IN FLAMES - Announce Anniversary Vinyl Re-issues Of "Lunar Strain", "Colony", "Soundtrack To Your Escape" And "Siren Charms"

IN FLAMES and NUCLEAR BLAST RECORDS are happy to announce exclusive anniversary vinyl re-issues of the band's beloved classic albums Lunar Strain (30th anniversary), Colony(25th anniversary), Soundtrack To Your Escape (20th anniversary) and Siren Charms (10th anniversary), all of which have been out of print and in high demand. The new editions are scheduled to be released on July 19th, 2024.

2023 marked the beginning of a new era for IN FLAMES with the release of the band's fourteenth studio album Foregone - a new masterpiece from a band whose creative output changed the course and direction of modern metal. The year also marked the re-issue of four seminal titles from the band’s extensive catalogue, namely A Sense of Purpose (2008) (15th Anniversary Edition), Reroute to Remain (2002), Come Clarity (2006), and Sounds of a Playground Fading (2011).
 
To continue the upwards tide, 2024 marks the re-issue of four more influential titles. The 2024 reissues feature all original art with a few, careful touch-ups. All releases have been re-mastered specific for vinyl by Justin Shturtz at the legendary Sterling Sound Studio in Nashville, Tennessee. Featuring different colourways, all records will be pressed on heavyweight 180g vinyl and will feature the instantly recognisable etching of the Jesterhead logo on side D (ex. Lunar Strain & Colony).

PRE-ORDER YOUR COPIES NOW
https://inflames.bfan.link/vinyl

In addition, IN FLAMES have extensive touring plans for 2024, with a full US tour with GATECREEPER and CREEPING DEATH just around the corner and a Europen tour with ARCH ENEMY and SOILWORK in autumn. Scroll down for all confirmed dates!

US TOUR 2024
w/ GATE CREEPER & CREEPING DEATH

May 1 - Portland, ME - State Theatre
May 2 - Hampton Beach, NH - Hampton Beach Casino Ballroom
May 3 - Brooklyn, NY - Warsaw
May 4 - Wilmington, DE - The Queen
May 5 - Norfolk, VA - The Norva
May 7 - Charleston, SC - Charleston Music Hall
May 8 - Greensboro, NC - Piedmont Hall
May 9 - Atlanta, GA - Buckhead
May 10 - Daytona, FL - Rockville
May 12 - Huntsville, AL - Mars Music Hall
May 14 - Nashville, TN - Marathon Music Works
May 16 - Pittsburgh, PA - Mr. Small's Theatre
May 17 - Buffalo, NY - The Town Ballroom
May 18 - Columbus, OH - Sonic Temple
May 19 - Milwaukee, WI - Milwaukee Metal Fest
May 21 - Detroit, MI - St. Andrews
May 22 - St. Louis, MO - The Hawthorn
May 23 - Oklahoma City, OK - Diamond Ballroom
May 24 - Austin, TX - Emo's
May 25 - Houston, TX - House of Blues
May 26 - Dallas, TX - House of Blues

TICKETS AVAIALABLE AT www.inflames.com

ABOUT IN FLAMES

IN FLAMES are one of the biggest metal bands in the world - never shying away from pushing their artistic boundaries, crafting music that's as catchy as it is crushing. Formed in 1990, the band is considered one of the forefathers of melodic death metal and the purveyors of the ‘Gothenburg sound'. With now fourteen studio albums under their belt, countless successful tours around the globe playing with the likes of Black Sabbath, Metallica, Iron Maiden, Megadeth, Judas Priest and Slayer - with millions of records sold and a massive fanbase worldwide, IN FLAMES have proven to be an unstoppable force. From their 1994 debut Lunar Strain onwards, the band's intricate twin guitar attack, melodic vocals and superb arrangements have given them a signature sound that has evolved throughout the years.

IN FLAMES are
Anders Fridén | Vocals
Björn Gelotte | Guitar / Vocals
Chris Broderick | Guitar
Tanner Wayne | Drums
Liam Wilson | Bass

Octavian Winters joined by electronic music icon Mark Pistel (Consolidated, Meat Beat Manifesto) on new 'Nebula / Velveteen' release

"A dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma... tectonic thunder... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate" ~ Ringmaster Review


San Francisco post-punk outfit Octavian Winters has teamed up with Mark Pistel (Consolidate, Meat Beat Manifesto) on their new two-track single. Out April 30 via Stratis Capta Records, the A-side 'Nebula', which underscores the inevitable impermanence of all that is seen and unseen, known and unknown, is complemented by Pistel's infectious pulsating remix of 'Velveteen'.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The Pull, Love Club), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

A producer, engineer, programmer, remixer and songwriter active in the electronic music scene since the 80s, Mark Pistel is perhaps best known as a founding member of the band Consolidated and contributing member of Meat Beat Manifesto since 1997. From his own Room 5 studio, he has worked with The Disposable Heroes of Hiphoprisy, Grace Jones, Therapy?, MC 900 Foot Jesus, Machines of Loving Grace, Hector Zazou, Mark Stewart, Lee Scratch Perry, Cabaret Voltaire's Stephen Mallinder and Fishbone's Angelo Moore.

Pistel explains, "Randy Gzebb called me about remixing one of the tracks off 'The Line or the Curve' EP. I was excited to do so, as we'd recorded some of these vocals at my Room 5 Studio in San Francisco. I chose to do 'Velveteen' as I already loved the track with its fantastic vocal melody and Stephan's unstoppable guitar hook! I  took on the track with pulsing analog synths and a slamming dance floor beat for the clubs."

Octavian Winters also present their new video for 'Nebula', created by filmmaker David Kruschke, who also produced the band's most recent video for the original version of 'Velveteen'. Both songs were lifted from the band's debut EP 'The Line or Curve', released in October 2023, following videos for 'Undertow', 'Ondine' and 'Surreal'.

"Nebula began as an experiment. I was trying to pin down the concept of the song in my head lyrically for a while and just knew it felt very “big”, even apocalyptic in a way. I kept envisioning a sort of “last day at the end of the world” — what would the sky look like? Would we know and understand what was happening? There is this broadly Gnostic idea of the universe as unfolding and unfolding through what are called Aeons, essentially levels of manifestation, until we get this world we live in here," says Ria Aursjoen. 

"I imagined this world reaching the fullness of its life, that whole cycle ending — and then everything reversing, refolding back to the start to make way for the next universe. There is a lot of esoteric symbology referenced in this song for those out there who like that sort of thing. The incredible thing about symbolic language is that it can have so many levels of meaning depending on the viewer/listener. I am sure I will understand my own words to this in new ways, in the future."

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

Randy Gzebb explains, "We were discussing what song idea we should work on next during the writing process and Ria brought in the demo of Nebula. We listened once and started playing it at rehearsal and after a couple of takes, everyone had their parts locked down. I started to play with the Tom groove and tried to make it powerful, but still leave some space for the track to breathe. The rhythm and tempo set the overall tone and emotional mood of the song, with guitar and pulsating bass creating a haunting atmosphere with powerful vocal lines".

'The Line or Curve' EP was recorded in San Francisco byMark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, the band produced this EP withWilliam Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), who also mixed and mastered it at13 Studioin Chicago.

Over the years, members of Octavian Winters have shared the stage with many iconic acts, includingNine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

As of April 30, 'Nebua / Velveteen (Mark Pistel Remix)' is available digitally from fine music platforms, including via Apple Music, Spotify and Bandcamp, where 'The Line or Curve' EP is also available. The band's next concert is on Friday, July 26 at San Francisco's DNA Lounge - they headline with Halou and Sword Tongue as support.

CREDITS 
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
'Velveteen' remix by Mark Pistel
'Nebula' written by Ria Aursjoen
'Velveteen' written by Octavian Winters
Recorded at OW studios San Francisco
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco
'Nebula' mixed & mastered by William Faith at 13 Studio, Chicago
'Nebula' produced by Octavian Winters and William Faith
Cover art Ria Aursjoen
Design by Eric Olson 
Publicity by Shameless Promotion PR
Video by David Kruschke


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Cold Years release third album ‘A Different Life’

Following on from “Paradise,” a politically charged look at life in their hometown of Aberdeen, and 2022’s soaring follow up “Goodbye To Misery,” Cold Years return in 2024 with their most triumphant record yet, ‘ A Different Life,' an album manages to make sense of a world that’s lost most of it.

‘A Different Life ’ features singles “Roll With It”, a song that boasts one of the most infectious choruses rock music has heard in recent years, “Radio”, a joyously melancholy track about leaving the small town you grew up in, “Choke” an incisive invective about the current political state of the UK plus choice album cuts incl. “Sick”, an epic power ballad that focuses on Gordon’s troubles with insomnia and the negative thoughts about himself that arise from it, “Low” a moody rocker that gives any Green Day song on American Idiot a run for its money & more.

“This is the first time I’ve ever come out of a studio able to listen to the tracks, where—and I say this 100% with conviction—we went in and did everything we wanted to do and more,” says Gordon. “I’ve always come out feeling like we could have done something better or different. But this album changed the game for all of us as a band. We tried to make things a little different. That happened naturally, and it’s the most musical experience I’ve ever had”

Recorded at The Barber Shop Studios, New Jersey by producer Brett Romnes ( Hot Mulligan, Boston Manor, Heart Attack Man, Brand New ) & mastered by Rogue Planet Mastering ( Against The Current, A Day To Remember, The Bronx ), ‘A Different Life’ is packed with songs that are both intensely personal and universally relatable.

