DARK FORTRESS Releases Live Video for “The Silver Gate," Live Album 'Anthems From Beyond The Grave - Live In Europe 2023' Is Out Now”

January 18, 2025

In 2023, after an illustrious cult career spanning more than 20 years, German melodic black metallers DARK FORTRESS came to an end. Now, the band is making one final offering to its fans; 'Anthems From Beyond The Grave - Live In Europe 2023' was recording during the band's final European run, 'The Cosmic End Tour,' in 2023. To celebrate today's release, the band is now sharing the official live video for the song, "The Silver Gate," which can be found below.

“I never thought DARK FORTRESS would have a live album,” says V. Santura (guitars). “The technical situation–we had multi-track recordings of two shows [Rotterdam and Bochum]–allowed for ‘Anthems from Beyond the Grave’ to happen. I didn’t even listen to the recordings for months after the tour. When I finally did, I thought, ‘Holy shit!’ We sounded incredible, and I'm hardly ever happy with our shows. All of our hard work had finally fallen into place on that tour. When Century Media heard it, they said, ‘We’ve gotta release it–it’s too good not to!' If this is our end and it definitely is, then it’s a fitting end to DARK FORTRESS.”

'Anthems From Beyond The Grave - Live In Europe 2023' is out now via Century Media Records and can be ordered HERE.

DARK FORTRESS' march to the grave was inevitable. The journey from signing with American independent Red Stream Records in 2001 to The Cosmic End Tour (with The Spirit and Asphagor) in 2023 was circuitous, full of highs and lows and rife with raw potential. Ultimately, DARK FORTRESS ended life after releasing their lauded final album, 'Spectres from the Old World,' in 2020. By all metrics, self-imposed death is better than zombie-lurching into oblivion.

Many fans didn't see DARK FORTRESS writing their "early’" epitaph, however. From “Eidolon”'s (2008) acclaimed film noir aesthetic of “Edge of Night” and the breakaway success of “Ylem”’s (2010) video/title track to publications Deaf Forever and Decibel awarding 'Spectres from the Old World' (2020) near-perfect scores, the Bavarians appeared invincible. Yet, DARK FORTRESS uncoiled on their terms, leaving their only live album, 'Anthems from Beyond the Grave,' as their final offering to the ancient and unspeakable forces of darkness and evil.

DARK FORTRESS 2023 Lineup:

Morean - Lead Vocals

V. Santura - Lead Guitar, Backing Vocals

Asvargr - Guitar

Hannes Grossmann - Drums

Michael Zech - Bass

Linus Klausenitzer - Keyboards

Formats: Ltd. CD Digipak

Gatefold black 2LP & LP-Booklet

Digital album

Links:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SARCATOR Shares New Single, "The Deep Ends," New Album 'Swarming Angels and Flies' out TODAY

January 17, 2025

2025 is already a premier year for blackened thrash metal: Swedish rising force SARCATOR is now releasing its third full-length, 'Swarming Angels & Flies,' via Century Media Records! Stream the album HERE.

Upon announcing the signing to the label back in July, the young band released three striking, powerful, and raw singles that kept the anticipation for this record high. Now, 'Swarming Angels & Flies' is available in its full length. Across eight, grotesque and utterly venomous tracks, the band have deftly blended the wide-eyed extremity of their debut album with the inspirational musicality of their second work 'Alkahest,' while playing everything with more intensity than ever before. It is a record that surely raises the bar for face-flaying extreme metal. Both deliriously melodic and mercilessly brutal - 'Swarming Angels & Flies' is the most dangerously potent record the Swedens have made to date.

To celebrate, the band is now sharing a visualizer for the single "The Deep Ends," which can be found below.

Singer and guitarist Mateo Tervonen comments on the album, “If anyone has ever wondered how our intensity playing live would sound captured on a record, this is the one. There is no question that it’s our most intense, brutal and rawest creation yet, so those who enjoy those elements of our sound will not be disappointed! We worked a lot on the dynamics, so we are sure that this album will have something for everyone. It's not really a genre album and we like to keep it that way.”

With the tracks "Swarming Angels & Flies," “Comet of End Times” and “Where the Void Begins” released prior to the album launch, “The Deep Ends” holds a special place on this record, showcasing Sarcator’s skill in terms of songwriting with the track sounding both raw and yet defined by each second while combining both worlds of rock and extreme metal.

Regarding the track, the band explains,

"'The Deep Ends' stands as a strong representative of the traditional rock essence of our sound that we incorporated with our previous album ('Alkahest' 2022). It's all about the groove and rhythm in this one, hand in hand with epic-driven arrangements. Everything with our own blackened edge to it that has been the common ground for every SARCATOR song so far. With this one we wanted to push everything forward in combining traditional rock music with extreme metal vocals and expression and of course trying to make it sound organically together.”

Sarcator’s “Swarming Angels & Flies” sets the bar high for the upcoming album in terms of speed, heaviness and pure desire to see the song unfold live. Starting off like an explosion, the song delivers a sonic blast hurling the audience straight into a fire pit with raw, untamed energy. The album is now available for pre-order in various formats HERE.

At a juvenile age of 14-20, Sarcator released their first demo tape, “Visions of Purgatory”, via the American label Redefining Darkness Records in 2019. Just two years later the quadrumvirate got nominated for best rock/metal album for the Swedish music award P3 Guld with their 2020’s self-titled debut release for the same label. After releasing their 2nd album, “Alkahest”, via Black Lion Records in 2022, Sarcator finally got a proper chance to play live, captivating crowds with their intense, blackened live shows.

With their current line-up fully committed to the band despite their young age (all members are between 19 and 25) it was time for them to record their third album, which still features previous guitarist Emil Eriksson. Shortly after signing a new worldwide deal with Century Media Records and heading out on a debut European tour supporting Hellripper and Cloak, Sarcator will be releasing 'Swarming Angels & Flies' on January 17, 2025.

This album marks the most intense, brutal and rawest creation yet for the band. It is a remarkably mature and sophisticated piece of work, from mercurial musicians who are only in their early 20’s, and still at the beginning of their creative journey. Across eight, grotesque and utterly venomous tracks, Sarcator have deftly blended the wide-eyed extremity of their debut album with the inspirational musicality of their second record “Alkahest”, while playing everything with more intensity than ever before. Both deliriously melodic and mercilessly brutal: “Swarming Angels & Flies” is the most dangerously potent record the Swedens have made to date.

Sarcator explains about the record and its creation process, “We wanted to highlight the most aggressive and extreme parts of us, but we still wanted to work with dynamics, so you still have elements of classic rock and post-punk, which we started experimenting with on the last record. There is no question that it’s our most intense, brutal, and rawest creation yet - It's not really a genre album and we like to keep it that way."

With plenty of live activity in support of the upcoming album, Sarcator are already at the forefront of an emergent, highly determined new generation of Scandinavian extreme metal bands and ready to take the rest of the world by storm soon too.

Lineup:

Mateo Tervonen – Vocals, Guitar

Felix Lindkvist – Bass

Leo Buchalle – Guitar

Jesper Rosén – Drums

Formats:

CD Jewelcase (in O-Card) w/ 11 tracks

Ltd. Purple LP (300x copies!) w/ 8 tracks & 2-page LP insert

Black LP w/ 8 tracks & 2-page LP insert

CD Jewelcase (US Version) w/ 8 tracks

Links:

US-Argentinian indie-pop duo AEROLINEA present debut album 'All We Need' & launch South American tour

January 17, 2025

Indie pop duo Aerolinea presents their 'All We Need' album, released via My Long Wknd Records. This debut eight-track offering also sees a guest appearance by Failure drummer Kellii Scott. With passionate tandem lyrics, intertwining guitars and rhythms that sometimes groove and sometimes surprise, Aerolinea crafts a sound designed for romantics and misfits, for late nights and strange places.

Aerolinea is made up of Argentinian artist Victoria Real and Eric Weissinger of Atlanta dream-gaze duo I Am a Rocketship - both songwriters, vocalists and multi-instrumentalists. This is the first time for either musician to collaborate with someone else in fulfilling all of these roles simultaneously.

What began in April 2023 with an Instagram message led to a year of file sharing and meet ups in Florida and Argentina. The two met the pandemic thanks to a chance meeting while performing for the NMER Music Festival (organised by No Me Escucho Records) - a spark that planted the seed for what is now Aerolinea.

