IAN MUNSICK ANNOUNCES 4TH STUDIO ALBUM, THE MOUNTAIN GOAT, ARRIVING AUGUST 21, 2026

As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick has taken his music to the wild places few singer-songwriters go. With the announcement of his impending fourth studio album, The Mountain Goat, to fans during his fan club party at CMA Fest on Saturday (June 6), Munsick promises to continue doing just that. 
 
Munsick’s first full-length project released via WEST TO THE REST RECORDS / Triple Tigers Records – which he co-produced with Jeremy Spillman and Mike Robinson – The Mountain Goat arrives on August 21, 2026. Pre-save HERE. 
 
Along with co-producing the album, Munsick also played an extensive role in the instrumentation heard on the record. In total, Munsick is credited with playing nine different instruments: acoustic guitar, electric guitar, bass guitar, mandolin, banjo, harmonica, piano, bouzouki and kazoo, as well as lending background vocals and programming.
 
Reflecting on the creative process, Munsick shares, “‘Way up high in isolation, where most men dare not go…’ Since the very start of my musical journey I've always aspired to be an innovator. My voice has always been different so naturally, my music should be a little different too. When we started making this album, the relationship between my voice and the musical production was always at the forefront of the creative process. You'll hear modern sounds rooted in folky textures, soaked with steel guitar and, of course, plenty of fiddle. Melodies that will, hopefully, haunt you till the end of your days and lyrics that will take you to the place that inspires me most; the west. 
 
“These songs are dedicated to the land and the folks that live with it, not on it,” he adds. “Lord knows we need more of those in country music today. This album will take you horseback through pastures, prairies, up to the foothills, past the timberline and up to the summit... The Mountain Goat is waiting for you.”
 
As his single “Love Is Blind” continues to climb the charts at Country radio, Munsick will release his next song, “World War III,” off the 15-track album this Friday. Additionally, five D2C fan packs are available to pre-order on his online store, including an exclusive autographed zoetrope vinyl. Pre-order HERE.
 
Munsick promises to deliver fans a memorable tour of the west with a series of shows during album release week. As part of “The Road to The Mountain Goat,” Munsick just announced his official album release show will be held at Deer Valley Snow Park Outdoor Amphitheater in Park City, Utah on August 22 as part of the Deer Valley Concert Series. 
 
“Some of my favorite shows I've ever played have been in Mountain Time. Home of the Rockies and some of my most die hard fans, I couldn't think of a better place to host my album release show than the gorgeous Deer Valley Amphitheater in Park City,” Munsick beams. “Utah ALWAYS shows up and sings every word to every song and come August 22nd, you'll have 15 more songs to sing along to. 
 
“The Road to The Mountain Goat includes stops in Nevada, Colorado (including the legendary Red Rocks Amphitheater), New Mexico, Texas, South Dakota and, of course, Utah,” he adds. “If you've ever seen me and Rocky Mountain Fever live, you know these will be more than just shows.. they'll be experiences. Don't miss us on The Road to The Mountain Goat.”
 
Munsick is also partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D on September 18. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.

The Road to The Mountain Goat Shows:
Aug 21 || Minden, NV || TJ's Corral Outdoor
Aug 22 || Park City, UT || Deer Valley Snow Park Outdoor Amphitheater
Aug 25 || Morrison, CO || Red Rocks Amphitheatre
Aug 28 || Pueblo, CO || Colorado State Fair
Sept 11 || San Angelo, TX || Black Buck Amphitheater 
Sept 12 || Albuquerque, NM | New Mexico State Fair
Sept 18 || Deadwood, SD || Deadwood Jam
 
About Ian Munsick:
As one of modern country’s few Rocky Mountain artists – and the only one to merge its timeless traditions with an electrifying roots-pop edge – Wyoming native Ian Munsick lives in the wild places few singer-songwriters go. Yet with his fourth album, The Mountain Goat, he climbs farther out on his creative ledge than ever. Marking his first independent album on WEST TO THE REST RECORDS / Triple Tigers Records, Munsick remains as sure footed as his project’s fearless namesake, thriving in the isolation of a Western-flavored modern country frontier. Racking up over one billion career streams with previous albums Coyote Cry, White Buffalo, and Eagle Feather, Munsick has produced one RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) – No. 1 on SiriusXM’s The Highway Hot 30 Countdown – plus two Gold-certified hits: “Long Haul” and “Horses Are Faster.” Spotify, CMT, and the Grand Ole Opry were among those to recognize Munsick’s vision, and concertgoers across the globe have found a Western authenticity that can’t be faked. Munsick made history in 2025, becoming the first Wyoming-born artist to headline Cheyenne Frontier Days – the iconic rodeo known as the “Daddy of ‘Em All” – and with The Mountain Goat, his quest to bring Western mystique to modern fans continues. Fusing genuine tradition with cutting-edge sonics, 15 tracks feature an “earthy” new organic undercurrent, with the multi-instrumental master more connected to his acoustic roots – and more protective of his territory.

Gunshine Releases New Single "My Oh Miley" Ahead of Upcoming Album Grand Rising

Florida rock band Gunshine released their fifth track, “My Oh Miley,” offering fans a taste of their forthcoming full-length album, Grand Rising, due out digitally on July 24 through vnclm_ /  Create Music Group.

“My Oh Miley” is a hard rock track that channels high-energy riffs and infectious melodic hooks into a playful, tongue-in-cheek tribute to Miley Cyrus. Built around clever lyrical references to titles from her catalog and key moments from her public life, the song weaves those nods into an original narrative rather than simply name-dropping. The result is a driving, anthemic cut that balances grit and melody—blending distorted guitars, punchy rhythms, and a soaring chorus designed for singalongs. Equal parts homage and rock spectacle, “My Oh Miley”captures the chaos, charisma, and cultural impact of its subject while standing firmly as a hook-heavy, modern rock anthem in its own right.

The song was tracked in Las Vegas with producer/engineer Chris Collier.  Chris also mixed and mastered the track, as well as, the whole record. 

STREAM "My Oh Miley" HERE

The album is now available on limited edition vinyl and CD here:

https://gunshine.diggers.store/

WATCH "My Oh Miley" Below:

While the digital release of Grand Rising arrives later this summer, fans won’t have to wait long to get their hands on the record. Physical copies of the album, including CD and double vinyl editions, alongside exclusive Gunshine merchandise, are available for purchase online at https://gunshine.diggers.store/ The CD and double vinyl will also be sold through the band at upcoming live shows.

"We tracked the whole record, (except "Goth Girl" and "Single Looks Good On You"), in Las Vegas with producer/mixer Chris Collier (Korn, Mick Mars, Whitesnake, Lynchmob).  I've been working with Chris for about 9 years now.  He's incredibly talented, has a great ear, and adds a heavy hitting production value that makes the songs sonically translate very well," says Austin Ingerman.  

Hailing from Pensacola, Florida, Gunshine have built a reputation on catchy vocal melodies, clever lyrics, blistering guitar riffs and solos, and a lethal rhythm section. Their sound blends edgy, raw Rock ’n’ Roll attitude with a melodic, Pop-forward sensibility, creating music that hits hard while remaining instantly memorable. Combined with their high-energy, commanding live performances, Gunshine continue to enthrall listeners and prove themselves a force to be reckoned with.

With Grand Rising, Gunshine raise the bar yet again in an exciting evolution of the band. The album takes listeners on a dynamic journey filled with genre-bending twists and turns, shifting moods, and unexpected vibes—all while staying true to the core elements that set Gunshine apart. Featuring 13 tracks, each single-worthy in its own right, Grand Rising is poised to become a modern-day rock classic.

Check out upcoming tour dates HERE

Gunshine are:

Austin Ingerman: (Guitar, Vocals)
Jordan Benson: (Lead Vocals, Piano)
Jake Tripp: (Bass, Vocals)
Tommy Salzburg: (Drums, Vocals)

Emptiness Release New Single “The Threat”

Black/death experimental metal band Emptiness are releasing “The Threat” as the second single from their upcoming seventh album Nowhere Speaks. Stretching the boundaries between black and death metal, “The Threat” is located in territory that, for the Belgian band, is intimately familiar: the darkness of the human condition.

