CLOCKTOWERS Unleash Explosive New Single "Spirit Junkie," A Soul-Baring Anthem of Pain, Power, and Redemption

Rising modern rock outfit CLOCKTOWERS have released their new single “Spirit Junkie,” from their forthcoming album Genesis, alongside a striking new music video. 

Blending the aggressive edge of modern metal with the soul and grit of 1970s rock, CLOCKTOWERS continue to define their sound as one of the most dynamic forces in today’s rock scene.

“Spirit Junkie” opens with full force, featuring powerful guitars, bass, and drums locked into a driving groove built for the stage. The track showcases the band’s signature combination of raw energy and precision, leading into a standout wah-infused guitar solo that closes the song with intensity and purpose.

Lyrically, “Spirit Junkie” tells the story of a man consumed by his inner demons and the pull of addiction. Written from a self-reflective point of view, the song explores denial, self-deception, and the search for relief from personal torment. The music video for the track visually represents this struggle, creating a stark and emotional counterpart to the song’s message.

At 3 minutes and 17 seconds, “Spirit Junkie” delivers a straightforward dose of modern rock that captures both the heaviness and heart of CLOCKTOWERS’ sound. With its sharp hooks, driving rhythm, and emotional depth, the single sets the tone for what’s to come on Genesis.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

Second Harbour Drop "Mourning Dove" Video

Canadian emo-rock trio SECOND HARBOUR — comprised of brothers Xavierand Vincent Morency, along with John Muggianu — recently announced their signing to SharpTone Records and will release the Coalesce EP on December 12. Pre-order it here

Second Harbour today share the video for angular and unforgettable new single "Mourning Dove."

Watch it below

In true DIY fashion, the video was shot and edited by the band and it features the members knuckling down on their instruments while playing in an abandoned house.

As for the song, the subject matter goes for the jugular.

“The lyrics to 'Mourning Dove' are hands down the most painful I've ever written," offers Xavier. "They're made to spear you in the stomach, and unapologetically so. Coincidentally, they're also my favorite lyrics of ours. I spent a lot of time making sure they could be read differently than they were heard, and I couldn't be more proud of the song we built around them.” 

Ponte Del Diavolo Announce New Album 'De Venom Natura'

Last year, Ponte Del Diavolo made their mark by bridging the gap between several darkened corners of the underground on their fiery debut album. Fire Blades from the Tomb welds doom, black metal and post-punk into a towering, twisted, new wave of dark art that's as cruel and mesmerizing as their native Italy's infamous Devil's Bridge.

"...a bold, engrossing, fully formed debut from a talented new band", wrote Last Rites.

Today, the Italians are fanning the flames by announcing their new album. De Venom Natura pushes the band’s potent fusion even further behind their distinct, dueling bass guitars. Forged in the fires unearthed by their ritualistic performances, the album offers an intoxicating meditation on nature’s poisonous undercurrent. Charmed by Erba del Diavolo’s bewitching vocals, the lyrics slither and snake around the idea that every life form carries its own toxin that brings both rebirth and decay.  

“For this record, we wanted to push the boundaries of our music and further develop certain sounds that were only sketched in our previous works,” Ponte Del Diavolo says. “After two years of live shows, we set out to capture the atmosphere of our performances and put it on record. The core of bass, guitar, and drums was recorded live to recreate that feeling of being at one of our shows.”

De Venom Natura comes out February 13, 2026 on Season of Mist. More details will be announced soon.  

PONTE DEL DIAVOLO craft a focused blend of doom, black metal, post‐punk, and wave—an aesthetic they call “blackened post‐punk.” Wave‐tinged female vocals anchor the project’s flaming core, supported by an uncommon dual‐bass setup that grounds the rhythmic guitars and a raw, dynamic drum pulse.

The result is an immersive, tension‐driven sound. Following the initial release of three EPs, the band signed to Season of Mist and unveiled their first full-length album, Fire Blades from the Tomb.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up:
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits:
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians:
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art:
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)
Follow Ponte Del Diavolo:
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

DISSENTIENCE Unleashes "Chaos Absolute," A Frantic Descent into Power and Destruction

Progressive death-thrash band DISSENTIENCE has announced the release of “Chaos Absolute,” the second single from their forthcoming concept EP Kaiju, due out February 20, 2026.

Kicking off with a high-tension, syncopated intro, “Chaos Absolute” roars into life with a massive groove that is both ferocious and unexpectedly infectious. True to DISSENTIENCE’s trademark blend of precision and chaos, the track fuses dissonant harmonies, razor-sharp riffs, and relentlessly driving drums into a controlled sonic detonation.

Exploring the human element behind cataclysmic destruction, “Chaos Absolute” shifts focus from the towering monsters of Kaiju to the turmoil unfolding in the world’s halls of power. Through the lens of a desperate roundtable of world leaders, the song paints a chilling portrait of collapse, both political and psychological, as civilization spirals toward ruin.

A haunting clean section midway through the track offers a brief reprieve before the band drops one of the heaviest riffs on the entire record. The refrain “Fall into chaos absolute” encapsulates both the listener’s experience and the conceptual heart of the song, capturing the unstoppable disintegration of order.

“Chaos Absolute” also showcases blistering guitar solos from Connor Valentin and Jimmy Vitale, culminating in a climactic return to the thrash-driven frenzy that defines the track. The result is a piece that is as intellectually engaging as it is devastatingly heavy, an unflinching look at humanity’s role in its own undoing.

With Kaiju, DISSENTIENCE continues to push the boundaries of modern metal storytelling, blending technical mastery with cinematic scope. Fans can expect an immersive experience when the full EP drops February 20, 2026.

