RAINBOW THE TEMPLE OF THE KING 1975-1976 9CD BOXSET RELEASING MARCH 6

RAINBOW - THE TEMPLE OF THE KING 1975 – 1976 is the most comprehensive collection of the opening phase of Rainbow’s career to date, and is the first in a series of anthology sets covering the career of legendary guitarist Ritchie Blackmore. The 9-CD set, newly mastered by Andy Pearce & Matt Wortham, is housed in Deluxe 7” packaging featuring a 24-page booklet featuring memorabilia, photos and sleeve notes by music writer Rich Davenport.

The set spans the band's first two years and includes their debut album, Ritchie Blackmore’s Rainbow; their breakthrough record, Rising and the extended German concerts that were compiled as part of the double live album On Stage.

The final two discs comprise rare recordings, many of which are featured on CD for the first time, including band rehearsals, single edits, and rough mixes.

Rainbow was initially formed as a Ritchie Blackmore solo project in the early months of 1975, after a Deep Purple tour of the previous year. On that tour, they were supported by the American band Elf. The singer of Elf, Ronnie James Dio, left an impression on the already legendary guitarist Blackmore. Blackmore asked him to sing on a cover of the song Black Sheep Of The Family. The sessions went so well that a full album began to take shape, with Blackmore and Dio collaborating on original songs. Blackmore had such foresight in this project, he solely financially funded the work and thus began the mystical musical world of Rainbow.  The resulting record, Ritchie Blackmore’s Rainbow, was recorded between February and March 1975 at Musicland Studios in Munich, Germany. With Blackmore's composing prowess and Dio's mystical lyrics, the band was set to take fans to a new level.

The album’s unusual stylistic blend of hard rock and classical music was partly inspired by Blackmore taking up the cello to help him break free of the confines of conventional guitar chord progressions. Ritchie Blackmore's Rainbow was a top 15 hit in the UK and top 30 in the US, and was such a positive experience that in the Summer of 1975, that Blackmore left Deep Purple to commit himself fully to Rainbow.

Recruiting bassist Jimmy Bain, keyboard player Tony Carey and ex-Jeff Beck Group drummer Cozy Powell, Ritchie Blackmore’s Rainbow undertook their first tour. By 1976, the band's name had been shortened to Rainbow, and a second album, Rising, was recorded in February of that year once again at Musicland. Rising, with its iconic sleeve of a fist holding a rainbow in a mystical scene, only features six tracks, including two epic compositions on side two, one of which, Stargazer, is widely regarded as a Rainbow classic and a landmark in hard rock. The original musical stylings are often touted as the 1st neo-classical metal band. It was the perfect melding of Ritchie's guitar wizardry and Ronnie's soaring powerful vocals.

Taking the album on the road in 1976, the band added Deep Purple's Mistreated to their setlist, and song lengths were stretched to include improvisational sections. The band recorded shows in Germany and Japan, which were edited and compiled as the live album On Stage, released in the summer of 1977. Three of the German shows from Cologne, Düsseldorf, and Nürnberg are being released together for the first time outside of Japan on The Temple Of The King 1975 – 1976.

By the end of 1976, Rainbow had established itself as one of the cornerstones of British rock, and, under the leadership of the never-predictable but ever-astonishing guitarist Ritchie Blackmore, would become synonymous with some of the most loved and popular Rock songs of the seventies and eighties. To be continued….

RAINBOW
THE TEMPLE OF THE KING
1975-1976

9CD BOXSET RELEASING MARCH 6th 2026
ON EDSEL RECORDS
AVAILABLE FOR PRE-ORDER NOW
https://rainbowband.lnk.to/templeoftheking


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Gluecifer Release "I'm Ready" Video

Twenty-one years after their last studio album, the Norwegians laid the foundation for their brand new album Same Drug New High (out January 16 via Steamhammer). Now, "I'm Ready" is the next taste of what's to come from the album.

Singer Biff Malibu says, "It's one of the last songs we wrote for the record. Captain Poon had worked out a chord structure that fell into place really fast, and that we felt had a kind of happy and positive ring to it. I threw in some lyrics on the same note, and the song sort of wrote itself from there." 
 
At a time when the world's inflationary desire for change seems to stop at nothing and no one, GLUECIFER appear to be the proverbial solid rock.

The Norwegian band, one of the most successful in its country, who immediately returned to its former strength after a reunion in spring 2018, continues to play a passionate melange of irresistible punk rock, traditional rock 'n' roll and dazzling glam elements — just the way the fans want to hear it. The new studio album, Same Drug New High, the group's first in more than 20 years, leaves no doubt that founding members Biff Malibu (vocals) and Captain Poon (guitar), plus long-standing bandmates Raldo Useless (guitar), Danny Young (drums), and Peter Larsson (bass), sound not only more mature and skilled, but also more versatile and determined than ever.

Watch the video for "I'm Ready" below. 

Stream the single and pre-order the new album Same Drug New High here. 

PRODUCT VERSIONS:

*Limited LP Edition / STEAMHAMMER exclusive - Limited to 300 copies
(incl. splattered red/black/white Vinyl and LP insert) - Order here
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(incl. gold Vinyl and LP insert) - Order here
*Limited LP Edition / EU & UK exclusive - Limited to 300 copies
(incl. translucent red Vinyl and LP insert)
*Limited LP Edition / NORDICS exclusive - Limited to 500 copies
(incl. translucent clear Vinyl and LP insert)
*Standard LP Edition 
(including black vinyl and LP insert)
*CD Edition
(in a Digipak)
*Digital Edition
(Stream & Download)

Since they got together in 1994, Gluecifer have played hundreds of shows and released a total of five albums plus countless singles, EPs, and compilations. After an extensive farewell tour, the band broke up in 2005. But Gluecifer have never been forgotten by their fans. As a result, their 2018 comeback was not only met with huge acclaim, but was also celebrated by numerous concerts throughout Europe, including appearances at renowned festivals such as the Azkena Festival in Spain, Hellfest in France, and Tons Of Rock in Norway. So it comes as no surprise that their extensive fanbase started to clamor for new songs and another studio album almost immediately. Gluecifer have fulfilled that request at last with Same Drug New High, which was composed, produced, and mixed in their hometown of Oslo.

The new recording will be supported by an extensive European tour in spring 2026 — scheduled to kick off in Sweden on the album’s release date — and take Gluecifer to Germany, Norway and Spain.

More info about Gluecifer's upcoming live shows here. 

