Legendary Arena Rockers HOUSE OF LORDS Release New Video for Title Track "Full Tilt Overdrive"

Today, HOUSE OF LORDS premieres the brand-new video for the title track of their latest album, "Full Tilt Overdrive". The video showcases the hard-hitting energy and classic sound that fans have come to love, capturing the essence of the band’s signature style.

This release follows the recent drop of 'Full Tilt Overdrive', the band's twelfth studio album via Frontiers Music Srl. Produced by vocalist James Christian and keyboardist Mark Mangold, the album delivers an inspired collection that proudly stands among the best in the band’s repertoire. With plans to bring these new songs to stages across Europe and the States, HOUSE OF LORDS continues to be a driving force in the hard rock scene.

On the video release for "Full Tilt Overdrive", HOUSE OF LORDS comments:

"This song is about Playin at Maximum Energy. Don’t Drive while Listening!!!"

Watch the Video for "Full Tilt Overdrive"

HOUSE OF LORDS is now formed by the legendary singer James Christian – the sole member who appeared on all the band’s albums - guitarist Jimi Bell, who has been with the band since their return with 'World Upside Down,' the charismatic keyboardist and songwriter Mark Mangold (Touch, Michael Bolton, Drive, She Said) along with Swedish drummer Johan Koleberg (Lions Share, Ignition, Therion). This is the same line-up that appeared on the previous album 'Saints And Sinners' however they are now definitely more gelled and have produced a more focused and extremely ambitious new album with no weak points.

HOUSE OF LORDS stands for superb hooks and majestic atmospheres that bring back the memories of their stellar debut album, monumental guitar riffs, and a production to die for. All these ingredients you will find in abundance on 'Full Tilt Overdrive', especially with songs such as the 9-minute epic closer “Castles High” and the lead single “Bad Karma”, not forgetting today's “Taking the Fall” which has a nod to the band’s biggest hit “Can’t Find My Way Home” and the riveting title track.

Order 'Full Tilt Overdrive' HERE

HOUSE OF LORDS debuted in 1989 with the release of their self-titled album, a record that is still regarded as one of the best arena rock releases of the 1980s. The colossal sound, the soaring vocals of Christian, and the instrumental capabilities of the band (which featured ex-Angel and Giuffria keyboardist Gregg Giuffria, along with luminaries Lanny Cordola, Chuck Wright, and Ken Mary), were reminiscent of such frontrunners as Whitesnake, Deep Purple and Van Halen and immediately brought the band to the attention of the mainstream music media and the masses of '80s hard rock fans.

With their sophomore release, 'Sahara,' HOUSE OF LORDS had considerable radio and video chart success with their cover of Blind Faith's "Can't Find My Way Home." After a tour with Nelson in 1991, the group disbanded, eventually coming back together with a new lineup (featuring original members Giuffria and Christian) in 1992 with "Demon's Down." With the change in musical climate at the time, HOUSE OF LORDS hibernated until the original lineup came back together in 2000, releasing the controversial "Power And The Myth," an album that featured a sound leaning more towards progressive hard rock with '70s rock influences.

After a short European tour, Christian decided to go back to the trademark arena rock sound of HOUSE OF LORDS, putting together a new lineup with the blessing of founding member Giuffria, who opted out right before the release of "Power And The Myth." New members Jimi Bell on guitars and B.J. Zampa on drums supplied a true powerhouse sound to the fifth studio album, "World Upside Down,' a record that caused a real stir in the hard rock and melodic rock scenes. That album was followed up by the equally impressive "Come To My Kingdom" in 2008, "Cartesian Dreams" in 2009, "Big Money" in 2011, "Precious Metal" in 2014, and "Saint Of The Lost Souls" in 2017.

HOUSE OF LORDS have toured relentlessly in Europe and the States in support of their releases and are a true staple of the hard rock scene on both continents.

HOUSE OF LORDS are:

James Christian - vocals, bass

Jimi Bell - guitars

Mark Mangold - keyboards

Johan Koleberg - drums

VISION VIDEO unveils enchanting 'Let Go of Time' video from new 'Modern Horror' album

Post-punk outfit Vision Video presents has unveiled their new video for 'Let Go of Time', their fourth single from their 'Modern Horror' album. Diving headlong into the viscera of atrocity that we see in our modern world, this 11-track offering was preceded by the singles 'Stay', 'In My Side (Modern Horror Version)' and 'Dead Gods', a scathing critique of those who use dogma and ideology to justify violence and authoritarianism.

Having just won the 2024 Fangoria Chainsaw Awards Editor's Eyeball Award, Vision Video has been announced as part of the lineup for the Sick New World Festival in Las Vegas. There's good reason that the band's output has been dubbed "Dance Music for the End-Times".

Formed in Athens, GA in 2020 by Dusty Gannon, whose character videos featuring "Goth Dad" have won the hearts of hundreds of thousands of followers, and Emily Fredock, Vision Video creates intense and uncompromising goth rock with a message. Injecting malaise into classic post-punk and new wave, this is refreshingly modern while paying homage to artists like the Chameleons and the Cure.

For this album, the band worked with Grammy Award-winning producer Ben Allen (Erasure, Animal Collective, Washed Out, Deerhunter), who recorded and mixed this album at Maze Studios in Atlanta. Mastered at Abbey Road Studios by Frank Arkwright (The Smiths, New Order, Joy Division, Primal Scream, Blur, Mogwai), this album features cover artwork by Ryan Dunn

"I wrote 'Let Go of Time' not long after I was diagnosed with PTSD. I was watching my favorite vampire film (the incredible Jim Jarmusch's 'Only Lovers Left Alive') and I found myself feeling a lot of parallels to how the character Adam (played by Tom Hiddleston) felt about the world - having to endure for so long, but always feeling less and less purpose because of this diminishing luster of things," says Dusty Gannon.

"I think that film, and ultimately this song is about finding purpose, joy and love when it is most difficult to find those things in life. It's about the endurance of love when you have someone that will give everything to spend time with you, to be present with you when you are not well. I'm really fortunate to have that in my life with my partner Scarlet. She has seen me in my lowest moments and my darkest hours and she is still there, always kind and loving and pushing me up to the light."

'Modern Horror' goes to darker and acidic places than earlier releases, leaning into Gannon’s experiences as an anti-war Afghanistan veteran and former firefighter-paramedic and drawing attention to the systematic disenfranchisement and seeming hopelessness of current world circumstances. An unrelenting exposition on real-world horrors, this record warns against further war and brutality.

'Modern Horror' maintains its grit under the nails. Charged with anger and frustration, it does not lose its sense of direction or its listenability. The guitar work is fierce and dissonant, but still melodic. Vocally and lyrically, Gannon belts and cries out in a pleading, yet controlled manner. Emily Fredock, utilizing vintage synths, creates gorgeous and haunting melodies that remain in your head well after the record stops, while newcomer Ryan Houchens’ drumming gives new energy to the band with a keen sense of ferocity.

Vision Video's first two albums 'Inked in Red' (2021) and 'Haunted Hours' (2022) - both recorded and mixed by Tom Ashton of The March Violets - were met with critical praise, with Pitchfork calling their music "tailor-made for the sort of wallflower who sprints to the dancefloor the instant the DJ drops 'Age of Consent' or 'Primary' at Goth Night". Vision Video has made the covers of Auxiliary Magazine and Fangoria Magazine. To date, they've completed eight major tours in North America, the UK and Europe.

