Pop Evil Release Raw and Emotionally Charged EP "Unleaded"

In a bold departure from their signature sound, Pop Evil unveil a powerful new chapter with the release of their live acoustic EP, Unleaded, a raw and emotionally charged recording captured in the heart of New York City.

Hosted by SiriusXM Octane and set within the edgy, denim-clad atmosphere of the Cult of Individuality showroom, this release strips away the band’s thunderous riffs and high-octane energy, laying bare the soul of their songwriting in an intimate and electrifying performance.

Known for their explosive live shows and heavy rock anthems, Pop Evil have long been a staple of the hard rock scene. But Unleaded reveals a different side of the Michigan-bred outfit—one that trades distortion and fury for shadow and nuance. The setting was intentionally unconventional. Surrounded by Cult of Individuality’s gritty fashion aesthetic and a crowd of superfans, the band leaned into vulnerability and artistry, proving that their songs are just as powerful—if not more so—when stripped to their emotional core.

The EP features raw, acoustic renditions of fan favorites and a surprise cover of Simple Mind classic '80s hit "Don't You (Forget About Me)," reimagined through a minimalist lens. Frontman Leigh Kakaty's vocals take center stage, enriched by the absence of walls of sound, revealing new shades of melody and lyrical depth. Songs like "What Remains" and "Paranoid (Crash & Burn)" gain new emotional resonance, delivered with haunting clarity and personal intensity. Backed by acoustic guitar, delicate percussion, and harmonized vocals, the stripped arrangements emphasize storytelling over spectacle.

"This was a chance to show our fans who we are underneath it all," Kakaty shared during the Octane broadcast. "No lights, no walls of sound—just the songs and the emotion that built them."

Unleaded serves as a reminder that even the heaviest rock bands have roots in melody and meaning. It's a testament to Pop Evil’s versatility and their willingness to challenge themselves creatively. By peeling back the layers, this EP offers an unforgettable glimpse into the soul of Pop Evil — raw, unfiltered, and undeniably powerful.

Pop Evil are wrapping up the last few dates of their current headline tour. All remaining dates are below. The band is playing festivals and fairs this summer. Expect more touring later in 2025.

POP EVIL ON TOUR:
7/3 — Traverse City, MI — National Cherry Festival
7/5 — Algona, IA  — ABATE Freedom Rally
7/18 — Timmins, ON — Rock on the River
7/19 — Brantford, ON – Call Home
7/26 — Grover Hill, OH – Wetzelland 
8/2 — Davenport, IA – Mississippi Valley Fair
8/16 — Escanaba, MI — Upper Peninsula State Fair
10/5 — Sacramento, CA — Aftershock

Funeral Release Surprise New EP

Fresh on the crushing heels of their ninth album Gospel of Bone, today, Funeral are returning with a new companion EP. The Funereal displays all the markings that made this band pioneers of funeral doom: glacial riffs, poisoned harmonies, slow-burning solos and deep, pained growls. At its cold heart lies “Gamalt ljós”, a towering 18-minute centerpiece that digs deep into the psychological toll of emotional entrapment.  

The Funereal EP comes out today and is available on all digital platforms.

Stream: https://funeral.fanlink.tv/TheFunerealEP

Listen to “Gamalt ljós” below:

“Gamalt ljós” is one of the most introspective and heavy songs in Funeral’s decades-long career. Sung entirely in Faroese, the song translates in English as “Old Light,” a poetic reference to the fading glow of past hopes and unreachable absolutes. As its triptych structure unfolds, the emotional intensity escalates, navigating Kantian philosophy, spiritual longing, violent imagery and personal grief. "Rópi á gamalt ljós" (“I cry for old light”) emerges as its aching refrain.

The Funereal EP also includes an acoustic reinterpretation of “Når Kisten Senkes,” a standout track from Gospel of Bones. Stripped of the original’s orchestral weight, this new version lays bare the song’s stark mourning and lyrical gravitas. The result is a subdued yet devastating lamentation—an intimate reflection on death, grief, and finality, rendered in delicate acoustics and hushed despair.

Since the album was completed, the now septet has welcomed for the first time ever a full-time violin player “to perform live most of the strings you can hear on our albums as soon as we’ll be able to go back on stage.” In the meantime, Anders confesses the next album is more or less “finished. ‘Praesentialis’ could have been released earlier if we hadn’t to face all those COVID-related problems. We couldn’t meet in person, let alone rehearse or even just take promo pictures… But now we have a new label, a new line-up and a totally renewed sense of energy so why stop there? FUNERAL started thirty years ago be truth be told, it’s never been stronger. So, doom on!”

Recording Lineup:
Jon Aldara
Anders Eek
Morten Søbyskogen
Ingvild Anett Strønen Johannessen / Sareeta
Anders Langberg

Production Credits:
Recorded at Strand Studio, Stabbek, Norway.
Produced, mixed & mastered by Marius Strand at Strand Studio.
 
Guest Musicians:
Jon Aldara – Vocals
Stian Kråbøl - Classical Guitars

Cover Art:
Tristan D.

Stream: https://funeral.fanlink.tv/TheFunerealEP
 

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777

Swiss Goth / Horror / Shock Metal Band DARKFLOW Release New Album "Imminent End", OUT NOW! ​

Swiss Goth / Horror / Shock Metal band DARKFLOW have released their highly anticipated new album Imminent End, out now!

 

Produced, recorded, mixed, and mastered by Andy LaRocque (legendary guitarist of King Diamond) at Sonic Train Studio in Sweden, Imminent End is a concept album that takes listeners through a dark and chaotic vision of the world’s collapse. LaRocque not only helmed the production but also contributes a blistering guest solo on the epic track “The Last Symphony.” Brian Bendahan did the orchestration of all the songs.

 

The album Imminent End explores themes of divine judgment, human depravity, and cosmic destruction. DARKFLOW crafts a world where each track reveals a different path to ruin—tsunamis, wars, existential despair—culminating in a battle between heaven’s wrath and hell’s vengeance.

 

“This album is about the world’s end, each track a vision of how everything falls apart. I embody Sean Horror, returning from hell to destroy the Earth before God can. It’s a race for apocalypse. ‘Press The Button’ finds Sean forcing a powerful man to unleash nuclear chaos. And the final song, ‘Whistles From The Sky,’ is my laughter as I’ve outdone God—winning the destruction of mankind and ushering in the end of all civilization.”