GLUECIFER LINEUP:

Biff Malibu — Vocals
Captain Poon — Guitar 
Raldo Useless — Guitar
Danny Young — Drums
Peter Larsson — Bass

Bizarrekult Announces Absorbing New Album 'Alt Som Finnes'

True to the spirit of black metal, Roman V. started Bizarrekult as a lone wolf. Moving to the genre’s birthplace in Norway twenty odd years ago inspired him to bend but not break with tradition. Bizarrekult’s previous albums reflected on his childhood and changing place within the larger world, all while honing a grim yet luminar vision for the future. His upcoming third album also emerged from a deep personal crisis. Only this time, on Alt Som Finnes, he’s not alone in confronting all there is.

Today, Bizarrekult is announcing Alt Som Finnes by premiering the frighteningly tense video for the album’s lead single with No Clean Singing. While “Blikket Hennes” is tormented by never-ending self-doubt, Dødheimsgard vocalist Yusaf “Vicotnik” Parvez leads Roman out of its mental labryinthe - if only for a moment.  

“I was not ready for all of this”, Roman says about Alt Som Finnes. “None of us are, when the time comes. But at the end of this journey, it seems to have all been worth it. The music gave me hints as to where to go and what can be”.

Watch the video for “Blikket Hennes” below.

Alt Som Finnes comes out February 20, 2026 on Season of Mist Underground Activists.

Pre-order & Pre-save

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Available formats

CD Jewelcase

12” Vinyl (Black)

12” Vinyl (Purple, black and white marbled)

In keeping with Norwegian tradition, Bizarrekult can be as cold and raw as early Darkthrone, as eerily melodic as Enslaved, or as blistering in its beauty as Borknagar. Alt Som Finnes (All There Is) upholds that classic, manic energy of old-school black metal. “Blikket Hennes” buzzes like a mind plagued, hounded by sharp twisting riffs, pained screams and a steady pounding of double bass.

“Your conscience never sleeps’”, Roman explains. “It judges and evaluates everything you do. You will never be able to get away from it; it will pierce you day and night, for good and bad”.

As the punishing headwinds behind “Blikket Hennes” signal a change in the atmosphere, like a break in the clouds, Dødheimsgard vocalist’s Yusaf Parvez appears from behind the torrential melody with soothing cleans. It’s a welcome respite before the mental fog returns.

The video for “Blikket Hennes”  was directed by Natalia Drepina (@mourneress). It stars Pavel V. Boldyrev (@somebodyawful) and Natalia Drepina.

No one emerges unscathed from Alt Som Finnes. But while riddled with regrets, album closer “Tomhet” breaks new ground as the first Bizarrekult song sung in English. “Am I alone like this? No, we are many”. It’s a damning realization, but also a call for all of us to become something greater.

Line-up
Roman V. — Vocals
Ignat P. — Guitars & Bass
Alexander P. — Drums

Production Credits
Recorded at Seaside Room.
Produced, mixed & mastered by Miguel Tereso at Demigod Recordings, Portugal.

Guest Musicians
Yusaf "Vicotnik" Parvez (Dødheimsgard) — Vocals on "Blikket Hennes"
Lina (Predatory Void / Cross Bringer) — Vocals on "Drøm”
Kim Song Sternkopf (Møl) — Vocals on "Tomhet"

Cover Art
Gravestench Art (https://www.instagram.com/gravestench_art/)

Photography
Radmila Volchenkova

Available Formats
CD Jewelcase

12” Vinyl (Black)

12” Vinyl (Purple, black and white marbled)

Pre-save & Pre-order 

https://orcd.co/bizarrekultaltsomfinnes

Follow Bizarrekult
Bandcamp: https://bizarrekult.bandcamp.com/
Facebook: https://www.facebook.com/bizarrekult/
Instagram: https://www.instagram.com/bizarrekvlt/
Spotify: https://open.spotify.com/artist/6Cj4Bc1WpdNZhGcKyQfWci/
Apple Music:https://music.apple.com/artist/bizarrekult/1455860457 Deezer: https://www.deezer.com/artist/11699593

BLAZONER Announces First Single "I'm In Love With My Car" From Upcoming Covers EP Sonic Chambers

Fredericksburg, Virginia heavy rock trio BLAZONER has released "I'm In Love With My Car," the first single from their upcoming covers EP Sonic Chambers, due out February 13, 2026. The track offers an electrified and harmony rich reinterpretation of the classic QUEEN deep cut.

The band approached the recording with a mix of respect, intensity, and playfulness. Drummer Andy Murray takes the lead vocal, a nod to Roger Taylor’s original performance, while Brian Carnes and Stephen Sullivan join him to build thick, layered choruses that showcase the trio’s signature multi vocal sound. The band recorded an extensive number of vocal tracks to capture the fullness and dramatic lift that makes the original song such a standout. Longtime friend and producer Jeff Covert helped guide the arrangement and brought extra clarity and dimension to the performance.

"I'm In Love With My Car" marks the first look at Sonic Chambers, a collection born from a spontaneous decision to record a few favorite covers in the studio. What began as a simple session quickly evolved into a five track EP that celebrates the music that shaped BLAZONER’s sound and spirit. The single highlights their ability to blend heavy rock power with melodic precision while staying true to the emotional core of the source material.

Listen Below;

About BLAZONER:

BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.

Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.

BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.

Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.

BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.

NECRONOMICON EX MORTIS Resurrect The Evil Dead Spirit With “Hungry For Brains”

NECRONOMICON EX MORTIS erupt with ferocious precision on their latest single, “Hungry For Brains,” taken from the forthcoming EP Zombie Blood Nightmare, arriving February 20, 2026.

A thrashy, smashy, in-your-face assault, “Hungry For Brains” showcases the band at their most unapologetically feral. Built entirely upon the half/whole diminished scale, the track spirals through symmetrical chaos and delivers a sound as unhinged and ravenous as its subject matter. Fans of technical metal will find plenty to chew on, especially when the track erupts into a blistering guitar solo performed by James Norton, former college roommate of guitarist Mike. His shredding adds an extra layer of necrotic flair.

Lyrically, the song dives headfirst into zombie carnage and grotesque undead imagery, continuing the band's love for cinematic horror and high-energy gore. “Hungry For Brains” embraces the spirit of classic zombie mayhem and sets the tone for the terror-laced chaos awaiting listeners on Zombie Blood Nightmare.

Produced, recorded, and mixed by Charlie Waymire at Ultimate Studios and mastered by Ernesto Homeyer, Zombie Blood Nightmare features six tracks of shred-heavy, horror-drenched chaos.

Zombie Blood Nightmare arrives February 20, 2026.