The 'Modern Horror' album is out now, available on vinyl and everywhere digitally, including Spotify, Apple Music and Bandcamp.  Vision Video will be touring their new album throughout autumn and winter, kicking off in Berlin on November 26. Their EU / Ireland / UK tour i. includes a series of dates with The Chameleons, The Membranes, Mark Burgess and The Nightmares.

CREDITS
Written by Dusty Gannon and Emily Fredock
Dusty Gannon - vocals, guitar, bass
Emily Fredock - synth
Ryan Houchens - drums
Recorded & mixed by Ben Allen at Maze Studios in Atlanta
Mastered at Abbey Road Studios by Frank Arkwright
Cover artwork by Ryan Dunn
Publicity by Shameless Promotion PR

VIDEO CREDITS
Producer - Dusty Gannon
Production Company - Son-Son Productions, @son_son_productions
Executive Producer - Parker Thomson, @parkerthompson_
Director & Editor - Vann Johnson, @vanndamage
1st AC - Jackson Helms, @jackzonhelmz
Gaffer - Sebastian Castro, @clubsodanoflavor
Utility - Mustafa Tikiwala, @mustafa_tikiwala
PA - Ben Tellano, @ben_tellabo
Set Decoration - Scarlet Lewis & Christina Bacon
Lead - Kendal Reeves, @kendalereeves
Vampress - JoHanna Moresco, @johannamoresco
Dancers - Alma Bajramović, Kyle Jones, Julia Aldridge, Emily Leibl, Emily Clark, Mackenzie Fulford, Casia Siegel, Cassidy Nix, Rebecca Haulk, Sydney Johnson, Nash Carroll, Jaxon Meeks, Delaney Morgan, Bella Holliday, Alyssa Poulos, Sam Mahany

Keep up with Vision Video
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Keep up with Shameless Promotion PR
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Dead Icarus release debut album 'Zealot' today

Dead Icarus, the new band of former Atreyu lead vocalist and Gold-selling artist Alex Varkatzas, as well as Gabe Mangold of Enterprise Earth and Brandon Zackey, have officially released their debut album ZEALOT today, October 31, via MNRK HEAVY.

Produced and co-written by Mangold, ZEALOT is a precise and pummeling execution of airtight technical riffs, miles of solos, blast beat assault and battery, and screamed, growled, and sung vocals.

"Zealot is the culmination of our unyielding, fanatical belief. We set out to create a dynamic, multi-faceted record that incorporated everything we love about music. It's heavy, it's melodic, it's angry, it's hopeful, it has riffs and hooks but above all it's sincere and comes from purely from our heart and minds. No outside interference. We hope you connect with and enjoy the music as much as we do," says Varkatzas.

"'ZEALOT,' the title track, is our most out of the box song on the record. It definitely toys with a nu-metal vibe but with our own unique Dead Icarus spin. It’s about abandoning comprises and following your internal compass NO MATTER THE COST. It's also the final video we shot in the haunted house, a perfect fit for this time of year."

Dead Icarus leans on the uncanny creative union between vocalist Varkatzas, guitarist and producer Gabe Mangold, and drummer Brandon Zackey. The band truly gets its wings from the undying commitment made by its members. The musicians pursue their artistry with a resolute sense of focus, manifesting in the precise execution of airtight technical riffs, virtuosic solos, blast beat assault and battery, and hard-hitting vocals.

Countless fans worldwide initially got to know Varkatzas as co-founder and original frontman for influential Southern California metalcore stalwarts Atreyu. After two decades earmarked by chart-shaking success, a pair of Gold albums and Gold singles, sold-out shows around the globe, and critical renown, he embarked on his next chapter in 2020. Enter Mangold. Celebrated as guitarist for Enterprise Earth, he and Alex instantly clicked and forged a musical partnership, yielding their 2024-released Ad infernum EP. Inciting critical applause, Revolver promised, "Fans of old-school Atreyu will definitely enjoy."

Happy Halloween! Dorothy Drops Video For New Single "Devil I Know"

The raven-haired rock star from Los Angeles, DOROTHY, returned this summer, with the scorching new single "MUD." She rode in on a black horse, equipped with leather and signature red lip, the rock world will once again be schooled in the undeniable chemistry that is alive and well amongst metal and rock loyalists and country badasses. A musical outlaw through and through, Dorothy's new single is a display of raw, full-bodied vocal power complimented by heavy-hitting instrumentation and riffs galore. The song is sitting at No. 3 on the Billboard Mainstream Rock Chart and at No. 4 on the Active Rock Chart.

Earlier this month, the singer shared an explosive performance video of the song, something her legion of fans has been eager to see and hear. Watch it here. Dorothy also performed alongside Creed's Scott Stapp at the legendary Grand Ole Opry in Nashville on October 23. It served as the first-ever live performance of their duet "If These Walls Could Talk," an acoustic ballad that delivers two Grammy-worthy vocal performances that escalate to soaring climax as they depict the experience of suffering in silence. It also marked Dorothy's first time performing at this historic venue.

Today, she closes out a bustling and busy month by offering fans another new sonic gift in the form of the new track "The Devil I Know."

"'The Devil I Know' is a battle cry about the human condition and the spiritual warfare we engage in every day," the singer offers, sharing insight into the song's deeper meaning. "It's a prayer for help in time of need, laced with fury toward the demons that we fight against individually and collectively."

She continues, "This one also boasts a mean and heavy riff."

Mean and heavy, indeed!

The details of Dororthy's forthcoming fourth studio album will be announced in due course. Dorothy's discography thus far includes Gifts From the Holy Ghost (2022), which was inspired by a spiritual awakening, as well as ROCKISDEAD (2016), which inspired Roc Nation to sign the artist to the label, and 28 Days in the Valley(2018). The Budapest, Hungary-born stunner has enjoyed over 1 billion global streams combined across her career and has participated in high-profile collaborations with everyone from Staind to Slash of Guns N' Roses to Scott Stapp of Creed to Alice Cooper guitarist Nita Strauss, earning and ultimately cementing her place among the hard rock elite. 

WANG CHUNG ANNOUNCE EXTENSIVE CAREER RETROSPECTIVE, DOUBLE LP 'CLEAR LIGHT/DARK MATTER' AND EVERYBODY HAVE FUN TONIGHT REMIX OFFICIAL LYRIC VIDEO

Some of the '80s biggest and most enduring synth-pop hits were created by a single band, Wang Chung – including "Dance Hall Days," "Everybody Have Fun Tonight," "Let's Go!", "To Live and Die in L.A.," "Hypnotize Me," and “Fire In The Twilight” – and now all those tracks (and more!) will be included on the new compilation, 'Clear Light/Dark Matter.'

Scheduled to release on Friday, March 7th, 2025, 'Clear Light/Dark Matter' reveals the many layers of Wang Chung's music. This exclusive double vinyl set spans the band's more than four-decade and career, featuring a carefully curated selection of their greatest hits and hidden gems, including never-before-released demos and a new live recording.

The set also includes an edit of the recently released brand new remix of “Everybody Have Fun Tonight” by acclaimed remixer Eric Kupper, known for his work with artists such as Whitney Houston, Alicia Keys, Depeche Mode, Diana Ross, and Earth, Wind & Fire. Streaming everywhere now.

