Get Escuela Grind's new EP right now!

ESCUELA GRIND GET REVOLVER MAGAZINE
FAN POLL PICK FOR 5 BANDS MOST LIKELY TO BREAK OUT IN 2024

"While it's unlikely that any grindcore band could scale to Sleep Tokenor Turnstile heights, Escuela Grind would be the ones to pull it off," says Revolver.

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.

Fresh off U.S. spotlight tour dates with Baroness, and the extreme metal legends, Napalm Death, who took the young U.S. band under its proverbial wing in 2023, Escuela Grind is inarguably one of the hungriest young groups in music today. Escuela Grind has engaged in a seemingly unending live gauntlet since the September 2022 release of its LP, 'Memory Theater', relentlessly trekking the globe to bring its eye-opening energy and sound to welcoming music fans the world over. 

In sync with the release of 'DDEEAATHHMMEETTAALL', Escuela Grind has kicked off a massive U.S. headlining tour, which launched on January 10. The five-week, 39-city winter trek will criss-cross the country, running through February 17. Support on the Escuela Grind tour is provided by Take Offense, Come Meirda, Slow Pulse, Bonginator, Frog Mallet, and Brat.

GET TICKETS HERE

SEE ALL ESCUELA GRIND MUSIC + MERCH

SNEAKER PIMPS' IAN PICKERING / THE NOISE WHO RUNS present short film, complementing 'Come and Join The Beautiful' Army' EP

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk as the progenitors of punk and orderly chaos of early post-punk" ~ The Spill Magazine

"A brooding electronic swirl that ably captures the feeling of floating in space. Dark matter courses through the veins of ‘Mars Attached’... could be the lament of a proxy Major Tom, far from home and reflecting on the life he left light-years behind"~ Joyzine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review

UK-France duo The Noise Who Runs presents a short film, showcasing their new five-song EP ‘Come and Join the Beautiful Army’, which also includes the bonus instrumental track ‘Goalmouth Interlude’. Just shy of 20 minutes, the film was spawned from uncertainty over what the second and third singles would be after the opening track 'One Scratch Each'. Ultimately, the idea to create a film for the EP as a whole, rather than just individual songs, seemed a more interesting challenge.

The Noise Who Runs revolves around songwriter Ian Pickering (of Sneaker Pimps and Front Line Assembly). Native to Hartlepool in the north-east of England, Pickering co-authored such Sneaker Pimps hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. In 2019, he launched this project with Brazilian-French guitarist Felipe Goes, three years after relocating to Lille, France.  

This dark, brooding and sometimes disquieting collection straddles the line between hope and despair, defeat and optimism. These contradictions are embodied in the more full-on electronic approach with a stripped, more keyboard-oriented sound largely absent of any overt electric guitars, and the almost casual, nursery rhyme abstract cynicism of the lyrics.

“There are themes and ideas running through all the songs and the film reinforces and highlights those. There are various images that are repeated or linked across the whole thing, sometimes as quite literal broad strokes to fit the lyrics and sometimes more abstract juxtapositions as well as more off the wall, poetic references,” says Ian Pickering.

This audio-visual element complements TNWR's music with certain repeating visuals - swirling vortexes, tunnels, marching boots, protests, water, fire and ice - giving strong cohesion to the EP's themes and raising the finished product comfortably beyond visualiser into art film territory.

Mixed and mastered by Colin C at The Cell Studio, this album follows their debut album ‘Preteretrospective’, released in April 2023 to rave reviews and airplay in more than 40 countries. Earlier, The Noise Who Runs released the singles 'One Scratch Each''Mars Attached' and ‘Tune Out, Turn Off, Drop In’.
 
Lyrics, arguably, are Pickering’s greatest strength and certainly the songs on ‘Come and Join the Beautiful Army’ only add to his reputation. Here we have genuine poetry; insightful, disarming, original and unique.

“This EP is a call for solidarity in a world constantly being sown with division and discord. So far, the start of the 21st Century seems remarkably like repeating the mistakes of the early 20th Century. In the First World War, all that flag-waving, jingoistic sense of and pride in nationality across Europe, the othering of governments and nations all engaged in the same exploitation of other continents, resulted in the most obscene and needless carnage and it feels today as if nothing has changed, save that rather than conscript us all and send us to France and Belgium for the slaughter, the big push would appear to be starving us to death in our own homes while we work all the hours of the day for a monthly wage that barely covers the cost of living," says Ian Pickering.
 
“The beautiful army would be the people who reject the pathetic culture wars of populists, who proceed with compassion and empathy rather than instantly resort to knee-jerk outrage and sincerely believe that the some kind of optimistic future can still be salvaged from the slow motion chaos of the inevitable car crash in which we are currently forced to be passengers.”

'Come and Join The Beautiful Army' is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at The Cell Studio 
Publicity by Shameless Promotion PR
Artist photos by Élodie Duhoo
Original front cover illustration ‘The Marching Boots’ by Alex Armitage


Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Dalton Dover Releases 'Take Me Home: Covers' + Video for "Go Rest High On That Mountain"

Rising country artist Dalton Dover releases Take Me Home: Covers via UMG Nashville/Mercury Records, a musical journey that pays homage to his roots while honoring some of the songs that laid the groundwork for the artist and songwriter he is today. Listen HERE. Also out today is the official music video for “Go Rest High On That Mountain,” shot in Georgia, near Dover’s childhood home.
 
“My grandfather is the person that introduced me to country music. He’d play his records, and I remember thinking, ‘I want to do that. I want to tell stories and write songs that are relatable to everyone,’” shares Dover. “The songs we chose are timeless, so I wanted to stay faithful to the spirit of each one, but I loved getting to put some of my own style into it too.”
 
The project includes Vince Gill’s “Go Rest High On That Mountain” with backing vocals from the 22x GRAMMY winner himself and a rousing performance of Alabama’s “Mountain Music.” The Georgia native introduced the collection with John Denver’s “Take Me Home, Country Roads,” with MusicRow praising, “Think again, if you think you’ve heard this oldie often enough. Dover’s slowed-down, gentle, caressing, thoughtful reading of the lyric brings a whole new dimension to the song,” as Wide Open Country observes, “By singing one we all know, Dover drew attention to his smooth twang and his innate ability to make us feel the emotions packed in every line.” 
 
After honing his live show with festival dates and supporting acts such as Luke Combs, Tyler Hubbard, Sam Hunt, Parker McCollum, Justin Moore and Chase Rice, Dover will join Larry Fleet on The Earned It Tour later this month ahead of his headlining Never Giving Up On That Tour kicking off in April. Tickets are on sale now at DaltonDoverOfficial.com.
 
Dover is signed with United Talent Agency for worldwide booking representation in all areas, along with Sony Music Publishing Nashville in partnership with Droptine Music Publishing. For more information, visit DaltonDoverOfficial.com or follow along on Instagram, TikTok, Twitter and Facebook.

Dalton Dover Tour Dates
 
Feb. 13 // Grand Ole Opry // Nashville, TN
Feb. 15 // ETSU Martin Center for the Arts* // Johnson City, TN
Feb. 16 // The Ritz* // Raleigh, NC
Feb. 17 // Tabernacle* // Atlanta, GA
Feb. 29 // Iron City Bham* // Birmingham, AL
March 1 // The Fillmore Charlotte* // Charlotte, NC
March 2 // The National* // Richmond, VA
March 7 // KUZZ Class of 2024 Show at Buck Owens’ Crystal Palace // Bakersfield, CA
March 14 // Jannus Live* // St. Petersburg, FL
March 15 // The Ranch Concert Hall & Saloon* // Fort Myers, FL
March 16 // Clewiston Sugar Festival // Clewiston, FL
March 26 // Breland & Friends 2024 at Ryman Auditorium // Nashville, TN 
April 5 // House of Blues – Bronze Peacock // Houston, TX
April 6 // The Lot // Mansfield, TX
April 11 // 40 Watt Club // Athens, GA
April 12 // The Barrelhouse Ballroom // Chattanooga, TN
April 13 // The Open Chord // Knoxville, TN
April 20 // Coast City Country // Vancouver, Canada
April 26 // Terminal South // Tifton, GA
April 27 // Capitol Theatre // Macon, GA
June 20-22 // Country Jam // Mack, CO
June 28 // Country Fest 2024 // Cadott, WI
July 4 // I-105 Country Freedom Fest // Quarryville, PA
Aug. 17 // Lasso Festival // Montreal, Quebec
 
*Supporting Larry Fleet

About Dalton Dover
Lauded by MusicRow as a “master country talent,” Dalton Dover’s latest release Take Me Home: Covers showcases his roots and influences growing up in Georgia. His debut radio single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds and can be found on his latest EP Never Giving Up On That, featuring eight tracks including “Night To Go,” “Baby I Am,” “Hear About A Girl,” and more. Named a 2024 Tidal Artist to Watch, Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, he will embark on his headlining Never Giving Up On That Tour in early 2024. Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit DaltonDoverOfficial.com or follow along on InstagramTikTokTwitter and Facebook.