 

With Imminent End, DARKFLOW cement their place as masters of sonic horror, blending goth, shock metal, and theatrical narrative into a terrifying and unforgettable experience.

 Imminent End can be heard here:

https://music.suricatemusic.com/imminentend

 

WATCH DarkFlow - "Press The Button" Video Below:

DARKFLOW are:

Sean Horror

Flow

Meech K

Soa Grihim

Dr. Trykster


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OUT NOW From Horrenda -Díoltas

In a powerful fusion of Irish mythology and unbridled metal ferocity, HORRENDA’s 2020 album Díoltas is set to conquer the U.S. with its upcoming physical release. The Dublin-based extreme metal band, known for their intense blending of black and death metal with atmospheric elements, first captured the attention of the underground metal scene with their explosive live performances and innovative sound.

Formed in 2015 by Darragh "Outis" O'Connor, HORRENDA quickly evolved from a solo project into a six-member ensemble that channels raw black metal, death metal, and a unique infusion of Irish folklore. Their live shows, notorious for their chaotic energy and punk-hardcore influences, have earned them a dedicated following and a regular spot at Ireland’s largest metal festival, Siege of Limerick. 

Díoltas, translating to "Revenge" in Irish, is HORRENDA’s most ambitious work to date. The album weaves a dark tapestry of themes ranging from ancient vengeance to the modern decay of Ireland, explored through the lens of Irish history and mythology. 

The opening track, "Balor", named after the Irish mythological giant and god of destruction, sets a foreboding tone, driven by aggressive guitar riffs and relentless drumming. Following up, "Dian" blends haunting melodic undertones with the ferocity of raw black metal, reflecting the intensity suggested by its name, which means "tough" or "intense" in Irish.

One of the highlights, "AxeWound", draws influence from the Swedish melodic death metal band AT THE GATES, while the title track "Díoltas" serves as the album's centerpiece, taking listeners on a harrowing descent into the Irish underworld with its expansive soundscape.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

Connect with HORRENDA:

  • Official Website: https://horrendaofficial.com/

  • Bandcamp: https://horrenda.bandcamp.com/album/think-on-your-sins

  • Facebook: https://www.facebook.com/HorrendaOfficial

  • Instagram: https://www.instagram.com/horrendaofficial/

  • Twitter/X: https://x.com/HorrendaEire

  • YouTube: https://www.youtube.com/@HorrendaOfficial

  • Spotify: https://open.spotify.com/artist/396IN8R4fgqAlSJB9UHiOU?si=dcJ5NUH3ReGjv5yolDOsiA

  • Apple Music: https://music.apple.com/us/artist/horrenda/1139929047

OUT NOW - LOW BEFORE THE BREEZE - A Hole Beneath The Home We Shared

Emerging from the vibrant underbelly of Atlanta's heavy music scene, LOW BEFORE THE BREEZE is set to release their much-anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This release marks a bold evolution in the band’s sound, weaving the personal turmoils of its members into a dense fabric of screamo, black metal, and harsh noise influences.

From the raw emotional screams to the intricate guitar work, the album serves as a sonic narrative of vocalist and guitarist Andrew Spann’s harrowing experiences—from his failed marriage and his father’s illness to a tumultuous brush with physical abuse—all viewed through the lens of religious guilt. The album is a journey through dark and aggressive territories, yet it is deeply personal and introspectively crafted.

The recording process at Sobek Sound under the expert hands of engineer Conner Ray and mixer Simon Small at Tunnel of Reverb captures the band’s raw live energy while refining their sound into a polished yet aggressive album. Mastering by Erol Ulug at Bright Light Studios ensures that the depth and complexity of the sound are preserved, giving listeners a visceral listening experience.

Special guest appearances enrich the narrative and sonic depth of the album. Tim Jones from STARVED OF LIGHT and LEAFBLOWER lends his voice to "Same Joke Twice," adding a layer of angst and introspection, while Maurice White of APOSTLE and LADYBIRD features on "Cadaver Synod," contributing to the track’s brooding intensity. Sasha Schilbrack-Cole of MALEVICH not only contributes vocals on "Permission to Rest" but also provides the haunting album cover artwork, encapsulating the emotional and tumultuous themes of the album.

Tracks like "Night Wept" and "Cadaver Synod" are marked as focus tracks for their compelling storytelling and intricate musical compositions. "Night Wept" deals with an intense personal moment of public humiliation and private despair, while "Cadaver Synod" explores the death of relationships and old selves, making them standout pieces that showcase the band’s growth and the thematic gravity of the album.

The album will be available in various formats including vinyl, cassette, and digital, appealing to collectors and digital listeners alike. As LOW BEFORE THE BREEZE continues to push the boundaries of their genre, A Hole Beneath The Home We Sharedstands as a testament to their artistic growth and personal resilience.

For fans of heavy, introspective music, this album promises not just songs, but stories—each track a chapter, each lyric a line of survival. Dive into the depths of LOW BEFORE THE BREEZE’s new album and experience the tumultuous, cathartic journey of A Hole Beneath The Home We Shared. 

About LOW BEFORE THE BREEZE:

Founded in 2021 in the eclectic music hub of Atlanta, Georgia, LOW BEFORE THE BREEZE quickly emerged as a force within the heavy music scene, known for their intense live performances and deeply introspective lyrics. Comprising vocalist and guitarist Andrew Spann, drummer Jonathan Balsamo, bassist Dennis Maganda, and guitarist Jonathan Kemp, the band synthesizes elements of screamo, black metal, and harsh noise to create a sound that is both aggressive and emotionally resonant.

LOW BEFORE THE BREEZE's journey began with the vision of Spann and Balsamo, who sought to explore the darker, more personal aspects of human experience through music. The addition of Kemp and Maganda in subsequent years brought new dimensions to the band's sound, enhancing their sonic landscape and deepening their lyrical exploration.

The band's music reflects a blend of personal trauma and societal critique, woven into compositions that challenge the boundaries of genre. Their lyrics often delve into themes of loss, betrayal, and the struggle for identity within the confines of societal expectations and personal turmoil. This thematic depth is matched by a musical intensity that captures the chaos and catharsis of confronting one's darkest moments.

With a discography that includes a demo and two EP's that have garnered attention both locally and internationally,, LOW BEFORE THE BREEZE has established themselves as a unique voice in the world of heavy music. Their commitment to authenticity and emotional rawness makes their performances compelling not just musically but as profound emotional experiences for their audience.

