Zeal & Ardor Share Visualizer For "Fend You Off" — WATCH

ZEAL & ARDOR isn't just a band; it's a living and breathing entity.

Like any sentient being, it consumes, evolves, and transforms from one season to the next. It has only sharpened its claws, lengthened its teeth, and steeled its nerves over the years, growing more undeniable and unpredictable in the process.

The band will drop its fourth album, the self-produced GREIF, on August 23. Pre-order it here.

Today, the band has shared the visualizer for the album's third single "Fend You Off."

Watch and listen below.

"Another color joins the tapestry with 'Fend You Off," says band leader Manuel Gagneux. "By now, it might be apparent that we're sharing new sides of ours. This is us at our core honest and vulnerable. We hope you like it. Stay strange."

Rather than stagnating, basking in global acclaim garnered from three previous albums — Devil Is Fine [2017], Stranger Fruit [2018] and Zeal & Ardor [2022] — Manuel opted to shake things up for GREIF.

Instead of creatively flying solo again, this time he welcomed his bandmates into the studio, featuring three voices for the first time and emboldening the sound from every angle. As such, the musicians — Tiziano Volante [guitar], Marc Obrist [vocals], Denis Wagner [vocals], Lukas Kurmann [bass], and Marco Von Allmen [drums] — spread their wings alongside him. Decamping to Obrist's studio Hutch Sounds in Switzerland, the record came to life in just five months.

"We've really evolved into a tight-knit unit," explains Obrist. "Before Zeal & Ardor, we were basically strangers, but we're like a little family now. Each member brings his own unique flavor to the mix, and we all try to make Manuel's songs better in our own way. The most interesting part for me was the new approach of how we work together in the studio."

"I wanted to expand upon what we had and introduce new colors," Manuel continues. "There are angry and accusatory moments, but there’s also some solace and happiness. I’m widening the palette of colors we have to paint with. These are avenues we haven’t tried."

"We invite listeners to hear the full spectrum of the different sides and sounds that make Zeal & Ardor," Tiziano leaves off. "There are some gorgeous moments, but it packs in a lot of intensity and charm. In Manuel's songwriting and the process with every member, there's a certain intentionality as well as an element of randomness and accident. I can't wait to see people’s reactions."

In January 2024, ZEAL & ARDOR released Play With The Devil, a documentary film by Olivier Joliat and Matthias Willi. The documentary intimately chronicles Manuel Gagneux's journey from the inception of ZEAL & ARDOR through initial tours and a soul-searching period of crisis. The bold mix of Black Metal with old work songs and field hollers by the enslaved — his answer to a racist provocation on the internet — is politically explosive. As a person of color in metal, Gagneux and his music have shone a light on religion, racism, segregation, and cultural appropriation.  However, the sudden surge in acclaim and the weight of being hailed a visionary leader by fans threatened to overwhelm the softly-spoken, introverted artist. Play With The Devil is available now for streaming on major platforms. For more information and to watch, visit here.

Acres Drop Video for New Single "Lost"

UK band ACRES, who signed to Solid State/Tooth & Nail Records earlier this year, have dropped a brand new single, titled "Lost." 

Watch it below

The track was produced by The Plot in You's Landon Tewers.

"'Lost' is possibly one of my favorite Acres songs we've written to date, it came so naturally and the song almost wrote itself," says vocalist Ben Lumber. "A close friend of mine recently went through a tough breakup and he told me, 'One day you can have everything you have ever wanted, and the next day, it's gone,' and that's what I wrote this song about. We've all had shitty relationships, and when you feel so secure and safe with someone, it can all of a sudden disappear, leaving you feeling lost and vulnerable with no clue where to turn or what to even do."

Earlier this year, the band shared video for the new single "A Different Shade Of Misery," which was also produced by Tewers. Watch it here. The song mixes equal parts brutality and melody, making for quite a thrilling listen.

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ARE:
Ben Lumber — Vocals 
Alex Freeman — Guitar
Ash Scott — Guitar 
Jack Rogers — Bass 
Konnor Walsh — Drums 

Tigirlily Gold Release “End Up Us” Off Forthcoming Debut Album ‘Blonde,” Out July 26

As reigning ACM New Duo of the Year Tigirlily Gold readies their debut album Blonde for July 26, the sisters offer another sneak peek of what’s to come today with “End Up Us.” Listen HERE.
 
“‘End Up Us’ is the first love song released off our Blonde album. We believe real love, if meant to be, will always find its way,” share sisters Krista and Kendra Slaubaugh. “Every love has its own journey, and we can’t wait to see people share their love stories with this song!”
 
Written by Kendra and Krista Slaubaugh, alongside Todd Clark and Jason Cole Saenz, “End Up Us” expands on the notion that two people who are meant to be together will always make it work in the end. 

“End Up Us” is the final release off Blonde, the duo’s debut full-length album arriving July 26 via Monument Records. The Billboard-dubbed “harmonically savvy sibling duo” teamed with producers Shane McAnally, Pete Good and Alex Kline to create the album.
 
In addition to “End Up Us,” the debut will feature current single “I Tried a Ring On,” which was one of the most-added singles at country radio, with 47 first-week adds, along with the rowdy viral sensation and Top 40 hit “Shoot Tequila.” Filled with deeply personal tracks and poignant tales of love and loss alongside powerful anthems and songs of female empowerment, the pair says their goal was to bring girl group energy back to country music. 
 
Blonde is all about being undeniably and unapologetically yourself,” Krista says. “We want everyone to feel confident and vulnerable enough at the same time to say what they need to say.”
 
The forthcoming album follows the duo’s 2021 self-titled debut EP and 2023 EP Blonde and features a cover of the Leona Lewis hit “Bleeding Love,” a favorite in the girls live show, as well as original tracks like the seductive “Move On” which encourages women to make the first move. 
 
For the latest information visit, tigirlily.com  and follow along on Twitter, Instagram and Facebook @tigirlily and on TikTok @TigirlilyGold.

About Tigirlily Gold:
ACM New Duo of the Year Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how entertaining is in their blood. After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists like Walker Hayes and Ashley McBryde. Now, the powerhouse duo has embarked on a new musical chapter with their debut album, Blonde –a deeply personal project that includes tales of love and loss alongside powerful anthems and songs of female empowerment – out July 26. Their debut single at country radio, “Shoot Tequila,” reached the Top 40 and found viral success with millions of views across social media, and millions of streams across platforms, as well as two CMT Award nominations earlier this year for Breakthrough Female Video and Duo/Group Video of the Year. Their much anticipated follow up single “I Tried A Ring On” is at Country radio now. After making their Grand Ole Opry debut and performing to a national audience on the “TODAY Show,” Tigirlily Gold is ready to bring girl group energy back to country.

Corey Kent Announces Sophomore Album ‘Black Bandana’ + Releases New Track “Never Ready”

On the heels of announcing his headlining 25+ City Black Bandana Tour on Monday, Sony Music Nashville’s Corey Kent has revealed his sophomore album, appropriately titled Black Bandana, will be released Sept. 6, 2024. The platinum-selling Kent has given fans a first listen of the project today with the release of heart-felt, new track, “Never Ready.” Listen to “Never Ready” HERE and pre-save Black Bandana HERE
 
“There are a few virtues that I live my life by. They have guided me in the toughest and darkest of times. One being unwavering hope… believing if the odds are one in a million, you’ll be the one,” Kent shared regarding his forthcoming album. “Another being relentless perseverance… when everyone else quits, you stay the course. This album embodies those virtues. We all have our battles to fight. Our people to love and protect. It ain’t always easy. When the going gets tough and you feel like waving the white flag, I hope this record inspires you to raise a black bandana instead.”

Produced by Kent with Chris Farren and Austin Goodloe and written by Kent along with Austin Goodloe, Joybeth Taylor, Lydia Vaughan, new track “Never Ready” finds the father of three reflecting on the moments in life you can never truly be ready for whether it is the birth of your child or the loss of a parent. 

“I’m so proud of this song,” Kent said. “It’s about those moments in life that no matter how much you prepare for, you’re never ready for them. You know they’re coming and but they’re such big moments when they happen, it still feels like they hit you out of left field. A song about real life, love and loss…all the elements that make for a great country song to me.”
 
It’s been a breakout year for the gravel-voiced Blacktop singer. In addition to being named a CMT Listen Up Artist, as well as a member of The Opry Next Stage Class of 2023, he released his major label debut album, Blacktop, featuring the No. 1, Platinum-certified hit, “Wild as Her,” and has already surpassed 750 million career streams. The album was a nod back to the Oklahoma native/Dallas based country star’s many miles driving on the blacktop to hone his craft taking music to the fans anywhere he could play. 
 
Never one to rest on his laurels, the road warrior is keeping his foot on the gas in 2024 burning up the blacktop once again with his just-announced headlining Black Bandana Tour. He will be joined by Braxton Keith, Kaitlin Butts, Max McNown, Karley Scott Collins and Lauren Watkins on select dates. The headlining international tour will kick-off in Paso Robles California on Sept. 21, and trek across both the U.S. and U.K. with stops in New York, Boston, Atlanta, Dublin, London and more into early 2025.