Sleep Theory Share "Fallout — Reimagined" Lyric Video — WATCH

PAPER HEARTS EP OUT NOW VIA EPITAPH RECORDS

BAND TOURING WITH BEARTOOTH THROUGH FEBRUARY

WILL RETURN TO THE ROAD WITH WAGE WAR + NOTHING MORE IN APRIL + FOR MAJOR FESTIVALS

Breakout four-piece Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — were one of the biggest success stories of 2023. With monthly streams numbering at nearly 10 million per month, a Top 10 track at Active Rock, and a full slate of touring though early summer, the band continues to grow by leaps and bounds.

Today, they release the lyric video for "Fallout — Reimagined." It's a softer, contemplative, and cinematic take on the raw-edged original but it's just as powerful. Watch it below

"When we decided to reimagine this song, we wanted to peel back some of the musical layers and let the lyrics take center stage," the band explains. "Each one of us in the band has our own personal connection to this song, and by sharing this version, we hope to connect even more with you. Our goal is to create a space where everyone can relate to the emotions and stories embedded in our music. We're excited to share this new rendition and hear how it resonates with you all."

Watch the video for the original here.

The band's Paper Hearts EP is out now via the Epitaph Records. Get the EP, which has been streamed over 57 million times, here.

Sleep Theory are in the middle of a 40-date trek with Beartooth, The Plot In You, and Invent Animate in Winter 2024. The band will next hit the road with Wage War and Nothing More in the spring. All upcoming Sleep Theory tour dates are below, including festival appearances at Sonic Temple, Rock Fest, So What?!, Welcome to Rockville, and more. 

Since bursting onto the scene earlier this year, Sleep Theory have gone from strength to strength — and they show no signs of slowing down.

The Paper Hearts EP features two buzzy singles — "Numb" and "Gone or Staying" — and the songs have established Sleep Theory as one of the most exciting and talked about artists of 2023. The band was praised by Loudwire for its ability to "adapt 2000s arena rock and nu-metal for the future with their anthemic metal-tinged sound that would please any fan of Linkin Park and their ilk. At once enthralling, emotional and disarming, Sleep Theory's supercharged single 'Numb' is everything a radio rock fan could want. You'll be humming it for days after." 

 With further press coverage from American Songwriter, Billboard, Celebrity Access, and Punktastic and with forthcoming coverage at Men's Journal, Consequence, and Alt Press, they've enjoyed major nods from SiriusXM's Octane. They've toured with everyone from Shinedown to Set It Off, shared stages with I Prevail and Falling In Reverse, and have appeared at Louder Than Life, Rock Fest, ShipRockled, and Point Fest. They also count Jellyroll and Disturbed David Draiman as fans.

PHOTO CREDIT: Alex Bemis

SLEEP THEORY ON TOUR:
WITH BEARTOOTH, THE PLOT IN YOUR, + INVENT ANIMATE:
2/11 — Tampa, FL — Jannus
2/13 — Huntsville, AL — Mars Music Hall
2/14 — New Orleans, LA — House of Blues
2/15 — Houston, TX — White Oak Music Hall
2/17 — San Antonio, TX — Boeing Center at Tech Port
2/18 — Dallas, TX — House of Blues
2/20 — Phoenix, AZ — Van Buren
2/21 — San Diego, CA — Soma
2/22 — Los Angeles, CA — The Wiltern
2/24 — Sacramento, CA — Hard Rock Hotel & Casino
2/25 — Portland, OR — Crystal Ballroom
2/27 — Seattle, WA — Showbox SoDo
2/28 — Spokane, WA — Knitting Factory
3/1 — Boise, ID — Knitting Factory
3/2 — Salt Lake City, UT — The Complex
3/3 — Denver, CO — The Fillmore
3/5 — Fargo, ND — Sanctuary Events Center
3/6 — St. Paul, MN — Myth Live
3/8 — Chicago, IL — Riviera
3/9 — Madison, WI — The Sylvee
3/10 — Sauget, IL — Pop’s
3/12 — Indianapolis, IN — Egyptian Room at Old National Center
3/13 — Nashville, TN — Marathon Music Works
3/14 — Fort Wayne, IN — The Clyde Theater

WITH WAGE WAR, NOTHING MORE, + VEIL OF MAYA:
4/16 — Charlotte, NC — The Fillmore
4/17 — Birmingham, AL — Avondale Brewery
4/18 — New Orleans, LA — The Fillmore
4/19 — Tampa, FL – Amalie Arena*
4/20 — Orlando, FL – Central Florida Fairgrounds*
4/22 — Grand Junction, CO — Las Colonias Park
4/24 — Riverside, CA — Riverside Auditorium
4/25 — San Diego, CA — Observatory Northpark**
4/28 — Albuquerque, NM — Revel
4/30 — Kansas City, MO — The Midland Theatre
5/1 — Des Moines, IA — Val Air Ballroom
5/3 — Green Bay, WI — EPIC Event Center
5/4 — East Moline, IL — The Rust Belt
5/5 — Omaha, NE — The Astro
5/7 — Madison, WI — The Sylvee
5/10 — Daytona, FL – Welcome To Rockville
5/12 — Pittsburgh, PA — Stage AE**
5/14 — Norfolk, VA — The National
5/15 — Greensboro, NC — Piedmont Hall
5/17 — Indianapolis, IN — Egyptian Room at Old National Centre
5/18 — Maryland Heights, MO – Pointfest
5/19 — Columbus, OH — Sonic Temple
6/1 — Fort Worth, TX – So What!? Fest
7/18 — Cadott, WI – Rock Fest
7/20 — Grand Rapids, MI — Upheaval Fest
 *With Staind, Seether, Asking Alexandria, Dayseeker, Ayron Jones, Tim Montana
**Nothing More, Veil Of Maya + Sleep Theory only

Avatar Issue Vinyl Bundles With Exclusive Tracks, Limited to Only 300 Copies

AVATAR RELEASING 7" SINGLES AS BUNDLES WITH EXCLUSIVE + UNRELEASED TRACKS

ONLY 300 BUNDLES ARE AVAILABLE + A "MUST OWN" FOR DIEHARD FANS + COLLECTORS


The heavy metal 'n' roll, dark, madcap visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — are releasing three exclusive 7" single vinyl bundles via the band's web store. The three vinyls, "Dance Devil Dance," "Chimp Mosh Pit," and "The Dirt I'm Buried In" each have a B-side with exclusive content. 

Get them here.

The "Dance Devil Dance" vinyl will include the unreleased track "Make It Rain."

The "Chimp Mosh Pit" vinyl will feature the unreleased track "On the Other Side of Tonight."

The "The Dirt I'm Buried In" vinyl will include the bonus track "The Dirt I'm Buried In (Live in Paris)."

Neither "Make It Rain" nor "On the Other Side of Tonight" have ever been released before! The only way for fans to listen to them will be through purchasing these extremely limited vinyls, which are bundled as a collector's item for fans!

Only 300 of each vinyl have been made, furthering their status as "must owns" for your Avatar collection. 

2024 will be quite a year for Avatar! With headline tours in Europe and Latin America announced, and festival dates in the U.S., the band is set to have a monumental start to their year. Europe already has nine sold-out shows, with many others on their way to selling out. Avatar's first headline tour in Latin America is a milestone in and of itself. The band will headline a Sonic Temple stage this May — their first headline set at a DWP Festival.