As they release their latest album, A Hole Beneath The Home We Shared, LOW BEFORE THE BREEZE continues to push the limits of their art, offering listeners a stark, unflinching look at the complexities of the human condition. Their music is a journey through the landscapes of pain and redemption, a narrative arc that resonates with anyone who has faced their own inner turmoil and come through transformed.

LOW BEFORE THE BREEZE is:

Gridiron Release "Poetry From Pain"

Gridiron will bring Poetry From Pain to fans and venues all summer long. All upcoming confirmed dates, including Summer Slaughter, are below.

Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.

Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.

It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.

Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.

And now, Poetry From Pain is here and it slays.

“Poetry from pain is about team work, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you’re feeling inside.”

GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — are proud to release their new album Poetry From Pain today, May 30, via Blue Grape Music. Get it here. 

A Stereogum fave for their "incendiary mosh riffs, the band has shared a dope, football-themed visualizer for the title track. Get off the bench and watch and listen here.

Groove? Check. Bounce? Check. Swagger? Check. Mosh? Check. Gridiron tick off ALL the boxes.

"Poetry From Pain is about teamwork, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you're feeling inside," states Karll.

GRIDIRON ON TOUR:
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at Warehouse on Watts
6/21 — Rutherford, NJ — The Black Box at the Williams Center

SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA  —The Eastern
7/10 — Baton Rouge, LA — Mid City Ballroom*
7/11 —  San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/14 — Memphis, TN — Growlers*
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount
7/18 — Troy, NY —  No Fun*
*Gridiron Headline Show 

WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center 
7/19 —  Sayreville, NJ —  Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 —  Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
 
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 —  Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI  — The Rave
7/28 — Grand Rapids, MI — Intersection

Seattle's AUDIOGUST releases 'Here We Go Again' album, including superb hometown anthem

Seattle-based artist AudioGust presents his album 'Here We Go Again', comprising 14 deeply personal and universally relatable tracks. An ode to the highs and lows of creativity, this album includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.

AudioGust is songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing dozens of songs and collaborating with artists worldwide. Crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition.

Highlight track ‘Seattle’ is a love letter penned to the Emerald City, told through the eyes of a traveler who spends too much time on the road. Longing to return home, he clings to the memory of a fleeting connection made on his latest trip, hoping to bring that person back to experience everything he loves about his city. More than just a personal story, 'Seattle' is somewhat a theme song for the city itself.

“The theme of 'Here We Go Again' is the unpredictable nature of inspiration—both the euphoria of experiencing it and the despair when it disappears. The album is split into songs that explore the extremes of inspiration and songs that have come to me while living through those extremes. Structurally, the album follows a pattern: odd-numbered tracks tell stories about the many ways artists interact with inspiration, while even-numbered tracks are either songs that arrived in those flashes of creativity or, like Unspoken, took months of struggle to bring to life,” says Chris Evans.

Here, Evans presents a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.

'Here We Go Again' sets the stage with the artist jolting awake at 3AM with a song forming in his head, struggling to capture it before it fades. 'Bubble in Your Champagne' is that very song. 'Unspoken' explores the frustration of knowing when to hold back words, even if they’re true—mirroring the battle to express thoughts in music when inspiration is nowhere to be found. 'I Like Falling Down' introduces a disillusioned character who clings to his depression as part of his self-identity, with his story taking a turn in 'Bright Yellow', inspired to create music that may help others and ends up saving himself.
 
'Whole Heart' follows a band from their earliest days to success, while the frontman wonders when true inspiration strike again to once again feel that fleeting, electrifying moment of creation.  'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. 'Dead to Me' is written from the muse’s point of view, expressing frustration at being ignored by someone she’s trying to inspire. 'How You Been?', co-written with Celine Dion and Eminem collaborator Liz Rodrigues, explores the story of someone who left music behind to pursue a stable career, but ultimately understands he can no longer run from what truly makes him feel alive.

'Tomorrow is Mine' paints a striking picture of resilience through the eyes of a young girl trapped in a war zone, losing faith that today will bring change, but daring to believe that maybe tomorrow will bring a better future. 'Never Gonna Let You Go' is a ska-infused tune about a character who plays against someone who is trying to manipulate him. 'Something to Remember' is a tongue-in-cheek look at folks who feel they’ve never done anything truly memorable. The album closes on a deeply personal note with 'Keep Holding On', Evans' reflection on losing his father, grappling with how to move forward without someone who had always been a source of support and creative encouragement.  

As of May 30, the 'Here We Go Again' album is available from fine music platforms, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR

Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

VADER - New EP 'Humanihility' Out Today

Humanihility, the brand new EP by Polish death metal veterans VADER has been unleashed upon the world today. Please scroll down to purchase your physical copy or to stream the release in full!

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a  limited 12'' (red vinyl, 700 copies).

VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!

PURCHASE OR STREAM HUMANIHILITY:
https://vader.bfan.link/humanihility

THE HAUNTED Launches Official Music Video for "Death to the Crown," New Album Out TODAY

Swedish thrash pioneers and purveyors THE HAUNTED are now releasing their tenth studio album, 'Songs of Last Resort,' today, May 30, 2025 via longtime partners Century Media Records. To celebrate, the band is now unleashing another scorching new music video for the song "Death to the Crown," which can be found below.

THE HAUNTED guitarist Ola Englund comments about the new single “'Death to the Crown’ is one of those songs that just came out of pure frustration. It’s about that feeling when you’re watching politicians or leaders treat real people like pawns in some kind of game. It’s not about any one person or country – it’s about the bigger pattern. Power going to people’s heads, egos growing out of control, and the rest of us left dealing with the mess. It’s heavy. It’s aggressive. It’s THE HAUNTED.”.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

WEBSTORE

UFO ‘NO PLACE TO RUN’ SCHEDULED TO RELEASE ON DELUXE, EXPANDED, REMASTERED AND REISSUED DOUBLE CD AND TRIPLE VINYL

Chrysalis Records are proud to present UFO’s classic 1980 album ‘No Place To Run’, newly remastered from the original production tapes transfers at AIR Mastering and reissued on stunning 3LP tri-fold sleeve 180gm vinyl and 2CD Digipak formats on August 15th, 2025.

‘No Place To Run’ was the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. It was produced by legendary Beatles producer George Martin and recorded at his newly launched AIR Studios in Montserrat in the Caribbean, a stark difference from the bands’ usual surroundings.