Ponte Del Diavolo Devilishly Charm on "Il Veleno della Natura"

Fresh off of leaving a mark on their fiery debut, Ponte Del Diavolo are fanning the flames with their upcoming second album. Drawing from the dark and dancing depths of the band’s dueling bassists and the raw spirit of their fiery live ritual, De Venom Natura delivers an all the more potent twist of blackened post-punk.

“[…]deliciously diabolical” No Clean Singing wrote in praise of the album’s spirited lead single. “Erba del Diavolo’s dramatically beautiful but spooky singing creates a key contrast as it soars and quavers above the music’s charging pulse”

Today, Ponte Del Diavolo are releasing the second advanced single from De Venom Natura. A skeleton key into the album, “Il veleno della Natura” distills its theme into a chilling science, where nature’s poison becomes not a threat but a source of life.  

Watch the music video for Il Veleno della Natura below;

De Venom Natura comes out February 13, 2026 via Season of Mist.

Pre-order & pre-save

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“Il Veleno della Natura” is an intoxicating surrender to the venom of existence. Within the hypnotic flow of De Venom Natura, the album’s latest single marks a feverish turning point, where its poisonous metaphor comes alive with a shock. As the guitars and drums snake with tension, Erba del Diavolo slithers between whispered confessions and a fervent invocation that sparks an ecstatic transformation.  

PONTE DEL DIAVOLO craft a focused blend of doom, black metal, post‐punk, and wave—an aesthetic they call “blackened post‐punk.” Wave‐tinged female vocals anchor the project’s flaming core, supported by an uncommon dual‐bass setup that grounds the rhythmic guitars and a raw, dynamic drum pulse.

The result is an immersive, tension‐driven sound. Following the initial release of three EPs, the band signed to Season of Mist and unveiled their first full-length album, Fire Blades from the Tomb.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)

Photography
Sergio Bertani

Pre-save & Pre-order

https://orcd.co/pontedeldiavolovenomnatura


Follow Ponte Del Diavolo
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

Chronicler of Ardul Announces New Single “To Arms!” From the Forthcoming Album Sounds of Ardul

CHRONICLER OF ARDUL presents “To Arms!,” a powerful new single that plunges listeners into the intensity of open conflict within the dark fantasy world of Ardul. Arriving ahead of the upcoming album Sounds of Ardul, due out April 10, 2026, the track highlights the project’s most dynamic orchestral writing yet, capturing the decisive moment when tension gives way to full-scale battle.

“To Arms!” surges with commanding brass, urgent strings, and relentless percussion, creating a vivid and cinematic sense of motion. Composer David Williams channels the spirit of classic video game battle themes while shaping a narrative turning point within the album’s broader emotional landscape. The piece expands on motifs that appear earlier in the record, transforming subtle melodic hints into a triumphant and volatile climax.

Serving as a counterpart to the more intimate “To Arms! (String Quintet),” the new single presents the full battle in its largest, boldest form. Where the quintet version evokes a duel or contained skirmish, “To Arms!” unleashes the full orchestra to paint a much grander conflict.

With Sounds of Ardul, CHRONICLER OF ARDUL deepens its commitment to immersive worldbuilding, weaving thematic motifs and emotional storytelling into every composition. “To Arms!” stands as one of the album’s defining moments, a track that invites listeners to feel the rush, fear, and determination of a hero forced to act.

About CHRONICLER OF ARDUL:
CHRONICLER OF ARDUL was started as a passion project by David Williams when he wanted to combine his love of metal music and dark fantasy to tell a story that spanned over songs and albums. After graduating from Berklee College of Music, he puts his skills to the test to create the music for a story he had been working on for 9 years. The debut EP called Myrewood released late 2023, with its written short story partner, Myrewood Part 1, published in May 2024. The following EP, Sword Of Virné arrived in the summer of 2024. Musically, CHRONICLER OF ARDUL draws from the likes of SHADOW OF INTENT and MENTAL CRUELTY in the metal world, while also taking inspiration from Japanese composer Nobuo Uematsu. 

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/
TikTok: https://www.tiktok.com/@chronicler_of_ardul

Myrath Share "The Funeral" Video

NEW ALBUM WILDERNESS OF MIRRORS OUT MARCH 27 — PRE-ORDER

"A CELEBRATION OF LIFE, DEATH, & BOUNDLESS CREATIVITY"

Tunisian–French metal innovators Myrath today release the video for new single "The Funeral," a track that approaches death with surprising brightness and emotional uplift. Instead of darkness, the band delivers a genre-blending anthem that transforms farewell into something empowering and beautiful. It's a seamless, masterfully crafted piece that feels destined, natural, and utterly breathtaking.

Alongside the single, Myrath present a cinematic video that expands the vast world of their upcoming album Wilderness of Mirrors. The production is bold, detailed, and effortlessly monumental.

"If you though that 2024’s Karma was a big step up in their theatrical desires, just wait until the jaw-dropping brilliance of Wilderness Of Mirrors launches itself the public domain! Put simply, and without wishing to be overly melodramatic, this is the most ambitious, most complete and most engaging set that Myrath have produced to date!" — FIREWORKS (UK)

Listen to the new single HERE. 

Watch the new music video Below.

Wilderness of Mirrors will be released March 27 and features 10 brand-new, emotionally charged tracks that continue Myrath's evolution of blending oriental influences with progressive and power metal. Fans can expect a journey through fantasy and reality, from haunting melodies to thunderous riffs and cinematic arrangements.

To celebrate the release, Myrath will embark on a major European tour starting in April 2026, bringing Wilderness of Mirrors to fans across 16 countries.

With millions of views on their cinematic music videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal's most unique acts.

Pre-orders for Wilderness of Mirrors and tickets for the European tour are available now. Don't miss the next chapter in Myrath's epic musical journey.

Pre-order the new album HERE.

Tickets and more info about Myrath's 2026 European tour HERE.

LONG LOST CULT CLASSIC BY ARMAGEDDON IS CELEBRATING ITS 50TH ANNIVERSARY AND IS BEING REISSUED

Armageddon was formed in 1974, and their self-titled debut, Armageddon, released in 1975, was recorded in England and released in the United States on A&M Records. The albums' original liner notes use the term "supergroup", as their personnel were drummer Bobby Caldwell (previously a member of Captain Beyond), singer Keith Relf (who had fronted the band the Yardbirds and was a co-founder of Renaissance), guitarist Martin Pugh (from Steamhammer), and bassist Louis Cennamo (also formerly of Renaissance and Steamhammer).