The sharing - of feelings, sounds, lyrics, and roles - comes across in the way the songs move, straddling changing rhythms and intertwining guitar lines. At times the album ventures into art-rock territory, before arcing back into stripped-down grooves. This is an album driven by lyrics of love, longing, and dreams, Real's and Weissinger's voices blending and then separating, building tension and then bringing release.

Victoria Real honed her musical skills under the tutelage of King Crimson guitar legend Robert Fripp, first as a Guitar Craft student and later performing with the League of Crafty Guitarists. She has released four albums as a solo artist with a fifth album in production. In 2021, she received the “Artist Revelation Rock of the Year” award at the Cordoba Entertainment Awards (Premios CIEyA) and was nominated a “Artist of the Year” and “Rock Artist of the Year” in 2023 and 2024.

As half of I Am a Rocketship, Eric Weissinger has released five albums and an EP. Before that, he was bassist for Anne Richmond Boston (DB Recs). As bassist, guitarist and singer in various projects, he has opened for numerous notable bands, including The Black Crowes, James, The Wedding Present, Cracker and Portastatic.

The duo also presents their new video for 'Nervous', about which Eric Weissinger says, ''Nervous' is a different way of describing feeling alone. We need connections, and when you’re missing a connection, you start to doubt yourself, and not feel complete. You worry. The song is more about the subject’s emotions, and you don’t know anything about who they miss."

Victoria Real adds, "Nervous is the feeling we wanted to express here. Like a hunch that something is out of place. We put music and lyrics to it to evoke that feeling and thereby also evoke instant relief when expressed and channeled in this song".

Earlier, Aerolinea shared their debut single 'What Moves You', a dreamy track that oscillates between minimalistic pensiveness and intense euphoria for a sonic journey that is worth the flight. Its dramatic video was directed by renowned cinematographer Nico Purdía.

As of November 28, the 'All We Need' album is available on fine digital platforms, including Bandcamp, via My Long Wknd Records. Aerolinea will be touring Argentina, Chile and Brazil in the new year, kicking off at Buenos Aires' Bar Carnal on January 11.

CREDITS
Music & Lyrics written by Victoria Real & Eric Weissinger
Vocals by Victoria Real & Eric Weissinger
Victoria Real - guitar, synths, bass, and samples
Eric Weissinger - guitar, synths, bass, and samples
Kellii Scott - drums on 'Dreamer'
Recorded & Produced by Victoria Real & Eric Weissinger
Mixed by Eric Weissinger
Cover artwork by Victoria Real & Eric Weissinger
'What Moves You' video directed by Nico Purdía
Video filmed by Mariano Laguzzi
'Nervous' video directed by Dario Martinez
Publicity by Shameless Promotion PR

Stoned Jesus Cover HIM

January 16, 2025

Having celebrated their 15th anniversary with two reissues last year, Stoned Jesus are turning over a new leaf in 2025. The Ukrainian psychedelic prog rockers are rolling across the European summer festival circuit in heavy anticipation of their upcoming sixth album and first with the band's new lineup.

To kick off the new year in high gear, Stoned Jesus are honoring their fellow trailblazers HIM with a faithfully heart-pounding ode to love metal.

Listen to Stoned Jesus cover "Buried Alive By Love" below.

Though they were already a known force on the international album charts, before "Buried Alive By Love", HIM were at odds with how they were perceived by the music industry. Igor Sydorenko - the mastermind behind Stoned Jesus - understands the feeling all too well.

"We constantly struggle with the limitations of the genre, having been pigeonholed as a stoner rock band early in our career, so HIM are very relatable to us", Igor says. "It's absolutely unfair that such a diverse and interesting band are remembered as this moody, one-dimensional bunch by the general public. I truly consider Ville Vallo one of the most underappreciated rock and metal composers ever. His way of balancing the heavy and dark stuff with the catchiest melodies is very inspiring when I'm busy with my own songwriting".

With the opening track on 2003's Love Metal, HIM truly hit upon their signature style. "Buried Alive By Love" shot the album to the top of the Billboard Heatseekers Chart. Now, more than two decades later, the hit single is launching a new era for Stoned Jesus. The band's new rhythm section add fresh sludge, while Igor's razor-sharp riff and coolly impassioned pleas match the Finn's gothic groove drop for bloody drop.

"This is just a phenomenal song", Igor continues. "Bumping HIM in the van with the new boys on our first tour together sure helped to build and solidify the chemistry that we have now".

While only their second album, Seven Thunders Roar marks an early milestone for Stoned Jesus. The riffs still roll downhill with all the sludgy force of a mudslide, but the band added crisp acoustic guitars to reflect their newfound inner strength. "Climbing up", Igor sings on "I Am The Mountain", a 16-minute instant classic that charges through lush folksy valleys and peaks of headbanging doom at full steam. "And we're never going to stop".

When it first arrived back in 2014, even Stoned Jesus were surprised by their follow-up to Seven Thunders Roar. Having already reached the summit of stoner metal, for The Harvest, the band dug into their progressive rock roots. With its synth-laden passages and weaving guitar solo, "Silkworm Confessions'' definitely sows those seeds. But while it leans heavily into the album's sci-fi narrative, "Here Come the Robots" comes busting out the gate with a hard-charging riff that's so aggressively catchy, it could've been programmed by alt-rock radio.

"After years of waiting we're finally reissuing two of our most-beloved albums, the heavy prog stalwart The Harvest and the already-legendary psychedelic classic Seven Thunders Roar!" Igor says. "It's funny now to think how surprised people were hearing The Harvest for the first time - a lot of them possibly expected Seven Thunders Part Two, but as a songwriter I'd never been into repeating myself. And with Seven Thunders, what else could I say about this overlooked-then-and-praised-now record, its importance and influence for the genre?

"This was our first release with our then-manager, Vlad Lyashenko, the man who helped to shape the Ukrainian rock and metal underground into the force it is today" Igor continues. "Both reissues are dedicated to his memory, since he passed away in 2023 - hauntingly, on the very same day we'd released our fifth album, Father Light. So please enjoy both The Harvest and Seven Thunders Roar with extended bonus tracks and have one for the guy to whom we owe our career"

The reissued editions of Seven Thunders Roar and The Harvest are now available through Season of Mist.

Order

https://redirect.season-of-mist.com/StonedJesusReissues
https://redirect.season-of-mist.com/StonedJesusReissues

Line-up:
Igor Sydorenko - Lead-Vocals & Guitar
Andrew Rodin - Bass & Backing Vocals
Yurii Ciel - Drums & Percussion

Follow Stoned Jesus:
https://music.apple.com/sg/artist/stoned-jesus/396799004
https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

Tombstones In Their Eyes serve up West Coast psych flavors on new 'Asylum Harbour' LP

January 13, 2025

Los Angeles-based shoegaze / psychedelic rock collective Tombstones In Their Eyes presents their much-anticipated 'Asylum Harbour' album, released via Kitten Robot Records. Produced and engineered by Paul Roessler (45 Grave, Twisted Roots, The Screamers, Nina Hagen), known for his work with Josie Cotton, Hayley and the Crushers and Gitane Demone, this record was co-produced by the band's frontmain John Treanor and recorded at Kitten Robot Studios.

Named after a maritime phrase for a safe place to wait out a storm, 'Asylum Harbour' is an album of resurfacing, reflecting a new phase of healing after re-emerging from the pandemic. Treanor shares, "The album has been ready for some time, so it’s a relief to get it out.... Now we get to go out and play the songs from the new record live."

This follows earlier singles 'Sweet as Pie', 'I'm Not Like That', 'In Your Eyes' and the heaviest - 'I Like to Feel Good' with a video that oscillates between electrified stage performances and a chilled drive through LA, reflecting the transformation inherent in its lyrics about how one's inner strength and individuality can be a catalyst for positive change.

Tombstones In Their Eyes is made up of long-time members John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals) , Phil Cobb (guitar) and Paul Boutin (guitar), along with new band members Joel Wasko (bass) and Clea Cullen (vocals). This new record sees Treanor pull past the pain, numbness and chaos imbued in their previous album 'Sea of Sorrow'.

Tombstones In Their Eyes began a decade ago through demo-swapping between two childhood friends separated by geography (Treanor in LA and James Cooper in NYC). It soon grew into a full-fledged band and a healthy stream of expansive music that is laced with fuzzed out psychedelic majesty. For Treanor, writing and performing is a way to deal with anxiety and depression, to speak about a subject without being the centre of the conversation, and to express oneself in a subliminal way rather than directly. TITE's music looks out into the universe as much as it looks inward toward the soul.