Reflecting on the album forty five years later Phil Mogg said: “The thing that sticks in my mind from recording ‘No Place To Run’ was the complete miss match with UFO / George Martin (who was a lovely chap) and nothing summed it up more than when George would say to Geoff (sound engineer): ‘Well Geoff, it’s six o’clock, time for a G&T out on the veranda.’ How very civilized!”
  
The reissue includes a new and previously unreleased mix of ‘Live at The Marquee, London, November 16th 1980’, mixed by revered engineer Brian Kehew from the original multi-track tapes, giving a powerfully fresh sound. Only three tracks have ever been officially released before (‘Lettin’ Go’, ‘Mystery Train’ and ‘No Place to Run’). The other eleven tracks from this legendary show have not been available until now. The set will take fans right back to the electric atmosphere of the Marquee, with a band at the very top of their game.

Brian Kehew said:
“Paul Chapman’s guitar sound here is really superb, a thick and singing B.C.Rich-into-Marshall tone… No Place To Run is certainly a special time for the band, the peak of their public acceptance. With the music world shifting into new wave and synth-pop around them, they stayed true to their roots and delivered yet another classic album.” (quote taken from liner notes)

Both formats feature new liner notes by Michael Hann featuring interviews with front-man vocalist Phil Mogg and drummer Andy Parker.

UFO ‘No Place To Run’ (2025 Remaster – Deluxe Edition) is released on double CD and 3LP on August 15th, 2025 on Chrysalis Records. Order link: https://UFO.lnk.to/NPT

‘Young Blood’ (Single Version) - 2025 Remaster will be released on DSPs as a single on May 29th, 2025
https://UFO.lnk.to/YBL

…AND OCEANS Premiere 'The Regeneration Itinerary'

Season of Mist is proud to announce the release of the expansive seventh album from …and Oceans. While they’ve always ebbed and flowed between different extremes, The Regeneration Itinerarysurges onto the scene as the symphonic black metal band’s most expansive experiment yet. Both darkly cinematic and shockingly cerebral, the album is a lesson in contrasts - between chaos and order, dissolution and regeneration.  

The Regeneration Itinerary come out  Friday, May 23 on Season of Mist, but you can hear all 10 unpredictable songs today by listening to the full album stream below.

Thirty years into their ebullient career, …and Oceans have now assembled a body of work that absorbs the band’s entire lineage. The Regeneration Itinerary synthesizes the Finnish band’s disparate identities into a two-sided whole. From the trance-inducing intensity of opener and lead single “Inertiae” and maze-like riffs of “Prophetical Mercury Implement” to the sharper death metal edge of “Förnyelse i Tre Akter”, the album is a dance with duality: body and spirit, destruction and rebirth, copper and mercury.

Vocalist Mathias Lillmåns draws inspiration from alchemical symbolism and the interplay between light and shadow. Guitarists Timo Kontio and Teemu Saari, bassist Pyry Hanski, keyboardist Antti Simonen, and drummer Kauko Kuusisalo flesh out his visions with layered textures and a frenetic precision that’s anchored by both the visceral production of Juho Räihä and the finishing touch of Tore Stjerna’s mix and master at Necromorbus Studio.

Rebirth is never static. This itinerary is ever-evolving.

“The Regeneration Itinerary explores the interplay between darkness and light, chaos and order, spiritual and material realms, with each song embodying an experience for the mind and body, navigating a passage to the present moment,” explains Lillmåns.

“The album works like a guide,” he continues. “Teaching us that not everything can be defined as simply being ‘good’ or ‘bad’, ‘light’ or ‘dark’, ‘copper’ or mercury’, underscoring the perpetual dance of dualities in the human experience.”

Line-up:
Mathias Lillmåns - Vocals
Teemu Saari - Guitar
Timo Kontio - Guitar
Pyry Hanski - Bass
Antti Simonen - Keyboards
Kauko Kuusisalo - Drums

Production Credits:
Recorded at Inka Studio / SoundSpiral Audio, Orimattila, Finland.
Producer & Engineered by Juho Räihä.
Mixed & Mastered by Tore Stjerna at Necromorbus Studio,  Söderfors, Sweden.

Cover Art:
Adrien Bousson

Biography:
Spencer Grady

Pre-order & Pre-save

https://orcd.co/andoceanstheregenerationitinerary

Follow ...and Oceans:
Bandcamp: https://andoceans.bandcamp.com/
Facebook: http://www.facebook.com/andoceans/
Instagram: https://www.instagram.com/andoceans_official/
Spotify: https://open.spotify.com/artist/0rWmH68lIyVOGYhhvayFzu
Apple Music: https://music.apple.com/artist/and-oceans/32204550
Deezer: https://www.deezer.com/artist/11172
Tidal: https://tidal.com/browse/artist/3565685

RONNIE ROMERO Releases New Album ‘Live At Rock Imperium Festival’ — Out Now via Frontiers Music Srl

Legendary singer RONNIE ROMERO is thrilled to announce the release of his new album, ‘Live At Rock Imperium Festival,’ which is out now via Frontiers Music Srl. In addition, ROMERO also shares a fresh track from the album titled "Crossroad." The focus track is accompanied by an official live video, available below.

 

'Live At Rock Imperium Festival' sees ROMERO delivering an impressive musical performance in front of a huge, passionate audience, in one of the biggest European festivals, the Spanish Rock Imperium Festival, including songs from the first solo and some other highlights like the Dio cover “Rainbow In The Dark."

RONNIE ROMERO comments on the focus:

“A very special and unexpected song we added to the album back in 2023, we were missing a track, and Jose Rubio came with this bluesy riff, so the songwriting was totally improvised! Anyway, this song became a fav for the audience in the shows!!”



Watch the Official Live Video for “Crossroad” Below:

The tracklist for 'Live At Rock Imperium Festival' is mostly based on RONNIE’s latest solo album 'Too Many Lies, Too Many Masters,' which marks the first time that ROMERO has been involved with 100% of the songwriting on an album he sings on.

ROMERO also co-produced the album with Andy C., marking another first for ROMERO. While these 'firsts” certainly add to the excitement for the album, it is the songs that truly take center stage. ROMERO's voice is completely at home on this diverse, hard rockin' set which is certainly going to please any fan of his vocal style and his work with his other bands. 