Priced at $89.95, the set is available now for pre-order as a "deluxe collector's edition," and includes instant access to the music and other exclusive digital content! https://singmarket.com/market/wangchung/cldm/deluxe

Included in this set is:
• Double 12" LP Vinyl Record: 180g colored vinyl (Clear White & Black Ice)
• 7" Vinyl Single: Everybody Have Fun Tonight (Eric Kupper Remix – Club & Dub versions)
• Exclusive Booklet: Featuring photos provided by Nick Feldman and Jack Hues, with written contributions from Jack Hues
• CD: 6-panel two-disc digipak of ‘Clear Light/Dark Matter’
• Turntable Mat
• 8" x 10" Semi-Gloss Photo: Exclusive image provided by Wang Chung
• 5” x 5” Sticker: Everybody Wang Chung Tonight

Additionally, digital assets include:
• 8 Exclusive Photos: Never-before-seen
• Thank You Video: Personal message from Wang Chung

The duo of Nick Feldman and Jack Hues came out of the post-punk/new wave scene in the UK, and went on to achieve global success selling millions of records. Throughout their 40+ year career, they have released 6 studio albums and 2 greatest hits collections. They have had 6 US Top 40 hits, including a massive #1 single. They composed and performed the complete score for the 1984 neo-noir action thriller film "To Live and Die in L.A.” and also the song 'Fire in the Twilight’ for the legendary film 'Breakfast Club’, amongst many others. Wang Chung’s hit song 'Dance Hall Days’ was featured almost in its entirety in the 2024 hit movie starring Anne Hathaway titled 'The Idea of You’.  'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show ‘Everybody’s in LA’. In the process of all of this (and somewhat unintentionally), Wang Chung became part of the contemporary culture of North America with their huge smash 'Everybody Have Fun Tonight', with its now famous line ''Everybody Wang Chung Tonight'' which saw the invention of a new US verb: ''to Wang Chung'’.

From Wang Chung:
"Our songs often have an accessible front end, but there's always a deeper layer beneath the surface—whether it's lyrically or musically. 'Clear Light, Dark Matter' reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman
  
Founded in 2019, Seattle-based SING Inc. is a music technology company specializing in deluxe collector’s editions and high-fidelity vinyl records. We focus on fostering the relationship between artists and fans by creating products of high quality and cultural importance. Each release is thoughtfully curated and uses our proprietary intellectual property technology to ensure authenticity. Every edition is designed to deliver a memorable experience in various physical and digital formats, allowing fans to truly "Own the Sound."

2024 has continued to be a successful year for Wang Chung with 'Dance Hall Days' being featured almost in its entirety in the 2024 smash hit movie starring Anne Hathaway, titled 'The Idea of You’.  'To Live and Die in LA' also got used as the theme tune for the John Mulaney Netflix show 'Everybody's in LA'.
 

FOR MORE INFORMATION, VISIT:
Website: www.wangchung.com
Facebook: facebook.com/wangchungband
X: @WangChungMusic
Instagram: @WangChungOfficial

SÉANCE OF SORROW - RELEASE MUSIC VIDEO FOR THEIR COVER OF AUDIOSLAVE'S 'LIKE A STONE' !

Dark rock outfit SÉANCE OF SORROW are treating fans to a special Halloween release in the form of a music video. The band pays homage to the iconic Chris Cornell by covering AUDIOSLAVE's 'Like A Stone'. 

The band uses music as their medium to communicate with the mortal world. Acting as a conduit between the realm of the living and the realm of the dead, his mournful melodies tell their story. For the cover, the band wanted to create a darker and somber interpretation of the AUDIOSLAVE classic, The track was engineered, mixed, and mastered by Josiah Wiswell. 

SÉANCE OF SORROW's Michael Morrison comments, "Audioslave released their debut album 22 years ago. When I first heard Like A Stone, it sent chills through my body. The subtle delivery of morbid lyrics combined with Chris Cornell's vocal mastery left a lasting impression on me. With the song hailed as a classic, and Chris Cornell's passing cementing him as a legend and icon, I wanted to breathe new life into it. Rather than make a carbon copy, I wanted to give it a new, darker identity. I hope it finds its way into the hearts of old fans of the original and new fans who have never heard it before.” 

Each song provides a psychic vision to vocalist Michael Morrison, revealing details of their former lives, grieving loved ones, and similar, tragic endings. 

Condemned to ‘The Black’, a place where forsaken souls with unfinished business reside, they strive to eventually write the one song that will give Michael the vision of who took their lives. Until then, SOS play their cryptic hard rock through eternal darkness. Close your eyes, open your hearts, and let the ritual begin. This is the SÉANCE OF SORROW.

In case you missed it, the band released the tracks 'Unholy Angel' and 'Dark Rain'. earlier this year. Fans can head to seanceofsorrow.com to enjoy the comic book recreations of the music videos and purchase band merch. Stay tuned for the upcoming singles and comic book installments chronicling the tragic tale.

SÉANCE OF SORROW are:
Michael Morrison | Vocals
Nick Massacre | Guitar
Corban Crucifix | Lead Guitar
Johnny Angel | Bass
Cameron Crash | Drums

Visit SÉANCE OF SORROW online at:
https://www.facebook.com/weareseance
https://www.instagram.com/seance_of_sorrow/

Acclaimed AOR Force THE NIGHT FLIGHT ORCHESTRA Reveal Nostalgic New Single, “Shooting Velvet”

THE NIGHT FLIGHT ORCHESTRA’s new album and Napalm Records debut 'Give Us The Moon' is set for release on January 31, 2025, and today the band offers a first taste of what’s to come with “Shooting Velvet”! The beautifully nostalgic new single arrives with an official music video. Founded in 2007, THE NIGHT FLIGHT ORCHESTRA already have six albums and three Swedish Grammis nominations as well as millions of streams and countless exciting live shows under their belts.

The multifaceted new offering continues THE NIGHT FLIGHT ORCHESTRA’s mission of protecting true AOR and will impress fans and critics alike with its spellbinding storylines, brilliant musicianship and unique sound. To celebrate the album release, THE NIGHT FLIGHT ORCHESTRA will head on a full European tour at the end of January. Make sure to pre-order your copy of 'Give Us The Moon' now and check out the exciting music video for “Shooting Velvet” below!

THE NIGHT FLIGHT ORCHESTRA comments:

“Here’s the first taste of the new TNFO universe that is 'Give Us The Moon'. Let yourself be mesmerized by the pulsating foundation and grandiose chorus of this glittery effort. This song is about keeping the highs, fighting the lows, and never skipping a beat. We shall be watching you from the moon as you lace your shiny shoes. Enjoy ‘Shooting Velvet’!”

Watch the Official Music Video for “Shooting Velvet”

Founded in 2007 by members of high-profile bands such as Soilwork, Arch Enemy, and Mean Streak, over the years THE NIGHT FLIGHT ORCHESTRA have been nominated three times for the Swedish Grammis, gathering millions of streams via their hits. The band has also won over live audiences internationally with their incredibly entertaining performances, including enormous festivals like Wacken Open Air and even opening for Kiss on their very last two shows in Sweden at legendary Dalhalla, as well as several successful European tours and a Latin American tour in summer 2024.

The 13-track album takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real-life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides. The intro track “Final Call” sets the scene for Give Us The Moon before impressive opening track “Stratus”. The intro of “Like The Beating Of A Heart” captures the listener from its first notes, leading into an irresistibly catchy chorus. Massive “Melbourne, May I?” is a classic THE NIGHT FLIGHT ORCHESTRA anthem, featuring captivating solos that are equally prominent on following track “Miraculous”. THE NIGHT FLIGHT ORCHESTRA slows it down for the emotional “Paloma”, before again diving into different soundscapes on the exciting, uplifting “Cosmic Tide”. The title track “Give Us The Moon” builds into a singalong chorus, before the band continues their trademark of name-dropping streets and cities on “A Paris Point Of View”, that features fascinating instrumentation including particularly 80s-inspired keys and groovy bass. Sentimental “Runaways” feels like a part of a movie, only partially because of the attention-grabbing intro track before the first notes. THE NIGHT FLIGHT ORCHESTRA gets the tempo up once more for “Way To Spend The Night” before the epic closing track “Stewardess, Empress, Hot Mess (And The Captain Of Pain)” wraps up THE NIGHT FLIGHT ORCHESTRA’s most cinematic masterpiece so far.

