THE BRIAN SETZER ORCHESTRA’S 2000 ALBUM VAVOOM! FEATURING “GETTIN’ IN THE MOOD” RE-ISSUE DROPS IN MARCH ON LIMITED 180G COLORED VINYL.

The Brian Setzer Orchestra is a swing band formed in 1992 by Stray Cats frontman Brian Setzer. Their debut self titled album was released in 1994, and was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive An' Wail", which originally appeared on Prima's 1957 album The Wildest! and found themselves with a runaway hit! The album’s success led to a massive tour which ran from fall of 1998 through the summer of 1999, including a performance at the infamous Woodstock 1999. The Dirty Boogie’s success was capped off with a Grammy win for Brian’s version of “Sleepwalk” for Best Pop Instrumental in 1999. That would just be the first Grammy that Brian would bring home with the Orchestra.
 
With the success of the recent Guitar Slinger and The Dirty Boogie reissues from the Brian Setzer Orchestra we are now excited to announce for the first time on vinyl since 2000, Vavoom!. Remastered on 180g vinyl in two amazing Limited-Edition Colors. There are only 300 of The Americano and 700 of the Caravan Yellow. Vavoom! is the fourth release from the Brian Setzer Orchestra featuring “Pennsylvania 6-5000” and “Getting’ In the Mood”. Setzer uses his Rock-a-Billy style in league with some of the best standards from the big band era to produce some very cool finger snapping, get-up-and-dance
tunes.
 
Watch “Getting’ In the Mood” below.

Vavoom! continues Setzer’s interpretation of the swing era, and he has made classic songs of a bygone era accessible again to a new audience, with classics like “Mack The Knife”, and “Caravan” which won him a Grammy Award for Best Pop Instrumental Performance in 2001 for his arrangement.
 
Pre-order your copy of Vavoom! while supplies last:
https://www.dekoentertainment.com/thebriansetzerorchestra

For more information, visit
www.dekoentertainment.com/thebriansetzerorchestra
Deko Entertainment–Art Has Value

THE HALO EFFECT - new album 'March Of The Unheard' out NOW

The pioneers of melodic death metal are back, and they’re ready to redefine the genre they helped create. THE HALO EFFECT, a band formed by some of the most iconic names in the Gothenburg metal scene, today proudly announces the release of their highly anticipated new album, March Of The Unheard.

More than just a nod to their iconic roots, March Of The Unheard boldly announces that melodic death metal is still evolving. Thirty years after their members first propelled the Gothenburg sound to global prominence, THE HALO EFFECT proves there’s no shortage of fresh ideas and electrifying energy in the genre.

As a testemony of the album’s ferocity, THE HALO EFFECT has released a stunning video for the lead single 'What We Become'. A quintessential display of the Gothenburg sound, the track is a masterclass in melodic aggression, featuring razor-sharp guitar leads, driving percussion, and shout-along hooks that have kept metalheads enthralled for generations.

The video perfectly captures the song’s intensity and the band’s vision.

Frontman Mikael Stanne comments:”The wait is over! Our second album drops today and we could not be more proud of this one. The level of confidence, experience and love of the craft is beyond evident in these songs and to finally be able to share it with all you feels amazing. First up though, just to make sure that you get the album on day one, is our brand new video for the song 'What We Become'! This song is all about how our emotions can break us down and transform our very being through depression, self doubt and insecurity. 
The video which we shot in an ice cold barn in the middle of nowhere with director
Johan Carléngives the song the right kind of mystique and sense of being forgotten or silenced. Enjoy!”

Check out the video below.


Listen to the album on all platforms:https://thehaloeffect.bfan.link/motulp

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

The Chameleons 'Live at The Camden Palace' album - a unique double LP with Barcelona rarities

Just over four decades since launching their illustrious legacy and several years since original members Mark Burgess and Reg Smithies reformed the band, UK post-punk icons The Chameleons have enjoyed a brilliant 2024, involving the release of the 'Where Are You?' EP and 'Tomorrow Remember Yesterday' EP via Metropolis Records, as well as their massively successfu'Strange Times' tour.

In continued celebration of their larger than life presence, UK label Moochin' About Records has brought together two superb performances by The Chameleons in the album 'Live at The Camden Palace'.  With cover artwork designed by Reg Smithies, who designs all official Chameleons studio releases, this Limited Edition release features orange and blue splattered vinyl, along with a Bonus CD, two previously unreleased photos and a poster. At present, 200 copies of this album are available.

Regarded as one of the most underrated Manchester bands of the 1980s, The Chameleons epitomized the UK post-punk movement and captured the zeitgeist of those bleak times of northern industrial decline, channelling dissolution into music that wondrously sounded upifting and atmospheric.

Now deemed iconic, The Chameleons' November 1984 concert at London's The Camden Palace gets the deluxe vinyl treatment, having previously only available as an audio-visual release - as a VHS videotape in 1985 and then digitally on DVD in 2012.  Recorded as a special show for satellite TV broadcast, this iconic gig sees the band at the top of their game. Signifying the end of touring for 'The Script Of The Bridge' album, this performance happened just a few months before the band went into the studio to record 'What Does Anything Mean? Basically'.

With exceptional audio quality, this album also includes four bonus tracks from The Chameleons' 1985 Arsenal concert in Barcelona, which were originally broadcast on an independent Catalonian local TV channel. Appearing on Side 4 of this vinyl release, these rarities were recorded at the Arsenal gig for a show called 'Temps Estranys' (translation: Strange Times), who devoted an entire show to the band. Recorded at Discoteca 666 in Barcelona in June 1985, this show finally aired in January 1986.

A key player on the Manchester scene, The Chameleons formed in nearby Middleton in 1981, fated to become one of the most important UK bands of that era. Debuting with the 1982 single 'In Shreds', the band subsequently released several seminal albums, including - 'Script of the Bridge' (1983), 'What Does Anything Mean? Basically!’ (1984), 'Strange Times' (1986), and 'Why Call It Anything?' (2001).

The Chameleons have influenced several generations of indie and alternative rock bands, including The Stone Roses, The Charlatans, Smashing Pumpkins, The Flaming Lips, The Klllers, The Horrors, The National and Interpol. Oasis' Noel Gallagher has even cited the band as an influence, noting "I’d forgotten how much 'Strange Times' meant to me. It came out in ‘86. I was 19!! I’ve been listening to it every day since and I have to say it’s blown my mind.. again! It must have influenced my early years as a songwriter because I can hear ME in it everywhere!!"

The Chameleons 'Live at The Camden Palace' is out now exclusively on vinyl, and is available from Moochin' About Records directly via Bandcamp, as well as select UK-based physical music retailers.

CREDITS
Mark Burgess - Bass/Vocals
Reg Smithies - Guitar
Dave Fielding - Guitar
John Lever - Drums
Tony Skinkis - additional guitars on 'Splitting in Two'
Catalogue no. MOOCHIN33
Double LP on orange & blue splatter vinyl + bonus CD
Vinyl Dimensions ‏ :0.64x 31.32 x 31.01 cm; 548.85 g
Original artwork for this LP by Reg Smithies

Keep up with The Chameleons
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Dream-rock duo THE YETS 'Pinup Girl' debut album is out Now.

South Carolina alternative rock duo The Yets presents 'Enemy', the final single released ahead of their debut album 'Pinup Girl', out on February 7.  Revolving around internal conflict, self-destruction, and the battle against one’s own darker impulses, 'Enemy' wrestles with the destructive forces that lie within.