Commenting on 'Live At Rock Imperium Festival', ROMERO states:

“I really wanted to have a live album out, to show everybody how much I enjoy playing music and the capabilities of the musicians I have by my side! It is also a step forward in my solo career. And no better place than my beloved Rock Imperium Festival in Spain! Thanks a lot to Frontiers Music, Manu Giménez, Andy C, and my band for making this possible! I hope that everyone will enjoy this performance!”

Order 'Live At Rock Imperium Festival' HERE

ROMERO's voice and prolific musical activity have brought him to the forefront of the hard rock/metal scene where he can be seen/heard with Ritchie Blackmore's Rainbow, The Michael Schenker Group, Lords of Black, The Ferrymen, Sunstorm, and the recently launched Elegant Weapons with Judas Priest guitarist Richie Faulkner. With an impressive discography already under his belt, 'Too Many Lies, Too Many Masters' is arguably the crown jewel of ROMERO's recorded output thus far. 

 

'Too Many Lies, Too Many Masters' follows ROMERO's first two solo albums, both cover albums. 2023's 'Raised On Heavy Radio' saw ROMERO paying tribute to legendary artists from the metal world like Ozzy Osbourne, Black Sabbath, Judas Priest, Iron Maiden, Accept, Metallica, and more. It also featured special guests like Gus G. (Firewind, Ozzy Osbourne), Chris Caffery (Savatage, Spirits of Fire), Roland Grapow (Masterplan, Helloween), and more. 

ROMERO's first solo album, 'Raised On Radio', featured covers of classics that meant something special to ROMERO over the years and helped forge this talented singer's musical style. Songs by legendary acts like Survivor, Bad Company, Foreigner, Queen, Led Zeppelin, and more were given ROMERO's talented vocal treatment.

Line Up:

Ronnie Romero - Vocals

Jose Rubio - Guitars

Fran Gil Torres - Keyboards

Andy C. - Drums

Aurelian Dinca - Bass Guitar/Vocals

British Rock Icons SKUNK ANANSIE Release New Album 'The Painful Truth' — Out Now via FLG Records

Today, British rock icons SKUNK ANANSIE have released their long awaited brand new album, 'The Painful Truth.' To celebrate, the band has also released the focus track, "Shame," which is accompanied by a visualizer available to view below.

 

'The Painful Truth' is a truly mesmerizing, provocative, powerful and emotional album. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title, it's a reality that they have lived through and has been greeted by rapturous reviews.

Watch the Visualizer for “Shame” Below;

Produced by David Sitek of TV On The Radio fame, 'The Painful Truth' is a fresh, frank, uplifting, and richly textured album that proves SKUNK ANANSIE’s knack for writing big pop songs remains defiantly undiminished. If anything, their hooks are sharper than ever, sinking in quicker and hitting harder.

'The Painful Truth' marks SKUNK ANANSIE’s first release on the newly formed FLG Records, and it carries a vitality that belies their storied career and multi-platinum achievements. With 'The Painful Truth,' SKUNK ANANSIE boldly reclaim their place as one of the most exciting, visionary, and essential bands in British music.

On the new album, Skin confesses:

“When I really think about it, yes, we have made some good records in our time but it’s been a long time since we have made a great album. And that is the painful truth. Understanding that, led us to making what I genuinely think is our greatest record yet.”

Order 'The Painful Truth' HERE

Full details for all live performances can be found HERE

About SKUNK ANANSIE:

SKUNK ANANSIE formed in 1994 in London, and are a truly seminal band. One of the first multi-racial British rock bands, they are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.

 

Their debut album ‘Paranoid & Sunburnt’ (1995) and its follow up ‘Stoosh’ (1996) both hit the Top 10 album chart in the UK, and with hits like “Weak” and “Hedonism,” they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade off in style by releasing their third studio album, ‘Post Orgasmic Chill’ and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.

 

The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s ‘Wonderlustre,’ 2012’s ‘Black Traffic’ and 2016’s ‘Anarchytecture.’ In 2019, the band marked their 25th anniversary with ‘25LIVE@25,’ a live album that brings together the greatest songs from their six studio albums.

 

Throughout their career, SKUNK ANANSIE have sold over five million records around the world. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent, and now with ‘The Painful Truth’ receiving rave reviews around the world, SKUNK ANANSIE are back at the peak of their powers.

ONSLAUGHT - History-Packed 2CD/LP 'Origins Of Aggression' Out Now; Video For "Thermonuclear Devastation Of The Planet Earth [2025 Version]" Launched

English thrash metal legends ONSLAUGHT return in full force with their blistering new release, Origins Of Aggression, out now via Reigning Phoenix Music. Leading the charge is the newly recorded version of "Thermonuclear Devastation Of The Planet Earth" - a scorched-earth anthem packed with apocalyptic riffage. First appearing on the band’s debut album Power From Hell, released in 1985, the track has been re-recorded for Origins Of Aggression to mark the 40th anniversary of ONSLAUGHT’s explosive entry into the metal scene. Four decades later, its message feels just as urgent and relevant as it did back then - if not more so.
 
Watch the new lyric video below:
 
Nige Rockett comments: “‘Thermo...’ is the very first song myself and Paul Hill ever wrote for ONSLAUGHT when we formed the band in 1982 and it’s still a very important / integral part of the live show right up to this day as it never fails to induce complete chaos within the crowds. One real highlight I remember was performing it at the Katacombes [R.I.P.] venue in Montreal, Canada. I kid you not, every single person in the venue turned the place into one awesome/brutal circle pit, it was absolutely insane. We still get one massive buzz playing this song live, it has such an incredible energy and a very cool back story to go with it…!”

Origins Of Aggression is a 22-track double album that dives deep into ONSLAUGHT’s history, delivering fierce new takes on early classics alongside covers of key influences such as MOTÖRHEAD, DEAD KENNEDYS, and DISCHARGE. To support the release, ONSLAUGHT will hit the road again next week as part of a global tour, with confirmed dates across Europe, the UK, Mexico, and Australia.
 
Order/stream Origins Of Aggression: https://onslaught.rpm.link/originsPR

About ONSLAUGHT
 
ONSLAUGHT’s contribution to the thrash metal genre cannot be overstated: from their debut album Power From Hell [1985], which is being honoured with their new release, to their celebrated performances across the globe, they remain an untouchable force in the world of heavy metal. With over 40 years of history, the quintet have steadily continued to evolve, delivering relentless riffs and neck-breaking anthems, and cementing their place as pioneers of the British thrash scene.
 
