Seattle's AUDIOGUST releases 'Here We Go Again' album, including superb hometown anthem

Seattle-based artist AudioGust presents his album 'Here We Go Again', comprising 14 deeply personal and universally relatable tracks. An ode to the highs and lows of creativity, this album includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.

AudioGust is songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing dozens of songs and collaborating with artists worldwide. Crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition.

Highlight track ‘Seattle’ is a love letter penned to the Emerald City, told through the eyes of a traveler who spends too much time on the road. Longing to return home, he clings to the memory of a fleeting connection made on his latest trip, hoping to bring that person back to experience everything he loves about his city. More than just a personal story, 'Seattle' is somewhat a theme song for the city itself.

“The theme of 'Here We Go Again' is the unpredictable nature of inspiration—both the euphoria of experiencing it and the despair when it disappears. The album is split into songs that explore the extremes of inspiration and songs that have come to me while living through those extremes. Structurally, the album follows a pattern: odd-numbered tracks tell stories about the many ways artists interact with inspiration, while even-numbered tracks are either songs that arrived in those flashes of creativity or, like Unspoken, took months of struggle to bring to life,” says Chris Evans.

Here, Evans presents a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.

'Here We Go Again' sets the stage with the artist jolting awake at 3AM with a song forming in his head, struggling to capture it before it fades. 'Bubble in Your Champagne' is that very song. 'Unspoken' explores the frustration of knowing when to hold back words, even if they’re true—mirroring the battle to express thoughts in music when inspiration is nowhere to be found. 'I Like Falling Down' introduces a disillusioned character who clings to his depression as part of his self-identity, with his story taking a turn in 'Bright Yellow', inspired to create music that may help others and ends up saving himself.
 
'Whole Heart' follows a band from their earliest days to success, while the frontman wonders when true inspiration strike again to once again feel that fleeting, electrifying moment of creation.  'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. 'Dead to Me' is written from the muse’s point of view, expressing frustration at being ignored by someone she’s trying to inspire. 'How You Been?', co-written with Celine Dion and Eminem collaborator Liz Rodrigues, explores the story of someone who left music behind to pursue a stable career, but ultimately understands he can no longer run from what truly makes him feel alive.

'Tomorrow is Mine' paints a striking picture of resilience through the eyes of a young girl trapped in a war zone, losing faith that today will bring change, but daring to believe that maybe tomorrow will bring a better future. 'Never Gonna Let You Go' is a ska-infused tune about a character who plays against someone who is trying to manipulate him. 'Something to Remember' is a tongue-in-cheek look at folks who feel they’ve never done anything truly memorable. The album closes on a deeply personal note with 'Keep Holding On', Evans' reflection on losing his father, grappling with how to move forward without someone who had always been a source of support and creative encouragement.  

As of May 30, the 'Here We Go Again' album is available from fine music platforms, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR

Keep up with AudioGust
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VADER - New EP 'Humanihility' Out Today

Humanihility, the brand new EP by Polish death metal veterans VADER has been unleashed upon the world today. Please scroll down to purchase your physical copy or to stream the release in full!

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a  limited 12'' (red vinyl, 700 copies).

VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!

PURCHASE OR STREAM HUMANIHILITY:
https://vader.bfan.link/humanihility

Facebook: https://www.facebook.com/vader
Instagram: https://www.instagram.com/vader_band_official/
X: https://x.com/vaderband
Youtube: https://www.youtube.com/@panzervader    

THE HAUNTED Launches Official Music Video for "Death to the Crown," New Album Out TODAY

Swedish thrash pioneers and purveyors THE HAUNTED are now releasing their tenth studio album, 'Songs of Last Resort,' today, May 30, 2025 via longtime partners Century Media Records. To celebrate, the band is now unleashing another scorching new music video for the song "Death to the Crown," which can be found below.

THE HAUNTED guitarist Ola Englund comments about the new single “'Death to the Crown’ is one of those songs that just came out of pure frustration. It’s about that feeling when you’re watching politicians or leaders treat real people like pawns in some kind of game. It’s not about any one person or country – it’s about the bigger pattern. Power going to people’s heads, egos growing out of control, and the rest of us left dealing with the mess. It’s heavy. It’s aggressive. It’s THE HAUNTED.”.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

WEBSTORE

UFO ‘NO PLACE TO RUN’ SCHEDULED TO RELEASE ON DELUXE, EXPANDED, REMASTERED AND REISSUED DOUBLE CD AND TRIPLE VINYL

Chrysalis Records are proud to present UFO’s classic 1980 album ‘No Place To Run’, newly remastered from the original production tapes transfers at AIR Mastering and reissued on stunning 3LP tri-fold sleeve 180gm vinyl and 2CD Digipak formats on August 15th, 2025.

‘No Place To Run’ was the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. It was produced by legendary Beatles producer George Martin and recorded at his newly launched AIR Studios in Montserrat in the Caribbean, a stark difference from the bands’ usual surroundings.

Reflecting on the album forty five years later Phil Mogg said: “The thing that sticks in my mind from recording ‘No Place To Run’ was the complete miss match with UFO / George Martin (who was a lovely chap) and nothing summed it up more than when George would say to Geoff (sound engineer): ‘Well Geoff, it’s six o’clock, time for a G&T out on the veranda.’ How very civilized!”
  
The reissue includes a new and previously unreleased mix of ‘Live at The Marquee, London, November 16th 1980’, mixed by revered engineer Brian Kehew from the original multi-track tapes, giving a powerfully fresh sound. Only three tracks have ever been officially released before (‘Lettin’ Go’, ‘Mystery Train’ and ‘No Place to Run’). The other eleven tracks from this legendary show have not been available until now. The set will take fans right back to the electric atmosphere of the Marquee, with a band at the very top of their game.

Brian Kehew said:
“Paul Chapman’s guitar sound here is really superb, a thick and singing B.C.Rich-into-Marshall tone… No Place To Run is certainly a special time for the band, the peak of their public acceptance. With the music world shifting into new wave and synth-pop around them, they stayed true to their roots and delivered yet another classic album.” (quote taken from liner notes)

Both formats feature new liner notes by Michael Hann featuring interviews with front-man vocalist Phil Mogg and drummer Andy Parker.

UFO ‘No Place To Run’ (2025 Remaster – Deluxe Edition) is released on double CD and 3LP on August 15th, 2025 on Chrysalis Records. Order link: https://UFO.lnk.to/NPT

‘Young Blood’ (Single Version) - 2025 Remaster will be released on DSPs as a single on May 29th, 2025
https://UFO.lnk.to/YBL

…AND OCEANS Premiere 'The Regeneration Itinerary'

Season of Mist is proud to announce the release of the expansive seventh album from …and Oceans. While they’ve always ebbed and flowed between different extremes, The Regeneration Itinerarysurges onto the scene as the symphonic black metal band’s most expansive experiment yet. Both darkly cinematic and shockingly cerebral, the album is a lesson in contrasts - between chaos and order, dissolution and regeneration.  