Listen to “The Threat” below:

Nowhere Speaks comes out July 17th, 2026 on Season of Mist.

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Nowhere Speaks was played live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

Booking Contact:

Benny (Triple Bookings)

benny@triplebookings.com

unpeople Announce Debut Album "we are unpeople" Set For 10/9 + New Single "friends" Out Now!

Today, rapidly ascending four-piece unpeople announce their unifying, genre-spanning debut album we are unpeople  out October 9 on SharpTone Records, which takes the philosophy behind the band's name and turns it into a powerful, uncompromising statement of intent.

The announcement is accompanied by brand new single "friends" — listen below.

"'friends' is essentially a love song from the perspective of someone who is wholly skeptical about the very concept of love and what it's come to mean in a modern context," explains vocalist Jake Crawford. "I am essentially saying I am going to kill the very concept of love before it's even had a chance to get a hold of me - I am that afraid of being that vulnerable. I'd rather not bother than risk saying something I don’t mean, and then pay for it emotionally down the line. I'm fully aware that this is not necessarily healthy, but the mind takes you to some strange places when strong feelings are involved."

A seamless ability to connect across boundaries and conjure communal spirit, sits at the very heart of this debut album. Built upon massive choruses, four-part vocal harmonies, and unabated heaviness, we are unpeople captures a band whose ambition is matched by their belief in the power of music to unite people.

With stadium-busting choruses,to '00s Reuben-esque mega riffs, and the stunningly unpredictable eccentricity of System Of A Down, the album is colorful and joyous, yet aggressive and intense, having already spawned infectious tasters that include "clouds," "the garden," and "waste."

Comprised of Jake Crawford, Luke Caley, Em Lodge, and Richard Rayner,unpeople have quickly established themselves as one of the UK's most exciting new alternative bands, earning themselves a reputation for creating music that feels equally at home on the biggest rock stages and the heaviest festival bills — having fittingly been described as the lightest band at Bloodstock, and the heaviest band at Kendal Calling — finding themselves equally at home in both settings.

Originally used to describe those considered politically unimportant or without value, the term "unpeople" has since become another way to dismiss those whose views differ from our own. The band have reclaimed the phrase entirely, transforming it into a celebration of shared humanity, individuality, and belonging.

Since forming in 2023, that approach has seen unpeople rise at remarkable speed, with Kerrang! hailing them as "one of alternative music's best new bands." Live, they've opened for Metallica in Vienna, shared bills with Smashing Pumpkins andCoheed & Cambria, drawn huge crowds at 2000trees, and will a perform a landmark Main Stage-opening set at Download Festival this weekend — as well as appearances at Reading & Leeds Festival, Copenhell, Hurricane, Southside & many more this summer.

The rest of 2026 and beyond is there for the taking for a band rapidly on the ascension. "'we are unpeople is released into the world on October 9 and we couldn’t be more proud of it," says the band. "We collectively put our absolute everything into it and we can’t wait to share it with you all!

we are unpeople.
you are unpeople.
we are all unpeople."

UNPEOPLE LIVE:

6/10–6/14 — Hradec Králové, CZ — Rock For People
6/11–6/13 — Interlaken, CH — Greenfield Festival
6/14 — Donington, UK — Download Festival
6/19–6/21 — Scheeßel, DE — Hurricane Festival
6/19–6/21 — Neuhausen ob Eck, DE — Southside Festival
6/25–6/27 — Ysselsteyn, NL — Jera On Air
6/27 — Copenhagen, DK — Copenhell
7/17–7/18 — Joensuu, FI — Ilosaarirock
7/31–8/2 — Manchester, UK — Radar Festival
8/27–8/30 — Reading & Leeds Festival — UK
9/3 — Torquay, UK — The Foundry

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

Hunter Flynn Signs with WME for Representation

Kentucky-born singer-songwriter Hunter Flynn has signed with WME for global representation. Carving his own lane with a genre-defying Appalachian Soul Music sound, Flynn blends folk, country, soul and rock into raw, reflective songs inspired by the landscapes and stories of his youth. His powerful vocals and stripped-down arrangements have quickly built a growing audience online and on the road.

Over the last two years, Flynn has played nearly 200 shows across the United States and Europe, steadily building a grassroots following through relentless touring and raw, emotionally charged performances. In 2025, he was named Artist in Residence at the Kentucky Music Hall of Fame, a rare honor recognizing both his artistic integrity and cultural impact, and most recently Big Machine Records / Nashville Harbor Records & Entertainment announced his signing in partnership with Appalachian Soul Music. Flynn released “Wasted Day” on May 22 and will release “Robbing A Bank” on June 26. Pre-save the track HERE.

“Hunter is the kind of artist you feel immediately. There’s a real depth and honesty to what he creates, and audiences are connecting with it in a powerful way. Between the growth we’re seeing and the foundation he’s built on the road, he’s just getting started,” said WME’s Lance Roberts and Geoff Turner. 

“I’ve spent the last few years building this one show at a time,” said Flynn. “To now have a team like WME behind me feels incredibly meaningful. I’m proud of where I come from, proud of the music we’re making, and excited for what’s ahead.”

With new music on the horizon, Flynn’s momentum continues to accelerate online as well, generating more than 8 million on-demand views across platforms in recent months alone. 

For more information, please visit https://hunterflynn.com/. 

About Hunter Flynn:
Hunter Flynn is a native to the Bluegrass state, born and raised in Pulaski County, Kentucky. Flynn’s first public performance came in early 2022. Since then, the 28 year old singer/songwriter has gained national recognition as one of Appalachia’s most promising young artists. In an area that has no shortage of talent, it is Flynn’s unique perspective and gut punching vocal delivery that leaves the listener with no doubt as to whether or not he has lived the stories he is telling. Flynn has now shared stages with the likes of Zach Top, Megan Moroney, Josh Meloy and more. The sky is the limit for this young artist who refers to his style of music as “Appalachian Soul.” 

Twist Lock "Surplus Citizen" out on 12th June

Vexed with our unjust world, TWIST LOCK channel their frustrations into brutal hardcore in the forthcoming debut EP, Surplus Citizen. The hard-hitting release is scheduled to arrive independently on June 12, 2026. 

"Your Mistake" throws down the gauntlet and establishes to the tone for Surplus Citizen. The track wastes no time in erupting into a thunderously heavy onslaught. Lyrically, "Your Mistake" calls out the misleading and false words of politicians and celebrities that are heavily consumed by the masses. It addresses manipulation and fake personalities, making it clear that these facades are not impenetrable. 

Slow and foreboding, "Get Bent" gradually builds into an intense groove-driven attack. "Get Bent" unveils the anger of fake promises and the loss of future possibilities. The dreams of childhood now thoroughly dissipated with the realization that the world is subject to the whims of billionaires and global corporations. 

The explosive "Cunstituents" tackles head on feelings of exhaustion at the cyclical nature of corruption in politics and disingenuous concern from individual politicians. Pounding percussion, heavy riffs and fierce harsh vocals leave devastation in their wake. 

Surplus Citizen meets its end with a reflection on modern society. The obsessive engagement with social media, ultra-high speed trends and continuous spending that are seeing individuality diminish contribute to the unyielding exasperation behind "Imbecile". Enveloped in a fury of rage, "Imbecile" is a vent for pent up negative energy. 

Surplus Citizen was produced by TWIST LOCK. Recorded at Filthy Swine Productions with engineers Wade Taylor and Cameron Broomfield, the EP was mixed and mastered by Wade Taylor. The cover artwork for Surplus Citizen was created by Wade Taylor. 

About TWIST LOCK:

Based out of Las Vegas, Nevada and Phoenix, Arizona, as well as Mobile, Alabama, hardcore trio TWIST LOCK emerged in 2024 comprised of Wade Taylor (vocals/FX), Cameron Broomfield (guitar/bass/vocals), and Dekota Martin (drums). Fueled with aggression, TWIST LOCK draw inspiration from the likes of KNOCKED LOOSE, KORN, ACACIA STRAIN and SUNAMI. 

Embedded in their core identity is frustration at wider society's power dynamics. Driven by corporate greed and maintained by systems that enable the power-hungry, the willful suffering and harm in exchange for profit is a central theme of TWIST LOCK's dynamic and cathartic offerings.  