U.S. FESTIVAL DATES: 
5/17 — COLUMBUS, OH — SONIC TEMPLE
5/18 — 3/YLAND HEIGHTS, MO — POINT FEST
5/19 — MILWAUKEE, WI — MILWAUKEE METAL FEST 

NITE Announce Shows Around Hell's Heroes

NITE are carrying the torch for Bay Area metal to Houston, Texas for Hell’s Heroes this March. The blackened San Franciscan four-piece are known for galloping riffs and an undeniably heavy rhythmic chug, but along the way, they’re making several pit stops at some familiar haunts.

Pump your fist to the melodic thrashing of “The Trident”, along with other choice cuts from Voices of the Kronian Moon and their recently reissued debut Darkness Silence Mirror Flame. Fans on this tour will also get a first taste of NITE's forthcoming third album, as the band will be road testing some brand new material.  

Don't miss select shows with ice metal masters Persekutor and the trad metal warriors of Intranced. The lineup is especially stacked on March 29 in Palmdale, California, where NITE will also be joined by Fresno heavies Haunt and New York's Tanith, which features members of Satan.  

Get tickets: https://redirect.season-of-mist.com/nite-tix

Stream: https://open.spotify.com/album/6A51bOclEcCXsNWNGh9nTj
Order : https://redirect.season-of-mist.com/nite-merch

2024 March to Hell Tour
March 16 - Los Angeles, CA @ 1st Street Pool Hall w/ Persekutor, Intranced, Acero Letal. [TICKETS]
March 17 - Las Vegas, NV @ The Dive w/ Persekutor, Intranced. [TICKETS]
March 18 - Salt Lake City, UT @ Aces High Saloon [TICKETS]
March 19 - Denver, CO @ Hi-Dive [TICKETS]
March 20 - Tulsa, OK @ The Whittier Bar [TICKETS]
March 21-23 - Houston, TX @ White Oak Music Hall (Hell’s Heroes VI w/  Queensryche, Solitude Aeturnus, Cirith Ungol) [TICKETS]
March 24 - Austin, TX @ The Lost Well [TICKETS]
March 25 - El Paso, TX @ Rockhouse Bar & Grill [TICKETS]
March 26 - Albuquerque, NM @  Long Hair Records [TICKETS]
March 27 - Tempe, AZ @ Yucca Tap Room (FREE SHOW)
March 28 - Costa Mesa, CA @ The Wayfarer w/ Persekutor, Intranced [TICKETS]
March 29 - Palmdale, CA @ Transplants Brewing Co. w/ Haunt, Tanith, Persekutor, Intranced [TICKETS]

The San Francisco Bay Area has a history steeped in forward-thinking, technically dazzling metal, and NITE carries that torch with pride. Founded in 2018, their blackened heavy metal brand barrels towards the peril of an unknown future, while keeping one eye on the days when blistering leads once ruled the land. Guitarists Van Labrakis (Satan’s Wrath, Mencea) and Scott Hoffman (Dawnbringer, High Spirits) let loose galloping riffs and harmonies that evoke the classic sounds of the N.W.O.B.H.M., with Labrakis’ grizzled voice driving their dark, melodic metal into the modern era.

With Avinash Mittur (Wild Hunt) replacing founding bassist Bryan Coons in early 2021, he and drummer Patrick Crawford (Serpents of Dawn, Older Sun) make up a rhythm section that’s fierce yet breathlessly precise: a freewheel pounding reminiscent of the early days of heavy metal, with a Rickenbacker-powered roar fueling the low end. NITE’s debut full-length Darkness Silence Mirror Flame, released in March 2020 by Creator-Destructor Records, earned widespread praise. It showcased their fist-raising classic heavy metal that nearly every fan of the genre once fell in love with, but with a twisted and shadowy edge that the titans of old could never imagine. NITE is the flame of the past illuminating the darkness of tomorrow.


Lineup
Van Labrakis - Guitar, Vocals
Scott Hoffman - Guitar
Bryan Coons - Bass
Pat Crawford - Drums

Recorded, mixed and masteredby Van Labrakis at 210 Studios San Francisco and The Hoagie Container.

Producedby Van Labrakis and NITE.

Artworkby Misanthropic-Art Illustrations

Order:https://shop.season-of-mist.com/list/nite-darkness-silence-mirror-flame

Formats:Digital, CD digipak, vinyl black and colored

Lineup:
Van Labrakis: Guitar / Vocals
Scott Hoffman: Guitar
Avinash Mittur: Bass
Patrick Crawford: Drums

Recording Studio: 210 Studios San Francisco and The Hoagie Container 

Producer: Van Labrakis and NITE

Mixing, mastering, sound engineer: Van Labrakis

Cover Art: DEIH

Links:
Website: http://nitemetal.com
Facebook: https://www.facebook.com/nitemetal
Twitter: https://twitter.com/nitemetal
Instagram: https://www.instagram.com/nitemetal
YouTube: https://www.youtube.com/channel/UCo7-UhuJNohvsMB2DP05LAQ
Bandcamp: https://nitemetal.bandcamp.com/
Spotify: https://open.spotify.com/artist/6MjCnAA9RF0vy3j6QYyLG0
Apple Music: https://music.apple.com/us/artist/nite/1499573755

BEING AS AN OCEAN Celebrate Release Of New Album With Music Video For New Track "Gloom"

Melodic hardcore trailblazers Being As An Ocean have released their much-anticipated new album 'Death Can Wait' (out now via Out Of Line Music) today. In celebration of the release, the band have also shared an evocative visualizer for focus track "Gloom". The album is available now on all major platforms HERE. Watch the official music video for Gloom Below.

"Gloom" presents a raw and introspective look at the personal battles we all face. The track underscores the band's signature blend of emotive storytelling and layered soundscapes, speaking to the resilience of the human spirit. Speaking on the themes and inspiration for the new track, Being As An Ocean share

"Gloom is a song about recognizing our own personal demons and the character flaws that we all have. With self-awareness, we can begin to see when they pop up and poke their heads into our lives. We can fight back. Each of us have different 'monsters' inside of us, but that also means with practice and growth, we each have different heroic qualities in us. These are the positive things that we must grow and foster out of necessity to fight our own personal mental battles. We then take those strengths and bring them into the physical world as forces of change for good. The song is an encouragement to anyone who is struggling with an internal battle. As long as you continue to fight and persevere, with grace, acceptance, and love for yourself, you will grow more than you could have ever imagined. We can slay or at least tame the monsters in us,"

Today's release of 'Death Can Wait' was preceded by singles "Death Can Wait", "Swallowed By The Earth", "Flesh And Bone" and "The Fullness of My Being". Combined with the 6 new tracks released today, 'Death Can Wait' is another extremely personal set of songs loaded with pure emotion that continue the band's legacy of crafting deep, introspective music that speaks to the soul and offers a profound and introspective journey through the band's latest musical explorations.

Being As An Ocean have just begun a UK & European tour next month with Currents on their 'The Death We Seek UK/EU Tour' with Oceans Ate Alaska and Sentinels. For tickets and for more info, head HERE.

ABOUT BEING AS AN OCEAN

Being as an Ocean is a post-hardcore/melodic hardcore band hailing from Southern California. Formed in 2011, the band has been on a journey of self-discovery and artistic evolution, constantly pushing the boundaries of their genre.

In 2012, Being As An Ocean released their debut album, "Dear G-d...," which garnered immediate attention and marked the beginning of their rise in the music scene. With their emotionally-charged sound, Being As An Ocean has left an indelible mark on the alternative music landscape. Their music has resonated with countless people, offering comfort and strength during life's most challenging moments. They have inspired a generation of musicians to be fearless in their exploration of emotion, lyricism, and sound.

Since then, the band has toured the world multiple times over and released career defining records such as “How We Both Wondrously Perish” in 2014, “Waiting For Morning To Come” in 2017, and "PROXY" in 2019. With their unique blend of honesty, vulnerability, and artistic innovation and the release of their new album "Death Can Wait" through label Out Of Line music, there's no doubt that Being As An Ocean will continue to make an impact one heartfelt song at a time.