The Yets features the creative synergy of guitarist-producer Craig Anderson Snookand vocalist Robin Wilson, both based in Myrtle Beach.

"Realizing your greatest adversary is yourself presents something we all confront at some point.  The idea of being one’s “own worst enemy” is central; entrapment in a vicious cycle of self-sabotage and isolation," says Robin Wilson.

"Lyrically exploring the intoxicating allure of solitude, dancing alone symbolizes both freedom and self-deception.  Meanwhile, lurking in the background is the ever-present enemy within waiting to resurface, stronger perhaps than ever before.  Plagued by internal warfare forged of past fears and tendencies, corrosive thoughts haunt us even as we attempt to break free from our former selves, now feeling distant and ghost-like."

Despite the dark tone, there’s a sense of clarity emerging from the struggle.  Acknowledging what once haunted them no longer wields such power, a new spirit signifying growth and self-awareness evolves.  The darkness remains, but is now understood rather than feared in the struggle for self-liberation.  

The song flirts with the paradox of freedom and destruction, where overcoming internal demons becomes the path towards self-realization.  Themes of identity, inner strength, and transformation are woven throughout, with the final message being one of confronting, accepting, and ultimately moving beyond the internal chaos to a place we are no longer the “Enemy”.

As of January 8, 'Enemy' will be available from fine online music stores and streamable via Spotify. The full album, out February 7, can be obtained digitally or on CD directly via Bandcamp.

CREDITS
Written and performed by Craig Anderson Snook & Robin Wilson
© 2024 Craig Anderson Snook/Robin Wilson Snook (BMI)
Robin Wilson - vocals, other instruments
Craig Anderson Snook - guitars, other instruments
Recorded, mixed and produced by Craig Anderson Snook at 3’s in Myrtle Beach, SC
Mastered by Jay Matheson 
Videos created and produced by The Yets
Album and website art by Robin Wilson
Website design by The Yets
Band photos by Gordon & Jill Backman
Publicity by Shameless Promotion PR

DANHEIM Reissues First Two Classics

Reidar Olsen, the man behind DANHEIM, has been producing music all the way back to his teenage years. Focusing mostly on electronic music, it wasn't until 2016 that he fused his love for music production with his Danish roots. Loosely meaning 'Danish home', Danheim is the perfect pairing of old Norse mythology and ambient electronic music that recalls Brian Eno.

Last year, Danheim signed with Season of Mist. Today, he and his new label are returning to the first two albums that sparked his journey. Since they were first released in 2017, Munarvágr and Mannavegr have helped Danheim reach the digital milestone of a billion streams. Now, both albums are being reissued on CD and vinyl for the very first time.

The reissued versions of  Munarvágr & Mannavegr come out March 7th on Season of Mist.

Pre-order


https://redirect.season-of-mist.com/DanheimReissues
 

Munarvágr showcases thundering drums, subtle percussion and deep layers of chanting. The album immediately set the tone for Danheim, honoring old Nordic tradition in a majestic and fierce way.

Mannavegr is the album that first displayed Olsen's brilliance in the studio. The album transports you back to the time of Vikings, while staying rooted in the modern age. Crystal clear production heighten clicks, warhorns, droning synths and clever samples from nature.

Danheim is a Nordic folk/Viking inspired project from the Copenhagen-based Danish producer Reidar Schæfer Olsen, a man with 10 years of experience in electronic and ambient music – focusing on Nordic Folk and Viking age inspired music with a certain Nordic authenticity or mood. Danheim’s music is often composed of ideas and stories based on the darker side of the Viking period, inspired or consisting of Nordic Mythology, old Danish folklore, and a vivid imagination.

Danheim hit 1 billion streams across streaming platforms in 2022, has 585.000 subscribers on YouTube, with music featured in multiple seasons of the popular TV show Vikings.

Early information: Singer-songwriter Reidar Schæfer Olsen, (born in 1985, Brøndby, Denmark), transitioned to focus on music in the early 2000s and has been composing music almost continuously ever since, alongside doing radio shows and starting the indie label Fimbul Records.

With a passion for songwriting running through his veins from an early age, Reidar Olsen’s Viking-inspired music and dark melodies have broadened the Nordic folk genre and inspired millions of listeners around the world, bringing them back in time with a blend of his imagination and creativity.

“A deep connection to his Danish roots and heritage fueled his interest in the Nordic Folk/Viking genre, prompting the creation of Danheim and his indie label Fimbul Records.”

Ǽttartrú, a self-made Scandinavian belief system that reconnects oneself with their ancestors.

Danheim is:
Reidar Schæfer Olsen – Musician, Songwriter, Producer & Singer

Follow Danheim:
Official Website: https://danheimmusic.com/
Bandcamp: https://danheim.bandcamp.com/
YouTube: https://www.youtube.com/@Danheim
Facebook: https://www.facebook.com/DanheimMusic
Instagram: https://www.instagram.com/danheim_music/
Spotify: https://open.spotify.com/artist/1J1DiyVfll4d0cos64VSZb

The Veer Union Launch Into 2025 With "Welcome To Dystopia" Album

The Veer Union have launched into 2025 with the release of the their new album, “Welcome To Dystopia”.  The 8 song, apocalyptic themed album by the Vancouver BC, Canada based group includes previously released hit singles “Empirical”; “Is This How It Ends”, and the title track, which included a guest appearance by rising rockers Silent Theory.

 

The focus track for the LP is “No Excuse” which excoriates leaders around the world for leaving the poor, middle class and working class behind in an evolving world – in order to help the wealthy grow their net worth to obscene levels.  An ominous spoken word intro explodes into driving guitars, buoyed by a hypnotic piano and synth melody line that are propelled forward by thunderous drums with a chugging, relentless rhythm.

The Veer Union says “No Excuse’ is a powerful rallying cry that exposes the deep-rooted betrayal of the working class by those in power. For decades, our leaders have decimated the middle class by outsourcing our manufacturing base, leaving communities to struggle while the wealthy elite thrive. At the same time, governments have colluded with big tech to suppress dissent, using cancel culture and censorship as tools to control the narrative.

They continue “Endless wars have claimed countless innocent lives, torn nations apart, and yet, the only ones to benefit are those at the top. We’ve endured lockdowns, had our freedoms stripped away, and watched our futures grow uncertain. The dream of prosperity has been ripped from us, leaving today’s youth with little more than a dim outlook for a better tomorrow.  The rise of AI and robotics threatens to further control, weaponizing technology to erode autonomy.  But in this age of information, people are waking up exponentially to the reality of our situation—and they’re demanding accountability from those who’ve betrayed us. All hope is not lost… Yet."

About The Veer Union:

The Veer Union is a Vancouver, BC, Canada Hard Rock/Metal band that released their 1st album independently in 2006.  They landed a record deal with Universal Records USA in 2008 and garnered their 1st Top 10 Active Rock Radio Single with their critically acclaimed song “Seasons” in the US and Canada. Since then The Veer Union has amassed 360,000+ social media followers and has collectively sold over 225,000 Albums and has over 190 Million Streams Worldwide. They have achieved 12 Top 40 Singles on the Billboard Rock Radio Charts, and have 10+ million cumulative video views on Youtube.

 

Known for their dynamic live shows, TVU plays an average of 100 shows per year. They’ve toured with RED, Puddle Of Mudd, The Red Jumpsuit Apparatus, Hinder, Saliva and Alesana, among others.  A spring 2025 North American tour is in the works, with dates to be announced in the 1st quarter.