Cold Years - A Different Life Splatter Vinyl

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Darkest Hour To Join Fit For An Autopsy & Sylosis on EU & UK Tour This Fall

Darkest Hour continues to celebrate the release of their blistering new album, Perpetual | Terminal, and announce a new UK and EU tour, supporting Fit For An Autopsy and Sylosis on 25 dates this fall. The tour kicks off on November 22, 2024, in London at the Electric Brixton and wraps on December 21, 2024, in Köln, Germany, at Essigfabrik. See full dates below.

Darkest Hour’s Mike Schleibaum says, "We are so absolutely excited to announce that we will return to the EU and UK this year with new music and old friends! All in the spirit of celebrating the release of our new album, Perpetual | Terminal. This tour covers a lot of ground and we are honored to team up with good friends  FIT FOR AN AUTOPSY  and incredible bands SYLOSIS & HERIOT! Joining forces with them allows us to bring our special style of Melodic Death Metal to some places that we haven’t played in over a decade. Looking forward to closing out 2024 on this tour, if you live near or in any of these cities do not miss this massive metal party!” 

General on-sale tickets will be available beginning Monday, April 29th. For more information and ticket links, click here.

The band released their new album, Perpetual | Terminal, earlier this year. Kerrang gave the album 4 / 5, saying, “The mighty Darkest Hour deliver yet another slice of pure melodic death nirvana,” while Blabbermouth wrote, “As great as diehard fans will be expecting, and maybe even greater than that, Perpetual | Terminal adds yet more weight to DARKEST HOUR's unassailable reputation. Listen and learn, half-assed infidels: The experts are back.”

Darkest Hour tune into the cycle of death and rebirth, absorbing its intensity and spitting it back at the world in the form of a signature hybrid anchored by death metal exorcisms, thrash recklessness, hardcore punk attitude, and melodic catharsis at the speed of a circle pit. The Washington, D.C. quintet—Mike Schleibaum [guitar], John Henry [vocals], Aaron Deal [bass], Travis Orbin [drums], and Nico Santora [guitar]—have weathered time, trends, and tides of change and stand stronger nearly three decades since their formation.

The band, as a whole, have weathered time, trends, and tides of change and stand stronger nearly three decades since their formation. Their unique sonic style incorporates death metal exorcisms, thrash recklessness, hardcore punk attitude, and melodic catharsis at the speed of a circle pit.

Perpetual | Terminal is the band’s tenth full-length offering, available now on MNRK Heavy.

Stream/get Perpetual | Terminal here.

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DYLAN SCHNEIDER IS GOOD AT MAKING BAD DECISIONS WITH NEW EP AVAILABLE NOW

“Country Music’s Next Rising Star” (Billboard), Dylan Schneider “is proving to be all gas, no brakes in 2024” (Taste of Country) today releasing his latest EP, Bad Decisions, ahead of his Stagecoach Festival debut performance this Sunday, April 28. Finding “storylines that make country music listeners go wild is his superpower,” and the BBR Music Group/BMG Nashville singer-songwriter “not only lives up to his hitmaker status, but he exceeds it” (All Country News). Listen now Below.

“This is my favorite batch of songs that I have ever released,” says Schneider. “Bad Decisions shares my vision of where I’m heading creatively and sonically. I have a lot of different influences ranging from hip-hop to R&B to country, and with this EP, I’m able to explore all of that. This is also my first project where I co-wrote every single song, so I’m excited to play these out on the road for y’all and see what you think!

Featuring his viral songs “Ain’t Missin’ You” and title track “Bad Decisions” that PopCulture demanded to “PLAY IT LOUD,” the six-track project includes new songs “Carhartt,” “Ruin This Town” and “Buy That Girl A Beer” that are sure to catapult his already viral resume. 

After posting a snippet of a sharp-witted chorus on TikTok, the sound went viral, racking up over 156M TikTok views, 182k user-generated TikTok videos, 55M on-demand streams and 1M YouTube views, climbing to #3 on TikTok’s Country playlist and securing placement on viral-song charts. Seeing the incredible response, Schneider immediately went back to the writing room to finish the spit-fire track – “Ain’t Missin’ You.” Boasting wily lyrics and an electric hook, the feisty song finds the “Artist to Watch” (Amazon Music, Pandora, Taste of Country) continuing to “expand the bounds of his artistry” (American Songwriter) and lean into MusicRow’s “Next Big Thing” prediction.

Continuing to strongly connect, having already amassed over 3.8M TikTok views, 26,000 filter creates, 5,000 user-generated TikTok videos and 7.3M streams, Schneider gave into fan-demand again with the sultry track “Bad Decisions.” Seduced by a magnetic connection with an ex, the seductive song follows a couple who just can’t help but give into temptation.

Filling out the rest of the project, Schneider delivers his most-vulnerable song to date with the autobiographical “Daddy Drinks Whiskey” that “takes one of country music’s drinks of choice and turns it into a personal story he’s finally ready to share” (American Songwriter). While the stadium-ready, supercharged anthem "Ruin This Town” showcases his “rapid-fire singing style” (Billboard), the  live-in-the-moment reminder of ballad “Buy That Girl A Beer” puts his eclectic vocals and lyrical growth on full display. Finally, the insanely catchy, witty and vibrant groove of “Carhartt” flows with an unforgettable, anthemic beat about a girl who got away that's sure to be his next viral song of summer.

At only 24-years-old, Schneider has amassed a social-media following of 1.8M + fans, banked over 350M on-demand streams, and has toured alongside superstars like Florida Georgia Line, Morgan Wallen, Scotty McCreery, Nate Smith and more. Next up, Schneider joins Kane Brown on his “In The Air” Tour.

UPCOMING TOUR DATES:

April 28 - Indio, CA - Stagecoach

May 18 - Albuquerque, NM - Boots In The Park

May 19 - Tempe, AZ - Boots In The Park

June 1 - Danville, VA - Carrington Pavilion

June 8 - Nashville, TN - CMA Fest - Chevy Vibes Stage

June 9 - Myrtle Beach, SC - Carolina Country Music Fest

June 14 - Clearlake, CA - Austin Park

June 15 - Santa Rosa, CA - Country Summer Music Festival

June 20 - Mack, CO - Country Jam

June 27 - Cadott, WI - Country Fest

June 28 - Arnolds Park, IA - Arnolds Park Amusement Park

July 10 - Fort Loramie, OH - Country Concert 

July 12 - Knoxville, IA - Marion County Fair

July 13 - Beaver Dam, KY - Beaver Dam Amphitheater

July 19 - York, PA - York State Fair*

August 2 - Orange Beach, AL - The Wharf Amphitheater*

August 4 - Hollywood, FL - Hard Rock Live*

August 21 - Fort Hall, ID - Shoshone-Bannock Hotel Casino*

*with Kane Brown

About Dylan Schneider:

Drawn to the storytelling aspects of country music, Dylan Schneider started performing and writing songs at the age of 14, after meeting Brett Eldredge and singing with him on-stage during a concert. After that, he began posting videos to his Facebook page, where he’d cover popular Country songs, gaining a devoted online following. Since then, Schneider has made a name for himself in the Country music community, forging a sound that merges modern pop sensibilities with a down-home feel. He’s been named a “Breakthrough Artist to Watch” by Amazon Music, an “Artist to Watch” by Pandora, Taste of Country and Sounds Like Nashville and declared “Country Music’s Next Rising Star” by Billboard. He’s toured with Florida Georgia Line, Morgan Wallen, Kane Brown, Scotty McCreery, Dan + Shay and more, co-wrote Dustin Lynch’s Top 5 hit song “Momma’s House,” scored two RIAA-certified Gold records, accumulated over 1.8M social media followers and banked an upwards of 350M on-demand streams (and counting). Signed to BBR Music Group/BMG Nashville, the MusicRow-praised “Next Big Thing” just released his latest EP, Bad Decisions, April 26, before making his Stagecoach Festival debut performance. Embracing his irresistible rock-n-roll edge and unrestrained pop-country swagger that gained him over 500,000 social media followers in just a few months, the upcoming six-track EP features his viral hits “Ain’t Missin’ You” and “Bad Decisions.” Kicking off 2024 on Nate Smith’s “World On Fire” Tour, next up, Schneider will join Kane Brown on his “In The Air” Tour this fall. 

KEEP UP WITH DYLAN SCHNEIDER

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X 

Black Tusk Streaming New Album

Early praise for The Way Forward

"They are harder and heavier than ever on this record...Nearly twenty years into their career, Black Tusk show no sign of stopping or slowing down" - Metal Sucks (4/5)

"Powerful, defiant music... a record that fills you with the urge to fight for the future, windmilling like a maniac" - Distorted Sound (8/10)

"A record that just rocks, and rocks hard" - Wonderbox Metal

"The Way Forward is Black Tusk doing what they do best and that's playing a ton of fucked up and fast-paced grooves that destroy everything within its wake". - Outlaws of the Sun

"A raucous style of punky, hard rocking sludge, with minimum fuss and ample bursts of energy and ballsy aggression" - Angry Metal Guy

"Chaotic and raw, but also extremely catchy and memorable" - Metal Injection

"A no frills band that goes full throttle. Black Tusk are here to stay" - Heavy Music HQ

"An engine-wrecking riff-fest from the Savannah badlands" - Metal Hammer

"Black Tusk are pretty much the only Georgia metal act who still sound like they hail from the home state of Sandra Dee and Uga" - Invisible Oranges

"Alive, raw, furious, loud...they almost make your face vibrate" - Heavy Blog is Heavy

"Black Tusk's combination of sludge, rock, hardcore and death metal remains fluid, fertile and most importantly, full of life" - PitchforkBlack Tusk came roaring out of the Savannah swamplands nearly twenty years ago, but the sludge metal veterans aren't looking back anytime soon. On their seventh album, The Way Forward, the band blaze full steam into the future behind the force of their new yet familiar lineup.