Kaiju is a four-track concept EP inspired by Japanese monster cinema and Lovecraftian horror. Produced by the band alongside Corey Pierce, the record was engineered by Matt Menafro at Peach Pie Sound, mixed by Zeuss, and mastered by Alan Douches. The full EP will be released independently on digital and CD formats.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

TYKETTO ANNOUNCE NEW STUDIO ALBUM CLOSER TO THE SUN SET FOR RELEASE MARCH 20 NEW SINGLE ‘HIGHER THAN HIGH’ OUT NOW

Hard rocking songsmiths TYKETTO will release their 6th studio album, Closer To The Sun, through Silver Lining Music on March 20th 2026, and with it, unleash some of their best, supremely crafted rock anthems celebratingthe return of this criminally underrated quintet originally founded in New York.

The first video and single taken from Closer To The Sun,

‘Higher Than High' is a burst of swing and swagger that perfectly captures Tyketto’s deep appreciation for the emancipation that music can bring. That spirit rings out unmistakably as vocalist and founding member

Danny Vaughn roars: “In the space you can learn to heal/There is music that helps you feel/Higher than high”.

“Higher Than High is, in my estimation, classic Tyketto, where difficulties in life are seen and named but hope and, more importantly, music, is the thing that gets us through,” comments Danny Vaughn. “It's the first single from our new album which we think is going to be a real favorite with the fans. The song and the album say ‘play me loudly and take me for a drive.’”

Watch/Listen to ‘Higher Than High’ below – directed and edited by Scott Wardell; filmed by

Paul Hollingsworth at KK’s Steel Mill.

Throughout Closer To The Sun, Tyketto speak to the listener about true life loves, losses and pleasures. From the title track’s triumphant, anthemic appreciation of love’s power, to the punchy rawness built to make fists rise and hearts race of “Hit Me Where It Hurts”, to the power balladry of “The Picture”, Tyketto continue to confidently stride the same musical terrain as the likes of Whitesnake and Aerosmith, with the added bonus of being fresh to the ears of many.

Joined by Harry Scott Elliott on guitar, Ged Rylands on keyboards, Chris Childs (Thunder) on bass and Johnny Dee(Doro) on drums, Vaughn leads a lineup that brings exceptional performances and undeniable fire to every track, reaffirming Tyketto as one of rock’s most respected and enduring names. Closer To The Sun was recorded across multiple studios in the UK and Europe, including Flip

Flop Studios and the legendary Rockfield Studios in Wales.

In support of the album’s release, Tyketto have already announced a string of dates for 2026, kicking off at

Planet Rock’s Winter’s End festival in Porthcawl, Wales—and with a full UK Tour set for the spring and European shows to be revealed soon, fans should keep their eyes peeled for what’s coming next.

For a full list of upcoming shows and tickets visit: tyketto.com

Band Line-Up:

DANNY VAUGHN – Lead & backing vocals, acoustic & electric guitars, harmonica, keyboards and percussion

CHRIS CHILDS – Bass Guitar, percussion, keyboards, backing vocals

JOHNNY DEE – Drums, percussion, backing vocals

HARRY SCOTT ELLIOTT – Lead and rhythm electric guitars, percussion, backing vocals

GED RYLANDS – Keyboards, percussion, backing vocals

Follow Tyketto:

www.facebook.com/TykettoTheOfficial/

www.instagram.com/tykettoofficial

www.tyketto.com

www.youtube.com/@TykettoOfficial

Eric Church Unveils Official Trailer for 'Evangeline vs. The Machine: Comes Alive' IMAX® Exclusive Release; Tickets On Sale Now

With the official trailer release unveiled exclusively on “TODAY,” 11-time GRAMMY nominee Eric Church offers a preview of the cinematic experience awaiting fans this February, when his celebrated 2025 album Evangeline vs. The Machine – alongside several of his most renowned hits – releases exclusively in IMAX theaters across the U.S. and Canada. A full list of locations is available via IMAX.com/EricChurch along with tickets to the limited engagement on sale now.
 
In a first-ever collaboration among IMAX, MCA, Mercury Studios and Q Prime South, the limited theatrical release is a must-see for fans. The film offers a unique perspective for viewers that can only be achieved in IMAX. The concert includes Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into his catalog hits including “Desperate Man,” “Give Me Back My Hometown,” “Sinners Like Me,” “Mistress Named Music” and “Springsteen,” all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life with IMAX’s groundbreaking 12-channel sound and unparalleled image quality and scale.
 
“This project was never about fitting into a box – it’s about breaking the damn thing wide open,” shares Church. “Seeing it in IMAX takes that to another level. The scale and sound experience is like nothing else.”
 
Coinciding with the theatrical release, Church will also unveil a 19-track live album, Evangeline vs. The Machine: Comes Alive (Original Motion Picture Soundtrack). Pre-order / pre-save via MCA HERE, with preview tracks “Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)” available HERE and “Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)” available HERE.
 
Meanwhile, Church’s acclaimed Free The Machine Tour continues across the country, with 24 newly announced 2026 dates on sale now via EricChurch.com
 
For more information on all to come, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram @ericchurchmusic.

Evangeline vs. The Machine: Comes Alive is Directed by Reid Long and Executive Produced by Barak Moffitt, Andrea Dunn, Mike Harris, Rob Femia and John Peets. Church is represented by WME, Q Prime South and MCA Nashville. 