 

The Veer Union is:

Crispin Earl (Lead Vocals/Producer)

Ryan Ramsdell (Guitar)

Ricardo Viana (Drums)

 

**

For More Information, Contact:
Ed Bunker – NPM PR and Marketing
Ed@NPMPRandMarketing.com

PALEFACE SWISS Unleash Ambitious New Album 'Cursed' & Music Video For New Track "River Of Sorrows'

The wait is over. Switzerland’s reigning, defending heavy weight champions of emotionally charged Nu-Core brutality - Paleface Swiss - have dropped their highly anticipated and most ambitious album to date, ‘Cursed,’ today. To mark the occasion, the band has also released music video for brand new track, “River of Sorrows.” This deeply emotional track offers a powerful glimpse into the album’s dark and cathartic narrative Fans can stream 'Cursed' in full now HERE and can watch the music video for "River Of Sorrows" below.

Each track on ‘Cursed’ is represented by a flower with symbolic meaning, which when combined, form the “River of Sorrows” is paired with the Purple Hyacinth, a flower representing sorrow, regret, and forgiveness. “River of Sorrows” delivers a visceral exploration of the weight of sorrow, despair and helplessness caused from being trapped in an unhealthy relationship. The track’s lyrical vulnerability is matched by its crushing intensity, underscoring the unrelenting emotional journey of the album and cementing it as the band’s most ambitious and conceptually intricate work to date. 

Frontman Marc “Zelli” Zellweger explains,

“‘River of Sorrows’ is about the emotional weight of betrayal and the drowning feeling of being trapped in a one-sided connection. It’s heavy in every sense of the word—musically, lyrically, emotionally—and it’s a piece that feels deeply personal while also being universally relatable. We wanted to bring those feelings to life in a way that would truly resonate with listeners.” 

The band's upcoming third full-length, ‘Cursed’ is a masterclass in modern brutality and encapsulates two years of creative exploration and raw personal experiences for the Paleface Swiss members. The band retreated to the seclusion of the Canary Islands to craft this sonic juggernaut. Collaborating with Ron Steven Deris at Misueno Studios and with long-time collaborator Florent Salfati (Landmvrks) helping to add the finishing touches, their work culminated in an album that marries the band’s signature heaviness with intricate conceptual storytelling.

The first single from the album, “Hatred”, was released in September and was recently included in Loudwire’s coveted ‘Best Rock & Metal Songs of 2024’ list and nominated for “Angriest Song of The Year” in Nik Nocturnal’s popular annual awards. The track delivering the perfect blend of bombastic nu-core swagger, incendiary rapid fire vocals, thrash-inspired guitar solos and the pummeling rhythmic section the band have become globally renowned for. The band then threw fans a huge curveball with second single "My Blood on Your Hands", which was also nominated in the Nik Nocturnal Awards 2024 for ‘Best Animal Noise'. Third single, "Love Burns" was released in early December and set the internet ablaze with praise for the dynamic song writing displayed on the track along with the band's fearlessness when it comes to pushing themselves out of their sonic comfort zone and making bold choices that definitely pay off, balancing their signature heaviness with an emotionally charged narrative and new, expansive sonic elements. To date, the 3 previously released singles have run up 3,200,000 cross-platform streams and 659,000 YouTube video views.

Speaking about the release of 'Cursed' today, Paleface Swiss collectively share

“Cursed is the piece we’ve always wanted to create. We set out to craft a cohesive concept with our music, videos, and artwork and we're very proud of the outcome. The process of making this album has been therapeutic in ways we didn’t anticipate, and we’re beyond excited to finally share it with the world. We hope to see you at a show on our upcoming headline tours and have you sing these tracks with us”

The North American run of The Cursed Tour kicks off on March 20th in Detroit, MI and will see Paleface Swiss headline 30 shows across the country hitting major cities including New York, Los Angeles, and Toronto with special guests Stick To Your Guns and Nasty. Tickets and full routing can be found HERE

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered and rapidly rising forces in the world of modern metal today. With ‘Cursed’, Paleface Swissare ready to take listeners into their darkest, most intricate and artistically diverse chapter yet, combining their trademark deathcore heaviness with raw vulnerability, a rare and special combination for a band within their genre. With a brand new album, an ever-growing army of devoted fans, critical acclaim, sold-out headline shows and stellar festival performances garnering new fans wherever they go, Paleface Swiss have their sights firmly set total, global domination. Stay tuned, buckle up and kick back for the ride.

ABOUT PALEFACE SWISS

Since the release of their first album, 'Chapter 3: The Last Selection', independent outfit, PALEFACE SWISS have gained international recognition throughout the Deathcore and Beatdown Community. Known for their huge, aggressive riffs, brutally bombastic rhythm section, frontman, Zelli's outstanding vocals and a pinch of humor. This is Switzerland’s finest heavy music. Across their catalog, the band have gained 110 million streams, 21 million YouTube views on their own channel, and recently peaked at 1 million Spotify monthly listeners.

Chapter 3: The Last Selection’ was released on October 30th 2020, spawning four huge tracks “Curse Us”, “The Rats”, "Lights Out" and “Skalpell” which quickly ranked high in the beatdown/hardcore charts and saw the band become cover stars on Spotify’s Heavy Beatdown playlist.

In 2022 the band released their second full-length album 'Fear & Dagger'. The album was widely considered a huge step up for the band as plaudits began to roll in for frontman Zelli's vocal ability and the band's unflinching commitment to never shy away from brutally heavy riffs, face-melting technically insane guitar solos, punishing beatdowns or from facing difficult, emotional topics head on. Metal Injectionaccurately summed it up in their review by saying, "It's fun to get caught up in Paleface's unrelenting instrumentals, but Zelli's really the star of Paleface. This is largely because he treats his screams like rap bars." New Transcendence stating "Paleface have created one of the most emotionally relevant and intriguing beatdown releases to date" and Wall of Sound calling it "an unashamedly brutal and angry album".

The album shot the band into the upper echelons of the "New Wave Of Deathcore" and spawned singles "The Orphan", "Deathtouch", "Dead Man's Diary" feat. LANDMVRKS frontman Florent Salfati and fan favourite and stylistic curveball, "My Grave / Lay with Me". The album focused on more mature and critical topics related to the fears and struggles young people have to contend with in the 21st century, most importantly, the topic of mental health.

The ensuing 2 years saw the band's popularity sky-rocket. Honing their craft in the live arena, the band rapidly jumped from strength to strength, creating what is now one of the most thrilling and impactful live shows in modern metal. Their ability to win over any crowd, wether it be their own headline shows, touring the US with the likes of Body Snatcher or The Ghost Inside, touring the UK with the likes of Counterparts and Kublai Khan or at globally renowned festivals such as Sick New World, Hellfest Open Air, Summer Breeze, Cabaret Vert, Dynamo Metal Festival and more, one thing is for sure, Paleface Swiss will turn an audience into fans by the time they're done at every show they play.

To support their largely sold-out touring efforts, the band released a series of stand alone singles, "Best: Before Death" - now a staple and firm fan favourite in their live set list, "Please End Me" and "The Gallow".

Now, with the impending release of their third full-length album, 'Cursed', Paleface Swiss are set to write the next chapter or their incredible, epic journey as they reveal their most thematically and sonically ambitious album to date. Never pulling punches when it comes to heaviness, technicality or emotional vulnerability, Paleface Swiss are rewriting the rulebook on what it means to be an extreme metal band.

