Alt-Rock Quartet CORELLA Shares New Single "Bitter End" + Official Video

CORELLA have released their brand new single “Bitter End,” the latest song taken from their forthcoming second album ‘A Beautiful World To Lose,’ out on September 18th via FLG. “Bitter End” arrives alongside an official video, available below. 

“Bitter End” is a scorching indie rock track which is quick to take no prisoners, tearing out the blocks in a frenzy of distortion and pounding drums, while frontman Joel Smith plays rock ‘n’ roll ringmaster with his lyrical snarl taking aim at the circus of life and the rat race for success. 

CORELLA debuted the new single live to a rabid reaction from fans on their whistlestop headline tour across the North of England last week. Performing packed to the rafters shows at six sweaty intimate venues, they unleashed a number of tracks from ‘A Beautiful World To Lose’ live for the first time to chaotic scenes as displayed in the video for “Bitter End.” 

Regarding the single, Joel says:

‘Bitter End’ captures that restless drive to chase something bigger, exploring the highs, chaos, and obsession that come with wanting more out of life. It plays with the idea of the modern dream; success, excess, and the determination to keep pushing no matter the cost.” 

Watch the Official Video for "Bitter End"

Produced by Grammy-winning Jason Perry (The Molotovs, McFly, Don Broco), ‘A Beautiful World To Lose’ finds the rapidly rising Manchester band performing with a new ferocity and sense of purpose. They have taken their formative indie influences and honed them into something new and razor-sharp. 

 

From searing riffs and snarled lyrics in “Rewire,” to bold vulnerability in “Lost A Friend,”alongside huge uplifting anthems such as found in “Simple Life,” ‘A Beautiful World To Lose’ buzzes with energy, while taking their songwriting and musicianship to grand new heights. The themes cover loss, heartbreak and disillusionment, tracking a generation’s frustration and apathy over the things that are out of their control. 

 

With a wealth of support for the band coming across Radio 1, Radio X and BBC Introducing, while also clocking up over 70 million streams since the release of the debut album, CORELLAhave ignited a following which has led to numerous capacity headline tours across the UK and Europe, main stage performances at festivals including Reading & Leeds, while also touring with the likes of Kaiser Chiefs, Pale Waves, Circa Waves and The Wombats

Pre-Order 'A Beautiful World To Lose' HERE

DEVIL’S CUT RELEASE NEW VIDEO FOR TRACK “IF I LEAVE”

DEVIL’S CUT release the official video for “If I Leave,” a hard-hitting standout from the band’s debut album, ROADKILL. Blending bruised-heart honesty with whiskey-soaked heaviness, the track finds vocalist Trey Landrum wrestling with self-doubt, regret, and the fear of losing someone before they walk away first. 

The video was directed by Zabb (Sicko, the Bloodclown, Black Metal: The Ultimate Documentary). Watch it below:

Devil’s Cut have dubbed their sound “Mossy Oak metal,” a tongue-in-cheek tribute to their Louisville, KY roots, where crushing riffs, stomping grooves, and hard-rock aggression collide with infectious country-twang melodies and unapologetic Southern identity. Equal parts dive bar and mosh pit, the band proudly wear their roots on their sleeves: Dolly and Dale tees, camo hats, NASCAR jackets, muddy trucks, cold beers, bonfires, and neon-lit nights all factor into the world they’ve built. 

Devil’s Cut will be spending much of 2026 on the road in support of their album ROADKILL, winning yet more fans with their all-in-this-together, put-a-drink-up live show, including a tour with kindred spirits Alborn.

 Check out Devil’s Cut at any of the following tour stops:

6/05 Ironton, OH - Drift Days Music Festival
6/08 Lansing, MI - Mac’s Bar
6/11 Evansville, IN - Ray Leo’s
8/18 Memphis, TN -  Haven Haus
8/02 Warner Robins, GA - Reverb Room
8/21 Tampa, FL - Brass Mug
8/22 Sanford, FL - West End Trading Co
8/23 Jacksonville, FL - Eclipse
8/25 Myrtle Beach, SC - End Zone

 Get/Stream Roadkill HERE.

Connect with Devil's Cut"

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Half Me Release "Weather Eye"

With "Weather Eye," Half Me return with one of their most crushing and confrontational tracks to date.

The new single is a suffocating descent into manipulation, blind obedience, and the devastating consequences of placing faith in false idols. Blending relentless aggression with an atmosphere of looming dread, the Hamburg-based metalcore outfit once again prove why they have become one of Europe's most exciting heavy acts.

Lyrically, "Weather Eye" is a direct attack on systems of control and the figures who exploit fear, loyalty, and suffering for their own gain. Lines such as "These saints hold smoking guns" and "No one"s watching over you" dismantle the illusion of protection and expose the hypocrisy hidden behind authority, belief, and power. Throughout the song, feelings of apathy, hopelessness, and inner collapse collide with a growing sense of resistance, ultimately culminating in a violent rejection of those who seek to control others.

Musically, Half Me deliver exactly what fans have come to expect: punishing breakdowns, razor-sharp riffs, oppressive atmosphere, and explosive vocal performances that shift seamlessly between seething tension and outright fury. Every section of "Weather Eye" feels designed to ignite chaos, combining modern metalcore precision with the raw intensity that has become the band's trademark.

Since emerging as one of Germany's fastest-rising heavy exports, Half Me have built a reputation through relentless touring, acclaimed festival appearances, and a string of hard-hitting releases that have resonated far beyond their home country. Sharing stages with some of the biggest names in modern heavy music and steadily expanding their international audience, the band have established themselves as a formidable force within the new wave of European metalcore.

With "Weather Eye," Half Me channel rage, disillusionment, and defiance into a mosh-fueled anthem that refuses to offer comfort or false hope. Instead, the track forces listeners to confront uncomfortable truths, question the narratives they've been fed, and decide for themselves whether they 

HALF ME ARE:
Christopher Zühlke — Vocals
Christopher Hesse — Guitar
Silvan Petersen — Guitar
Tobias Max Sajons — Bass
Maximilian Eisersdorff — Drums

WME LOSERS LIVE's Roaring Return

WME once again kicked off CMA Fest Week with Losers Live, a free, two-night outdoor concert series at Losers Bar & Grill in Midtown. Losers Live featured an exciting mix of country icons, chart-toppers and rising stars on Monday, June 1 and Tuesday, June 2.
 
On Monday night, WME's Braxton Keith headlined the 2026 Losers Live series. Monday’s show also included Ava Hall, Cassidy Daniels, Dalton Davis and Rhett Akins. Rhett Akins brought Myles Morgan and Riley Green to the stage for two surprise performances. On Tuesday, June 2, the hits continued with a powerhouse lineup of country favorites, including A.R. Simmons, Abbie Callahan, Colby Lee Swift, Colton Dawson, Dawson Steagall, Deltona, Ethan Garner, Highway Home, Myles Morgan, Presley Barker, SJ McDonald, Spencer Hatcher, The Kruse Brothers, Timmy McKeever, Trey Pendley and Tyler Booth, in addition to a surprise performance by Jon Pardi.

Presented by WME in partnership with Losers Bar & Grill and Duck Blind, Losers Live offered fans a chance to see some of Country music’s best and brightest in an intimate outdoor setting right in the heart of Midtown Nashville.

Photo Credit: Jonathan Plarr, WME

About WME:
WME is the world’s preeminent talent agency. With over 125 years of experience, WME enables artists, athletes and brands to grow their businesses, leverage the full potential of their intellectual property and bring projects to life that define the cultural landscape. WME’s expertise spans books, comedy, digital media, fashion, film, food, licensing, music, sports, television, theater and more.  Headquartered in Beverly Hills, WME’s office locations include Australia, Chicago, China, London, Miami, Nashville and New York. WME is part of WME Group, a global network of businesses that represent the world’s leading talent, intellectual property and brands. For more information, please visit www.wmeagency.com.