"This record represents our steadfast resolve to keep making music together as a band and evolve our sound", says Andrew Fidler, Black Tusk's longtime guitarist and co-vocalist.

The Way Forward comes out tomorrow, Friday, April 26, but you can hear all 11 hard-hitting tracks today on the Season of Mist YouTube channel.

Listen to the full album stream below.

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward

Pre-save: https://orcd.co/thewayforwardpresave

The Way Forward pulls no punches. Right from the rip, album opener "Out of Grasp" charges head-on to the relentless chop of James May's snare drum. Lead single "Brush Fire" quickly grabs the baton and lights it up like a Molotov cocktail. New bassist Derek Lynch makes one hell of a first impression. "I watch you burn!" he spits, already spewing with righteous fury.

"Derek said he’d never done heavy vocals before, so I was like, ‘Well, here’s the mic. Here’s some words. Yell at it and see if you like it.’", says Fidler. "I was blown away the first time he did it. It sounded good as fuck.” 

Black Tusk recorded The Way Forward at Hidden Audio, a studio run by frequent collaborator and now official member Chris "Scary" Adams. Not only did Scary handle the production, but he locks horns with Fidler, making this the band's first album to feature a two guitar attack. On "Dance on Your Grave", Fidler lays down a boot-stomping riff so Scary can rip into a solo that never stops climbing.

Of course, no band makes it 19 years without having to shovel their share of shit. "The big theme of this record is putting your life back together", Fidler says. Black Tusk have switched labels and lost members, all while navigating the bumps in the road that come with being tour musicians. But The Way Forward leaves those past misgivings in the rear view. "Sometimes the worst things you've ever seen or done end up being the best thing that's ever happened to you", May says.

"Breath of Life" opens with murky synths that swirl like a depressive fog, but that's just the quiet before the storm. Over fuming distortion, together, Black Tusk reach for something that sounds close to a silver lining. "Mercy in suffering, all I see", they scream in unison.          

“The title is kind of a double play,” Fidler says. “It’s the first record with the new lineup, and this is the direction we’re taking the band in. We’ve been doing Black Tusk for 19 years now, and we still love it. That’s why we called it The Way Forward.” 

Black Tusk will then hit the road in May for more shows with fans down south.  
 

Black Tusk The Way Forward Tour Dates
April 26 Savannah, GA @ Congress St. Social Club [FREE SHOW]

May 23 Atlanta, GA @ Boggs Social & Supply [TICKETS]

May 24 Orlando, FL @ Will’s Pub [TICKETS]

May 25 Stuart, FL @ East Ocean Pub  [TICKETS]

May 26 Jacksonville, FL @ Rain Dogs  [TICKETS]

“The big theme of this record is putting your life back together.” That’s Black Tusk guitarist/vocalist Andrew Fidler talking about the band’s new album, The Way Forward. “When everything seems like it’s against you, put your head down and push through. Take those bad things that are happening and use them to help create.” 

The Way Forward might be the Savannah swamp metal crew’s seventh album, but it marks many firsts for Black Tusk. It’s their first with their new lineup, which sees guitarist Chris “Scary” Adams and bassist Derek Lynch joining Fidler and drummer James May. Which also makes it Black Tusk’s first record with a two-guitar lineup. “We were able to add leads and harmonies and all kinds of stuff on the new record that we haven’t done in the past,” Fidler says. “As far as our records go, this one has the most guitar work.”  

You can hear it in the squealing solo of “Dance on Your Grave,” the killer harmonies on ripper “Harness (The Alchemist),” and the glorious dual guitar interplay of the powerful title track.  

“‘The Way Forward’ is my favorite song on the record,” Fidler says. “It’s based on a personal experience that everyone can probably relate to. I got divorced in 2020, and I kinda felt like my entire world was collapsing when that happened. But I pulled myself out of it. I realized that this one thing ending in my life isn’t the end of everything. I’m gonna find a way forward. I’m gonna figure out how to live my life and create and be happy and make new relationships. Which is what I’ve done.”  

In true Black Tusk fashion, the new lineup has expanded their triple-vocal approach to quadruple. “Everyone is doing vocals,” Fidler says. “That’s always been a thing in Black Tusk. Derek said he’d never done heavy vocals before, so I was like, ‘Well, here’s the mic. Here’s some words. Yell at it and see if you like it.’ I was blown away the first time he did it. It sounded good as fuck.”   

That’s Lynch on lead single “Brushfire,” a song for which he wrote the main riffs and lyrical concept. “That was my first real contribution to the band,” the bassist says. “Thematically, I wanted the aggressiveness of the lyrics to keep with the idea of pushing forward even when the world is trying to drag you down. The mood of the lyrics needed to match the pulverizing tempo of the song.”  

The lyrics for second single “Dance on Your Grave” were written by May, who moved from Savannah to Athens, GA, in the time since Black Tusk’s last album. “It’s about his struggles through Covid and what this lifestyle can do to people,” Fidler says. “It’s about getting past the party lifestyle and continuing to do things that are creative.”  

Meanwhile, “Breath of Life” distills Black Tusk’s lyrical philosophy into a righteous five-minute pummeling. “Scary came up with the main riff of this song, and it’s one of my favorite riffs on the record,” Fidler says. “I wrote the lyrics, and it’s just about darkness crushing everything. The world is a fucked-up place that we have to navigate through. That’s what a lot of Black Tusk songs are about.”  

Black Tusk recorded The Way Forward at Adams’ own Hidden Audio studio just outside of Savannah. Adams engineered the album and the whole band produced. “I actually helped him build the studio in the detached garage next to his house,” Fidler explains. “Me and my carpentry company went out there to do it, and Scary helped.”  

“We had about 90% of the riffs and song structures going into the studio, while still experimenting with ideas and inspirations,” Adams explains. “Sometimes we completely reworked parts, which made all the difference. For example, early versions of ‘Breath of Life’ and ‘The Way Forward’ are quite different than the record, and I love where they ended up. Though we did use a few effects and synths here and there for texture and space, to me this record still feels raw and powerful. It captures the feeling of being at a Black Tusk show.”  

The cover art for The Way Forward was done by Brian Mercer, who also created the sleeve for Black Tusk’s 2018 album, T.C.B.T. “T.C.B.T. had a dark cover because it was a dark time for the band,” Fidler says, referring to the period immediately after the passing of their longtime friend and bassist Jonathan Athon. “This time, it’s full blown, full-color Black Tusk. Brian Mercer and James collaborated on the concept, and Brian really knocked it out of the park.”  

“The title is kind of a double play,” Fidler says. “It’s the first record with the new lineup, and this is the direction we’re taking the band in. We’ve been doing Black Tusk for 19 years now, and we still love it. That’s why we called it The Way Forward.”  

Line-up:

Andrew Fidler: guitar, vocals
James May: drums, vocals
Derek Lynch: bass, vocals
Chris "Scary" Adams: guitar, vocals

Recording Studio
Hidden Audio

Producer/sound engineer
Chris "Scary" Adams

Mixing studio and engineer
Chris "Scary" Adams

Mastering studio and engineer
Brad Boatright at Audiosiege

Cover artwork
Brian Mercer

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward
Pre-save: https://orcd.co/thewayforwardpresave
 

Follow Black Tusk:
https://blacktusk.bandcamp.com/
https://www.instagram.com/tcbt/
https://www.facebook.com/BlackTusk
https://open.spotify.com/artist/7iontmL8hXqoJcSA5oTZqa
https://twitter.com/BlackTusk
https://music.apple.com/us/artist/black-tusk/292231967

GRAMERCY ARMS releases sophisticated & endearing fourth album 'The Making Of The Making Of' via Magic Door Records

"A fabulous and fresh slice of positivity, wrapped up in a finely-tuned package of upbeat and harmonious pop-rock that will leave you wanting more and checking local concert listings to see if the band is heading your way. Impeccably performed; superbly arranged and produced" ~ The Spill Magazine

"Perfectly straddles popularity and poise, chart potential and also satisfies more discerning tastes... Gramercy Arms is that rare thing. It is a band that makes great albums AND writes killer singles" ~ Big Takeover Magazine

"Wistful, bittersweet and soaring power pop... With echoes of the likes of Teenage Fanclub and Dinosaur Junior, as well as the classicism of 80s indie-pop, it’s yearning and hooky in all the right places, a gleaming melodic pick me up" ~ God is in the TV Zine

Bringing a little light into our lives, NYC-based collective Gramercy Arms has released their fourth album 'The Making Of The Making Of' via Montclair, NJ-based Magic Door Record Label. With nine tracks on offer, this album presents a varied smorgasbord of superb radio-friendly indie pop-rock gems and more intimate acoustic offerings. The band also present a new video for 'Never Say Anything (Magic Door Session)'.

A loose treasure-trove of musicians and artists, masterminded by Dave Derby (The Dambuilders, Lloyd Cole) and producer Ray Ketchem (Guided by Voices, Luna, Elk City), Gramercy Arms is inspired by the artistic heyday of ‘70s and ‘80s New York, creating addictive indie pop with exquisite hook-laden melodies and lyrics that will have you floating back in time and remembering your favorite mistake.

With many of the songs recorded during the same sessions for the band’s 2023 'Deleted Scenes' album, 'The Making Of …' is decidedly more of a band album with a looser and more raucous approach featuring live in-studio performances and an even wider array of contributors.

Produced, recorded and mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ, it was mastered by Ketchem and award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

Earlier, Gramercy Arms released 'Never Say Anything', a gorgeously performed paean to paranoid times featuring Lysa Opfer (Aeon Station) and Mark Lizotte (Diesel), and 'After the After Party', a rueful power pop gem about chances missed and taken, featuring longtime collaborators Kevin March (Guided by Voices, The Dambuilders, Shudder to Think), Hilken Mancini (Fuzzy, the Monsieurs), Rainy Orteca (Joan As Police Woman, Dead Air) and Mike Errico.