Unleashing a ferocious debut, the trio's first EP, Surplus Citizen, is set to land on June 12, 2026.  


TWIST LOCK Is:

Wade Taylor(Vocals/FX)
Cameron Broomfield (Guitar/Bass/Vocals)
Dekota Martin (Drums)

Ukrainian Modern Metal Upstarts IGNEA Announces New Studio Album!

Ukrainian modern metal four-piece IGNEA explore nostalgia in all its forms on their upcoming studio album, Monumental, set for release on October 23 via Napalm Records. Following Dreams of Lands Unseen (2023), the Ukrainian four-piece navigate through unique facets of the past across nine tracks — from the grandeur and ambition of Cold War space dreams to the melancholy of urban decay and forgotten modernist structures, all the way to the emotional weight of personal and collective memory. All lyrics on Monumental were written by vocalist Helle Bohdanova. The music was composed by keyboardist Yevhenii Zhytniuk, with additional contributions from Bohdanova. Mixing and mastering were handled by Grammy Award-nominated producer Jacob Hansen, known for his work with bands such as DELAIN, Amaranthe, Volbeat, Amon Amarth, Arch Enemy, and Epica.

On Monumental, IGNEA take the listener on nostalgic rides, with all their ups and downs, expressed in music and lyrics, carrying a sense of gentle sadness and reflection, as nostalgia can bring back beautiful memories, darkened by the awareness that these moments will never happen again.

Helle Bohdanova says about Monumental:
"Back in the 17th century, nostalgia was considered a deadly disease—and in many ways, it still is. It's a universal feeling experienced by every human being, pulling us toward a past that felt gentler than it truly was, especially during the bitter moments of the present. Much of this album was inspired by modernist architecture — concrete giants built to signal progress and a brighter future, now slowly decaying. They've become a sort of memory box: Monuments to unrealized dreams, where the future that was once imagined never arrived, yet continues to echo through the ruins and bright mosaics."

PRE-ORDER YOUR COPY OF MONUMENTAL NOW:

Pop-Rockers AS IT IS Release New Single "Live, Laugh, Love, Los Angeles" + Official Music Video

Transatlantic pop-rock quartet, AS IT IS release “Live, Laugh, Love, Los Angeles,”the latest single from their forthcoming self-titled album, out on July 17th via FLG. A bombastic blast of E-Street band inspired Americana, which sets politicized, dark social commentary in stark contrast with rousing saxophone hooks and driving grooves.

Speaking of the track, the band shares:

“We weren't planning on releasing another single before the album. In fact, this song wasn't even on the original tracklisting. But, during album tracking in January 2026, the news and our social feeds were flooded by the ICE raids across the USA. Multiple murders by ICE agents in Patty's home state of Minnesota, and almost one mass shooting per day. We watched the USA descend into violence whilst the 'Rich Televangelist' at the top stoked the fires further. The song was about Patty's relationship with America and being an American in the current political climate, but with that added real-world context, it suddenly became even more urgent and essential, not only to the album but to the album campaign. As tensions continue to rise and the global resurgence of the far right continues, we felt that this song, its message, and the video deserved their moment to be seen, heard, and felt. Fu*k Fascism."

Watch the Official Video for "Live, Laugh, Love, Los Angeles" Below:

To create art for art’s sake is as pure an intention as a band can have. Writing a song that may never even see the light of day, but speaks to the very reason that you want to create in the first place. Putting joy, connection and fulfilment above anything else, and reaping the rewards that come from pushing such human endeavors. It’s a noble and selfless position to place yourself in, one that sits at the very root of why we all fall in love with music in the first place.

For AS IT IS, it was an absolute necessity to do things like this.

It is everything that AS IT IS was, is, and will be, and it means the absolute world to them.

“You can never manufacture genuine connection with people,” Ben remarks. “Just find what is honest to you and honest to your journey, and that’s all any artist has to offer to the world. This is our reality, and reality is looking a bit more positive these days. We’re a band known for four quite depressing albums. But days fluctuate, and things change. That’s mental health. But to be able to look at everything with a different and more positive outlook on the future is all that we wanted to say.”

“This is the spirit and intention of the joy that formed AS IT IS in the first place,” Patty adds. “It is reconnecting with the kids that we were when we started to write songs. And now, we’re showing up with life in our eyes. We can listen to and support each other. This is the most in control and confident the band has been in a long time, but also the most proud. In the past, I had no choice but to be in AS IT IS. This new era of the band is my choice. Our choice. A choice. But in having it back, it means having maybe the biggest piece of myself back, too.”

Pre-Order 'As It Is' HERE

AS IT IS Live:

JUNE

7th - Dordrecht @ Bibelot Poppodium

8th - Hamburg @ Betty

9th - Berlin @ Badehaus

10th - Hradec Králové @ Rock For People

11th - Cologne @ Mtc Club

13th - Donington @ Download Festival

JULY

13th - Bristol @ O2 Academy (W/ Boys Like Girls)

15th - Glasgow @ O2 Academy (W/ Boys Like Girls)

17th - Manchester @ Academy (W/ Boys Like Girls)

18th - London @ O2 Academy Brixton (W/ Boys Like Girls)

19th - Brighton @ Resident Music (In-Store & Signing)

20th - Birmingham @ Hmv (In-Store & Signing)

21st - Bury @ Wax And Beans (In-Store & Signing)

21st - Leeds @ Brudenell Social Club (In-Store & Signing)

22nd - Nottingham @ Rough Trade (In-Store & Signing)

23rd - Kingston @ Upon Thames Circuit

24th - Bristol @ Rough Trade (In-Store & Signing)

25th - Sheffield @ The Arundel Emporium (In-Store & Signing)

25th - Liverpool @ Jacaranda Baltic (In-Store & Signing)

SEPTEMBER

3rd - Torquay @ Burn It Down Festival

AS IT IS are:

Patty Walters - Vocals/Guitar

Benjamin Langford-Biss - Guitar/Vocals

Alistair Testo - Bass

Patrick Foley – Drums

Post Black Metal Project BLOOD MOTHER Unleashes Ominous New Single, "Pulled Apart"

Rick Giordano, the composer behind THE LION'S DAUGHTER, has re-emerged as BLOOD MOTHER, a devastating new project that combines the post black metal horrors of TLD with haunting, atmospheric soundscapes and Western Americana attitude. Forged in themes of isolation, paranoia, violence and terror, dark and synth-driven ambience coalesces with bouts of chaotic and desperate black metal, while also honing in on the grit and desolation that was no doubt inspired by Giordano’s upbringing in the rugged American heartlands. Combined with the commanding aggression of Giordano's vocal attack, BLOOD MOTHER offers the score to your own personal horror film.

BLOOD MOTHER is now unveiling a lyric video for the ominous new single "Pulled Apart," which is taken from its upcoming self-titled studio album, due on June 19 independently. The song can be found along with a visualizer below.

Composer Rick Giordano comments, "'This song is the album closer because after the devastation and hopelessness you're left with at the end of the song, there's really nowhere else to go. Whether taken as a metaphor for physical or emotional violence, you're pulled apart until there is nothing left. With the added layers of bass guitars and synths, and an altogether different, larger drum set... we wanted to destroy you and your speakers both."

Pre-orders are now live via the official webstore HERE or via Bandcamp HERE.

Giordano is accompanied on this self titled debut album by Erik Ramsier, long time drummer and percussionist for the Lion's Daughter, with artwork by renowned graphic novelist The Salamander King.

Rick Giordano, the composer behind THE LION'S DAUGHTER, is re-emerging as BLOOD MOTHER, a devastating new project that combines the post black metal horrors of TLD with haunting, atmospheric soundscapes and Western Americana attitude. Forged in themes of isolation, paranoia, violence and terror, dark and synth-driven ambience coalesces with bouts of chaotic and desperate black metal, while also honing in on the grit and desolation that was no doubt inspired by Giordano’s upbringing in the rugged American heartlands. Combined with the commanding aggression of Giordano's vocal attack, BLOOD MOTHER offers the score to your own personal horror film.