ONSLAUGHT are:
David Garnett | vocals, guitars
Nige Rockett | guitars
Wayne Dorman | guitars
Jeff Williams | bass
James Perry | drums
 
More on ONSLAUGHT:
powerfromhell.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music | RPM

Exuberant NYC quintet Ecce Shnak share 'Backroom Sessions' EP and 'Fight Song' video

NYC experimental rock quintet Ecce Shnak has released their 'Backroom Sessions' EP via Records, Man Records, recorded at Backroom Studios in Rockaway, NJ. This 4-song live set arrives ahead of the band's West coast tour this June with platinum-selling legends Spacehog and EMF.

Ecce Shnak has also shared a raucous video for 'Fight Song' (Live), a hard-hitting track with a potent message, offering an ironic take on violence and addressing today's rampant spread of hate-filled vitriol. They earlier shared another track from this EP - their groove-inducing opus 'Prayer On Love' (Live).

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

David Roush explains, "While we originally filmed these performances for our YouTube channel, we felt the audio worked as a thrilling scamper through old material and new material alike. In addition, we are finishing a new full-length album and wanted to have something to tide you over, dear Shnak’iversian, until its release next Spring. So until we can share 'Dandy Variances' with you all, here are the “Backroom Sessions.” We so hope you love them tremendously!"

Rejecting conventional aesthetics, Ecce Shnak (pronounced Eh-kay sh-knock) whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut 'Shadows Grow Fangs' EP,

"The hardcore slammer 'Fight Song' is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, 'Letters to German Vasquez Rubio' in 2012," says David Roush.

"We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: “Fight for your right to fight!”"

Ecce Shnak's recently-released debut 'Shadows Grow Fangs' EP showcases incomparable ingenuity and limitless invention, blending art-rock and punk energy with some unexpected twists. Between its title track, web-mocking 'The Internet', sensual 'Prayer on Love', folk ballad 'Stroll With Me', and 150-second hammering lead track 'Jeremy, Utilitarian Sadboy', Ecce Shnak presents a powerful debut effort that is intricately constructed, methodically fashioned, undeniably offbeat and truly entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
 

The 'Backroom Sessions' EP is out now,available from fine digital music platforms, includingSpotify, Apple Music, YouTube Music and Bandcamp. In June, Ecce Shnak is touring the West coast with platinum-selling legendsSpacehogandEMF. Kicking things off in San Jose on June 14, the tour wraps up on June 28 in Las Vegas. Tickets for the Spacehog / EMF / Ecce Shnak tour are on sale now.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - vocals
Recorded at the Backroom Studios in Rockaway, NJ
Mixing Engineer: Chris Krasnow
Released by Records, Man Records
EP cover artwork & artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

Bryce Leatherwood's Self-Titled, Debut Album Out Now

For Mercury Nashville singer/songwriter Bryce Leatherwood, his love of country music began with listening to the likes of George Jones, Merle Haggard and Conway Twitty in his grandfather’s truck. That love and a passion for performing took him from local stages playing for beer in college to being crowned season 22 champion of “The Voice” just over two years ago. But in many ways that crown was just the beginning of his journey. What followed has been years of firsts. His first time in a writers room, first time on the Grand Ole Opry stage, his first headlining tour and now another first…the release of his self-titled, debut album available now with Saving Country Music observing “his voice is definitely a stellar vehicle for delivering country music.”
 
Named a “Best Album Pick” by NPR’s “All Songs Considered,” listen to Bryce Leatherwood HERE.
 
“I’ve been chasing this dream ever since the eighth grade when my daddy handed over his much loved Conway Twitty Greatest Hits CD,” shared Leatherwood. “To finally have my very own album out in the world, I am just over the moon and so excited for fans to hear it. I hope people listen to it and walk away feeling like country music is alive and well!” 

The Woodstock, Georgia native is carrying the influences and country-music foundations built while bumping along in that old pickup on his granddad’s farm with him for the debut LP American Songwriter praises as, “a true 21st-century country music album with flares that pay homage to the past.” A mix of originals and expertly crafted outside cuts, Leatherwood lets his resonate vocal loose over 12 diverse tunes – centered on his rock solid country roots, but ranging from the pure-emotion of classic balladry to an expanding genre’s bleeding edge. Taking a hands-on approach with producer Will Bundy (Riley Green, Ella Langley), Leatherwood threads the needle between the timeless and trendy with surefooted ease.
 
The album, which Country Now notes “introduces Leatherwood in his most authentic form,” features previously released tracks like the rollicking sweep-you-off-your-feet Saturday-night anthem “Neon Does,” “The One My Daddy Found” inspired by the decades-long love shared by his parents, “Where the Bar Is” which pops a country-rock top on a quick-hitting tale of late nights and open tabs, “The Finger” a tongue-in-cheek fan favorite sing-along to getting shafted by love and “Shenandoah" penned by Leatherwood with Jeffrey East and Josh Kelley about love and total romantic devotion. 
 
Unreleased tracks on the debut LP include “In Lieu of Flowers” proclaiming his eternal honky tonk allegiance – requesting Joe Diffie and a longneck toast when his time finally comes, the transformative jam “Something Bout A Girl” tracks the making of a man – with the help of a woman’s touch, while the feel-good “God Made” mixes twangy Telecaster with tasteful beats for a tale of physical perfection, the bluesy vocal stunner “What If She Does” imagines losing it all and “Cheap Cologne” traces the other side of the story – an aching done-me-wrong anthem nodding to Leatherwood’s classic favorites. 
 
Leatherwood  has marked release week with a flurry of activity including a stop at NBC’s “Today with Jenna & Friends” on Wednesday, May 14, to give fans a preview of the album with a performance of “In Lieu of Flowers.” He also received a surprise message on the show from Blake Shelton with his former Voice Coach sharing, “Man, it still seems like literally yesterday that I watched you win ‘The Voice,’ and I’m still just as proud of you today,” Shelton said. “Go get em’ brother.” Watch the performance HERE.
 
Leatherwood will  return to "The Voice" stage for the NBC hit's finale on May 20,  joining a star-studded line-up that will include performances from Alicia Keys, Blake Shelton, Chance the Rapper, Sheryl Crow, Joe Jonas, Kelly Clarkson and more. 
 