Remaining 2025 Free the Machine Tour Markets, Venues and Special Guests:
Nov. 14  ||  Fresno, Calif.  ||  SaveMart Center  ||  Charles Wesley Godwin
Nov. 15  ||  Inglewood, Calif.  ||  Intuit Dome  ||  Charles Wesley Godwin
 
2026 Free the Machine Tour Markets, Venues and Special Guests:
Jan. 22  ||  Washington, D.C.  ||  The Anthem  ||  Caylee Hammack
Jan. 23  ||  Washington, D.C.  ||  The Anthem  ||  Caylee Hammack
Feb. 5  ||  Omaha, Neb.  ||  CHI Health Center  ||  Ella Langley
Feb. 6  ||  Sioux Falls, S.D.  ||  Denny Sanford PREMIER Center  ||  Ella Langley
Feb. 7  ||  St. Paul, Minn.  ||  Grand Casino Arena  ||  Ella Langley
Feb. 12  ||  Toronto, Ont.  ||  Scotiabank Arena  ||  Ella Langley
Feb. 13  ||  Buffalo, N.Y.  ||  KeyBank Center  ||  Ella Langley
Feb. 14  ||  Albany, N.Y.  ||  MVP Arena  ||  Ella Langley
Feb. 19  ||  North Little Rock, Ark.  ||  Simmons Bank Arena  ||  49 Winchester
Feb. 20  ||  Kansas City, Mo.  ||  T-Mobile Center  ||  49 Winchester
Feb. 21  ||  St. Louis, Mo.  ||  Enterprise Center  ||  49 Winchester
Feb. 26  ||  Tulsa, Okla.  ||  BOK Center  ||  Stephen Wilson Jr.
Feb. 27  ||  Fort Worth, Texas  ||  Dickies Arena  ||  Stephen Wilson Jr.
Feb. 28  ||  Austin, Texas  ||  Moody Center  ||  Stephen Wilson Jr.
Mar. 5  ||  Knoxville, Tenn.  ||  Thompson-Boling Arena at Food City Center  ||  49 Winchester
Mar. 6  ||  Greensboro, N.C.  ||  First Horizon Coliseum  ||  49 Winchester
Mar. 7  ||  North Charleston, S.C.  ||  North Charleston Coliseum  ||  49 Winchester
Mar. 19  ||  Birmingham, Ala.  ||  Legacy Arena at the BJCC  ||  49 Winchester
Mar. 20  ||  Atlanta, Ga.  ||  State Farm Arena  ||  49 Winchester
Mar. 27  ||  Hollywood, Fla.  ||  Hard Rock Live  ||  Kashus Culpepper
Apr. 3  ||  Greenville, S.C.  ||  Bon Secours Wellness Arena  ||  Ashley McBryde
Apr. 4  ||  Charlotte, N.C.  ||  Spectrum Center  ||  Ashley McBryde
Apr. 10  ||  Jacksonville, Fla.  ||  VyStar Veterans Memorial Arena  ||  Ashley McBryde
Apr. 11  ||  Tampa, Fla.  ||  Benchmark International Arena  ||  Ashley McBryde

AUNT CYNTHIA'S CABIN Announce Repress of 'Misty Woman'

The psychedelic desert rock ensemble AUNT CYNTHIA'S CABIN evoke an expansive and immersive soundscape in their acclaimed album Misty Woman. This December, the band's debut full-length release returns including a brand new bonus track on cyan and magenta vinyl, as well as on CD, via Black Throne Productions. 

The album was thoroughly shaped by the landscape traversed in its making. The San Diego, CA, based psychedelic desert rock trio road tripped from San Diego, CA, to Austin, TX, to record the album at Electric Deluxe Recorders with Grammy-award winning producer Adrian Quesada. The sun-scorched and mirage-laden Texas environment of the record’s creation sets the tone for the music therein.    

Misty Woman will be unleashed on December 19th, 2025. The vinyl is available for pre-order via Black Throne Productions HERE. AUNT CYNTHIA'S CABIN has recently signed with Atomic Music Group.

About AUNT CYNTHIA'S CABIN:
AUNT CYNTHIA'S CABIN is comprised of San Diego’s Brennan Justice (guitar, lead vocals), Anthony DeFreitas (bass, vocals) and Jeremy Luvaas (drums, percussion). Beginning as a duo, Justice and DeFreitas' previous time in a surf rock ensemble saw the pair develop their signature Western tones with an excessive use of spring reverb, translating now to the ethereal, dusty sound of psychedelic desert rock. The band’s name is born from a fictional 1970s murder mystery novel dreamt up by the trio on a drunken night, capturing their embrace of “strange and heavy”, aptly fitting of the uncanny elements entwined in their music. AUNT CYNTHIA'S CABIN produce an neo-psychedelic style that carries an eerie quality. The sonic atmosphere envelopes each listener with nostalgia. 

The trio began as a self-recording band with a home-brew analog-meets-digital rig set up. The DIY approach was left behind in 2019 when the outfit ventured from their hometown of San Diego, CA to Austin, TX to record Misty Woman in a studio they felt would best fit the vibe of their new compositions. Working with producer Adrian Quesada (The Black Pumas, 7-time Grammy-nominee) at Electric Deluxe Recorders, the very sun-beaten landscape that surrounds the studio fed into the quality and mood of the recordings. 

Initially released by Nasoni Records in February of 2020, the enthralling textures and captivating character of AUNT CYNTHIA'S CABIN's Misty Woman returns including the new track "Magic Touch", on vinyl and CD via Black Throne Productions on December 19th, 2025.