The Regeneration Itinerary come out  Friday, May 23 on Season of Mist, but you can hear all 10 unpredictable songs today by listening to the full album stream below.

Thirty years into their ebullient career, …and Oceans have now assembled a body of work that absorbs the band’s entire lineage. The Regeneration Itinerary synthesizes the Finnish band’s disparate identities into a two-sided whole. From the trance-inducing intensity of opener and lead single “Inertiae” and maze-like riffs of “Prophetical Mercury Implement” to the sharper death metal edge of “Förnyelse i Tre Akter”, the album is a dance with duality: body and spirit, destruction and rebirth, copper and mercury.

Vocalist Mathias Lillmåns draws inspiration from alchemical symbolism and the interplay between light and shadow. Guitarists Timo Kontio and Teemu Saari, bassist Pyry Hanski, keyboardist Antti Simonen, and drummer Kauko Kuusisalo flesh out his visions with layered textures and a frenetic precision that’s anchored by both the visceral production of Juho Räihä and the finishing touch of Tore Stjerna’s mix and master at Necromorbus Studio.

Rebirth is never static. This itinerary is ever-evolving.

“The Regeneration Itinerary explores the interplay between darkness and light, chaos and order, spiritual and material realms, with each song embodying an experience for the mind and body, navigating a passage to the present moment,” explains Lillmåns.

“The album works like a guide,” he continues. “Teaching us that not everything can be defined as simply being ‘good’ or ‘bad’, ‘light’ or ‘dark’, ‘copper’ or mercury’, underscoring the perpetual dance of dualities in the human experience.”

Line-up:
Mathias Lillmåns - Vocals
Teemu Saari - Guitar
Timo Kontio - Guitar
Pyry Hanski - Bass
Antti Simonen - Keyboards
Kauko Kuusisalo - Drums

Production Credits:
Recorded at Inka Studio / SoundSpiral Audio, Orimattila, Finland.
Producer & Engineered by Juho Räihä.
Mixed & Mastered by Tore Stjerna at Necromorbus Studio,  Söderfors, Sweden.

Cover Art:
Adrien Bousson

Biography:
Spencer Grady

Pre-order & Pre-save

https://orcd.co/andoceanstheregenerationitinerary

Follow ...and Oceans:
Bandcamp: https://andoceans.bandcamp.com/
Facebook: http://www.facebook.com/andoceans/
Instagram: https://www.instagram.com/andoceans_official/
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Apple Music: https://music.apple.com/artist/and-oceans/32204550
Deezer: https://www.deezer.com/artist/11172
Tidal: https://tidal.com/browse/artist/3565685

RONNIE ROMERO Releases New Album ‘Live At Rock Imperium Festival’ — Out Now via Frontiers Music Srl

Legendary singer RONNIE ROMERO is thrilled to announce the release of his new album, ‘Live At Rock Imperium Festival,’ which is out now via Frontiers Music Srl. In addition, ROMERO also shares a fresh track from the album titled "Crossroad." The focus track is accompanied by an official live video, available below.

'Live At Rock Imperium Festival' sees ROMERO delivering an impressive musical performance in front of a huge, passionate audience, in one of the biggest European festivals, the Spanish Rock Imperium Festival, including songs from the first solo and some other highlights like the Dio cover “Rainbow In The Dark."

RONNIE ROMERO comments on the focus:

“A very special and unexpected song we added to the album back in 2023, we were missing a track, and Jose Rubio came with this bluesy riff, so the songwriting was totally improvised! Anyway, this song became a fav for the audience in the shows!!”



Watch the Official Live Video for “Crossroad” Below:

The tracklist for 'Live At Rock Imperium Festival' is mostly based on RONNIE’s latest solo album 'Too Many Lies, Too Many Masters,' which marks the first time that ROMERO has been involved with 100% of the songwriting on an album he sings on.

ROMERO also co-produced the album with Andy C., marking another first for ROMERO. While these 'firsts” certainly add to the excitement for the album, it is the songs that truly take center stage. ROMERO's voice is completely at home on this diverse, hard rockin' set which is certainly going to please any fan of his vocal style and his work with his other bands. 

Commenting on 'Live At Rock Imperium Festival', ROMERO states:

“I really wanted to have a live album out, to show everybody how much I enjoy playing music and the capabilities of the musicians I have by my side! It is also a step forward in my solo career. And no better place than my beloved Rock Imperium Festival in Spain! Thanks a lot to Frontiers Music, Manu Giménez, Andy C, and my band for making this possible! I hope that everyone will enjoy this performance!”

Order 'Live At Rock Imperium Festival' HERE

ROMERO's voice and prolific musical activity have brought him to the forefront of the hard rock/metal scene where he can be seen/heard with Ritchie Blackmore's Rainbow, The Michael Schenker Group, Lords of Black, The Ferrymen, Sunstorm, and the recently launched Elegant Weapons with Judas Priest guitarist Richie Faulkner. With an impressive discography already under his belt, 'Too Many Lies, Too Many Masters' is arguably the crown jewel of ROMERO's recorded output thus far. 

'Too Many Lies, Too Many Masters' follows ROMERO's first two solo albums, both cover albums. 2023's 'Raised On Heavy Radio' saw ROMERO paying tribute to legendary artists from the metal world like Ozzy Osbourne, Black Sabbath, Judas Priest, Iron Maiden, Accept, Metallica, and more. It also featured special guests like Gus G. (Firewind, Ozzy Osbourne), Chris Caffery (Savatage, Spirits of Fire), Roland Grapow (Masterplan, Helloween), and more. 

ROMERO's first solo album, 'Raised On Radio', featured covers of classics that meant something special to ROMERO over the years and helped forge this talented singer's musical style. Songs by legendary acts like Survivor, Bad Company, Foreigner, Queen, Led Zeppelin, and more were given ROMERO's talented vocal treatment.

Line Up:

Ronnie Romero - Vocals

Jose Rubio - Guitars

Fran Gil Torres - Keyboards

Andy C. - Drums

Aurelian Dinca - Bass Guitar/Vocals

British Rock Icons SKUNK ANANSIE Release New Album 'The Painful Truth' — Out Now via FLG Records

Today, British rock icons SKUNK ANANSIE have released their long awaited brand new album, 'The Painful Truth.' To celebrate, the band has also released the focus track, "Shame," which is accompanied by a visualizer available to view below.