DARIUS RUCKER’S ANNUAL “DARIUS AND FRIENDS” SURPASSES $6.2 MILLION RAISED FOR THE KIDS OF ST. JUDE

Multi-GRAMMY Award winner Darius Rucker welcomed friends and fans to a sold-out Ryman Auditorium on Monday, June 1, for the 17th annual “Darius and Friends” benefit concert, which was paired with a corresponding celebrity golf tournament yesterday, June 2, and kickoff event headlined by Walker Hayes on Sunday, May 31, raising a massive $1.1 million for St. Jude Children's Research Hospital®. The 2026 effort brings the all-time fundraising total to more than $6.2 million, helping ensure families never receive a bill from St. Jude for treatment, travel, housing or food.
 
The annual event once again combined unforgettable music with a shared commitment to supporting the lifesaving mission of St. Jude. This year’s sold-out show featured performances from Rucker alongside Jason Aldean, Lauren Alaina, Carter Faith, Randy Houser and Mark Wills.
 
“Every year it amazes me how quick my friends are to say ‘yes’ to joining us here at the Ryman – and then you guys sell out the show without even knowing who’s going to come sing with us,” mused Rucker. “It’s incredible. I can’t thank everyone enough for the generosity and the eagerness to come out and support the wonderful work St. Jude is doing.”
 
The spirit of generosity was evident from the opening moments of the evening. Fundraising efforts got off to a remarkable start, with an intense bidding war for a guitar signed by all participating artists setting the tone for the night as it topped out at a $20,000 winning bid during the live auction hosted by the Big 98’s Wayne D and Tay. Additional auction moments – including signed items and premium seating opportunities – continued to inspire enthusiastic support from the crowd. 
 
Throughout the night, the historic Ryman Auditorium felt more like a gathering of friends than a concert venue, with the audience remaining an active part of the show from the opening notes through the final encore. The sold-out crowd was on their feet as soon as Rucker opened the evening with his own hits before welcoming Carter Faith to the stage for a performance of her own songs as well as a crowd-pleasing country remix of Britney Spears’ “Oops!... I Did It Again.”
 
From there, Rucker mixed his own songs with collaborations and special moments. Mark Wills earned a standing ovation with a rousing rendition of “Dixieland Delight,” while Lauren Alaina joined Rucker for a playful cover of the legendary Johnny & June duet “Jackson” and Jason Aldean thrilled fans with his own chart-topping hits.
 
One of the night’s most memorable moments came during Randy Houser’s set, with both a high-energy cover of Don Williams’ “Tulsa Time” and a powerhouse performance of “Like A Cowboy” that drew one of the evening’s biggest standing ovations. Following the performance, Rucker laughed as he told the crowd, “I know I can sing… But there’s only been four people I’ve ever been jealous of in my life: Luther Vandross, Steve Perry, Chris Stapleton and Randy F*cking Houser.”
 
As the evening reached a fever pitch, Rucker led the audience on a nostalgic trip through the ’90s with a Tim McGraw meets TLC meets Bell Biv DeVoe medley that had fans nearly drowning out the stage with their own voices. The evening then ended according to tradition, with a massive “Wagon Wheel” singalong concluding another unforgettable night in support of St. Jude.
 
This year’s milestone fundraising event adds yet another successful page to the nearly two-decade history of “Darius and Friends.” Prior guests have included Brooks & Dunn, Brothers Osborne, Kane Brown, Luke Bryan, Luke Combs, Sheryl Crow, John Daly, Dan + Shay, Vince Gill, Jamey Johnson, Jelly Roll, Charles Kelley of Lady A, Ashley McBryde, A.J. McLean of the Backstreet Boys, Megan Moroney, Brad Paisley, Kenny Rogers, Tommy Thayer of KISS and Morgan Wallen, among many others.
 
In addition to the concert, Jason Aldean, Drew Baldridge, Brandon Bauman, Chayce Beckham, George Birge, Priscilla Block, Tyler Braden, Kane Brown, Captain Keith Colburn, Dax, FILMORE, Wyatt Flores, Mack Geiger, Vince Gill, Cole Goodwin, Randy Houser, Austin Mahone, Jeff Marino, Kameron Marlowe, Drake Milligan, John Morgan, Will Moseley, Todd Nichols, Dylan Schneider, Dan Tyminski, Blake Whiten, Mark Wills and Warren Zeiders joined Rucker for the corresponding golf tournament.
 
The annual fundraising event was made possible with support from generous sponsors AMD and The Law Office of Jennifer McCoy.
 
For more information, visit DariusRucker.com and follow on social media @DariusRucker.

Photo Credit: Catherine Powell

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (22x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and he won his third career GRAMMY Award in 2014 for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of “Wagon Wheel,” one of the top five best-selling Country songs of all time. His latest album Carolyn’s Boy (featuring recent single “Never Been Over” with Jennifer Nettles) is available everywhere now as is his New York Times bestselling memoir “Life’s Too Short,” released via Dey Street in 2024.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $6.2 million for St. Jude Children's Research Hospital through his annual “Darius and Friends” benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics line of NFL, MLB, NHL, NCAA and WWE apparel available via Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.
 
About St. Jude Children’s Research Hospital
St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Its purpose is clear: Finding cures. Saving children.® It is the only National Cancer Institute-designated Comprehensive Cancer Center devoted solely to children. When St. Jude opened in 1962, childhood cancer was largely considered incurable. Since then, St. Jude has helped push the overall survival rate from 20% to more than 80%, and it won't stop until no child dies from cancer. St. Jude shares the breakthroughs it makes to help doctors and researchers at local hospitals and cancer centers around the world improve the quality of treatment and care for even more children. Because of generous donors, families never receive a bill from St. Jude for treatment, travel, housing or food, so they can focus on helping their child live. Visit St. Jude Inspire to discover powerful St. Jude stories of hope, strength, love and kindness. Support the St. Jude mission by donating at stjude.org, liking St. Jude on Facebook, following St. Jude on Twitter, Instagram, LinkedIn and TikTok, and subscribing to its YouTube channel.

DEVILDRIVER Unleash New Single "Dead In The Water" From Upcoming Album "Strike To Kill," Out 7/10 — LISTEN + PRE-ORDER

"Let the fire rise, you were born for this, stay the course" —Dez Fafara

The fans and critics have made their voices heard, DEVILDRIVER have leveled it up! In anticipation their rabid new album, Strike and Kill, out July 10 via Napalm Records, the groove metal legends first released the boisterous lead single "Dig Your Own Grave," cracking over 400k cross platform streams, becoming a mainstay on SXM's Liquid Metal, and stampeding up the Metal Contraband charts just a month after release.

If you know what's good for you, you'll pay close attention to the words on their next bloodthirsty ripper, "Dead In The Water" out today. This single is built upon cataclysmic blast beats and ornately blackened guitarmonies, delivering the good with vibrance and violence. Iconic frontman Dez Fafara's delivery remains venomous, galvanizing listeners with affirmations of perseverance and resilience in the face of adversity.

Dez on "Dead In The Water":
"This is one of the most positive songs I've ever written lyrically, coming from a very dark time straight into blinding light. I needed to empower others to do the same as I did, and tell them to 'stay the course,' life turns around if given the chance to flourish.

"The vibe musically on this is very old school DEVILDRIVER and the entire band is cracking hard here, if you're a long time listener you're gonna love this one! Enjoy!"

Check Out The Official Music Video for "Dead In The Water" Below:

Pre-order your copy of Strike and Kill  NOW!