This classic has now been remastered and repackaged in a beautiful gatefold on 180G Atomic Red Vinyl with additional photos and credits to celebrate the 50th Anniversary.  There is a Limited (100 copies) signed bundle that comes with a 10x10 print signed by all three-surviving members (Bobby Caldwell, Louis Cennamo, Martin Pugh). As Caldwell states, “Hello!  It was a great pleasure to have written and worked on the Armageddon album with the late Keith Relf, Martin Pugh, and Louis Cenamo, some of the finest players in England!  We had a lot of fun, and we are delighted to see the album being re-issued by Deko Entertainment. We hope you enjoy it. Many thanks! Best Wishes.

Listen to “Buzzard” Below:

Pugh continues, “I am thrilled that Deko is recognizing the 50th anniversary of Armageddon with this timely release of the vinyl. Keith, Louis and myself flew out from London following a dream, when we arrived in Hollywood, met and jammed with Bobby, the dream came true.” Cennamo concludes, “Armageddon, our supergroup that nearly was and now just might always be!”

Armageddon is a limited pressing of 500 copies and continues in the tradition of Deko Entertainments mission to bring lost classics back to life and sometimes for the first time ever on vinyl. Recent releases have included Trapeze, Angel, Dokken, Warrant, Slaughter, Stevie Salas, and others.

You can pre-order Armageddon here: https://www.dekoentertainment.com/reissues/armageddon

CARRION VAEL Premieres New Single “1912,” Inspired by the Villisca Axe Murders

Richmond, Indiana’s technical melodic death metal powerhouse CARRION VAEL returns with a vengeance with the release of their haunting new single “1912,” a fresh glimpse into their fifth studio album, Slay Utterly, arriving January 16, 2026 through Unique Leader Records.

Recorded across three sessions at The Armory Studios with engineers Jack Daniels and Elisha Mullins and mastered by Jeff Dunne, Slay Utterly is a concept-driven exploration of infamous murderers, slashers, and violent historical figures. Each track delivers a vivid depiction of humanity’s darkest corners through CARRION VAEL’s blend of technical precision, melodic intensity, and razor-edged aggression.

“1912” stands among the band’s most stylistically expansive works to date. Nearly theatrical in its opening moments, the song broadens and intensifies as it progresses, guiding the listener through shifting moods and escalating tension. The band notes that this track is “the most vast when it comes to styles” and was crafted to make the listener feel every stage of its growth.

Lyrically, “1912” centers on the still-unsolved Villisca axe murders, which shook the small town of Villisca, Iowa on a sweltering June night in 1912. Two adults and six children were brutally killed as they slept. The assailant moved silently through the home, leaving no survivors and vanishing without a trace. More than a century later, the case remains open to speculation, and the song explores several of the most discussed theories, from roving train-hopping sociopaths to disgruntled business associates to evangelical madmen. The truth remains unknown.

With “1912,” CARRION VAEL transforms one of America’s most chilling mysteries into a dynamic and emotionally charged melodic death metal narrative, setting the tone for the scope and ambition of Slay Utterly.

About CARRION VALE:
In 2017, brutal melodic death metal storytellers CARRION VAEL set out on a mission to understand disturbing events that may baffle the sane. Each album and each song explores an aspect of true crime history, often focusing on the stories of individual serial killers and their victims. Though this conceptual focus underpins CARRION VAEL's songwriting, they seek to fully utilize all of their skills and talents to ensure that each song develops the sound it needs to tell its story. The band released their first album, Resurrection of the Doomed, independently in 2017, then signed with HPGD Records and released their 2020 follow-up, God Killer. Subsequently, the band signed with Unique Leader Records and released Abhorrent Obsessions (2022) and Cannibals Anonymous (2024). 

With their fifth album, Slay Utterly, on the horizon, CARRION VAEL are set to continue this journey into the monstrous side of the human psyche. Vicious, but surprisingly poignant in just the right dose, Slay Utterly presents an anthology of serial killer stories from significant points in history. The album is certain to enthrall fans of horror, history, and true crime with its vivid portrayals of the minds of both murderers and victims. 

CARRION VALE is:
Travis Lawson Purcell - Vocals
Alex Arford - Bass
Trenton Limburg - Guitar
Ryan Kurder - Guitar
Matt Behner - Drums

RED SANDS Unleash “The Hunt”

Independent melodic metal band RED SANDS announces the release of their new single “The Hunt,”. The track appears on the band’s highly anticipated EP Evocations, set for worldwide release on January 30, 2026.

“The Hunt” serves as an energetic and subconscious tribute to one of RED SANDS’ favorite metal acts, Iced Earth. Written by Eric Novelo (bass), with arrangements and lyrics by Daniel Novelo, the song blends galloping riffs, urgent pacing, and a sharp melodic edge. Although it is the most traditional track on the EP, it stands out as one of the most vibrant due to its direct songwriting and fast, unrelenting momentum.

Lyrically, “The Hunt” immerses listeners in the brutality and fervor of medieval warfare. While its themes resonate with nearly any era of armed conflict, the song draws particular inspiration from the Battle of Hattin in 1187, where Saladin’s forces defeated the Crusaders and reclaimed Jerusalem. Arabesque guitar solos, atmospheric backing vocals, and intricate sound effects depicting clashing swords and firing trebuchets create a vivid, cinematic portrayal of chaos on the battlefield.

Evocations features six tracks that explore themes of mortality, memory, and transformation. From the ominous opening “Mors Vincit Omnia” to the commanding presence of “The Coven,” the aggression of “The Hunt,” and the introspective melancholy of “My Beloved Ghost,” the EP traces a cycle of creation and decay. At its center is “System,” a new song that confronts modern corruption with sharp lyrical intent and complex musicianship. The artwork, created by vocalist and visual artist Jonathan Corral, reflects the record’s themes through surreal imagery featuring a being made from memories and relics carrying a dying bird on a blank musical score, symbolizing both unfinished creation and impermanence.

RED SANDS is:
 

  • Jonathan “Jona” Corral – Vocals

  • Daniel Novelo – Rhythm & Lead Guitar

  • Eric Novelo – Bass

  • Juan Carlos “CJ” León – Piano & Keyboards

  • Ángel Asiain – Drums


Connect with RED SANDS:
 

THE ETERNAL unleash first video single “It All Ends” from new EP “Celestial”

Australian-Finnish dark progressive gothic metal collective THE ETERNAL have announced their upcoming EP Celestial, set for release on January 16, 2026 via Reigning Phoenix Music, and have dropped the first video single, "It All Ends".  

Pre-save / pre-order the EP, available on all major digital platforms and as an extremely limited-edition eco-friendly recycled vinyl:https://theeternal.rpm.link/celestialPR 

"It All Ends" marks the first preview of Celestial and sets the tone with a powerful mix of haunting atmosphere, melancholic weight, and progressive finesse. The track unfolds slowly and deliberately, pulling the listener into its storm of brooding riffs, somber melodies, and an emotional vocal performance that feels both intimate and colossal. The song’s dynamics build toward a towering, epic finale that showcases the band’s cinematic approach to heavy music.