Photo Credit - Murry Deaves

STELLAR CIRCUITS RELEASE 'SIGHT TO SOUND' DELUXE EDITION AHEAD OF U.S. & EUROPEAN TOURS

North Carolina’s stellar progressive metal band STELLAR CIRCUITS has announced the release of a Deluxe Edition of their breakthrough album, Sight To Sound, out now from Nuclear Blast Records. The critically praised record has been digitally reissued with 4 unreleased bonus tracks, just ahead of their first European tour with PERSEFONE, HYPNO5E and LAMPR3A in February/March and U.S. dates with CALVA LOUISE and VUKOVI in May.

Commenting on the Sight To Sound Deluxe Edition and tour, vocalist Ben Beddick says:

We’re excited to finally release the extra tracks from the Sight to Sound recordings. Overall we felt  that these songs were best presented as a deluxe or extended version of the album. The 4 extra tracks all seem to have a common tonality and hold a place that’s all their own within the sequence of our new record.

The fact that this release coincides with our first ever international tour makes it that much better. We cannot wait to play these new songs for the fine folks of these European nations. It will be a dream come true.

With the Deluxe Edition’s release comes the visualizer for the lead bonus track ‘The Magician,’ which can be viewed below.

Stream Sight To Sound (Deluxe Edition): https://sc.bfan.link/sight-to-sound-dlx

Tickets for the upcoming tours can be purchased here: https://stellarcircuits.com/shows

U.S. 2024 w/CALVA LOUISE & VUKOVI

May 8 - Carrboro, NC - Cat’s Cradle - Back Room

May 9 - Atlanta, GA - The Masquerade (Purgatory)

May 13 - Nashville, TN - The Basement

May 14 - St. Louis, MO - Blueberry Hill Duck Room

May 16 - Ferndale, MI - Loving Touch

May 17 - Chicago, IL - Subterranean

May 19 - Washington, DC - DC9 Nightclub

May 21 - Philadelphia, PA - Kung Fu Necktie

May 22 - Boston, MA - Brighton Music Hall

May 23 - Brooklyn, NY - Baby’s All Right

About STELLAR CIRCUITS:

Formed in 2015, Stellar Circuits emerged to combine the conceptual polarities of groove-oriented music with progressive-minded technicality. Over the quartet’s lifespan, they’ve managed to fulfill their own prophecy, formulating a core sound that is complex and layered, while providing a listenability that extends well beyond the rock genre. Visceral, intellectual, groovy, technical, and melodious are rarely indicators that can all be used to describe the aural essence of one band. In the case of Stellar Circuits, the rare combination makes a striking and definitive appearance in all they do. 
 
The Winston-Salem, NC foursome followed their 2015 debut EP with their first full-length album in 2018. Ways We Haunt would be recorded with North Carolina’s own Jamie King (Between The Buried And Me, He Is Legend), a legend in his own right, bringing his signature touch to Stellar Circuits’ first long form release. 
 
Generating significant attention, especially from the band’s more veteran industry peers, Stellar Circuits would go on to be invited as special guests on Chevelle’s 2021 N.I.R.A.T.I.A.S. tour. Completing a nationwide trek that introduced Stellar Circuits to a significantly broader audience, the foursome immediately saw their fanbase increase exponentially, prompting a shift in their attention to a new record with which they could continue to build on the solid foundation they had since established.

Sight to Sound, Stellar Circuits’ sophomore release, sees the band working once again with Jamie King to convey their growth and expansion on what they do best. Vocalist frontman Ben Beddick highlights the forward momentum, relaying how the band “wanted to push past the point of comfort when writing this music. To make something real and honest that we can all stand by.” 
 
Released in 2023 via Nuclear Blast Records, Sight to Sound expands upon the progressive and groove-centric nature of the band; combining a heaviness, a catchiness, and strength of composition with technical proficiency that results in Stellar Circuits’ most polished release to date. Vocalist Ben Beddick further expands on the writing process and the record’s trajectory, marking a “turning point around the beginning of the writing process that steered us toward a particular conceptual direction. Moving closer to an understanding of the perception of our senses. This record is meant to serve as a sort of invocation. A sense of qualia. The term ‘synesthesia’ comes to mind…”.  

Comprised of vocalist Ben Beddick, bassist Jesse Olsen, guitarist Jared Stamey and drummer Tyler Menon, the North Carolina quartet produce an effective and unparalleled coalescence that will undoubtedly excite new listeners while more than satisfying long-term followers. Featuring 11 original tracks that are poised to impress even the most discerning of aficionados, Sight to Sound puts the global music landscape on notice that Stellar Circuits has definitively arrived.

Follow STELLAR CIRCUITS:

https://stellarcircuits.com/
https://www.facebook.com/stellarcircuits/
https://www.instagram.com/stellarcircuits/
https://twitter.com/StellarCircuits
https://www.tiktok.com/@stellarcircuitsofficial
Youtube: https://www.youtube.com/StellarCircuits
Spotify: https://spoti.fi/3IPiAYo
Apple Music: https://apple.co/3EBbQe8

Enterprise Earth Unleash New Album 'Death: An Anthology' via MNRK Heavy + Drop "Blood and Teeth" Official Music Video

"It's hard to make a five-minute deathcore song interesting from start to finish, and Enterprise Earth nailed it on "The Reaper's Servant"... It's big. It's bold. It bangs." - Revolver

"Offering an initial glimpse of the devastation packaged onto the project, Enterprise Earth have shared an eviscerating first single in "King of Ruination" featuring Ben Duerr from Shadow of Intent. Coupled with a unnerving visual directed by Nick Chance, the future for Enterprise Earth couldn't look brighter." - Knotfest.com

"The djent is strong in the Washington deathcore stalwarts' latest, which is all ultra-low-tuned chug, pitch-shifter squeals and syncopated stop-start riffs that will flip your stomach - not to mention a solo so technical and unsettling it would make Fredrik Thordendal jealous." - Guitar World

"... "King of Ruination", a sprawling, technical, foreboding piece of dark magic. Bile-drenched one moment, beautifully crafted the next, it's an incredible place to kick off such a thoughtful and thrilling chapter." - idobi Radio

Release Day is upon us, and Enterprise Earth has unleashed upon the world their hotly-anticipated new album 'Death: An Anthology' (via MNRK Heavy). In celebration of the news, the band shared their intensely brutal yet deeply poignant latest offering "Blood and Teeth" along with the accompanying music video. Speaking about "Blood and Teeth", the band shared:

"'Blood and Teeth' lays out a gut-wrenching story of poisonous attachment, a cycle of self-harm and submission to the tragic realization of how much pain one can put themselves through for the sake of another’s admiration. Musically, this is the most elaborate song on 'Death: An Anthology'.

Moving through a clean piano intro, to blazing leads over a catchy groove, to death metal riffage, to a catchy metalcore adjacent chorus, to a dare we say sexy bridge, only to unleash the filthiest breakdown of the album at the end. The video is a direct visual representation of this and we hope it evokes an emotional response similar to the ones felt in its production."

When asked about the album, guitarist, backing vocalist, and producer Gabe Mangold commented:

"I consider 'Death: An Anthology' to be our most expressive, intense, diverse, and finest work that Enterprise Earth has ever achieved so far and I hope I can say that with every body of music that we release. This album was SO much fun to create from every facet and while there are many peaks of brutality and valleys of melodic expressiveness, I hope the listener experiences the same emotions while listening that we did while creating: sheer enjoyment, empowerment, unity, catharsis, and so much more. Drown in Abyss, let it take us."

Leading up to today, the band has previously released "King of Ruination" with special guest Ben Duerr from Shadow of Intent"The Reaper's Servant" featuring Darius Tehrani of Spite, and "Casket of Rust". Stream 'Death: An Anthology' in all of its unrelenting glory here and snag band-exclusive vinyl formats of the album in "Black Ice" and "Inferno" (available here) and in "Ghostly" and "Copper Nugget" formats through the MNRK Heavy Shop here. Watch the music video for "Blood and Teeth" below.