Both albums are loaded with talent, involving Doug Gillard (Guided by Voices, Nada Surf, Cobra Verde, Death of Samantha), Sean Eden (Luna), Phoebe Summersquash (Small Factory), Renée LoBue (Elk City, Flowers of America), Kendall Meade (Mascott), Verena Wiesendanger (Semi Gloss), Claudia Chopek (Bright Eyes, The Little River Band, Echo of the Ghost), John Leon (Roky Erickson, Royal Arctic Institute), Rafa Maciejak (Lloyd Cole and the Negatives, Ivy), Jules Verdone, Richard Alwyn-Fisher (King Canutes, The Winter Drinks), Steve Hurley (Gigolo Aunts), Carl Baggaley (Elk City, Royal Arctic Institute), Peter Hess (Phillip Glass Ensemble, Slavic Soul Party) and Gary Burton (Dovedale). 'Deleted Scenes' also involves the legendary Lloyd Cole.

"I initially thought about doing a double album and then decided against it. To me 'Deleted Scenes' and 'The Making Of The Making Of' are companion pieces and part of a larger work. I think of them as two sides of a double album and may release them as a double vinyl album in the future. To me, there is an understated, almost dark horse element to “The Making Of …”  that gives it a special charm. In many ways 'Deleted Scenes' was more of the ‘obvious’ A-tracks, whereas 'The Making Of …' is just more fun. Songs like 'Lux', 'Susan' and 'The Long Game' capture that for me. The fact that the album has 4 different drummers with different feels and approaches has a lot to do with that because it still hangs together," says Dave Derby.

"Even though these songs came from the same sessions, this album was much more of a band record whereas “Deleted Scenes” was more about me and Kevin March building the tracks up together. Many of these songs were live full-band takes. I think that approach shows up in the final versions."

'The Making Of the Making Of' album is out now, available from fine music platforms, including Apple Music, Spotify and Bandcamp. Their record release party takes place on April 26 at Berlin NYC with support from The Gershwin Brothers and the Hilken Mancini Band.

CREDITS
Written by Dave Derby (Passive Aggressive Music BMI)
Recorded at the Magic Door Studio, Montclair, NJ
Engineered, Mixed and Produced by Ray Ketchem
Mastered by Greg Calbi and Ray Ketchem
'After The After Party' video by Max Skaff
'Never Say Anything' video by Debora Francis
Dave Derby photos by Debora Francis

Keep up with Gramercy Arms
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Manchester’s THE SPEED OF SOUND celebrates 35th anniversary by releasing ‘A Cornucopia: Minerva’ album & video for ‘The Great Acceleration’

"Buzzing fuzz guitar lines emerge from a delicate acoustic introduction to intersect with the crashing chords and the ‘bulbous pulsing’ rhythm section" ~ Record Collector Magazine

"Raw and edgy sound with guiding and invigorating sense of melody" ~ The Spill Magazine

“Unmistakeable sound a winning formula” ~ The Big Takeover

“A triumph of industry, imagination and talent, coolly novel and damned addictive” ~ Louder Than War

‘Unique and other worldly” ~ Vive Le Rock

“A form of Art-Pop that is wry, incisive, yet a deeply listenable examination of post industrial culture” ~ Rock At Night

"A riotous maelstrom of musical mayhem” ~ The Manc Review

Manchester indie rock psychonauts The Speed Of Sound presents their new album 'A Cornucopia: Minerva', their second album issued via Big Stir Records, along with the video for 'The Great Acceleration' - the second single from the album, following up 'West Wind'.

Hailing from Manchester, The Speed Of Sound is made up of father and son John Armstrong (guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst(drums).

Full of ambition, energy, and eccentric melodic brilliance, this is the first record of the three-album set 'A Cornucopia: Minerva, Victory, Bounty' from these future-retro-modernist garage-psych stalwarts. While these albums will see digital editions over the next year, the Vinyl and CD versions are 3-disc sets carrying the umbrella title 'A Cornucopia'. Released as deluxe editions, each set includes two full-length bonus albums 'Victory' and 'Bounty'. But it all begins with 'Minerva'.

With 'A Cornucopia: Minerva' coinciding with the band’s 35th anniversary, The Speed Of Sound returns triumphant, defiant and redemptive, following up their 2021 critically acclaimed album 'Museum Of Tomorrow'. Named for the goddess associated with wisdom, the arts and strategic warfare, this album explores themes of resistance to mainstream cultural dominance, championing individual identity and artistic creativity whilst being a vigorous musical celebration of subcultural existence in the face of predominantly bland pop culture.

'Minerva' presents 14 fresh and variegated tracks, each one a burst of differently-hued radio friendly sonic technicolor. These new pieces range from the recklessly fast Bo Diddley rhythm successfully merged with a Wagnerian horn section of lead single 'West Wind' to the haunting and spacious ballad critiquing Economic Theory that is 'Trickledown' to the stripped back mediaeval folk-tinged starkness of 'The Harvest' to the stratospheric vastness of 'The Great Acceleration'.

The album passes seamlessly through the acoustic guitar-driven groove of 'SS-100-X',the spacious iridescence of 'Eight Fourteen Monday', the lively ascendence of 'The Party Sniper', the glowing radioactivity metaphor of 'Half Life' to the bright uplifting dementia and identity-loss focused 'Mind Palace'. While the bouncing vibe of 'Bodysnatchers' reminds us to stay awake and not slip into the drabness of normalcy, the crunching melodic punch of 'Clickbait' zings into the typewriter introduction of 'Yet Another Tuesday', onwards to the punkifed rhythm and blues of 'So Faux' and the closing acoustic riot of 'Question Time'.

With their inbuilt eclectic and genre-defying style, The Speed Of Sound expand from their base-camp foundation of multiple 1960s, punk and new wave influences, encompassing wide dynamic and stylistic variation, crossing borders and pushing boundaries at every opportunity while retaining continuity. The music bursts with experimentation whilst retaining hooks and melodic sensibility, plus the sharp barbed wit, lyrical depth and all-pervading sense of joy that form the irrepressible, uplifting hallmarks of this band.

Throughout their 35-year history, The Speed Of Sound have continuously produced music laced with optimism and lyrical bite, tapping the DIY ethos of punk and the restless lust for experimentation of psychedelia. Formed in 1989 with a pre-history dating back to the day Andy Warhol died in 1987, their music has always been idiosyncratic, counter-intuitive and perpetually looking for something new.

As of April 26, 'Minerva' is available in both formats from Big Stir Records via Bandcamp. Even better - dive into the jam-packed triple LP and CD editions of 'A Cornucopia'.

CREDITS
All songs written by John Armstrong
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Bob Dinn - trumpet and flugelhorn
Chris Guest - harmonium, vibraphone, organ, shakers, tambourine
Alex Armstrong - typewriter on 'Yet Another Tuesday'
Voices on 'Mind Palace' by Janet Stacey Dando, Henry Armstrong, Nick Frater, Jason Edge (courtesy of The Electric Stars), John Broadhurst, Mark Britton (courtesy of Amoeba Teen), Janet Armstrong, Louise Turner, Peter Watts & Ruth Rogers (courtesy of Spygenius) and Kevin Roache, plus Ivy Frater (heartbeat)
Recorded, Mixed and Mastered at Vibratone Sound Studio in Manchester by Chris Guest, Adam Crossley and The Speed Of Sound.
Main sleeve image: Purple Spaceman © Lina Landers 2022
Artist photographs by Shay Rowan
Publicity by Shameless Promotion PR


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SAXON RELEASE NEW LYRIC VIDEO "WITCHES OF SALEM"

Saxon release the video for “Witches Of Salem”, the forth single from the band’s critically-acclaimed 24th studio album, Hell, Fire And Damnation - out now via Silver Lining Music.

Hell, Fire And Damnation is an album which sees Saxon investigate all areas of history and mystery amidst ten of their most confident and thunderously powerful songs yet. In “Witches Of Salem”, lead singer and founding member Biff Byford, explores the unjust condemnation of the women victimized at the Salem witch trials and the sheer bigotry and mass hysteria prevalent at the time.

“This is an American story, but the witch trials started in Scotland, spread into England and across the sea to the colonies in America. Those poor women in Salem,” explains Byford “they weren’t ‘witches’ more than just unfortunate women really, blamed for everybody’s ailments... whether your horse died, or the milk went sour, they blamed women. Maybe because they were jealous of them, or maybe it was because some guy had made some advances and she’d told him to piss-off, so he’d declare that she was a witch. And once a person was declared a witch, I don’t think there was any way back from that; very few of them were found innocent.”