Accompanied on this self-titled debut album by Erik Ramsier, longtime drummer and percussionist for the Lion's Daughter, with artwork by renowned graphic novelist The Salamander King, BLOOD MOTHER isn’t just a reboot, but rather a reinvention. While it still draws from many of THE LION'S DAUGHTER’s original influences, and therefore, the project also defies generic classification much like its predecessor, BLOOD MOTHER is still a clear evolution from what came before. “After 18 years of releasing music and touring the world, the daughter had to die so that the mother could live,” explains Giordano of the new project.

As a fully independent entity, BLOOD MOTHER has no chains, no bounds, and no master. Self-releasing this project with the help of world renowned independent artist manager Wolf Mountain Productions, Giordano is paving his own path and asserting his dominance over the oppressive music industry. Like a renegade cowboy, he joins the ranks of other modern artists who have abandoned all standards and practices to usher in a new era of artist ownership and DIY supremacy. “I've never been a person that neatly fits in with any group, or made music that neatly fits into any category, so it just makes sense to operate independently,” Giordano explains. “I also look at the current state of the music and most of the bands that are popular now, and think why the fuck would I want anything to do with that?”

Like a ghost riding out from the desert, Blood Mother is here to paint the town a shade of red found only in Hell... before burning it all to the ground.

Lineup:
Rick Giordano: Guitar, bass, synth, vocals

Erik Ramsier: Drums

For Fans Of: Ulver, Darkspace, Blut Aus Nord, Cult of Luna, Sunn O))), Wayfarer

Cover Artist: The Salamander King

Album Credits:

Mixing by Ryan Wasoba

Mastering by Joel Hatstat

Distribution/management: Wolf Mountain Productions

Links:

WEBSTORE

BANDCAMP

INSTAGRAM

YOUTUBE

SPOTIFY

APPLE MUSIC

EVA UNDER FIRE SHARE LYRIC VIDEO FOR NEW SONG "THE WORDS YOU SAY"

Listening to EVA UNDER FIRE is quite literally hard rock therapy, turning scars and demons into anthems of inner strength. As a licensed therapist and powerhouse vocalist/songwriter, Amanda Lyberg blends emotional insight with powerful songwriting, delivering lyrics and performances that connect deeply and hit listeners right in the feels.

The Detroit quintet will unleash its new album VILLAINOUS via Better Noise Music on July 10. It follows their 2022-released debut, Love, Drugs & Misery. Pre-order it here.

Today, the band shares the lyric video for the new song "THE WORDS YOU SAY." 

"This song is about being in a toxic relationship when words are often twisted and used against us," states singer Amanda Lyberg, pulling back the curtain. "It scrambles our minds and makes reality seem so far away."

The new song is a mid-tempo, emotionally violent rager and it arrives as the title track and first radio single, which features In This Moment's Maria Brink, climbs towards Top 10 at radio. Listen to the song here. Watch the video Below:

2026 will find Eva Under Fire on tour for most of the year so opportunities to see the band command the stage will be plentiful. The band spent the winter laying waste to venues alongside Jeris Johnson and Butcher Babies. They will return to the road this summer, serving as support for Five Finger Death Punch's 20th Anniversary World Tour 2026.

All forthcoming dates are below.

EVA UNDER FIRE LIVE:
WITH FIVE FINGER DEATH PUNCH AND CODY JINKS:
7/20 — Camden, NJ — Freedom Mortgage Pavilion
7/22 — Bangor, ME — Maine Savings Amphitheater
7/23 — Saratoga Springs, NY — Saratoga Performing Arts Center
7/25 — Hershey, PA — Hersheypark Stadium
7/26 — Syracuse, NY — Empower Federal Credit Union Amphitheater at Lakeview
7/28 — Gilford, NH — BankNH Pavilion
7/30 — Mansfield, MA — Xfinity Center
8/1 — Montreal, QC — Centre Bell
8/2 — Toronto, ON — RBC Amphitheatre
8/4 — Wantagh, NY — Northwell at Jones Beach Theater
8/5 — Holmdel, NJ — PNC Bank Arts Center
8/7 — Burgettstown, PA — The Pavilion at Star Lake
8/8 — Noblesville, IN — Ruoff Music Center
8/10 — Cincinnati, OH — Riverbend Music Center
8/11 — Cuyahoga Falls, OH — Blossom Music Center
8/13 — Milwaukee, WI — American Family Insurance Amphitheater
8/15 — Grand Rapids, MI — Acrisure Amphitheater
8/16 — Clarkston, MI — Pine Knob Music Theatre
8/18 — Shakopee, MN — Mystic Lake Amphitheater
8/19 — Tinley Park, IL — Credit Union 1 Amphitheatre
8/21 — St. Louis, MO — Hollywood Casino Amphitheater
9/8 — Morrison, CO — Red Rocks Amphitheatre
9/11 — Auburn, WA — White River Amphitheatre
9/12 — Ridgefield, WA — Cascades Amphitheater
9/14 — Wheatland, CA — Toyota Amphitheatre
9/16 — Mountain View, CA — Shoreline Amphitheatre
9/18 — Long Beach, CA — Long Beach Amphitheater
9/19 — Las Vegas, NV — Michelob ULTRA Arena
9/22 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
9/24 — Phoenix, AZ — Talking Stick Resort Amphitheatre*
9/25 — Albuquerque, NM — Isleta Amphitheater*
9/27 — Houston, TX — Cynthia Woods Mitchell Pavilion
9/28 — Austin, TX — Germania Insurance Amphitheater
9/30 — Fort Worth, TX — Dickies Arena
10/2 — Rogers, AR — Walmart AMP
10/3 — Kansas City, MO — Morton Amphitheater
10/5 — Biloxi, MS — Mississippi Coast Coliseum
10/7 — Huntsville, AL — Orion Amphitheater
10/8 — Franklin, TN — FirstBank Amphitheater
10/10 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
10/11 — West Palm Beach, FL — iTHINK Financial Amphitheatre
10/13 — Alpharetta, GA — Ameris Bank Amphitheatre
10/14 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
10/16 — Charlotte, NC — Truliant Amphitheater
10/17 — Virginia Beach, VA — Veterans United Home Loans Amphitheater at Virginia Beach
10/19 — Greenville, SC — Bon Secours Wellness Arena
10/21 — Columbus, OH — Nationwide Arena
10/23 — Bristow, VA — Jiffy Lube Live

For all of EVA UNDER FIRE's new music, Amanda drew on her career as a licensed therapist to foster open dialogue among the band members, empowering everyone to be heard during the recording. Her work in therapy started in 2018 when she graduated with a Master of Arts degree in Psychology and went on to work at a mental health clinic in Detroit, Transcendence Behavioral Health (owned by Dr. Stephanie Williams). That same year, her father passed away due to a fentanyl overdose. Her mother survived the same batch that killed her father and has been sober for the past six years. In addition to her thriving and busy music career, Amanda is currently a practicing psychotherapist specializing in trauma work, grief, loss, and addiction recovery.

Her story turned into a 2023 short film, My Rockstar, which used EVA UNDER FIRE music throughout and has won over 20 awards at several film fests including Orlando Film Fest, Wild Rivers Film Festival, Toronto WILDfilm Festival, and many others.

Lauded as one of SiriusXM's 2023 "Ones To Watch," EVA UNDER FIRE released their critically acclaimed debut album, LOVE, DRUGS & MISERY via Better Noise Music in 2022. Its deluxe version includes the Top 20 Active Rock radio-charting single "Unstoppable" featuring country/rock artist Cory Marks. They've toured across the globe with acts including Bush, Bad Wolves, Pop Evil, Skillet, and Finger Eleven, while also appearing at some of rock's biggest festivals including Aftershock, Inkcarceration, and Rock Fest.

EVA UNDER FIRE—who have amassed over 100 million streams and 10 million YouTube views—substantially expanded their fanbase following their featured appearance in the horror-thriller The Retaliators (Better Noise Films) and the inclusion of their single "Blow (Feat. Spencer Charnas of Ice Nine Kills)" on the film's soundtrack. Their single "Heroin(e)" was also featured on the soundtrack for the 2020 film Sno Babies (Better Noise Films), which has over 65M global streams. "Heroin(e)" has a combined total of over six million global streams, while "Blow (Feat. Spencer Charnas of Ice Nine Kills)" has over 41.6M global total streams.

he didnt Releases New Single "Death to Self" From Forthcoming Album Dark Making

he didnt announces the release of "Death to Self", the most melodic moment from the forthcoming album Dark Making, out July 3rd via drone alone productions. 