Following DEVILDRIVER's career defining double album Dealing With Demons Vols. 1 & 2 —with Vol. 1 sitting at #1 at metal radio for a triumphant 15 weeks, and Vol. 2 celebrated by internationally revered media like Metal Injection, Kerrang!, and Blabbermouth, who lauded "you can't stop the unstoppable"— the band sets out on a rabid hunt with Strike and Kill, holding the blade to your throat, and serving up that trademark DEVILDRIVER blend of melodeath elegance, blackened atmosphere, tectonic grooves, and Fafara's iconic visceral delivery.

 

Wasting no time, the album bursts open with the incendiary "Dig Your Own Grave," a flurry of assault rifle kicks and crunchy riffs encircle the listener casting them into the waiting abyss before transitioning into "Dead in the Water," showcasing the vibrant melodeath tapestries of master guitar duo Alex Lee and Gabe Mangold. "Sanctified In Scars" implements industrial pulsating beats and ethereal sonic textures, sanctifying Fafara's venomous voice with blackened tremolo excellence. The album’s title track "Strike and Kill" is a reconciliation of hardships and lessons learned, built upon the backs of blisteringly technical riffage and dizzyingly swift drumming by Davier Perez. Tracks like "In the Moonlight" and "Never Coming Home" wrap listeners in serenely blissful guitarmonies, elevating the brutality with elegance and emotion. "Ride or Die" unleashes pure metal inertia, pulling listeners in with unrelenting force. Exemplifying their technical edge with tracks like “Headed for the Fall” and "You’re just a Ghost," the band embraces mind-bendingly off-kilter patterns that spin listeners' heads. "Summoning Shadows" offers the albums longest respite from carnage, with textured acoustic guitars building tension before the band comes crashing back in with triumphant power. "Shut the Silence On" and "Oath of Iron" get super thrashy with their ballsy riffage and blast beats, before "All Bets are Off" brings things to a cataclysmic conclusion. 

DEVILDRIVER ON TOUR:
8/14 — San Diego, CA — Observatory North Park
8/15 — Las Vegas, NV — Brooklyn Bowl
8/16 — Phoenix, AZ — Marquee
8/18 — San Antonio, TX — Aztec Theater
8/19 — Austin, TX — Come and Take It Live
8/20 — Houston, TX — House of Blues
8/22 — Dallas, TX — House of Blues
8/23 — Oklahoma City, OK — Diamond Ballroom
8/25 — Chicago, IL — Bottom Lounge
8/26 — Milwaukee, WI — The Rave
8/29 — Colorado Springs, CO — Sunshine Studios
8/30 — Salt Lake City, UT — The Depot
9/1 — Boise, ID — Treefort Music Hall
9/2 — Reno, NV — Club Underground
9/3 — Sacramento, CA — Goldfield
9/4 — San Jose, CA — The Ritz
9/5 — Anaheim, CA — House of Blues

The Joy Thieves unleash 'Apocalypse Pending' album with video for 'No Anchor' & focus track 'Ambush Vinez'

Chicago-based alternative collective The Joy Thieves release their full-length album 'Apocalypse Pending' on June 5th via Armalyte Industries. While the industrial-rock-punk-experimental supergroup known has always combined a wide array of musicians together in order to craft their signature sound, they stretch this concept to its very limits with this record.

Highly influenced by the hip hop music production techniques of the 80’s and early 90’s, 'Apocalypse Pending' finds the Joy Thieves Productions team of Dan Milligan and James Scott redefining themselves by utilizing a sample-heavy production to forge elements of industrial, rock, experimental, punk, hip hop, metal, and freeform jazz. But instead of sampling the music of others, they found inspiration in the talents of the band’s 80+ other members, resulting in an incendiary sound all their own.

Anxious to explore new musical territory, they challenged themselves by turning the entire song-creation process upside down. Instead of relying on members to contribute already-written songs, as they’d done in the past, they meticulously gathered hundreds of unrelated recorded musical fragments from their fellow Joy Thieves, then painstakingly reconstructed brand new pieces of music from these fragments, ultimately creating a fresh and innovative sound.

Longtime fans of the band will instantly recognize the iconic voice of Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface). Seething with frustration and rage at one moment, and coolly delivering beat poetry the next, 'Apocalypse Pending' finds the multi-talented Connelly in his element; using the album’s densely layered, sonic collage as the perfect vehicle to deliver the band’s violently anti-fascist sentiments.



The Joy Thieves have also shared videos for 'No Anchor' and ‘The Wrong End of Your Rifle’, created by Lumbra Productions. Eyeing the edge of collapse, capturing the zeitgeist with such precision, they touch on the decay of the individual, exploring the isolation of our modern world.

“These days, the process of simply writing and recording an album no longer seems to be enough for me. In order to feel fully engaged, I need new and exciting musical challenges - preferably ones that make me start wondering if I just might be in waaaay over my head. Once I get that feeling, there’s absolutely no question I’m on the right track," says Dan Milligan.

"
In the case of 'Apocalypse Pending', that challenge began as a question - What kind of music would RZA or The Bomb Squad make if they had been raised on a steady diet of Gang of 4, The Jesus Lizard, and Ministry?"

Chris Connelly adds, “At their core, the lyrics for 'Apocalypse Pending' are violently anti-fascist. It’s funny how worked up and angry I get when I talk about these songs. But I’m finding I simply can’t hold back anymore; and it feels so good to lyrically address every aspect of this current horror show. I’m so glad we have a creative outlet to express these thoughts. At least until we all get Pussy Riot-ed into prison."

Since signing with London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. 'Apocalypse Pending' is the latest -- produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering.

The Joy Thieves includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

The band crafts their cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music. Created by “all of us, and yet, none of us”, this is a sound all their own, their music aggressive, yet precise; confrontational, but refined; and harsh, yet melodic.

On June 5th, 'Apocalypse Pending' will be available on Digipack CD and across music platforms including Spotify, Apple Music and Bandcamp.

CREDITS
Track 1 written by Dan Milligan, DJ Darryl Hell
Tracks 2, 4, 7, 10,11 written by Chris Connelly & Dan Milligan
Track 3 written by Chris Connelly, Jeff Harris, Dan Milligan
Track 5 written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Track 6 written by Chris Connelly, Dan Milligan, Derek Christopher, Jeff Harris
Track 8 written by  Chris Connelly, Dee J Nelson, Dan Milligan
Track 9 written by Chris Connelly, Dan Milligan, Jane Jensen
Track 12 written by Chris Connelly, Dan Milligan, James Scott
Track 13 written by Chris Connelly, Dan Milligan, Dee J Nelson Nelson, Jeff Harris, Steven Archer
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios, Mark Pistel at Room 5 Studios, Jeff Harris at JH Studios
Steven Archer at House of Wolves, Dee J Nelson at DJN Music Studio, Jane Jensen at Autozen Music, and DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City
Videos by Joel Lopez by Lumbra Productions 

Released via Armalyte Industries

Artist studio photos by Derick Smith
Publicity by Shameless Promotion PR


Keep up with The Joy Thieves
Website | Bandcamp | LinkTree | Merch | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music | TwitterPress contact

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Amazon | Press contact

Keep up with Armalyte Industries
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube 

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

ANGELS ON THE BATTLEFIELD Present Epic Interpretation Of ALICE COOPER's "Poison" Feat. ANTHEA

ANGELS ON THE BATTLEFIELD has unleashed an epic and cinematic reimagining of ALICE COOPER's iconic track "Poison". This release sees the symphonic progressive metal ensemble join forces with Los Angeles based symphonic/melodic metal band, ANTHEA. 