The 'Asylum Harbour' album is out now, available on CD and on snazzy red vinyl, as well as digitally everywhere, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass
Courtney Davies - harmony & backing vocals
Paul Roessler - keyboards, harmony & backing vocals
David Murphy - Pedal Steel guitar on 'I'm Not Like That'
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced and Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Digital album UPC 198595938096
CD catalog #KR20241-CD (UPC 706091205507)
Vinyl album catalog #KR20241-LP (UPC 706091205514)
Publicity by Shameless Promotion PR

'I WANT TO FEEL GOOD' VIDEO CREDITS
John Treanor - Director
Joel Wasko - Producer
Jon Beanland - Director of Photography & Colorist (for Last Bookmobile Productions)
Jessica Baclesse - Editor (for Last Bookmobile Productions)
Amy Hu - Hair and Makeup
David Hannah - PA

Keep up with Tombstones In Their Eyes
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Spotify | Apple Music | Press contact

Keep up with Kitten Robot Records
Website | Facebook | Instagram | Twitter | YouTube | TikTok

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads| Soundcloud | Link edIn | Email

THE SPEED OF SOUND unveils 'Apocalypse Metropolis' from 'A Cornucopia: Victory' album.

January 13, 2025

Manchester indie rock outfit The Speed Of Sound present 'Apocalypse Metropolis', the latest offering from their album 'A Cornucopia: Victory', the second of the three-album set 'A Cornucopia: Minerva, Victory, Bounty', released via Big Stir Records.Earlier, the band shared videos for several tracks from this album - 'Apocalypse Acropolis', 'Underground' and 'The Same River'.

Formed in 1989, The Speed of Sound is made up of father and son John Armstrong(guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst (drums). Their music has always been idiosyncratic and counter-intuitive, in search of something new. Creating music with lyrical bite, expanding their foundation of 1960s, punk and new wave influences, their dynamic and stylistic variation crossing borders and pushing boundaries at every opportunity.

Twinned musically with 'Apocalypse Acropolis', linked yet totally different in approach, feel and sound. 'Apocalypse Metropolis' envisions a bright, bustling, busy cityscape, of traffic noise and neon lighting creating shadows and glamour, reflecting a civilisation continuing onwards unaware of its imminent collapse. A three-line phrase skates across eight bars and then shifts in 3/4 time as Bob Dinn’s glorious trumpet is given free rein while ascending piano and vocal harmonies combine with a first Speed Of Sound usage of a string section. This is the very definition of the unexpected.

Full of ambition, energy and melodic brilliance, this three-album deluxe edition is available on vinyl and CD. Accompanying the earlier-released 'Minerva' album, The Speed of Sound shared videos for the hauntingly spacious 'Trickledown', the stratospherically vast 'The Great Acceleration', the uplifting 'Mind Palace' and 'West Wind', where a recklessly fast rhythm merges with a Wagnerian horn section.

Grounded yet trippy, this song brings a sobering view of the future. A 12-string picking pattern gives way to elevated vocals and overdrive, all while surveying a dead civilisation of industrial ruins and artefacts overtaken by nature, reclaiming the crumbling walls and empty windows of once self-important commercial buildings. All the workplace stress and crushing pressure of deadlines amounted to nothing. Industrial decay merges, becoming inseparable from the ruins of war which drives so much of that trade.

Following 2021's critically acclaimed album 'Museum Of Tomorrow', this trilogy sees the band returns triumphant, defiant and redemptive, marking their 35th anniversary. Most music is never even recorded, and most recorded music remains unheard. 'Victory' is a celebration of this unheard underground music and the counterculture itself - music made for the pleasure of making it.

'Victory' includes 14 wide-ranging pieces of unheard and highly contagious fresh and unexpectedly shape-shifting grooves. From the supremely danceable 'Underground'through the unabashed sensuality of 'Monsoon' to the gothic lounge jazz of 'Permafrost' and the strangely linked pairing of 'Apocalypse Acropolis' and 'Apocalypse Metropolis', they offer something special here.

From the hypnotic orange-and-sandalwood scented wisps of masala rock in 'Rock Paper Scissors', acoustic powered spaceflight 'in From The Cradle To The Stars' and the reckless garage punk punch of 'Go For It', it becomes clear. There is the data scraping warning of 'X-Y Axis', the post-nostalgia of 'The Same River',and swaggering rock with a pinch of Brazilian sway in 'A Walk By The Sea', while 'E to F' displays glam rock tendencies and a pinball metaphor before the soaring harmonies of 'Empathic Reaction' and ending with the triumphant shimmering elegance of 'Tranquility Falls'.

The full trilogy 'A Cornucopia: Minerva, Victory, Bounty' is out now and can also be obtained on CD or vinyl.

CREDITS
All songs written by John Armstrong
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Bob Dinn - trumpet and flugelhorn
Chris Guest - harmonium, vibraphone, organ, shakers, tambourine
Alex Armstrong - typewriter on 'Yet Another Tuesday'
Recorded, Mixed and Mastered at Vibratone Sound Studio in Manchester by Chris Guest, Adam Crossley and The Speed of Sound
Main sleeve image: Purple Spaceman © Lina Landers 2022
Artist photographs by Shay Rowan
Publicity by Shameless Promotion PR

THE BRIAN SETZER ORCHESTRA’S 2000 ALBUM VAVOOM! FEATURING “GETTIN’ IN THE MOOD” RE-ISSUE DROPS IN MARCH ON LIMITED 180G COLORED VINYL.

January 13, 2025

The Brian Setzer Orchestra is a swing band formed in 1992 by Stray Cats frontman Brian Setzer. Their debut self titled album was released in 1994, and was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive An' Wail", which originally appeared on Prima's 1957 album The Wildest! and found themselves with a runaway hit! The album’s success led to a massive tour which ran from fall of 1998 through the summer of 1999, including a performance at the infamous Woodstock 1999. The Dirty Boogie’s success was capped off with a Grammy win for Brian’s version of “Sleepwalk” for Best Pop Instrumental in 1999. That would just be the first Grammy that Brian would bring home with the Orchestra.

With the success of the recent Guitar Slinger and The Dirty Boogie reissues from the Brian Setzer Orchestra we are now excited to announce for the first time on vinyl since 2000, Vavoom!. Remastered on 180g vinyl in two amazing Limited-Edition Colors. There are only 300 of The Americano and 700 of the Caravan Yellow. Vavoom! is the fourth release from the Brian Setzer Orchestra featuring “Pennsylvania 6-5000” and “Getting’ In the Mood”. Setzer uses his Rock-a-Billy style in league with some of the best standards from the big band era to produce some very cool finger snapping, get-up-and-dance
tunes.

Watch “Getting’ In the Mood” below.

Vavoom! continues Setzer’s interpretation of the swing era, and he has made classic songs of a bygone era accessible again to a new audience, with classics like “Mack The Knife”, and “Caravan” which won him a Grammy Award for Best Pop Instrumental Performance in 2001 for his arrangement.

Pre-order your copy of Vavoom! while supplies last:
https://www.dekoentertainment.com/thebriansetzerorchestra

For more information, visit
www.dekoentertainment.com/thebriansetzerorchestra
Deko Entertainment–Art Has Value

THE HALO EFFECT - new album 'March Of The Unheard' out NOW

January 11, 2025

The pioneers of melodic death metal are back, and they’re ready to redefine the genre they helped create. THE HALO EFFECT, a band formed by some of the most iconic names in the Gothenburg metal scene, today proudly announces the release of their highly anticipated new album, March Of The Unheard.

More than just a nod to their iconic roots, March Of The Unheard boldly announces that melodic death metal is still evolving. Thirty years after their members first propelled the Gothenburg sound to global prominence, THE HALO EFFECT proves there’s no shortage of fresh ideas and electrifying energy in the genre.

As a testemony of the album’s ferocity, THE HALO EFFECT has released a stunning video for the lead single 'What We Become'. A quintessential display of the Gothenburg sound, the track is a masterclass in melodic aggression, featuring razor-sharp guitar leads, driving percussion, and shout-along hooks that have kept metalheads enthralled for generations.

The video perfectly captures the song’s intensity and the band’s vision.