AUNT CYNTHIA'S CABIN is:
Brennan Justice (guitar, lead vocals)
Anthony DeFreitas (bass, vocals)
Jeremy Luvaas (drums, percussion)

Thrash Metal Outfit NUKEM Announces Sophomore Full-Length, 'The Grave Remains,' Launch Pre-Orders

California has always been fertile ground for thrash metal, leading the charge with some of the genre's most legendary acts. San Diego's NUKEM follows in the footsteps of thrash metal's founding fathers, producing the kind of time-tested, neck-breaking thrash that invokes deep nostalgia while still sounding fresh and modern.

Following up the lauded release of their pummeling new single, "Random Acts of Violence," the thrashers are now pleased to reveal that their sophomore full-length, 'The Grave Remains,' is now available for pre-orders! The record is due on April 10, 2026 via Redefining Darkness and the tracklisting and artwork can now be found below! Pre-orders are now live in the U.S. HERE and the rest of the world HERE.

ICYMI: "Random Acts of Violence" also features a guest guitar solo from Russ Tippins of the band Satan. The track is now available along with a visceral performance video that is sure to summon the kind of balls-to-the-wall, feral mosh pit that would make the late, great Paul Baloff proud. Watch the video Below.

NUKEM guitarist/vocalist Steve Brogden previously commented on the heavy yet important lyrical content of the song, "We are stoked to share the first single 'Random Acts of Violence' from our new record. This track is a full bore aggressive thrash metal attack that directly mirrors its lyrical content. In an age where mass shootings, stabbings & people getting beat to death in the streets for a social media challenge has become normal, It truly shows how lost we are as a society. 24 years ago, there was a shooting at my high school leaving 2 dead & 13 wounded by a 15 year old armed assailant. In almost a quarter century, things have certainly not gotten any better!”

NUKEM also has announced several upcoming performances in their home state of California, which can be found below.

Nukem Live Dates:

11/23: Ocean Beach, CA @The Holding Company

12/13: San Diego, Ca @The Tower Bar

01/03: San Francisco, CA @The DNA Lounge 

Nukem is a Thrash metal force from San Diego, California, that delivers an honest, old school thrash attack. Formed in 2012, Nukem released their 2016 debut album "The Unholy Trinity,' which was mixed & mastered by Ulrich Wild (Pantera, Static X, Dethklok, White Zombie) and was released via Sleaszy Rider Records out of Greece.

Nukem had entered the studio in 2024 once again with Ulrich Wild to work on our second album. Ten songs of pure molten metal! Some songs are full on unstoppable Bay Area style Thrash metal violence while others are more of a mid tempo power groove. Nukem has now forged a new union with Redefining Darkness for the release of their oncoming onslaught... stay tuned!

Recording Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Live Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Xander Gambini - Guitar

Special Guests:

Gary Holt (Exodus, Slayer) - Solo on 'Empress of Evil'

Lee Altus (Exodus/Heathen) - Solo on 'Don’t believe a word'

Rob Cavastany (Death Angel) - Solo on 'Into the Kill Zone'

Russ Tippons (Satan) - Solo on 'Random Acts of Violence'

Laura Christine (Dark Angel/Waeface) - Solo on 'Empress of Evil'

Cover Art: Megan Mushi

Produced by Steve Brogden & Nukem

Recorded at The Wilderness with Ulrich Wild & Forge Audio with Steve Brogden  

Forge Audio with Steve Brogden

Mixed by Ulrich Wild 

Mastered by Maor Appelbaum

Pre-orders (USA): https://tornfromthegrave.us/collections/nukem

Pre-orders (Rest of World): https://tornfromthegrave.com/collections/nukem

Links:

Bandcamp

Facebook

Instagram

X

YouTube

Spotify

Apple Music

THE WHITE STRIPES BOX SET OUT NOVEMBER 28th

The White Stripes are proud to announce the release of The Complete Studio Albums, a box set collection of their six studio LPs. For the first time ever, The White Stripes (1999), De Stijl (2000), White Blood Cells (2001), Elephant (2003), Get Behind Me Satan (2005), and Icky Thump (2007) are compiled together, housed in a luxe slipcase featuring previously unseen photos of Jack and Meg. Pressed on 180-gram vinyl at Third Man Pressing in Detroit, each LP is on the striking red-and-white coin-flip color way spanning nine discs total.

Limited quantities will be available at Third Man storefronts (Nashville, Detroit, London) on Black Friday, November 28th. The Complete Studio Albums will also be available to order online on Black Friday.

REDIVIDER Unleashes “Quartered & Devoured," A Vicious Salvo of Fury and Ritual

Death metal powerhouse REDIVIDER returns with “Quartered & Devoured”, the first single from their upcoming full-length album Sounds of Malice, arriving January 9, 2026 through Third House Communications.

A feral introduction to the chaos that defines Sounds of Malice, “Quartered & Devoured” captures the pure essence of brutality with a lingering feeling of entrapment. The track tells the story of the first humans in Dungeons & Dragons lore, a wild and violent race despised by the gods for their aggression. The lyrics depict a ritual of defiance, where these humans perform a hanging, drawing, and quartering as a sacrificial act against the divine powers that tried to erase them from existence.

Musically, REDIVIDER wastes no time pulling punches. “Quartered & Devoured”hits hard as the opening track, setting the tone for the record with relentless rhythms, haunting tension, and grooves that refuse to let go. The band fuses precision and chaos to create an atmosphere that is both crushing and unforgettable. Each riff lands with weight, every hook sinks deep, building a sense of unease that never lets up. Groove remains the pulse that ties the track together, a foundation of violence that demands attention.