Drawing inspiration from The Eagles, Keith Richards, Turnpike Troubadours and more, Kent’s bandana-wearing Rock ‘N’ Roll spirit comes to life on the stage. And after over a decade of paying dues, his career has not been without starts and stops … that perseverance serves as the inspiration behind the tour’s name.  
 
“For us, the black bandana has been what we’ve picked up in times when everyone thought we should wave a white flag to surrender,” shared Kent. “I’ve spent a lot of years raising my black bandana high and letting 'em know that I wasn’t giving up that easy. I’m so excited to still be doing what I love and can’t wait to get on the road this fall and see all those black bandanas waving back at me.”

Kent finds himself musically at the intersection of rock infused country, heartland values, and red dirt grit. Still in his 20’s, he has built an incredible fanbase, developed his live show for the last 15 years, and is positioned as one of country music’s next breakout stars.

Last year the adventure-seeking road veteran joined Parker McCollum on tour in addition to playing festivals and in front of 15,000+ fans a night on Jason Aldean’s 42-city Highway Desperado tour. To close out 2023 he headlined a slew of shows of his own before joining Ashley McBryde on the UK leg of her tour earlier this year.

Tickets are on sale now. Purchase at coreykentofficial.com.

Black Bandana Tour Dates:
+9/21/24 Paso Robles, CA     BarrelHouse Brewing Co. - Brewery and Beer Gardens
*9/22/24 Long Beach, CA  Boots In The Park
^9/26/24 Reedley, CA   The Wakehouse
^9/27/24 Bakersfield, CA  Buck Owens Crystal Palace
*9/28/24 Tempe, AZ   Boots In The Park
<10/3/24 Hays, KS   Fox Theatre
10/4/24 Durant, OK   Choctaw Grand Theater (with Pat Green)
*10/5/24 Burkburnett, TX  Friendship Festival
#10/10/24 Little Rock, AR  Little Rock Hall
*10/11/24 Bellville, TX   Austin County Fair
#10/12/24 Terrell, TX   Silver Saloon
-10/16/24 New York, NY  Gramercy Theatre
-10/17/24 Sayreville, NJ   Starland Ballroom
-10/18/24 Uncasville, CT  Mohegan Sun – Wolf Den
-10/19/24 Boston, MA   Paradise Rock Club
<10/24/24 Cincinnati, OH  Bogart’s
<10/25/24 West Lafayette, IN  Neon Cactus
<10/26/24 Rootstown, OH  Dusty Armadillo
^11/1/24 Milwaukee, WI  The Rave II
#11/8/24 Wichita, KS   The Cotillion Ballroom
#11/9/24 Stillwater, OK   Tumbleweed Dance Hall
-11/21/24 Atlanta, GA   Buckhead Theatre
-11/22/24 Charlotte, NC   Coyote Joe’s
-11/23/24 North Myrtle Beach, SC House of Blues

Bryce Leatherwood's Reflective “Still Learning,” Out Now

Republic Records / Mercury Nashville recording artist Bryce Leatherwood reflects on life’s lessons – and the innate stubbornness to abide by them – with his latest release “Still Learning,” out now. Listen below.
 
“A huge part of growing up is learning lessons the hard way, not always getting it right,” reflects Leatherwood. “I love when a country song can impart a little wisdom, and this song is about: living, learning and realizing it’s okay to make mistakes, because at the end of the day, we’re all still learning.” 
 
Written by Randy Montana, Jeremy Spillman and Brett Sheroky, “Still Learning” is a nod to the rules of life that people often take for granted: 

Leatherwood was most recently featured in Boot Barn’s 2024 spring campaign Taking Flight, a highlight on up-and-coming country musicians. He was also named a 2024 Artist to Watch by Music Mayhem and Country Now earlier this year.
 
Having recently concluded his first-ever headlining tour, The Neon Does Tour and performed at CMA Fest’s Good Molecules Reverb Stage, Leatherwood will make his Grand Ole Opry debut on Sept. 14, 2024.
 
To follow along with updates and for more information, visit bryceleatherwood.com or follow along on Instagram HERE, Facebook HERE, X HERE or Tik Tok HERE.

About Bryce Leatherwood:
Bryce Leatherwood is a 24-year-old singer/songwriter who aims to carry the torch of country music and continue the legacy of legends prior. Bryce was born and raised in Woodstock, GA, and his passion for music began at an early age. Working on his grandfather’s farm every summer, Bryce was exposed to the classic country hits of George Jones, Merle Haggard and Conway Twitty. Soon thereafter, Bryce began picking up guitars and playing the traditional country music that still inspires him today. Bryce’s music career began to blossom in Statesboro, GA, where he attended Georgia Southern University. During his time in Statesboro, Bryce played college venues and continued to hone his stage presence and his country music repertoire. In late 2021 while still enrolled in college, Bryce formed his band and began playing all around the Southeast. Bryce’s goal was to take the stage and play the best of country music to all ages and audiences. After graduating college, Bryce set his mind on a new task. In 2022, he competed on the NBC hit television show The Voice and was crowned the Season 22 winner in December of 2022. Following his success on “The Voice,” Bryce signed with Republic Records / Universal Music Group Nashville and is currently hard at work on new music.

Chase Rice Vows to "Go Down Singin'" With Latest Preview of Independent Album

One of Country music’s few Diamond-certified songwriters, Chase Rice continues to pave his unique path with today’s release of his autobiographical new song, “Go Down Singin’,” offering a raw and unfiltered glimpse into Rice’s journey ahead of his forthcoming independent album. Listen Below.
 
“I’ll spare y’all the details, but a few months ago I decided to leave my record deal and do this thing on my own,” Rice shared with fans. “I appreciate the love and songs Broken Bow and I did together. We had a lot of fun, and had two number ones. I made friends and met people that will always be a positive influence in my life. But now it’s time for me to ride this crazy rollercoaster we call the music industry by myself… Guess now it’s on me, if I go down at least I go down singin’.”
 
Written by Rice together with Blake Pendergrass during a trip back to his roots in North Carolina, “Go Down Singin’” encapsulates the highs and lows of his career, from the grind of Music Row to the decision to bet on himself with this project. Conveying a sense of resilience and determination, the musical manifesto reflects on that journey with a fighting spirit from the man Sports Illustrated celebrates for keeping “his head down, eyes up as he figured out who he is and navigated his wild ride to redemption.”

“Go Down Singin’” joins “Fireside” in previewing Rice’s forthcoming independent release, the follow-up to his critically acclaimed I Hate Cowboys & All Dogs Go To Hell album, celebrated by Billboard as “one of 2023’s most unexpected artistic pivots” and as one of the best albums of the year across all genres.
 
In addition to crafting new music, Rice is also currently on tour with Dierks Bentley, visiting arenas and amphitheaters nationwide through September, in addition to prominent sets at major festivals including Summerfest, Windy City Smokeout and more.
 
For more information on new music and to purchase tickets to upcoming shows, visit ChaseRice.com and follow on Facebook, Twitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With new releases “Fireside” and “Go Down Singin’” available everywhere now as the follow-up to critically acclaimed album I Hate Cowboys & All Dogs Go To Hell, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The recent album, including standout tracks “Oklahoma” and “Bench Seat,” serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recent Get Western Tour in support of his new music, and he is currently serving as direct support on Dierks Bentley’s Gravel & Gold Tour.

Single Art (featuring Chase Rice and his late father, Dan, pictured in Daytona, Fla. in the late 1980s) | Courtesy of Chase Rice

Brantley Gilbert Releases New Single "Over When We're Sober" ft. Ashley Cooke

Known for his ability to capture gritty realism and the raw emotions of love and heartbreak, Brantley Gilbert’s knack for crafting poignant ballads shines on new single “Over When We’re Sober,” a powerful duet with ACM New Female Artist of the Year nominee Ashley Cooke, available now via The Valory Music Co.
 
“From the moment we started writing, I knew this song was something special,” reflects Gilbert. “We knew we wanted another voice on it, and my producer Brock Berryhill suggested Ashley. I love her voice, and I knew she would take it to the next level. I’m grateful to have someone as talented and dedicated as her join me on this song.”
 
“When Brantley called me about this song, I listened to the demo and it was an immediate yes,” shares Cooke. “I’ve been a fan for truly so long - in fact, my Christmas present from a college boyfriend one year was a road trip to Atlanta just to see BG’s show. It’s such an honor to get to be on a song with someone I’ve admired for so long. Not to mention, one of the realest, funniest, most talented guys I’ve met on this journey so far. So thankful BG wanted me on this one!”
 
Written by Gilbert with Jason DeFord (Jelly Roll), Brock Berryhill and Justin Wilson, Gilbert and Cooke bring a dynamic blend of passion and regret to “Over When We’re Sober,” underlining the complexities of yearning:

Along with today’s release of “Over When We’re Sober,” Gilbert is celebrating two new RIAA Certifications from his Platinum-certified album Halfway to Heaven, as “My Kind Of Crazy” reaches Platinum-certification, while “Fall Into Me” is now Gold-certified.
 
