TIAN QIYI 'Mongolian Dub' sets the groove for 'Songs For Workers' album ft. JAH WOBBLE

Genre-defying UK-based music outfit Tian Qiyi presents 'Mongolian Dub', a powerful offering from their sophomore album 'Songs For Workers', out June 27 via Pagoda Records.  Featuring the legendary Jah Wobble on bass, this is a fascinating ethno-psychedelic initiation into this 10-track musical journey, which bridges generations and cultures, blending deep dub grooves with Eastern traditions. This single follows their stunning lead track 'Watch The Sunrise'.

More than just a band, Tian Qiyi brings together brothers John Tian Qi Wardle and Charlie Tian Yi Wardle with their father, Jah Wobble (John Wardle). Their unique sound reflects their rich family heritage, blending their father's pioneering work in post-punk and dub with the Chinese cultural influences of their mother, Zilan Liao.

On the foundation of their acclaimed 2024 debut album 'Red Mist', with standout singles  'Incantation' and 'Red Mist', the Wardle brothers continue to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

This Tian Qiyi album has already generated plays from Gideon Coe, Mark Riley and Stuart Maconie on BBC 6 Music, and from John Kennedy on Radio X London. 'Songs For Workers' represents the next evolution in their mission to create border-crossing musical experiences that honour their diverse influences while crafting something uniquely their own, further exploring the intersection of traditional Asian and Celtic soundscapes with contemporary dub production techniques.

'Mongolian Dub' ft. Jah Wobble  https://wearetian.bandcamp.com/track/mongolian-dub
'Songs For Workers' album pre-save / pre-order  https://ffm.to/songsforworkers

John Tian Qi handles all drumming and percussion - both Eastern and Western - on the album. Charlie Wardle’s unique vocal style is to the fore, as is his incredible musical dexterity on traditional Chinese and Mongolian instruments, bringing a funky and, at times, psychedelic quality to the music, in addition to that which is expressly traditional. Jah Wobble plays bass on most of the album’s tracks, while John Tian Qi contributes bass on 'Luoyang' and 'Siege' and synth / Moog bass on 'Watch The Sunrise', highlighting Tian Qiyi's growing creative independence and production chops.  

Fully produced by Tian Qiyi, 'Songs For Workers' marks a bold step forward in their cross-cultural, multi-generational musical journey. Rooted in heritage and driven by experimentation, their sound is shaped by the magnetic tension between ancient tradition and dub futurism, East and West, land and spirit—a musical space that is uniquely their own.


Drawing inspiration from Miles Davis's groundbreaking electric period and the experimental spirit of Krautrock, the band creates expansive, boundary-pushing soundscapes that defy easy categorization. Jah Wobble's involvement adds a deep, distinctive dub foundation to the family's cross-cultural vision, while the brothers' mastery of traditional Chinese instruments reflects their maternal heritage.

The duo's name carries deep personal significance, combining elements of the brothers' middle names: "Tian," shared by both siblings, paired with "Qi" (meaning "together") and "Yi" (meaning "one"). This linguistic fusion mirrors their musical approach, where disparate elements unite to create something entirely new—much like their parents' union of Eastern and Western cultural traditions.

'Mongolian Dub' is available exclusively via Bandcamp. 'Watch The Sunrise' is out now, available on fine digital platforms, including Apple Music, Spotify and Bandcamp. The full 'Songs for Workers', set for release on June 27, is available for pre-order. A handful of festival shows will be happening over the summer in support of this album.