Sounds of Malice marks REDIVIDER’s most intense and immersive work to date, diving headfirst into themes of rebellion, destruction, and the ancient hunger that drives humanity to endure.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)

Alkaloid Perform Bach

Since assembling in 2013, Alkaloid have known no bounds. Fresh from the minds who brought metalheads Obscura, Triptykon and Dark Fortress, the supergroup has rearranged the very composition of progressive death metal. Their three studio albums are widely acclaimed for synthesizing seemingly opposing forces. Worldly polyrhythms are bent to shape sci-fi storylines, only to morph into brutally catchy choruses. However, last summer, the quintet conducted a truly one-of-a-kind experiment, the kind that only a maestro an perform. 

Today, Alkaloid are announcing their very first live album. Recorded live in the Netherlands during three special performances, Bach Out of Bounds brings the classical world in conversation with the heaviest of underground arts. Joined by an award-winning ensemble of vocalists, accordion and string players, the band present wildly re-imagined arrangements of three compositions from Johann Sebastian Bach, while also infusing the heart and soul of the classic composer into their own songs.

Along with fresh takes on fan favorites from Numen and The Malkuth Grimoire, Bach Out of Bounds introduces two new songs to Alkaloid's cannon. "Haunter of the Void" looks deep into an unknown future, but its far-out tale is guided by the progressive metal maestro's cosmically crushing virtuoso.   

"We're always open for an artistic challenge", says Morean, Alkaloid's vocalist and guitarist. "When Bach Out of Bounds, came our way, we fully embraced the adventure to show yet another side of Alkaloid. We were lucky to be supported by guest artists who share our vision and passion for defying boundaries".

"'Haunter of the Void' was especially commissioned for this show", Morean continues. "The song translates Bach and 18th century polyphony into Alkaloid's sonic universe by applying Baroque counterpoint composition techniques to our own scales and harmonies. This 10-minute epic links Bach and Alkaloid without diluting our identity one iota".  

Watch Alkaloid perform "Haunter of the Void" live at Bachfestival 2024 below.

Bach Out of Bounds - Live in the Netherlands comes out January 23, 2026 on Season of Mist

Pre-order 
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Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Even though it was commissioned specially for this performance by the Dutch Performing Arts Fund (FPK), "Haunter of the Void" couldn't have come from any other mind but Alkaloid's. After all, the band has already charted a multi-part saga about a galactic civilization that reaches god-like levels. Their latest space odyssey follows a digitized brain into the void, where it must defy the impossible in order to protect what little hope remains for a long-dead Earth.      

"Thrown to the darkness / To survive", Morean and soprano Chrysa Tsaltampasi call out to each other as if drifting into a black hole. 

"Haunter of the Void" truly expands Alkaloid's universe. Applying Bach's polyphonic composition techniques has deepened the band's gravitational pull. Accordion, violin and cello streak like shooting stars beneath the meteoric riffs and laser-like solos of new guitarists Max Blok and Justin Hombach. With drums rumbling ahead at warped-speed, the song climbs to a head-banging crescendo that sent the crowd at Bachfestival home happy with their minds fully blown. 

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands - or even Alkaloid – normally do”.    

The video for "Haunter of the Void" was filmed live at the 2024 Bachfestival in Dordrecht, Netherlands. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.      

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.       

Alkaloid is
Morean - Vocals, guitar
Hannes Grossmann - Drums
Linus Klausenitzer - Bass
Justin Hombach - Guitar
Max Blok - Guitar

Guest musicians
Rianne Wilbers - Soprano
Chrysa Tsaltampasi - Soprano
Julija Hartig - Violin
Oene van Geel - 5-string violin
Marieke Hopman - Accordion
Ketevan Roinishvili - Cello

Recording credits
Recorded live in the Netherlands at Bibelot / Dordrecht and Paard van Troje / The Hague
Front of house engineer: Laurens Voois

Production credits
Produced by Alkaloid
Mixed by Hannes Grossman at Mordor Sounds, Germany
Mastered by Victor Bullok at Woodshed Studio, Germany

Songwriting credits
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach
Music for "Cthulhu" written by Morean and Hannes Grossman
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean
Music for "A Fool's Desire" written by Hannes Grossman
Music for "The Fungi from Yuggoth" written by Christian Münzner
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean
Lyrics to "Agnus Dei" taken from John 1:29
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean

Available Formats
CD Digipack
2x12" Vinyl Gatefold 

Pre-order & Pre-save
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Follow Alkaloid
Website:https://alkaloid-band.com/
Bandcamp:https://alkaloid-band.bandcamp.com
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music:https://music.apple.com/us/artist/alkaloid/368935306
YouTube:https://www.youtube.com/c/Alkaloidbandmetal
Facebook:https://www.facebook.com/alkaloid.metal
Instagram:https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

TOMBSTONES IN THEIR EYES shares 'Alive And Well', a hymn of revival & tribute to late bandmate

LA-based indie rock outfit Tombstones In Their Eyes presents 'Alive and Well', a beautifully raucous psychedelic rock revival hymn, following the brooding lead track 'Under Dark Skies'. This unexpectedly fierce and defiant declaration of strength is the second taste of their 'Under Dark Skies' album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). This 2-track offering also includes the radio edit.

This song is dedicated to TITE guitarist Paul Boutin, who recently lost his battle with cancer. As Paul Lovecraft, he was a prolific musician, releasing music even after an operation nicked his vocal chords. Having met Tombstones' main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band. 

The song features John Treanor on vocals and guitar, Paul Boutin on guitar, Nic Nifoussi on bass, Paul Roessler on keyboards, Stephen Striegel on drums and percussion), and Courtney Davies, Clea Cullen and Joel Wasko on backing vocals,

"When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record," says John Treanor.