'Give Us The Moon' is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. The album was produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. The galactic artwork was once again created by the talented Giorgia Carteri. Boarding is completed - fasten your seatbelts and enjoy the flight!

THE NIGHT FLIGHT ORCHESTRA about their new album:

“We have never worked harder on an album before and what a journey it’s been. We feel that this album has it all and there’s no way we could have done any better. It’s an explosion of emotions and cinematic landscapes where you’ll be catapulted into space and then land smoothly while feeling right at home. It will be your haven and your grand escape all at once. We hope you will connect to this album with every fiber of your body and mind, just like we do. Please do enjoy 'Give Us The Moon'!”

Pre-Order Your Copy Of 'Give Us The Moon' NOW:

THE NIGHT FLIGHT ORCHESTRA are:

Björn Strid - Vocals

Sharlee D’Angelo - Bass

Jonas Källsbäck - Drums

Sebastian Forslund - Guitar, Percussions

John Lönnmyr - Keys

Rasmus Ehrnborn - Guitar

Anna Brygard - Backing Vocals

Åsa Lundman - Backing Vocals

THE HELLACOPTERS - Reveal Cover And Release Date Of Brand New Studio Album "Overdriver"

Swedish high-energy rock'n'roll pioneers THE HELLACOPTERS have revealed the cover and release date of their brand new studio album Overdriver, which will see the light of day on January 31st, 2025, via Nuclear Blast Records.

Less than three years after their triumphant, chart-storming comeback record, Eyes Of Oblivion, Sweden's most consistently great rock outfit is back with another banger of an album. Overdriver was recorded at Strawberry Studio & The Honk Palace and is the first HELLACOPTERS album entirely produced by Nicke Andersson. As you might expect from a HELLACOPTERS album it's filled to the brim with roaring guitars and earth-shattering grooves, fist-raising energy and anthemic choruses, while keeping the variety richer than ever before. The striking cover for Overdriver was created by German illustrator Max Löffler. More info on pre-order and tracklist will follow very soon!

And since they're also celebrating their 30th anniversary in 2025, THE HELLACOPTERS could have a few more tricks up their sleeves to keep you boys and girls in line, so keep your eyes peeled!

ABOUT THE HELLACOPTERS
Swedish high energy rock and roll band THE HELLACOPTERS released its eighth studio album, Eyes Of Oblivion, on April 1st, 2022. It marked the first full-length since the release of their temporary farewell record Head Off in 2008, which Nuclear Blast Records reissued in October 2024. Eyes Of Oblivion was met with massive acclaim from fans and media alike. Charting #1 in Sweden, #3 in Germany, #6 in Finland, the band celebrated a triumphant return culminating in a show with the mighty Iron Maiden in Gothenburg in July 2022, and apart from their own string of shows, gigs with Ghost in Germany in June 2023. Eager to keep the rock flowing, February 16th, 2024 saw THE HELLACOPTERS release not one, but two stunning versions of their classic Grande Rock album, which was originally released in 1999. Grande Rock Revisited included a remastered original version and a remixed and partially re-recorded version showing how the album could have sounded in a parallel universe with guitarist Dregen being in the band at the time. After making rock grande again, the group set sights on new material, debuting the phenomenal single 'Stay With You'  in May 2024 and releasing it as limited 7inch via Lightning Records. 

THE HELLACOPTERS ONLINE:
https://linktr.ee/thehellacopters

LUCIFER - Release Cover Of Leonard Cohen Song 'Who By Fire' Feat. Bobby Liebling (PENTAGRAM)

Just one week before embarking on the second leg of their 2024 'Satanic Panic' European Tour and right on time for spooky season, heavy occult rock congregation LUCIFER have unveiled a stunning cover version of a song by by the late great Leonard Cohen. 'Who By Fire' features none other than doom metal legend Bobby Liebling of PENTAGRAM as a duet partner for Johanna Platow Andersson. Witness two generations of occult rock and doom metal joining forces for a unique take on this classic tune from 1974.

LISTEN TO 'WHO BY FIRE' (FEAT. BOBBY LIEBLING) BELOW:

Johanna commented:
"Growing up with Leonard Cohen's music, as my mother was a passionate fan, I have always been profoundly touched by his lyrics and of course especially gravitated towards this extremely haunting death theme. Bobby Liebling and I have been talking about collaborating for quite a few years now. When I knew I wanted Lucifer to cover "Who By Fire", Bobby was the perfect one to interpret this very eerie song and I am so glad he said yes. Being a huge Pentagram fan, this is quite something for me! We are extremely pleased how 'Who By Fire' turned into a Lucifer song and Halloween was the perfect occasion to release this morbid work."


LUCIFER will continue their successful 2024 'Satanic Panic' European Tour next week, and once again they're being joined by German rising stars, The Night Eternal. The tour package will be completed by US heavy metal band Tanith, which features Russ Tippins (original guitar player of NWOBHM legends SATAN) on guitar and vocals. You can find all confirmed dates at the bottom. 

ABOUT LUCIFER

Since its inception in 2014 In Berlin, the highly prolific band led by charismatic singer Johanna Platow Andersson has released four electrifying albums on Rise Above (LUCIFER I) and Century Media Records (LUCIFER II-IV), as well as and numerous stand-alone singles infused with 1970s hard rock, proto heavy metal, doom and occult rock, with a nod to their main influences such as Black Sabbath, Pentagram & Blue Öyster Cult. They have played over 250 shows in the Europe, Japan, North & South America, including festivals such as KISS Kruise, Psycho Las Vegas, Hellfest, Wacken and many more, most recently supporting the band GHOST on their European tour in spring 2023. Two of their shows have been recorded and broadcasted by prestigious German national TV program Rockpalast.

LUCIFER, now located in Stockholm, have been nominated for a Swedish Grammy twice, as well as for the Swedish Radio Award P3 and several awards by popular music magazine GAFFA. Amongst others, they have graced the cover of the leading US metal magazine, Decibel, before their first album was even released.

The group has released their critically acclaimed fifth studio album, LUCIFER V, on January 26th 2024 through their new label Nuclear Blast Records.

 Visit LUCIFER at:
www.lucifer.church

Manchester post-punk / death-rock stalwarts Inca Babies unleash 'Ghost Mechanic 9' single

Manchester post-punk death-rock rockers Inca Babies present ‘Ghost Mechanic 9’,the title track and second single from their ninth studio album 'Ghost Mechanic Nine'. A driving blast of a guitar song, this song is a powerful indication of the flavour of the album as a whole, the sound owing more to the Incas' early music as Harry Stafford revisits the raw guitar sounds of their 80s output. Earlier, they released the lead track 'Spacewalk', a timeless Rockabilly groove inspired by Link Wray, Alan Vega and Brian Setzer (but set in a Sci-Fi space opera), together with the B-side 'Monster In The Deep'.

Today, Inca Babies is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, this album explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time. 

With its singular hypnotic bass rhythm, 'Ghost Mechanic 9' could have fit neatly on their 1986 album ‘Opium Den’ . But those days of analogue imprecision are behind us and, with Simon ‘Ding’ Archer (The Fall, PJ Harvey) at the controls, there is still a contemporary zing to the production and a snap to the overall sound. Recorded at 6Db Studios in Salford, Archer and Stafford recorded and mixed this album over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher subsequently mastered this record at his Boombox studio in North Carolina.