While the band is currently traversing across Europe on the Hymns of the Apocrypha Tour (alongside Suffocation, Sanguisugabogg, and Organectomy), tickets are now on sale for Enterprise Earth's upcoming headliner Death: An Anthology North American Tour with Inferi, Crown Magnetar, and Tracheotomy as support. VIP packages are available (limited to 25 for each show) which include one general admission ticket, exclusive merch, early entry, photo and Q&A, 10% off the merchandise table, and a giant Jenga tournament with the band. Tickets and VIP packages are sure to go quickly, so get yours while you can at the link here.

Death: An Anthology North American Tour Dates

Apr 11 - Phoenix, AZ @ Nile Underground

Apr 12 - San Diego, CA @ Brick By Brick

Apr 13 - Anaheim, CA @ Chain Reaction

Apr 14 - San Francisco, CA @ Neck of The Woods

Apr 16 - Portland, OR @ Dante's

Apr 17 - Seattle, WA @ Madame Lou's

Apr 18 - Spokane, WA @ The Big Dipper

Apr 19 - Missoula, MT @ ZACC

Apr 20 - Calgary, BC @ Dickens

Apr 21 - Edmonton, BC @ Starlite

Apr 23 - Winnipeg, MB @ Park Theatre

Apr 24 - Minneapolis, MN @ Amsterdam Bar

Apr 25 - Des Moines, IA @ xBk

Apr 26 - Chicago, IL @ WC Social Club

Apr 27 - Cleveland, OH @ TempleLive (Jester's)

Apr 28 - Detroit, MI @ Sanctuary

Apr 29 - Toronto, ON @ Hard Luck

Apr 30 - Montreal, QC @ Fairmount Theatre

May 01 - Portland, ME @ House of Music

More than anything else, we share death in common. This universal eventuality unites us. In an evolutionary sense, it effectively ensures our equality. No matter who you are, you will die. Enterprise Earth explore death from a different perspective altogether. Rather than turn away from it, the U.S. quartet—Gabe Mangold [guitar, backing vocals, production], Brandon Zackey [drums], Travis Worland [vocals], and Dakota Johnson [bass]—face it head-on with their fifth full-length offering, DEATH: AN ANTHOLOGY [MNRK HEAVY]. Against an apocalyptic soundtrack of battering ram double bass drums, gut-punching guitars, and disarmingly dynamic vocals, the group present their most immersive and inimitable vision yet.

“The album is tied together by the overarching concept of death,” Travis states. “It’s easy to think of death as a separation of consciousness from the body, but we’re delving into the death of self, individuality, and relationships—whether romantic or platonic. Dying takes many forms. I grew up extremely religious, so death has always been on my mind. In any religion, the afterlife is the umbrella for all of your beliefs. I tend to think of death from a more philosophical standpoint these days.”

The band have always incited mosh pits and thought in equal measure. Since emerging during 2014, Enterprise Earth have logged two back-to-back debuts in the Top 10 of the Billboard Heatseekers Albums Chart, while Loudwire cited Luciferous among the “50 Best Metal Albums of 2019.” Hysteria Mag heralded 2022’s The Chosen as “a veritable masterclass in experimentation and reinvention that shows a highly skilled band transcending its roots and making steps to become leaders of a field still being created,” while Metal Injection summed it up as “a strong statement.” Plus having toured with the likes of Thy Art Is MurderDying FetusChelsea GrinFit For An AutopsyFallujahWithin Destruction, and more.

With Gabe once again in the producer’s chair, the musicians holed up in a Lake Tahoe cabin for nine days where they penned the bulk of DEATH: AN ANTHOLOGY. It marked the first time this lineup wrote together (and in-person) as well as with Travis on vocal duties.

“We fed off one another’s energy,” recalls Gabe. “These songs felt cohesive because of that. We all had a hand in the composition.”

In the end, death may be inevitable, but you can rely on Enterprise Earth for a release in the meantime.

“We wanted to make an album that feels like who we are as a collective,” the band agreed. “On the one hand, we hope you have fun listening to it. On the other, just know, ‘Death is real and it comes for us all’. One day, we won’t be here anymore. While we’re alive, we want to enjoy it.”

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brandon Zackey [drums]

Dakota Johnson [bass]

Reconciler Release New Album "Art For Our Sake"

 RECONCILER SHARE NEW ALBUM ART FOR OUR SAKE  VIA SMARTPUNK RECORDSLISTEN

Reconciler is delivering true punk hits on their thoughtful, high-energy new album Art For Our Sake. The album features artwork hand-painted by vocalist and visual artist Joseph Lazzari, representing the band's hands-on approach to their music.

The band released three albums ahead of the release: Shots in The Dark, Never Fade Away, and Art For Our Sake.

"This isn't 'Art For Art's Sake.' It doesn't stand alone, devoid of intention, symbolism, opinion, or the essence of the human spirit. This record is bound to us. We made it as an extension of ourselves with the intention of connecting more deeply with our community. This is Art for Our Sake," says the band's vocalist Joseph Lazzari

Reconciler is a band from Atlanta, GA who first amplified in the summer of 2016. Harkening to a sound alternately Southeast and East Bay, they released their debut LP, Set Us Free, in February of 2019 to critical acclaim from punk and Americana outlets alike. The band spent 2019 playing often across the Southeast and East coast and announced their first European shows, slated for June 2020. Shortly After the first anniversary of Set Us Free, the world shut down and all plans were canceled indefinitely. Reconciler wouldn’t see another stage for 18 months despite releasing a split 7 inch with the legendary Gainesville outfit, Ship Thieves in January of 2021 and offering another new track on the Grace vinyl comp alongside many noteworthy acts including Hot Water Music, Samiam, and Catbite the following October. Reconciler has been hard at work rebuilding and refining its focus and is beyond ready to return with their sophomore album, Art For Our Sake, via Smartpunk Records. This 13 track LP stands as a testament to the band’s tenacity and work ethic and is certain to offer Reconciler’s strongest output to date.

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they’re a label of vinyl dorks themselves! After releasing Set Your Goals' "Mutiny" and Gameface's "Good,” they started to venture into signing newer bands. They actively balance in between many worlds—putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake’s Anthem, Nominee’s Lowlife, RIVALS’ Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest."

KMFDM releases ‘LET GO’ album via Metropolis Records, gears up for March U.S. tour

Iconic music mavericks KMFDM have released their much-anticipated album 'LET GO' via Metropolis Records. Celebrating 40 years of conceptual continuity in grand style, KMFDM is doin’ it again, rising up lean and mean. 'LET GO' marks the group’s 23rd studio album, with the core lineup of Sascha “Käpt’n K” Konietzko, Lucia Cifarelli, Andy Selway and Andee Blacksugar presenting their signature onslaught of pulse-pounding rhythms, scorching electronics, blistering guitars, and vocals full of grit, growl, and grind addressing the social, political, and cultural ills of a world in perpetual turmoil.

The album arrives hot on the heels of the banger 'LET GO' and the latest single 'AIRHEAD' with its accompanying 210 Media-produced video taking us on a sentimental joyride down memory lane through a bygone era of American life.

Defying common definitions and shredding pre-conceived notions about who or what KMFDM is or isn’t genre-wise, this unique gem lyrically harkens back to growing up in America during the 70s and 80s. It'll have you reminiscing with a wink and a laugh as Lucia Cifarelli sings: "Born the year of the Chia pet - Blondes were in, but I’m brunette - Vietnam and Donkey Kong - I was busy getting high with Cheech & Chong.”

From the driving techno, dance and funk-infused thrust of 'LET GO' to the airily melodic and swirling vibes of 'AIRHEAD' and 'TOUCH', the grooving revolutionary oratory and percolating spaghetti western guitar and glitch-laden synth leads of 'TURN THE LIGHT ON' to the sneering and seething riot grrl fury of 'WHEN THE BELL TOLLS', the sinister hip-hop injected 'NEXT MOVE', the downright cinematic and Teutonic electro of 'ERLKÖNIG', and the virulent dub warcry of 'WW 2023' – KMFDM continues to break down barriers and immerse audiences in a bold new reality.

Always stylistically diverse, KMFDM continues to bridge the gaps between genres, coalescing into what we know and love as the Ultra Heavy Beat!  Konietzko and Cifarelli prove as vicious a team as ever, equally sharing vocal and lyrical duties, with longtime associate MC Ocelot appearing to give 'NEXT MOVE' an extra touch of raucous rap energy. All the while, Blacksugar’s prowess on six-strings continues to awe and astound, backed by Selway’s dynamic drumming, meshing with Konietzko’s masterful programming.