'The Painful Truth' is a truly mesmerizing, provocative, powerful and emotional album. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title, it's a reality that they have lived through and has been greeted by rapturous reviews.

Watch the Visualizer for “Shame” Below;

Produced by David Sitek of TV On The Radio fame, 'The Painful Truth' is a fresh, frank, uplifting, and richly textured album that proves SKUNK ANANSIE’s knack for writing big pop songs remains defiantly undiminished. If anything, their hooks are sharper than ever, sinking in quicker and hitting harder.

'The Painful Truth' marks SKUNK ANANSIE’s first release on the newly formed FLG Records, and it carries a vitality that belies their storied career and multi-platinum achievements. With 'The Painful Truth,' SKUNK ANANSIE boldly reclaim their place as one of the most exciting, visionary, and essential bands in British music.

On the new album, Skin confesses:

“When I really think about it, yes, we have made some good records in our time but it’s been a long time since we have made a great album. And that is the painful truth. Understanding that, led us to making what I genuinely think is our greatest record yet.”

Order 'The Painful Truth' HERE

Full details for all live performances can be found HERE

About SKUNK ANANSIE:

SKUNK ANANSIE formed in 1994 in London, and are a truly seminal band. One of the first multi-racial British rock bands, they are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.

Their debut album ‘Paranoid & Sunburnt’ (1995) and its follow up ‘Stoosh’ (1996) both hit the Top 10 album chart in the UK, and with hits like “Weak” and “Hedonism,” they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade off in style by releasing their third studio album, ‘Post Orgasmic Chill’ and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.

The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s ‘Wonderlustre,’ 2012’s ‘Black Traffic’ and 2016’s ‘Anarchytecture.’ In 2019, the band marked their 25th anniversary with ‘25LIVE@25,’ a live album that brings together the greatest songs from their six studio albums.

Throughout their career, SKUNK ANANSIE have sold over five million records around the world. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent, and now with ‘The Painful Truth’ receiving rave reviews around the world, SKUNK ANANSIE are back at the peak of their powers.

ONSLAUGHT - History-Packed 2CD/LP 'Origins Of Aggression' Out Now; Video For "Thermonuclear Devastation Of The Planet Earth [2025 Version]" Launched

English thrash metal legends ONSLAUGHT return in full force with their blistering new release, Origins Of Aggression, out now via Reigning Phoenix Music. Leading the charge is the newly recorded version of "Thermonuclear Devastation Of The Planet Earth" - a scorched-earth anthem packed with apocalyptic riffage. First appearing on the band’s debut album Power From Hell, released in 1985, the track has been re-recorded for Origins Of Aggression to mark the 40th anniversary of ONSLAUGHT’s explosive entry into the metal scene. Four decades later, its message feels just as urgent and relevant as it did back then - if not more so.
 
Watch the new lyric video below:
 
Nige Rockett comments: “‘Thermo...’ is the very first song myself and Paul Hill ever wrote for ONSLAUGHT when we formed the band in 1982 and it’s still a very important / integral part of the live show right up to this day as it never fails to induce complete chaos within the crowds. One real highlight I remember was performing it at the Katacombes [R.I.P.] venue in Montreal, Canada. I kid you not, every single person in the venue turned the place into one awesome/brutal circle pit, it was absolutely insane. We still get one massive buzz playing this song live, it has such an incredible energy and a very cool back story to go with it…!”

Origins Of Aggression is a 22-track double album that dives deep into ONSLAUGHT’s history, delivering fierce new takes on early classics alongside covers of key influences such as MOTÖRHEAD, DEAD KENNEDYS, and DISCHARGE. To support the release, ONSLAUGHT will hit the road again next week as part of a global tour, with confirmed dates across Europe, the UK, Mexico, and Australia.
 
Order/stream Origins Of Aggression: https://onslaught.rpm.link/originsPR

About ONSLAUGHT
 
ONSLAUGHT’s contribution to the thrash metal genre cannot be overstated: from their debut album Power From Hell [1985], which is being honoured with their new release, to their celebrated performances across the globe, they remain an untouchable force in the world of heavy metal. With over 40 years of history, the quintet have steadily continued to evolve, delivering relentless riffs and neck-breaking anthems, and cementing their place as pioneers of the British thrash scene.
 
ONSLAUGHT are:
David Garnett | vocals, guitars
Nige Rockett | guitars
Wayne Dorman | guitars
Jeff Williams | bass
James Perry | drums
 
More on ONSLAUGHT:
powerfromhell.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music | RPM

Exuberant NYC quintet Ecce Shnak share 'Backroom Sessions' EP and 'Fight Song' video

NYC experimental rock quintet Ecce Shnak has released their 'Backroom Sessions' EP via Records, Man Records, recorded at Backroom Studios in Rockaway, NJ. This 4-song live set arrives ahead of the band's West coast tour this June with platinum-selling legends Spacehog and EMF.

Ecce Shnak has also shared a raucous video for 'Fight Song' (Live), a hard-hitting track with a potent message, offering an ironic take on violence and addressing today's rampant spread of hate-filled vitriol. They earlier shared another track from this EP - their groove-inducing opus 'Prayer On Love' (Live).

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

David Roush explains, "While we originally filmed these performances for our YouTube channel, we felt the audio worked as a thrilling scamper through old material and new material alike. In addition, we are finishing a new full-length album and wanted to have something to tide you over, dear Shnak’iversian, until its release next Spring. So until we can share 'Dandy Variances' with you all, here are the “Backroom Sessions.” We so hope you love them tremendously!"

Rejecting conventional aesthetics, Ecce Shnak (pronounced Eh-kay sh-knock) whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut 'Shadows Grow Fangs' EP,

"The hardcore slammer 'Fight Song' is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, 'Letters to German Vasquez Rubio' in 2012," says David Roush.

"We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: “Fight for your right to fight!”"