Stream/Download the single: https://theeternal.rpm.link/itallendsPR

Watch the video clip Below;

Lyrically, "It All Ends" cuts deep. Vocalist and guitarist Mark Kelson, who also designed & edited the video, explains:

"The lyrics of “It All Ends” convey a stark meditation on betrayal, disillusionment, and the collapse of trust. Through the recurring imagery of “empty words” and “broken shards,” the song captures the futility of promises that have lost their meaning and the devastation left in their wake. The repetition of the phrase “it all ends” underscores the inevitability and finality of this unraveling, while the storm imagery reflects the emotional turbulence beneath the surface. At its core, the song portrays the painful recognition that fractured communication and faithlessness lead to irreversible endings, leaving behind a lingering sense of loss that feels both suffocating and inescapable."  

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, joined by Jan Rechberger (drums, Amorphis) and Niclas Etelävuori (bass, ex‑Amorphis/Flat Earth) in Helsinki, THE ETERNAL are proving themselves a genuinely international collaboration and with the forthcoming EP, fans and first-time listeners alike get a first taste of the band’s signature intensity and powerful new material.

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion
 
More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
 Instagram | https://www.instagram.com/theeternalofficial/
 X | https://www.twitter.com/theeternalband
 TikTok | https://www.tiktok.com/@theeternalofficial
 YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

Singer/Songwriter Leah Blevins Warns "Be Careful Throwing Stones" on New Track

On the heels of releasing her first taste of new music with “All Dressed Up,” the title track from her Dan Auerbach-produced album, singer/songwriter Leah Blevins releases her powerful new single “Be Careful Throwing Stones” today. 

Written with Auerbach and Daniel Tashian (Kacey Musgraves, Leon Bridges), “Be Careful Throwing Stones” continues to showcase Blevins’ piercing vocal clarity, storytelling and unflinching emotional honesty with a dash of ‘70s retro glamour and sheen.

The new track follows the recent release of “All Dressed Up,” named a “hot new track” by Barnburner, and marks the latest glimpse into the sonic landscape of her upcoming album. A timeless blend of Southern rock earthiness and pop-country shimmer, anchored by a twangy Karen Carpenter-esque vocal purity, listen to “Be Careful Throwing Stones” HERE. 

Pre-save All Dressed Up, set for release March 20, 2026, HERE.  

In addition to the song’s release, the official music video for “Be Careful Throwing Stones” premiered today exclusively with Holler, offering fans a visual interpretation of the track. Watch the video below;

“This song is about protecting the softest parts of yourself,” says Blevins. “Dan, Daniel and I were writing from that place where hope meets caution. It’s a reminder to move gently through love – with others and with yourself.”

“Be Careful Throwing Stones” expands on the fresh yet nostalgic sound Blevins introduced with “All Dressed Up,”pairing emotional intelligence and heartache with quiet strength. Raised on the bluegrass-stained Kentucky country of Loretta Lynn, Patty Loveless, Dwight Yoakam and fellow Sandy Hook native Keith Whitley, Blevins continues a lineage of storytellers who understand the power of plainspoken truth.

“There are all kinds of emotions in this world,” Blevins says. “The best songs hold a few of them at once. Dan gets that. He knows how to let a feeling stretch out and take up space.”

“Be Careful Throwing Stones” also continues Blevins’ penchant for crafting songs and visuals that feel outside of time. Her work echoes the greats of the ‘60s and ‘90s while standing firmly in the present, resulting in a sound that will resonate just as deeply 30 years from now.

“Be Careful Throwing Stones” and the official video are available everywhere today. 

For the latest news and updates follow along on Instagram, TikTok and Facebook and online at leahblevinsmusic.com.

Benighted Unveil Freaky New Drummer on "The Spineless Freak"

Fresh from their latest full-length of psychological torment, Benighted are bringing a ripping new force into the band’s twisted folds. New single, “The Spineless Freak”, marks the official debut of the band’s new drummer Matthias Biechler with all his destructive force.  

“The whole story is pretty incredible,” explains Benighted’s vocalist Julien Truchan. “As we were casting other drummers, I got a message from my friend Eugene of Fleshgod Apocalypse who told me he had a student in Paris who learns incredibly fast and that I should contact him. Matthias came for the casting last July and he just amazed us by playing our fastest songs impeccably. He is only 22, has played drums for four years and we're officially his very first band as a drummer! I can't even imagine his level in two or three years. He is at the same time a machine and the nicest guy you can find. We're so happy to welcome him in the band!”

Watch Benighted’s new drummer show off his freakish speed and skill in the official drum playthrough for the band’s new single “The Spineless Freak”, Below;

Stream

https://benighted.fanlink.tv/TheSpinlessFreak

While he also plays bass, Matthias Biechler spent the last four years studying drums under the mentorship of Fleshgod Apocalypse drummer Eugene Ryabchenko. Matthias’ first-ever performance as a drummer took place live onstage while behind the kit for Benighted. The freakish phenom ripped through the band’s blistering songs with a sense of ease that stunned the audience and his new bandmates.  

“[…] it’s an honor for me to join Benighted behind the drums”, Matthias says. “This very band gave me the motivation five years ago to push myself and truly work hard on the drums, so joining them today as my first band as a drummer is beyond anything I ever imagined. I’ll give everything I have to live up to the band’s name and unleash all the violence you love so much. Thank you for welcoming me and your support. I can’t wait to share this journey with all of you!”  

Lineup:
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Matthias Biechler - Drums

Recording Studio:
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering Engineer:
Kristian Kohlmannslehner

Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Follow Benighted:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180

EPICA - unveil new single 'Avatar - The Final Incarnation - ' in support of their upcoming European Tour

Symphonic metal titans EPICA proudly release their explosive new single 'Avatar – The Final Incarnation – ', a track that deals with the final incarnation (Avatar) to rid the world of unrighteousness and restore truth and purity. The single is accompanied by a stunning visualizer featuring artwork taken directly from the band’s forthcoming EPICA Oracle Card Set, launching worldwide on January 7th.

Stream the song of 'Avatar – The Final Incarnation – ' (created by Dave Letelier), here: https://epica.bfan.link/avatar-the-final-incarnation


Watch the video Below;

Mark Jansen shares insight into the inspiration behind the track:
“In Hindu philosophy, Kalki represents the final avatar who restores balance at the end of the age. That idea of breaking free from cycles—through self-realization, detachment from desires, and inner transformation—resonates deeply with me. ‘Avatar’ channels that journey toward liberation, something both powerful and universal.”