Mixed and mastered by Benjamin Lawrenz (VNV Nation, Deep Purple, Saga, Mono Inc., Lord of the Lost), at Chameleon Recording Studios in Hamburg, 'LET GO' signals KMFDM’s 40th anniversary loudly and proudly, with Aidan “BRUTE” Hughes’ distinctive cover artwork mirroring the album’s breakneck power. After four decades, the Ultra Heavy Beat simply refuses to rest in pity and regret, raising a sharpened middle finger at a world in chaos.

The 'LET GO' album is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp. It is also being offered  on CD and as a Limited Edition Vinyl double LP. In March, they embark on a month-long US tour with tickets now available for order.

ALBUM CREDITS
Sascha Konietzko - Bass, Beats, Synths & Vocals
Lucia Cifarelli - Vocals
Andy Selway - Drums
Andee Blacksugar - Guitars
MC Ocelot - Rap
Written by Blacksugar, Cifarelli, Konietzko, Selway
Produced by Sascha Konietzko
Recorded  at Kommandozentrale (Hamburg), Swamp Studios (Florida) & Casa Blacksugar (Brooklyn NY)
Mixed by Benjamin Lawrence & Sascha Konietzko
at Chameleon & Kommandozentrale (Hamburg)
Vocals on 'Airhead' mixed by Veronica Ferraro
Mastered by Benjamin Lawrence at Chameleon (Hamburg)
Art by BRUTE!
Layout by Chris Zander

Artist photos by Bobby Talamine

TOUR DATES
03/06 Atlanta, GA – The Masquerade
03/07 Carrboro, NC – Cat’s Cradle
03/08 Baltimore, MD – Baltimore Soundstage
03/09 New York, NY – Irving Plaza
03/10 Philadelphia, PA – Brooklyn Bowl
03/11 Harrisburg, PA – Harrisburg Midtown Arts CEnter
03/12 Boston, MA – Royale
03/14 Cleveland, OH – Agora Theater & Ballroom
03/15 Chicago, IL – Metro Chicago
03/16 Milwaukee, WI – The Rave/Eagles Club
03/17 Minneapolis, MN – First Avenue
03/18 Omaha, NE – Waiting Room
03/20 Denver, CO – The Oriental Theater
03/21 Albuquerque, NM – Sunshine Theater
03/22 Phoenix, AZ – Crescent Ballroom
03/23 San Diego, CA – The Observatory
03/24 Los Angeles, CA – The Belasco Theater
03/25 San Francisco, CA – The Fillmore
03/27 Portland, OR – Wonder Ballroom
03/28 Seattle, WA – The Crocodile


Keep up with KMFDM
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American Teeth Drops "A Wake" EP Today + Share "Sand Dollars" Video

American Teeth, the sonic alter ego of Elisha Noll, has released the A WakeEP today, February 2, via Fearless Records.

Listen to it here

The artist has also shared the video for "Sand Dollars." Watch it below

"I wrote this song about a day or two after my dad died, when I was walking on the beach and stepped onto the sand to find thousands of sand dollars sprawled across the beach," the artist explains. "It was the first time I connected an event with my dad after he died, and gave me hope that he was still with me. I was reminded of this memory while working with Dewain Whitmore, Julian Bell, and Colin Brittain, and we decided to bring it to life. The outro lyrics were written a few years back in a session I had with Matthew Pauling. We were working in a similar chord progression and I felt the message at the end was a nice way to tie the whole journey up."

Noll has quickly risen in the ranks as in-demand songwriter. Check out this playlist of songs he has worked on for The Jonas Brothers, Nessa Barrett, Illenium, 5 Seconds of Summer, and more.

Silent Planet Share "SUPERBLOOM" Video — WATCH // Band Currently On Headline Tour

Today, the band has shared a deeply compelling narrative video for the title track.

Watch it below.

"We decided to make a video around an alternate interpretation of our title track 'SUPERBLOOM' that is largely inspired by Midsommar and the Heaven's Gate cult suicides," the band shares. "We teamed up with our longtime video partners Hometown Team, and collaborated on the story. We were fortunate to work with two actors who have an incredible amount of experience in the genre: Jenna Kannell (Terrifier) and Jess Matney. And a bunch of our listeners came along as extras. We feel that this video is our best work to date, and wanted to release it now to start alongside our SUPERBLOOM headline tour."

Silent Planet are currently on a headline tour of North America. All dates are below.

SILENT PLANET ON TOUR:
WITH AVIANA + JOHNNY BOOTH:

2/1 — Denver, CO — Summit Music Hall

2/2 — Kansas City, MO — recordBar

2/3 — Springfield, MO — The Outland

2/4 — Dallas, TX — South Side Music Hall

2/6 — San Antonio, TX — The Rock Box

2/7 — Houston, TX — RISE Rooftop

2/9 — Tampa, FL — The Orpheum

2/10 — Atlanta, GA — The Masquerade

2/13 — Indianapolis, IN — Hi-Fi

2/14 — Detroit, MI — The Shelter

2/15 — Chicago, IL — Bottom Lounge

2/16 — Columbus, OH — The KING of CLUBS

2/17 — New Kensington, PA — Preserving Hardcore

2/20 — Worcester, MA — Palladium

2/21 — Baltimore, MD — Baltimore Soundstage

2/22 — Greensboro, NC — Hangar 1819

2/23 — Nashville, TN — The Basement East

PHOTO CREDIT: Aaron Marsh

Silent Planet have consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent[2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far.

Escuela Grind's new EP is out now

Escuela Grind's new EP 'DDEEAATHHMMEETTAALL' is out now. 

 

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.

Fresh off U.S. spotlight tour dates with Baroness, and the extreme metal legends, Napalm Death, who took the young U.S. band under its proverbial wing in 2023, Escuela Grind is inarguably one of the hungriest young groups in music today. Escuela Grind has engaged in a seemingly unending live gauntlet since the September 2022 release of its LP, 'Memory Theater', relentlessly trekking the globe to bring its eye-opening energy and sound to welcoming music fans the world over.

In sync with the release of 'DDEEAATHHMMEETTAALL', Escuela Grind has kicked off a massive U.S. headlining tour, which launched on January 10. The five-week, 39-city winter trek will criss-cross the country, running through February 17. Support on the Escuela Grind tour is provided by Take Offense, Come Meirda, Slow Pulse, Bonginator, Frog Mallet, and Brat.

GET TICKETS HERE

SEE ALL ESCUELA GRIND MUSIC + MERCH

'Shines On' from Philadelphia's Tulipomania explores themes of light, showcasing their fifth album 'Dreaming of Sleep'

Tulipomania presents 'Shines On', the latest animated audio-visual exploration from the Philadelphia-based art-rock duo in support of their latest album (their fifth to date) 'Dreaming of Sleep', released via Sursumcorda Records

As the album's third single, ‘Shines On’ continues the conceptual viewpoint of the album – embracing contradiction while inviting ambiguity. A light from long ago shines on in this paean to ambiguity, memory, and endurance.

Band membersTom Murray andCheryl Gelovercreated, then modified and manipulated their original footage to produce this animated exploration of light and color. The final animation is composed of thousands of individual collages, augmented by bold swipes of pastel on the distressed and reconfigured surfaces of black paper.

"The song introduces ambiguity in its exploration of the energy of light. Who is the teller of the tale?” asksCheryl Gelover. “We’re pretty pleased about that and we’re really happy with the way that the tuned, chorused background vocals resolved in the overall mix.”

Ever a signal of hope, guidance and fortitude, light appears here in many guises, from flashes of sunlight to the glow emitted by the pre-solid state digital age nixie tube numerical display and on everything reflected and refracted in it. Light scatters on images captured then collaged on torn paper fiber – illuminated again once filmed then viewed.

"Light from a great distance dances and reflects a memory of the past. Moving towards the future, carrying the past with it,” saysTom Murray. "We were able to embed a waltz-timed morse code message in the bridge of the song.”