SINGLE CREDITS
Performed & produced by Tian Qiyi
Composed by John Tian Qi Wardle, Charlie Tian Yi Wardle, Jah Wobble
Charlie Tian Yi Wardle - Morin Khuur, Er Hu, Vocals
John Tian Qi Wardle - Drum Kit, Yang Qin
Jah Wobble - Bass
Mixed by John Tian Qi Wardle
Engineeed by Seadna Mcphail & John Tian Qi Wardle
Recorded at Airtight Studios and Pagoda Studio
Released by Pagoda Records
Published by Domino Publishing / 30 Hertz
Publicity by Shameless Promotion PR

Keep up with Tian Qiyi
Bandcamp | Instagram | Twitter | TikTok | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up Jah Wobble
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

AVERSIONS CROWN | ANNOUNCE THEIR NEW EP A VOICE FROM THE OUTER DARK OUT AUGUST 5TH + WATCH THE MUSIC VIDEO FOR THE TITLE TRACK

Emerging from Brisbane’s seething metal underground, AVERSIONS CROWN returns from the void with A Voice From The Outer Dark. The EP which will be released on August 5th via Nuclear Blast Records is a three-track statement of renewed intent, brutal evolution, and total annihilation. Marking the band’s first new material in several years, the EP represents a bold new chapter in both sound and vision.

Today, the band release a music video for the thunderous first track and title of the album, 'A Voice From The Outer Dark'. Watch the Matrix-esque music video directed by Colin Jeffs, below:


AVERSIONS CROWN comments, "This song marks the beginning of a new chapter for us. We’ve been quiet for a few years now, but that silence was the calm before something much heavier. A Voice From The Outer Dark is the first signal that we’re back, and this time we’re not coming in peace.".

Pre-order or pre-save A Voice From The Outer Dark EP, here:
https://aversionscrown.bfan.link/avftodep

A Voice From The Outer Dark captures AVERSIONS CROWN in a new phase of creative intensity. The EP distills everything the band is — and everything it’s becoming — into three tracks of sheer ferocity. Conceptually, the band continues to explore existential and cosmic horror themes, blurring the lines between science fiction and spiritual annihilation, channeling the sound of a world tearing itself apart from the inside out. The arrival of new vocalist Alex Teyen(formerly of BLACK TONGUE) signals a seismic shift.

A Voice From The Outer Dark was recorded in October 2024. It was produced by Lance Prenc and Edward Sklavos. Prenc was also responsible for the mixing and mastering while Sklavos handled the engineering. The cover artwork for the EP was created by Róbert A Borbás(aka Grindesign).

A Voice From The Outer Dark is the sound of a band reborn through fire, silence, and darkness — ready to reestablish their legacy and redefine deathcore in the process.

AVERSIONS CROWN is:
Alex Teyen | Vocals
Chris Cougan | Guitar
Mick Jeffery | Guitar
Jayden Mason | Drums

More information:
Facebook | Instagram | X | YouTube

WHEEL OF TIME Announces Debut Full Length Album Asymmetry and Unveils First Single "Grand Cosmos"

WHEEL OF TIME, the progressive power metal project led by Beijing-based composer and multi-instrumentalist Jimmie Hong, has set November 12, 2025 as the release date for its debut full-length album Asymmetry. The first single, "Freedom Day", is out now, offering an electrifying preview of the album’s sweeping sound and bold creative vision. Asymmetry is about embracing imperfection, both in life and in music. It is a personal and spiritual journey, shaped by both progressive and power metal traditions, with influences from across the world.

"Freedom Day" captures that spirit with an explosive performance from Michele Luppi (WHITE SNAKE) on vocals and Derek Sherinian (ex-DREAM THEATER, ex-SONS OF APOLLO, PLANET X) on keyboards. The track balances intricate rhythmic tension with soaring melodic release, embodying both the technical mastery and emotional depth that define WHEEL OF TIME’s sound. 

The album Asymmetry features an international lineup of world-class musicians, including Tony MacAlpine, Timo Tolkki, Alexandre Aposan, Farhad Hossain, Ignacio Rodríguez, and more. Produced and engineered by Tom MacLean (ex-HAKEN), the album fuses progressive ambition with melodic power, Eastern and Western influences, and narrative-driven songwriting.

Listen Below:

About WHEEL OF TIME

WHEEL OF TIME is a progressive power metal project founded by Beijing-based composer and multi-instrumentalist Jimmie Hong. Blending the technical precision of progressive metal with the melodic strength of power metal and symphonic elements, WHEEL OF TIME creates expansive, narrative-driven music that crosses genres and borders. The project features collaborations with world-renowned musicians including Derek Sherinian, Tony MacAlpine, Michele Luppi, and Timo Tolkki. With a truly international lineup and a sound that integrates subtle Eastern melodic influences, WHEEL OF TIME explores themes of time, destiny, and self-discovery. The debut full-length album Asymmetry releases November 12, 2025.