Listen To/Watch “Witches Of Salem” below.
Listen To/Watch “Madame Guillotine” here
Listen To/Watch “There’s Something In Roswell” here
Listen To/Watch “Hell, Fire And Damnation” here

“More metal is not possible. Hell, Fire And Damnation: this record is finest British steel and only a few are still able to do it”
– CLASSIC ROCK

“Hell, Fire And Damnation! The album delivers the impressive proof that Saxon is still a bank and great oiled machine in
heaviness and energy. The 10 tracks on the record are leaving not one wish open. Power and fresh welded steel”
– BREAK OUT

“Great, wonderful, admirable melodies interweaved with classic heavy metal attitude. This album doesn’t show any weak spots at all and doesn’t need any quality comparison to Carpe Diem!”
– SLAM MAGAZINE

“Not one weak point on the album! Neither in songwriting nor in sound, neither in composing nor performance! Taking it into
consideration that most of the musicians are in their seventies, you have to bow down with more than respect for this again great energy performance”
– ROCK IT

“‘Hell, Fire And Damnation’ offers everything a Saxon-fan expects from it. And even a bit more”
– AARDSCHOK

“This is a whirlwind of an album and a very strong statement that Saxon is ready for the future with this mighty asset in hand”
– HEADBANGERS LIFESTYLE

“‘Hell, Fire And Damnation’ is one of the strongest albums in Saxon's discography”
– ARROW LORDS OF METAL

“The album is created by veteran rockers who blend their experience and passion for a hard and heavy sound. Hell, Fire And
Damnation is honest and authentic music in the spirit of metal, showcasing a band still hungry and out to prove something!”
– METAL RULES

“Hell, Fire And Damnation is a very satisfying listen that will please Saxon fans of all eras including newbies who are just now getting hip to this beloved band”
– ANTIMUSIC

“Byford’s vocals are powerful and the guitar work is exceptional. Scarratt and Tatler team up with some fresh and exciting solos throughout the record and Glockler’s drumming ability is top notch. In my opinion, this is one of Saxon’s most ambitious albums and proves that they are one of the best British Metal bands of all time”
– BRUTAL PLANET MAGAZINE

“Hell, Fire And Damnation is undeniably Saxon: a band continuing to find ways to expand upon the NWOBHM sound 45 years on. 10 out of 10!”
– DEFENDERS OF THE FAITH METAL

“It is an impossible task to find another Metal band with SAXON's consistency and dedication to the album release-tour cycle while at the same time sounding fresh and inspired. ‘Hell, Fire And Damnation’ gets 9 out of 10 stars!”
– METAL KAOZ

“The NWOBHM is over, but its main core of ideas is still alive: it wasn’t only the rebirth of Metal after a time hidden in the underground, but a whole new way of playing Heavy Metal, a set of conceptions that enables the band to give a step forward in relation of what was done in the early years of the 70s, and that allows the birth of new subgenres into Metal. There are great names, and others that never got the respect they really deserve. One can say that SAXON is a successful name of those years, but these warriors truly deserved more respect and success. One spin on their new album ‘Hell, Fire And Damnation’ states the reason for these words. This is a 10 out of 10 – A MASTERPIECE!”
– METAL TEMPLE

“They deliver on all fronts and it’s an enjoyable ride, something that you want to listen to many times afterward”
– METAL WANI

“Having been a force since the mid-70s, Saxon shows no signs of slowing down. In fact, they radiate unparalleled energy and freshness, courtesy of Biff and Andy Sneap’s colossal crystal-clear production. The performances are nothing short of world- class, the songs destined to become timeless classics. Disregard any dour reviews; this album caters to Saxon fans’ every desire and stands tall as one of their crowning achievements EVER! 10 out of 10 Stars!”
– MY GLOBAL MIND

“Hell, Fire And Damnation is a top-shelf addition to Saxon’s discography; it is a vibrant, powerful statement from a band that has both shaped and transcended the genre. It is a compelling mix of historical and modern evidence of the band’s enduring legacy and ongoing evolution in British heavy metal”
– STACCOTOFY

“Saxon has once again proven that they are experts of their craft, delivering a record that stands tall in their illustrious discography”
– SONIC PERSPECTIVES

“Saxon once again have proven they are a force to be reckoned with, with yet another consistent high quality release. Perhaps a notch above their last two releases”
– THE METAL VOICE

“All in all, Saxon gives us yet another excellent album in Hell, Fire And Damnation. There is no filler on this Record. It is quality metal music from start to finish”
– THE METAL PIT

HELL, FIRE & CHAOS - THE BEST OF BRITISH ROCK & METAL TOUR

Co-headline with Uriah Heep

23 April – The Parker, Fort Lauderdale, FL
24 April – Seminole Hard Rock Hotel And Casino, Tampa, FL
25 April – The Plaza Live, Orlando, FL
27 April – Buckhead Theatre, Atlanta, GA
28 April – Mercury Ballroom, Louisville, KY
30 April – The Metropolitan Theatre, Morgantown, WV
1 May – Roxian Theatre, Pittsburgh, PA
2 May – Penn’s Peak, Jim Thorpe, PA
3 May – Bergen Performing Arts Center, Englewood, NJ
5 May – Citizens House of Blues, Boston, MA
7 May – Patchogue Theatre, Long Island, NY
8 May – Keswick Theatre, Glenside, PA
10 May – Paramount Hudson Theatre, Peekskill, NY
11 May – TempleLive at Cleveland Masonic, Cleveland, OH
12 May – The Lerner Theatre, Elkhart, IN
13 May – Saint Andrew’s Hall, Detroit, MI
14 May – GLC Live at 20 Monroe, Grand Rapids, MI
16 May – People’s Bank Theatre, Marietta, OH
17 May – Bogart’s, Cincinnati, OH
18 May – Rialto Square Theatre, Joliet, IL
19 May – Arcada Theatre, St. Charles, IL
21 May – Brown County Music Center, Nashville, IN
22 May – The Pabst Theater, Milwaukee, WI
24 May – Gillioz Theatre, Springfield, MO
25 May – TempleLive at Scottish Rite Center, Wichita, KS
27 May – Haute Spot, Cedar Park, TX
29 May – House Of Blues, Houston, TX
30 May – Tobin Center for the Performing Arts, San Antonio, TX
31 May – Glass Cactus, Dallas, TX
2 June – Speaking Rock Casino, El Paso, TX

For tickets and more information visit: www.saxon747.com

SAXON
BIFF BYFORD – Vocals
NIGEL GLOCKLER – Drums
DOUG SCARRATT – Guitar
BRIAN TATLER – Guitar
NIBBS CARTER – Bass
 

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www.youtube.com/PlanetSaxon
www.saxon747.com

ASINHELL, Featuring Volbeat's Michael Poulsen, Share "Pyromantic Scryer" Video

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for "Ungodly Hour"), is a tribute to Poulsen's favorite old-school groups. 

 Impii Hora was released September 29 via Metal Blade. Get it here.

Today, the band has shared the video for "Pyromantic Scryer." Watch it below.

"'Pyromantic Scryer' was the first song I wrote for the album and it surely has an Entombed vibe, and as I've said before, it was L.G. Petrov who kicked started the birth of Asinhell," says Poulsen.

"Pyromancy is the 'art' of prophecy/augury by any means of fire," says vocalist Marc Grewe. "The song is about a mad man who thinks he can predict the future from fires. Fires he sets himself. In his delusion, he thinks he is a misunderstood messiah. The song can also been seen metaphorical on some things that are going on (and wrong) in the world of  today… a small spark of a mad man (or group/cult) can set the world on fire. I think the video created by Shan Dan shows this dangerous behavior in a quite drastic way!"

Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund. 

ASINHELL ARE:
 Michael Poulsen — Guitar
Marc Grewe — Vocals
Morten Toft Hansen — Drums 

NOBLE DEMON Releases Brand New Label Sampler; "Noble Demonic Metal - Chapter 4" Out Now!

In celebration of its fifth birthday, Noble Demon has released another installment of its "Noble Demonic Metal" sampler series. Noble Demonic Metal - Chapter 4features a hand-picked selection of the best songs from their talented roster of artists, showcasing the label's most successful singles as well as hidden gems from recent albums.

Despite facing challenges such as the global pandemic, economic crises, and production delays, Noble Demon has continued to grow and thrive over the past five years. With a solid roster of 30 bands, extensive worldwide distribution, digital marketing expertise, and a passion for promoting independent metal music, the label stands stronger than ever.

Listeners can now enjoy the full Noble Demonic Metal - Chapter 4 sampler on their favorite streaming service or by downloading it from THIS LOCATION

Furthermore, the steadily growing label is excited to announce yet another message:
"Since not all of the above mentioned 30 artists are officially part of the label roster yet, the Noble Demon will gladly announce a few more new killer signings very soon. So, watch out and follow our social media channels in order to not miss the best in independent metal! \m/"

So make sure to keep your eyes peeled for more news to come in the weeks ahead and make sure to follow the label online!

Find NOBLE DEMON online:

Official Website

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BandCamp

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Legendary Rockers TESLA Release Double LP 'Real To Reel Vol I' for Record Store Day!

The legendary and iconic rock band TESLA proudly announces the release of a limited edition, double LP, Real to Reel Vol I, that is set to hit the shelves on Record Store Day, April 20, 2024.

Originally released on June 5, 2007, Real to Reel Vol I is a cover song studio album that pays homage to classic rock tunes from the late 1960s and early 1970s. TESLAbrings their unique touch to these iconic tracks, recorded using analog tape and vintage equipment, with a dedication to preserving the raw, authentic sound of the era. The album showcases the band's exceptional talent, captured in a live in studio setting, without the use of pro tools or an automated mixing console. The record was mixed by hand, sometimes with 6 hands on the mixing console at one time. Remarkably, TESLA accomplished the recording of 25 songs in just 30 days, working tirelessly from 10 am to midnight, pausing only for dinner.

Real to Reel Vol I was the first album released under the band's TESLA ELECTRIC COMPANY RECORDINGS. Limited to just 1500 copies, the double LP will be available in a striking clear red vinyl, adding a visually stunning element to the auditory experience.

TESLA's Real to Reel Vol I promises to be a collector's item, offering fans a rare opportunity to own a piece of the band's history in a format celebrated by music enthusiasts worldwide. Make sure to mark April 20, 2024, on your calendars and head to your nearest record store to secure your copy of this iconic release.