The alluring gothic mood of "Poison" is enhanced through ANGELS ON THE BATTLEFIELD's immersive musical arrangement. Intensity arises from the ferocious heaviness of the metal instrumentation while orchestral and synth layers sculpt an enveloping atmosphere. Haunting harmonies and technical prowess on display from ANTHEA's vocalists Diego Valadez, Juna Pina, Astrid Anaya, and Mel Del Real elevate the track with a touch of the ethereal. 

ANGELS ON THE BATTLEFIELD honor the character and impact of the original song while infusing the arrangement their own distinctive compositional qualities. Produced by ANGELS ON THE BATTLEFIELD, "Poison" was recorded at Counter Communications with engineering, mixing and mastering by Chris Wirsig. The track's cover art was created by JD McGibney.

About ANGELS ON THE BATTLEFIELD:

Based out of Los Angeles, CA, ANGELS ON THE BATTLEFIELD began as a side project for guitarist JD McGibney (ex-VOODOO KUNGFU) before augmenting to a full line-up in 2021. Alongside McGibney, the instrumental symphonic progressive metal band is now comprised of Jason Klein on bass (ex-BUTCHER BABIES), Eddie Trager on drums (ex-NEKROGOBLIKON) and Chris Wirsig on keyboards (award winning TV and film composer).

The ethos of the band is to empower listeners through music, to assist individuals who are fighting on their own battlefields and to help them find courage. ANGELS ON THE BATTLEFIELD strive to improve awareness of and discourse around mental illness through the power of heavy metal. The band made their live debut at the 2022 "This Is My Brave" mental health fundraiser, where the band helped to raise around $30,000 to donate to local Los Angeles mental health charities.

2024 saw ANGELS ON THE BATTLEFIELD open for Taiwanese folk metal artist NiNi at her debut USA headline show in November of 2024. In the following year, the quartet embarked on their debut headline West Coast tour across October/November of 2025.

In 2025, ANGELS ON THE BATTLEFIELD's 2024 single release "Modern Prometheus" was long listed in the 2025 GRAMMY Awards in three categories: Best Metal Performance, Best Instrumental Composition and Best Arrangement - Instrumental or A Capella. Additionally, "Modern Prometheus" was nominated in the Hollywood Independent Music Awards in 2025.

Following the band's haunting interpretation of "Phantom of the Opera" featuring guitarist Eli Santana (IGNITE, ex-HUNTRESS, ex-HOLY GRAIL), ANGELS ON THE BATTLEFIELD deliver untamable power in the new single "Poison" featuring ANTHEA. 

ANGELS ON THE BATTLEFIELD is:

JD McGibney - Guitar
Jason Klein - Bass
Chris Wirsig - Keyboard/Orchestration
Eddie Trager - Drums
 

Connect with ANGELS ON THE BATTLEFIELD:

Official Website: https://onthewingsofdragons.com/ 
Facebook: https://www.facebook.com/AngelsOnTheBattlefieldBand/ 
Instagram: https://www.instagram.com/angels_on_the_battlefield/ 
Twitter/X: https://twitter.com/aotb_band :
YouTube: https://www.youtube.com/@angelsonthebattlefield 
Spotify: https://open.spotify.com/artist/6vQV1dRMKNBHCRku2IsPMU?si=RoaUH-SuTCq5nRsPMrgpEg 
Apple Music: https://music.apple.com/us/artist/angels-on-the-battlefield/1441558520 
TikTok: https://www.tiktok.com/@aotbband

DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records and is set to unleash their devastating new single “Flesh" worldwide on all major streaming and digital platforms on Friday, June 5, 2026.

 

Today, the band has unveiled the music video for the single (see below). 

 

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

 

In addition to the release, Dead By Wednesday has been announced as part of Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed. The band will perform Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

 

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

 

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

 

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

 

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

For More Information Please Visit:

Official Website

Facebook

Instagram

YouTube

TodoMal Undergo Heavy Meditation on New Single “Graveyards of Joy”

TodoMal are releasing the title track as the third and final advanced single from their upcoming third album Graveyards of Joy. The song finds the atmospheric doom metal duo at their most elegiac amidst a heavy meditation on depopulation, decay and the gradual reclamation of abandoned places.

Watch the music video for “Graveyards of Joy” below:

Graveyards of Joy comes out July 3, 2026 on Season of Mist

Pre-order

https://orcd.co/todomalgraveyardsofjoy

Available Formats:
Digital Download

CD Digipak

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Turquoise)

12” Vinyl Gatefold (Half Gold, Half Black)

"Graveyards of Joy" draws from the ghost towns and emptied provinces of TodoMal’s native Spain, conjuring a landscape where "no gods'll ever settle here, 'cos all they ever do is walk by." As the song unfolds, the desolation gives way: new people arrive, signs of life begin to re-emerge and something resembling hope takes shape during a finale that’s as sweeping as the landscape it describes.

TodoMal was formed in 2020 by Christopher B. Wildman and Javier Fernández Milla, two veteran multi-instrumentalists of the Spanish underground scene. A Greater Good appeared on multiple year-end lists, including Mondosonoro's Top 10 albums of 2023, and sold through its initial pressing. The band has since expanded into a five-piece live ensemble and performed at festivals including Be Prog! My Friend, Under The Doom Fest and Frantic Fest, sharing stages with Candlemass, My Dying Bride and Dødheimsgard. Extensive European touring is confirmed for 2026, including a co-headlining run with Evoken across ten dates in July and August.

TodoMal Graveyards of Joy 2026 European Tour

4 July - Viveiro, ES @ Resurrection Fest

24 July - Tolmin, SI @ Tolminator Fest

30 July - Paris, FR @ Le Klub*
31 July - Rouen, FR @ Fury Defendu*
1 August - Diest, BE @ Club Hell*
2 August - Rotterdam, NL @ Baroeg*
3 August - Hamburg, DE @ MS Stubnitz*
5 August - Berlin, DE @ Neue Zukunft*
6 August - Schlotheim, DE @ Party.San Open Air*
7 August - Karlsruhe, DE @ Die Stadtmitte*
9 August - Dresden, DE @ Chemiefabrik*
10 August - Prague, CZ @ Subzero*

11 August - Bratislava, SK @ Pink Whale

18 September: Barcelona, ES @ Sala Boveda

25 September: Madrid, ES @ Dark Echoes Fest (w/ Draconian, Dødheimsgard)

26 September: Auzas, FR @ L'Homme Sauvage Festival

*with Evoken

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals

Mile – Bass and Vocals

Javi – Guitars

Bud – Drums

Cecilia – Synths and Vocals

Production Credits:

Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios

Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)

Mixing: Javier Fernández Milla at Trinitat Montseny

Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:

Cecilia Tallo (background vocals, tracks 4 and 6)

Teodora Gosheva (vocals)

Darío Garrido (acoustic guitars)

Manu Clavijo (live strings)

Cover Art:

Lluís Rigalt, Ruïnes (1865), Museu Nacional d'Art de Catalunya.

Photography:
Christopher B. Wildman

Pre-save & Pre-order: https://orcd.co/todomalgraveyardsofjoy


Follow TodoMal:

Bandcamp: https://todomalband.bandcamp.com/

Facebook: https://www.facebook.com/todomalofficial

Instagram: https://www.instagram.com/todo_mal_band/

SoundCloud: https://soundcloud.com/todomal

Spotify: https://open.spotify.com/artist/2grCvuOH8MibDqryxpW6jR

Apple Music: https://music.apple.com/artist/todomal/1587939438

Deezer: https://www.deezer.com/artist/146831572

Tidal: https://tidal.com/artist/5655213

NYHC Crossover Pioneers CRO-MAGS Unleash New Single "Wired for Chaos" + Official Music Video

Today, CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, "Wired for Chaos." The new track marks CRO-MAGS' first new music in six years, giving fans a taste of what's to come.