Built from a beat, an acoustic guitar and a humming vocal, "Death to Self" is a simmering opting-out of society. It is stark, direct and strangely beautiful: a song that steps away from noise without losing the tension, distortion and unease at the centre of he didnt.

he didnt began as a solo project exploring industrial noise, riffs and drones with guitars. As the project and albums developed, samples and electronics became necessary to fully realise the ideas, both live and in the studio. The sound now combines live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

Influenced by 1980s industrial, early MINISTRY albums, Pretty Hate Machine and PUBLIC IMAGE LTD, Dark Making follows that vein and shows he didnt’s use of technology and distortion as writing tools, and as forces for expressing emotion.

Some of the tracks on Dark Making are rough and cut in awkward, jarring ways, with sparse arrangement and production, like an idea creeping out of an underground DIY radio station at 4am. The album continues and develops the sound of he didnt’s debut album Anti-Ambient Passive Resistance, while albums two, three and four moved further into drone territory. Dark Making returns with more of a goth-industrial edge.

Playing drones live is great, but you also need some shorter and more direct songs to keep people interested, and some beats to dance to. Even if that dancing is a slow swaying of the arms and head.

he didnt’s fifth album is a journey into the distortion navel that umbilically links us all. At the centre of that journey is "Death to Self": melodic, minimal and withdrawn, a song for stepping out of the system without knowing where else to go.

About he didnt:

Rooted in industrial noise, the Oxfordshire, UK, based solo project he didnt initially started to explore industrial noise, riffs and drones with guitars. As the project has developed, he didnt began to incorporate further electronics and samples to achieve the desired sound. The project now operates with a combination of live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

For live performances, he didnt doesn't use software, syncing or turntables. Instead he didnt utilizes a laptop, the main basic track, extra samples and various guitar pedals to build the sound.

Since its inception, he didnt has release four full length albums via drone alone: Anti-Ambient Passive Resistance and Blood Red (2023), Nothingness Manifested (2024) and Distraction Threshold (2025). he didnt has received praise for previous releases from Bandcamp Daily, BBC Introducing, The Quietus and Electronic Sound. 

The forthcoming album, Dark Making, is scheduled for release on July 3, 2026, via drone alone productions. 


Connect With he didnt / drone alone productions:

Instagram: https://www.instagram.com/drone_alone_prods/
YouTube: https://www.youtube.com/@dronealoneprods
Bandcamp: https://dronealoneprods.bandcamp.com/

Melodic Death Metal Force SIGYN Signs to Noble Demon and Unleashes Lyric Video for "The Crawlers" ​

Finnish melodic death metal force SIGYN has officially joined the ranks of Noble Demon and are now unveiling their brand new single and lyric video "The Crawlers", taken from the band’s upcoming sophomore full-length album "From Nation To Chaos", set for release on July 10th.

Blending razor-sharp riffing, epic melodies, and relentless energy, "The Crawlers" showcases SIGYN’s trademark sound while also exploring slightly new sonic territory, further underlining the band’s evolving approach to modern melodic death metal.

Speaking about the track, guitarist Markus Suomela reveals:

"The starting point of the song differed from our earlier SIGYN material, and at first I wasn’t sure which direction it would take. However, the orchestration and keyboard parts composed by Valtteri brought exactly the right atmosphere to it, and now the track is one of my favorites on the upcoming album."

Watch the lyric video for "The Crawlers" below:

Originally formed in 2008 in Helsinki, SIGYN operate within what can best be described as "Epic Melodeath" - a powerful blend of heavy riffs, fast-paced aggression, and memorable melodies, occasionally enriched with symphonic elements. Drawing inspiration from the early 2000s Finnish metal scene, the band fuses intensity and atmosphere into a modern yet unmistakably classic melodic death metal sound.

Following their debut album "Dehumanized" (2023), which earned a spot in Kaaoszine’s "Top 10 Albums of the Year" list, SIGYN quickly established themselves as one of the rising names in the Finnish extreme metal underground. The album’s single "The Real Me" further expanded their reach, receiving airplay on both Radio Helsinki and Radio Rock.

With "From Nation To Chaos", SIGYN continue to refine their identity - combining soaring melodies, relentless riffing, and an epic sense of scale that will appeal to fans of Children Of Bodom, Wintersun, Arch Enemy, Nightwish, Behemoth, Dimmu Borgir, and Cradle Of Filth.

Reflecting on the band’s new chapter with Noble Demon, Markus Suomela comments:"SIGYN is proud to join the Noble Demon family and to take this next step in our journey. It feels like a great home to our music, and we can’t wait to share what we have been working on. Exciting times ahead!"

Noble Demon CEO Patrick Walch adds: "Another Finnish band, yes. We could claim once again ‘it must be something in the water or in the mother’s milk in the land of the thousand lakes’, indeed. So, I can’t help but do it as the Finns would — be sparse with words and suggest you check out SIGYN’s first album single ‘Blind Prophet’, which is already out on all streaming services. Listen for yourself and you’ll understand why there is no way to get around this band in 2026. New album out very soon! Of course on NobleDemon \m/"

"From Nation To Chaos" will be released digitally on July 10 via Noble Demon and is available for pre-save at THIS LOCATION

For more info visit:

Official Website

Facebook

Instagram

Noble Demon

Alt-Rock Quartet CORELLA Shares New Single "Bitter End" + Official Video

CORELLA have released their brand new single “Bitter End,” the latest song taken from their forthcoming second album ‘A Beautiful World To Lose,’ out on September 18th via FLG. “Bitter End” arrives alongside an official video, available below. 

“Bitter End” is a scorching indie rock track which is quick to take no prisoners, tearing out the blocks in a frenzy of distortion and pounding drums, while frontman Joel Smith plays rock ‘n’ roll ringmaster with his lyrical snarl taking aim at the circus of life and the rat race for success. 

CORELLA debuted the new single live to a rabid reaction from fans on their whistlestop headline tour across the North of England last week. Performing packed to the rafters shows at six sweaty intimate venues, they unleashed a number of tracks from ‘A Beautiful World To Lose’ live for the first time to chaotic scenes as displayed in the video for “Bitter End.” 

Regarding the single, Joel says:

“‘Bitter End’ captures that restless drive to chase something bigger, exploring the highs, chaos, and obsession that come with wanting more out of life. It plays with the idea of the modern dream; success, excess, and the determination to keep pushing no matter the cost.” 

Watch the Official Video for "Bitter End"

Produced by Grammy-winning Jason Perry (The Molotovs, McFly, Don Broco), ‘A Beautiful World To Lose’ finds the rapidly rising Manchester band performing with a new ferocity and sense of purpose. They have taken their formative indie influences and honed them into something new and razor-sharp. 

From searing riffs and snarled lyrics in “Rewire,” to bold vulnerability in “Lost A Friend,”alongside huge uplifting anthems such as found in “Simple Life,” ‘A Beautiful World To Lose’ buzzes with energy, while taking their songwriting and musicianship to grand new heights. The themes cover loss, heartbreak and disillusionment, tracking a generation’s frustration and apathy over the things that are out of their control. 

With a wealth of support for the band coming across Radio 1, Radio X and BBC Introducing, while also clocking up over 70 million streams since the release of the debut album, CORELLAhave ignited a following which has led to numerous capacity headline tours across the UK and Europe, main stage performances at festivals including Reading & Leeds, while also touring with the likes of Kaiser Chiefs, Pale Waves, Circa Waves and The Wombats. 

Pre-Order 'A Beautiful World To Lose' HERE

DEVILDRIVER Unleash New Single "Dead In The Water" From Upcoming Album "Strike To Kill," Out 7/10 — LISTEN + PRE-ORDER

"Let the fire rise, you were born for this, stay the course" —Dez Fafara

The fans and critics have made their voices heard, DEVILDRIVER have leveled it up! In anticipation their rabid new album, Strike and Kill, out July 10 via Napalm Records, the groove metal legends first released the boisterous lead single "Dig Your Own Grave," cracking over 400k cross platform streams, becoming a mainstay on SXM's Liquid Metal, and stampeding up the Metal Contraband charts just a month after release.