Ten years after the release of his 7x Platinum-certified hit “Bottoms Up,” Gilbert is giving away the 1935 Ford Sedan from the music video. Fans can enter for a chance to win the car, in addition to other prizes including an autographed guitar, autographed “Bottoms Up” framed poster, autographed boots worn on stage by Gilbert, an autographed Just As I Am CD and more. Click HERE for official rules and additional information on how to enter the sweepstakes.

As Gilbert gears up to release more new music and readies a forthcoming album, his Off The Rails Tour continues Saturday, June 22 at Rock the Country festival in Mobile, Alabama. For additional information and to purchase tickets, visit BrantleyGilbert.com.
 
Brantley Gilbert’s Off The Rails Tour Dates
 
June 22 // Rock the Country // Mobile, AL*
June 28 // Buckeye Motorcycle & Music Rally // Columbus, OH*
June 29 // After Hours Concert Series at the SERVPRO Pavilion // Doswell, VA
June 30 // Elmwood Park Amphitheater // Roanoke, VA
July 11 // Lauridsen Amphitheater at Water Works Park // Des Moines, IA
July 12 // Delaware County Fair // Manchester, IA*
July 13 // Morgan County Fair // Jacksonville, IL*
July 18 // Bayfront Festival Park // Duluth, MN
July 19 // Harrah’s Stir Cove  // Council Bluffs, IA
July 20 // Dam Jam Music Festival // Goddard, KS*
July 22 // Elkhart County 4-H Fair // Goshen, IN*
July 24 // Delaware State Fair // Harrington, DE*
July 26 // Rock the Country // Anderson, SC*
July 27 // Carowinds Summer Festival Series // Charlotte, NC
Aug. 1 // Ventura County Fair // Ventura, CA*
Aug. 3 // Nugget Event Center // Sparks, NV
Aug. 30 // Fraze Pavilion // Kettering, OH
Aug. 31 // Walworth County Fair // Elkhorn, WI*
Sept. 1 // Canfield Fair // Canfield, OH*
Sept. 19 // Mountain Health Network Arena // Huntington, WV
Sept. 20 // Santander Arena // Reading, PA
Sept. 21 // DCU Center // Worcester, MA
Sept. 26 // LJVM Coliseum // Winston-Salem, NC
Sept. 27 // The Corbin Arena // Corbin, KY
Sept. 28 // Florence Center // Florence, SC
Oct. 3 // Knoxville Civic Coliseum // Knoxville, TN
Oct. 4 // First National Bank Arena // Jonesboro, AR
Oct. 5 // Ozarks Amphitheater // Camdenton, MO
Oct. 10 // Raising Cane’s River Center Arena // Baton Rouge, LA
Oct. 11 // Cadence Bank Arena // Tupelo, MS
Oct. 17 // Enmarket Arena // Savannah, GA
Oct. 18 // McKenzie Arena // Chattanooga, TN
Oct. 19 // Atrium Health Amphitheater // Macon, GA
 
*Festival Date

About Brantley Gilbert
With a grassroots following millions strong, multi-Platinum country rocker Brantley Gilbert’s latest single “Over When We’re Sober” featuring Ashley Cooke is available now via The Valory Music Co. The Georgia native has mined a rich vein of conflict between the party and the pew on all his albums, with his music being adopted as the soundtrack to both Saturday night and Sunday morning by audiences around the world. Instead of toiling in limbo, unable to enjoy good times for fear of Judgment Day, Gilbert fully lives––rowdy friend, man of faith, devoted husband, smitten father––just as he is. Following his sixth studio album So Help Me God, Gilbert readies a forthcoming project, giving BG Nation the first taste with “Off The Rails,” a revelry inducing anthem that embodies the kind of high energy live show he’ll bring to the Off The Rails Tour through the fall. Along with the new tracks, he’ll perform songs across his discography, which includes back-to-back Platinum albums and seven No. 1 hits: RIAA 7x Platinum-certified “Bottoms Up,” 2x Platinum “Country Must Be Country Wide,” 2x Platinum “You Don’t Know Her Like I Do,” 2x Platinum “One Hell of An Amen,” Platinum-certified collaboration with Lindsay Ell “What Happens In A Small Town,” and two chart-toppers as a songwriter with CMA Song of the Year nominee “Dirt Road Anthem” and “My Kinda Party.” For additional information, visit BrantleyGilbert.com  or follow him on Instagram, TikTok and Twitter @BrantleyGilbert and Facebook.com/BrantleyGilbertMusic.
 
About Ashley Cooke
With Big Loud / Back Blocks Music Country artist Ashley Cooke, it’s best to know what you’re getting into – because this emerging star is the definition of more than meets the eye. A graceful exterior matched by a casual-cool nature. Skillfully crafted lyrics and a knack for unforgettable performance. Effortless vocal beauty and a bold sense of internal grit, freely mixing it up with the boys while she rallies the girls. And most important, a passion for capturing the magic between heartbeats, each moment as unique as she is. Still early in her journey, being herself has already served Cooke well. It has led to over 270M global streams with chart climbing hits like “Never Til Now” with Brett Young, Ryman and Grand Ole Opry debuts, national TV appearances on ABC’s The Bachelorette and NBC’s TODAY, tours with Luke Bryan, Jordan Davis, Cole Swindell, Brett Young and more.
 
Hailing from Parkland, Fla. and moved by emotional hit makers like Taylor Swift, Rascal Flatts, Ed Sheeran and more, Cooke embraces the energy of pop and depth of Country, writing her first song by age 11. Cooke moved to Nashville at 18 and attended the prestigious Belmont University – but unlike so many others, she did not study music. After entering the schools revered Country Showcase on a whim and winning, Cooke decided to pursue music for a year. When the pandemic had other plans, Cooke went to TikTok where she built a thriving fanbase, writing and sharing Country music on her own terms.
 
And now, the next chapter begins with her debut album shot in the dark. Unfolding as if they were ripped from pages of her personal journal, Cooke’s sun-kissed blend of two-lane pop Country is on full display in the collection’s 24 tracks, inspired by true tales of love, heartbreak and all the moments in between. Fully capturing the essence of a daring twenty-something growing up, chasing her dreams and taking risks, Cooke infuses heartfelt lyrics, captivating melodies and raw relatability as she invites listeners to come along for the ride. The striking debut has already garnered Cooke praise from Billboard who named her the July 2023 Rookie of the Month, with additional praise pouring in from People, American Songwriter, The Tennessean and more. Cooke went on to win her first CMT Award for Breakthrough Female Video of the Year at the 2024 CMT Awards before being nominated for ACM New Female Artist of the Year, adding to previous recognition as one of MusicRow’s 2023 Discovery Artist of the Year and Next Big Thing as well as iHeartCountry’s On The Verge artist. Meanwhile, her award-winning single “your place” continues to take her career to new heights as she spins in the Top 5 at Country radio stations nationwide.

Daryl Hall’s New Album ‘D” Out Today

Daryl Hall released his sixth solo album, D, on Virgin Music Group on June 21, co-produced by one-time Eurythmics member and fellow Rock and Roll Hall of Fame inductee Dave Stewart, who co-wrote seven of the nine new original songs with Hall penning the other two on his own. The first single from the album, “Can’t Say No To You” can be seen here on YouTube.

The new album was recorded and mixed at Stardust Studios in Harbour Island, Bahamas. The first single from the album, “Can’t Say No to You,” co-written by Hall and Stewart, now sits at #16 on Billboard’s Adult Contemporary chart. Other songs include “The Whole World’s Better,” “Too Much Information,” “Rainbow Over the Graveyard,” “Not the Way I Thought It Was,” “Walking in Between Raindrops” and “Why You Want to Do That to My Head” along with a pair of brand-new Daryl Hall solo tracks, “Rather Be a Fool” and “Break It Down to the Real Thing.”

Daryl is currently on a Live Nation summer tour with Elvis Costello.

Stream the album now https://ingrv.es/DarylHallD

Matt Wilier new album - 'Variations'

Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music.

From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works.

While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgement and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.

In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc.

‘Variations’, his new 11-track album, will be released on 28th June 2024. The recording of this album was no exception, with Matt once again focusing on resonances. ‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.

However, this time the piano is not alone, with strings, strings layers, ensemble, and analog bass frequencies as accompaniment.

This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.

Matt is already working on a new solo piano double album, with another version which is its cello and piano reflection… but that’s another story for another time.

Photo credit : Clemence Chabaud

Movements Share Video for New Song "Afraid to Die"

Southern California post-hardcore band MOVEMENTS  Patrick Miranda, vocals; Ira George, guitar; Spencer York, drums; and Austin Cressey, bass — dropped the brand new single "Afraid to Die." It's the first taste of new music since the band's latest album RUCKUS!, which arrived in summer 2023 via Fearless Records. Get the album, produced by Will Yip, here.

Watch the official "Afraid to Die" music video below.

Movements' push and pull style of post-hardcore, defined by dissonant, tension and release guitar work, thunderclap percussion, and frontman Patrick Miranda's heartfelt lyrics and vocals, is perfectly executed on "Afraid to Die." The anthemic track is full of frantic energy with an ever-so-subtle '80s influence threaded through the song.