This collection of darkly invigorating tunes,album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock, reconnecting with their roots, where The Gun Club and The Cramps met, the intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.  

“This is a surging highway groove that drives us on into the night with a rumbling bass line. Driving for the sake of it; driving to escape. Headlights in the dark: red and blue dash lights; wondering why anyone but you is driving this late. The ghost on the highway, the grease-ball mechanic who says you’ll keep going for miles and miles. And all the numbers are the same. It’s number 9, the ninth album for Inca Babies and he first of nine songs on the album," says Harry Stafford.

Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

'Ghost Mechanic 9' is available everywhere as of October 30, including Spotify, Apple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Keep up with Inca Babies
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Keep up with Shameless Promotion PR
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Cheatham County's Preston James Releases White Trash From Way Back EP on Friday

Twenty-four-year-old singer-songwriter Preston James is releasing his debut EP, White Trash from Way Back, Friday, Nov. 1 on all platforms . With his long hair, blonde scruff and dark eyes, the Cheatham County (Tenn.) native certainly looks the part, but it’s his soulful vocals and the storytelling quality of his lyrics that will convince you to put these tracks on your country/southern rock playlist. 

James, writer or co-writer on all but one track on White Trash—the high-octane, instrument-laden “Heartbreak’s on You” (Go on, break my heart; tear it up like a letter/Put the pieces on the burn pile; it’ll hurt, but I’ll feel better) featuring the song’s writers, Jaren Johnston and John Osborne—has previewed three singles off the EP for fans. In addition to “Heartbreak,” he has released “Fences” (written with Steve Moakler and EP producer Logan Wall), an autobiographical love letter detailing James’s relationship with his fiancée and fellow Season 11 Voice alum Charity Bowden, and his rowdy debut single, “Deal with the Devil,” written with Jason Saenz and Alex Kline. 

“Working with Preston over the course of this EP has been such a creative palate cleanser,” Wall says. “Preston is a massive talent on the rise, and I feel lucky to have been involved from the ground floor. As a producer, my role is always to make sure the artist’s voice is heard and their story is told truthfully.”

New cuts include the bittersweet, acoustic guitar–driven “Take Me Back” (written by James, Wall and Joybeth Taylor) and the solo-written title cut (I’ve never known nothing but them katydids buzzing some sad ol’ mountain sound/And the smell of that rock burning holes through my poor hometown…It’s where I’ll die when I’m old and feeble/I’m getting by fine with my white lightning still/Cause I’m White Trash from Way Back in these Tennessee hills). Every song showcases James’s passion for storytelling as he moves effortlessly from small-town love song to hillbilly headbanger, narrating the goings-on of rural life.

“White Trash from Way Back sums up me,” James says, “where I’m from and the music I love, in about 18 minutes. I hope y’all have as much fun listening as we did making it!” 

After being offered his first publishing deal at 18, James is carving out his place on the Row with this EP, signing with publishers King Pen Music and Warner Chappell Music and inking a booking deal with the Neal Agency, whose artist roster includes hitmakers Morgan Wallen, HARDY, Chase Rice and Riley Green, among others.

Brian Carothers and Evan Kantor, both agents with the Neal Agency, are firmly in James’s corner. “Preston is sitting on an unbelievable debut EP,” Carothers says. “I’ll never forget the day he played it for everyone here. The excitement in the room was special, and we’re all thrilled to be working with him.” Adds Kantor, “From the moment we heard the music, we were all sold on Preston’s talent. What’s been even more exciting is seeing how incredible his live show is. We are honored to be a part of bringing that to the masses.”

Clay Bradley, VP of Creative at BMI, the performance rights agency who represents James, is a longtime supporter. “I love Preston James. He is a natural born guitar picker [James plays electric and acoustic guitar on the EP], songwriter and a rising star in the industry who shows a maturity and insight far beyond his years.”

Kelly King, president of King Pen Music, agrees, saying, “As soon as I met Preston, I knew there was something special about him. His old soul way intrigued me, and his work ethic blew me away right off the bat. Once I saw him play live, I knew he was going to introduce a new edge to country music. I am so excited to see how country music embraces him the way he has embraced it all his life.” Producer Wall adds, “When it comes to White Trash from Way Back, Preston’s voice is loud and clear, and his story is undeniable.”

PHOTO: Annie Loughead

Catch James at one of his upcoming live shows, including his EP release show (feat. Chandler Brown) Friday night at 7 p.m. at The Basement in Nashville. For more info on James, check out his website, prestonjamesmusic.com, and find him on Facebook, Instagram, TikTok and YouTube.

Morgan Wallen Foundation & Mr. Holland’s Opus Foundation Donate $500k Worth of Instruments To Schools In Touring Cities

For the past two years, Morgan Wallen has donated three dollars from every U.S. ticket sold on his 87-show One Night At A Time World Tour to his non-profit, Morgan Wallen Foundation (MWF). Supporting programs for youth in the areas of music and sports, MWF further expanded their local impact during the U.S. tour’s 2024 leg with their “One Instrument At A Time” initiative, in partnership with Mr. Holland’s Opus Foundation (MHOF). 
 
MWF committed to donating musical instruments to schools in need across 14 stadium touring cities Wallen visited this year (2024) on his One Night At A Time Tour, including Arlington, Texas; Charlotte, N.C.; Denver, Colo.; East Rutherford, N.J.; Hershey, Pa.; Indianapolis, Ind.; Kansas City, Mo.; Las Vegas, Nev.; Minneapolis, Minn.; Nashville, Tenn.; Oxford, Miss.; Philadelphia, Pa; Tampa, Fla. and Virginia Beach, Va. In total, the value of the instrument donations is $500,000.
 
"When I was a kid, access to music profoundly changed my life and gave me a sense of purpose. I want that for others, and I'm blessed to be able to provide instruments to these schools through my foundation,” shares Wallen. “We really wanted to say a big thank you to these awesome communities that welcome us in and let us play for our fans.” 
 
With a core belief that all children deserve a chance to thrive, play and create through sports and music, the MWF supports programs for youth in these two areas – sports and music. It’s this mission that made the partnership with Mr. Holland’s Opus Foundation, a non-profit organization dedicated to changing the lives of kids by giving them access to learn and play music in school via the donations of high-quality musical instruments, a natural fit.
 
"Giving back is an integral part of who Morgan is and how he was raised. So launching ‘One Instrument At A Time’ in conjunction with this tour was incredibly important,” adds Kathleen Flaherty, executive director of the Morgan Wallen Foundation. “Partnering with Mr. Holland's Opus Foundation enabled us to utilize their expertise in securing quality instruments and identifying schools in local communities that need them the most. In turn, we hope to impact the lives of kids by giving them access to learn and play music, which is what set the stage for Morgan’s life.”
 
"Music education plays a crucial role in shaping the development of young minds, nurturing their artistic expression, and instilling a lifelong passion for music. We are grateful to the Morgan Wallen Foundation for their dedication to enhancing music education in our schools,” shares Tricia Williams, President and CEO at Mr. Holland’s Opus Foundation. “Their generosity will make a profound difference in the lives of students, empowering them to unleash their potential and pursue their dreams.”
 
Last month, MWF donated $500,000 to the American Red Cross to aid with efforts following the devastation of Hurricane Helene and $140,000 to Gibbs Youth Sports to coincide with Wallen’s record-breaking homecoming double-header at University of Tennessee Knoxville’s Neyland stadium. In 2023, Wallen’s foundation focused heavily on revitalizing baseball parks in touring cities, with donations to Chicago Cubs Charities, Atlanta Braves Foundation, Habitat for Humanity of Greater Nashville and Boston Red Sox Foundation.