PALEFACE SWISS Are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma



Find Paleface Online 

www.palefaceswiss.com

Manchester's INCA BABIES share a multi-storied ninth album 'Ghost Mechanic Nine' & rock doc

Manchester post-punk trio Inca Babies have released the album 'Ghost Mechanic Nine' via Black Lagoon Records, their first record in three years (after ‘Swamp Street Soul’), continuing their explosive exploration of goth, punk and death-rock jazz-blues, while paying tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.

They also share a fun documentary on the journey from their formation in 1983 in the now-legendary deck-access flats of Hulme in Manchester to where they are today - on their ninth studio record. Designed as executive ‘cities in the sky’, these homes quickly became cockroach-infested slums inhabited by students, artists and druggies. Dubbed them "the Hulme Cramps" for their Gothabilly twang by writer CP Lee, their 1984 debut single 'Interior' presented an unusual sound for Manchester - a departure from Joy Division, Buzzcocks, The Fall and The Smiths, but with a nod to their influences,

Incas frontman Harry Stafford (guitar, keys, vocals) revisits the raw guitar sounds of the band's 80s output, joined by Rob Haynes (drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet).

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and releasing a further six singles and four albums in the next five years, all entering the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year. The band reformed in 2007 and hasn't looked back since.

Driving for the sake of it driving to escape. Headlights in the dark: red and blue dash lights; wondering why anyone but you is driving this late. The ghost on the highway, the grease-ball mechanic who says you’ll keep going for miles and miles. It’s number 9, the ninth Inca’s album the first of nine songs on the album. The rush of energy from the first track sets the tone for the rest of the album.

The Incas most recently shared the single ‘Ghost Mechanic 9’, a driving guitar blast, whose powerful sound recalls the Incas' early music. With its singular hypnotic bass rhythm, it could have fit neatly on their 1986 album ‘Opium Den’. Earlier, they released 'Spacewalk', a timeless Rockabilly groove inspired by Link Wray, Alan Vega and Brian Setzer (set to a Sci-Fi space opera), together with its B-side 'Monster In The Deep'.

With Simon ‘Ding’ Archer (The Fall, PJ Harvey) at the controls, this album's production offers an analogue, yet contemporary, zing to the production. Recorded at 6Db Studios in Salford, Archer and Stafford recorded and mixed this album over two years, with 'Ding' also contributing sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.

These darkly invigorating tunes visits a similar place as where Inca Babies got their start with raw and spiky psychobilly trash rock, reconnecting with their roots, where The Gun Club and The Cramps met - the very intersection where Inca Babies found their most passionate and loyal following. ‘Insect Symphony’ is a Stooges lead-riff tribute to all those bands that are no longer with us. The inclusion of a longer and remixed version of the fan favourite ‘Opium Den’, now called ‘Opium Dub’, is a masterful example of Archer's sonic dexterity at the dub controls.


Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

'Ghost Mechanic Nine' is available everywhere, including SpotifyApple Music and Bandcamp. Also released on vinyl and digitally, it can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Keep up with Inca Babies
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South Carolina's THE YETS share providential single "3's" with superb video, previewing debut album

South Carolina-based alternative rock outfit The Yets presents their new single "3's", an evocative, haunting song that recounts the story of a circus performer teetering on a highwire, using her precarious balance as a powerful metaphor for the challenges of life.

Previewing their debut album 'Pinup Girl', to be released in February, this new single arrives on the trail of the reverie-laden lead track, 'Define The Man'.  Both offerings showcase their evolution as artists, blending modern and classic rock elements to create music that feels both fresh and timeless. 

Based in Myrtle Beach, The Yets features the creative synergy of guitarist-producer Craig Anderson Snook and vocalist Robin Wilson, both natives of the state. Their collaboration fuses Craig’s dynamic guitar work and production expertise with Robin’s rich, emotive vocals, resulting in a sound that is both powerful and distinctive.  Further highlighted by their multi-instrumental performance abilities, The Yets have developed a sound which is truly their own.  From composing to performing to production, Craig and Robin are a “duo” in the most genuine sense of the word.

As the song "3's" unfolds, the lyrics become a vivid illustration of her life as a performer – each line reflecting the beauty and danger of her art.  The imagery of the high wire evokes a sense of tension and vulnerability, symbolizing the constant struggle to maintain balance amidst the ups and downs of humanity.  She reflects on the thrill of the spotlight and the applause that once filled the air, eerily acknowledging the solitude that accompanies the act.  

The chorus introduces the central theme of “3’s”, capturing the idea that life’s challenges often come in waves-trinity, calamity, and the search for serenity amidst it all.  Her realization that no one can save her from herself metaphorically deepens as she ponders the illusion of control and the fragility of her existence. Ultimately, the performer recognizes the beauty of her struggles yet understands she must face them alone.  Capturing the essence of resilience and the complexity of life, the song leaves its listeners with a sense of empathy and introspection, as they traverse high wires of their own.  

"Life is a three-ring circus, where ego and pride take center-stage, performing illusions of perfection until the act unravels, revealing the calamity beneath. This song captures the tension between the false perfection of the ego and the inevitable unraveling of that facade, and also explores the discord between the constructed self-image and the underlying truth of human vulnerability," says Robin Wilson.

Craig Anderson Snook adds, "This song took on new dimensions for me when we did the video.  Robin's theme evolved into images that conjured even more "3's" in my mind ... earth, fire, sky ... birth, death, afterlife... body, soul, spirit ... the list could go on.  Musically, it crosses a few interesting borders from doom, to joy, to mystery; in sound."

In 2022, The Yets made their debut with a critically acclaimed eponymous EP, praised for its melodic sophistication and emotional resonance. They are now releasing their full-length album, "Pinup Girl", which showcases their evolution as artists, blending modern and classic rock elements to create a sound that feels both fresh and timeless.  Their music is marked by lush, atmospheric instrumentation, soulful melodies, and a seamless fusion of modern and classic rock influences, establishing The Yets as a distinctive presence in the alternative rock scene.

Craig Anderson Snook, who played guitar for several popular bands in the 1980s, such as Gross Negligence, brings decades of musical experience to the duo.  Robin, well known for her extensive touring with rock groups Skirt and  Bachelors of Art (B.O.A.), adds depth and passion to their music. Craig’s intricate compositions provide the perfect backdrop for Robin’s voice to soar, creating immersive and atmospheric landscapes that push the boundaries of alternative rock.

As of November 19, the "3's" single will be available fine online music stores and streamable via Spotify. The full album, out February 7, can be obtained digitally or on CD directly from the band via Bandcamp.

CREDITS
Written and performed by Craig Anderson Snook & Robin Wilson
© 2024 Craig Anderson Snook/Robin Wilson Snook (BMI)
Robin Wilson - vocals, other instruments
Craig Anderson Snook - guitars, other instruments
Recorded, mixed and produced by Craig Anderson Snook at 3’s in Myrtle Beach, SC
Mastered by Jay Matheson 
Videos created and produced by The Yets
Album and website art by Robin Wilson
Website design by The Yets
Band photos by Gordon & Jill Backman
Publicity by Shameless Promotion PR

Keep up with The Yets
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MOLOTOV SOLUTION Unleash Third & Final Chapter of Music Video Trilogy; “The Golden Tower”

Las Vegas deathcore titans Molotov Solution have released brand new track "The Golden Tower" . The new single marks the climactic finale to the terrifying music video trilogy, made in partnership with Versa Films, that has heralded their return from a decade long hiatus. Clocking in at five minutes and 30 seconds, the new opus brings the band's most progressive and ambitious composition yet, serving as a thunderous conclusion to a series that began with the unrelenting “Devour the Children” and continued with the crushing “Mortis Imperium", delivering a visual and sonic experience that explores themes of ultimate power, greed, and the inevitable collapse of societal structures. Fans can stream "Golden Tower" HERE and watch the music video below.