"Wired for Chaos," which shares its name with last year's documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

Watch the Music Video for "Wired for Chaos" Below:

On the new single "Wired for Chaos," Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition."

Harley continues, "The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to "Wired for Chaos" HERE

CRO-MAGS Live:

Europe:

June 6 — Emmen, Netherlands @ Pitfest

June 7 — Hamburg, Germany @ Hafenklang

June 8 — Copenhagen, Denmark @ Beta

June 9 — Berlin, Germany @ Neue Zukunft

June 10 — Schwerin, Germany @ Club Zenit

June 12 — Venlo, Netherlands @ Grenswerk

June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T

June 14 — Hoofddorp, Netherlands @ C-Punt

June 15 — Heidelberg, Germany @ Halle02

June 16 — Essen, Germany @ Turock

June 17 — Saabrucken, Germany with Sepultura @ Garage

June 18 — Luzern, Switzerland @ Sedel

June 20 — Clisson, France @ Hellfest

July 20 — Gdansk, Poland with Biohazard @ B90

July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja

July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry

July 24 — Debrecen, Hungary @ Campus Festival

July 25 — Martinska, Croatia @ Punk + Zestoka Festa

August 5 — Vagos, Portugal @ Vagos Metalfest 2026

August 7 — London, UK @ United and Strong Fest

August 8 — Newport, UK @ Corn Exchange

August 9 — Blackpool, UK @ Rebellion Festival

USA:

September 26 — Daytona Beach, FL @ Party Weekend

October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGSstand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanaganwas playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGSdemos — four songs that would become the blueprint for the seminal 1986 release, 'Age of Quarrel.' Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining 'Age of Quarrel' demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since 'Best Wishes' (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

MORTIIS Unleashes New Darkwave Banger, "Tundra, Heart of Hell"

Iconic Norwegian artist MORTIIS is now pleased to unleash another new single from his upcoming full-length, 'Ghosts of Europa.' "Tundra, Heart of Hell," is a gothic, darkwave banger that channels the likes of Bauhaus, Joy Division, Nick Cave & The Bad Seeds, and more! The nostalgic track can be found along with a lyric video below.

MORTIIS comments on the single, "For some reason the word 'Tundra' has been a recurring word in my life, and I attached it to various songs and lyrics over time, though very few ever came to any sort of fruition. In fact, the earliest versions of this song was called 'Tundra' or even 'Thundra' (because it sounded cooler) before I decided to add 'Heart Of Hell' to add some context. A big chunk of these lyrics also harken back to the time between 'The Stargate' and 'The Smell Of Rain.'"

'Ghosts of Europa' is due on June 26, 2026 via Prophecy Productions, making it MORTIIS' debut to the label! 'Ghosts of Europa' is available as ltd. box set incl. 2CD artbook edition, gatefold LP (excl. handmade sand-filled vinyl), bonus LP, music cassette et al. (50 copies). Ltd. box set incl. 2CD artbook edition, gatefold LP (excl. 'galaxy' metallic vinyl), bonus LP, music cassette et al. (450 copies). As a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold marble smoke vinyl LP (300 copies), ltd. Gatefold crystal clear vinyl LP (300 copies), Gatefold black vinyl LP, and Digipak CD Pre-orders are now live HERE.

Mortiis is a pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal. With a legacy stretching over three decades, he remains one of the most influential and enigmatic figures in underground dark music

With Ghosts of Europa, the enigmatic Norwegian artistic entity, known as MORTIIS, presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS' musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across Ghosts of Europa. Yet, the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, Ghosts of Europa reflects its maker's struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

"Ghosts of Europa" has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried Ghosts of Europa into spaces where MORTIIS never existed before. 

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called Era I From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined is sound through several eras that embraces experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during 'Era 0', his live concept even abandoned the wearing of the iconic mask. MORTIIS' stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

"Ghosts of Europa" is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured "Ghosts of Europa" out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

 

Line-up:

Håvard "Mortiis" Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians

Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4

Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7

Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6

Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4

Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5

Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7

Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7

Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7

Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6

Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6

Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1

Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8

Erling Blomberg – additional guitars on track 8

Album Credits:

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)

Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)

Mix by Sean Beavan at The Grey Room, Crestline, CA (US)

Mastering by Jules Seifert at Epic Audio Media, London (UK)

Cover Artist: Nihil

Layout Creator: Laurent Clément (Dead Seed Productions)

Pre-orders:

https://mortiiswebstore.com/pages/ghosts-of-europa

Available formats:

"Ghosts of Europa" is available as a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold XXX vinyl LP, Gatefold black vinyl LP, and Digipak CD.

MORTIIS Links:

FACEBOOK

INSTAGRAM

X

BANDCAMP

SPOTIFY

APPLE MUSIC

YOUTUBE

OFFICIAL SHOP

Hard Rock Force NESTOR Reveal Live Rendition of "On The Run" — LISTEN + WATCH

Melodic hard rockers NESTOR unleash the first single from the upcoming live album, Live at Gothenburg Film Studios (out August 14 via Napalm Records) with nostalgic "On The Run!" The studio version, released on the celebrated debut album Kids in a ghost town (2021), counts as one of the biggest NESTOR hits to date and has gathered millions of streams. Now, the band's captivating live energy meets the song's epic AOR-inspired keys and guitars — and one of their possibly catchiest singalong-choruses so far. 

Originally formed in 1989, NESTOR broke into the international rock scene with the band's comeback and debut album in 2021, immediately gaining critical praise and massive live opportunities. The acclaimed hard rock force has played alongside iconic acts like Kiss and Europe, and fans have gotten to experience NESTOR's outstanding stage presence also on headline tours around Europe and even in Japan. Check out the atmospheric live video for "On The Run" below for a first glimpse of NESTOR's first live album and DVD!

Vocalist Tobias Gustavsson comments:
"We are super thrilled to release our live album Live at Gothenburg Film Studioswith 'On The Run' as the first single leading the way into our universe. I think this album captures NESTOR in our natural habitat: loud, heartfelt, unapologetically dramatic, and somehow both nostalgic and new at the same time. I hope you'll enjoy listening as much as we enjoyed playing."

Watch the Live Video for "On the Run" Below:

Live at Gothenburg Film Studios treats fans old and new to a hefty selection of live versions of future classics from NESTOR's celebrated catalogue. The band brings the heat with a new rendition of the track "Firesign" (originally from Kids in a ghost town, 2021) – catchy riffs and rhythms carry the heavily '80s-inspired, authentic sound that is topped with impressive rock vocals. The nostalgia-drenched following track "Teenage Rebel" (title track of the latest studio album, 2024) gets audiences singing along without a failure with its irresistible chorus that is accompanied with emotion-loaded melodies and massive riffs. Further highlights of this extensive, 16-track offering include a live rendition of one of the biggest NESTOR hits to date, "On The Run" (also from the praised debut Kids in a ghost town, 2021).

This comprehensive live album, available even as a DVD, draws from NESTOR's impressive repertoire of arena-worthy anthems and rock ballads, polished with the very best AOR and classic '80s rock influences. Without a doubt, NESTOR continue their steady mission to restore the glory of rock!

Vocalist Tobias Gustavsson comments:
"When I listen to Live at Gothenburg Film Studios, it becomes clear to me that it shows everything that NESTOR was about, from the beginning. A live performance with all the little quirks and mistakes that makes it human, a thing that I have learned to love even more in an era of AI-generated music. Live at Gothenburg Film Studios is less clinical and more of a human experience in comparison to our studio albums and shows a different side of NESTOR. I hope you will enjoy it as much as we did recording it up on stage." 