Earlier, Tulipomania released the singles and accompanying videos for 'Then and Only Then', 'You Had to Be There' and a remix created by UK music legend Martyn Ware (Heaven 17,  The Human League) and Charles Stooke, as featured on WIRE Magazine’s cover-mounted Wiretapper CD.

Over the years, Tulipomania's music has been dubbed cult synth punks, glam-leaning, post-punk, art-rock and muscular chamber pop, but on this album, the duo was heavily immersed in electronic means of creation.

The new 'Dreaming of Sleep' album features cover artwork by Michael Speed,senior designer at Beggars Group London, and involves Executive Producer Howard Thompson, a record industry executive (Elektra, Island, Almo Sounds), renowned for discovering and working with such artists as Adam and the Ants, Billy Bragg, MC5, Mötorhead, PiL, Psychedelic Furs, Robyn Hitchcock, The Sugarcubes and Suicide, among others.

"The music and the animations of this album explore outrage, powerlessness and the knowing kind of sorrow that emerges from those states of mind – often in bursts of absurdity. Being aware of the ridiculous often feels like salvation," says Cheryl Gelover.

Artistic, inventive and gorgeous, Tulipomania's animated music videos have been featured in film festivals worldwide, with several showcasing their latest few videos as an official selection, including the Leeds International Film Festival (UK), StopTrik (Croatia, Poland), AniFilm (Czech Republic), Insomnia (Russia), Malatesta (Italy) and CutOut animation festival (Mexico), as well as earning an Honorable Mention at the Montreal International Animation Film Festival - Animaze and named as finalist af the Amarcort Film Festival in Fellini's hometown.

Tulipomania also created animated music videos - 'Hush' and 'Shock To The Body' - for Cabaret Voltaire founder / frontman Stephen Mallinder in support of his solo album 'tick, tick, tick' (out now via Dais Records).

The 'Dream of Sleep’ album is out now, available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp, where it can also be obtained on CD and vinyl.

'Dreaming of Sleep' LP  https://tulipomania.bandcamp.com/album/dreaming-of-sleep
Spotify  https://open.spotify.com/album/20ohNBN27ArtlUx9KA5AE1
'Shines On' single  https://youtu.be/q0v0MIIU9o4
‘Then and Only Then’ single  https://youtu.be/muCX0LtfebU
'You Had To Be There (Martyn Ware & Charles Stooke Remix)’ https://youtu.be/WijPS9hVEwk
'You Had To Be There'  https://youtu.be/C0cSaWm9YV4

CREDITS
Music and lyrics written by Tulipomania
Cheryl Gelover - keyboards and vocals
Tom Murray - bass, drums, keyboards and lead vocals
Produced and recorded by Tulipomania and Richard Hartline
Howard Thompson - Executive Producer
Film directors / animators - Cheryl Gelover and Tom Murray
Cover artwork created by Michael Speed
Publicity by Shameless Promotion PR

Keep up with Tulipomania
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Lord Dying's 'Clandestine Transcendence' LP out now

The second installment of a planned trilogy, Clandestine Transcendence picks up where 2019’s critically adored Mysterium Tremendum left off. Mysterium Tremendum began a narrative centered on a central character the band calls The Dreamer, an immortal being who wants to die. 

GET 'CLANDESTINE TRANSCENDENCE' HERE

Lord Dying Clandestine Transcendence Color In Color Vinyl

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Lord Dying Clandestine Transcendence CD

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Lord Dying - I Am Nothing, I Am Everything T-Shirt

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On Clandestine Transcendence, LORD DYING co-founders Erik Olson (guitar, vocals) and Chris Evans (guitar) are joined by Alyssa Maucere (former bassist for Eight Bells) and Kevin Swartz (current drummer of Tithe). Produced by Converge guitarist Kurt Ballou (High On Fire, Code Orange, Kvelertak) at his God City Studios, the twelve-track offering steps even further into the great unknown, filled with riffs and vibes.

Ace Frehley announced in-store autograph signing!

Pre-order Ace Frehley’s new album "10,000 Volts" on the Sam Ash NYC In-Store Exclusive Bubblegum vinyl variant, and you'll get to meet Ace Frehley in person at Sam Ash Music in New York City.

 

Order the Bubblegum vinyl variant of "10,000 Volts" here, and then when you arrive at the event, present your full name and/or provide this email confirmation to pick up your vinyl.

 

After picking up your vinyl, you will be able to meet Ace Frehley. Ace Frehley will be signing AT MOST two copies of 10,000 Volts on vinyl.

 

In-Store Date: Saturday, February 24
Time: 1-5pm
Location: Sam Ash, 333 W34th St. New York, NY 10001

Ace Frehley - 10,000 Volts Bubble Gum Vinyl (Sam Ash In-Store Exclusive)

PRE-ORDER RIGHT HERE!

This vinyl variant is EXCLUSIVE to the Sam Ash NYC Ace Frehley In-Store Event on February 24, 2024.

 

Pre-ordering this vinyl variant will confirm your admission to the Ace Frehley Sam Ash NYC In-Store Event, where you’ll be able to meet Ace Frehley. Ace Frehley will be signing UP TO two copies of this variant. An email will be sent after purchase with additional details pertaining to the event and picking up your vinyl.

 

Strictly limited to two copies per customer.

 

NOTE: Ace Frehley WILL NOT be signing anything other than two copies of 10,000 Volts** Ace Frehley WILL NOT be signing any personal items, belongings, memorabilia, KISS or other Ace Frehley related items. Please leave these items at home.

Enter Shikari and Jason Butler (Fever 333) Join Forces For New Single 'Losing My Grip'

Enter Shikari and Fever 333 lead singer Jason Butler have released their new collaborative single 'Losing My Grip' today. The track marks the first new music from Enter Shikari in 2024, following the band's biggest year to date which included the release of their first ever UK #1 album A Kiss for the Whole World and the announcement of a huge world tour. They closed their 2023 with live runs through Europe and Australia, and will begin their biggest ever UK headline tour later this month. Stream 'Losing My Grip' HERE and watch the accompanying video below.

Linking up with long-time friend and upcoming tour mate Jason Butler (Fever 333), 'Losing My Grip' is a characteristically inquisitive and probing single that beats its chest and locks eyes with a world spinning out of control. It again showcases the collaborative talents of a band that in the last year alone have worked on singles with AViVA, Cody Frost, WARGASM and You Me At Six.

Talking about their new single, lead singer and producer Rou Reynolds says:

"We've known [Fever 333 lead singer] Jason for years now and have toured much of the world together. I think we always thought that it'd be great to collaborate on something when the right opportunity surfaced.

This track certainly felt right. It required a thoughtful intensity, which Jason provides effortlessly in whatever he sets his mind to.

We can't wait to take Fever 333 out on our UK and Europe tour, it's been too long since we shared a stage together.

Losing My Grip oscillates between two of our favourite and foundational genre influences; Drum and Bass and hardcore punk.

Lyrically, it's about the immense power that our species now wields, and the pressure and weight that that adds to our lives. We're the only species capable of destroying itself (and all others) completely and, increasingly, it appears as though we're only too willing. Losing My Grip is about the fight to stay sane whilst living in a deeply and dangerously flawed system.”

Fever 333 lead singer Jason Butler adds:

"I've always been a fan of Enter Shikari. Yes, them as a band, but moreover, them as people. Yes, what they do, but even more so how they do it. They are an entity in their own lane and I'm honoured to have had an opportunity to swerve in it for a second and very excited to be rockin' with them on this upcoming tour. WE ARE GODS."

Listen to 'Losing My Grip' on streaming services here 

Enter Shikari will be continuing their World Tour in the UK and Europe this Feb and March. The band's UK tour is a ground-breaking tour during which £1 from every ticket sale will be donated to the Music Venue Trust in support of grassroots venues. They will return to the US to wow fans at Welcome To Rockville in May.

Enter Shikari's new album A Kiss for the Whole World heralds their most vibrant, direct and life-affirming work so far – a record that has been a hit with fans and critics alike. Drawing rave reviews from the likes of Clash, Classic Rock, Kerrang!, The Line of Best Fit, Louder, NME, Rock Sound, Rolling Stone UK, The Times and Upset – as well as significant radio support from Absolute Radio, BBC Radio 1, 6 Music and Kerrang! Radio, along with MTV and Channel 4’s Sunday Brunch – it has struck a chord with the Enter Shikari faithful as well as welcoming in swathes of new fans.