"With "Afraid to Die,' we were able to take the energy that was in RUCKUS!, and fine-tune it by exploring different realms of what this band can be and what our music can sound like, and I think we did a good job of that with this song," says Miranda. "Sonically, it's so different than anything we've ever done, and yet I think it still pulls on the heart strings as a lot of our older music does. This song is energetic and bouncy, and I can see it being a really fun song to play live and I can't wait to start doing that!"

Movements are headed over to the UK for tour later this month and the band will be back on the road in the U.S. this September. They have several key festivals on deck, including When We Were Young. All upcoming dates are below!

PHOTO CREDIT: Anthony Purcella

MOVEMENTS ON TOUR:
FESTIVAL:

6/22 — Tahoe,NV — Tahoe Is for Lovers Festival*

WITH TURNOVER + QUEEN OF JEANS:
9/4 — Baltimore, MD — Rams Head Live
9/6 — Cleveland, OH — Agora Theatre
9/7 — Cincinnati, OH —Ohio Is For Lovers*
9/9 — Albany, NY — Empire Live
9/10 — Bethlehem, PA — MusicFest Café
9/11 — New Haven, CT — College Street Music Hall            
9/13 — Montreal, QC — Beanfield Theatre
9/14 — Ottawa, ON — Bronson Centre
9/15 — London, ON — London Music Hall
9/17 — Fort Wayne, IN — Piere's
9/19 — Grand Rapids, MI — Intersection
9/20 — Madison, WI — The Sylvee
9/21 — Minneapolis, MN — Myth Live
9/23 — Winnipeg, MB — Park Theatre
9/25 — Edmonton, AB — Union Hall
9/26 — Calgary, AB — The Palace Theatre
9/28 — Vancouver, BC — Pearl
9/29 — Spokane, WA — Knitting Factory
10/12 — Austin, TX — Austin City Limits Festival*
10/19 — Las Vegas, NV — When We Were Young Festival*
10/20 — Las Vegas, NV — When We Were Young Festival*
*FESTIVAL APPEARANCES

ABOUT MOVEMENTS:
It's been a whirlwind few years for Movements as evidenced by the fact that band's 2020 album No Good Left to Give debuted at #3 on the Alternative chart and their streams have doubled since then with 300 million total streams in the U.S. alone. However, despite their success, the Southern Californian act have constantly reinvented themselves since forming in 2015 and the band's third full-length RUCKUS! sees the post-hardcore quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Circa Survive, Code Orange), the album fuses post-hardcore and punk influences with a healthy dose of pop songcraft to create an album that defies scene conventions in favor of something wholly unique. In order to accomplish this, the band made three extended trips to Yip's Studio 4 in Conshohocken, Pennsylvania, to write and record the collection of songs that would end up as RUCKUS! "I truly don't believe that it could have been a more streamlined process and I don't think we've ever written music that's as good as what we put together for this record," Miranda explains. RUCKUS! sees the band integrating decidedly different influences such as Gorillaz and Strokes into their sound to challenge people's preconceptions.

Vera Grace + Hyden

Join us on Friday, August 16th in welcoming the dark, industrial sound of @veragraceb and international groove giver @hydenmusic as we say goodbye to summer in proper form.

 

Support your lovely locals @djauspex , @_devoye , @evelyn_isalive , and @_muertelenta_ as they all debut for AGAPĒ on this special night. Enjoy the moment, be present, and connect with your fellow dancers! Zero tolerance for any type of discrimination. ■ NO RACISM ■ NO SEXISM ■ NO HOMOPHOBIA ■ NO TRANSPHOBIA ■ TAKE CARE OF EACH OTHER, ALERT OUR STAFF IF SOMEBODY ISN'T FEELING WELL

 

Born and raised in the Netherlands, Vera Grace is a DJ and producer currently based in Amsterdam. Her distinctive, raw sound is characterized by textures and hypnotic atmospheres, infused with a sense of tension and release. Vera leads her listeners on a restless journey, drawing inspiration from eeriness and the raw sounds of old-school techno, such as the iconic 909 drum machine. While she is recognized for her harder edge, she's also venturing into more slower, hypnotic realms, bringing her listeners in a trance while staying true to the core elements of techno. Much like herself, she keeps the dancefloor moving while building towards eclectic and powerful climaxes.

 

Hyden has played for many Parisian clubs and collectives but also abroad. Through his residency within Exil Parisian collective, Hyden now stands out as a figure of the French techno nightlife.

If the mix of genres were to meet the young generation of Parisian techno producers, Hyden would be the result. Both passionate about harmonies and frenzied percussion, he creates music tinged with groovy, old school and mental sounds from multiple influences to offer its own vision of techno : incisive and hypnotic. Let yourself be carried away by his musical signature, stamped with the warehouses of the French capital, which have carved his universe as finely as a sharp blade. Since 2022, Hyden is also in a duo with the DJ and producer Seigg under the name Random Order. They released an EP “Long Live the Groove” with mental and oldschool influences and they perform in B2B.

 

📍 H0l0 1090 WYCKOFF AVE

🚪 DOORS  AT 10:00 PM
🎫 TICKETS AVAILAIBLE  AT $25

Future Palace Share "DREAMSTATE" Video — WATCH

Female-fronted, post-hardcore high flyers Future Palace will release their newalbum Distortion, due out September 6 via Arising Empire! Pre-order it here.

Today, the band has shared the video for "DREAMSTATE." Watch it below

Sometimes, the world is so overwhelming that the thought of another reality seems like salvation. With "Dreamstate," this Berlin post-hardcore trio describes the escape into a dream world with musical vigor.

Dense synthwave arpeggios put the epic instrumentals into fluid hovering states, and the energetic drums sound like a racing heartbeat, while singer Maria Lessing lets all emotions run free in a monumental hook. With the crashing breakdown in the finale, in which the constructed illusion finally collapses like a nightmare, it becomes clear that this escape offers no real way out. Future Palace emphasize — both sonically and lyrically — a desire for escapism that arises from deep pain.

That "Dreamstate" has become such a massive sonic demonstration of power is not at all evident from the song's genesis.

 "At first, I actually intended to write a piano ballad," says guitarist Manuel Kohlert. "But the song quickly became much harder."

"It's now one of my favorite songs on our new album," adds Lessing.

The organic development process of the song, in which quiet sounds were ultimately overtaken by massive anger, can perhaps even be read symbolically — after all, the singer was also thinking about her career as a musician, which sometimes seems just as overwhelming. "Very often I lack the strength to see it all through," she continues. "I think many people can empathize with this feeling of being overwhelmed in our performance-oriented society."

 For the music video of "Dreamstate," the band once again collaborated with Pavel Trebukhin and traveled back to Riga, Latvia.

The world is a firework of overstimulation, and Future Palace have dedicated their latest album Distortion, to this overwhelming feeling.

On the new record, the band delves into a mass of mental illnesses and societal problems, creating music that, fittingly, delivers more hooks than ever before, shifting seamlessly from the quietest depths to the loftiest heights.

While their previous album, Run, leaned toward musical extremes, Distortion is the ultimate culmination of all the tones Future Palace have absorbed on their Europe-wide journey as one of the most exciting acts in alternative guitar music. The album features the most powerful metalcore breakdowns meeting trembling darkwave beats, anthemic emocore refrains à la Bad Omens contrasted with sacred choirs, and the coldness of industrial clashing with the powerful emotionality of Sleep Token, making Distortion more like a manifesto.

Future Palace's music has always explored internal struggles, and Distortion is the brutal climax of this approach. The album title, derived from the psychological term cognitive distortion, reflects a world where changing perceptions trap individuals in recurring pitfalls. Distortion addresses various mental illnesses and personal struggles, from ADHD to depression to narcissism. The band's third album is a powerful force of emotions, cycles, and cries of desperation, overwhelming listeners with its intensity.

The band's creativity shines as they tackle demanding topics with fresh perspectives. On Distortion, they build on their previous work by incorporating new elements, like orchestral interjections in "The Echoes of Disparity," which combines brutal screams and chant-like passages to convey psychological struggle. "Panic Paralysis" features a massive vocal motif with an arabesque touch, while "They Take What They Want" dives into emotional depths, blending raw metalcore with gentle vocal passages and massive choirs.

Despite the album's emotional intensity, Distortion was created amid excessive demands. Produced by Julian Breucker and Christoph Wieczorek, known for their work with Annisokay, Beyond the Black, and Smash Into Pieces, the recording process was grueling. Lessing recorded the album with a root infection and after wisdom tooth surgery, adding stress but enhancing the songs' authenticity. Guitarist Manuel Kohlert notes that the album reflects the band's experience as a heavy touring band, capturing the feelings of being on the road and contemplating their existence.

FUTURE PALACE ARE:
Maria — Vocals
Manuel — Guitar
Johannes — Drums

Hootie & the Blowfish Celebrate 22x Platinum Certification During "GMA" Appearance as 'Summer Camp with Trucks Tour' Heads to Fenway Park

This morning, June 20, iconic band Hootie & the Blowfish electrified audiences nationwide with a live performance of their timeless hit “Only Wanna Be With You” on ABC’s “Good Morning America.” The performance marked a highlight in their ongoing Summer Camp with Trucks Tour, set to make its next stop at Boston’s famed Fenway Park tomorrow, June 21, and running through the fall.
 
