancing political urgency with imagination and nostalgia.

"'Things Have Learnt to Walk that Ought to Crawl' is a the only older song re-envisioned for this album, and one of only three 1980s songs by The Room to survive in our live set. We decided to re-record and release it as it fits neatly into our new repertoire with its exhilarating jangly forward thrust, and also highlights Clive Thomas’ unique drumming," says Dave Jackson.

‘No One Comes Here From The Town’ is a response to Shirley Jackson’s 'The Haunting Of Hill House', and ‘Trespassing’ attempts to sum up Dave Jackson’s unproduced science fiction screenplay 'Trespassing' in a 3-minute pop song, tangentially influenced by Dave Bowie’s ‘Drive In Saturday’.

In a lighter, nostalgic vein, ‘Magic Games’ tells the story of a child in his grandmother’s parlour in the early 1960s, while ‘Stories’ is about an inspirational oral storyteller who once said, “Stories told thrice become our possessions”.

Favourites of John Peel, The Room was formed by singer Dave Jackson and bassist Becky Stringer in 1979, during the golden years of northern English post-punk. Reforming in 2022 after disbanding in 1985, they are now joined by guitarist Darren Brown, keyboardist Ethan Kyme, and original drummer Clive Thomas. They have since performed at Shiiine On festival and Preston Pop Fest, and have toured or played with The Red Guitars, Blue Orchids, Trupa Trupa, and Estonia with Shelton San.

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984), aside from releasing three other albums ('Bitter Reaction' in 1980, 'Indoor Fireworks' in 1982 and 'Clear!' in 1983. Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP. 

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

As of September 4th, the 'Doom Pop!' album is out on CD and limited edition mixed eco-vinyl with both physical formats available in North America via Darla Records. It is also available digitally, including on Spotify, Apple Music and Bandcamp. 

CREDITS
Lyrics by Dave Jackson
Music written by The Room
Dave Jackson – vocals
Becky Stringer – bass
Darren Brown – guitar
Ethan Kyme – keyboards (and Theremin on Track 1)
Clive Thomas – drums on all songs (except 8 & 10) and backing vocals on Track 3
Tom McCabe – drums on Tracks 8 & 10
Helena Jacks – backing vocals on Track 7
Recorded & Mixed by Steve Powell at Ark Recording Studios, Liverpool
Produced by Dave Jackson and Steve Powell

Mastered by Pete Maher 

Cover artwork by Genevieve Baker
Video by Marco Cecere
Publicity by Shameless Promotion PR
 
LIVE SHOWS
SEPT 11 - Birkenhead Future Yard
SEPT 12 - London Aces & Eights
SEPT 26 - Liverpool 81 Renshaw Street
OCT. 9  -  Edinburgh Wee Red Bar
NOV 13 - London Dublin Castle


Keep up with The Room
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