Connect with WHEEL OF TIME:

Rex Tycoon Announce Upcoming Album "No Limit 2 Luv" + Release New Single via Smartpunk Records

Smartpunk Records welcomes rock n roll stars, Rex Tycoon, to their label roster and celebrates the announcement with a new album, "No Limit 2 Luv." On this record, the band doubles down on the fusion of power pop greatness, punk energy, and grooving riffs that define their music. For a taste of what to expect, the band shares the first glimpse of the upcoming record on their single "Jesus Drives."

Listen here.

Music video below.

Pre-order the album here.

Speaking about the new single, Rex Tycoon shares, "This song came about after a trip back home to my parents’ house around Christmas time. My grandmother was telling a story she loves to tell, about how after my grandfather passed away, when I was really young, I would ask her, “What kind of car does Jesus drive?” Because my grandfather was really into cars. I never got to know my grandfather very well since I was so young when he passed but this song sort of transformed into an ode to the kind of guy that I came to know him as from stories and photographs, the blue-collar, hard-working, salt-of-the-earth working class individual who’s back the world is built upon but who the world is nevertheless constantly spitting on in return. The song seemed to be a perfect fit for both the album closer and the lead single."

ABOUT REX TYCOON
In a fusion of power pop greatness, punk energy and grooving riffs, Rex Tycoon’s debut full-length No Limit 2 Luv (Smartpunk Records) shows off what makes the band so special. Bursting to life with “Rock ‘N Roll Star,” No Limit 2 Luv kicks off feeling stadium huge while lyrically professing a humble reality, the sound manifesting the kind of rock ‘n’ roll stardom this album deserves. Over the course of ten songs Rex Tycoon conjures the energy of beer-soaked basement parties as well as meandering, soul searching drives. It’s eclectic but consistent, showing the band’s flexibility and unique stylistic foundation. Guitarist and vocalist Austin Reesman’s knack for storytelling reaches its pinnacle with the album closer “Jesus Drives,” a bluesy, straight ahead rocker that relays the reality and drudgery of the working class people doing their best to survive under untenable circumstances.

Rex Tycoon may dabble in slacker rock, but there’s never been anything lazy about the way these songs come to life. Reesman, Joey Tiberio (guitar), Keith Tucker (bass, synth, vocals) and Jared Stalker (drums) have spent years fine tuning and self-recording infectious rock riffs and poppy hooks from Tucker and Stalker’s Pittsburgh basement. The band took their punk spirit out of the basement and into the studio for their Smartpunk debut No Limit 2 Luv. The album was recorded with Damion Schiralli at Russian Recording in Bloomington, Indiana and mastered by Mike Bridavsky (Russian Recording), and the result is a more spacious sound to reveal all the thoughtful details of Rex Tycoon’s songwriting. 

Whiskey Myers Preview 9/26 Album 'Whomp Whack Thunder' with "Tailspin," Out Now

Acclaimed Southern rockers Whiskey Myers continue to turn up the heat with the release of “Tailspin,” the second track from their highly anticipated seventh album, Whomp Whack Thunder, due Sept. 26 via the band’s own Wiggy Thump Records and available for preorder now. Listen Below.
 
Following the adrenaline-fueled lead single “Time Bomb,” the multi-Platinum independent band keeps the pedal down with “Tailspin,” a scorching track that captures the band’s signature swagger, blending gritty guitars, pounding rhythms and unflinching lyrics: I was cruising for a little while, but now I’m in a tailspin / If I’m going out, I’m going out in style / I’m headed for the bottom again.
 
Equal parts anthem and confession, “Tailspin” delivers a raw portrayal of life in freefall – chasing relief, clinging to vices and hoping for a parachute on the way down. The track’s unfiltered energy and hard-driving instrumentation showcase Whiskey Myers at their most urgent and unapologetic, further previewing what fans can expect on the forthcoming album.
 