Tesla also announced their highly anticipated tour dates for 2024. Titled the "Keepin' It Real" Tour, this electrifying musical journey promises to captivate audiences with their signature sound and unparalleled stage presence.

Tickets for the "Keepin' It Real" Tour are available for purchase at

https://teslatheband.com/tour/

Tesla Tour Dates 2024

May 11 @ 4 Bears Casino in New Town , ND
May 29 @ Pikes Peak Center in Colorado Springs, CO
May 31 @ House of Blues in Dallas , TX
Jun 1 @ House of Blues in Dallas, TX
Jun 4 @ ACL Live at Moody Theater in Austin , TX
Jun 5 @ Aztec Theatre in San Antonio , TX
Jun 7 @ House of Blues in Houston, TX
Jun 8 @ The Fillmore in New Orleans , LA
Jun 11 @ Mission Ballroom in Denver, CO
Jun 13 @ Peppermill Concert Hall in Wendover , NV
Jun 14 @ Peppermill Concert Hall in Wendover , NV
Jun 16 @ Harrah’s Resort SoCal – The Events Center in Valley Center , CA
Jun 17 @ Mesa Arts Center in Mesa , AZ
Jul 19 @ The Mill in Terre Haute , IN
Jul 20 @ Beaver Dam Amphitheater in Beaver Dam , KY ROCK the DAM
Jul 22 @ The Truman in Kansas City , MO
Jul 25 @ Coeur d'Alene Casino Resort in Worley, ID
Jul 27 @ Canyon County Fair in Caldwell, ID
Aug 24 @ New Barn Theatre in Mt Vernon , KY
Aug 25 @ Mountain Music Festival in Gatlinburg, TN
Sep 20 @ Hard Rock Live in Gary , Indiana
Sep 24 @ GLC Live at 20 Monroe in Grand Rapids , MI
Sep 25 @ Foellinger Theatre in Fort Wayne , IN
Sep 27 @ Hollywood Casino at The Meadows in Washington , PA
Nov 9 @ Thunder Valley Casino Resort in Lincoln, CA

That they are still roaring and soaring should be no surprise. That’s just how they are built. TESLA may have been born in the mid-80s, but their bluesy, soulful sound is strongly embedded in the roots of organic, authentic, 1970s rock and roll. The same roots that produced bands like Bad Company, Grand Funk Railroad, AC/DC, Lynyrd Skynyrd, Led Zeppelin and Aerosmith.

The ground started shaking in Sacramento, CA, in 1984; gold country that would soon be producing some platinum. They started out as City Kidd, until a suggested name change to TESLA, honoring the eccentric inventor Nikola Tesla who pioneered all things electrical. Their 1986 platinum debut album, Mechanical Resonance, included Top 40 hits “Modern Day Cowboy” and “Little Suzi.” 1989’s double-platinum The Great Radio Controversy included hits “Heaven’s Trail (No Way Out)” and “Love Song”. Suddenly, TESLA, who had been touring with bands such as Def Leppard and David Lee Roth, earned headlining status. In 1990, TESLA helped reshape the face of modern rock music by stripping down to the Five Man Acoustical Jam, an informal collection of their biggest hits peppered with rock and roll classics by the Beatles, Stones, and others. This album produced their biggest hit single to date, a cover of Five Man Electrical Band’s “Signs.” Other 90s albums from TESLA include platinum selling Psychotic Supper and Bust a Nut. The band continues to record and release material including 9 new albums since 2000.

TESLA’s legacy is alive and well as they continue to record and sellout venues all over the world. As comfortable, rugged, and dependable as your favorite pair of boots, they endure. TESLA is a celebration of the greatest spirits of rock and roll.

TESLA:
Vocals: Jeff Keith
Guitar: Frank Hannon
Bass: Brian Wheat
Guitar: Dave Rude
Drums: Steve Brown

For More Information Please Visit:

Official Website

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BILLY MORRISON Solo Album ‘The Morrison Project’ Out Now Digitally via TLG/VIRGIN MUSIC GROUP

Billy Morrison's highly anticipated solo album, The Morrison Project released digitally today, April 19, 2024, through TLG/VIRGIN MUSIC GROUP.
The album is scheduled for release physically on CD and LP on May 24th. This collaboration marks the genesis of TLG | ZOID as the premier Rock arm within The Label Group's esteemed family of labels.

The current single off The Morrison Project "Crack Cocaine" with Ozzy Osbourne& Steve Stevens broke into the Billboard Top 20 Mainstream Rock Chart this week and currently lands at #16 with a bullet on the Mediabase rock chart. "Crack Cocaine" was #1 "most added" and #1 "greatest gainer" in last week's debut on the charts. The music video starring Paris Jackson already has 2 million plus views on Youtube in its first 2 weeks. Watch the video - below

The Morrison Project promises to be a standout in Morrison's illustrious career, showcasing his exceptional songwriting abilities and visionary creativity. With an eclectic lineup of guest artists, including icons such as Ozzy Osbourne, Billy Idol, Corey Taylor, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, JOHN5, and more, the album offers a diverse and captivating musical journey.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

The British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, has expressed his enthusiasm for the partnership with TLG, highlighting the importance of a record deal that respects the artist's creative freedom and ensures widespread distribution across all platforms. This collaboration not only signifies a forward-thinking move in the music industry but also aligns with the evolving landscape of entertainment, where the integration of digital and virtual spaces is becoming increasingly prevalent.

For More Information Please Visit:

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https://www.tlgent.com/

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High on Fire releases new LP 'Cometh the Storm'

Iconic U.S. rock band, High on Fire, released its new LP, 'Cometh the Storm', yesterday via MNRK Heavy. The GRAMMY Award-winning group, celebrating its 25th anniversary, recorded 'Cometh the Storm' at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort -- the band's ninth studio album -- marks the release of the first new High on Fire music since 2018's 'Electric Messiah' and the first to feature drummer Coady Willis(Melvins, Big Business, Murder City Devils), alongside bassist Jeff Matz, and guitarist/vocalist Matt Pike.

'Cometh the Storm' boasts runic art and design by longtime High on Fire collaborator Arik Moonhawk Roper.

High on Fire will kick off U.S. headlining tour dates in support of 'Cometh the Storm on May 4 in Orlando, FL. The jaunt will feature support from Venezuelan post rock outfit, Zeta, and Massachusetts crossover crew High Command. 

High on Fire 'Cometh the Storm' spring U.S. tour
(w/ Zeta, High Command)

May 4 Orlando, FL Conduit
May 5 Columbia, SC The Senate
May 7 Greensboro, NC Hanger 1819
May 8 Richmond, VA The Broadberry
May 10 Baltimore, MD Baltimore Soundstage
May 11 New Haven, CT Toad's Place
May 12 Jersey City, NJ White Eagle Hall
May 13 Cambridge, MA The Middle East
May 15 Albany, NY Empire Live
May 16 Cleveland Heights, OH Grog Shop
May 17 Detroit, MI The Magic Stick
May 18 Chicago, IL 3 Floyd's Brewing (Dark Lord Day feat. High on Fire, Abbath, Fugitive, 1349, Spiritworld)

TOUR AND TICKET INFO HERE

ELVIE SHANE DELIVERS DYNAMIC STUDIO ALBUM DAMASCUS - OUT NOW

"Country music is increasingly starting to address difficult subject matter and Elvie Shane is at the forefront of that movement.” - Rolling Stone

“This album is a journey that I didn’t want to stop.” -  Storme Warren, The BIG 615

“With each and every release, singer-songwriter Elvie Shane cements his staying power in country music.” - Country Swag

“Elvie Shane originally from Caneyville, Kentucky has labored to make mainstream country that hits a little different….”- Saving Country Music

“The lovely, echoey production and Shane’s captivating voice draw you into a dark tale of a struggle with addiction. Essential listening.” - Music Row on “Pill”

“But when you listen to ‘Pill,’ for all the song's fear and sorrow, its dominant emotion is tender, unconditional love” - Taste Of Country on “Pill"

“Throughout the delivery, the Wheelhouse Records singer/songwriter puts his gritty vocals on display as he unleashes the incredibly raw narrative filled with personal experiences of his past and the lessons he’s taken away from being in those situations.” - Country Now on “Pill”

“relatable, heartfelt and a must-listen” - The Country Note on “Pill"

"His voice retains a world-weary edge, but it’s when the song draws to a close that he showcases the Southern rock rawness it possesses.” - Billboard on “What Do I Know"

“An ode to blue-collar workers that exposes the heart-aching realities of the working class… ‘Forgotten Man’ has more in common with songs such as Hank Williams Jr.’s ‘A Country Boy Can Survive’ than the plethora of poppy, nostalgic anthems out right now, while Shane’s backwoods growl and heartland rock sound sells it hard.”- Billboard on “Forgotten Man"

“The Kentucky singer-songwriter expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud.” - Rolling Stone on “Forgotten Man"

"'Jonesin'' puts all of Shane’s talents to the forefront. The country-rock anthem feels honest, dark, and enticing.” - Country Swag on “Jonesin’"

BBR Music Group/BMG Nashville singer/songwriter Elvie Shane today releases his much anticipated sophomore album DAMASCUS, an ode to his artistic evolution and deep-feeling take on country music, available to listen HERE. Drawing inspiration from the Apostle Paul’s transformative biblical story and the hardened beauty of ancient steel, each of the 13 tracks find Shane stepping into the shoes of another, taking pieces of each character he’s met on his journey, and melding them into one beautifully woven work. Shane co-wrote all songs on the project produced by his frequent collaborator, Oscar Charles.

“There’s 13 songs on DAMASCUS, and a lot of piss and vinegar,” said Shane. “It’s the ‘Outside Dog’ in me that drives me to do this. Welcome to that autobiography, I’d like to formally introduce myself.”