NESTOR LIVE 2026:
Festivals:
7/17 — Laukaa, FI — John Smith Rock Festival
7/25 — Mönchengladbach, DE — BOBfest
7/31–8/1 — Turku, FI — Baltic Metal Storm
8/15 — Falköping, SE — NestorFest 2026
8/19–8/22 — Haddeby, DE — Baltic Open Air

NESTOR ARE:
Tobias Gustavsson — Vocals
Jonny Wemmenstedt — Guitar
Mattias Carlsson — Drums
Marcus Åblad — Bass
Martin Frejinger — Keyboards

CREATIVE FORCE HUNTER HAWKINS TO RELEASE DEBUT SONG “HERE NOW”

Singer-songwriter, actor and filmmaker Hunter Hawkins has signed with Jonas Group Entertainment for management and Red Van Records, launching a new creative chapter with the release of “Here Now.” The debut song will be released on June 5 with an album to follow later this year. Pre-save and pre-add the song HERE.

Produced by legendary singer-songwriter and guitarist Kenny Loggins, the project marks the first time in Loggins’ storied career that he has produced music for another artist.

Blending emotionally rich songwriting with cinematic storytelling, “Here Now” introduces listeners to Hawkins’ pure, ethereal and poetic vocal style. The solo written song, “Here Now,” captures confronting themes of healing, surrender and self-discovery. 

“This song means a lot to me, and has already seen me through many seasons of my life,” shares Hawkins. “I’m excited to share it, to see how it resonates with others. There’s so much growth and healing in the process of releasing what we’ve been working on, especially with it all having stemmed from a vulnerable moment of self-reflection.”

“Hunter Hawkins is a multi-talented singer/songwriter with a beautiful, emotionally expressive voice who has a UNIQUE artistic vision in the tradition of the gifted artists of the 1970s and 80s,” said producer Kenny Loggins. “As Hunter’s producer, I approached this project with the same respect that I would have brought to producing a Joni Mitchell-level artist.”

“Here Now” will also be featured in Awake: Pinky’s Journey, a companion film written, directed, produced by and starring Hawkins. Filmed throughout Santa Barbara County, the project includes scenes shot at Kenny Loggins’ home and at Alan Parsons’ Parsonic Studios in Goleta, as well as locations throughout Los Angeles, including the iconic Canter's Deli and the Kibitz Room. The film expands the emotional and visual universe surrounding the music while offering an immersive first look at the forthcoming project.

The film will premiere on Friday, June 5, at The Alcazar Theatre in Carpinteria, Calif. A secondary screening will be held on Tuesday, June 9, at The Hidden Jewel Box Theatre in midtown Manhattan. For tickets and more, go to Hunter-Hawkins.com and follow @hunterhawkinshere on Instagram.

Additionally,  Hawkins has signed with Jonas Group Entertainment for management and will release music through Red Van Records. 

“We’re drawn to artists who bring an original perspective and creative vision, and Hunter absolutely does that,” said JGE Founder and Chairman Kevin Jonas Sr. “An incredibly gifted storyteller whose talents extend far beyond music, we’re thrilled to welcome Hunter to Jonas Group Entertainment and Red Van Records.”

“There's an undeniable power in Hunter's music,” said JGE President George Kreis. “It has reignited my love for the art form itself and serves as a reminder of how deeply music can stir the soul.”

Hawkins has also signed with TKO for booking representation with agents Chris Burke and Jim Lenz. They have performed everywhere from dive bars in London and cafés in Paris to Newport Folk Festival and New York City’s iconic Bitter End, while building a reputation as a multi-disciplinary artist with a singular creative voice. In addition to sharing stages and recording alongside artists including Bill Champlin, David Foster, Elliot Easton, Richard Marx and Jeff Marx, Hawkins has also earned acclaim in film, including a 2025 Best Actor win at the Long Beach Underground Film Festival. 

Earlier this year, Hawkins was named Emerging Artist of the Year by the Fest Forums Conference in Santa Barbara. 

Hawkins’ growing momentum continues throughout 2026, with upcoming performances at Los Angeles’ iconic Troubadour and Louisville’s multi-genre Bourbon & Beyond festival and a July 3 and 4 appearance with Kenny Loggins at the Archway in St. Louis for Celebrate 250. 

ASHLEY GORLEY NAMED TOP SONGWRITER IN BILLBOARD COUNTRY SINGLES CHART HISTORY BY RECORD RESEARCH

Songwriters Hall of Fame member Ashley Gorley has been named the No. 1 songwriter on Billboard’s Country Singles charts from 1944-2025 by Record Research, Inc., the authority on music industry chart performance. The list is determined by a formula that accounts for each songwriter’s compositions that peaked at No. 1, within the weekly Top 40, or elsewhere on the Country singles charts from January 8, 1944, through December 27, 2025.

Gorley is also set to join “The Songwriters Behind Country’s Biggest Hits” panel at CMA Fest, alongside Record Research CEO Vinnie Freda and Shane McAnally, and moderated by Billboard Country Update Editor Tom Roland. The panel is set to take place on Saturday, June 6 at the CMA Close Up Stage inside Music City Center.
 
The Kentucky native was also honored by the Country Music Hall of Fame and Museum’s Poets and Prophets program on Saturday, May 30. Moderated by Allison Moorer, Gorley discussed getting his start as a songwriter, his writing process, his work ethic and affinity for mentoring songwriters, the founding of his independent publishing company Tape Room Music, his partnership with Onsite to create songwriter-specific therapy programs and more.
 
With over 85 No. 1 singles (Billboard and Country Aircheck/Mediabase combined), Gorley was inducted into the Songwriters Hall of Fame last year, and in recent years, he has held the number-one spot on Billboard’s all-genre Hot 100 Songwriter chart for multiple weeks, earned GRAMMY, CMA and ACM Award honors, including Songwriter of the Year and Song of the Year, and was named Songwriter of the Decade for 2010-2019 at the Nashville Songwriter Awards.
 
Gorley will be featured in Record Research’s new book, Joel Whitburn’s History of Top Country Singles 1944-2025, which will be officially released on June 4, 2026. The book is available for preorder now at recordresearch.com.

Ashley Gorley speaks with Country Music Hall of Fame and Museum’s Allison Moorer during the Poets and Prophets program on Saturday, May 30, 2026. | Courtesy of Country Music Hall of Fame and Museum

Evil Island Announce Debut Album; Drop Music Video For New Single "Animal"

Evil Island have announced their debut album, Terraform The Afterlife, arriving August 14 via Blowed Out Records. Born from the creative firestorm that followed The Blood Brothers' 2024 reunion tour, the record finds Johnny Whitney, Cody Votolato, Mark Gajadhar and Autry Fulbright pushing their collective chemistry into bold new territory. Today, the band also share the album's second single, “Animal,” alongside an unhinged new music video that transforms a sun-bleached desert gathering into an increasingly violent cultish nightmare. Fans can pre-order Terraform The Afterlife on vinyl HERE. Stream “AnimalHERE and watch the blood-soaked music video Below

Produced by Ross Robinson, Terraform The Afterlife also features a carefully selected cast of guest vocal performances, including Alexis Krauss of Sleigh Bells, Michael Gatto of XCOMM, Jordan Blilie of The Blood Brothers and Fugazi's Guy Picciotto, marking his first recorded vocal performance since Fugazi's 2002 album The Argument.

Speaking on today’s announcement, Evil Island vocalist, Johnny Whitney shares 

“Evil Island was born out of the firestorm of creative energy that Cody, Mark and I felt when The Blood Brothers reunion tour ended in 2024. My brain was on fire, I was gripped with a kind of mania. I had so many ideas rattling around in my skull that if I didn’t make something new with my friends, the psychic damage probably would’ve manifested as some exotic form of cancer.