Speaking on the track, frontman Nick Arthur shares: 

“‘The Golden Tower’ is the grand conclusion to our music video trilogy in partnership with Versa Films. It explores themes of ultimate power, greed, and the inevitable collapse of societal structures. This track stands apart from the visceral intensity of ‘Devour the Children’ and the relentless weight of ‘Mortis Imperium,’ introducing an epic, apocalyptic tone that reflects humanity's final descent. ‘The Golden Tower’ can be viewed as the most progressive song we’ve ever written, with dynamic compositions and sweeping heaviness that evoke the scale and inevitability of downfall. It is an emotional rollercoaster and a fittingly climactic end to the trilogy.”

Lyrically, “Golden Tower” delivers a stark reflection on humanity’s fragility, blending vivid storytelling with the band’s signature intensity. Lines such as “The tower sees all, it was built on lies / Golden bricks of deception, billions of eyes” expose the greed-driven, corruptively deceitful structures of modern society, while the track’s apocalyptic tone and dynamic compositions immerse listeners in the impending doom of societal collapse. Arguably the most ambitious of the three singles the band has released since their return, 'The Golden Tower' expands the boundaries of deathcore while staying rooted in the band’s unflinchingly veracious, politically charged ethos, giving fans a powerful statement that continues the band’s tradition of marrying relentless heaviness with thought-provoking themes.

This year has marked a triumphant return for Molotov Solution after a decade-long hiatus, with the trilogy of singles embodying the band’s renewed fire and uncompromising message: 

- “Devour the Children”: A brutal exploration of sacrifice and betrayal, inspired by Goya’s Saturn Devouring His Son. 

- “Mortis Imperium”: A cold, unrelenting take on systemic exploitation and the cycles of oppression. 

- “Golden Tower”: The apocalyptic conclusion, bringing a progressive and cinematic edge to their signature sound. 

Experience the final episode of Molotov Solution’s ambitious, cinematic music video trilogy as they deliver expansive sonic and visual world building that once again shatters the boundaries of heavy music and confronts the darkest aspects of humanity. Be ready for more coming in 2025.

Photo Credit: Mike Elliot

ABOUT MOLOTOV SOLUTION

Molotov Solution returns in 2024, reawakened after a decade of silence with a renewed fire and an uncompromising vision. Known for their politically charged, ferociously heavy sound, the Las Vegas-based band is ready to reclaim their position at the forefront of extreme music. With a legacy built on confronting societal corruption, power struggles, and injustice, their return is a statement: the fight isn't over, and neither are they.

Molotov Solution’s 2011 album, Insurrection, is widely regarded as one of the most influential deathcore releases of its time,

shaping the genre for years to come. Sadly, the band went on indefinite hiatus after its release leaving a huge influence but a

gaping hole in deathcore genre. On November 1st, 204 they emerged from a decade-long hiatus with their powerful new single, “Devour The Children” a brutal and rageful statement of intent heralding the band's timely resurrection. Known for their fearless approach to exposing corruption and power struggles through their music, Molotov Solution’s voice is more vital than ever, delivering an unflinching soundtrack to the turbulent times we face with the fierce intent to challenge and resist.

 

Molotov Solution has always been more than just a deathcore band. They are a voice for those who resist, a sonic assault against the systems that oppress. As they step into this new chapter, they carry with them the same relentless energy that defined their past but with a sharpened edge and a deeper urgency. In a world that seems more chaotic and fractured than ever, their music is not just relevant—it is essential.

 

Fans can expect new music that continues to challenge listeners, both sonically and lyrically. Their signature blend of heavy, gut-punching riffs and politically infused messages will drive their upcoming releases, which promise to be as intense and confrontational as ever. 

 

With new music and renewed determination, Molotov Solution are ready to unleash a new era of heavy music that will resonate with old fans and new alike.

SPIRITS BURNING LED BY DON FALCONE AND FEATURING HAWKWIND FAMILY MEMBERS RELEASE LIVE AT KOZFEST

Spirits Burning is a music collective led by Don Falcone. The band celebrate space, prog, new music, and other genres, and have included input from family members of Blue Öyster Cult, Clearlight, Gong, Hawkwind, Van der Graaf Generator, and many other groups, as well as Porcupine Tree’s Steven Wilson and British science fiction and fantasy writer Michael Moorcock. Spirits Burning have released 20 albums, featuring almost 300 musicians.

In 2017, Spirits Burning performed live in England at Kozfest. The line-up: Hawkwind family members Richard Chadwick (drums, vocals), Bridget Wishart (vocals, EWI), and Steve Bemand (guitar, vocals), plus Don Falcone (keyboards, vocals), Kev Ellis (Kaoss Pad, vocals), Martin Plumley (guitar, vocals), and Colin Kafka (bass). This was a rare live show, as Spirits Burning have historically been a studio project. With musicians, located across the world from the U.S. to Europe to Russia to Japan, live shows had never been considered, making this a monumental release for the band.

As Falcone explains, “Our first live album! It captures our journey through the Spirits Burning catalog. Launching with a three-song suite with Bridget on lead and EWI and her Chumley Warner Bros partner Martin Plumley on acoustic guitar – the rest of the band providing a weaving space rock landscape. Then two rockers with me on lead vocals, followed by two driving instrumentals that showcase our rhythm section of Richard, Colin and Steve, along with some fiery guitar solos by Steve. Next is a song with Kev on lead vocals, then our cover of ‘Images,’ a song that Bridget, Richard, and Steve performed with Hawkwind on an early Nineties tour. The set concludes with two vocal songs with Kev and Bridget sharing the mic. The album includes two bonus studio tracks, songs that we performed three nights earlier in Bath, and which we didn’t have time for at Kozfest. The full story of our gig and the year leading up to it is covered in a book I’ve written – ‘One Of The Spirits Burning (A Musical Memoir)’ – coming from Stairway Press in 2025.”

This release captures the band in a unique setting and covering tracks from throughout the bands career. A must have for all Spirits Burning and fans of Prog Rock.

Get your CD here: https://www.dekoentertainment.com/inthesquare/spirits-burning

For more information, visit
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Deko Entertainment–Art Has Value

Legendary Rockers BLUE ÖYSTER CULT Share Live Performance Video for "I Love The Night"

BLUE ÖYSTER CULT is celebrating the release of '50th Anniversary Live – Third Night,' the final installment of the live album celebrating the band’s 50th Anniversary.

In September of 2022, BLUE ÖYSTER CULT enthralled fans with a unique trilogy of sold-out shows, each dedicated to one of their first three albums. Founding member Albert Bouchard made a special appearance on all three nights, adding a nostalgic touch to the historic milestone.

For nearly three hours each night, the band delivered a spellbinding set, weaving through the entirety of their now-classic initial trilogy of albums and treating fans to a mix of favorites, deep cuts, and classic hits. The atmosphere was electric, and Frontiers Music captured the magic, releasing each night as a special individual package.

This electrifying performance, which includes the band’s third album 'Secret Treaties' performed back-to-back, hits shelves TODAY and promises to be a spectacular follow-up to the band's historic three-night stint at Sony Hall in NYC.

To help roll out the album's release, BLUE ÖYSTER CULT shares a new live performance video for "I Love The Night."

Watch the Live Performance Video for "I Love The Night" below.