During the broadcast, the band received a special surprise: a commemorative plaque from the Recording Industry Association of America (RIAA) celebrating their debut album, Cracked Rear View, achieving 22x Platinum certification, further extending its Double Diamond-certified status. This monumental accomplishment solidifies Cracked Rear View as one of the top 10 best-selling albums in music history, a testament to the band’s enduring appeal and the album’s lasting impact on the music industry.
 
Hootie & the Blowfish, formed by members Darius Rucker, Mark Bryan, Dean Felber and Jim “Soni” Sonefeld during their time as students at the University of South Carolina, also treated fans to their hits “Hold My Hand” and “Let Her Cry” on “GMA3:What You Need To Know.” 
 
Fans can hear those classic hits and more on the ongoing Summer Camp with Trucks Tour, produced by Live Nation and featuring special guests Collective Soul and Edwin McCain. Visiting arenas, amphitheaters and select stadiums such as tomorrow’s stop at Fenway Park (with special guests Barenaked Ladies), the tour also includes a homecoming to Columbia, S.C.’s Colonial Life Arena for the Gamecock alumni as well as a headlining appearance at Rucker’s own Riverfront Revival Music Festival in their home state in October. Tickets to all shows are on sale now via Hootie.com.
 
In addition, a celebration of the band's decades-long career that brings their classic sound to fans across the country, they also recently released their rendition of “For What It's Worth.” The timeless anthem originally penned by Stephen Stills in 1966 was recorded by Hootie & the Blowfish in 2017 during their studio sessions for Imperfect Circle. Listen HERE.
 
For more information, visit Hootie.com and follow on Facebook @hootieandtheblowfish, Instagram @hootieoffcial and Twitter/X @hootietweets.

 Photo Credit: ABC/Paula Lobo

Remaining Summer Camp with Trucks Tour Dates
June 21  |  Boston, Mass.  |  Fenway Park
June 27  |  Bethel, N.Y.  |  Bethel Woods Center for the Arts
June 28  |  Hershey, Pa.  |  Hersheypark Stadium
June 29  |  Burgettstown, Pa.  |  The Pavilion at Star Lake
July 10  |  Denver, Colo.  |  Fiddler’s Green Amphitheatre 
July 11  |  Salt Lake City, Utah  |  USANA Amphitheatre
July 13  |  Phoenix, Ariz.  |  Footprint Center
July 16  |  Anaheim, Calif.  |  Honda Center
July 17  |  Mountain View, Calif.  |  Shoreline Amphitheatre
July 19  |  Portland, Ore.  |  RV Inn Styles Amphitheater
July 20  |  Seattle, Wash.  |  White River Amphitheatre
July 26  |  Birmingham, Ala.  |  Oak Mountain Amphitheatre
July 27  |  Nashville, Tenn.  |  Bridgestone Arena
Aug. 1  |  Hartford, Conn.  |  The XFINITY Theatre
Aug. 2  |  Holmdel, N.J.  |  PNC Bank Arts Center
Aug. 3  |  Columbia, Md.  |  Merriweather Post Pavilion
Aug. 8  |  Somerset, Wisc.  |  Somerset Amphitheater
Aug. 9  |  Chicago, Ill.  |  Credit Union 1 Amphitheatre
Aug. 10   |  East Troy, Wisc.  |  Alpine Valley Music Theatre
Aug. 15  |  Cleveland, Ohio  |  Blossom Music Center
Aug. 16  |  Philadelphia, Pa.  |  Freedom Mortgage Pavilion
Aug. 17  |  Bristow, Va.  |  Jiffy Lube Live
Aug. 23  |  Las Vegas, Nev.  |  Fountainebleau Las Vegas
Aug. 24  |  Las Vegas, Nev.  |  Fountainebleau Las Vegas
Aug. 29  |  Columbia, S.C.  |  Colonial Life Arena
Aug. 30  |  Columbia, S.C.  |  Colonial Life Arena
Sept. 5  |  Wantagh, N.Y.  |  Northwell Health at Jones Beach Theater
Sept. 6  |  Syracuse, N.Y.  |  Empower FCU Amphitheater at Lakeview
Sept. 7  |  Toronto, Ontario  |  Budweiser Stage
Sept. 12  |  Knoxville, Tenn.  |  Thompson-Boling Arena at Food City Center
Sept. 13  |  Raleigh, N.C.  |  Coastal Credit Union Music Park at Walnut Creek
Sept. 14  |  Virginia Beach, Va.  |  Veterans United Home Loans Amphitheater
Sept. 19   |  Charlotte, N.C.  |  PNC Music Pavilion
Sept. 20  |  Alpharetta, Ga.  |  Ameris Bank Amphitheatre
Sept. 21  |  Greenville, S.C.  |  Bon Secours Wellness Arena 
Sept. 26  |  Tampa, Fla.  |  MIDFLORIDA Credit Union Amphitheatre
Sept. 27  |  Jacksonville, Fla.  |  VyStar Veterans Memorial Arena
Sept. 28  |  West Palm Beach, Fla.  |  iTHINK Financial Amphitheatre
Oct. 12  |  North Charleston, S.C.  |  Riverfront Revival Music Festival

About Hootie & the Blowfish
With the rich, bluesy vocals of Darius Rucker and gleeful harmonies of guitarist Mark Bryan, bassist Dean Felber and drummer Jim “Soni” Sonefeld, Hootie & the Blowfish have sold over 26 million records worldwide to date after their infectious melodies hit the airwaves in 1994 with hits such as “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You.” The quartet met at the University of South Carolina where endless gigs at frat houses and local bars built a major local buzz. Their blend of pop, folk, blues, soul and rock made them hard to pigeonhole, but easily accessible to anyone who loved good music.

Atlantic Records, impressed by their regional draw, signed them and released Cracked Rear View in 1994. The album had been out for six months before the band played on the Late Show with David Letterman which sent sales skyrocketing, eventually landing at No. 1 on the Billboard chart the following spring. Cracked Rear View and the band went on to win two GRAMMY Awards, an MTV Video Music Award, a Billboard Music Award and multiple People's Choice Awards. Cracked Rear View also earned the band Billboard's Band of the Year Award in 1996 and the RIAA's Diamond Award for sales in excess of 10 million units. At 22x Platinum, Cracked Rear View remains among the top 10 best-selling albums in music history.

The band remained a top draw nationwide following their debut and released five more albums for Atlantic: Fairweather JohnsonMusical ChairsScattered, Smothered & CoveredHootie & the Blowfish and The Best of Hootie & the Blowfish, as well as Looking For Lucky on their own Sneaky Long Records and LIVE in Charleston, The Homegrown Concert Event DVD and CD. The band took a break from full-time touring in 2007, reuniting annually for a variety of philanthropic events while also pursuing solo projects. 2019 marked the band’s first full-time touring year in over a decade as they embarked on the sold-out Group Therapy Tour in support of Imperfect Circle, released in late 2019 under a new record deal with Universal Music Group’s Capitol Nashville, and 2024 sees them return to the road once again for the Summer Camp with Trucks Tour.

No Shoes Nation Drives Chesney's 2nd Single: Just To Say We Did

While Kenny Chesney’s albums have always been a reflection of his life, the world around him and people he encounters, the precedent-setting artist has always put a premium on finding songs that also embody the lives of people who have led lives a lot like he did growing up in East Tennessee. Values-driven, friends- and family-oriented, his music tackles turning points, hard truths and all the joy one can create along the way, and it helped “Take Her Home” become his 33rd – and record extending – No. 1 at Billboard and his 36th No. 1 at Country Aircheck.
 
To celebrate that achievement, Chesney leaned into No Shoes Nation to pick the life-turning “Take Her Home”’s follow-up. The result captures the existential thrill of being alive. After listening to social media, streaming services and random run-ins with fans across the nation, there was only one choice for the man the Los Angeles Times called “the People’s Superstar.”
 
“Everywhere we went, everyone was asking for the same song,” Chesney reports. “Everybody wanted us to release ‘Just To Say We Did.’ It was insane how almost unanimous it was, but it’s also pretty much a perfect summer song. I mean, if there’s ever a time when you’re gonna get out of your comfort zone, do something crazy or unthinkable, it’s now.
 
“And the thing I loved about the song when we were putting BORN together was that idea of ‘shoot your shot!’ Whatever it is, forget the excuses – just do it! Don’t look down, don’t look back! Just jump into the moment and ride it for all it’s worth.”
 
Savory and smart, the percolating midtempo absolutely leans into that embrace the moment, take the chance reality that has defined No Shoes Nation. As Chesney said when the album was coming out, “What can I say? ‘Just To Say We Did’ sounds like me and my friends growing up, and so many people I’ve met along the way. It’s a song where whatever it is, why not? Get out there and live, shoot your shot, do that bucket list thing – just to say you did. When you can boil down how to create real joy into three minutes that feel this good, I want to sing that song.
 
“And I think this summer since we’ve been out on the Sun Goes Down Tour, ‘Just To Say We Did’ captures a lot of the energy we’re live on. Not just my road family, but all those crazy, awesome folks pulling up and tailgating out in the parking lots where No Shoes Nation comes to life every weekend. I can’t always get out there among ’em, but that doesn’t mean I don’t hear them or see them, because I do – and it reminds of growing up in the best way possible.”
 