Simone Simons adds:
“We absolutely can’t wait to kick off the European tour. Sharing the stage with our incredible fans night after night is the heartbeat of what we do, and this new song will definitely warm you up for the journey we’re about to take together.”

From January till March, EPICA will embark on 'The Arcane Dimensions' European Tour with Amaranthe and Charlotte Wessels’ The Obsession, that brings three of the genre’s most dynamic forces together for an unforgettable live experience. See the full list of dates below and grab your tickets now!

But more is more: On January 7th, the band will release the 'Aspiral Oracle', a beautifully crafted deluxe boxset containing a 12 card oracle deck (one card per song title and one extra artist card called ‘The Map’), a handbook with an in-depth rulesheet and a stunning incense holder, all designed and sculpted by Hedi Xandt who previously created the artwork for Aspiral. This boxset is a true must have that will give you deeper insights into the meaning of all the Aspiral songs, but can also serve as a tool that can give you guidance in your personal journey.

Pre-order it here: https://geni.us/EpicaOracle

About EPICA:

The journey of growth follows a spiral, continuously widening and deepening with every cycle. 

By sticking to this spiritual principle, symphonic metal innovators EPICA have reinvented themselves on their ninth effort Aspiral, releasing a studio album that shows a band brimming with a newfound joy in their own skin – standing united as a team, where every band member brought inspiration, ideas and years of songwriting experience to the table. 

Aspiral bears testimony to this unity, but the band’s steep ascent within the past years was far from coincidental and required lots of hard work and combination of things happening after the release of their latest album Omega in the midst of a raging pandemic. After walking several steps off their usual path with their EP The Alchemy Project which saw them collaborating with artists such as Myrkur, Fleshgod Apocalypse or Uriah Heep, the band played a massive world tour and got invited by a certain band called Metallica for several dates, and played 4 sold out “Symphonic Synergy” shows with a massive orchestra and choir. 

After diving deep into hypothetical theories, metaphysical mysticism and themes that were touching the fabric of our existence in the infinity of the universe, EPICA ’s 9th studio effort Aspiral centres on the work of sculptor Stanisław Szukalski. During the first Covid lockdown, bassist Rob van der Loo saw the documentary ‘Struggle – The Life And Lost Art Of Stanislav Szukalski’ and felt so inspired by his work that he wanted to write soundtracks for some of his sculptures, simply because each and every detail in his works are artworks on their own and their stories go very deep. And this is where the path started. Aspiral was born as an instrumental soundtrack to this world, an initially separate project that over time metamorphosed into the new EPICA record.  

The title comes from a bronze statue Szukalski did in 1965. If you take a close look, you can see snails rebuilding elements out of the mud in cycles and this eventually leads to civilization and a woman reaching out to the sun. It stands for renewal and inspiration – keywords that define EPICA now.

For more than 20 years now, EPICA  have been standing tall. And while already their last efforts clearly showcased their commitment to the game, it is Aspiral that truly distils the very heart of their trademark sound.  

Follow Epica:

Website | Facebook | Instagram | TikTok | X | Youtube | Spotify | Apple Music | Deezer | Amazon Music | Tidal

Axel Rudi Pell Announces New Album "Ghost Town" Out 3/20 + Shares Lyric Video for Title Track

You need neither encyclopedia nor satnav to enjoy the music of Bochum-based guitarist, composer, and band mastermind Axel Rudi Pell.

Because what applies to most successful musicians also goes for Pell: His songs are marked by his typical, unmistakable signature — a hybrid of powerful guitar riffs and catchy melodies, presented by a brilliant band consisting of American vocalist Johnny Gioeli, former Rainbow drummer Bobby Rondinelli, bassist Volker Krawczak, and keyboardist Ferdy Doernberg.

And although Pell has been wowing his fans with this impressive mix for well over 35 (!!!) years, his albums have always included a number of surprises and/or remarkable collaborations. His current studio offering, Ghost Town, is no exception. Axel Rudi Pell has added another 11 masterpieces to his long list of outstanding songs.

 

Among the songs one stands out: "Breaking Seals," featuring a sensational duet starring frontman Gioeli together with German metal legend Udo Dirkschneider. This collaboration is an absolute first in Pell's career and is additional proof of the great respect the guitarist enjoys among his fellow musicians.


Axel Rudi Pell produced the Ghost Town himself, with Tommy Geiger (Blind Guardian, Helloween), who was also in charge of the mix, providing valuable engineering support during the recording sessions at the Blind Guardian Studios in Grefrath.


The album's debut single "Ghost Town" is the perfect first representative of the new album: A haunting uptempo number, very catchy, very focused that brings to mind the style of early Rainbow classics.


Watch the lyric video below;

Ghost Town will be released on March 20, 2026 through Steamhammer worldwide in the following configurations:

*CD DigiPak incl. poster

*CD Jewel case

*2LP Gatefold, 140 g, black vinyl, padded inner sleeves, colored insert

*Exclusive CD/2LP Bundles with a shirt and exclusive vinyl only at the Steamhammer shop

*2LP Gatefold exclusive coloured edition only at the Napalm shop
 *2LP Gatefold exclusive coloured edition only at the EMP shop

*Download + Streaming

Billy Morrison & Ozzy Osbourne Collector’s Edition Picture Disc Vinyl Available ​    

TLG|ZOID proudly presents Billy Morrison and Ozzy Osbourne Collector’s Edition Picture Disc Vinyl, arriving January 9th distributed by Virgin Music Group. The limited-edition 180g picture disc—available now for pre-order, online and at local record stores—is designed as a true collector’s piece, worthy of framing and displaying like fine art. 

 

It’s the perfect Christmas gift for fans of Ozzy and Billy alike, offering a rare and visually striking keepsake that celebrates their powerful collaboration.

 

This stunning release brings together both smash hits, “Gods of Rock N Roll” (featuring Steve Stevens and a beautiful score by Fred Coury) and “Crack Cocaine" (featuring Steve Stevens), united on one brilliantly crafted, art-forward vinyl. The picture disc format elevates the release into a gallery-worthy keepsake—an item meant not only to be played, but cherished, displayed, and celebrated. 