If you know what's good for you, you'll pay close attention to the words on their next bloodthirsty ripper, "Dead In The Water" out today. This single is built upon cataclysmic blast beats and ornately blackened guitarmonies, delivering the good with vibrance and violence. Iconic frontman Dez Fafara's delivery remains venomous, galvanizing listeners with affirmations of perseverance and resilience in the face of adversity.

Dez on "Dead In The Water":
"This is one of the most positive songs I've ever written lyrically, coming from a very dark time straight into blinding light. I needed to empower others to do the same as I did, and tell them to 'stay the course,' life turns around if given the chance to flourish.

"The vibe musically on this is very old school DEVILDRIVER and the entire band is cracking hard here, if you're a long time listener you're gonna love this one! Enjoy!"

Check Out The Official Music Video for "Dead In The Water" Below:

Pre-order your copy of Strike and Kill — NOW!

Following DEVILDRIVER's career defining double album Dealing With Demons Vols. 1 & 2 —with Vol. 1 sitting at #1 at metal radio for a triumphant 15 weeks, and Vol. 2 celebrated by internationally revered media like Metal Injection, Kerrang!, and Blabbermouth, who lauded "you can't stop the unstoppable"— the band sets out on a rabid hunt with Strike and Kill, holding the blade to your throat, and serving up that trademark DEVILDRIVER blend of melodeath elegance, blackened atmosphere, tectonic grooves, and Fafara's iconic visceral delivery.

Wasting no time, the album bursts open with the incendiary "Dig Your Own Grave," a flurry of assault rifle kicks and crunchy riffs encircle the listener casting them into the waiting abyss before transitioning into "Dead in the Water," showcasing the vibrant melodeath tapestries of master guitar duo Alex Lee and Gabe Mangold. "Sanctified In Scars" implements industrial pulsating beats and ethereal sonic textures, sanctifying Fafara's venomous voice with blackened tremolo excellence. The album’s title track "Strike and Kill" is a reconciliation of hardships and lessons learned, built upon the backs of blisteringly technical riffage and dizzyingly swift drumming by Davier Perez. Tracks like "In the Moonlight" and "Never Coming Home" wrap listeners in serenely blissful guitarmonies, elevating the brutality with elegance and emotion. "Ride or Die" unleashes pure metal inertia, pulling listeners in with unrelenting force. Exemplifying their technical edge with tracks like “Headed for the Fall” and "You’re just a Ghost," the band embraces mind-bendingly off-kilter patterns that spin listeners' heads. "Summoning Shadows" offers the albums longest respite from carnage, with textured acoustic guitars building tension before the band comes crashing back in with triumphant power. "Shut the Silence On" and "Oath of Iron" get super thrashy with their ballsy riffage and blast beats, before "All Bets are Off" brings things to a cataclysmic conclusion. 

DEVILDRIVER ON TOUR:
8/14 — San Diego, CA — Observatory North Park
8/15 — Las Vegas, NV — Brooklyn Bowl
8/16 — Phoenix, AZ — Marquee
8/18 — San Antonio, TX — Aztec Theater
8/19 — Austin, TX — Come and Take It Live
8/20 — Houston, TX — House of Blues
8/22 — Dallas, TX — House of Blues
8/23 — Oklahoma City, OK — Diamond Ballroom
8/25 — Chicago, IL — Bottom Lounge
8/26 — Milwaukee, WI — The Rave
8/29 — Colorado Springs, CO — Sunshine Studios
8/30 — Salt Lake City, UT — The Depot
9/1 — Boise, ID — Treefort Music Hall
9/2 — Reno, NV — Club Underground
9/3 — Sacramento, CA — Goldfield
9/4 — San Jose, CA — The Ritz
9/5 — Anaheim, CA — House of Blues

The Joy Thieves unleash 'Apocalypse Pending' album with video for 'No Anchor' & focus track 'Ambush Vinez'

Chicago-based alternative collective The Joy Thieves release their full-length album 'Apocalypse Pending' on June 5th via Armalyte Industries. While the industrial-rock-punk-experimental supergroup known has always combined a wide array of musicians together in order to craft their signature sound, they stretch this concept to its very limits with this record.

Highly influenced by the hip hop music production techniques of the 80’s and early 90’s, 'Apocalypse Pending' finds the Joy Thieves Productions team of Dan Milligan and James Scott redefining themselves by utilizing a sample-heavy production to forge elements of industrial, rock, experimental, punk, hip hop, metal, and freeform jazz. But instead of sampling the music of others, they found inspiration in the talents of the band’s 80+ other members, resulting in an incendiary sound all their own.

Anxious to explore new musical territory, they challenged themselves by turning the entire song-creation process upside down. Instead of relying on members to contribute already-written songs, as they’d done in the past, they meticulously gathered hundreds of unrelated recorded musical fragments from their fellow Joy Thieves, then painstakingly reconstructed brand new pieces of music from these fragments, ultimately creating a fresh and innovative sound.

Longtime fans of the band will instantly recognize the iconic voice of Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface). Seething with frustration and rage at one moment, and coolly delivering beat poetry the next, 'Apocalypse Pending' finds the multi-talented Connelly in his element; using the album’s densely layered, sonic collage as the perfect vehicle to deliver the band’s violently anti-fascist sentiments.



The Joy Thieves have also shared videos for 'No Anchor' and ‘The Wrong End of Your Rifle’, created by Lumbra Productions. Eyeing the edge of collapse, capturing the zeitgeist with such precision, they touch on the decay of the individual, exploring the isolation of our modern world.

“These days, the process of simply writing and recording an album no longer seems to be enough for me. In order to feel fully engaged, I need new and exciting musical challenges - preferably ones that make me start wondering if I just might be in waaaay over my head. Once I get that feeling, there’s absolutely no question I’m on the right track," says Dan Milligan.

"
In the case of 'Apocalypse Pending', that challenge began as a question - What kind of music would RZA or The Bomb Squad make if they had been raised on a steady diet of Gang of 4, The Jesus Lizard, and Ministry?"

Chris Connelly adds, “At their core, the lyrics for 'Apocalypse Pending' are violently anti-fascist. It’s funny how worked up and angry I get when I talk about these songs. But I’m finding I simply can’t hold back anymore; and it feels so good to lyrically address every aspect of this current horror show. I’m so glad we have a creative outlet to express these thoughts. At least until we all get Pussy Riot-ed into prison."

Since signing with London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. 'Apocalypse Pending' is the latest -- produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering.

The Joy Thieves includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

The band crafts their cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music. Created by “all of us, and yet, none of us”, this is a sound all their own, their music aggressive, yet precise; confrontational, but refined; and harsh, yet melodic.

On June 5th, 'Apocalypse Pending' will be available on Digipack CD and across music platforms including Spotify, Apple Music and Bandcamp.

CREDITS
Track 1 written by Dan Milligan, DJ Darryl Hell
Tracks 2, 4, 7, 10,11 written by Chris Connelly & Dan Milligan
Track 3 written by Chris Connelly, Jeff Harris, Dan Milligan
Track 5 written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Track 6 written by Chris Connelly, Dan Milligan, Derek Christopher, Jeff Harris
Track 8 written by  Chris Connelly, Dee J Nelson, Dan Milligan
Track 9 written by Chris Connelly, Dan Milligan, Jane Jensen
Track 12 written by Chris Connelly, Dan Milligan, James Scott
Track 13 written by Chris Connelly, Dan Milligan, Dee J Nelson Nelson, Jeff Harris, Steven Archer
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios, Mark Pistel at Room 5 Studios, Jeff Harris at JH Studios
Steven Archer at House of Wolves, Dee J Nelson at DJN Music Studio, Jane Jensen at Autozen Music, and DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City
Videos by Joel Lopez by Lumbra Productions 

Released via Armalyte Industries

Artist studio photos by Derick Smith
Publicity by Shameless Promotion PR


Keep up with The Joy Thieves
Website | Bandcamp | LinkTree | Merch | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music | Twitter | Press contact

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Amazon | Press contact

Keep up with Armalyte Industries
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube 

Keep up with Shameless Promotion PR
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DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records and is set to unleash their devastating new single “Flesh" worldwide on all major streaming and digital platforms on Friday, June 5, 2026.