The Sun Goes Down 2024 Tour, presented by Blue Chair Bay® Rum, has been shattering Chesney’s previous records at almost every stadium he’s played this year. Beyond scratching to find more seats multiple times in Tampa and Philadelphia, as well as a third show at Foxborough, Mass.’s Gillette Stadium, Chesney most recently topped his best at Chicago’s Soldier Field by 2,000 tickets.

Kenny Chesney’s Sun Goes Down 2024 Tour Remaining Dates
with Zac Brown Band, Megan Moroney & Uncle Kracker
June 20            Noblesville, Ind.  ||  Ruoff Music Center^
June 22            Milwaukee, Wisc.  ||  American Family Field
June 27            Darien Center, N.Y.  ||  Darien Lake Amphitheater^
June 29            Cincinnati, Ohio  ||  TQL Stadium*
July 6              Kansas City, Mo.  ||  GEHA Field at Arrowhead Stadium
July 11            Boise, Idaho  ||  Ford Idaho Center Amphitheater^
July 13            Seattle, Wash.  ||  Lumen Field
July 16            Salt Lake City, Utah  ||  America First Field*
July 18            Wheatland, Calif.  ||  Toyota Amphitheatre^
July 20            Los Angeles, Calif.  ||  SoFi Stadium
July 24            Phoenix, Ariz.  ||  Talking Stick Resort Amphitheatre^
July 27            Denver, Colo.  ||  Empower Field at Mile High Stadium
Aug. 3             Nashville, Tenn.  ||  Nissan Stadium
Aug. 8             Columbus, Ohio  ||  Historic Crew Stadium*
Aug. 10           Detroit, Mich.  ||  Ford Field
Aug. 15           Bangor, Maine  ||  Maine Savings Amphitheater^
Aug. 17           East Rutherford, N.J.  ||  MetLife Stadium
Aug. 23           Foxborough, Mass.  ||  Gillette Stadium
Aug. 24           Foxborough, Mass.  ||  Gillette Stadium
Aug. 25           Foxborough, Mass.  ||  Gillette Stadium
* Megan Moroney and Uncle Kracker only
^ Megan Moroney only
 

“...because everything gets hotter when the sun goes down...”

UK industrial post-punk mavericks HISTORY OF GUNS releases 'Half Light' album, darkness with an underbelly of hope

“Invisible hooks that will sink further in” ~  Auxiliary Magazine

 “By far, the most inventive UK band to have got their hands caught in the Industrial threshing machine” ~ Mick Mercer

"Hertfordshire's History of Guns is something of a musical chameleon. Like Killing Joke and Nine Inch Nails, they’ve taken on new forms whilst remaining easily identifiable in their journey from goth rock to post-punk and darkwave to EDM and wider electro-goth hybrid territory. The tension of opposites that characterises much of their work propels it forth to an electronic beat, the vocals uncoiling, snake-like, atop a steady electronic catchment" ~ Amplify Music Magazine

“Polished, dramatic, full of poise and binding sentiment, and one of awesome sound and feeling” ~ Liverpool Sound and Vision

The 1990s underground music scene was a fascinating era in the UK, giving rise to many notable bands, including industrial legends History Of Guns. Fast forward many years later - they are still crafting their unique meta-modernist Industrial sound, now releasing their eighth album, 'Half Light' via the Liquid Len Recording Company, previewed by the singles 'No Longer Earthbound' and 'When You Don't Matter'.

Formed in Cheshunt, Hertfordshire in 1996, History of Guns became frontrunners of the UK's Wasp Factory / FuturePunk scene of the early 2000s and their 2004 single 'Your Obedient Servant' was ultimately championed by The Quietus and Mick Mercer as one of the “thirty best goth singles of all time”. The band went on hiatus in 2012, returning with the album 'Forever Dying In Your Eyes' in 2022.  They then set about finishing an electronic project they’d begun in 2008.

On this album, founding members Del Alien (vocals) and Max Rael (keyboards, programming) are joined by guitarist Caden Clarkson (the newest member of History Of Guns) in exploring the human condition through various musical genres.

Produced by Max Rael, 'Half Light' was mixed by Max Rael and Caden Clarkson, and mastered by Pete Maher (U2, Pixies, Nick Cave, Depeche Mode, Nine Inch Nails).

Robert Anton Wilson once wrote, “The future is up for grabs. It belongs to any and all who will take the risk and accept the responsibility of consciously creating the future they want.” This was the starting point for 'Half Light - The Journey to Arcadia'. And whilst it isn’t a concept album, a rock opera or a conventional narrative story, elements of a story currently being written as a novel by Max Rael are contained in these ten songs, which explore inner and outer space.

As always, History Of Guns aims to create a strange alternative world where people can feel safe, particularly at night when the world feels bleak. And the world feels like that a lot of the time these days. This doesn’t mean the album is all joy. It has a lot of darkness in it, like life itself. History Of Guns embrace the dark as well as the light, bleakness and hope, as openly and unironically honestly as possible. Here you'll find songs about mental health, society, addiction, abandonment, different levels of reality and how hard it can feel to keep going sometimes. Yet through this darkness, there remains underneath, a core of hope.

This is an album in three acts. The first four tracks make up Act One (opening a door), then 'Flashes of Light Pt. 5' walks through that door. Act Two closes with the most joyous point in the album - 'Arcadia', followed by four tracks in the final act.

"When we came back from hiatus in 2022, we wanted a completely fresh start so we wrote the industrial rock / metal album 'Forever Dying in Your Eyes' from scratch. We had half of 'Half Light' at least sketched out as an electronic album back in 2008/2009," explains Max Rael.

"Fortunately, people seem much more comfortable with us being genre-fluid these days and it’s less cause for criticism. Back in the day, certain camps seemed to have a definite need for bands to fit neatly into particular genres and not stray too far outside of it, which meant some of our early stuff was maybe a bit misunderstood because people didn’t know where to put it. We’ve been genuinely amazed by the reaction to the first two singles and are in nervous anticipation for what people will make of the album”.

Del Alien - an original punk turned goth - is an anti-authority seeker of truth and the questions behind the questions. Max Rael is in love with the idea of using music to create a separate universe for creating stories and escaping into, was an autistic, music-obsessed child, absorbing a dozen genres before diving into trance after Britpop ruined the alternative scene.

Influenced by Killing Joke, PWEI, Bauhaus, Coil, Joy Division, Sisters of Mercy and Nine Inch Nails and Swans, History of Guns was a big part of the UK underground industrial scene of the 00s, playing Whitby Gothic Weekend, as well as Futurepunk and Back to the Futurepunk events.

The 'Half Light' album is out now, available from fine music platforms, such as SpotifyApple Music and Bandcamp.

ALBUM CREDITS
Produced by Max Rael
Mixed by Max Rael and Caden Clarkson
Recorded at Apollo Audio (Hertford), Soul Studios (Bishops Stortford)
Mastered by Pete Maher
Del Alien - vocals
Max Rael - keyboards, programming, guitars
Caden Clarkson - guitar
Andy Webster & Marnie from SPUCKTUTE  - vocals on 'Never Give it Up'
Amon Ásentir & Mark Eris from Xykogen - vocals on 'Arcadia'
Arcadia Choir (Emma Mills, Priyanka O’Neill, Sohm O’Neill and Ninotschka G.) - vocals on 'Arcadia'
Nykky Spectre - vocals on 'An Invitation'
Cover artwork by Amara O'Neill
Publicity by Shameless Promotion PR

Replacire Premiering 'The Center That Cannot Hold'

"A band on their way to the top" - Angry Metal Guy 
"
Leave you with a smile on your face and the horns in the air" - Metal Injection
"Mixes the pummeling intensity of Dying Fetus with the proggy eccentricity of Leprous" - No Clean Singing
"Engrossing brutality and neck-breaking charm. Truly the best of both worlds" - Dead Rhetoric

"This is tech death via the impersonal beating of Meshuggah at their harshest, or Norma Jean's utterly punishing classic Bless the Martyr and Kiss the Child, or maybe The Dillinger Escape Plan's legendary first album Calculating Infinity. It's the sort of album I haven't heart for years, one that's both unconventional and well-crafted, making for music that's impenetrable yet addictive nonetheless." - Wonderbox Metal

"A majorly intense album that could turn on a dime, roar up like a mountain lion, or retreat with the skill of a mongoose" - Metal Temple(8/10)

"These guys are the real deal of tech" - The Progressive Subway

The idea behind Replacire's new album was simple. Write some straight-ahead chuggers to feed the mosh pit the next time these tech-death brainiacs went on tour. 

It wasn't so easy. But despite countless Zoom calls, bouts with sleep paralysis and one near trip to the hospital, the Boston band sound stronger than ever on The Center That Cannot Hold

The Center That Cannot Hold comes out tomorrow, Friday, June 20 on Season of Mist. But you can run through all 11 brain-busting tech-death workouts today thanks to No Clean Singing, who are premiering the full album stream.