"We were initially going to scrap 'Alive and Well' as a single after Paul's passing (for obvious reasons), but because it was one of Paul's favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength - something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, 'Alive and Well' ended up being a statement of intent - a story of a journey from despair to strength."

The accompanying video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt, The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

A year on from their 'Asylum Harbour' album, this record emerged during a year of intense personal change, before finally moving into a place of light and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

As of November 11, 'Alive and Well' is available everywhere, including Spotify, Apple Music and Bandcamp, where the 'Asylum Harbour' album can also be found on CD and red vinyl. On December 5, the 'Under Dark Skies' album will be released digitally and on vinyl via Little Cloud Records (US) and Shore Dive Records (UK and EU).

CREDITS
Words and Music written by John Treanor
John Treanor - vocals & guitar    
Nic Nifoussi - bass guitar
Stephen Striegel - drums & percussion  
Paul Roessler - keyboards 
Courtney Davies - backing vocals
Clea Cullen - backing vocals
Joel Wasko - backing vocals
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced & Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Cover design by Robin Gnista
Released by Little Cloud Records (US) LC-136 & Shore Dive Records (UK & EU)
Videos by Francesca Bonci 
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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Your Inland Empire Cut to the "Edge of Perfection"

From the ashes of Crown, rises a dark new wave of industrial rock. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into a dark night of the soul.

Today, Your Inland Empire are releasing “Edge of Perfection” as the third advanced single off their upcoming debut album. With cutting riffs and breakneck beats, the song blurs the thin line between total destruction and pure bliss.    

Watch the video for “Edge of Perfection” below.

Your Inland Empire’ self-titled debut album comes out this Friday, November 14, 2025 on Season of Mist.

Pre-order & Pre-save

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In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. A  descendant of the same lineage that begot Godflesh, Nine Inch Nails and Neurosis, “Edge of Perfection” walks the tight rope between pain and control. Swept up in the rush of intoxication that can be found in darkness and chaos, the band’s latest single confronts the wreckage of addiction and emotional dependency.    

“This song is for the lost, the broken, the ones who became ghosts through this society”, says Azam. “A blade gleaming in the night, where darkness has become the only refuge, where destruction is no longer a threat but a way to survive”.

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam  Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen  Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

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Status Quo's Francis Rossi Announces "The Accidental" Out 1/30

The Accidental by Francis Rossi, releasing by earMUSIC on January 30 on CD, LP, and Digital formats, comes as something of a surprise.

It was certainly a surprise to Francis, who had no plans to record an album. "This truly came out of nowhere," says Rossi. "I spend my life in and out of the studio, rehearsing, tinkering, but something happened earlier this year and, before I knew it, we had created something special."

While Rossi's previous solo albums explored his love for acoustic ballads, vocal harmonies, and the blend of British rock with country influences, this album, his first in seven years, marks a true return to the energetic, guitar-driven sound that made him a legend with Status Quo.

The Accidental sees Francis Rossi playing to his strengths, but taking risks, cutting loose, and exploring new territory — this album is all about old bones and fresh blood.

The fresh blood in question comes largely from Hiran Ilangantilike, a guitarist who was originally a school friend of one of Francis' children, and co-producer Andy Brook. What became the sessions for The Accidental was initially born of just plugging in and making some serious noise, but something clicked in the studio. Lightning was indeed bottled: There was a swing and a groove, and the songs started pouring out. With John "Rhino'"Edwards and Leon Cave later laying down the bass and drums parts, and Amy Smith again bringing an extra dimension on back-up vocals, this became a project with a bite and DNA all of its own; albeit Francis' playing is a distinctive as ever. Almost all of the songwriting credits reflect this fresh and collaborative ethos, though there are two that bear the classic Quo hallmark: Rossi/Young. Rossi produced The Accidental; co-producer Andy Brook recorded, mastered, engineered, and played on the record, and co-wrote three tracks.

Kicking off with a flourish "Much Better" segues into the ebullient "Go Man Go," teeing up future classic "Push Comes To Shove" and the plaintive yet strutting blues singalong of "Back On Our Home Ground" [who will be the first sports team to adopt this one?]. By then the engine is well and truly running, and the highlights keep coming. The chug and chant and choppy chords of "Something In The Air (Stormy Weather)" give way to the cantering "Picture Perfect," which could only be a Rossi number. The long strides of "November Again" distill a melancholy refrain into a catchy chorus, and the epic "Beautiful World" channels vintage era Quo with enough guitar to get the balcony of the Glasgow Apollo bouncing again. "Time To Remember" is built around a piano line and swaying melody and serves as a poignant and powerful coda to an extraordinarily strong set of new songs.

Pre-order The Accidental here

Today’s announcement coincides with the launch of the first two songs: "Something In The Air (Stormy Weather)" and "Go Man Go" are available for streaming and download now.

Listen to the digital 2-track single below.

"For anyone who liked any of my solo albums previously, well, I've no idea what you'll make of this one because it's a real departure, but I love it," Rossi says. "It's loud, the guitars are right to the fore, and there are some great songs there."

This new album finds Francis Rossi once more at the top of his game, with a searing yet thoughtful collection of rockers that will please anyone who likes their dose of heavy cut with melody and verve. Mark Twain said that the accident is "the greatest of all inventors" when there are no rules, expectations or preconceptions, anything can — and will — happen. The Accidental proves that amazing things unfold when an artist with an unrivaled track record is inspired to create new music — even after more than 50 years of success — by the sheer love of playing. That unbridled joy is where the elemental magic that animates The Accidental is conjured.