BLUE ÖYSTER CULT's legacy spans over five decades, captivating fans with intelligent hard rock loaded with classic songs. Hailing from Long Island, NY, the band is renowned in the hard rock and heavy metal scene for their pioneering work, earning both critical acclaim and commercial success.

Cited as a major influence by acts like Metallica, BLUE ÖYSTER CULT boasts a timeless catalog, including iconic tracks like "(Don’t Fear) The Reaper," "Godzilla," and "Burnin’ for You." The creative vision of the original core duo, Donald “Buck Dharma” Roeser and Eric Bloom, is complemented by Richie Castellano, Danny Miranda, and Jules Radino, forming a powerhouse lineup.

As the band embraces its status as a 'classic rock' phenomenon, they continue to create vibrant work, offering a refreshing alternative to mainstream trends. With a relentless touring schedule and the critically acclaimed album 'THE SYMBOL REMAINS' released in 2020, BLUE ÖYSTER CULT remains an enduring force, ready to ignite the stage once

again with the upcoming release of '50th Anniversary Live – Third Night' on Frontiers Music Srl.

Order '50th Anniversary Live - Third Night' HERE

These live releases follow ‘Ghost Stories’ - a captivating collection of reimagined and completed songs from 1978 to 2016. These musical treasures, long considered the 'lost gems' by BLUE ÖYSTER CULT enthusiasts, were originally recorded between 1978 and 1983, except for one track from 2016, "If I Fell." Some material is from workshopping albums, some from performance rehearsals, and all were recorded once in the hopes that someday they'd see the light of day.

 

George Geranios, the band's original audio engineer and an integral part of the band's golden years produced the tracks along with BÖC and all were originally recorded on reel-to-reel analog tape. He transferred them to digital audio which is when modern AI and magical musical talents meet and the collection of vintage multi-track recordings was de-mixed, re-mixed, and produced by Steve Schenck and Richie Castellano to become 'Ghost Stories.' 

Richie Castellano completed work in the studio for the album along with remaining original members Eric Bloom and Donald “Buck Dharma” Roeser and both Albert Bouchard and Rick Downey appear on drums with additional overdubs recorded by Joe Bouchard. All these original lineup members appearing on 'Ghost Stories,' create a musical journey that traverses decades and promises easter eggs for days.

 

'Ghost Stories' celebrates the recording legacy of one of rock’s most iconic fixtures from the past 50 years.

Order 'Ghost Stories' HERE

STORACE 'Live And Let Live' Album Reissue - Special Edition with Bonus Live Album Out NOW via Frontiers Music Srl

Swiss rock legend Marc Storace’s own band, STORACE, announce the release of the album reissue of their first record 'Live And Let Live', in a special edition including a bonus live album, out now via Frontiers Music Srl.

The focus track, “Midnite Maniac” and the accompanying visualizer, are also available now.

Marc Storace describes the new single, by saying:

“'Midnite Maniac' is a popular Krokus song from the 80’s that Krokus never play! It came off 'The Blitz' album. Back in the 80’s, MTV had the video on full rotation! It talks about a female serial killer.”

Talking about the album release, Storace comments:

 Krokus had stopped to exist because of Covid and no one really knew what the outcome of the pandemic would be, so not wasting time I started working on a solo album! 'Live And Let Live' is rich in melodic vocals, colourful riffs, great guitar solos, many hooks and a solid driving rhythm section!!”

Watch the Music Video for "Midnite Maniac" below.

On the bonus album, Marc Storace notes:

“During the past three intensive years playing throughout Switzerland we recorded many gigs and the live album features the best of the crop, highlighting songs we recorded during hot performances in Zürich’s Hallenstadion as special guests of KISS, and The Scorpions, and whilst sharing the famous 'Rock The Ring Festival' stage with Alice Cooper and his notorious band."

 

“Included on the setlist are songs from Krokus which we never play, like 'Midnite Maniac' and 'To The Top'; also a beefed up version of 'Telephone Man' from my late seventies London band Eazy Money, he continues.

'Live And Let Live' is STORACE’s first official solo album. It was recorded during the 2021 lockdown of the Covid pandemic and was produced by Cyrill Camenzind and Massimo Buonanno at Powerplay Studios, near Zürich.

 

Cyrill, Massi, and Marc composed some of the songs together, and they played on the album which also features the talented musicians Marco Blöchlinger on bass, Christian Roffler on keys, Jean Pierre Von Dach on lead guitar, and Gee K, Micha Dettwyler and Céline Haleson backing vocals.

'Live And Let Live' was officially released in Switzerland on December 18, 2021, during a gig at the legendary Music-Club outside Bern called the “Mühle Hunziken." It was performed by the studio band, all except J.P. Von Dach, who had been replaced by Turi Wicki due to his heavy touring commitments with Joss Stone.

Order 'Live And Let Live' HERE

STORACE are:

Marc Storace - Vocals

Dom Favez – Rhythm Guitar

Serge Christen – Lead Guitar

Patrick Aeby - Drums

Emi Meyer – Bass

 

Produced by: Tommy Henriksen

The Nomadic Release Two New Singles, "The Absolution" and "Marie Antoinette"; New Record Drops December 12th! ​      

Following on from the release of their first singles "Treading Water", "All Changed", "First Light", "Don’t Give Up on Your Dreams", "Hearts and Minds" and "Revolution", The Nomadic has released two new singles. "The Absolution" and "Marie Antoinette" from their sophomore album New Horizons out now all all major platforms!

 

Singer Songwriter Rob Gaylard relocated home to Sydney Australia in February 2022 after 5 years as a regular feature of the New York City indie rock scene and recorded New Horizons with Dan Frizza in Sydney at Forbes Studios.

 

"The Absolution is a song about love, loss, forgiveness and recovery.. It is for sure a nod to The Boss himself, aka Bruce Springsteen, and is heavily influenced by my time in Afghanistan, and in particular the mental health issues caused by America’s troop surge in 2009. It was and is a time of great personal loss, and for many Afghan and US families. It is also heavily inspired by the case of Beau Bergdahl who was held captive from 2009-2014," says Rob Gaylard.

 

About the new release "Marie Antoinette", Rob adds, “It’s incredibly exciting to be releasing Marie Antoinette today! It feels like the culmination of a long journey, from the initial conception of the songs to the development and creation of the final product in the studio, mixing and mastering! Combine that with the emotional experience of going through some rough times and coming out the other side to see some New Horizons – overall It’s been a bit of a marathon!”

 

The Nomadic is the best of Aussie rock talent, with Miles Thomas (Lior, Ronan Keating, Montaigne)on drums, Oliver Thorpe (The Whitlams, Matt Corby, Meg Mac) on guitar, and Brendan Clark (Meg Mac, Montaigne, Jack River) on bass. Dan Frizza as producer lends the kind of magic touch that has seen him enrich the work of the likes of Tones & I, King Princess, and Gurrumul.

Australian guitarist and singer/songwriter Robert Gaylard brings a unique perspective and vision when it comes to creating music. His inspiration and passion for starting The Nomadic began early on as a child after traveling to many countries like Myanmar (formerly Burma), Singapore and the Solomon Islands. His “nomadic” lifestyle continued on into his adulthood when he began to work for the United Nations in various countries such as: Kenya, Somalia, the Sudan, Afghanistan, Indonesia, Israel and Palestine. His travels eventually brought him to New York in September of 2012 and motivated him to pursue his songwriting by establishing an indie rock band.

 

Influenced by artists like Oasis, Radiohead, The Verve, Bruce Springsteen, Phosphorescent, The War on Drugs, Arizona and The 1975, The Nomadic produces a sound genre like no other as alternative rock meets blues with hints of Americana and pop.