Listen to The Center That Cannot Hold

https://www.nocleansinging.com/2024/06/20/an-ncs-album-premiere-and-a-review-replacire-the-center-that-cannot-hold/

Pre-order and Stream

https://orcd.co/replacirethecenterthatcannotholdpresave

Take a closer look at their name and it’s clear why Replacire has become synonymous with Eric Alper. After all, Alper is their sole original member, having started the band all the way back in 2009 as a student at Berklee College of Music. When he's not producing other people's records at Ugly Duck Studios, Alper is sculpting his own physique as a competitive body builder. But during the sessions for The Center That Cannot Hold, he was feeling weighed down by the world.

"The pandemic was hard on us", Alper says. "We were all set to hit the studio together in March of 2020. But after the pandemic shut everything down, I had to sell our tour van and give up our rehearsal space just to keep my head above water". 

The mounting stress would've left a lesser band bloody-tongued and screaming. "All hope lies crimson on the hill / sinking", groans James Dorton on the album's dissonant and demolishing opener. "Living Hell" was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. Meanwhile, Alper was battling his own bouts with anxiety and depression that were brought on by a nagging case of writer's block. The opening frenzy of "The Helix Unravels" has been hammering through his skull since 2017. 

"There were days when all I could do was lay on the couch and hum a half-finished riff", he says.

But despite this perfect shit storm, Replacire banged their heads together and pulled through on The Center That Cannot Hold. Poh Hock twists and turns those unfinished sections on "The Helix Unravels" into a tight, three-minute burst that works all of tech-death's core muscles: glitching fret bends, jazzy interludes and downpicked chugs that could break even the thickest of necks. The band's rhythm section takes the reins on the title track. Joey Feretti starts off fully aslant with harsh syncopated drum thwacks, only for bassist Zak Baskin to dunk the song's middle passage into a trippy breakdown. 

Of course, Dorton is no slouch either. "James recorded vocals for the title track in one full take, with no stops, over and over, until we got it right", says Alper, who was looking for his mighty vocalist to spit out the same uncontrolled vulnerability as Slipknot's self-titled LP. Clearly, Dorton took that inspiration to heart. When the song suddenly cuts out with a muffled thump, you might think that’s his body hitting the floor instead of the mic.

“The next morning, he woke up shaking uncontrollably and his face was white as a sheet" Alper remembers. "He came back to life after we got some fluids into him, though for a moment, I was worried that he needed to go to the hospital”  

Thankfully, Replacire are seasoned pros. Hock, Ferretti and Baskin are also Berklee graduates and Dorton was the vocalist for Black Crown Initiate before he filled in on tour for Ne Obliviscaris.  "I am your lord god", he roars on "A Fine Manipulation", as if throwing the weight of the world off his shoulders, before the rest of the band launches into the album's most muscular breakdown. 

"We poured all of our blood, sweat and tears into The Center That Cannot Hold", Alper says. "It took years off my life. There were plenty of days where I wanted to quit. But I'm glad we didn't, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious. The songs are still techy, but they're also a lot heavier. I'm proud of us".  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper - Guitars
James Dorton - Vocals
Kee Poh Hock - Guitar
Zak Baskin - Bass
Joey Ferretti - Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper - Producer & Sound Engineer
Jens Bogren - Mixing & Mastering Studio Engineer (Fascination Street Studios)

Cover Art
Andrew Tremblay (@actremblayart)

Biography
Will Yarbrough

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Follow Replacire:
Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black

THE TRAGICALLY HIP ANNOUNCE DELUXE BOXSET, UNRELEASED TRACKS AND MUSIC VIDEO

Today, The Tragically Hip announces a commemorative boxset of their Diamond-certified debut album, Up To Here, the latest installment of special deluxe packages, set to release on November 8. Up To Here was originally released on September 5, 1989, as The Tragically Hip’s first full-length studio album, an introduction that brought them breakthrough success, including two Canadian rock radio #1 singles, “Blow at High Dough” and “New Orleans is Sinking” as well earning the band a JUNO Award for “Most Promising Artist” in 1990. Fans can pre-order the boxset today here.

The expanded reissue of Up To Here is a must-have for collectors, presented as a four-LP set on 180g vinyl alongside a book documenting the history of the debut album era. The reissue includes a 2024 remastering of the original album and four previously unreleased songs that didn’t make it on the original Up To Here album - “She’s Got What It Takes,” “Get Back Again,” “Rain, Hearts And Fire” and “Wait So Long” – that are also shared as part of this expanded package, are remastered and mixed in Atmos. A recording of Live at Misty Moon, the special filmed for MuchMusic in 1990 from the Misty Moon Cabaret in Halifax, with an accompanying 1-hour concert film, is also included on Blu-ray. The package also contains demos from 1988 recorded before the Up To Here recording session. The package will be available as a three-disc CD format.

Today, as a sneak peak, The Tragically Hip officially releases “Get Back Again,” which fans consider the holy grail of unreleased tracks from the band. The track was recorded before signing to their first major record deal with MCA (now Universal Music Canada), produced by Chris Wardman in November 1988, before the Up To Here sessions, now recently remixed and mastered to today’s standards. The band performed “Get Back Again” as part of the Live At Misty Moon set, which has been the only recorded version of the track from the band until now, making this a meaningful release for the band and their fans. A brand-new official music video for “Get Back Again”- directed by Cleveland Henderson, son of Pete Henderson, who had previously directed many videos of the band, including the award-winning “Locked In The Trunk Of A Car” and “Courage (For Hugh MacLennan),” will premiere tonight at 7:00PM on The Tragically Hip’s YouTube.

Established in 1984, this year marks 40 Years of The Tragically Hip – a milestone for the beloved band. 2024 sees The Tragically Hip break open the archives, reminiscing with fans on four decades of music, friendship, and philanthropy. The band’s legacy will be honored with a yearlong celebration, which started with the designation of the Record Store Day Canada Ambassadors, the upcoming launch of a four-part Amazon Prime Documentary titled No Dress Rehearsal, and on October 1, the release of a deluxe, hand-crafted book titled This Is Our Life, the band’s story as told in their own words and features more than 300 pages of unseen rarities pulled from the band’s personal collections. The Up To Here boxset celebrates the early days of The Tragically Hip and is the latest installment of a series of reissues released over the last few years honoring the band’s extensive catalog – Road Apples 30th Anniversary Deluxe Boxset (2021), Fully Completely Vinyl Release (2022), Phantom Power 25th Anniversary Deluxe Boxset (2023).

40 YEARS OF THE TRAGICALLY HIP:
The Tragically Hip has been at the heart of the Canadian musical zeitgeist, evoking an unrivaled emotional connection between their music and their fans. A five-piece group of friends including Rob Baker (guitar), Gord Downie (vocals, guitar), Johnny Fay (drums), Paul Langlois (guitar) and Gord Sinclair (bass), who grew up in Kingston, Ontario, The Tragically Hip have achieved both mass popularity with more than 12 million albums in Canada and over 2 million sold in the U.S, as well as peer recognition through 17 Juno Awards – picking up the distinguished Humanitarian Award in 2021 at the 50th annual JUNO Awards, which recognizes Canadian artists or industry leaders whose humanitarian contributions have positively enhanced the social fabric of Canada and beyond. In 2022, they were inducted into Canada’s Walk Of Fame for Humanitarianism in pursuit of social and environmental justice. They received a star on the Walk Of Fame in 2002 for Arts & Entertainment. Most recently, the band and their manager, Jake Gold, received the War Child Canada Founder’s Award, celebrating over 20 years of support for the global humanitarian organization. The Tragically Hip’s tireless activism and philanthropic pursuits have raised millions of dollars for multiple social and environmental causes, such as Camp Trillium, the Canadian Cancer Society, the Sunnybrook Foundation, WAR Child, the Special Olympics, and the Unison Benevolent Fund. Their studio catalog includes their self-titled debut album The Tragically Hip (1987), Up To Here (1989), Road Apples (1991), Fully Completely (1992), Day For Night (1994), Trouble At The Henhouse (1996), Phantom Power (1998), Music @ Work (2000), In Violet Light (2002), In Between Evolution (2004), World Container (2006), We Are The Same (2009), Now For Plan A (2012), Man Machine Poem (2016) and Saskadelphia (2021). A National Celebration was the final show of The Tragically Hip’s Man Machine Poem Tour, recorded on August 20, 2016, at the K-Rock Centre in their hometown of Kingston, Ontario. It is their last performance as a five-piece band. Through their career, the band became a cultural touchstone in Canada, who, despite their accolades and numerous recognitions, will always be proudest of the humanitarian work they have done over the years through numerous charitable organizations and causes. The legacy of the band’s frontman, the late Gord Downie, continues with The Gord Downie and Chanie Wenjack Fund, which aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples.


Follow The Tragically Hip:
Website | Facebook | Instagram | Twitter | Tik Tok

Discrepancies Release New Single "Takers"; Announce Tour Dates for this Summer!

Discrepancies released their new single "Takers," on June 14th. The single is already doing well on streaming platforms and radio. The band announced a handful of headlining dates this summer in support.

"This song is about stepping into your power, finding who you are outside of others' expectations and desires. As we grow and change as people we find ourselves being pulled in many directions. Some directions are guided by positivity and self-improvement and others are motivated by the selfish and greedy. It's our own responsibility to decipher which direction is right, which is wrong, and who's here to uplift rather than take down,"says the band's vocalist Antonio Metcalf.