The Kentucky native teamed up with Little Big Town for his track “First Place,” raising a glass to the everyday victory of just getting by. Shane’s gruff vocals couple with Little Big Town’s robust and iconic sound to deliver an irresistible, harmony-laden cocktail, with notes of “Boondocks” and Steve Earle. Watch the behind-the-scenes music video showcasing the making of “First Place” with Little Big Town and highlights from The Damascus Album Stories Tour HERE.

Ranging from Appalachian electro-punk to defiant heartland hip-hop, grungy gospel blues and neon ‘90s twang, Shane’s influences collide in DAMASCUS to tell his story – one that countless others have experienced in one way or another. The project kicks off with “Outside Dog,'' a me-against-the-world prideful anthem that sets the tone for his transformational turbulence and ultimately, self-discovery. The track is followed by the moody, gospel-rock “What Do I Know,” a scathing look into a world at odds with itself, while “Jonesin’” soulfully preaches about the weight of always needing more. 

The album pivots into a new stage of discovery, with the shadowy, electro-soul pulse of "Baptized" and bittersweet blue-collar anthem “Forgotten Man.” Shane tackles the opioid epidemic with the agonizing “Pill,” and the need for prison reform with high-strung, funky “Appalachian Alchemy” and the weary, identity-stripping “215634.” Hope begins to build thanks to the inspirational message of betting on oneself in “Winning Horse.” The tempo picks up with the keys-driven, honky-tonk fun of “Fan On High,” with a reminder to never take life too seriously and the wild-cat swagger of “Chicken Shit.” Shane’s DAMASCUS journey concludes with the heartland-hymn “Does Heaven Have A Creek,” a track that finally finds peace through reflection of what really matters and what comes next.

About Elvie Shane:
Acclaimed champion of the next blue-collar generation, BBR Music Group/BMG Nashville Records’ Elvie Shane has emerged as a country star with his heart on his sleeve, driven by his unwavering determination to aim for impact. A dynamic project of extremes and deep empathy with a sharp-edged fusion of country, rock, and hip-hop, Shane’s sophomore album DAMASCUS tells the deeply-layered tale of his journey through success, struggle and self-discovery – one that countless others battle with each day. The Kentucky native has won over critics, delivering “an ode to blue-collar workers that exposes the heart-aching realities of the working class,” (Billboard) as the project “further cements Shane as a new voice of the damaged, addicted, and lost in country music,” (Rolling Stone). It was another shared life experience that earned Shane his Platinum-certified Number One debut, “My Boy.” The tender tribute to the unconditional love of stepparents took Shane from a country road to the top of the charts, touring the country’s biggest stages as well as overseas and racked up over 400 million streams and counting. The track helped launch Shane’s debut album BACKSLIDER, which was hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, earning spots on many "Best Of” lists alongside new artist nominations from the ACM Awards, CMT Music Awards and iHeartRadio Music Awards. For more information, visit www.elvieshane.com. 

KEEP UP WITH ELVIE SHANE
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MY DYING BRIDE | release new single/lyric video 'Her Dominion' + new record 'A Mortal Binding' is out today

British death-doom legends My Dying Bride are proud to announce that their 15th studio album A Mortal Binding has been released today! The Yorkshire based sextet have also revealed their final album single titled 'Her Dominion', which is accompanied by an evocative lyric video created by Tommy Antonini.

My Dying Bride's Andrew Craighan commented,

"The video very closely represents the downward spiral the song itself is portraying. A twisted internal division masquerading as beauty. Enjoy the darkness."

You can now order A Mortal Binding here: https://mydyingbride.bfan.link/a-mortal-binding
Watch the lyric video for 'Her Dominion' below. 

A Mortal Binding, the much-anticipated follow-up to The Ghost of Orion (2020) finds the Yorkshire-based quintet delighting in anxiety, loss, and toil to resplendent effect. From the raw distress of 'Her Dominion' and twisted horror of 'Thornwyck Hymn' to the funerary violins of the 11-minute monolith 'The Apocalyptist' and the classic-feeling 'The 2nd of Three Bells', A Mortal Binding is pinnacle My Dying Bride. If Songs of Darkness, Words of Light (2004) elevated the band to new heights and A Map of All Our Failures(2012) expanded upon the group’s mid-tens grandeur, then A Mortal Binding stages My Dying Bride’s next exultant phase of elegiac misery.

My Dying Bride hired The Ghost of Orion studio wizard Mark Mynett to produce, mix, and master A Mortal Binding. The group holed up at Mynett’s Mynetaur Productions(Divine Chaos, Rotting Christ) in Manchester, UK, where they tracked the album consecutively from July to September 2023.

For over three decades, My Dying Bride from West Yorkshire have been the voice of the hopeless and broken, combining haunting sounds with crushing misery and melancholy. With their signature sound they've shaped the doom metal scene like barely any other act and integrated both soft violin melodies and violent death metal growls into their music, whilst always staying strictly loyal to themselves. And since the early Nineties, the band's masterminds and founding members Andrew Craighan and Aaron Stainthorpe forged beautiful grief into studio albums with songs of epic length. As My Dying Bride edge past their 33rd year, they’re aging gracefully, remaining as vital and heart-wrenching as ever. The flower withers once more on My Dying Bride’s new record A Mortal Binding, which is out today!

My Dying Bride are:
Aaron Stainthorpe | vocals
Andrew Craighan | guitars 
Lena Abé | bass
Shaun MacGowan | keyboards / violin
Neil Blanchett | guitars 
Dan Mullins | drums

FOLTERKAMMER Unveils New Song, "Die Unterwerfung," New Album Out TODAY

Operatic black metal rising stars FOLTERKAMMER are pleased to finally release their sophomore full-length, 'Weibermacht,' which is now available worldwide as of today via Century Media Records! In celebration, the band is sharing the final single from the offering, "Die Unterwerfung," which can be heard below.

Vocalist Andromeda Anarchia comments on the offering, "This song somehow combines everything that is Folterkammer: classical music elements, raw black metal aggression, historical themes, mythology and quotes from European folklore, portraits of cunning and strong women, strong contrasts, and provocation.

"Folterkammer makes classical music, played by a metal band. Not symphonic music with an orchestral sound, more like a chamber music ensemble playing black metal recitals. Or as we call it: torture chamber music.

"The music of 'Die Unterwerfung' is strongly inspired by the classical aesthetics of the Middle Ages. Thematically, this song is about the old and well-known spicy story of Aristotle and Phyllis, which has been told in the southern part of the German-speaking regions since the Middle Ages. Since musicians are also storytellers, we wanted to translate this story into modern times and create a black metal version of it - and thus keep this wonderful old tradition alive.

"What the story is about: The beautiful and charming Phyllis seduces, tricks and humiliates the intellectual, role model figure Aristotle out of revenge in front of an entire court. Aristotle is then exposed to ridicule and disgrace and flees. In a distant land, he meditates on the deceitfulness of female cunning.

"This tale was written by an unknown court poet. It depicts the motif of the wise and powerful man who is seduced, humiliated, and disgraced by a cunning woman. Two German versions are known, the so-called Strasbourg version and the older Benediktbeuren version. We quote small passages from both versions in the intro of this song, immediately after an altered sequence from a popular German nursery rhyme at the very beginning of the intro.

"There are various explanations for the popularity of this motif: one of them is that it is assumed that the depiction was intended to appeal to the public as a warning against the deceptions and temptations of women and was therefore particularly popular in the religious context of the time.

"The motif of the superior woman who seduces, incapacitates and humiliates the wise man has been known in world literature since the 5th century and was particularly popular in Europe from the 13th to the 16th century. It probably came to Europe from the Orient at the time of the Crusades. The term 'Weibermacht' is an official art and cultural-historical term for this motif. The d*minatr*x embodies this female figure to the fullest, which is why we have highlighted her in our 'Weibermacht' album.

"In addition to the textual evidence, this motif was also widespread in the pictorial representations of the late Middle Ages. Depictions have been found on everyday objects such as knife handles, combs, and stove tiles. Sculptures and façade reliefs in various churches and cathedrals have also been documented. In art, a variety of design techniques were used to depict the motif. In addition to sculptures, drawings, copperplate engravings, woodcuts, ivory carvings etc. are also documented. A concrete example is the woodcut 'Weibermacht' (from 1513, by Hans Baldung Grien). 

"It is obvious that we have also been influenced by this graphic aesthetics for our album cover, painted by the one and only Eliran Kantor."

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

The album artwork for 'Weibermacht' was created by Eliran Kantor

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

Guest Harpsichord: Steve Blanco on "Anno Domina"

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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ROGUE ROYAL Unveils Debut Album 'Different Dimension' - A Thrilling Journey Through Alternative Rock!

Get ready to embark on a sonic adventure as ROGUE ROYAL, the dynamic force in alternative rock, proudly presents their highly anticipated debut album, Different Dimension. Bursting with infectious melodies, thought-provoking lyrics, and boundless creativity, Different Dimensionpromises to captivate listeners and establish ROGUE ROYAL as a formidable presence in the world of alternative music.

Different Dimension showcases ROGUE ROYAL's versatility and dynamism, with each track offering a unique glimpse into the band's collective soul.

“We feel this album has something for everyone. Soft, heavy, and everything in-between.” - Rogue Royal

Different Dimension is more than just an album - it's a statement of purpose from a band on the rise. With its release, ROGUE ROYAL invites listeners to join them on a journey through the depths of their collective imagination, where anything is possible and the only limit is the sky.

The album is now available on all major streaming platforms, and physical copies can be purchased through the band's official website. Fans are encouraged to dive into the world of Different Dimension and experience the magic of ROGUE ROYAL for themselves.