Photo Courtesy of Morgan Wallen Foundation

About Morgan Wallen Foundation (MWF)
Access to sports and music transformed and enriched Morgan Wallen’s life in ways he never could have imagined growing up as a kid in East Tennessee. They have been a constant presence since the age of three. Playing sports instilled in him the values and benefits of discipline, hard work and commitment. Exposure to music at a young age has led him to become the country artist he is today. 
 
Morgan Wallen Foundation (MWF) has a core belief that all children deserve a chance to thrive, play, and create through sports and music and supports programs for youth in these two areas – sports and music. MWF is also dedicated to being there for communities in times of need. Whether it’s providing supplies in the wake of natural disasters, meals for first responders, distributing groceries to food insecure families, we are there to help.
For more information go to www.morganwallenfoundation.org.
 
About Mr. Holland’s Opus Foundation:
The Mr. Holland’s Opus Foundation keeps music alive in schools across the country by providing vital support services to school districts, and new musical instruments to underfunded music programs nationwide, giving under-represented youth access to the many benefits of music education, leading them to success in school and inspiring creativity and expression through playing music. Since its founding in 1996 the organization has donated more than $33 million worth of instruments to over 1,800 schools. More information is available at Mhopus.org.

Crippled Black Phoenix Rewrite Grim Tale of "444"

Since emerging from the great smog of the United Kingdom, Crippled Black Phoenix have burned like a signal flare against the night, warning weary travelers of the troubles ahead. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of end-time ballads with a new, two-part compilation. 

Horrific Honorifics Number Two (2) continues the UK band's tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple, Built to Spill and Laura Branigan's Top 10 hit "Self Control". The Wolf Changes Its Fur But Not Its Nature reworks their early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)".

Today, CBP are releasing a revamped version of "444". Originally released on 2009 standout The Resurrectionists, this dirge quickly became a fan favorite and staple in the band's set list. While faithful to how the song is performed live, this recording includes new lyrics that once again reflect the perils of our times.  

Listen to the new version of "444".

https://youtu.be/Y71jgGtfbq0

The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.

Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow

Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo

Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto

And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo

Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey

When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice

My Pal
Originally recorded by God, Written by: God, Joel Silbersher)

Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf

Lineup:

Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass

Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass

Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass

And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals

Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass

When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass

My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass

Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)

Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

AVOID Sign to UNFD + Drop "Burn" Video

UNFD is thrilled to welcome AVOID to its roster.

To celebrate the new partnership, the band has shared the video for the new single "BURN." Watch it below. 

It's gnarly AF!

 
"We are so excited to share 'Burn' with the world," says vocalist Benny Scholl. "Personally, I feel like this is a great representation of a more mature version of our sound. We've been hard at work with these new tunes for the past couple of years now, and I couldn't think of a better way to introduce this next era of AVOID than this."

He continues, "'Burn' is a song about the internal battles we face sometimes. I feel like especially as an artist, but really just as people in general we all have our own experiences of facing the highest of highs, and also the lowest of lows, and sometimes I think we all just want to 'set it off, let it all burn' — how about that for a little lyrical callback!! I hope this song can be a positive light for everyone, but especially anyone that might be going through it a little bit right now."

He finishes, "'Burn' is honestly the most excited I've ever been to release a new song. I remember when [guitarist] Chris [Echols] and I were tracking the demo vocals in our tiny little apartment at like 1am annoying all our neighbors and not even remotely caring cause I was so beyond stoked with what we were coming up with. I hope you all enjoy jamming it as much as we did making it."

AVOID ARE:
Benny Scholl — Vocals
Nick Olson — Guitar
Chris Echols — Guitar
Paul Jaton — Drums

Introducing Paradise Slaves (Ex-36 Crazyfists, Diecast) + Band Shares "A Fever to Defeat"

PARADISE SLAVES, a brand new band featuring former members of 36 CRAZYFISTS and DIECAST, are pleased to announce their debut single, "A FEVER TO DEFEAT." Watch the lyric video and listen below. 

The Boston-by-way-of-Anchorage quartet cements an uncanny union between vocal powerhouse Brock Lindow (36 Crazyfists), solo artist and guitarist Tyler Stroetzel, guitarist Jon Kita (Diecast), bassist Brad Horion (Diecast), and drummer Ryan Manning (Pentagram, Blitzkid). 
 
Mutual admiration and respect sparked the initial flame for Paradise Slaves, yet their newly forged friendship lit up their chemistry as brightly as a pyre. That same energy surges through their full-length debut album, due out via Spinefarm in 2025.

Their first single mirrors what brought them together and the one thing that affected us all at the top of this decade.

"It's specifically about COVID," says Lindow. "It was written at the height of the pandemic." 
 
As the story goes, Killswitch Engage guitarist Joel Stroetzel shot a text over to Lindow mid-pandemic. As it turned out, his younger brother Tyler was putting together a solo album, Dark Verses, Vol. 1, and wanted Lindow to sing on a track. Right away, the duo hit it off as collaborators and buddies. 

Following the first song, they continued to write and record. Given his longstanding friendship with Brock, Kita naturally fit in and joined the fold followed by Horion and Manning. Jamming away, they nodded to formative inspirations such as Soundgarden and Alice In Chains twisted up with just the right amount of hardcore grit and heavy metal eloquence. In between, they performed alongside the likes of Killswitch Engage, Fit For An Autopsy, and more. Eventually, the group congregated at Tin Bridge Studios in Massachusetts in order to record.

"This band is something I didn't expect," admits Lindow. "After it fell in my lap, I was making new music with new people and we became brothers, and for that, I'm so grateful. When you get a gift like this, you need to put your best foot forward and have some fire. I definitely still have the same fire and love for making music I always had and it manifests in Paradise Slaves."

“Concert For Carolina” Raises Over $24.5 Million and Counting for Hurricane Helene Relief Efforts

“Concert For Carolina,” led by Luke Combs, Eric Church, Billy Strings and James Taylor, has raised $24,513,185 and counting to date for Hurricane Helene relief efforts. Taking place this past Saturday at Charlotte’s Bank of America Stadium, the record-breaking event welcomed 82,193 in-person attendees and is the largest concert ever for the venue. Additionally, the Veeps livestream garnered 7.1 million total views, which came from across all 50 U.S. states and 30 different countries.
 
With Rolling Stone celebrating the event as “a montage of incredible performances, one-off collaborations, and awe-inspiring selections,” “Concert For Carolina” also featured performances from Sheryl Crow, Keith Urban, Bailey Zimmerman, The Avett Brothers, Scotty McCreery, Chase Rice, Parmalee and Wesko, surprise appearances from Nicole Kidman and Randy Travis and was hosted by ESPN’s Marty Smith and Barstool Sports’ Caleb Pressley. 
 
Even after the show, the “Concert For Carolina” team is still working to raise as much money as possible for hurricane relief efforts including a special silent auction, which is open now. Auction items include the signed guitar and shirt that Combs used during the show, a meet and greet with Church at an upcoming concert, signed NFL, NBA, NCAA and NASCAR gear, signed instruments, a variety of concert and game tickets, a selection of artwork, Yeti coolers and much more. Full details can be found HERE. 
 
All proceeds from the auction, benefit show and livestream will go to the organizations selected by Combs and Church: Samaritan’s Purse, Manna Food Bank, Second Harvest Food Bank of Northwest NC, Eblen Charities and the organizations supported by Chief Cares. 
 