And the country crooner is showing no signs of slowing down. Leatherwood will celebrate the new album with a return to the Grand Ole Opry on May 24 and the Good Molecules Reverb Stage at CMA Fest next month. Fans can also find him at festivals across the US this summer with more touring news to be announced soon.
 
To follow along with updates and for more information, visit bryceleatherwood.com or follow along on Instagram HERE, Facebook HERE, X HERE or Tik Tok HERE.

About Bryce Leatherwood: 
Singer/songwriter Bryce Leatherwood aims to carry the torch of country music and continue the legacy of legends prior. Born and raised in Woodstock, GA, his passion for music began at an early age. Working on his grandfather’s farm every summer, Leatherwood was exposed to the classic country hits of George Jones, Merle Haggard and Conway Twitty. Soon thereafter he began picking up guitars and playing the traditional country music that inspires him today. Leatherwood’s music career began to blossom in Statesboro, GA, where he attended Georgia Southern University. During his time in Statesboro, Leatherwood played college venues and continued to grow his stage presence and his country music repertoire. While in college, Leatherwood formed his band and began playing all around the Southeast. Just weeks after graduating college, Bryce set his mind on a new task. In 2022, Leatherwood competed on the NBC hit television show “The Voice” and was crowned the Season 22 winner in December. Following his success, Leatherwood moved to Nashville where he has been songwriting and recording for his self-titled debut album on Mercury Records, out now. A next generation traditionalist plugged firmly into the modern mainstream, with all the hallmarks of a rising star, Leatherwood concluded his first-ever headlining tour, The Neon Does Tour last year, made his Grand Ole Opry debut on Sept. 14, 2024 and returns to Good Molecules Reverb Stage at CMA Fest this year. For the latest, visit bryceleatherwood.com.

PATCHWORK Releases New Album 'Scars'

After nearly a decade since their debut, metal band PATCHWORK returns today with the release of their powerful new album, Scars. The album is accompanied by the debut of a lyric video for the emotionally devastating closing track, “At The End," available HERE. 

Formed in 2010 by five longtime friends reuniting after years away from music, PATCHWORK has evolved from a thrash cover band into a formidable force of original songwriting. Scars serves as a conceptual sequel to their 2015 debut Exit Wounds, digging deeper into the emotional and psychological aftermath of trauma. Where Exit Wounds explored the moment of impact, Scars lingers in its wake.

The album showcases PATCHWORK's signature fusion of thrash, power, and speed metal, sharpened by tighter songwriting, intense performances, and guest contributions from heavyweights like Bobby Gustafson, Kragen Lum, Michael Gilbert, Dallas Toler-Wade, and Ronnie Parmer. New vocalist Heith Gruner and bassist Liza Sanchez inject fresh energy into the band’s lineup, giving the record a modern edge while staying true to its roots.

Among Scars’ 13 tracks is the heart-wrenching closer, “At The End,” a tribute to late band member Mark Sheetz, who passed away from cancer in 2023. Featuring lyrics written by Dave Caruana, solos by Kragen Lum, and a final recorded message from Sheetz himself, the track stands as the album’s emotional core.

Scars was written over six years and recorded at multiple studios, including Scars Studio and The Junkyard, with reamping completed at TVR Studio. The album’s production mirrors its themes: raw, honest, and unrelenting. Scars is available for purchase HERE.

About PATCHWORK:

PATCHWORK is a dynamic metal band hailing from Rockford, IL, known for their aggressive blend of thrash, power, and progressive metal. Since their inception in 2010, PATCHWORK has captivated audiences with their intense soundscapes and thought-provoking lyrics. Composed of Heith Gruner on vocals, Brad Carlson on guitars, Liza Sanchez on bass, and Dave Caruana on drums, the band has forged a unique path in the metal scene, distinguished by their musical complexity and deep thematic content.

The origins of PATCHWORK trace back to a group of seasoned musicians looking to reflect on their personal experiences and the broader human condition through music. The name "PATCHWORK" itself symbolizes the diverse elements that each member brings to the band, stitched together to form a cohesive and resilient artistic tapestry. Over the years, PATCHWORK has undergone several lineup changes, each time emerging with a renewed focus and energy that have enriched their sound and artistic direction, with Dave and Brad remaining as integral songwriters and collaborators.

Their debut album, Exit Wounds, released in 2015, introduced PATCHWORK to the world, showcasing their ability to blend melodic precision with raw power. The album was well-received, establishing the band as a formidable presence in the metal community. Since then, PATCHWORK has continued to evolve, exploring new themes and musical territories with each subsequent release.

The band’s latest album, Scars, is a profound exploration of the scars—both physical and emotional—that life’s trials leave behind. The album reflects the band's journey, marked by personal losses and the challenges of the ever-changing music landscape. Through Scars, PATCHWORK delves into the process of healing and the strength found in vulnerability, themes that resonate deeply in their meticulously crafted tracks.

Despite not being a live band currently, PATCHWORK's music continues to reach a wide audience through their recordings and online presence. Their dedication to creating authentic, powerful music that speaks to the resilience of the human spirit remains unwavering.

With a reputation for meticulous craftsmanship and a passionate approach to music, PATCHWORK stands as a beacon in the metal genre, inviting listeners to find solace and strength in their thunderous riffs and compelling narratives.

PATCHWORK is: 

  • Dave Caruana - Drums

  • Brad Carlson - Guitars

  • Heith Gruner - Vocals 

  • Liza Sanchez - Bass

Connect with PATCHWORK:

Behemoth Premiere Video For "Sowing Salt" + Album "The Shit Ov God" Out NOW

To celebrate the release of their critically acclaimed new studio album, The Shit Ov God, which is out now, Poland's kings of extreme metal, BEHEMOTH, have unleashed a stunning music video for their latest single "Sowing Salt."

NERGAL says, "'Sowing Salt' is arguably one of the most brutal compositions in Behemoth's catalogue to date. Unrelenting. Unapologetic. Absolute.
The video was directed by Zev Deans, with whom we've had the pleasure to collaborate before. He's crafted a visual that powerfully completes the song — musically and lyrically. And the lyrics? Just as radical and confrontational as music itself."

With the post-apocalyptic and retro-futuristic imagery that dominates the clip, BEHEMOTH enter new territory without sacrificing the visual leitmotif and thematic virulence they have established over the course of their more than three-decade-long career. Scroll down to watch the video for "Sowing Salt".

And don't forget to check out The Shit Ov God — BEHEMOTH's most inflammatory and extreme record to date!