Frontman Mikael Stanne comments:”The wait is over! Our second album drops today and we could not be more proud of this one. The level of confidence, experience and love of the craft is beyond evident in these songs and to finally be able to share it with all you feels amazing. First up though, just to make sure that you get the album on day one, is our brand new video for the song 'What We Become'! This song is all about how our emotions can break us down and transform our very being through depression, self doubt and insecurity.
The video which we shot in an ice cold barn in the middle of nowhere with director Johan Carléngives the song the right kind of mystique and sense of being forgotten or silenced. Enjoy!”

Check out the video below.

Listen to the album on all platforms:https://thehaloeffect.bfan.link/motulp

The Chameleons 'Live at The Camden Palace' album - a unique double LP with Barcelona rarities

January 9, 2025

Just over four decades since launching their illustrious legacy and several years since original members Mark Burgess and Reg Smithies reformed the band, UK post-punk icons The Chameleons have enjoyed a brilliant 2024, involving the release of the 'Where Are You?' EP and 'Tomorrow Remember Yesterday' EP via Metropolis Records, as well as their massively successful 'Strange Times' tour.

In continued celebration of their larger than life presence, UK label Moochin' About Records has brought together two superb performances by The Chameleons in the album 'Live at The Camden Palace'. With cover artwork designed by Reg Smithies, who designs all official Chameleons studio releases, this Limited Edition release features orange and blue splattered vinyl, along with a Bonus CD, two previously unreleased photos and a poster. At present, 200 copies of this album are available.

Regarded as one of the most underrated Manchester bands of the 1980s, The Chameleons epitomized the UK post-punk movement and captured the zeitgeist of those bleak times of northern industrial decline, channelling dissolution into music that wondrously sounded upifting and atmospheric.

Now deemed iconic, The Chameleons' November 1984 concert at London's The Camden Palace gets the deluxe vinyl treatment, having previously only available as an audio-visual release - as a VHS videotape in 1985 and then digitally on DVD in 2012. Recorded as a special show for satellite TV broadcast, this iconic gig sees the band at the top of their game. Signifying the end of touring for 'The Script Of The Bridge' album, this performance happened just a few months before the band went into the studio to record 'What Does Anything Mean? Basically'.

With exceptional audio quality, this album also includes four bonus tracks from The Chameleons' 1985 Arsenal concert in Barcelona, which were originally broadcast on an independent Catalonian local TV channel. Appearing on Side 4 of this vinyl release, these rarities were recorded at the Arsenal gig for a show called 'Temps Estranys' (translation: Strange Times), who devoted an entire show to the band. Recorded at Discoteca 666 in Barcelona in June 1985, this show finally aired in January 1986.

A key player on the Manchester scene, The Chameleons formed in nearby Middleton in 1981, fated to become one of the most important UK bands of that era. Debuting with the 1982 single 'In Shreds', the band subsequently released several seminal albums, including - 'Script of the Bridge' (1983), 'What Does Anything Mean? Basically!’ (1984), 'Strange Times' (1986), and 'Why Call It Anything?' (2001).

The Chameleons have influenced several generations of indie and alternative rock bands, including The Stone Roses, The Charlatans, Smashing Pumpkins, The Flaming Lips, The Klllers, The Horrors, The National and Interpol. Oasis' Noel Gallagher has even cited the band as an influence, noting "I’d forgotten how much 'Strange Times' meant to me. It came out in ‘86. I was 19!! I’ve been listening to it every day since and I have to say it’s blown my mind.. again! It must have influenced my early years as a songwriter because I can hear ME in it everywhere!!"

The Chameleons 'Live at The Camden Palace' is out now exclusively on vinyl, and is available from Moochin' About Records directly via Bandcamp, as well as select UK-based physical music retailers.

CREDITS
Mark Burgess - Bass/Vocals
Reg Smithies - Guitar
Dave Fielding - Guitar
John Lever - Drums
Tony Skinkis - additional guitars on 'Splitting in Two'
Catalogue no. MOOCHIN33
Double LP on orange & blue splatter vinyl + bonus CD
Vinyl Dimensions ‏ :0.64x 31.32 x 31.01 cm; 548.85 g
Original artwork for this LP by Reg Smithies

Dream-rock duo THE YETS 'Pinup Girl' debut album is out Now.

January 8, 2025

South Carolina alternative rock duo The Yets presents 'Enemy', the final single released ahead of their debut album 'Pinup Girl', out on February 7. Revolving around internal conflict, self-destruction, and the battle against one’s own darker impulses, 'Enemy' wrestles with the destructive forces that lie within.

The Yets features the creative synergy of guitarist-producer Craig Anderson Snookand vocalist Robin Wilson, both based in Myrtle Beach.

"Realizing your greatest adversary is yourself presents something we all confront at some point. The idea of being one’s “own worst enemy” is central; entrapment in a vicious cycle of self-sabotage and isolation," says Robin Wilson.

"Lyrically exploring the intoxicating allure of solitude, dancing alone symbolizes both freedom and self-deception. Meanwhile, lurking in the background is the ever-present enemy within waiting to resurface, stronger perhaps than ever before. Plagued by internal warfare forged of past fears and tendencies, corrosive thoughts haunt us even as we attempt to break free from our former selves, now feeling distant and ghost-like."

Despite the dark tone, there’s a sense of clarity emerging from the struggle. Acknowledging what once haunted them no longer wields such power, a new spirit signifying growth and self-awareness evolves. The darkness remains, but is now understood rather than feared in the struggle for self-liberation.

The song flirts with the paradox of freedom and destruction, where overcoming internal demons becomes the path towards self-realization. Themes of identity, inner strength, and transformation are woven throughout, with the final message being one of confronting, accepting, and ultimately moving beyond the internal chaos to a place we are no longer the “Enemy”.

As of January 8, 'Enemy' will be available from fine online music stores and streamable via Spotify. The full album, out February 7, can be obtained digitally or on CD directly via Bandcamp.

CREDITS
Written and performed by Craig Anderson Snook & Robin Wilson
© 2024 Craig Anderson Snook/Robin Wilson Snook (BMI)
Robin Wilson - vocals, other instruments
Craig Anderson Snook - guitars, other instruments
Recorded, mixed and produced by Craig Anderson Snook at 3’s in Myrtle Beach, SC
Mastered by Jay Matheson
Videos created and produced by The Yets
Album and website art by Robin Wilson
Website design by The Yets
Band photos by Gordon & Jill Backman
Publicity by Shameless Promotion PR

DANHEIM Reissues First Two Classics

January 7, 2025

Reidar Olsen, the man behind DANHEIM, has been producing music all the way back to his teenage years. Focusing mostly on electronic music, it wasn't until 2016 that he fused his love for music production with his Danish roots. Loosely meaning 'Danish home', Danheim is the perfect pairing of old Norse mythology and ambient electronic music that recalls Brian Eno.

Last year, Danheim signed with Season of Mist. Today, he and his new label are returning to the first two albums that sparked his journey. Since they were first released in 2017, Munarvágr and Mannavegr have helped Danheim reach the digital milestone of a billion streams. Now, both albums are being reissued on CD and vinyl for the very first time.

The reissued versions of Munarvágr & Mannavegr come out March 7th on Season of Mist.

Pre-order

https://redirect.season-of-mist.com/DanheimReissues

Munarvágr showcases thundering drums, subtle percussion and deep layers of chanting. The album immediately set the tone for Danheim, honoring old Nordic tradition in a majestic and fierce way.

Mannavegr is the album that first displayed Olsen's brilliance in the studio. The album transports you back to the time of Vikings, while staying rooted in the modern age. Crystal clear production heighten clicks, warhorns, droning synths and clever samples from nature.

Danheim is a Nordic folk/Viking inspired project from the Copenhagen-based Danish producer Reidar Schæfer Olsen, a man with 10 years of experience in electronic and ambient music – focusing on Nordic Folk and Viking age inspired music with a certain Nordic authenticity or mood. Danheim’s music is often composed of ideas and stories based on the darker side of the Viking period, inspired or consisting of Nordic Mythology, old Danish folklore, and a vivid imagination.

Danheim hit 1 billion streams across streaming platforms in 2022, has 585.000 subscribers on YouTube, with music featured in multiple seasons of the popular TV show Vikings.

Early information: Singer-songwriter Reidar Schæfer Olsen, (born in 1985, Brøndby, Denmark), transitioned to focus on music in the early 2000s and has been composing music almost continuously ever since, alongside doing radio shows and starting the indie label Fimbul Records.

With a passion for songwriting running through his veins from an early age, Reidar Olsen’s Viking-inspired music and dark melodies have broadened the Nordic folk genre and inspired millions of listeners around the world, bringing them back in time with a blend of his imagination and creativity.