Born from the piney woods of East Texas and shaped in the soul of Nashville during an immersive three weeks with renowned producer Jay Joyce – known for bringing edge, atmosphere and unpredictability to every project (Eric Church, Cage the Elephant, Halestorm, Lainey Wilson) – Whomp Whack Thunder is a strong statement from the genre-defying six piece. 
 
“We didn’t set out to chase a specific sound – we set out to make a Whiskey Myers record,” shared lead guitarist John Jeffers when announcing the project. “Jay pulled something out of us that’s raw and real, and every track’s got a piece of our story in it. This album’s about where we’ve been, what we’ve lived and the scars we earned along the way – and I think Whomp Whack Thunder might just be our most fearless album yet.”
 
Whomp Whack Thunder is the sound of a band at the height of its powers, marrying Southern swagger with arena-sized rock and soul-searching songwriting. Frontman Cody Cannon penned all 11 tracks solo, delivering stories that hit with the emotional weight of lived experience and the firepower of the band’s signature sound. From the breakneck energy of “Tailspin” to the introspective grit of “Icarus” and the raucous stomp of “Ramblin’ Jones,” it’s a record born of the road and shaped by nearly two decades of defiant, grassroots momentum.
 
The album features the full force of the band – Cannon (vocals, guitar), Jeffers (guitar), Cody Tate (guitar), Jamey Gleaves (bass), Jeff Hogg (drums) and Tony Kent (percussion, piano) – with Joyce also contributing keys, organ and guitar, crafting a sonic landscape that stretches from greasy blues-rock riffs to gospel-tinged country soul.
 
Ahead of the fall release, fans can catch early previews of the new music on the What We Were Born To Do Tour, kicking off today, June 6 and hitting cities across the U.S. throughout the summer. Whiskey Myers also co-headlines 14 dates of the Live in 25 Tour with Tedeschi Trucks Band later this year in addition to headlining their own personally curated Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9.
 
For more information, visit whiskeymyers.com and follow on social media @WhiskeyMyers.

Upcoming Whiskey Myers Tour Dates
What We Were Born To Do Tour
June 6  ||  Des Moines, Iowa  ||  Lauridsen Amphitheater at Water Works Park
June 7  ||  La Vista, Neb.  ||  The Astro
June 8  ||  Rapid City, S.D.  ||  The Monument – Summit Arena
June 10  ||  Bonner, Mont.  ||  KettleHouse Amphitheater
June 12  ||  Fargo, N.D.  ||  Scheels Arena
June 13  ||  Prior Lake, Minn.  ||  Mystic Lake Casino Hotel – Mystic Amphitheater
June 14  ||  Gary, Ind.  ||  Hard Rock Casino Northern Indiana
June 15  ||  Interlochen, Mich.  ||  Interlochen Center for the Arts – Kresge Auditorium
June 23  ||  Pittsburgh, Pa.  ||  Stage AE
June 25  ||  Johnson City, Tenn.  ||  Freedom Hall Civic Center
June 26  ||  Evansville, Ind.  ||  Ford Center
July 12  ||  Kansas City, Mo.  ||  Starlight Theater
July 17  ||  Macon, Ga.  || Atrium Health Amphitheater
July 18  ||  Birmingham, Ala.  ||  Coca-Cola Amphitheater
July 19  ||  Nashville, Tenn.  ||  Ascend Amphitheater
July 20  ||  Salem, Va.  ||  Salem Civic Center
July 22  ||  Manteo, N.C.  ||  Roanoke Island Festival Park
July 24  ||  Charlotte, N.C.  ||  Skyla Credit Union Amphitheatre
July 25  ||  Virginia Beach, Va.  ||  Virginia Beach Dome
July 26  ||  Richmond, Va.  ||  Allianz Amphitheater at Riverfront
July 27  ||  Cherokee, N.C.  ||  Harrah’s Cherokee Casino Resort
Aug. 16  ||  Highland, Calif.  ||  Yaamava' Theater
Aug. 27  ||  Toledo, Ohio  ||  Toledo Zoo & Aquarium – Amphitheater
Sept. 18  ||  Jonesboro, Ark.  ||  First National Bank Arena
Sept. 19  ||  Alexandria, La.  ||  Laborde Earles Coliseum
Sept. 20  ||  Brandon, Miss.  ||  Brandon Amphitheater
Sept. 25  ||  Austin, Texas  ||  Moody Amphitheater at Waterloo Greenway
Sept. 26  ||  Oklahoma City, Okla.  ||  Paycom Center
Sept. 27  ||  The Woodlands, Texas. ||  The Cynthia Woods Mitchell Pavilion
Oct. 9  ||  Chattanooga, Tenn.  ||  Soldiers and Sailors Memorial Auditorium
Oct. 10  ||  Greensboro, N.C.  ||  White Oak Amphitheatre at Greensboro Coliseum Complex