“Concert for Carolina” was made possible due to the support and extreme generosity of David and Nicole Tepper and Tepper Sports & Entertainment, Explore Asheville, Biltmore Estate, T-Mobile, Jack Daniel’s, Whataburger, Miller Lite, Blue Cross and Blue Shield of North Carolina, Belk, Lowe’s, Atrium Health, Tractor Supply Company, Bank of America, American Airlines, Food Lion, Duke’s Mayo, GE Aerospace, Harris Teeter, Pinnacle Financial Partners, United Healthcare, Bud Light, Preferred Parking, Gildan and AshBritt.

Photo Credit: David Bergman

NYC chamber punk outfit ECCE SHNAK shares 'Jeremy, Utilitarian Sadboy', first single in 5 years

NYC-based art-rock outfit Ecce Shnak (pronounced Eh-kay sh-knock) presents the single 'Jeremy, Utilitarian Sadboy', dedicated to 19th Century English philosopher Jeremy Bentham, whose skull is kept on display at the University of London. Their fourth release to date and first new music since 2019, they return to once again shatter notions of genre, while addressing weighty themes and notable trivia alike.

This first taste of their 'Shadows Grow Fangs' EP, slated for release in early 2025 via NYC-based imprint Records Man, Records, is astonishing -- Ecce Shnak effortlessly combines math-metal, post-rock and choral anthems in just 150 seconds. Opening with a ferocious roar and a knotty, funk-metal riff, it’s interrupted by bursts of Queen-like harmonies and witchlike wails before punching through to bewitching keyboards and a bridge that would set off a cemetery mosh, only for a stern choral coda to arise like you’re now in a chapel coming around from an inadvertent knockout.

A 5-piece made up ofDavid Roush(vocals, electric guitar/bass),Isabella Komodromos(vocals),Chris Krasnow (electric guitar),Gannon Ferrell(electric guitar/bass),Henry Vaughn(drum kit), Ecce Shnak is one part pop music, another part classical music and a third part punk music, creating songs about love, sex, death, change, bravery, and food.

Since Roush formed the band in the mid-noughties, Ecce Shnak has been treading the high wire, leaping from craft to craft. Throughout their explorations, you’ll always find Roush tripping the light fantastic. Provocative and entertaining in equal, lavish measures, Ecce Shnak's performances are as vividly cartoonish as they are intellectually compelling, defying all earthly expectations.

"'Jeremy, Utilitarian Sadboy' is a prog-punk psychiography of the father of utilitarianism, Jeremy Bentham. Though he was a staunch advocate for basic social services for poor and working people, Bentham was also a tragically confused do-gooder who promoted solitary confinement for prisoners. His single weirdest move was neither good nor bad, but pretty morally neutral: he had his body taxidermied after he died so that his students could muse upon his body as a no-biggie, just a “stale instrument",” says David Roush.  

"The comedic tragedy of Bentham’s life is a fascinating story that raises many complicated questions around happiness, suffering, justice, politics, and the role of mortality in human life. However, in the wake of his confused advocacy for solitary confinement, a more straightforward message emerges in light of the injustices of the modern era. Regardless of any of the good intentions of its architects, our system of incarceration and policing is pointlessly brutal. It needs to be challenged and transformed: for the incarcerated, for undocumented people, for those on death row, and for their loved ones."

An art-rock synthesis of pop music, heavy and classical music, 'Shadows Grow Fangs' EP is a raucous adventure through these styles that concludes with a folk song, a first for the band. Showcasing limitless invention, these five songs run the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-travelling poet, and much more.

Recorded and produced by Jeff Lucci at the Art Farm (NY), the EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Roush once lived opposite Philadelphia’s Eastern State Penitentiary, designed in line with English social reformer Jeremy Bentham’s 1791 circular prism plan. “He said a criminal can redeem himself by contemplation on the crime and restoration in solitude, a really cute, liberal idea that was modified horrifically to the point where we have the brutal practice of solitary confinement," elaborates David Roush, "A friend was working for their ‘Halloween Haunted Prison Experience’, so they were like ‘zombie’ prisoners, which was kind of funny, kind of absurd, but, in another way, horrible when you think about the reality. And I said, ‘Well, shit, I guess I have to write this song.’ So I went to the library, got a bunch of books and read.”

The song’s opening words? “Jeremy! What a show-off!"

Ecce Shnak might seem a frivolous moniker, but a great deal lies behind it. Ask frontman David Roush and, in his gentle, considered manner, he’ll point to the interjection ‘Ecce’ – Latin for “Behold!” – and the slang ‘shnokkered’, meaning ‘incoherently intoxicated’. Coincidentally, the German origin of ‘Roush’, ‘rausch’, also translates as ‘drunkenness’.

If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find these New Yorkers, teetering on a neon tightrope. They subvert notions of style, playfully but reverently embracing multiple forms from across the spectrum, frequently within a single tune, while addressing weighty themes and notable trivia with striking articulacy.

As of October 30, 'Jeremy, Utilitarian Sadboy' is available from fine music platforms, including Spotify, Apple Music, YouTube Music and Bandcamp.

CREDITS
Music written / composed by David Roush
Vocals by David Roush and Isabella Komodromos
Keyboard by David Roush
Electric guitar & bass by Jeff Lucci
Drums by Erik Scattareggia
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Greg Calbi
Video directed by Milton Walker and David Roush
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR


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Argentinian-American indie pop duo Aerolinea debuts compelling video for 'What Moves You'

This is the first offering from their 'All We Need' album, an eight-track offering slated for release on November 28, which also sees an appearance by drummer Kellii Scott of Failure elsewhere.

What began in April 2023 with an Instagram message led to a year of long-distance file sharing and meet ups in Florida and Argentina. Thus was born Aerolinea, comprised of Victoria Real and Eric Weissinger. Both are songwriters, vocalists, guitarists and multi-instrumentalists. With Eric in Atlanta and Victoria in Buenos Aries.

What begins with Eastern-influenced vocals at the outset shifts to a more powerful exhibition of Real's vocals, followed by those of Weissinger and then joined in unison. This dreamy track oscillates track between minimalistic pensiveness and intense euphoria for a sonic journey that is worth the flight.

As many recent creative projects, this one came to form during the pandemic, during which time the two artists had both taken part in an online music festival. The spark that led to their collaboration - a quest, you could say, given that both had ongoing in-person musical projects in their respective home cities. After sending some rough song ideas back and forth, they came to the realization that they each nurtured something special in each other, bringing them to new sonic realms worthy of that exploration.

Eric Weissinger shares, "This is our first collection of songs and is a record of how we created music together during our first year, before meeting in person. If it feels mysterious at times, it's because our future was a mystery to us. It was inspired by our separate lives, but also by the potential we had to make music together. We recorded in our homes in Argentina and the U.S. and did final vocals together in Florida. We played all instruments, and the engineering and production was shared via emails, file sharing, phone calls, and texts."

With passionate tandem lyrics, intertwining guitars and rhythms that sometimes groove and sometimes surprise, Aerolinea crafts a sound designed for romantics and misfits, for late nights and strange places.

"This project really allows me to explore my creativity in a completely different context, with challenges and surprises since we two creating together: it’s an amazing experience because we can nourish our musical ideas and new things emerge. Aerolinea itself it feels like following a third force, a muse," says Victoria Real.

Victoria Real honed her musical skills under the tutelage of King Crimson frontman and guitar legend Robert Fripp, first as a Guitar Craft student and later performing with the League of Crafty Guitarists. In addition, she has had a blossoming career as a solo artist, releasing four albums under her name with a fifth album currently in production. For the past few years, she has received accolades at the Cordoba Entertainment Awards (Premios CIEyA), winning the award for “Artist Revelation Rock of the Year” in 2021 and nominated for both “Artist of the Year” and “Rock Artist of the Year” in 2023 and 2024.