“A deep connection to his Danish roots and heritage fueled his interest in the Nordic Folk/Viking genre, prompting the creation of Danheim and his indie label Fimbul Records.”

Ǽttartrú, a self-made Scandinavian belief system that reconnects oneself with their ancestors.

Danheim is:
Reidar Schæfer Olsen – Musician, Songwriter, Producer & Singer

Follow Danheim:
Official Website: https://danheimmusic.com/
Bandcamp: https://danheim.bandcamp.com/
YouTube: https://www.youtube.com/@Danheim
Facebook: https://www.facebook.com/DanheimMusic
Instagram: https://www.instagram.com/danheim_music/
Spotify: https://open.spotify.com/artist/1J1DiyVfll4d0cos64VSZb

The Veer Union Launch Into 2025 With "Welcome To Dystopia" Album

January 6, 2025

The Veer Union have launched into 2025 with the release of the their new album, “Welcome To Dystopia”. The 8 song, apocalyptic themed album by the Vancouver BC, Canada based group includes previously released hit singles “Empirical”; “Is This How It Ends”, and the title track, which included a guest appearance by rising rockers Silent Theory.

The focus track for the LP is “No Excuse” which excoriates leaders around the world for leaving the poor, middle class and working class behind in an evolving world – in order to help the wealthy grow their net worth to obscene levels. An ominous spoken word intro explodes into driving guitars, buoyed by a hypnotic piano and synth melody line that are propelled forward by thunderous drums with a chugging, relentless rhythm.

The Veer Union says “No Excuse’ is a powerful rallying cry that exposes the deep-rooted betrayal of the working class by those in power. For decades, our leaders have decimated the middle class by outsourcing our manufacturing base, leaving communities to struggle while the wealthy elite thrive. At the same time, governments have colluded with big tech to suppress dissent, using cancel culture and censorship as tools to control the narrative.

They continue “Endless wars have claimed countless innocent lives, torn nations apart, and yet, the only ones to benefit are those at the top. We’ve endured lockdowns, had our freedoms stripped away, and watched our futures grow uncertain. The dream of prosperity has been ripped from us, leaving today’s youth with little more than a dim outlook for a better tomorrow. The rise of AI and robotics threatens to further control, weaponizing technology to erode autonomy. But in this age of information, people are waking up exponentially to the reality of our situation—and they’re demanding accountability from those who’ve betrayed us. All hope is not lost… Yet."

About The Veer Union:

The Veer Union is a Vancouver, BC, Canada Hard Rock/Metal band that released their 1st album independently in 2006. They landed a record deal with Universal Records USA in 2008 and garnered their 1st Top 10 Active Rock Radio Single with their critically acclaimed song “Seasons” in the US and Canada. Since then The Veer Union has amassed 360,000+ social media followers and has collectively sold over 225,000 Albums and has over 190 Million Streams Worldwide. They have achieved 12 Top 40 Singles on the Billboard Rock Radio Charts, and have 10+ million cumulative video views on Youtube.

Known for their dynamic live shows, TVU plays an average of 100 shows per year. They’ve toured with RED, Puddle Of Mudd, The Red Jumpsuit Apparatus, Hinder, Saliva and Alesana, among others. A spring 2025 North American tour is in the works, with dates to be announced in the 1st quarter.

The Veer Union is:

Crispin Earl (Lead Vocals/Producer)

Ryan Ramsdell (Guitar)

Ricardo Viana (Drums)

For More Information, Contact:
Ed Bunker – NPM PR and Marketing
Ed@NPMPRandMarketing.com

PALEFACE SWISS Unleash Ambitious New Album 'Cursed' & Music Video For New Track "River Of Sorrows'

January 3, 2025

The wait is over. Switzerland’s reigning, defending heavy weight champions of emotionally charged Nu-Core brutality - Paleface Swiss - have dropped their highly anticipated and most ambitious album to date, ‘Cursed,’ today. To mark the occasion, the band has also released music video for brand new track, “River of Sorrows.” This deeply emotional track offers a powerful glimpse into the album’s dark and cathartic narrative Fans can stream 'Cursed' in full now HERE and can watch the music video for "River Of Sorrows" below.

Each track on ‘Cursed’ is represented by a flower with symbolic meaning, which when combined, form the “River of Sorrows” is paired with the Purple Hyacinth, a flower representing sorrow, regret, and forgiveness. “River of Sorrows” delivers a visceral exploration of the weight of sorrow, despair and helplessness caused from being trapped in an unhealthy relationship. The track’s lyrical vulnerability is matched by its crushing intensity, underscoring the unrelenting emotional journey of the album and cementing it as the band’s most ambitious and conceptually intricate work to date.

Frontman Marc “Zelli” Zellweger explains,

“‘River of Sorrows’ is about the emotional weight of betrayal and the drowning feeling of being trapped in a one-sided connection. It’s heavy in every sense of the word—musically, lyrically, emotionally—and it’s a piece that feels deeply personal while also being universally relatable. We wanted to bring those feelings to life in a way that would truly resonate with listeners.”

The band's upcoming third full-length, ‘Cursed’ is a masterclass in modern brutality and encapsulates two years of creative exploration and raw personal experiences for the Paleface Swiss members. The band retreated to the seclusion of the Canary Islands to craft this sonic juggernaut. Collaborating with Ron Steven Deris at Misueno Studios and with long-time collaborator Florent Salfati (Landmvrks) helping to add the finishing touches, their work culminated in an album that marries the band’s signature heaviness with intricate conceptual storytelling.

The first single from the album, “Hatred”, was released in September and was recently included in Loudwire’s coveted ‘Best Rock & Metal Songs of 2024’ list and nominated for “Angriest Song of The Year” in Nik Nocturnal’s popular annual awards. The track delivering the perfect blend of bombastic nu-core swagger, incendiary rapid fire vocals, thrash-inspired guitar solos and the pummeling rhythmic section the band have become globally renowned for. The band then threw fans a huge curveball with second single "My Blood on Your Hands", which was also nominated in the Nik Nocturnal Awards 2024 for ‘Best Animal Noise'. Third single, "Love Burns" was released in early December and set the internet ablaze with praise for the dynamic song writing displayed on the track along with the band's fearlessness when it comes to pushing themselves out of their sonic comfort zone and making bold choices that definitely pay off, balancing their signature heaviness with an emotionally charged narrative and new, expansive sonic elements. To date, the 3 previously released singles have run up 3,200,000 cross-platform streams and 659,000 YouTube video views.

Speaking about the release of 'Cursed' today, Paleface Swiss collectively share

“Cursed is the piece we’ve always wanted to create. We set out to craft a cohesive concept with our music, videos, and artwork and we're very proud of the outcome. The process of making this album has been therapeutic in ways we didn’t anticipate, and we’re beyond excited to finally share it with the world. We hope to see you at a show on our upcoming headline tours and have you sing these tracks with us”

The North American run of The Cursed Tour kicks off on March 20th in Detroit, MI and will see Paleface Swiss headline 30 shows across the country hitting major cities including New York, Los Angeles, and Toronto with special guests Stick To Your Guns and Nasty. Tickets and full routing can be found HERE

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered and rapidly rising forces in the world of modern metal today. With ‘Cursed’, Paleface Swissare ready to take listeners into their darkest, most intricate and artistically diverse chapter yet, combining their trademark deathcore heaviness with raw vulnerability, a rare and special combination for a band within their genre. With a brand new album, an ever-growing army of devoted fans, critical acclaim, sold-out headline shows and stellar festival performances garnering new fans wherever they go, Paleface Swiss have their sights firmly set total, global domination. Stay tuned, buckle up and kick back for the ride.

ABOUT PALEFACE SWISS

Since the release of their first album, 'Chapter 3: The Last Selection', independent outfit, PALEFACE SWISS have gained international recognition throughout the Deathcore and Beatdown Community. Known for their huge, aggressive riffs, brutally bombastic rhythm section, frontman, Zelli's outstanding vocals and a pinch of humor. This is Switzerland’s finest heavy music. Across their catalog, the band have gained 110 million streams, 21 million YouTube views on their own channel, and recently peaked at 1 million Spotify monthly listeners.

‘Chapter 3: The Last Selection’ was released on October 30th 2020, spawning four huge tracks “Curse Us”, “The Rats”, "Lights Out" and “Skalpell” which quickly ranked high in the beatdown/hardcore charts and saw the band become cover stars on Spotify’s Heavy Beatdown playlist.