Myrath Drop Video for "Until The End" (Feat. Amaranthe's Elize Ryd) — WATCH // Announce New Album "Wilderness of Mirrors"

Tunisian x French progressive metal band Myrath are back with the video for the stunning new single "Until The End," featuring Elize Ryd, the powerhouse vocalist of Amaranthe. Released today alongside the official announcement of their seventh studio album, Wilderness of Mirrors, the single marks the beginning of a bold new era for the band.

"Until The End" is a cinematic duet that explores the fragile line between truth and illusion, blending Myrath's signature Middle Eastern melodies with arena-sized metal and soaring choruses. The collaboration with Ryd adds a dramatic, emotive layer, making the track an instant highlight of the upcoming album.

Listen to "Until The End" here.

Watch the video below

Wilderness of Mirrors will be released March 27 via earMUSIC and features 10 brand-new, emotionally charged tracks that continue Myrath's evolution. Fans can expect a journey through fantasy and reality, from haunting melodies to thunderous riffs and cinematic arrangements.

To celebrate the release, Myrath will embark on a major European tour starting in April 2026, bringing Wilderness of Mirrors to fans across 16 countries.

With millions of views on their epic videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal’s most exciting acts.

Pre-orders for Wilderness of Mirrors and tickets for the European tour are available now. Don't miss the next chapter in Myrath's epic musical journey.

More info about the European tour dates and tickets here

Pre-order the new album here

Mayhem Announce New Album "Liturgy of Death" Out 2/6 + Unvei Video for "Weep for Nothing"

The most influential black metal band of all time is back with their seventh studio album Liturgy of Death

With this new opus, Mayhem reaffirm their status as the most uncompromising force in extreme metal music. Four decades into their career, Mayhem turn their focus toward the inescapable reality of death. Liturgy of Death examines loss, fear of dying, powerlessness, and the fragility of existence through a stark and unrelenting lens.

Stream "Weep for Nothing" here

Watch The visualizer Below. 

"Weep for Nothing" turns the fear of mortality into revelation, a hymn to nothingness where grief becomes meaningless. With its cold and fast grandeur, razor-sharp riffs. and a suffocating atmosphere, the band channels it channels the essence of mortality without offering solace or escape.

Pre-order Liturgy of Death here

With Necrobutcher, Hellhammer, Attila, Morten, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting —that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila Csihar — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten — Guitar

Introducing HÉR, a bridge to the raw spirit of the North

Emerging from the northern shores of Poland, HÉR are both seekers and storytellers. Their upcoming debut album, Monochrome, weaves bowed strings, raw incantations and entrancing percussion into ritual soundscapes that conjure the vast and mythical landscape of the North. The album’s lead single, “Needles and Bark”, calls on the enduring spirit of Icelandic fjords and Old Norse myths, inviting us into a meditation on decay and endurance.

“The pine on the rocks dries and dies / needles neither protect nor the bark / why should he live long?”

Watch the video for “Needles and Bark” below.

Monochrome comes out January 30, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/hermonochrome

Available Formats:
CD Digipak
12” Vinyl Gatefold — Black
12" Colored Vinyl Gatefold — Transparent Orange

“We are honored and deeply thrilled to announce our signing to Season of Mist”, HÉR says. “To begin our musical journey with such a renowned and visionary label is both a privilege and a powerful affirmation of our path.

“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence. And here, in this moment, something new begins. Our collaboration with Season of Mist opens a gateway to share our sound, our myth, and our vision with a wider world”.

“This signing marks not only our debut”, HÉR continues, “but also the crossing of a threshold — from the roots of Old Norse poetry and northern mysticism into a vast, boundless landscape of sound and emotion. We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed.

Sit here with us — sestu hérna — and witness what begins now”.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

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Follow HÉR:
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Bandcamp: https://hersom.bandcamp.com/

Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5

Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

CoreLeoni Live At Hallenstadion Zurich

Swiss hard rock veterans CORELEONI, featuring members of GOTTHARD, are proud to unleash their new live album, Live At Hallenstadion Zurich, via Perception. Featuring a mix of classic GOTTHARD tracks and new favorites from CORELEONI’s latest studio album, IIILive At Hallenstadion Zurich documents a pivotal night in the CORELEONI saga.

One hot summer evening on July 3rd 2025, CORELEONI supported heavy metal legends JUDAS PRIEST at Zurich’s Hallenstadion, performing in front of 7,000 rock and metal fans. The show took the audience on a wild ride through classic GOTTHARD tracks and newer songs from III. An instant success, III had reached #2 on the Swiss album charts and found a place in the hearts of fans around the world. New tracks such as “Like It Or Not” and “Sick & Tired” became staple crowd-pleasers, right alongside beloved fan favorites such as “Sister Moon”, “Mountain Mama”, and “Standing In The Light”.

On Live At Hallenstadion Zurich, the band delivers nine songs in total and kicks off the show with two high-energy classics, “Downtown” and “Firedance”. “We wanted to go out and rock the shit out of our body”, explains guitarist Leo Leoni. Fellow guitarist Igor Gianola adds, “It seems we succeeded. The crowd was fantastic and we were able to deliver a great performance, as we wanted.”

CORELEONI’s energy and the audience’s passion electrified the show. “The night was fantastic”, remembers Leoni. “There was this special magic in the air, Zürich is always fantastic for us to play, but this was somehow a night to remember.”

The band also recalls fond memories of the bonds they forged with metal veterans JUDAS PRIEST, making the show a particularly notable highlight in CORELEONI’s career. “At the Hallenstadion we met Scott Travis on stage, who was there the whole show, and he spent some very nice words about our performance. He’s a great guy and a fantastic drummer, so we appreciated and proved our effort to get it right to the point”, recalls Gianola.