Don't miss your chance to be a part of the next chapter in alternative rock music. Stream or purchase Different Dimension today and prepare to be swept away by the infectious energy of ROGUE ROYAL's debut.

Different Dimension was produced by ROGUE ROYAL, Brett Havens, and Collin Johnson; recorded, mixed, and mastered by Brett Havens; and recorded at Essential Sessions Studio in Arden Hills, MN.

Different Dimension is now available on all major streaming platforms, and physical copies can be purchased through the band's official website. Fans are encouraged to dive into the world of Different Dimension and experience the magic of ROGUE ROYAL for themselves.

Don't miss your chance to be a part of the next chapter in alternative rock music. Stream or purchase Different Dimension today and prepare to be swept away by the infectious energy of ROGUE ROYAL's debut.

Purchase / Stream "Now Or Never"

Clay Deters - Lead Vocals/Guitar
Mony Ray - Lead Guitar / Vocals
Kyle Rutten - Bass / Vocals
Collin Gibbs - Drums

Hailing from Minneapolis, ROGUE ROYAL is a hard hitting, high energy rock band that captivates audiences with their powerful sonics. Their music is known for its blend of soaring guitars, thick vocals, and thunderous rhythm section. Drawing inspiration from a variety of modern and classic acts like ALICE IN CHAINS, ALTER BRIDGE, the FOO FIGHTERS, AEROSMITH, JIMI HENDRIX, and southern rock heroes LYNYRD SKYNYRD, ROGUE ROYAL has roots that run deep. With their boundless energy and ambitious spirit, the band delivers unforgettable live performances that will leave you craving for more.

Contact

Management: Jon Lawhon - emberstonellc@yahoo.com
Band: Clay Deters - milkhouseprod@gmail.com
Booking: Kevin Harris - kevin.harris@fullcircleofficial.com
Festival Booking: Tim McFarland - deathbymetal66@gmail.com
Press/PR: Tom George - tomgeorgepr@gmail.com

Kenny Chesney Gives BORN Classic Vinyl Treatment

Kenny Chesney debated about creating a vinyl pressing of BORN. Given its length – 15 songs – there was no way it could fit on one disc, and he didn’t want to choose which songs to leave off. He also knows the people who love listening to actual records are a very special breed of music lover, who cherish the old school needle-on-vinyl experience.
 
“I’m lucky,” says the songwriter/superstar from East Tennessee. “I have fans who still believe in the actual listening experience, starting an album at the beginning and taking the journey the songs are creating. Experiencing and asking ‘how does this music define a moment or a state of life? How does it color or reflect my mind?’
 
“So much of my own life’s been defined by what I was listening to over the years, and still is. That’s a whole different way of consuming music than just a hit. Knowing that, I decided to go ahead and do vinyl. It’s a limited run, but it’s there for all the people who put on albums and make that kind of listening a destination. For anyone who sinks into the songs, this is for you.”
 
Having delivered the No. 1 selling album in America in any genre on release – a distinction missed by many in a world where streaming has become the dominant point of consumption – and a Top 5 Country album across all consumption metrics, it speaks to No Shoes Nation’s desire to own Chesney’s complete albums. 
 
BORN, one of Esquire’s Most Anticipated Releases of 2024, inspired deeper consideration. Men’s Journal assessed it “a pretty wide look at what life is made of – tricky stuff in relationships, chasing memories, kicking back, losing friends.” Holler raved, “quintessential Kenny Chesney...a masterpiece,” deeming it “an examination of a life well lived – of the bliss, the heartbreak, the silver linings, the healing... These stirring portrayals of grief and healing add new depth to the live-in-the-moment anthems Kenny has become synonymous with.”
 
Whether the grab-the-moment rush of “Just To Say We Did,” sweeping drama of “One Lonely Island,” or naughty no-strings rhythms of “Guilty Pleasure,” plus chilled philosophizing of “This Too Shall Pass,” BORN honors No Shoes Nation’s unquenchable desire to live life to its absolute peak. But as reviewers note, Chesney also draws on the contemplative with the philosophical “The Way I Love You Now,” the pensive female freedom of “Top Down” and closing toast to those who’ve passed away “Wherever You Are Tonight,” which esteemed critic and historian Robert K. Oermann called an “anthem that will endure” in Music Row.
 
“It’s a lot of music, and a lot of life,” Chesney acknowledges. “I realized all that can be taken in in different ways. While we’re only doing a limited pressing, which will be available at select retail stores and through the website, I wanted this music to be in whatever form No Shoes Nation wants to experience it through...”
 
Fans can pre-order here beginning April 18 at 11 p.m. CT to reserve their copy. With the Sun Goes Down 2024 Tour kicking off this weekend at Tampa’s Raymond James Stadium on Saturday April 20, BORN in double-disc vinyl marks a tangible way to take the music home for the summer. 

Benighted Release New Album

"It's fucking badass, plain and simple.  Santé, mes amis. Très bien" - Metal Sucks

"Everything about this album definitely makes your skin crawl" - A&P Reacts

"A primo, chunkified dose of deathgrind supremacy" - Angry Metal Guy

"Somehow manage to strike an even richer vein of the material that they'd already been mining for albums past" - No Clean Singing

"Pure caustic fun" - Dead Rhetoric

On their tenth album, Benighted twist their brutal brand of death metal into something truly tormenting. Ekbom is named after a real-life psychological phenomenon that makes people believe their skin is infested with bugs.

Ekbom comes out today on Season of Mist. Listen to the whole terrifying experience on Season of Mist's YouTube channel.

Listen to Ekbom: https://youtu.be/MT2OBVFVNFg

Order & Stream: https://orcd.co/benightedekbompresave

Ekbom crawls under your skin with writhing riffs and blast beats that will raise the hairs on the back of your neck. Just try not to shiver while watching the  bugged-out music video for lead single "Scars".

On "Nothing Left to Fear", Archspire's Oli Peters adds a new dimension of vocal terror, contorting seamlessly with Benighted's terrifying speed.  At 402 BPM, this song proves that when it comes to the realm of death metal, this veteran French band are fearless.

Benighted recorded Ekbom at the studio of producer Kristian Kohlmannslehner, who's worked with bands like Aborted and Powerwolf. Germinating from this lair of dark, intricate production, "Metastasis" cultivates brutal, blackened death metal into a chorus that will crack open the deepest, darkest recesses of your skull.

Ekbom is just waiting to test your sanity. Let it crawl into your ears.

For the first time in almost a decade, this fall, Benighted are slithering across the ocean to treat Canadian metalheads with a heavy dose of brutal death metal. They'll be performing songs off Ekbom alongside New Jersey technical death metal malevolents Cognitive.  

"Canada!! Finally, after 9 years, we'll be back", says vocalist Julien Truchan. "We can't control our excitement to arrive and show you our new album, Ekbom, live on stage! We'll have the pleasure to do this Canadian Infestation tour along with our brothers in Cognitive. Let's make this tour unforgettable together!"

Dive into the darkest realms of the human psyche as BENIGHTED, the French purveyors of brutal death metal & grindcore, unleash their tenth full-length album Ekbom in April 2024. The madness that has defined their discography continues with this radical soundtrack to the twisted times we inhabit.

Born from French Death and Black metal bands Dishumanized, Darkness Fire, and Osgiliath, Benighted emerged in 1998 with a mission to explore a more brutal, heavy, and modern form of musical expression. The impact of their first self-produced and self-titled full-length album in 2000 transformed Benighted from a side-project into a main act, quickly amassing a devoted fan base. Subsequent albums like Psychose (2002), Insane Cephalic Production (2004), Identisick(2006), and Icon (2007) further cemented their visceral, skull-breaking sound into extreme death metal history.

After a detour into the realms of Necrobreed in 2017, Benighted celebrated their 20th anniversary by capturing the live madness with Dogs Always Bite Harder Than Their Master in 2018.

With Obscene Repressed, they once again took sadistic pleasure in pushing the boundaries of brutality, delving into the disturbed mind of little Michael. His relentless battle against demons, fueled by unresolved oedipal issues with his mother, provided a grotesque tableau for Benighted's sonic butchery. Not content with merely slaughtering everything in their auditory path, Benighted crafted thematically explorative pieces, each turn in their music revealing new layers of horror and despair.

As the relentless journey continues, Benighted is set to unleash Ekbom in April 2024, an album that draws inspiration from the nightmarish 'Ekbom syndrome.' This rare neurological disorder, also known as Delusional Parasitosis, forms the thematic core of the upcoming release. A feeling of having a vile concoction of parasites, worms, and insects crawling under your skin is an apt description of what Benighted have to offer on this newest release. The auditory assault mirrors the repulsive sensations of the syndrome, a visceral and unsettling journey into the abyss of the human mind.

Madness reigns yet again, this time intertwining with the haunting echoes of Ekbom syndrome. Brace yourselves for another mind-shattering chapter in the Benighted saga as they continue to carve their niche in the putrid annals of extreme metal, leaving a trail of sonic disgust in their wake.

Line-up
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Kevin Paradis - Drums

Recording studio
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering engineer
Kristian Kohlmannslehner

Guest musicians
Oliver Peters (Archspire) on "Nothing Left to Fear"
Xavier Chevalier (Blockheads) on "Fame of the Grotesque"

Biography: Sébastien Gamez

Cover art: Grindesign (Rob Borbas)

Pre-save: https://orcd.co/benightedekbompresave

Pre-order: https://redirect.season-of-mist.com/BenightedEkbom

Links:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/us/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180 

Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Transparent Yellow & Black Marbled
12" Coloured Vinyl Gatefold - Golden
12" Liquid Vinyl Gatefold - Blood Red Liquid-Filled