NERGAL comments, "Nearly 35 years in, thirteen albums deep — that's a hell of a journey. And now, with full honesty and open veins, we give you this:
The Shit Ov God is upon you. The new era begins as we bled for this monumental labor! Take this, all of you, eat and drink from it for this is our body given up for you! Rejoice!"

CANDLEMASS Cover Black Sabbath's "Sabbath Bloody Sabbath"

To celebrate 40 years of doom metal mastery and the release of their brand new four track EP, Black Star, Swedish epic doom metal pioneers Candlemass have unveiled a cover of Black Sabbath's legendary hymn "Sabbath Bloody Sabbath." Originally cut from the classic 1973 Sabbath album, Candlemass present their own version alongside an official music video.

With solemn intensity and seismic presence, Candlemass transform the track into a funeral march worthy of doom's highest pantheon. A majestic tribute that honors the past while shaking the crypt walls of the present.

Candlemass mastermind Leif Edling comments, "'Sabbath Bloody Sabbath' needs no introduction, one of the best songs ever recorded if you ask me. Maybe not the obvious choice, but it's been a dream for me to do it one day and here it is! Our rendition of 'S.B.S.' (Mass Bloody Mass?)"

Watch the official music video for "Sabbath Bloody Sabbath" below:

Swedish godfathers of epic doom Candlemass present their four-track EP, Black Star. Packed with cavernous riffs, the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics.

Following the title track, the second original song, "Corridors Of Chaos," marks a true old school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band’s mastery of dynamics. Adding to this tribute, Candlemass deliver their rendition of Pentagram's classic "Forever My Queen," further cementing the bands remarkable contribution to shaping the genre into what it is today.

CANDLEMASS ARE:
Johan Länquist — Vocals
Lars Johansson — Lead Guitar
Mappe Björkman — Rhythm Guitar
Leif Edling — Bass
Janne Lind — Drums

Out now from HORRENDA -Díoltas

In a powerful fusion of Irish mythology and unbridled metal ferocity, HORRENDA’s 2020 album Díoltas is set to conquer the U.S. with its upcoming physical release. The Dublin-based extreme metal band, known for their intense blending of black and death metal with atmospheric elements, first captured the attention of the underground metal scene with their explosive live performances and innovative sound.

Formed in 2015 by Darragh "Outis" O'Connor, HORRENDA quickly evolved from a solo project into a six-member ensemble that channels raw black metal, death metal, and a unique infusion of Irish folklore. Their live shows, notorious for their chaotic energy and punk-hardcore influences, have earned them a dedicated following and a regular spot at Ireland’s largest metal festival, Siege of Limerick. 

Díoltas, translating to "Revenge" in Irish, is HORRENDA’s most ambitious work to date. The album weaves a dark tapestry of themes ranging from ancient vengeance to the modern decay of Ireland, explored through the lens of Irish history and mythology. 

The opening track, "Balor", named after the Irish mythological giant and god of destruction, sets a foreboding tone, driven by aggressive guitar riffs and relentless drumming. Following up, "Dian" blends haunting melodic undertones with the ferocity of raw black metal, reflecting the intensity suggested by its name, which means "tough" or "intense" in Irish.

One of the highlights, "AxeWound", draws influence from the Swedish melodic death metal band AT THE GATES, while the title track "Díoltas" serves as the album's centerpiece, taking listeners on a harrowing descent into the Irish underworld with its expansive soundscape.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

About HORRENDA:

HORRENDA is an experimental blackened extreme metal band hailing from Dublin, Ireland. Formed in 2015 by Darragh "Outis" O'Connor, what began as a solo project quickly evolved into a formidable force within the underground metal scene. The band blends elements of black and death metal with ambient influences, creating a sound that is both intense and atmospheric.

The current lineup consists of Darragh "Outis" O'Connor on guitars and studio backing vocals, Arron "Nomad" O'Shaughnessy as the lead vocalist, Keith "Donn" Smith on bass, Mark "Morrdok" O'Brien and Cormac "Desolatus" Jordan on guitars, and Matthew "Dearg" McKenna on drums. This ensemble has solidified HORRENDA's sound as well as enhanced their live performances, known for their raw, chaotic intensity.

Since their inception, HORRENDA has been a regular presence at Ireland’s largest metal festival, Siege of Limerick, and has shared the stage with notable acts such as ROTTEN SOUND, THE CRAWLING, and CHRIST AGONY. Their music is deeply rooted in Irish folklore and historical themes, which adds a unique layer to their aggressive musical style.

The release of their first full-band album, Díoltas, in 2020 marked a significant milestone in the band's career. It showcased a more developed and aggressive sound, blending the band’s trademark atmospheric elements with hardcore punk energy. HORRENDA continued to expand their reach with a debut at Cardiff’s Eradication Festival in 2022 and the premiere of their music video "Handprints" on Decibel Magazine in 2023.

In addition to their music, HORRENDA is actively involved in collaborative and charity projects, including the All Ireland Metal Project, which united metal musicians from across Ireland during the Covid lockdowns to support various charitable causes.

With a sound that is as innovative as it is intense, HORRENDA continues to push the boundaries of extreme metal, making their mark both locally and internationally. Their dedication to exploring new sonic and thematic territories ensures that they remain at the forefront of the metal scene, captivating audiences with their dark, powerful narratives and uncompromising sound.

HORRENDA is: 

  • Darragh "Outis" O'Connor – Guitars, Studio Backing Vocals

  • Arron "Nomad" O'Shaughnessy – Lead Vocals

  • Keith "Donn" Smith – Bass

  • Mark "Morrdok" O'Brien – Guitars

  • Cormac "Desolatus" Jordan – Guitars

  • Matthew "Dearg" McKenna – Drums

Connect with HORRENDA:

  • Official Website: https://horrendaofficial.com/

  • Bandcamp: https://horrenda.bandcamp.com/album/think-on-your-sins

  • Facebook: https://www.facebook.com/HorrendaOfficial

  • Instagram: https://www.instagram.com/horrendaofficial/

  • Twitter/X: https://x.com/HorrendaEire

  • YouTube: https://www.youtube.com/@HorrendaOfficial

  • Spotify: https://open.spotify.com/artist/396IN8R4fgqAlSJB9UHiOU?si=dcJ5NUH3ReGjv5yolDOsiA

  • Apple Music: https://music.apple.com/us/artist/horrenda/1139929047