Eric Weissinger is most renowned as half of Atlanta-based dream-gaze duo I Am a Rocketship, who have released five albums and an EP. He was also previously bassist for Anne Richmond Boston (DB Recs). As a bassist, guitarist and singer in various project, Eric Weissinger had opened for bands such as The Wedding Present, The Black Crowes, James, Cracker, and Portastatic.

'What Moves You' is is out now, available from fine digital platforms everywhere, including Bandcamp, where the full 'All We Need' album (out November 28) is now available for pre-order via My Long Wknd Records. Aerolinea will be touring Argentina in the new year, kicking off at Buenos Aires' Bar Carnal on January 11.

CREDITS
Music & Lyrics written by Victoria Real & Eric Weissinger
Vocals by Victoria Real & Eric Weissinger
Victoria Real - guitar, synths, bass, and samples
Eric Weissinger - guitar, synths, bass, and samples
Kellii Scott - drums on 'Dreamer'
Recorded & Produced by Victoria Real & Eric Weissinger
Mixed by Eric Weissinger
Cover artwork by Victoria Real & Eric Weissinger
Video directed by Nico Purdía
Video filmed by Mariano Laguzzi
Publicity by Shameless Promotion PR

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KINGS OF MERCIA Celebrate Album Release with New Video for Title Track

KINGS OF MERCIA releases its sophomore album 'Battle Scars' via Metal Blade Records. To celebrate, they are sharing the title track along with a new video, available below.

Now and again, art offers up the perfect storm. When creative worlds collide with a furious cacophony of power, licks, and lyrics, magic happens. Such is the case with KINGS OF MERCIA, whose second album, 'Battle Scars,' is the continuation of a story as unlikely as it is glorious. The band is helmed by guitarist Jim Matheos (Fates Warning) and singer Steve Overland (FM) who are joined by drummer Simon Phillips (The Who, Toto) and bassist Joey Vera (Armored Saint, Fates Warning).

About 'Battle Scars' Steve Overland shared the following:

"That's about post-war distress syndrome. It's about a guy who comes back from fighting and can't really deal with real life. He realizes that he can never be what he was before he went away and did this. But he really, really wants to, but he's trying to get that across to everybody that loves him. But the problem isn’t him–it's what he's been through. I came up with the title ‘Battle Scars,’ and I think that suggested the subject matter.”

Watch the Music Video for "Battle Scars" Below.

KINGS OF MERCIA's 2022 approachable, world-class self-titled debut was termed “truly a hybrid: it’s heavy, but not metal. It’s got tones of melodic AOR hard rock but with an edge.” Now, 2024 brings the band's sophomore album written and recorded throughout 2023, 'Battle Scars' sees the core writing team of Matheos and Overland expanding on their obvious chemistry.

"I think it was a bit easier this time around because we’ve established a good working rhythm,"states Matheos, "I’ll send Steve at least a few songs every couple of months, and I try to keep them varied. This allows him to work on whichever ones he feels strongly about."

“What Jim sends me is the first draft of that song,” says Overland. “So once he's heard all the melodies and the harmonies I sing, he can chop it about and make it how he thinks it should be. He always sends me three or four different versions. He'll say, ‘What do you think? Which do you like?’ Then we work it out between us and come up with the one we're both happy with.”

“Steve and I started working together in 2021,” says Matheos. “I was aware of FM–they came up around the same time as Fates Warning – but I’d lost touch with them and wasn’t familiar with their more recent work. When Steve was recommended to me, I checked out some of the newer releases and felt Steve was exactly what I was looking for.”

“It's a different genre of music that I'm normally involved in,” says Overland, whose voice has been likened to other British greats Paul Rodgers and Glenn Hughes. “Obviously, I’d heard of Fates Warning – they're a very big cult band in their field. Jim and I touched base, and I told him to send me one backing track. If it sounds great, then it's a win-win. If it doesn't, we'll just call it a day, knock it on the head, not take it any further. That song became ‘Humankind’ from the first album. I wrote the melodies and the title and put it all together. Jim got it and he was blown away. So we made a couple more. I loved doing it. It was just such a different challenge for me.”

Those songs would become the self-titled debut album, which was released in 2022. Written during lockdown, bouncing tracks across the Atlantic, KINGS OF MERCIA found its mojo. Fans of Fates Warning, FM, and Armored Saint all rejoiced at the common ground on KINGS OF MERCIA, the sweet spot in the middle of the Venn diagram.

It’s a true collaboration that has led to KOM's 'Battle Scars.' However, despite the unfolding sound and clear chemistry between the four Kings, Overland has never met his bandmates in person. 'Battle Scars,' like its predecessor, is a slab of transatlantic magic.

Pre-Order 'Battle Scars' HERE

KINGS OF MERCIA are:

Jim Matheos - Guitars

Steve Overland - Vocals

Simon Phillips - Drums

Joey Vera – Bass

Legendary Hard Rockers BONFIRE Return with New Single “I Died Tonight” + Music Video

Today, legendary German hard rockers BONFIRE unveil their new single “I Died Tonight” via Frontiers Music Srl. the track is accompanied by a blazing new video, available below.

Stream or listen to “I Died Tonight” HERE

Bassist Ronnie Parks says about the new track:

“We are excited for the release of 'I Died Tonight.' The chemistry is really flowing, and we feel there will be some great things to come with these new songs. 'I Died Tonight' is a classic melodic AOR style track. We hope people enjoy it as much as we did making it”.

Watch the New Music Video for "I Died Tonight" BELOW

BONFIRE is one of the most seminal German hard rock bands of the past fifty years. Originally founded as Cacumen in 1972 by guitarist Hans Ziller in Ingolstadt, Germany, the group initially played local venues, steadily building a fan base before releasing their first album under the name Cacumen.

In 1986, the band rebranded as BONFIRE, and their debut album as BONFIRE, 'Don't Touch the Light,' marked their international breakthrough. They followed it up with 'Fireworks' in 1987, which further cemented their status in the rock and metal scene. Despite their success, BONFIRE experienced several lineup changes, including the departure of key members. However, Ziller, the band’s driving force, kept BONFIRE alive, continuously adapting to the challenges faced by the group.

In the 1990s, BONFIRE briefly disbanded but returned in 1996, with Ziller reclaiming the rights to the band’s name. Since then, BONFIRE has released numerous albums and maintained a strong presence on the international rock scene. BONFIRE has remained a resilient force in hard rock, continuing to tour and release new material well into the 21st century.

During their most successful phase with album classics such as 'Don’t Touch The Light' (1986), 'Fireworks'(1987) and 'Point Blank' (1989), the group – alongside Scorpions and Accept – counted among the three most popular German acts on a global basis, including triumphal accomplishments throughout Europe and overseas, celebrated tours alongside Judas Priest and ZZ Top, gold records, high chart positions, TV appearances and more than 35 million YouTube views of their hit “You Make Me Feel” alone.

The band’s trademarks continue to be and always have been deeply melodic hard rock songs, driven by captivating guitar parts, grooving rhythms, and haunting vocal melodies. To this day, band founder/guitarist Hans Ziller and his exceptional group regularly awe their fans with new releases and impressive shows.

📸: Leonard Ludwig

BONFIRE are:

Hans Ziller - Guitar

Dyan Mair - Vocals

Frank Pané - Guitar

Ronnie Parkes - Bass

Fabio Alessandrini - Drums