I knew our story wasn’t over. More importantly, I knew our particular strain of feral pop hardcore felt more necessary than ever given that the world is boiling in bullshit. So we wrote eleven songs, brought Ross Robinson into the fold, then Autry joined the band, and suddenly everything locked into place.

With Terraform the Afterlife, we let Ross completely off the leash. What was supposed to be a two-week recording session turned into a five-month descent into something far bigger than we imagined. We built a musical world that’s dazzling, violent, joyful, ugly, melodic, brutal and somehow still coherent. We put every drop of ourselves into this record. Terraform the Afterlife is the most creatively gratifying thing I’ve ever been part of, these songs will be fucked into my skull forever.”  

Picciotto's appearance carries particular significance. A longtime friend and collaborator of the band who previously worked with The Blood Brothers on their acclaimed 2006 album Young Machetes, he was drawn back into the studio after receiving a call from Cody Votolato while Evil Island were deep into recording. 

Speaking on how this rare and exceptionally special collaboration came about, Guy Picciotto shares 

“Last November I got a text from Cody Votolato checking in and asking to talk on the phone. I had worked as a producer with Cody and his Blood Brothers compatriots on their last album ‘Young Machetes’ and those guys had become some of the dearest people in the world to me. The experience of making that record was such a blast - both hilarious in terms of humor and hi-jinx but also hugely revitalizing to me in terms of getting to watch their musicality, their creativity and their camaraderie up close.  

“I had been blown away by their reunion shows the year before and had thought they were even better than ever so I was expecting Cody to maybe drop news of more shows in the offing. I certainly wasn't expecting him to drop the bomb that he, Johnny and Mark had formed a new band with Autry and that they were already fully in deep tracking an album with Ross Robinson back in the producer saddle with them. I was even more surprised when Cody asked if I would be up for singing back-ups on one of the tracks. Given that my general attitude vis-a-vis the Blood Brothers is that I would take a bullet for any of them, I felt like I had to at least give it a shot despite not having sung on a recording since the last Fugazi album THE ARGUMENT back in 2002.”

Today’s announcement arrives following a remarkable start for the band. Evil Island's debut single “Tiger Baby” sold out its entire pressing of 300 hand-signed 7-inch records in less than six hours, while the band's live lineup has expanded with the addition of Todd Weinstock, formerly of Glassjaw, on second guitar. His arrival adds another direct thread to the early-2000s post-hardcore ecosystem and further strengthens Evil Island's live incarnation as the band prepare to bring this new material into the world for the first time.

Initially envisioned as a brief recording session, Evil Island’s time in the studio expanded into a five-month creative odyssey with Robinson behind the board. Across thirteen tracks, Terraform The Afterlife embraces contradiction at every turn, balancing melody and abrasion, beauty and ugliness, joy and destruction into a singular musical world.

If “Tiger Baby” opened the door to Evil Island's universe, “Animal” now tears it from its hinges.Set against the stark backdrop of the desert, the accompanying video follows the band as the leaders of a mysterious cult-like gathering. Dressed in white and surrounded by devoted followers, they move through increasingly unsettling rituals as day gives way to night. What begins as something communal, hypnotic and strangely playful gradually mutates into a hallucinatory nightmare of violence, devotion and bloodshed.

Providing further context on the release, Johnny Whitney continues 

“‘Animal’ felt enormous almost immediately. It’s the only song we’ve ever written that sounds authentically like us while also sounding like it could be blasted through the PA at a football stadium. Our pitch for the music video was basically, ‘What if ISIS started making TikTok dance videos?’ I don’t know if we achieved that, but I did get to smash a head with a sledgehammer, which feels like a good sign.”

Terraform The Afterlife will be released on August 14, 2026 via Blowed Out Record. Vinyl pre-orders available now HERE.

About Evil Island

Evil Island is Johnny Whitney, Cody Votolato and Mark Gajadhar of The Blood Brothers alongside Autry Fulbright of OFF! and …And You Will Know Us By The Trail Of Dead, with Todd Weinstock of Glassjaw joining the band’s live lineup on second guitar.

Formed in the wake of The Blood Brothers’ 2024 reunion activity, Evil Island emerged when Whitney, Votolato and Gajadhar found themselves compelled to continue creating together. With Fulbright joining the band and legendary producer Ross Robinson behind the board, what began as a brief recording project quickly expanded into a five-month creative odyssey that became the band’s debut album, Terraform The Afterlife.



The album features guest appearances from Alexis Krauss of Sleigh Bells, XCOMM vocalist Michael Gatto, Blood Brothers vocalist Jordan Billie, and Fugazi’s Guy Picciotto, whose contribution marks his first recorded vocal performance since Fugazi’s 2002 album The Argument.



For musicians whose collective work helped shape underground music for an entire generation, Evil Island is neither a reunion nor a side project. It is the sound of artists continuing to push themselves creatively, resulting in a debut album that is ambitious, unpredictable and entirely its own.

Butcher Babies Release New Single + Video “Blame it on the Wind” via Judge & Jury Records

A Love Letter to the Past:
A Seductive, Emotionally-Charged Hard Rock Anthem Exploring Desire, Temptation, and the Ghosts of Love’s Past

 

Butcher Babies have released their powerful new single “Blame it on the Wind,” produced by Howard Benson. This marks the fourth release from their forthcoming album via Judge & Jury Records.

 

The track serves as a key chapter in an album that functions as a deeply personal love letter to vocalist Heidi Shepherd’s past reflecting on the experiences, relationships, heartbreaks, and hard-earned lessons that have shaped her over the last 25 years. It’s a record rooted in self-reflection and growth, honoring where she’s been while embracing the strength and clarity of who she has become today.

 

“Blame It On The Wind” is a seductive hard-rock track inspired by a late-night encounter in LA. The song narrates a one-night stand, fueled by neon lights and loud music, leading to an unforgettable experience you'll want to visit for more than one night. The track shifts from a slow burn to a high-energy tempo reminiscent of In This Moment meets Jinjer. Through Heidi Shepherd’s commanding vocals, it captures the restless tug-of-war between desire and blame.

 

Heidi Shepherd shares: 

“There are certain nights, certain moments, and certain connections you never fully shake. ‘Blame It On The Wind’ came from one of those nights that should have disappeared in the morning. In 2012, what started as a one-night stand morphed into a connection that would haunt me for years. A moment that we both knew was off-limits; however, the forbidden fruit continually pulled us back into that first night. I remember it so vividly; his scent, the way he said my name, his bootcut jeans, the balcony in his Santa Monica loft, and that very first touch. This song is about a lust you can't leave, a denial of accountability, and a laundry list of excuses for following the white rabbit. I think sometimes we blame the setting for the choices we make because it’s easier than admitting someone genuinely got under our skin. That’s what this song is about for me.”

 

Following a massive global touring run across the United States, United Kingdom, and Europe, Butcher Babies will continue their international trek with dates in Japan this June.

 

STREAM "Blame it on the Wind"

https://ffm.to/blameitonthewind

 

WATCH the Official Music Video for "Blame it on the Wind" Below:

Butcher Babies - Official Dates: https://butcherbabies.com/

 

June 6 - Osaka, Japan @ DEVIFEST 2026

June 7 - Yokohama, Japan  @ YOKOHAMA ReNY Beta

June 8 - Tokyo, Japan @ Clubasia

Jul 16 - Cadott, WI Rock Fest

Jul 18 - Cadott, WI @ Rock Fest

Sept 18 - Louisville, KY @ Louder Than Life

Butcher Babies, hailing from Las Vegas, NV, are a force to be reckoned with in the hard rock and heavy metal scene. Formed in 2009, the band is known for its aggressive style and intense live performances. Inspired by metal legends and punk rock attitude, Butcher Babies blend elements of thrash, groove, and melodic metal, creating a unique and ferocious sound.