Today, the band has unveiled the music video for the single (see below). 

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

In addition to the release, Dead By Wednesday has been announced as part of Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed. The band will perform Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

For More Information Please Visit:

Official Website

Facebook

Instagram

YouTube

TodoMal Undergo Heavy Meditation on New Single “Graveyards of Joy”

TodoMal are releasing the title track as the third and final advanced single from their upcoming third album Graveyards of Joy. The song finds the atmospheric doom metal duo at their most elegiac amidst a heavy meditation on depopulation, decay and the gradual reclamation of abandoned places.

Watch the music video for “Graveyards of Joy” below:

Graveyards of Joy comes out July 3, 2026 on Season of Mist

Pre-order

https://orcd.co/todomalgraveyardsofjoy

Available Formats:
Digital Download

CD Digipak

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Turquoise)

12” Vinyl Gatefold (Half Gold, Half Black)

"Graveyards of Joy" draws from the ghost towns and emptied provinces of TodoMal’s native Spain, conjuring a landscape where "no gods'll ever settle here, 'cos all they ever do is walk by." As the song unfolds, the desolation gives way: new people arrive, signs of life begin to re-emerge and something resembling hope takes shape during a finale that’s as sweeping as the landscape it describes.

TodoMal was formed in 2020 by Christopher B. Wildman and Javier Fernández Milla, two veteran multi-instrumentalists of the Spanish underground scene. A Greater Good appeared on multiple year-end lists, including Mondosonoro's Top 10 albums of 2023, and sold through its initial pressing. The band has since expanded into a five-piece live ensemble and performed at festivals including Be Prog! My Friend, Under The Doom Fest and Frantic Fest, sharing stages with Candlemass, My Dying Bride and Dødheimsgard. Extensive European touring is confirmed for 2026, including a co-headlining run with Evoken across ten dates in July and August.

TodoMal Graveyards of Joy 2026 European Tour

4 July - Viveiro, ES @ Resurrection Fest

24 July - Tolmin, SI @ Tolminator Fest

30 July - Paris, FR @ Le Klub*
31 July - Rouen, FR @ Fury Defendu*
1 August - Diest, BE @ Club Hell*
2 August - Rotterdam, NL @ Baroeg*
3 August - Hamburg, DE @ MS Stubnitz*
5 August - Berlin, DE @ Neue Zukunft*
6 August - Schlotheim, DE @ Party.San Open Air*
7 August - Karlsruhe, DE @ Die Stadtmitte*
9 August - Dresden, DE @ Chemiefabrik*
10 August - Prague, CZ @ Subzero*

11 August - Bratislava, SK @ Pink Whale

18 September: Barcelona, ES @ Sala Boveda

25 September: Madrid, ES @ Dark Echoes Fest (w/ Draconian, Dødheimsgard)

26 September: Auzas, FR @ L'Homme Sauvage Festival

*with Evoken

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals

Mile – Bass and Vocals

Javi – Guitars

Bud – Drums

Cecilia – Synths and Vocals

Production Credits:

Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios

Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)

Mixing: Javier Fernández Milla at Trinitat Montseny

Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:
Cecilia Tallo (background vocals, tracks 4 and 6)

Teodora Gosheva (vocals)

Darío Garrido (acoustic guitars)

Manu Clavijo (live strings)

Cover Art:
Lluís Rigalt, Ruïnes (1865), Museu Nacional d'Art de Catalunya.

Photography:
Christopher B. Wildman

Pre-save & Pre-order: https://orcd.co/todomalgraveyardsofjoy


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MORTIIS Unleashes New Darkwave Banger, "Tundra, Heart of Hell"

Iconic Norwegian artist MORTIIS is now pleased to unleash another new single from his upcoming full-length, 'Ghosts of Europa.' "Tundra, Heart of Hell," is a gothic, darkwave banger that channels the likes of Bauhaus, Joy Division, Nick Cave & The Bad Seeds, and more! The nostalgic track can be found along with a lyric video below.

MORTIIS comments on the single, "For some reason the word 'Tundra' has been a recurring word in my life, and I attached it to various songs and lyrics over time, though very few ever came to any sort of fruition. In fact, the earliest versions of this song was called 'Tundra' or even 'Thundra' (because it sounded cooler) before I decided to add 'Heart Of Hell' to add some context. A big chunk of these lyrics also harken back to the time between 'The Stargate' and 'The Smell Of Rain.'"

'Ghosts of Europa' is due on June 26, 2026 via Prophecy Productions, making it MORTIIS' debut to the label! 'Ghosts of Europa' is available as ltd. box set incl. 2CD artbook edition, gatefold LP (excl. handmade sand-filled vinyl), bonus LP, music cassette et al. (50 copies). Ltd. box set incl. 2CD artbook edition, gatefold LP (excl. 'galaxy' metallic vinyl), bonus LP, music cassette et al. (450 copies). As a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold marble smoke vinyl LP (300 copies), ltd. Gatefold crystal clear vinyl LP (300 copies), Gatefold black vinyl LP, and Digipak CD Pre-orders are now live HERE.

Mortiis is a pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal. With a legacy stretching over three decades, he remains one of the most influential and enigmatic figures in underground dark music

With Ghosts of Europa, the enigmatic Norwegian artistic entity, known as MORTIIS, presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS' musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across Ghosts of Europa. Yet, the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, Ghosts of Europa reflects its maker's struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

"Ghosts of Europa" has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried Ghosts of Europa into spaces where MORTIIS never existed before. 

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called Era I From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined is sound through several eras that embraces experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during 'Era 0', his live concept even abandoned the wearing of the iconic mask. MORTIIS' stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

"Ghosts of Europa" is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured "Ghosts of Europa" out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

Line-up:

Håvard "Mortiis" Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians

Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4

Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7

Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6

Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4

Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5

Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7

Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7

Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7

Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6

Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6

Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1

Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8

Erling Blomberg – additional guitars on track 8

Album Credits:

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)

Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)

Mix by Sean Beavan at The Grey Room, Crestline, CA (US)

Mastering by Jules Seifert at Epic Audio Media, London (UK)

Cover Artist: Nihil

Layout Creator: Laurent Clément (Dead Seed Productions)

Pre-orders:

https://mortiiswebstore.com/pages/ghosts-of-europa

Available formats:

"Ghosts of Europa" is available as a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold XXX vinyl LP, Gatefold black vinyl LP, and Digipak CD.

MORTIIS Links:

FACEBOOK

INSTAGRAM

X

BANDCAMP

SPOTIFY

APPLE MUSIC

YOUTUBE

OFFICIAL SHOP

Hard Rock Force NESTOR Reveal Live Rendition of "On The Run" — LISTEN + WATCH

Melodic hard rockers NESTOR unleash the first single from the upcoming live album, Live at Gothenburg Film Studios (out August 14 via Napalm Records) with nostalgic "On The Run!" The studio version, released on the celebrated debut album Kids in a ghost town (2021), counts as one of the biggest NESTOR hits to date and has gathered millions of streams. Now, the band's captivating live energy meets the song's epic AOR-inspired keys and guitars — and one of their possibly catchiest singalong-choruses so far. 

Originally formed in 1989, NESTOR broke into the international rock scene with the band's comeback and debut album in 2021, immediately gaining critical praise and massive live opportunities. The acclaimed hard rock force has played alongside iconic acts like Kiss and Europe, and fans have gotten to experience NESTOR's outstanding stage presence also on headline tours around Europe and even in Japan. Check out the atmospheric live video for "On The Run" below for a first glimpse of NESTOR's first live album and DVD!

Vocalist Tobias Gustavsson comments:
"We are super thrilled to release our live album Live at Gothenburg Film Studioswith 'On The Run' as the first single leading the way into our universe. I think this album captures NESTOR in our natural habitat: loud, heartfelt, unapologetically dramatic, and somehow both nostalgic and new at the same time. I hope you'll enjoy listening as much as we enjoyed playing."