Photo credit: Paul Harries

More about Enter Shikari and new album A Kiss For The Whole World

As the calendar now signals three years since Enter Shikari last released an album - their UK #2 charting album Nothing Is True & Everything Is Possible – it is useful to think back to the final question the band last posed fans: “Is this a new beginning? / Or are we close to the end?” Little could they know just how close to the end things would end up feeling as the events of the early ‘20s dimmed the light in the furnace of their live juggernaut, and connection to their fans. “At the time it felt like we ourselves, as musicians, were experiencing the death of our band,” says lead vocalist and keyboardist Rou Reynolds.

Unsurprisingly, the key in the band’s ignition came in the form of a live show as they headlined the Download Festival Pilot in front of 10,000 fans. Where not a single new word flowed from the pen of Reynolds in the two years prior, a realisation was born that would come to define the band’s seventh LP: “I just didn’t realise that the human and physical connection to other people were so central to how I write,” he says. Enter Shikari isn’t just four people – it’s hundreds of thousands.

The album's lead single "(pls) set me on fire" sparked the next stage in the band’s evolution, and the first words we hear from Enter Shikari 2.0 don’t come in the form of a question this time, but a command: “Please set me on fire”. In other words, ignite the spark inside us and set us free. This may be a new Enter Shikari but they’ve lost nothing in their flair for bold opening gambits.

Reynolds comments on the single’s conception: "Honestly, I thought I was f*****. I’ve never felt so detached from my soul, my purpose, my f****** spirit. I didn’t write music for almost two years. The longest I’d gone before that was two weeks. I was broken. It’s almost as if my brain had asked: “What is the point in music if it cannot be shared? What is the point in writing music if it’s not to be experienced with others?” and then promptly switched itself off. ‘(pls) set me on fire’ grew out of that desperation. This song is a projectile vomit of positive energy. Every emotion trapped inside me for two years, finally set free."

It was in the Spring of 2022 that the band descended to the coastal town of Chichester, and a delipidated farmhouse, to rebuild their studio setup and capture their renewed momentum on record. Using only solar power to track the album – in what Reynolds says was to “bring back some sense of naivety” – the life-giving properties and Technicolor palate of A Kiss For The Whole World were made real. Reynolds continues: “Back to basics. This band - my best friends - bundled into an old farmhouse, miles away from anywhere. Off-grid, and ready to rediscover ourselves. This album is powered by the sun, the most powerful object in our solar system. And I think you can tell. It’s a collection of songs that represent an explosive reconnection with what Enter Shikari is. The beginning of our second act”.

More about Enter Shikari

 5 UK top ten albums

2 UK top 40 singles

2 BRIT certified silver albums and 1 BRIT certified gold album

Multiple Kerrang! award winners, AIM Award winners and Heavy Music Award winners

3000 shows worldwide

Download full biography HERE

Find Enter Shikari Online

www.entershikari.com

William Elliott Whitmore's "Silently, The Mind Breaks" Out Today + Watch Video for "Has to Be That Way"

Get the album here

Listen to the album here.

Whitmore has also shared the video for "Has to Be That Way." Watch it below.

"There are inevitabilities in life," Whitmore explains.  "All rivers flow to the sea, I will die, a full house beats a flush, and that's alright. I personally needed to accept that, move on, and maybe gain some perspective in the process. Writing songs like 'Has To Be That Way' helps me do that."

When asked what to expect from Silently, The Mind Breaks, Whitmore said, "Imagine a large expansive landscape. In the distance, you see what looks like a house. You walk for a long time, and as you get closer, it seems more and more like the house is abandoned. The front door is locked, so you go around the back and enter. Sunlight pours into the otherwise dark space, illuminating a staircase. You walk up, taking notice of a stillness in the air. There are several rooms, you enter the last one in the hallway. In the room, there is a closet. You open the closet and see an old chest of drawers. In the bottom drawer is an envelope. You open the envelope and inside there is a note. It says 'You are loved.' You are very tired, but you can't help but smile slightly. I hope this album is that for you."

Last month, Whitmore shared the video for album track "Break Even," putting his craftful dexterity on full display by taking us through the whole process of building a wooden foot stool from scratch. Yesterday, Whitmore announced a giveaway contest where one lucky fan will win the stool from the "Break Even" video.  

Enter to win here.  

Watch the video here.

Whitmore has already announced two legs of headline tour dates in February and in April, as well as a few one-off performances, with many more on the way in 2024. See all announced dates below. Tickets can be purchased here.

WILLIAM ELLIOTT WHITMORE ON TOUR:
2/16 — Newport, KY — The Southgate House Revival (Revival Room)
2/17 — Johnson City, TN — The Down Home
2/18 — Asheville, NC — The Grey Eagle
2/20 — Tampa, FL — Hooch and Hive
2/21 — Orlando, FL — Will's Pub
2/22 — St. Augustine, FL — Cafe Eleven
2/23 — Gainesville, FL — Loosey’s Downtown
2/24 — Decatur, GA — Ediie's Attic
4/19  — Fargo, ND — Fargo Brewing Co
4/20 — St Paul, MN — Turf Club
4/23 — Madison, WI — High Noon Saloon
4/25 — St. Louis, MO — Off Broadway
4/26 — Kansas City, MO — RecordBar
4/27—  Omaha,NE — Reverb Lounge
5/4—  Maquoketa, IA — Codfish Hollow Barnstormers
7/13—  Monticello, MN — Nordic Bluegrass & Folk Festival
 
ABOUT WILLIAM ELLIOTT WHITMORE:
Born and raised on a small farm in Lee County, Iowa, a love of the land has always been an important part of William Elliott Whitmore's life. An appreciation for nature and its cycles being taught from an early age. That awareness of birth and death is a constant theme in the songwriting, through a lens of hopefulness and acceptance. These things unify us as people, a theme that is often explored in the music.

With a banjo, guitar and kick drum, Whitmore seeks to convey these ideas. For over 20 years, he has traveled the world, performing everywhere from Rome, Italy to Rome, Georgia. He's played basements, backyards, festival stages, and Carnegie Hall, and has no plans to stop anytime soon.

"Life is hard, nasty, and unforgiving at times," Whitmore says. "But it's beautiful, too, and music can be a reminder of what we all have in common, a desire to keep putting one foot in front of the other."

Randall King Enters Neon Era

Hereford, Texas native Randall King is embarking on a new sonic chapter as he ushers country music Into The Neon with his 18-track sophomore album, available today.
 
"We are officially in the Neon era baby,” proclaims King. “The TONK factor is on and set to 11!"
 
With inspiration drawn from the hues of neon that backlit his budding career – inclusive of the glowing skies in the plains of West Texas where he was raised and the radiant signs of the nearly 150 honky tonks he performs in each year – Into The Neon is a humble recollection of King’s experiences and observations.
 
“Sonically, this album represents a sound I’ve been honing in on for some time,” shares the west Texan of his 7-year journey. “Lyrically, the album’s a little bit of everything, just like life: heartbreak songs, two-steppers and love songs, all are mostly true stories of life along the way.”
 
Co-produced by King alongside Jared Conrad, his second full album for Warner Music Nashville incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Opening track “One Night Dance” kicks off the project with a spark, as the narrator shares a dance with a girl at the bar and is determined it won’t be their last. As the plot progresses, King traverses from toe-tapping waltzers “When My Baby’s In Boots” and “Tonk ‘Til I Die;” to the yearning lament on “I Could Be That Rain.
 
Laying it all on the line with songs that could just as easily be enjoyed while slow dancing under the starry night sky or while two-stepping at a local honky tonk, King simultaneously showcases a sense of maturity with introspective tracks “Hang of Hangin’ On” and “I Don’t Whiskey Anymore.”
 
King is currently on the road, with upcoming headlining shows in Springfield, MO; Baton Rouge, LA and more. For the full list of tour dates and more information, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King: 
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing over 300 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon, available now, takes that craft to the next level, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.