 

Having been originally influenced by numerous cultures and ways of life, The Nomadic promotes and advocates for issues of social action and innovation, human rights, support for minorities, as well as doing the next right thing, including the idea that it is never too late, including for people to follow their dreams and passions.

 

The Nomadic is:
Rob Gaylard/Singer songwriter
Dan Frizza/ producer/ keyboards
Miles Thomas/ Drums
Oli Thorpe/ lead guitar
Brendan Clark/ Bass

 

For More Information Please Visit:

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CRASH HARMONY rewinds the clock on 'Nobody Asked for This' LP, resurrecting the spirit of 80s' Yale rock

In the flurry that has erupted for NYC indie rock outfit Crash Harmony surrounding the release of their debut full-length album 'Nobody Asked For This' 30+ years on from initially forming, the quartet share their short but impactful mini-doc album trailer, filmed at Magic Door Recording in Montclair, NJ - the very studio where they recorded this long-awaited release.

Crash Harmony is made up of Dave Derby (vocals, guitars), Mike Potenza (guitars, keyboards, vocals), Jon Nighswander (bass, vocals), and Nils Nadeau (drums, percussion, vocals). Formed in 1986 in New Haven, CT while attending Yale University, the band played their last gig in May 1988. They hadn’t played together again until 2022 - a reunion that would see them rekindle the spirit of their college days and set their minds to finally releasing their earlier material.

Dave went on to The Dambuilders (and then Gramercy Arms), Mike served on The Anderson Council, Jon left for Europe, and Nils wandered north. But no matter where they went, Crash Harmony still kind of mattered. Eventually, they had to come back. They had to return to that place so, decades later, Crash Harmony reformed to make a new record of old songs - a rock-and-roll reenactment of the New Haven scene that changed them forever.

Exemplifying the 10 tracks on this record are the singles 'Velour Goddess' and 'Orange Background', the latter of which Nils Nadeau describes as "a letter from our college selves to our grown selves and also, in a way, from Generation X to what we have now in the world".

Now available on vinyl and digitally via Magic Door Record Label, this album was mixed and mastered by renowned producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna). Recorded by Ketchem and Dave Derby in NYC, Ketchem produced it together with Crash Harmony.  

Yale rock - an oxymoron too good to be dismissed, meeting as undergraduates swept up in the current of something more exciting than college – a New Haven music scene that was real. While college was for figuring out what you wanted to be, college rock was for figuring out what you wanted to sound like. Crash Harmony was absorbing everything, and trying it all on for size at house parties, frat houses, and clubs throughout New England.

Like their name, the record is an orchestrated pileup of long-ago influences that collided in the chambers of their broken young hearts and have again wriggled free from their throats and amps, pop gems humming like cicadas and dancing for the pure joy of being alive again.

If you were fortunate enough to ever be part of a vibrant music scene, then you know how intoxicating, how important, how finally cool you felt to live on this newly discovered planet. It was pulsing with energy and possibility, teeming with talent and artists and then, the jaw drop of realizing your planet was actually part of an entire galaxy of scenes vibrating around the country. A truth revealed that rock legends were not just the leather-pantsed strutters on the national stage but dishwashing oddballs strumming in your neighbor's backyard - heroes you could actually meet, try to impress, emulate and maybe one day open for, if dreams could come true. And, for Crash Harmony, they did for a while.

Crash Harmony is fortunate to get a second wind - then, as now, experiencing the exhilaration of being part of a vibrant music scene and that sense of belonging, that excitement and the possibilities that come from being surrounded by talented musicians. The realization that local scenes are connected to a larger musical universe, where rock legends could be found in unexpected places. This allure and inspiration and, ultimately, the realization of one's youthful dreams are all drivers. For Crash Harmony, these dreams have finally became a reality.

'Nobody Asked for This' is out now on vinyl and digitally on all platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
Dave Derby - vocals, guitars
Mike Potenza - guitars, keyboards, vocals
Jon Nighswander - bass, vocals
Nils Nadeau - drums, percussion, vocals
Guests:
Mike Schreiber - organ
Peter Hess - saxophone
Ray Ketchem - percussion
Produced by Ray Ketchem and Crash Harmony
Recorded by Ray Ketchem at Magic Door Studios in Montclair, NJ
and Dave Derby at Missile Shells Sound Studios in NYC
Mixed & mastered by Ray Ketchem
All songs written by Crash Harmony
except 'Dancing With Joan' written by Dave Derby and Eric Masunaga
All songs ASCAP / BMI
Artist photos and single cover artwork by Jon Drake
Released by Magic Door Record Label
Publicity by Shameless Promotion PR
Video directed & filmed by Dan Karlok at Magic Door Recording

Keep up with Crash Harmony
Website | Bandcamp | Facebook | Instagram | Twitter | Apple Music | Spotify | Press contact

Keep up with Magic Door Record Label
Facebook | Twitter | Instagram  | Soundcloud | YouTube | Press contact

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CRUCIFICTION Share "Will to Power" Video + Announce First-Ever Tour

CRUCIFICTION, the new br00tal deathcore band featuring Bloodbather's Salem Vex, dropped their debut album Will to Power, inspired by the raw materials with which nightmares are made, earlier this year via Rise Records. Get it here.

Today, the band shares the video for the title track. Watch it on YouTube .

Frenetic visuals mix performance footage with further occult themes. The video will chill both your blood and your bones — just like the song. 

In other Crucifiction news, the band will embark on its first-ever tour this winter, supporting GHØSTKID and Hawk. All dates are below.

CRUCIFICTION ON TOUR:
WITH GHØSTKID + HAWK:

1/28 — Orlando, FL — Conduit
1/29 — Columbia, SC — New Brooklyn Tavern
1/30 — Baltimore, MD — Metro Gallery
1/31 — Brooklyn, NY — The Meadows
2/1 — Lancaster, PA — The Champ
2/2 — Pittsburgh, PA — Preserving Underground
2/4 — Columbus, OH — Ace Of Cups
2/5 — Nashville, TN — The End
2/6 — Asheville, NC — Eulogy
2/7 — Atlanta, GA — The Masquerade (Purgatory)

TAK MATSUMOTO GROUP New Album 'TMG II' OUT NOW via Frontiers Music Srl

TAK MATSUMOTO GROUP (TMG), the internationally acclaimed project formed by guitar virtuoso Tak Matsumoto, returns with the new album 'TMG II,' out now via Frontiers Music Srl.

 

After a 20-year hiatus, TMG returns with original members Tak Matsumoto (guitarist and member of the Japanese rock superstars B’z), Jack Blades (Night Ranger), and Eric Martin(Mr. Big), reigniting the powerhouse trio’s signature rock sound. Originally launched in 2004, TMG wowed fans worldwide with their unique fusion of hard-hitting rock and oriental influences. Now, after two decades, they’re set to do it all again.

Tak Matsumoto explains how the project came to life:

“Twenty-one years ago, I met Jack and Eric at The Fillmore in San Francisco. I suggested we collaborate, and that’s how TMG was born. We came together in LA to write our first single, 'OH JAPAN', which sparked the creation of our debut album, 'TMG I', and an incredible tour throughout Japan, ending with a memorable performance at the Budokan. Though we’ve stayed in touch, life pulled us in different directions, and two decades slipped by. In 2022, I reached out with a proposal to reunite.