In 2022 the band released their second full-length album 'Fear & Dagger'. The album was widely considered a huge step up for the band as plaudits began to roll in for frontman Zelli's vocal ability and the band's unflinching commitment to never shy away from brutally heavy riffs, face-melting technically insane guitar solos, punishing beatdowns or from facing difficult, emotional topics head on. Metal Injectionaccurately summed it up in their review by saying, "It's fun to get caught up in Paleface's unrelenting instrumentals, but Zelli's really the star of Paleface. This is largely because he treats his screams like rap bars." New Transcendence stating "Paleface have created one of the most emotionally relevant and intriguing beatdown releases to date" and Wall of Sound calling it "an unashamedly brutal and angry album".

The album shot the band into the upper echelons of the "New Wave Of Deathcore" and spawned singles "The Orphan", "Deathtouch", "Dead Man's Diary" feat. LANDMVRKS frontman Florent Salfati and fan favourite and stylistic curveball, "My Grave / Lay with Me". The album focused on more mature and critical topics related to the fears and struggles young people have to contend with in the 21st century, most importantly, the topic of mental health.

The ensuing 2 years saw the band's popularity sky-rocket. Honing their craft in the live arena, the band rapidly jumped from strength to strength, creating what is now one of the most thrilling and impactful live shows in modern metal. Their ability to win over any crowd, wether it be their own headline shows, touring the US with the likes of Body Snatcher or The Ghost Inside, touring the UK with the likes of Counterparts and Kublai Khan or at globally renowned festivals such as Sick New World, Hellfest Open Air, Summer Breeze, Cabaret Vert, Dynamo Metal Festival and more, one thing is for sure, Paleface Swiss will turn an audience into fans by the time they're done at every show they play.

To support their largely sold-out touring efforts, the band released a series of stand alone singles, "Best: Before Death" - now a staple and firm fan favourite in their live set list, "Please End Me" and "The Gallow".

Now, with the impending release of their third full-length album, 'Cursed', Paleface Swiss are set to write the next chapter or their incredible, epic journey as they reveal their most thematically and sonically ambitious album to date. Never pulling punches when it comes to heaviness, technicality or emotional vulnerability, Paleface Swiss are rewriting the rulebook on what it means to be an extreme metal band.

PALEFACE SWISS Are:

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma

Find Paleface Online

www.palefaceswiss.com

Manchester's INCA BABIES share a multi-storied ninth album 'Ghost Mechanic Nine' & rock doc

December 17, 2024

Manchester post-punk trio Inca Babies have released the album 'Ghost Mechanic Nine' via Black Lagoon Records, their first record in three years (after ‘Swamp Street Soul’), continuing their explosive exploration of goth, punk and death-rock jazz-blues, while paying tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.

They also share a fun documentary on the journey from their formation in 1983 in the now-legendary deck-access flats of Hulme in Manchester to where they are today - on their ninth studio record. Designed as executive ‘cities in the sky’, these homes quickly became cockroach-infested slums inhabited by students, artists and druggies. Dubbed them "the Hulme Cramps" for their Gothabilly twang by writer CP Lee, their 1984 debut single 'Interior' presented an unusual sound for Manchester - a departure from Joy Division, Buzzcocks, The Fall and The Smiths, but with a nod to their influences,

Incas frontman Harry Stafford (guitar, keys, vocals) revisits the raw guitar sounds of the band's 80s output, joined by Rob Haynes (drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet).

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and releasing a further six singles and four albums in the next five years, all entering the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year. The band reformed in 2007 and hasn't looked back since.

Driving for the sake of it driving to escape. Headlights in the dark: red and blue dash lights; wondering why anyone but you is driving this late. The ghost on the highway, the grease-ball mechanic who says you’ll keep going for miles and miles. It’s number 9, the ninth Inca’s album the first of nine songs on the album. The rush of energy from the first track sets the tone for the rest of the album.

The Incas most recently shared the single ‘Ghost Mechanic 9’, a driving guitar blast, whose powerful sound recalls the Incas' early music. With its singular hypnotic bass rhythm, it could have fit neatly on their 1986 album ‘Opium Den’. Earlier, they released 'Spacewalk', a timeless Rockabilly groove inspired by Link Wray, Alan Vega and Brian Setzer (set to a Sci-Fi space opera), together with its B-side 'Monster In The Deep'.

With Simon ‘Ding’ Archer (The Fall, PJ Harvey) at the controls, this album's production offers an analogue, yet contemporary, zing to the production. Recorded at 6Db Studios in Salford, Archer and Stafford recorded and mixed this album over two years, with 'Ding' also contributing sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.

These darkly invigorating tunes visits a similar place as where Inca Babies got their start with raw and spiky psychobilly trash rock, reconnecting with their roots, where The Gun Club and The Cramps met - the very intersection where Inca Babies found their most passionate and loyal following. ‘Insect Symphony’ is a Stooges lead-riff tribute to all those bands that are no longer with us. The inclusion of a longer and remixed version of the fan favourite ‘Opium Den’, now called ‘Opium Dub’, is a masterful example of Archer's sonic dexterity at the dub controls.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

'Ghost Mechanic Nine' is available everywhere, including Spotify, Apple Music and Bandcamp. Also released on vinyl and digitally, it can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

South Carolina's THE YETS share providential single "3's" with superb video, previewing debut album

December 14, 2024

South Carolina-based alternative rock outfit The Yets presents their new single "3's", an evocative, haunting song that recounts the story of a circus performer teetering on a highwire, using her precarious balance as a powerful metaphor for the challenges of life.

Previewing their debut album 'Pinup Girl', to be released in February, this new single arrives on the trail of the reverie-laden lead track, 'Define The Man'. Both offerings showcase their evolution as artists, blending modern and classic rock elements to create music that feels both fresh and timeless.

Based in Myrtle Beach, The Yets features the creative synergy of guitarist-producer Craig Anderson Snook and vocalist Robin Wilson, both natives of the state. Their collaboration fuses Craig’s dynamic guitar work and production expertise with Robin’s rich, emotive vocals, resulting in a sound that is both powerful and distinctive. Further highlighted by their multi-instrumental performance abilities, The Yets have developed a sound which is truly their own. From composing to performing to production, Craig and Robin are a “duo” in the most genuine sense of the word.

As the song "3's" unfolds, the lyrics become a vivid illustration of her life as a performer – each line reflecting the beauty and danger of her art. The imagery of the high wire evokes a sense of tension and vulnerability, symbolizing the constant struggle to maintain balance amidst the ups and downs of humanity. She reflects on the thrill of the spotlight and the applause that once filled the air, eerily acknowledging the solitude that accompanies the act.

The chorus introduces the central theme of “3’s”, capturing the idea that life’s challenges often come in waves-trinity, calamity, and the search for serenity amidst it all. Her realization that no one can save her from herself metaphorically deepens as she ponders the illusion of control and the fragility of her existence. Ultimately, the performer recognizes the beauty of her struggles yet understands she must face them alone. Capturing the essence of resilience and the complexity of life, the song leaves its listeners with a sense of empathy and introspection, as they traverse high wires of their own.

"Life is a three-ring circus, where ego and pride take center-stage, performing illusions of perfection until the act unravels, revealing the calamity beneath. This song captures the tension between the false perfection of the ego and the inevitable unraveling of that facade, and also explores the discord between the constructed self-image and the underlying truth of human vulnerability," says Robin Wilson.

Craig Anderson Snook adds, "This song took on new dimensions for me when we did the video. Robin's theme evolved into images that conjured even more "3's" in my mind ... earth, fire, sky ... birth, death, afterlife... body, soul, spirit ... the list could go on. Musically, it crosses a few interesting borders from doom, to joy, to mystery; in sound."

In 2022, The Yets made their debut with a critically acclaimed eponymous EP, praised for its melodic sophistication and emotional resonance. They are now releasing their full-length album, "Pinup Girl", which showcases their evolution as artists, blending modern and classic rock elements to create a sound that feels both fresh and timeless. Their music is marked by lush, atmospheric instrumentation, soulful melodies, and a seamless fusion of modern and classic rock influences, establishing The Yets as a distinctive presence in the alternative rock scene.

Craig Anderson Snook, who played guitar for several popular bands in the 1980s, such as Gross Negligence, brings decades of musical experience to the duo. Robin, well known for her extensive touring with rock groups Skirt and Bachelors of Art (B.O.A.), adds depth and passion to their music. Craig’s intricate compositions provide the perfect backdrop for Robin’s voice to soar, creating immersive and atmospheric landscapes that push the boundaries of alternative rock.