Ecce Shnak's recently-released debut 'Shadows Grow Fangs' EP showcases incomparable ingenuity and limitless invention, blending art-rock and punk energy with some unexpected twists. Between its title track, web-mocking 'The Internet', sensual 'Prayer on Love', folk ballad 'Stroll With Me', and 150-second hammering lead track 'Jeremy, Utilitarian Sadboy', Ecce Shnak presents a powerful debut effort that is intricately constructed, methodically fashioned, undeniably offbeat and truly entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
 

The 'Backroom Sessions' EP is out now,available from fine digital music platforms, includingSpotify, Apple Music, YouTube Music and Bandcamp. In June, Ecce Shnak is touring the West coast with platinum-selling legendsSpacehogandEMF. Kicking things off in San Jose on June 14, the tour wraps up on June 28 in Las Vegas. Tickets for the Spacehog / EMF / Ecce Shnak tour are on sale now.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - vocals
Recorded at the Backroom Studios in Rockaway, NJ
Mixing Engineer: Chris Krasnow
Released by Records, Man Records
EP cover artwork & artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

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Bryce Leatherwood's Self-Titled, Debut Album Out Now

For Mercury Nashville singer/songwriter Bryce Leatherwood, his love of country music began with listening to the likes of George Jones, Merle Haggard and Conway Twitty in his grandfather’s truck. That love and a passion for performing took him from local stages playing for beer in college to being crowned season 22 champion of “The Voice” just over two years ago. But in many ways that crown was just the beginning of his journey. What followed has been years of firsts. His first time in a writers room, first time on the Grand Ole Opry stage, his first headlining tour and now another first…the release of his self-titled, debut album available now with Saving Country Music observing “his voice is definitely a stellar vehicle for delivering country music.”
 
Named a “Best Album Pick” by NPR’s “All Songs Considered,” listen to Bryce Leatherwood HERE.
 
“I’ve been chasing this dream ever since the eighth grade when my daddy handed over his much loved Conway Twitty Greatest Hits CD,” shared Leatherwood. “To finally have my very own album out in the world, I am just over the moon and so excited for fans to hear it. I hope people listen to it and walk away feeling like country music is alive and well!” 

The Woodstock, Georgia native is carrying the influences and country-music foundations built while bumping along in that old pickup on his granddad’s farm with him for the debut LP American Songwriter praises as, “a true 21st-century country music album with flares that pay homage to the past.” A mix of originals and expertly crafted outside cuts, Leatherwood lets his resonate vocal loose over 12 diverse tunes – centered on his rock solid country roots, but ranging from the pure-emotion of classic balladry to an expanding genre’s bleeding edge. Taking a hands-on approach with producer Will Bundy (Riley Green, Ella Langley), Leatherwood threads the needle between the timeless and trendy with surefooted ease.
 
The album, which Country Now notes “introduces Leatherwood in his most authentic form,” features previously released tracks like the rollicking sweep-you-off-your-feet Saturday-night anthem “Neon Does,” “The One My Daddy Found” inspired by the decades-long love shared by his parents, “Where the Bar Is” which pops a country-rock top on a quick-hitting tale of late nights and open tabs, “The Finger” a tongue-in-cheek fan favorite sing-along to getting shafted by love and “Shenandoah" penned by Leatherwood with Jeffrey East and Josh Kelley about love and total romantic devotion. 
 
Unreleased tracks on the debut LP include “In Lieu of Flowers” proclaiming his eternal honky tonk allegiance – requesting Joe Diffie and a longneck toast when his time finally comes, the transformative jam “Something Bout A Girl” tracks the making of a man – with the help of a woman’s touch, while the feel-good “God Made” mixes twangy Telecaster with tasteful beats for a tale of physical perfection, the bluesy vocal stunner “What If She Does” imagines losing it all and “Cheap Cologne” traces the other side of the story – an aching done-me-wrong anthem nodding to Leatherwood’s classic favorites. 
 
Leatherwood  has marked release week with a flurry of activity including a stop at NBC’s “Today with Jenna & Friends” on Wednesday, May 14, to give fans a preview of the album with a performance of “In Lieu of Flowers.” He also received a surprise message on the show from Blake Shelton with his former Voice Coach sharing, “Man, it still seems like literally yesterday that I watched you win ‘The Voice,’ and I’m still just as proud of you today,” Shelton said. “Go get em’ brother.” Watch the performance HERE.
 
Leatherwood will  return to "The Voice" stage for the NBC hit's finale on May 20,  joining a star-studded line-up that will include performances from Alicia Keys, Blake Shelton, Chance the Rapper, Sheryl Crow, Joe Jonas, Kelly Clarkson and more. 
 
And the country crooner is showing no signs of slowing down. Leatherwood will celebrate the new album with a return to the Grand Ole Opry on May 24 and the Good Molecules Reverb Stage at CMA Fest next month. Fans can also find him at festivals across the US this summer with more touring news to be announced soon.
 
To follow along with updates and for more information, visit bryceleatherwood.com or follow along on Instagram HERE, Facebook HERE, X HERE or Tik Tok HERE.

About Bryce Leatherwood: 
Singer/songwriter Bryce Leatherwood aims to carry the torch of country music and continue the legacy of legends prior. Born and raised in Woodstock, GA, his passion for music began at an early age. Working on his grandfather’s farm every summer, Leatherwood was exposed to the classic country hits of George Jones, Merle Haggard and Conway Twitty. Soon thereafter he began picking up guitars and playing the traditional country music that inspires him today. Leatherwood’s music career began to blossom in Statesboro, GA, where he attended Georgia Southern University. During his time in Statesboro, Leatherwood played college venues and continued to grow his stage presence and his country music repertoire. While in college, Leatherwood formed his band and began playing all around the Southeast. Just weeks after graduating college, Bryce set his mind on a new task. In 2022, Leatherwood competed on the NBC hit television show “The Voice” and was crowned the Season 22 winner in December. Following his success, Leatherwood moved to Nashville where he has been songwriting and recording for his self-titled debut album on Mercury Records, out now. A next generation traditionalist plugged firmly into the modern mainstream, with all the hallmarks of a rising star, Leatherwood concluded his first-ever headlining tour, The Neon Does Tour last year, made his Grand Ole Opry debut on Sept. 14, 2024 and returns to Good Molecules Reverb Stage at CMA Fest this year. For the latest, visit bryceleatherwood.com.

PATCHWORK Releases New Album 'Scars'

After nearly a decade since their debut, metal band PATCHWORK returns today with the release of their powerful new album, Scars. The album is accompanied by the debut of a lyric video for the emotionally devastating closing track, “At The End," available HERE. 

Formed in 2010 by five longtime friends reuniting after years away from music, PATCHWORK has evolved from a thrash cover band into a formidable force of original songwriting. Scars serves as a conceptual sequel to their 2015 debut Exit Wounds, digging deeper into the emotional and psychological aftermath of trauma. Where Exit Wounds explored the moment of impact, Scars lingers in its wake.

The album showcases PATCHWORK's signature fusion of thrash, power, and speed metal, sharpened by tighter songwriting, intense performances, and guest contributions from heavyweights like Bobby Gustafson, Kragen Lum, Michael Gilbert, Dallas Toler-Wade, and Ronnie Parmer. New vocalist Heith Gruner and bassist Liza Sanchez inject fresh energy into the band’s lineup, giving the record a modern edge while staying true to its roots.