“Now, in 2024, TMG has completed our latest album, 'TMG II,' featuring the talented drummer Matt Sorum. We’re excited to share this album, a blend of Japanese and American musical sensibilities. We hope you enjoy it!”, adds Matsumoto.

Buy / Listen to 'TMG II' HERE

About the new album, Jack Blades comments:

“'TMG ll' has a fresh and alive feel born out of the friendship and camaraderie that Tak, Ericand I share with each other. Throw in a healthy dose of my good buddy Matt Sorum on drums and you have a hell of a recipe for some seriously kick ass rock n roll. The songs tell the stories, the music rocks the soul, and woven throughout the fabric is the amazing guitar playing of Tak Matsumoto---a true “Guitar Hero”. Enjoy the ride!”

“I was the singer of the Tak Matsumoto group in 2004. We had an incredible experience, writing / recording a heavy melodic hard rock state of the art sounding record that went platinum, sold out tour all over Japan, It was perfect timing and one of the biggest highlights of my life”, states Eric Martin.

Tak Matsumoto is the guitarist, main composer, producer of B’z!, the best music selling Rock act in Japan! So here we are, 20 years later… This time we have powerhouse drummer Matt Sorum from Guns & Roses /Velvet Revolver/ The Cult and B’z support guitarist / chorus Yukihide ‘YT’ Takiyama to round out the group”, continues Martin. “'TMG ll' has got a Japanese / American rock feel to it and it’s badass. We are on tour right now in Japan and killing it. I am hanging with the coolest musicians on the planet… Life is good. The record… is really good!”

Tak Matsumoto originally formed TMG in 2004, bringing together rock legends Eric Martinand Jack Blades. Their debut album, 'TMG I,' was a smash hit, topping the Oricon National Chart and spawning the single “Oh Japan – Our Time Is Now”, which became a theme song for Japanese television.

The group embarked on a sold-out tour across Japan, culminating in a legendary finale at the Nippon Budokan. TMG’s blend of Eastern and Western rock influences resonated with fans and critics alike, making them a force to be reckoned with in the world of hard rock.

This new work not only features Matsumoto's solid and delicate guitar playing, but also Eric Martin's vocals, which emotionally sing fantastic melodies, and Jack Blades' bass lines, which aggressively liven up the song.

Listening to the album, the fans have the impression that the past 20 years, in which each member has continued to be active, was not a hiatus for the band, but a preparation period for the unique TMG rock sound to gain even more power: a full-fledged 2nd album!

The recording line-up for this album includes Matt Sorum, (Guns N' Roses and Velvet Revolver) on drums, and Yukihide “YT” Takiyama, who is well known for recording and live support for B'z, on guitar and arrangements.

The album opener “Crash Down Love” has an impressive and catchy melody that seems to symbolize the new TMG sound, while “Guitar Hero”, whose lyrics were written by Jack Blades with Tak in mind, maybe the best example of the new sound for the international markets.

“I was able to create a truly exciting and convincing piece of work with my wonderful band members”, says Tak. The Japanese metal stars BABYMETAL, appear as a special guest in a killer and groovy Dance-Metal song “Eternal Flames” and their duet with Eric Martin is truly unique and pleasant.

TMG are:

Tak Matsumoto - Guitar

Jack Blades - Bass & Vocal

Eric Martin – Vocal

Matt Sorum - Drums

OPETH's Critically-Acclaimed New Album Charts Worldwide

OPETH’s highly anticipated and critically acclaimed 14th studio album 'The Last Will & Testament,' was officially released on November 22 via Reigning Phoenix Music / Moderbolaget and is now charting internationally.

The current positions can be found below:

OPETH’s highly anticipated and critically acclaimed 14th studio album 'The Last Will & Testament,' was officially released on November 22 via Reigning Phoenix Music / Moderbolaget and is now charting internationally.

The current positions can be found below:

Order ‘The Last Will & Testament’: HERE

 

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

 

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

 

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

Moreover, OPETH has landed the the cover story for Decibel Magazine's current December 2024issue! The in-depth interview with the band was conducted by journalist Chris Dick while the photos were shot by Ester Segarra. The issue can be found HERE.

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

 

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

 

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

 

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

 

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

 

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

About Reigning Phoenix Music

Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme, hard, and heavy music thrive by partnering with an array of well-established acts, new talent, and iconic artists, by offering best services and practices in the industry. But most important is to help the artists amplify their art and talent to a winning formula for success!

 

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NECKBREAKKER - Release Debut Album 'Within The Viscera' + New Single 'Absorption'

This past Friday saw vicious death metal unit NECKBREAKKER release their debut album, Within The Viscera, via Nuclear Blast Records. To celebrate the release, the band have revealed a lyric video for latest single 'Absorption', a cut-throat assault of razor wire riffs and thunderous, explosive drums.

On the release of their debut album, the band comment: 

"We are extremely proud to finally release our debut album Within The Viscera. A lot of time and hard work has been put in to this record, both by us and our team, and to say we’re proud is an understatement. Alongside the album we’re stoked to share the lyric video for the track Absorption."

Pre-order and pre-save Within The Viscera now at: https://neckbreakker.bfan.link/witv

NECKBREAKKER is
Christoffer Kofoed - Vocals
Joakim Kaspersen - Guitar
Johan Lundvig - Guitar
Sebastian Knoblauch - Bass
Anton 'Hajn' Bregendorf - Drums

HANABIE. Release New EP 'Bucchigiri Tokyo' + New Music Video "Ito Okashi My Type" via Sony Music Japan

Harajuku-core trailblazers HANABIE. have released their new EP 'Bucchigiri Tokyo' and the official music video for their latest track "Ito Okashi My Type". When asked about the inspiration behind the EP, vocalist Yukina shared:

"The theme of this EP is "Tokyo" the birthplace of our music. Each track is pure chaos and pop, bursting with everything that makes HANABIE. unique! It’s a work that delivers total satisfaction—like a full-course meal for your ears. We love the word "Bucchigiri" for its strong sound and energy. With this EP, we want to go bucchigiri from Tokyo to the world!"

HANABIE. vocalist and guitarist Matsuri commented:

"This album was created with great care, cherishing both the raw passion of our early days and how we've evolved to where we are now! With all the activities in Japan and the many overseas tours we embarked on, 2024 has been an incredible year, and I believe this EP is the culmination of it all. Centered around the theme of "Tokyo" it’s filled with love, so I hope you'll listen to it over and over again!"

Bassist Hettsu also shared:

"Over the past year, traveling around the world has made me appreciate Tokyo even more! This EP was created through those emotions and each track feels like its own protagonist, packed with songs that are truly worth listening to. Let’s listen to this EP and charge full throttle in life!"

Drummer Chika stated:

"I've been with HANABIE. as their drummer, Chika, for about a year and a half now also since moving to Tokyo finally gotten used to life here. So now what I believe is perfect timing, I arranged all the drum parts for the tracks on this EP! It's a collection of six incredibly diverse songs, so I hope you'll listen to the whole EP! By the way, don't you think "Bucchigiri" is such a fun word to say?"

The band has previously dropped "OTAKU Lovely Densetsu" and their most recent banger, "Metamorphose!", which together have amassed nearly 3 million views on YouTube and over 2.6 million streams on Spotify alone. 'Bucchigiri Tokyo' is available now on all streaming platforms at the link here, and watch the music video for "Ito Okashi My Type" here or in the thumbnail below. Furthermore, the band will also have a new track "Oishii Survivor" featured as the opening theme song for the upcoming anime series 'Momentary Lily'streaming next year (Japanese trailer here). Be sure to stay tuned for more HANABIE. news coming in early 2025.