As of November 19, the "3's" single will be available fine online music stores and streamable via Spotify. The full album, out February 7, can be obtained digitally or on CD directly from the band via Bandcamp.

CREDITS
Written and performed by Craig Anderson Snook & Robin Wilson
© 2024 Craig Anderson Snook/Robin Wilson Snook (BMI)
Robin Wilson - vocals, other instruments
Craig Anderson Snook - guitars, other instruments
Recorded, mixed and produced by Craig Anderson Snook at 3’s in Myrtle Beach, SC
Mastered by Jay Matheson
Videos created and produced by The Yets
Album and website art by Robin Wilson
Website design by The Yets
Band photos by Gordon & Jill Backman
Publicity by Shameless Promotion PR

MOLOTOV SOLUTION Unleash Third & Final Chapter of Music Video Trilogy; “The Golden Tower”

December 14, 2024

Las Vegas deathcore titans Molotov Solution have released brand new track "The Golden Tower" . The new single marks the climactic finale to the terrifying music video trilogy, made in partnership with Versa Films, that has heralded their return from a decade long hiatus. Clocking in at five minutes and 30 seconds, the new opus brings the band's most progressive and ambitious composition yet, serving as a thunderous conclusion to a series that began with the unrelenting “Devour the Children” and continued with the crushing “Mortis Imperium", delivering a visual and sonic experience that explores themes of ultimate power, greed, and the inevitable collapse of societal structures. Fans can stream "Golden Tower" HERE and watch the music video below.

Speaking on the track, frontman Nick Arthur shares:

“‘The Golden Tower’ is the grand conclusion to our music video trilogy in partnership with Versa Films. It explores themes of ultimate power, greed, and the inevitable collapse of societal structures. This track stands apart from the visceral intensity of ‘Devour the Children’ and the relentless weight of ‘Mortis Imperium,’ introducing an epic, apocalyptic tone that reflects humanity's final descent. ‘The Golden Tower’ can be viewed as the most progressive song we’ve ever written, with dynamic compositions and sweeping heaviness that evoke the scale and inevitability of downfall. It is an emotional rollercoaster and a fittingly climactic end to the trilogy.”

Lyrically, “Golden Tower” delivers a stark reflection on humanity’s fragility, blending vivid storytelling with the band’s signature intensity. Lines such as “The tower sees all, it was built on lies / Golden bricks of deception, billions of eyes” expose the greed-driven, corruptively deceitful structures of modern society, while the track’s apocalyptic tone and dynamic compositions immerse listeners in the impending doom of societal collapse. Arguably the most ambitious of the three singles the band has released since their return, 'The Golden Tower' expands the boundaries of deathcore while staying rooted in the band’s unflinchingly veracious, politically charged ethos, giving fans a powerful statement that continues the band’s tradition of marrying relentless heaviness with thought-provoking themes.

This year has marked a triumphant return for Molotov Solution after a decade-long hiatus, with the trilogy of singles embodying the band’s renewed fire and uncompromising message:

- “Devour the Children”: A brutal exploration of sacrifice and betrayal, inspired by Goya’s Saturn Devouring His Son.

- “Mortis Imperium”: A cold, unrelenting take on systemic exploitation and the cycles of oppression.

- “Golden Tower”: The apocalyptic conclusion, bringing a progressive and cinematic edge to their signature sound.

Experience the final episode of Molotov Solution’s ambitious, cinematic music video trilogy as they deliver expansive sonic and visual world building that once again shatters the boundaries of heavy music and confronts the darkest aspects of humanity. Be ready for more coming in 2025.

Photo Credit: Mike Elliot

ABOUT MOLOTOV SOLUTION

Molotov Solution returns in 2024, reawakened after a decade of silence with a renewed fire and an uncompromising vision. Known for their politically charged, ferociously heavy sound, the Las Vegas-based band is ready to reclaim their position at the forefront of extreme music. With a legacy built on confronting societal corruption, power struggles, and injustice, their return is a statement: the fight isn't over, and neither are they.

Molotov Solution’s 2011 album, Insurrection, is widely regarded as one of the most influential deathcore releases of its time,

shaping the genre for years to come. Sadly, the band went on indefinite hiatus after its release leaving a huge influence but a

gaping hole in deathcore genre. On November 1st, 204 they emerged from a decade-long hiatus with their powerful new single, “Devour The Children” a brutal and rageful statement of intent heralding the band's timely resurrection. Known for their fearless approach to exposing corruption and power struggles through their music, Molotov Solution’s voice is more vital than ever, delivering an unflinching soundtrack to the turbulent times we face with the fierce intent to challenge and resist.

Molotov Solution has always been more than just a deathcore band. They are a voice for those who resist, a sonic assault against the systems that oppress. As they step into this new chapter, they carry with them the same relentless energy that defined their past but with a sharpened edge and a deeper urgency. In a world that seems more chaotic and fractured than ever, their music is not just relevant—it is essential.

Fans can expect new music that continues to challenge listeners, both sonically and lyrically. Their signature blend of heavy, gut-punching riffs and politically infused messages will drive their upcoming releases, which promise to be as intense and confrontational as ever.

With new music and renewed determination, Molotov Solution are ready to unleash a new era of heavy music that will resonate with old fans and new alike.

SPIRITS BURNING LED BY DON FALCONE AND FEATURING HAWKWIND FAMILY MEMBERS RELEASE LIVE AT KOZFEST

December 14, 2024

Spirits Burning is a music collective led by Don Falcone. The band celebrate space, prog, new music, and other genres, and have included input from family members of Blue Öyster Cult, Clearlight, Gong, Hawkwind, Van der Graaf Generator, and many other groups, as well as Porcupine Tree’s Steven Wilson and British science fiction and fantasy writer Michael Moorcock. Spirits Burning have released 20 albums, featuring almost 300 musicians.

In 2017, Spirits Burning performed live in England at Kozfest. The line-up: Hawkwind family members Richard Chadwick (drums, vocals), Bridget Wishart (vocals, EWI), and Steve Bemand (guitar, vocals), plus Don Falcone (keyboards, vocals), Kev Ellis (Kaoss Pad, vocals), Martin Plumley (guitar, vocals), and Colin Kafka (bass). This was a rare live show, as Spirits Burning have historically been a studio project. With musicians, located across the world from the U.S. to Europe to Russia to Japan, live shows had never been considered, making this a monumental release for the band.

As Falcone explains, “Our first live album! It captures our journey through the Spirits Burning catalog. Launching with a three-song suite with Bridget on lead and EWI and her Chumley Warner Bros partner Martin Plumley on acoustic guitar – the rest of the band providing a weaving space rock landscape. Then two rockers with me on lead vocals, followed by two driving instrumentals that showcase our rhythm section of Richard, Colin and Steve, along with some fiery guitar solos by Steve. Next is a song with Kev on lead vocals, then our cover of ‘Images,’ a song that Bridget, Richard, and Steve performed with Hawkwind on an early Nineties tour. The set concludes with two vocal songs with Kev and Bridget sharing the mic. The album includes two bonus studio tracks, songs that we performed three nights earlier in Bath, and which we didn’t have time for at Kozfest. The full story of our gig and the year leading up to it is covered in a book I’ve written – ‘One Of The Spirits Burning (A Musical Memoir)’ – coming from Stairway Press in 2025.”

This release captures the band in a unique setting and covering tracks from throughout the bands career. A must have for all Spirits Burning and fans of Prog Rock.

Get your CD here: https://www.dekoentertainment.com/inthesquare/spirits-burning

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Legendary Rockers BLUE ÖYSTER CULT Share Live Performance Video for "I Love The Night"

December 14, 2024

BLUE ÖYSTER CULT is celebrating the release of '50th Anniversary Live – Third Night,' the final installment of the live album celebrating the band’s 50th Anniversary.

In September of 2022, BLUE ÖYSTER CULT enthralled fans with a unique trilogy of sold-out shows, each dedicated to one of their first three albums. Founding member Albert Bouchard made a special appearance on all three nights, adding a nostalgic touch to the historic milestone.

For nearly three hours each night, the band delivered a spellbinding set, weaving through the entirety of their now-classic initial trilogy of albums and treating fans to a mix of favorites, deep cuts, and classic hits. The atmosphere was electric, and Frontiers Music captured the magic, releasing each night as a special individual package.