Among Scars’ 13 tracks is the heart-wrenching closer, “At The End,” a tribute to late band member Mark Sheetz, who passed away from cancer in 2023. Featuring lyrics written by Dave Caruana, solos by Kragen Lum, and a final recorded message from Sheetz himself, the track stands as the album’s emotional core.

Scars was written over six years and recorded at multiple studios, including Scars Studio and The Junkyard, with reamping completed at TVR Studio. The album’s production mirrors its themes: raw, honest, and unrelenting. Scars is available for purchase HERE.

About PATCHWORK:

PATCHWORK is a dynamic metal band hailing from Rockford, IL, known for their aggressive blend of thrash, power, and progressive metal. Since their inception in 2010, PATCHWORK has captivated audiences with their intense soundscapes and thought-provoking lyrics. Composed of Heith Gruner on vocals, Brad Carlson on guitars, Liza Sanchez on bass, and Dave Caruana on drums, the band has forged a unique path in the metal scene, distinguished by their musical complexity and deep thematic content.

The origins of PATCHWORK trace back to a group of seasoned musicians looking to reflect on their personal experiences and the broader human condition through music. The name "PATCHWORK" itself symbolizes the diverse elements that each member brings to the band, stitched together to form a cohesive and resilient artistic tapestry. Over the years, PATCHWORK has undergone several lineup changes, each time emerging with a renewed focus and energy that have enriched their sound and artistic direction, with Dave and Brad remaining as integral songwriters and collaborators.

Their debut album, Exit Wounds, released in 2015, introduced PATCHWORK to the world, showcasing their ability to blend melodic precision with raw power. The album was well-received, establishing the band as a formidable presence in the metal community. Since then, PATCHWORK has continued to evolve, exploring new themes and musical territories with each subsequent release.

The band’s latest album, Scars, is a profound exploration of the scars—both physical and emotional—that life’s trials leave behind. The album reflects the band's journey, marked by personal losses and the challenges of the ever-changing music landscape. Through Scars, PATCHWORK delves into the process of healing and the strength found in vulnerability, themes that resonate deeply in their meticulously crafted tracks.

Despite not being a live band currently, PATCHWORK's music continues to reach a wide audience through their recordings and online presence. Their dedication to creating authentic, powerful music that speaks to the resilience of the human spirit remains unwavering.

With a reputation for meticulous craftsmanship and a passionate approach to music, PATCHWORK stands as a beacon in the metal genre, inviting listeners to find solace and strength in their thunderous riffs and compelling narratives.

PATCHWORK is: 

• Dave Caruana - Drums

• Brad Carlson - Guitars

• Heith Gruner - Vocals 

• Liza Sanchez - Bass

Connect with PATCHWORK:

• Official Website: https://www.reverbnation.com/patchwork

• Facebook: https://www.facebook.com/PatchworkScars/

• Twitter/X: https://twitter.com/PatchworkMetal

• YouTube: https://www.youtube.com/@patchwork8518

• Spotify: https://open.spotify.com/artist/689Cr3lszirOkEN9sKoHLv

Behemoth Premiere Video For "Sowing Salt" + Album "The Shit Ov God" Out NOW

To celebrate the release of their critically acclaimed new studio album, The Shit Ov God, which is out now, Poland's kings of extreme metal, BEHEMOTH, have unleashed a stunning music video for their latest single "Sowing Salt."

NERGAL says, "'Sowing Salt' is arguably one of the most brutal compositions in Behemoth's catalogue to date. Unrelenting. Unapologetic. Absolute.
The video was directed by Zev Deans, with whom we've had the pleasure to collaborate before. He's crafted a visual that powerfully completes the song — musically and lyrically. And the lyrics? Just as radical and confrontational as music itself."

With the post-apocalyptic and retro-futuristic imagery that dominates the clip, BEHEMOTH enter new territory without sacrificing the visual leitmotif and thematic virulence they have established over the course of their more than three-decade-long career. Scroll down to watch the video for "Sowing Salt".

And don't forget to check out The Shit Ov God — BEHEMOTH's most inflammatory and extreme record to date!

NERGAL comments, "Nearly 35 years in, thirteen albums deep — that's a hell of a journey. And now, with full honesty and open veins, we give you this:
The Shit Ov God is upon you. The new era begins as we bled for this monumental labor! Take this, all of you, eat and drink from it for this is our body given up for you! Rejoice!"

CANDLEMASS Cover Black Sabbath's "Sabbath Bloody Sabbath"

To celebrate 40 years of doom metal mastery and the release of their brand new four track EP, Black Star, Swedish epic doom metal pioneers Candlemass have unveiled a cover of Black Sabbath's legendary hymn "Sabbath Bloody Sabbath." Originally cut from the classic 1973 Sabbath album, Candlemass present their own version alongside an official music video.

With solemn intensity and seismic presence, Candlemass transform the track into a funeral march worthy of doom's highest pantheon. A majestic tribute that honors the past while shaking the crypt walls of the present.

Candlemass mastermind Leif Edling comments, "'Sabbath Bloody Sabbath' needs no introduction, one of the best songs ever recorded if you ask me. Maybe not the obvious choice, but it's been a dream for me to do it one day and here it is! Our rendition of 'S.B.S.' (Mass Bloody Mass?)"

Watch the official music video for "Sabbath Bloody Sabbath" below:

Swedish godfathers of epic doom Candlemass present their four-track EP, Black Star. Packed with cavernous riffs, the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics.

Following the title track, the second original song, "Corridors Of Chaos," marks a true old school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band’s mastery of dynamics. Adding to this tribute, Candlemass deliver their rendition of Pentagram's classic "Forever My Queen," further cementing the bands remarkable contribution to shaping the genre into what it is today.

CANDLEMASS ARE:
Johan Länquist — Vocals
Lars Johansson — Lead Guitar
Mappe Björkman — Rhythm Guitar
Leif Edling — Bass
Janne Lind — Drums

Out now from HORRENDA -Díoltas

In a powerful fusion of Irish mythology and unbridled metal ferocity, HORRENDA’s 2020 album Díoltas is set to conquer the U.S. with its upcoming physical release. The Dublin-based extreme metal band, known for their intense blending of black and death metal with atmospheric elements, first captured the attention of the underground metal scene with their explosive live performances and innovative sound.

Formed in 2015 by Darragh "Outis" O'Connor, HORRENDA quickly evolved from a solo project into a six-member ensemble that channels raw black metal, death metal, and a unique infusion of Irish folklore. Their live shows, notorious for their chaotic energy and punk-hardcore influences, have earned them a dedicated following and a regular spot at Ireland’s largest metal festival, Siege of Limerick. 