“It was an honour for us to support Judas Priest, they are one of the most important metal bands and I follow them also since I was a kid. It wasn’t the first time we played together, but especially in this location, it was like a mythos”, comments Leo Leoni.

Experience the magic of this unforgettable night right through your speakers or headphones.

Digital release only, available worldwide on December 19th, 2025 on all major digital music platforms.

About CORELEONI
Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!

CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums
 

More on CORELEONI:
coreleoni.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music

Danko Jones - Leo Rising

Toronto’s most determined and hardest‑working power trio, DANKO JONES, let out a mighty roar in LeoRising, an eleven-track masterclass in sweat-soaked, no-nonsense rock ’n’ roll. The album – produced to red‑hot perfection by long‑time collaborator Eric Ratz – lands on 21 November 2025 via Perception - A Division of Reigning Phoenix Music and Sonic Unyon (for Canada).

“You know the sound every kid makes with their mouth when they play air guitar?”Danko asks. “That’s still the sound I want to put on every album we make. If we can come close to that sound, that’s an album worth releasing. Eric Ratz produced this album and he knows this about me. I have complete faith in the guitar tones he manages to capture. There weren’t any changes in recording. We still did it all apart from one another, like our previous two albums. JC recorded in Finland, Rich flew in from Prince Edward Island to Toronto to record his drums, and I worked with Eric in Toronto on guitars and vocals.”

Leo Rising is another triumph from one of the most consistent bands in the business. Above all, it showcases the fizzing, electrified chemistry between the three members of this explosive powerhouse. Operating as a stable and harmonious unit since 2013, DANKO JONES join forces on stage every night, united in their love for riffs, melodies, and a raucous, sweat-drenched good fucking time.

“This is the line-up I wish we had from the start,” Danko concludes. “I’m not just saying that because time has already proven it. First and foremost, we all get along with each other onstage and offstage. The mood is always light and nobody’s ego gets in the way. When it comes to writing and recording, we are all on the same page and we service the songs, always!”

Leo Rising may just be the most uplifting and inspirational DANKO JONES album to date. A thunderous display of high octane guitar-driven rock awaits, from the thrill seeking opener "What You Need" to the blues infused seductive delight, "Too Slick For Love". Also lying in wait on Leo Rising is the power-pop hit "Everyday Is Saturday Night" which brings the party vibes with a catchy lyrical hook you'll find yourself repeating everyday of the week. "It's A Celebration" sees the energy continue flowing with fiery rhythms across the dynamic track. Unafraid to reveal a grittier side as the distortion is turned up a notch, the sleaze-metal leaning "Pretty Stuff" is followed by the edgy "Gotta Let It Go". 

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox  | drums

DON’T BELIEVE IN GHOSTS TURN TRAGEDY INTO TRIUMPH ON “BUT ON THE BRIGHT SIDE” — OUT NOVEMBER 7TH ​   

New York City alternative indie-pop rock band Don’t Believe In Ghosts return with their most personal and powerful release to date, But On The Bright Side, available everywhere this Friday, November 7th via Mindful Recordings. The band will celebrate the release with a special hometown show at Soho Live NYC on Saturday, November 15th, joined by special guests Moonwater.

 

The album title, But On The Bright Side, was born from a year that tested the band’s strength and unity like never before. Early in the process of making the record, frontman Steven Nathan was diagnosed with a genetic kidney disorder, forcing him to completely rethink his health, lifestyle, and priorities while pushing forward to complete the album.

 

Guitarist Dan DelVecchio nearly lost his ability to play after a serious medical condition required surgery, with recovery stretching longer than expected and putting the band’s live future in question. Drummer Ken Yang endured the devastating loss of his father and later faced a medical emergency that required life-saving surgery, followed by complications that sent him back into the hospital.

 

“It was hard wrapping mixes and putting the final touches on these songs after all we'd been through this last year,” says Nathan. “That’s really where the title But On The Bright Side came from. Even when everything feels like it’s falling apart, there’s always something to hold onto — and for us, that was the music.”

 

Stream Don't Believe In Ghosts

https://linktr.ee/dontbelieveinghosts

Recorded across multiple studios including Mindful Recording Studio (NYC)Canyon Private Studios (Nashville, TN), and Mixing Night Studios (OH), the album represents a mosaic of collaboration and perseverance. The band worked with Grammy-winning producer Ken Lewis (FUN., X Ambassadors, Taylor Swift) and Cooper Anderson (Co-produced “Girl” and “Drowning”), alongside co-writing sessions with Brendan Benson (The Raconteurs), Don Miggs, and Nick Brown (MONA). Mixing duties were shared by Steven NathanKen Lewis, and the legendary Mark Needham (The Killers, Imagine Dragons, Neon Trees), giving the album its dynamic and cinematic energy.

 

The album follows the success of recent singles “Driver,” “Brooklyn Baby,” and “Outta Your Head” — the latter currently receiving airplay around the world. Together, they set the tone for a record that blends introspection and optimism, transforming personal struggle into soaring, anthemic alt-pop.

 

While the past year brought uncertainty, But On The Bright Side stands as a defiant statement of resilience, creativity, and faith in moving forward.

 

When Don’t Believe In Ghosts return to the stage at Soho Live on November 15th, it will mark more than just a release celebration — it will be a rebirth.

 

“When we walk out on that stage, it’s not just about performing,” Nathan reflects. “It’s about everything we went through to get there — and the fact that we’re still here, stronger than ever.”