 

The band's debut album, Goliath (2013), showcased their raw energy and tight musicianship, earning critical acclaim and a dedicated fan base. Follow-up albums like Uncovered (2014), Take It Like a Man (2015), Lilith (2017), Eye for an Eye and ’Til the World’s Blind (2023 double album) further cemented their reputation, with tracks that highlight their dynamic range and lyrical depth.

 

With influences ranging from Pantera and Slipknot to No Doubt and riot girl, PJ Harvey, Butcher Babies have carved out their niche in the metal world. Their relentless touring schedule and high-octane performances have taken them across the globe, sharing stages with some of

the biggest names in metal. Butcher Babies continues to evolve, pushing boundaries and challenging the norms of the genre. Their dedication to their craft and their fans makes them a standout act, promising and exciting future for this powerhouse band.

 

Founded by multi-platinum producer Howard Benson and Neil Sanderson(drummer and songwriter of Three Days Grace), Judge & Jury brings decades of success in the rock world, offering extensive promotional, production, and songwriting resources. 

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

TikTok

YouTube

Untitled With Drums Announce Sophomore Album Made Flesh

UNTITLED WITH DRUMS are announcing Made Flesh with a music video for “Matter”. On the lead single from their upcoming sophomore album, the alt. rockers lock in and never let up with the focus of a band that’s fully confident in themselves.

Watch the music video for “Matter below:

Made Flesh comes out August 21, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/untitledwithdrumsmadeflesh

Available Formats

CD Digipak

Digital Download

12” Vinyl Gatefold — Black

12” Coloured Vinyl Gatefold — Silver, White & Black Marbled

12” Coloured Vinyl Gatefold — Red & Black Marbled

Made Flesh maps a free-flowing exploration of the human psyche. The album deals with the ego, denial, toxicity and faith without coming to any easy resolutions. “Matter” is about the almost irrepressible need to put oneself above everything else and to be the only one who counts. "I wanna be important / I wanna be my own Sun / I've got to be the only one to matter now,", vocalist Martin Le Borgne sings. The song doesn't condemn so much as expose. It’s a mirror held up to a reflex we would rather not recognize in ourselves.

No strangers to the specialist press or the festival circuit, Untitled With Drums have been together since 2014. The band released their debut album Hollow in 2020, just days before their native France entered its first COVID lockdown. Despite the timing, the album drew widespread praise and propelled the band to the stages of Hellfest, London’s Desertfest and the Nuits de Fourviere festival, where they opened for the Deftones and Baroness.

With this sophomore album, UNTITLED WITH DRUMS establish themselves as the beacon of a French rock scene struggling to take risks, too often settling for crude heaviness. Theirs cuts deeper — straight to the flesh.

Line-up:
Martin L.B. — Bass, Vocals, Additional Guitar

Lucas Delay — Guitar, Additional Guitar

Nicolas Zalachas — Keyboards

Remy D. Perrin — Drums, Additional Guitar

Additional Recording Lineup:

Etienne Marchal — Additional Guitar

Recording Studio:

Halle du Jeu de Paume (Vic-le-Comte, France).

Production Credits:

Produced and Mixed by Cyrille Gachet.

Mastered by Alan Douches at West West Side Music.

Cover Art:

Martin Le Borgne

Biography:

Clément Duboscq

Photography:

Angélique Delabre

Follow Untitled With Drums

Linktree: https://linktr.ee/uwd666

Bandcamp: https://untitledwithdrums.bandcamp.com/

Facebook: https://www.facebook.com/untitledwithdrums/
Instagram: https://www.instagram.com/untitled_with_drums/

YouTube:https://www.youtube.com/channel/UC07Z6EpQUvCmC84MN1Rhqzg

Spotify: https://open.spotify.com/artist/4XiFVuDepsbUebkmNbTjlu

Apple Music: https://music.apple.com/artist/untitled-with-drums/1433932755

Deezer: https://www.deezer.com/artist/50464792

Tidal: https://tidal.com/browse/artist/3842713

UK Alt-Metal Trio TROPIC GOLD Returns with New Single "Witch House (Feat. Harpy)" Marking Their First Release Under New Label BLKIIBLK

Today, ahead of their Download Festival appearance next month, hotly-tipped Essex trio TROPIC GOLD returns with their brand new single, “Witch House” featuring Harpy, marking their debut under their new label partner, BLKIIBLK. "Witch House" arrives alongside an official music video, available below.

On the new track, the band shares:

'Witch House' explores the all encompassing parasite of an external force consuming and trapping its victim. This force is experienced in many forms, 'Witch House' addresses the relationship and connection between two people, one being the trapped, feeling they’re within a hex they cannot break.”

Watch the Official Video for "Witch House (Feat. Harpy)" Below:

TROPIC GOLD pulls from metalcore, industrial noise, electronic production, and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics, and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang!, and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker, and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier, and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festival this summer, TROPIC GOLD are starting to feel less like a promising new act and more like a band properly breaking through.

TROPIC GOLD Live:

June 13 - Donington @ Download Festival

June 30 - Newcastle @ Think Tank *

July 1 - Leeds @ Hyde Park Book Club *

July 2 - Southampton @ 1865 *

July 3 - Bedford @ Esquires *

July 4 - Norwich @ The Waterfront *

July 5 - Brighton @ Patterns *

July 10 - Cheltenham @ 2000 Trees Festival

November 28 - Sheffield @ Novocaine Festival



* Co-headline w/ Banks Arcade

Gentle Giant’s In a Glass House Returns in Newly Remixed and Remastered Edition due in July!

One of progressive rock’s most daring and influential albums, In a Glass House by Gentle Giant returns in a powerful new form, newly remixed and remastered by Grammy Award-winning producer Eber Pinheiro alongside the band’s own Derek Shulman.

Originally released in 1973, In a Glass House stands as a bold artistic statement that pushed the boundaries of composition, musicianship, and studio experimentation. With its intricate arrangements, shifting time signatures, and thought-provoking themes, the album remains a cornerstone of progressive rock and one of Gentle Giant’s most celebrated works. The album features some of the band’s most enduring compositions, including “The Runaway,” “Experience,” and the epic closing title track “In a Glass House.”

For the first time ever, In a Glass House has been newly mixed and made available in both 5.1 surround sound and Dolby Atmos, opening up the album’s dense arrangements and intricate performances in an entirely new way. 

“When we made In a Glass House, we were pushing ourselves musically and creatively in every direction,” said Derek Shulman. “Hearing the recordings again and being able to remix them with today’s technology has revealed details and textures that were always there but never fully heard. We wanted to present In a Glass House the way we always hoped it could sound, clearer, more dynamic, and true to the original vision. The detail in the performances really comes through in this new mix.”

“The Dolby Atmos and surround mixes really allow the listener to step inside the music,” Shulman added. “It’s incredibly rewarding to hear the album take on a new life while still staying completely true to what we created in 1973.”

For longtime fans and new listeners alike, this new edition of In a Glass House presents the album with greater power, depth, and transparency than ever before, reaffirming its place as one of the defining recordings of the progressive rock era.

The release will be available in multiple formats, including a standard 180g vinyl LP, limited edition clear vinyl, CD, and a deluxe CD/Blu-ray edition featuring stereo, 5.1 surround sound, and Dolby Atmos mixes.

Release Date: July 31st, 2026 

Pre-Order:
https://linktr.ee/gentlegiantband