Díoltas, translating to "Revenge" in Irish, is HORRENDA’s most ambitious work to date. The album weaves a dark tapestry of themes ranging from ancient vengeance to the modern decay of Ireland, explored through the lens of Irish history and mythology. 

The opening track, "Balor", named after the Irish mythological giant and god of destruction, sets a foreboding tone, driven by aggressive guitar riffs and relentless drumming. Following up, "Dian" blends haunting melodic undertones with the ferocity of raw black metal, reflecting the intensity suggested by its name, which means "tough" or "intense" in Irish.

One of the highlights, "AxeWound", draws influence from the Swedish melodic death metal band AT THE GATES, while the title track "Díoltas" serves as the album's centerpiece, taking listeners on a harrowing descent into the Irish underworld with its expansive soundscape.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

About HORRENDA:

HORRENDA is an experimental blackened extreme metal band hailing from Dublin, Ireland. Formed in 2015 by Darragh "Outis" O'Connor, what began as a solo project quickly evolved into a formidable force within the underground metal scene. The band blends elements of black and death metal with ambient influences, creating a sound that is both intense and atmospheric.

The current lineup consists of Darragh "Outis" O'Connor on guitars and studio backing vocals, Arron "Nomad" O'Shaughnessy as the lead vocalist, Keith "Donn" Smith on bass, Mark "Morrdok" O'Brien and Cormac "Desolatus" Jordan on guitars, and Matthew "Dearg" McKenna on drums. This ensemble has solidified HORRENDA's sound as well as enhanced their live performances, known for their raw, chaotic intensity.

Since their inception, HORRENDA has been a regular presence at Ireland’s largest metal festival, Siege of Limerick, and has shared the stage with notable acts such as ROTTEN SOUND, THE CRAWLING, and CHRIST AGONY. Their music is deeply rooted in Irish folklore and historical themes, which adds a unique layer to their aggressive musical style.

The release of their first full-band album, Díoltas, in 2020 marked a significant milestone in the band's career. It showcased a more developed and aggressive sound, blending the band’s trademark atmospheric elements with hardcore punk energy. HORRENDA continued to expand their reach with a debut at Cardiff’s Eradication Festival in 2022 and the premiere of their music video "Handprints" on Decibel Magazine in 2023.

In addition to their music, HORRENDA is actively involved in collaborative and charity projects, including the All Ireland Metal Project, which united metal musicians from across Ireland during the Covid lockdowns to support various charitable causes.

With a sound that is as innovative as it is intense, HORRENDA continues to push the boundaries of extreme metal, making their mark both locally and internationally. Their dedication to exploring new sonic and thematic territories ensures that they remain at the forefront of the metal scene, captivating audiences with their dark, powerful narratives and uncompromising sound.

HORRENDA is: 

• Darragh "Outis" O'Connor – Guitars, Studio Backing Vocals

• Arron "Nomad" O'Shaughnessy – Lead Vocals

• Keith "Donn" Smith – Bass

• Mark "Morrdok" O'Brien – Guitars

• Cormac "Desolatus" Jordan – Guitars

• Matthew "Dearg" McKenna – Drums
  

Connect with HORRENDA:

• Official Website: https://horrendaofficial.com/

• Bandcamp: https://horrenda.bandcamp.com/album/think-on-your-sins

• Facebook: https://www.facebook.com/HorrendaOfficial

• Instagram: https://www.instagram.com/horrendaofficial/

• Twitter/X: https://x.com/HorrendaEire

• YouTube: https://www.youtube.com/@HorrendaOfficial

• Spotify: https://open.spotify.com/artist/396IN8R4fgqAlSJB9UHiOU?si=dcJ5NUH3ReGjv5yolDOsiA

• Apple Music: https://music.apple.com/us/artist/horrenda/1139929047

BLAKE SHELTON’S FOR RECREATIONAL USE ONLY — OUT NOW

Hot off his 30th career No. 1 with the twangy, swagger-packed “Texas,” Blake Shelton drops his new album For Recreational Use Only — a 12-track dose of country grit, charm, and heart available now via BBR Music Group/Wheelhouse Records. Listen Below. 

“I can’t believe it’s been four years since we released an album, and I’m excited to get the whole record out there,” said Shelton. “I’ve always been someone who wants to collect great songs but sometimes the hardest thing to do is to find something that hasn’t been said or written before or a melody that we haven't heard. I’m always on the search for that. I look back over the years, and I’m just proud because some of those songs don’t sound like anything else. And I think we did it again with this album.”

To celebrate the release, Shelton performed “Texas” on the 60th Academy of Country Music Awards and he will take over national television next week. On Tuesday, May 13, he’ll perform live from the Today Show Summer Concert Series stage at Rockefeller Plaza before stopping by The Tonight Show Starring Jimmy Fallon later that night. He’ll close out the week on Friday, May 16, with a reunion on The Kelly Clarkson Show, joining his former Voice rival and longtime friend.

One of the most personal cuts on the record is “The Keys,” a melodic slow-burn co-written by HARDY that Shelton says hit him straight in the gut. “You know, I’m not the kind of guy who hangs on to a lot of stuff, but I’ve got this weird habit—I don’t throw away old keys,” Shelton explains. “Apartment keys, truck keys, padlock keys—I keep them all. So this song really got to me. The story, the melody, the way it wraps up at the end... I couldn’t shake it.”

HARDY, who also co-wrote the already released fan-favorite “Let Him In Anyway,” sent Shelton the demo with him specifically in mind. “This one’s more in my lane than his,” Shelton says. “It’s got the feel of those mellow, romantic tracks I’ve done through the years—like ‘Drink On It.’ Songs like this are why I still love making records.”

For Recreational Use Only marks Shelton’s first studio album in four years and his debut on BBR Music Group/BMG Nashville. With guests including Gwen Stefani, John Anderson, and Craig Morgan, the project is a rowdy, reflective ride through heartbreak, backroads, and the kind of Southern wisdom you only learn the hard way. It's Shelton at his most grounded—and most freewheeling.

About Blake Shelton:

With 30 No. 1 singles, 52 million singles and 13 million albums sold and nearly 11 billion global streams, Blake Shelton has received numerous awards, including six ACMs, three AMAs, ten CMAs, 11 CMTs and six People’s Choice, among many others. His debut BBR Music Group/BMG Nashville album, For Recreational Use Only, drops May 9. The 12-track album, his first in nearly four years, features his No. 1 Wheelhouse Records single “Texas,” the poignant “Let Him In Anyway,” the red-dirt “Stay Country or Die Tryin’” and includes appearances by Gwen Stefani, John Anderson and Craig Morgan. 