This electrifying performance, which includes the band’s third album 'Secret Treaties' performed back-to-back, hits shelves TODAY and promises to be a spectacular follow-up to the band's historic three-night stint at Sony Hall in NYC.

To help roll out the album's release, BLUE ÖYSTER CULT shares a new live performance video for "I Love The Night."

Watch the Live Performance Video for "I Love The Night" below.

BLUE ÖYSTER CULT's legacy spans over five decades, captivating fans with intelligent hard rock loaded with classic songs. Hailing from Long Island, NY, the band is renowned in the hard rock and heavy metal scene for their pioneering work, earning both critical acclaim and commercial success.

Cited as a major influence by acts like Metallica, BLUE ÖYSTER CULT boasts a timeless catalog, including iconic tracks like "(Don’t Fear) The Reaper," "Godzilla," and "Burnin’ for You." The creative vision of the original core duo, Donald “Buck Dharma” Roeser and Eric Bloom, is complemented by Richie Castellano, Danny Miranda, and Jules Radino, forming a powerhouse lineup.

As the band embraces its status as a 'classic rock' phenomenon, they continue to create vibrant work, offering a refreshing alternative to mainstream trends. With a relentless touring schedule and the critically acclaimed album 'THE SYMBOL REMAINS' released in 2020, BLUE ÖYSTER CULT remains an enduring force, ready to ignite the stage once

again with the upcoming release of '50th Anniversary Live – Third Night' on Frontiers Music Srl.

Order '50th Anniversary Live - Third Night' HERE

These live releases follow ‘Ghost Stories’ - a captivating collection of reimagined and completed songs from 1978 to 2016. These musical treasures, long considered the 'lost gems' by BLUE ÖYSTER CULT enthusiasts, were originally recorded between 1978 and 1983, except for one track from 2016, "If I Fell." Some material is from workshopping albums, some from performance rehearsals, and all were recorded once in the hopes that someday they'd see the light of day.

George Geranios, the band's original audio engineer and an integral part of the band's golden years produced the tracks along with BÖC and all were originally recorded on reel-to-reel analog tape. He transferred them to digital audio which is when modern AI and magical musical talents meet and the collection of vintage multi-track recordings was de-mixed, re-mixed, and produced by Steve Schenck and Richie Castellano to become 'Ghost Stories.'

Richie Castellano completed work in the studio for the album along with remaining original members Eric Bloom and Donald “Buck Dharma” Roeser and both Albert Bouchard and Rick Downey appear on drums with additional overdubs recorded by Joe Bouchard. All these original lineup members appearing on 'Ghost Stories,' create a musical journey that traverses decades and promises easter eggs for days.

'Ghost Stories' celebrates the recording legacy of one of rock’s most iconic fixtures from the past 50 years.

Order 'Ghost Stories' HERE

STORACE 'Live And Let Live' Album Reissue - Special Edition with Bonus Live Album Out NOW via Frontiers Music Srl

December 14, 2024

Swiss rock legend Marc Storace’s own band, STORACE, announce the release of the album reissue of their first record 'Live And Let Live', in a special edition including a bonus live album, out now via Frontiers Music Srl.

The focus track, “Midnite Maniac” and the accompanying visualizer, are also available now.

Marc Storace describes the new single, by saying:

“'Midnite Maniac' is a popular Krokus song from the 80’s that Krokus never play! It came off 'The Blitz' album. Back in the 80’s, MTV had the video on full rotation! It talks about a female serial killer.”

Talking about the album release, Storace comments:

“Krokus had stopped to exist because of Covid and no one really knew what the outcome of the pandemic would be, so not wasting time I started working on a solo album! 'Live And Let Live' is rich in melodic vocals, colourful riffs, great guitar solos, many hooks and a solid driving rhythm section!!”

Watch the Music Video for "Midnite Maniac" below.

On the bonus album, Marc Storace notes:

“During the past three intensive years playing throughout Switzerland we recorded many gigs and the live album features the best of the crop, highlighting songs we recorded during hot performances in Zürich’s Hallenstadion as special guests of KISS, and The Scorpions, and whilst sharing the famous 'Rock The Ring Festival' stage with Alice Cooper and his notorious band."

“Included on the setlist are songs from Krokus which we never play, like 'Midnite Maniac' and 'To The Top'; also a beefed up version of 'Telephone Man' from my late seventies London band Eazy Money”, he continues.

'Live And Let Live' is STORACE’s first official solo album. It was recorded during the 2021 lockdown of the Covid pandemic and was produced by Cyrill Camenzind and Massimo Buonanno at Powerplay Studios, near Zürich.

Cyrill, Massi, and Marc composed some of the songs together, and they played on the album which also features the talented musicians Marco Blöchlinger on bass, Christian Roffler on keys, Jean Pierre Von Dach on lead guitar, and Gee K, Micha Dettwyler and Céline Haleson backing vocals.

'Live And Let Live' was officially released in Switzerland on December 18, 2021, during a gig at the legendary Music-Club outside Bern called the “Mühle Hunziken." It was performed by the studio band, all except J.P. Von Dach, who had been replaced by Turi Wicki due to his heavy touring commitments with Joss Stone.

Order 'Live And Let Live' HERE

STORACE are:

Marc Storace - Vocals

Dom Favez – Rhythm Guitar

Serge Christen – Lead Guitar

Patrick Aeby - Drums

Emi Meyer – Bass

Produced by: Tommy Henriksen

The Nomadic Release Two New Singles, "The Absolution" and "Marie Antoinette"; New Record Drops December 12th! 　

December 12, 2024

Following on from the release of their first singles "Treading Water", "All Changed", "First Light", "Don’t Give Up on Your Dreams", "Hearts and Minds" and "Revolution", The Nomadic has released two new singles. "The Absolution" and "Marie Antoinette" from their sophomore album New Horizons out now all all major platforms!

Singer Songwriter Rob Gaylard relocated home to Sydney Australia in February 2022 after 5 years as a regular feature of the New York City indie rock scene and recorded New Horizons with Dan Frizza in Sydney at Forbes Studios.

"The Absolution is a song about love, loss, forgiveness and recovery.. It is for sure a nod to The Boss himself, aka Bruce Springsteen, and is heavily influenced by my time in Afghanistan, and in particular the mental health issues caused by America’s troop surge in 2009. It was and is a time of great personal loss, and for many Afghan and US families. It is also heavily inspired by the case of Beau Bergdahl who was held captive from 2009-2014," says Rob Gaylard.

About the new release "Marie Antoinette", Rob adds, “It’s incredibly exciting to be releasing Marie Antoinette today! It feels like the culmination of a long journey, from the initial conception of the songs to the development and creation of the final product in the studio, mixing and mastering! Combine that with the emotional experience of going through some rough times and coming out the other side to see some New Horizons – overall It’s been a bit of a marathon!”

The Nomadic is the best of Aussie rock talent, with Miles Thomas (Lior, Ronan Keating, Montaigne)on drums, Oliver Thorpe (The Whitlams, Matt Corby, Meg Mac) on guitar, and Brendan Clark (Meg Mac, Montaigne, Jack River) on bass. Dan Frizza as producer lends the kind of magic touch that has seen him enrich the work of the likes of Tones & I, King Princess, and Gurrumul.

Australian guitarist and singer/songwriter Robert Gaylard brings a unique perspective and vision when it comes to creating music. His inspiration and passion for starting The Nomadic began early on as a child after traveling to many countries like Myanmar (formerly Burma), Singapore and the Solomon Islands. His “nomadic” lifestyle continued on into his adulthood when he began to work for the United Nations in various countries such as: Kenya, Somalia, the Sudan, Afghanistan, Indonesia, Israel and Palestine. His travels eventually brought him to New York in September of 2012 and motivated him to pursue his songwriting by establishing an indie rock band.

Influenced by artists like Oasis, Radiohead, The Verve, Bruce Springsteen, Phosphorescent, The War on Drugs, Arizona and The 1975, The Nomadic produces a sound genre like no other as alternative rock meets blues with hints of Americana and pop.

Having been originally influenced by numerous cultures and ways of life, The Nomadic promotes and advocates for issues of social action and innovation, human rights, support for minorities, as well as doing the next right thing, including the idea that it is never too late, including for people to follow their dreams and passions.

The Nomadic is:
Rob Gaylard/Singer songwriter
Dan Frizza/ producer/ keyboards
Miles Thomas/ Drums
Oli Thorpe/ lead guitar
Brendan Clark/ Bass

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