 

Billy Morrison shares: “I feel so incredibly fortunate to have been able to work with my best friend on those last two songs, CRACK COCAINE and GODS OF ROCK N ROLL, that when the idea of a picture disc vinyl with all the versions on it came up, thanks to my guys at TLG |ZOID, I jumped at the idea. We already had the wonderful cover shots that our photographer, Jane Stuart, had taken throughout the process of both releases, and I remember as a kid just loving the idea of a vinyl record with images on the actual vinyl! It was a no brainer, and a truly wonderful way to close out that chapter with a tip of the hat to Ozzy and the two amazing songs that we did together. I will always be able to watch that video of GODS, when Steve Stevens and I are belly laughing with Ozzy in the studio and hold that close as a treasured memory.”

Billy Morrison, the British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens. His recent collaboration with Ozzy Osbourne and Steve Stevens, “Crack Cocaine,” soared to #1 on the Mediabase Active Rock Chart, further solidifying his place as a powerhouse in the rock world. The Morrison Project is a testament to his collaborative spirit and fearless commitment to creating boundary-breaking music that unites artists and genres in bold, unexpected ways.

 

For More Information Please Visit:

Official Website

Facebook

Instagram

X

https://www.tlgent.com/

STABBING Unleashes Official Video for Pummeling New Single, "Eon Of Obscenity"

Brutal death metal rising stars STABBING are now unleashing the pummeling title track from their upcoming sophomore album, 'Eon Of Obscenity.' The furious aural attack can now be found along with a music video below.

STABBING comments, "The lyrics in 'Eon' are mainly about the idea that someone with homicidal tendencies could hide it for years, and then one day just snap, and nobody in their life would ever see it coming. Like they decide to embrace their sickness and completely lose all morality.”

STABBING does not merely define the term “Brutal Death Metal," they exceed it. The Houston Texas newcomers have plundered the crypts of claustrophobia and darkness, only to surface with 'Eon of Obscenity,' STABBING’s Century Media debut and a benchmark for modern death metal. 

'Eon of Obscenity' is due on January 30, 2026 via Century Media Records and can now be pre-ordered HERE.

STABBING does not merely define the term, “Brutal Death Metal” - they exceed it. The Houston Texas foursome has plundered the crypts of claustrophobia and darkness, only to surface with Eon of Obscenity, STABBING’s Century Media debut and a benchmark for modern death metal. “It’s just more extreme,” says vocalist Bridget Lynch, when asked to define the band’s infernal sub-genre, Brutal Death Metal (AKA B.D.M.). “It’s everything that’s extreme about death metal, just taken a little bit further. The vocals. The drums. The riffs. It’s just faster and more boundary-pushing.”

When STABBING came together in 2021, the goals were simple. “We were really just having fun and wanted to emulate the style of the bands we really liked,” says Lynch. “Old school 90’s and early 2000’s brutal death metal bands like. Disgorge, Deeds of Flesh, stuff like that.” Coming from local bands and projects including guitarist Marvin Ruiz’s Nephilim Grinder and Dysmetria with Lynch dabbling in area grindcore outfits, from their first demo and 2021’s Ravenous Psychotic Onslaught EP, it was clear that STABBING was immediately pushing boundaries. On the road they distinguished themselves, giving tour mates including Defeated Sanity more than a run for their money. Not only was STABBING a bloody, clear-cut step above most, they wrapped it all in songs and blistering live performances that were as memorable as they were bellicose and brutal.

STABBING’s reckoning moment came in November 2023, as first band on for the “Ancient Unholy Rising Tour” with co-headliners Incantation and band favorites, Suffocation. Not only had STABBING’s lineup begun to solidify with then newly joined bassist Matt Day, but when Suffocation vocalist Ricky Meyers had fallen ill and had to miss a string of shows, it was Lynch who stepped in to save the day. STABBING’s vocalist simply took the stage with the New York death metal legends and gave the absent Meyers a run for his guttural money. “That was one of the coolest things I’ve ever gotten to do,” states Bridget. “Suffocation was one of the first death metal bands I ever got into as a fan, so jumping onstage and blasting through maybe six songs was a crazy moment. I was terrified when they asked!” 

It was also on that tour that the band also caught the ear of Century Media Records who inked the band several months later. With a string of shows in 2023 and 2024 including landmark appearances at the celebrated Maryland Deathfest and Milwaukee Metalfest, as well as a U.S. tour with 200 Stab Wounds, Ruiz (who also plays with Texas Brutal Death Metal, OG’s Devourment) started putting together riffs that would serve as the foundation of Eon of Obscenity. Compared to Stabbing’s more primal origins, Eon of Obscenity. is a clearcut next step that elevates not only the band, but the genre itself. From the outset of opener, “Rotting Eternal” straight into “Inhuman Torture Chamber”, which showcases Lynch’s inhuman vocal prowess and ability to shift gears from the guttural to something chittering that barely registers as human, STABBING have taken their brutal arts to new heights. Even the album’s instrumental inclusion, “Ruminations” shows an unexpected technicality as riffs and time-signatures coalesce in unexpected ways. 

Recorded at Houston’s Southwing Audio by engineer Ben Gott with Chris Kritikos mixing and mastering, the production of Eon of Obscenity is as strident as the music itself. It’s eleven tracks that are as raw as they are extreme. “It feels more refined,” says the vocalist. “The album shows the potential of what the band started as. It’s not overly produced. There’s not a lot of effects or over-editing. We wanted to keep the raw sound that the classic bands had. We wanted to go for that, for something very honest and very us.” The album title itself also ties into Eon of Obscenity being not merely a second album from STABBING but a massive step forward. 

“It’s representative of this being a new era for the band,” Lynch states. “An improvement of the STABBING sound and us as musicians. On the last album [2022’s Extirpated Mortal Process], I wasn’t really happy with what I did vocally," she admits, "And I really wanted to really improve. One of my favorite songs on the album is called ‘Reborn to Kill Once More’, which sums up how good and how strong we feel about the band and the album now.” 

Being one of the rare female voices in modern death metal isn’t lost on Bridget. She’s quick to admit that she approaches lyrics and delivery in a way that differs from most. “When I was in high school, first getting into brutal death metal, I discovered the band, Cerebral Bore” she recounts. “When I saw that they had a female singer, I was like, ‘What the hell?’ I was like, I have to be that! I had to emulate her. I was so inspired. My hope is that when people, particularly younger girls hear STABBING for the first time, we have that same effect on them.

“It’s pretty obvious that metal, in general, has been pretty male dominated,” Lynch states. “I won’t really entertain the misogyny of brutal death metal in what we do, for obvious reasons. I try to turn it around. One of our older songs is about the first female serial killer I ever read about, Aileen Wournos. If you look at other female-led death metal bands like Castrator or Emasculator, they also try to turn the tables and present things from a different perspective.” 