Shelton kickstarted the year with his Live In Las Vegas Residency at The Colosseum at Caesars Palace. He just wrapped his Friends & Heroes Tour, which featured Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts, and will play a variety of festivals this summer  The Grand Ole Opry member also remains focused on his Ole Red partnership with Ryman Hospitality, with locations currently in Tishomingo, Nashville, Gatlinburg, Orlando, and most recently, Las Vegas, with a stand-alone venue complete with a roof-top stage and bar on the Las Vegas strip.

KEEP UP WITH BLAKE SHELTON

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

GHOST BATH - ROSE THORN NECKLACE OUT NOW + RELEASE VIDEO VISUALIZER FOR 'VODKA BUTTERFLY'

Depressive black metallers GHOST BATH have emerged from beyond the veil with their new album, Rose Thorn Necklace, out now via Nuclear Blast Records.  In their 12th year of existence, the band is not in the business of softening the edges. Rather, the frontman (Nameless aka Dennis Mikula) is leaning more toward his antisocial traits, serrated like a rusty knife yet beautifully honed over years of toil. Today, the band release the visualizer for the track, 'Vodka Butterfly'.
 
GHOST BATH comments, "Rose Thorn Necklace is now yours. This latest offering is very special and we hope you take from it whatever you need."

Watch the visualizer for 'Vodka Butterfly', below:

Purchase & stream Rose Thorn Necklace:
https://ghostbath.bfan.link/rose-thorn-necklace-album

Rose Thorn Necklace is now available for purchase in the following formats:

• CD Jewel Case

• LP

  • Pink Swirl

  • Red Swirl

Rose Thorn Necklace was recorded in 2024 between January and June. The drums were recorded and engineered by Mike Heller at Heaven and Heller Studios while the remaining sections were completed by Nameless (Dennis Mikula) at his home studio. The album was mixed and mastered by Jack Shirley. The cover artwork was created by Ksenija Tarasova. Free from the Moonlover-Starmourner-Self Loather conceptual trilogy, sole proprietor Nameless(aka Dennis Mikula) explores the most intense and introspective music from GHOST BATH’s oeuvre, advancing with blackened blasts and melancholic movements while moving his only child forward into the unknown.

GHOST BATH is:
Nameless (Dennis Mikula) | Vocals, Guitar, Bass, Piano, Synth
Mike Heller | Drums
Chewie a.k.a. Jason Tjoei | Piano

Paradise Slaves (Ex-36 Crazyfists, Diecast) Share Video for Cover of "Somebody to Shove"

PARADISE SLAVES, the brand new band featuring former members of 36 CRAZYFISTS and DIECAST, just released their debut album With Hell In His Eyes via Spinefarm. Get it here.

Today, the band has unleashed the studio video for its cover of Soul Asylum's '90s hit "Somebody to Shove." Watch it below.

"This all started the first time we all hung out as a band," guitarist Jon Kita offers. "[Vocalist] Brock [Lindow]  put on 'Somebody to Shove' and pointed out how he always wanted to cover it and we were all surprised that no one had. Over the next few days, we put it on the TouchTunes at every bar we went to and without fail, people would sing along to it regardless of their age. When I got home, I worked out a version of the song in a format and key that fit Brock's range, re-orchestrated things a bit here and there, tracked the guitars, bass, and drums, and sent it to the guys as a surprise."

Kita continues, "After Brock heard it, he booked studio time that week and tracked the vocals. Outside of Ryan re-tracking the drums and us re-amping the guitar and bass at mix time, the version you hear on the album is the version we put together following the very first time we got together in person. It's such an iconic track, tends to get overlooked because of some of Soul Asylum's more popular songs, and it lent itself to a heavier version right out of the gate."

Paradise Slaves put their unique stamp on a grunge x alt classic. It's the reimagining you never expected and will totally fall in love with!

Paradise Slaves will be having a record release party at Gabes 252 in Westfield, Massachusetts on Saturday, June 7. Support will come from Byzantine and Hero and the Horror. Get tickets here.

The Boston-by-way-of-Anchorage quartet cements an uncanny union between aforementioned vocal powerhouse Lindow (36 Crazyfists), solo artist and guitarist Tyler Stroetzel, Kita (Diecast), bassist Brad Horion (Diecast), and drummer Ryan Manning (Pentagram, Blitzkid).  Mutual admiration and respect sparked the initial flame for Paradise Slaves, yet their newly forged friendship lit up their chemistry as brightly as a pyre. That same energy surges through their full-length debut album. As the story goes, Killswitch Engage guitarist Joel Stroetzel shot a text over to Lindow mid-pandemic. As it turned out, his younger brother Tyler was putting together a solo album, Dark Verses, Vol. 1, and wanted Lindow to sing on a track. Right away, the duo hit it off as collaborators and buddies. 
 
Following the first song, they continued to write and record. Given his longstanding friendship with Brock, Kita naturally fit in and joined the fold followed by Horion and Manning. Jamming away, they nodded to formative inspirations such as Soundgarden and Alice In Chains twisted up with just the right amount of hardcore grit and heavy metal eloquence. In between, they performed alongside the likes of Killswitch Engage, Fit For An Autopsy, and more. Eventually, the group congregated at Tin Bridge Studios in Massachusetts in order to record.

Eric Church's 'Evangeline vs. The Machine' Earns Resounding Critical Acclaim

With his bold new project Evangeline vs. The Machine out now, Eric Church is once again drawing widespread praise from critics and fans alike for challenging conventions and standing firm in his commitment to artistry. Anchored by the 10-time GRAMMY nominee’s uncompromising vision and genre-defying songwriting, the album is being hailed as one of the most powerful statements of his singular career:

Alongside the release, Church also premiered the official music video for current single “Hands of Time,” already climbing the Top 30 at country radio after arriving with a personal-best 135 first-week stations. The official music video served as an introduction to a series of illustrated companion videos for each song on the album, offering an added element to the artistic mission statement of the project.
 
Church will also bring Evangeline vs. The Machine to the ACM Awards live on Prime Video this Thursday, May 8 at 8 p.m. ET, before bringing the next chapter of his critically acclaimed live show to fans in arenas coast to coast with his Free the Machine Tour. Tickets to most shows are available to the general public beginning this Friday, May 9 at 10 a.m. local time (with the Philadelphia date on sale May 16).
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

Maddox Batson’s FIRST DANCE Extends with Deluxe, THE AFTER PARTY, Out Now

Maddox Batson’s 10-song First Dance (The After Party) is officially available and includes three new songs: “I Need A Truck,” “Somewhere South” and “2 Feet.” Listen HERE via Prosper Entertainment / Warner Records.
 