Garrett Weakley, the band's bass player adds, "We're incredibly excited to do one of our first headlining tours to support our brand new single. We've been supporting tours for the last few years, and wanted to hit some markets we haven't been able to make happen for some time. This will be the longest set we've toured with, and we're playing many songs people have been requesting for years. We have some special treats in store, but I don't want to give away everything. Hopefully, we'll be seeing all of you there!"

"Takers" can be streamed/downloaded at:

https://linktr.ee/discrepanciesband

WATCH the Official Music Video for "Takers" below

Discrepancies Tour Dates:

6/23 - Lincoln, NE @ 1867 Bar
6/24 - Minneapolis, MN @ Turf Club
6/27 - Seattle, WA @ FunHouse
6/29 - Wallace, ID @ Silver Mountain Manor
7/1 - Salt Lake City, UT @ The Pearl on Main
7/3 - Kansas City, MO @ Westport Bowery
7/6 - St. Louis, MO @ Red Flag
7/13 - Johnsburg, IL @ Northern Illinois Metal Fest

Discrepancies is the Rap Rock band started by Antonio Metcalf (Vocals) and Garrett Weakley (Bass) in St. Louis, MO. Through discussions about the need for an authentic rap rock sound the two started the band along with Addison Bracher on guitar and vocals. Their first demo was Get Hype in January of 2014, which Antonio & Garrett dropped into thousands of food bags in the drive-thru window of their workplace. This guerilla tactic led to their first single gathering over 100,000 streams within the first 6 months, and allowed their early live shows to pack out the local small cap rooms.

In 2016, the band released The Awakening, which garnered label attention. The Awakening landed on Billboard charts peaking at #32 Alt New Artist and #108 Top New Artist. This record took the band on the road harder than the earlier DIY days, and had them openings for select shows of Mushroomhead, Sevendust, You Me at Six, P.O.D., Hed PE, Straight Line Stitch, Starset, & more. The second single from the record “Not Alone” had a strong Youtube release, and reached over 2 million views within the year. The album was re-released as a Deluxe Edition with 2 additional bonus tracks in 2018 via Invogue Records as well as a limited vinyl option. With the re-release the Discrepancies played the final Vans Warped Tour in 2018 & Rock USA in 2019 to promote the record.

Come 2020, the band dropped their second LP via Invogue Records titled The Rise. The Album’s first single “Control” went viral on social media, which attracted multiple reaction videos, influencer additions, and more leading the single to reaching over 4 million streams on Spotify alone. The song continues to resurface on social media and had a strong resurgence in 2023 on platforms like Youtube & TikTok. Discrepanciesjoined Nonpoint for their winter tour in January of 2022, and continued to tour throughout the year with artists such as Dropout Kings, A Killer’s Confession, Cultus Black, & more.

In 2023, Addison parted ways with the band and Discrepancies solidified their lineup with Brandon Bollinger replacing Addison. Discrepancies hit the road harder than ever in support of their new EP Product Of Entertainment. The band spent nearly 100 days on the road touring with Tech N9ne, Hollywood Undead, Wolves At The Gate, Catch Your Breath, Until I Wake, VRSTY, Outline In Color, ARCHERS, Versus Me, & many more. The first single “Hands Up” came out swinging with over 250k streams before the EP dropped and continues to be a huge staple live for the band. At the end of 2023, Discrepancies hit the studio to finish up more material, and start gearing up for 2024. Discrepancies calls themselves Real Rap Rock, and continues to evolve the sound they have coined as their own.

Discrepancies:
Antonio Metcalf (Vocals)
Garrett Weakley (Bass)
Brandon Bollinger (Guitar/vocals)
Marc Lyle (Drums)

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

Spotify

YouTube

http://www.fmmusicmanagement.com/

DARK FUNERAL Shares New Reworked Single, "Shadows Over Transylvania (Re-Recording 2024)" ⛧

Swedish black metal stalwarts DARK FUNERAL are now celebrating three decades of blasphemywith a re-worked version of their debut album! 'Dark Funeral (30th Anniversary Edition)' is due on August 9 via Century Media Records and has been remixed by David Castillo and re-mastered once again by Thomas "Plec" Johansson. The band is now sharing the second offering from the record, "Shadows Over Transylvania (Re-Recording 2024)" along with a visualizer! The clip can be found below.

DARK FUNERAL has previously commented about the special edition, “In January 1994, Blackmoon (RIP) and I put our entire income and savings into a recording session and pressing 1,000 copies of our 4-track debut Mini-CD. A Mini-CD we released ourselves too. To now reach the significant milestone with an epic 30th anniversary is of course very honorable for me &amp; the band. Three decades of Swedish Black Metal filled with precious memories. It is now time for us to reflect on what started it all, a 30-year epic journey, filled with experiences and an unbreakable bond. And in this honor, we have breathed new life into these legendary songs &amp; given them an honest but modern update. Enjoy!“

In addition, DARK FUNERAL will be embarking on a U.S. tour later this year as direct support for GWAR! The trek will kick off on October 17 in Las Vegas, NV and will dominate the states until the final stop on November 20 in Nashville, TN. The full itinerary can be found below while tickets will go on sale tomorrow, June 21 @ 10:00 A.M. local time.

Find rare material from the band's ominous beginnings in 1994 — an ultimate rendition and must-have for devoted disciples of darkness! Pre-Order this exclusive collector's edition HERE

Dark Funeral Live U.S. Dates

The Stoned Age Tour w/ Gwar

10/17: Las Vegas, NV @ House of Blues

10/18: Tempe, AZ @ The Marquee

10/19: Anaheim, CA @ House of Blues

10/20: San Francisco, CA @ The Regency Ballroom

10/22: Seattle, WA @ Showbox SoDo

10/23: Garden City, ID @ Revolution Concert House

10/24: Portland, OR @ Roseland Theater

10/26: Salt Lake City, UT @ The Depot

10/27: Denver, CO @ Summit

10/29: Lincoln, NE @ Bourbon Theatre

10/30: Minneapolis, MN @ Skyway Theatre

10/31: Milwaukee, WI @ The Rave

11/01: Cleveland, OH @ Agora Theatre

11/02: Albany, NY @ Empire Live

11/03: Hampton Beach, NH @ Wally's

11/05: Boston, MA @ The Paradise Rock Club

11/06: Brooklyn, NY @ Brooklyn Steel

11/13: Orlando, FL @ The Beacham

11/15: Dallas, TX @ The Studio at the Factory

11/16: San Antonio, TX @ Vibes Event Center

11/17: Houston, TX @ Warehouse Live

11/19: Atlanta, GA @ The Masquerade (Heaven)

11/20: Nashville, TN @ Brooklyn Bowl Nashville

Dark Funeral line-up (1994):

Lord Ahriman – Guitars

Blackmoon – Guitars

Draugen – Drums

Themgoroth – Bass & Vocals

Dark Funeral line-up (2024):

Lord Ahriman – Guitars

Heljarmadr – Vocals

Chaq Mol – Guitars

Jalomaah – Drums

Adra-Melek – Bass

Music & Lyrics by Blackmoon & Lord Ahriman

1994 Recordings & Mixes by Dan Swanö, Mastered by Thomas "Plec" Johansson

2024 Recordings & Mixes by David Castillo, Mastered by Thomas "Plec" Johansson

Video Production by 12 Inch Media

Artwork: Blackmoon & Lord Ahriman

Album Formats:

CD Jewelcase

Limited hand-numbered Transparent Blue-Black Marbled 180g Vinyl

Limited hand-numbered Clear Smoke Marbled 180g Vinyl (US EDITION)

Strictly Limited hand-numbered transparent Blue-Black Marbled 180g Vinyl including signed Art Print - Only 300 copies worldwide (Century Media Exclusive)

Digital Album

Links:

Official Website

Instagram

TikTok

Facebook X

YouTube

Spotify

Apple Music

ACCVSED Sign With Arising Empire + Share New Video "Day of the Locust"

Heavy act ACCVSED have just released their brand new single "Day of the Locust" via Arising Empire, showcasing an evolution of their most aggressive and unrelenting side. The band ushers in a new era marked by a sense of darkness and brutality previously unheard.

Watch the "Day of the Locust" video below.

Since their formation in 2021, ACCVSED have adhered to one principle: presenting themselves to the world authentically, without playing a role or sugarcoating their expressions. They channel their deepest traumas and fears into their music, creating a distinct and energetic blend of bold guitar riffs, unique vocals, and raw emotion. This combination shapes their sound into an unstoppable force.

Hailing from Wiesbaden, ACCVSED quickly realized that being a local band was not their ambition. They moved swiftly and made a significant impact on the music scene with their debut EP, House of Doubt, released in December 2023. The breakthrough single "Currents" led the six-song EP, establishing a foundation for their constantly evolving musical style and garnering them worldwide attention. This success resulted in support shows and festival appearances throughout Germany.

"Day of the Locust" is available on DSPs at midnight here.

ACCVSED ARE:
Tino Mehlig — Vocals
Valentin Noack — Guitar
Pascal Klebe — Bass
Christopher Lerner — Drums