With Eon of Obscenity, the Texas four-piece have delivered on everything their earlier releases and live shows have hinted at. B.D.M. has an unmistakably brutal new voice and it is STABBING. “I never expected it, there is a new wave of slam bands and brutal death metal bands,” says Bridget. “But I never thought people would think of us as an important band to that or any other scene! We have younger bands come up to us all the time and say, ‘Your first demo really inspired us,’ and that blows my mind. I never thought my brutal death metal band would have that kind of impact.” 

Line-Up:

Matt Day - Bass Guitar 

Aron Hetsko - Drums 

Bridget Lynch - Lead Vocalist 

Marvin Ruiz - Guitar

Special Guests:

Guest vocals by Ricky Myers (SUFFOCATION) on "Nauseating Composition"

Cover Artist: Rudi Yanto

Credits:
Recorded at Houston’s Southwing Audio by engineer Ben Gott

Mixed and mastered by Chris Kritikos

Discography:

Extirpated Mortal Process (2022)

Links:

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

Kreator Announce Spring 2026 Headline Tour

NEW ALBUM KRUSHERS OF THE WORLD OUT JANUARY 16

Metal titans KREATOR are thrilled to announce their triumphant return to U.S. soil. The band, who last conquered American audiences and venues in 2024, will embark on a headline tour of the U.S., with stops at key festivals, including Welcome to Rockville, Sonic Temple, and Maryland Deathfest. The tour kicks off on May 7 in Fort Lauderdale, Florida, and runs through May 23 in Huntington, New York. 

VIP packages are available here. 

The artist pre-sale is set for Thursday, December 11 at 10am local time, with the general on-sale set for Friday, December 12 at 10am local time. Get tickets here.

KREATOR ON TOUR: 
5/7—Fort Lauderdale, FL—Revolution Live*
5/8—Daytona Beach, FL—Welcome to Rockville
5/10—Atlanta, GA—The Masquerade
5/11—Knoxville, TN—The Mill & Mine
5/12—Raleigh, NC—The Ritz
5/14—Worcester, MA—Palladium
5/15—McKees Rocks, PA—Roxian Theatre
5/16—Columbus, OH—Sonic Temple*
5/18—Davenport, IA—Capitol Theatre 
5/19—Minneapolis, MN—First Avenue
5/20—Chicago, IL—Romova Theatre
5/22—Baltimore, MD—Maryland Deathfest*
5/23—Huntington, NY—Paramount
*FESTIVAL

Kreator will unleash their sixteenth full-length, Krushers Of The World, on January 16 via Nuclear Blast Records.

Pre-order and pre-save Krushers of the World HERE.

Watch the video for new single "Satanic Anarchy" HERE.

Unverkalt Announce New Album Héréditaire (featuring Sakis Tolis)

While they’ve always pushed the intricate balance that defines post-metal, Unverkalt are now plummeting over the edge into the black below. Their upcoming third album and first since signing with Season of Mist descends into humanity’s deepest and darkest origins. Héréditaire lifts the veil from our cursed existence. What emerges is the band’s heaviest and most heartfelt offering.

“Our aim has always been to blend softer, more romantic elements with extreme chaos. With Héréditaire, that time has come”, says Unverkalt’s guitarist and chief composer Themis Ioannou. “This album is a lament for what is far older than our very existence. It speaks of what seeps through generations, searching for an answer to one pervasive question: What do we carry that was never ours?”

As they begin this dark descent, today, Unverkalt are releasing a haunting video for the stirring lead single from Héréditaire. Though it starts as a slow burn, album opener “Die Auslöschung” emerges from the envoloping haze as the band’s first song to pair Dimitra Kalavrezou’s heavenly cleans with hellish harsh vocals.  

“‘Die Auslöschung’ is both bleak and immersive”, Kalavrezou says. “Carved in blackened textures and hypnotic pacing, the song channels both personal and collective collapse, setting the tone for what is to come”.

Watch the video for “Die Auslöschung” Below:

Héréditaire comes out February 27, 2026 on Season of Mist.

Pre-order

https://orcd.co/unverkalthereditaire

Pre-save on Spotify

https://open.spotify.com/prerelease/5ndUNl3HyjsagbOuQCrakn?si=QESfESdPQwqHTC5MKNX4Jw

Unverkalt are still possessed by a cinematic vision. “Die Auslöschung” opens Héréditaire like a camera coming into focus. However, though rendered in crisp detail, the scene that the band paints is bleak. Beneath a smoldering bass line, riffs rise like smoke from freshly scattered ashes. “When did this darkness fall?” Kalavrezou sings as if trying to climb out of the shadowed rubble.

On previous albums, Unverkalt took cues from French painting and European film noir, but Héréditaire throws back the velvet curtain in favor a veil. “Die Auslöschung” begins to peel back the blackened layers of traumatic memories that are passed down to us like a disease. “He said enter the wide gate and walk the easy path to destruction”. As the pounding drums give way to a fiery stream of blast beats, Kalavrezou breaks into a scream so piercing it can be felt all across our shared history.

“I enjoy discovering new, unique and compelling music in today’s overwhelming world of information, and I believe I truly succeeded with Unverkalt”, says Season of Mist labelmate and Rotting Christ frontman Sakis Tolis, who’s featured on the monolithic “I, The Deceit” from Héréditaire. “This is an exceptional piece of art, worth every minute of listening”.

Catch Unverkalt in Suttgart, Germany early next year when they co-headline Club Zentral with Hippotraktor.

Get tickets: https://loveyourartist.com/en/events/progmotion-hippotraktor-stuttgart-HCAIBG

The video for “Die Auslöschung” was directed by Themis Ioannou at RAWBITE Studio

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording lineup
Dimitra Kalavrezou - Vocals
Themis Ioannou - Guitars, Keys
Eli Mavrychev - Guitars, Vocals
Joscha Hoyer - Bass
Christian Eggers - Drums

Guest musicians
Sakis Tolis - Vocals on "I, The Deceit"

Songwriting credits
Composed by Themis Ioannou
Lyrics by Dimitra Kalavrezou and Eli Mavrychev
Lyrics for "I, The Deceit" by Dimitra Kalavrezou and Joscha Hoyer

Recording credits
Recorded and engineered by Unverkalt
Drums recorded and engineered by Christian Eggers at Noir Surge Sound

Production credits
Produced by Themis Ioannou
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev
Mixed by Joshua Barber
Mastered by Lasse Lammert at LSD Studios

Cover art
Themis Ioannou

Pre-order & Pre-save
https://orcd.co/unverkalthereditaire

Available Formats

CD Digipack

2x12” Vinyl Gatefold (Black)

2x12” Vinyl Gatefold (Gold with black splatters)

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