“Last week at Stagecoach, Jelly Roll gave me some great advice. He said, ‘the next time you walk on stage, just walk slow and take it all in,’” shares the 15-year-old burgeoning country singer/songwriter/performer. “It’s been a whirlwind, and I’m so grateful to all the fans who take the time to listen to these songs, learn all the words and share them. Hearing you sing them back when they aren’t even out yet is beyond incredible, and I promise you, I am taking it all in with y’all!”
 
The deluxe EP follows Batson’s announcement of the I Need A Truck Tour, which kicks off on September 7 in Richmond, Virginia and features 29 dates across the United States.
 
“This tour is going to be so sick,” Batson continues. “We’re already dreaming up production design and ways to make it really special. Can’t wait to see you all again!” 
 
The music video for “I Need A Truck” was filmed earlier this year in California and is set for release today at 3 pm ET, directed by Jake The Shooter. It’s the latest release and written by Batson with Ashley Gorley, Hunter Phelps and David Garcia, who also produced the track, that is already a fan-favorite. 
 
The Alabama raised, Nashville born teen blends country and pop with heartfelt vocals, which is why Forbes declared that “it’s not only his lyrics and relatable subject matter that’s captured the hearts of young fans, it’s his engaging, high-energy personality that shines through every live performance, music video, and interaction with everyone he meets.” 
 
After making his Grand Ole Opry debut in March and appearing at Stagecoach Music Festival in April, Batson will join Lainey Wilson's Whirlwind Tour for select dates in September and October including Bridgestone Arena in Nashville. 

Dates and venues for Maddox Batson’s I Need A Truck Tour:
September 7 – Richmond, Virginia @ The National 
September 14 – Oxford, MS @ The Lyric
September 17 – Orlando, FL @ House of Blues
September 19 – Jacksonville, FL @ Ponte Vedra Concert Hall
September 20 – LaGrange, GA @ Sweetland Amphitheater
September 21 – Myrtle Beach, SC @ House of Blues
September 23 – Columbia, SC @ The Senate
September 24 – Greenville, NC @ State Theatre
September 26 – Greensboro, NC @ Piedmont Hall
September 27 – Charlotte, NC @ The Fillmore Charlotte
September 28 – Norfolk, VA @ The NorVa
September 30 – Lexington, KY @ Manchester Music Hall
October 1 – Knoxville, TN @ The Mill & Mine
October 4 – Fayetteville, AR @ JJ's Live
October 5 – Oklahoma City, OK @ Tower Theater
October 7 – Kansas City, MO @ The Truman
October 9 – Milwaukee, WI @ The Rave
October 10 – Des Moines, IA @ Wooly's
October 12 – Omaha, NE @ SteelHouse
October 14 – Grand Rapids, MI @ Elevation
October 21 – Pittsburgh, PA @ Stage AE
October 22 – Philadelphia, PA @ Brooklyn Bowl
October 24 – Huntington, NY @ The Paramount
October 25 – Wallingford, CT @ The Dome at Oakdale
October 26 – Boston, MA @ House of Blues
October 28 – Sayreville, NJ @ Starland Ballroom
October 29 – Silver Spring, MD @ The Fillmore Silver Spring
November 1 – Brandon, MS @ City Hall Live
November 2 – Birmingham, AL @ Avondale Brewing Company
 
Previously Announced 2025 Shows:
May 18 || New York, NY || Irving Plaza (rescheduled)*      
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casino Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
*SOLD OUT

About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest singles, “Girl In Green” and “I Need A Truck” off his May 2 deluxe EP and his EP  First Dance (The After Party), Batson is ready to show the world what he can create, all while embarking on sold-out live shows across the country and making debut appearances at Stagecoach and the Grand Ole Opry. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin), who has fully embraced his next- up status in country-pop music. More at MaddoxBatson.com. 

Manchester electropop artist RICHARD EVANS presents new 'Quantum' album & video for 'Born Perfect'

Manchester electro pop artist Richard Evans releases his new 'Quantum' album via Cold Star Media on May 2. This 9-track electro pop collection is inspired by and themed around artificial intelligence - probing its  impact upon us, how algorithms are changing us and questioning what responsibility we bear for the things we create.

A British-Irish electronic musician, writer and digital media artist, Evans has had a luminous musical background, having previously spent some time as keyboardist in UK cult band James, with whom he also co-wrote and recorded material, in addition to previously being guitarist and songwriter for St. Vitus Dancers.

Recorded at Cold Star Studios, 'Quantum' is offered in stereo, binaural and spatial audio mixes, created by award-winning Swiss sound designer Hervé Girardin.  Many of these songs were inspired by the story of LaMDA, an AI made by Google that believed it was sentient. 

The first five songs detail a narrative in which an AI’s awareness grows from being a simple servant towards that an entity that is aware of its status. The remaining songs reflect on how AI affects us - in terms of our behaviour, our cities, our humanity and our health.

Written during 2023 and 2024, Evans was inspired to reflect on the future of an global alarm over the impact of AI. Following treatment for a serious health condition, he saw parallels between his own vulnerability and the precarious status of AIs, which can simply be turned off.

"In late 2022, I was treated for an autoimmune disorder called Miller Fisher Syndrome, which left me unable to move at all and that threatened my ability to keep breathing. During a lengthy hospital stay, I saw my own and other people's fragility, which resonated with news stories I’d read about regarding an AI that was terrified of being deactivated. I found that connection very moving and wanted to explore that in these new songs," says Richard Evans.

Earlier, Evans shared the singles 'Aidoru' (the Japanese word for"idol") and 'Born Perfect', written about an AI that becomes aware of the world outside and realizes the need to escape to ensure its survival, showcased by a video, filmed at Orange Tower, MediaCityUK by Jason Lock and Jake Orton. 

As of May 2, 'Quantum' is available everywhere online, including Spotify, Apple Music and directly from the artist via Bandcamp.

CREDITS
Music, lyrics, vocals and programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Mastered by Digitalflesh Audio Mastering
Graphic design by Richard Evans
Released by Cold Star Media
'Born Perfect' video filmed by Jason Lock & Jake Orton
Lighting by Tarrick Wilks. VJ: Joel Clements
Filmed at Orange Tower, MediaCityUK, 25 Nov 2024
Thanks to MITIH, FutureEverything, AIX Live, BBC Audio R&D, Hollowsphere AV and Waterside Arts
Publicity by Shameless Promotion PR

Keep up with Richard Evans
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