Watch the Live Video for "On the Run" Below:

Live at Gothenburg Film Studios treats fans old and new to a hefty selection of live versions of future classics from NESTOR's celebrated catalogue. The band brings the heat with a new rendition of the track "Firesign" (originally from Kids in a ghost town, 2021) – catchy riffs and rhythms carry the heavily '80s-inspired, authentic sound that is topped with impressive rock vocals. The nostalgia-drenched following track "Teenage Rebel" (title track of the latest studio album, 2024) gets audiences singing along without a failure with its irresistible chorus that is accompanied with emotion-loaded melodies and massive riffs. Further highlights of this extensive, 16-track offering include a live rendition of one of the biggest NESTOR hits to date, "On The Run" (also from the praised debut Kids in a ghost town, 2021).

This comprehensive live album, available even as a DVD, draws from NESTOR's impressive repertoire of arena-worthy anthems and rock ballads, polished with the very best AOR and classic '80s rock influences. Without a doubt, NESTOR continue their steady mission to restore the glory of rock!

Vocalist Tobias Gustavsson comments:
"When I listen to Live at Gothenburg Film Studios, it becomes clear to me that it shows everything that NESTOR was about, from the beginning. A live performance with all the little quirks and mistakes that makes it human, a thing that I have learned to love even more in an era of AI-generated music. Live at Gothenburg Film Studios is less clinical and more of a human experience in comparison to our studio albums and shows a different side of NESTOR. I hope you will enjoy it as much as we did recording it up on stage." 

NESTOR LIVE 2026:
Festivals:
7/17 — Laukaa, FI — John Smith Rock Festival
7/25 — Mönchengladbach, DE — BOBfest
7/31–8/1 — Turku, FI — Baltic Metal Storm
8/15 — Falköping, SE — NestorFest 2026
8/19–8/22 — Haddeby, DE — Baltic Open Air

NESTOR ARE:
Tobias Gustavsson — Vocals
Jonny Wemmenstedt — Guitar
Mattias Carlsson — Drums
Marcus Åblad — Bass
Martin Frejinger — Keyboards

Evil Island Announce Debut Album; Drop Music Video For New Single "Animal"

Evil Island have announced their debut album, Terraform The Afterlife, arriving August 14 via Blowed Out Records. Born from the creative firestorm that followed The Blood Brothers' 2024 reunion tour, the record finds Johnny Whitney, Cody Votolato, Mark Gajadhar and Autry Fulbright pushing their collective chemistry into bold new territory. Today, the band also share the album's second single, “Animal,” alongside an unhinged new music video that transforms a sun-bleached desert gathering into an increasingly violent cultish nightmare. Fans can pre-order Terraform The Afterlife on vinyl HERE. Stream “Animal” HERE and watch the blood-soaked music video Below. 

Produced by Ross Robinson, Terraform The Afterlife also features a carefully selected cast of guest vocal performances, including Alexis Krauss of Sleigh Bells, Michael Gatto of XCOMM, Jordan Blilie of The Blood Brothers and Fugazi's Guy Picciotto, marking his first recorded vocal performance since Fugazi's 2002 album The Argument.

Speaking on today’s announcement, Evil Island vocalist, Johnny Whitney shares 

“Evil Island was born out of the firestorm of creative energy that Cody, Mark and I felt when The Blood Brothers reunion tour ended in 2024. My brain was on fire, I was gripped with a kind of mania. I had so many ideas rattling around in my skull that if I didn’t make something new with my friends, the psychic damage probably would’ve manifested as some exotic form of cancer.

I knew our story wasn’t over. More importantly, I knew our particular strain of feral pop hardcore felt more necessary than ever given that the world is boiling in bullshit. So we wrote eleven songs, brought Ross Robinson into the fold, then Autry joined the band, and suddenly everything locked into place.

With Terraform the Afterlife, we let Ross completely off the leash. What was supposed to be a two-week recording session turned into a five-month descent into something far bigger than we imagined. We built a musical world that’s dazzling, violent, joyful, ugly, melodic, brutal and somehow still coherent. We put every drop of ourselves into this record. Terraform the Afterlife is the most creatively gratifying thing I’ve ever been part of, these songs will be fucked into my skull forever.”  

Picciotto's appearance carries particular significance. A longtime friend and collaborator of the band who previously worked with The Blood Brothers on their acclaimed 2006 album Young Machetes, he was drawn back into the studio after receiving a call from Cody Votolato while Evil Island were deep into recording. 

Speaking on how this rare and exceptionally special collaboration came about, Guy Picciotto shares 

“Last November I got a text from Cody Votolato checking in and asking to talk on the phone. I had worked as a producer with Cody and his Blood Brothers compatriots on their last album ‘Young Machetes’ and those guys had become some of the dearest people in the world to me. The experience of making that record was such a blast - both hilarious in terms of humor and hi-jinx but also hugely revitalizing to me in terms of getting to watch their musicality, their creativity and their camaraderie up close.  

“I had been blown away by their reunion shows the year before and had thought they were even better than ever so I was expecting Cody to maybe drop news of more shows in the offing. I certainly wasn't expecting him to drop the bomb that he, Johnny and Mark had formed a new band with Autry and that they were already fully in deep tracking an album with Ross Robinson back in the producer saddle with them. I was even more surprised when Cody asked if I would be up for singing back-ups on one of the tracks. Given that my general attitude vis-a-vis the Blood Brothers is that I would take a bullet for any of them, I felt like I had to at least give it a shot despite not having sung on a recording since the last Fugazi album THE ARGUMENT back in 2002.”

Today’s announcement arrives following a remarkable start for the band. Evil Island's debut single “Tiger Baby” sold out its entire pressing of 300 hand-signed 7-inch records in less than six hours, while the band's live lineup has expanded with the addition of Todd Weinstock, formerly of Glassjaw, on second guitar. His arrival adds another direct thread to the early-2000s post-hardcore ecosystem and further strengthens Evil Island's live incarnation as the band prepare to bring this new material into the world for the first time.

Initially envisioned as a brief recording session, Evil Island’s time in the studio expanded into a five-month creative odyssey with Robinson behind the board. Across thirteen tracks, Terraform The Afterlife embraces contradiction at every turn, balancing melody and abrasion, beauty and ugliness, joy and destruction into a singular musical world.

If “Tiger Baby” opened the door to Evil Island's universe, “Animal” now tears it from its hinges.Set against the stark backdrop of the desert, the accompanying video follows the band as the leaders of a mysterious cult-like gathering. Dressed in white and surrounded by devoted followers, they move through increasingly unsettling rituals as day gives way to night. What begins as something communal, hypnotic and strangely playful gradually mutates into a hallucinatory nightmare of violence, devotion and bloodshed.

Providing further context on the release, Johnny Whitney continues 

“‘Animal’ felt enormous almost immediately. It’s the only song we’ve ever written that sounds authentically like us while also sounding like it could be blasted through the PA at a football stadium. Our pitch for the music video was basically, ‘What if ISIS started making TikTok dance videos?’ I don’t know if we achieved that, but I did get to smash a head with a sledgehammer, which feels like a good sign.”

Terraform The Afterlife will be released on August 14, 2026 via Blowed Out Record. Vinyl pre-orders available now HERE.

About Evil Island

Evil Island is Johnny Whitney, Cody Votolato and Mark Gajadhar of The Blood Brothers alongside Autry Fulbright of OFF! and …And You Will Know Us By The Trail Of Dead, with Todd Weinstock of Glassjaw joining the band’s live lineup on second guitar.

Formed in the wake of The Blood Brothers’ 2024 reunion activity, Evil Island emerged when Whitney, Votolato and Gajadhar found themselves compelled to continue creating together. With Fulbright joining the band and legendary producer Ross Robinson behind the board, what began as a brief recording project quickly expanded into a five-month creative odyssey that became the band’s debut album, Terraform The Afterlife.



The album features guest appearances from Alexis Krauss of Sleigh Bells, XCOMM vocalist Michael Gatto, Blood Brothers vocalist Jordan Billie, and Fugazi’s Guy Picciotto, whose contribution marks his first recorded vocal performance since Fugazi’s 2002 album The Argument.



For musicians whose collective work helped shape underground music for an entire generation, Evil Island is neither a reunion nor a side project. It is the sound of artists continuing to push themselves creatively, resulting in a debut album that is ambitious, unpredictable and entirely its own.