Live in 25 Tour with Tedeschi Trucks Band
Aug. 7  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 8  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 9  ||  Quincy, Wash.  ||  The Gorge Amphitheatre
Aug. 12  ||  Berkeley, Calif.  ||  The Greek Theatre at UC Berkeley
Aug. 13  ||  Los Angeles, Calif.  ||  The Greek Theatre
Aug. 15  ||  Stateline, Nev.  ||  Lake Tahoe Outdoor Arena at Harveys
Aug. 18  ||  Phoenix, Ariz.  ||  Arizona Financial Theatre
Aug. 19  ||  Albuquerque, N.M.  ||  Isleta Amphitheater
Aug. 23  ||  Noblesville, Ind.  ||  Ruoff Music Center
Aug. 24  ||  St. Louis, Mo.  ||  Hollywood Casino Amphitheatre
Aug. 26  ||  Cincinnati, Ohio  ||  Riverbend Music Center
Aug. 28  ||  Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview
Aug. 29  ||  Vienna, Va.  ||  Wolf Trap
Aug. 30  ||  Vienna, Va.  ||  Wolf Trap
Sept. 1  ||  Gilford, N.H.  ||  BankNH Pavilion
 
Additional Dates
June 27  ||  South Greenfield, Mo.  ||  Baker-Spain Stampede
June 28  ||  Carrolton, Texas  ||  LIV Golf Dallas
Oct. 11  ||  North Charleston. S.C.  ||  Riverfront Revival Music Festival
Nov. 7-9  ||  Miramar Beach, Fla.  ||  Moon Crush “Whiskey Moon”

About Whiskey Myers
Genre-bending band Whiskey Myers have played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show. The band is poised to begin their next chapter with their highly-anticipated seventh studio album Whomp Whack Thunder arriving Sept. 26 via the band’s own Wiggy Thump Records, with lead single “Time Bomb” available everywhere now. Their previous project, Tornillo, featured the No. 17 most-played Americana song of 2022, “John Wayne,” and followed breakthrough album Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.5 million albums and amassed over 3.7 billion streams while earning nine RIAA Gold, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features in Paramount’s hit shows “Yellowstone” (including an on-screen performance) and “Landman,” plus Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

OLD MACHINES Unleash First Single from The Cycles of Extinction

Cosmic harbingers OLD MACHINES are excited to announce their debut album,The Cycles of Extinction, out August 22nd, 2025. Their first single, "The Sundering of the Irradiated Sons, and the Rebellion Sparked by the Gene-Plague", is out now.

The song tells a story of The Irradiated Suns, once heroes of war, and their spiral into chaos as overpopulation and bloodlust render them uncontrollable. Sterilized by a gene plague, they now roam as deadly mercenaries seeking purpose. Musically, the track blends thrash, black, and death metal with catchy 90s power metal flair—delivering a triumphant yet grim anthem that's become a fan favorite and the band's first single.

OLD MACHINES comments on the album and what lies ahead for the band, stating "This is not a little project we began for fun, but a journey we intend to embark on together.  Some members might come and go as years pass, but the members of the band Old Machines will remain as a collective to warn society of the dangers the real Old Machines present to all living organic life.  Nobody ever knows when they will break free from hibernation, as these are only rumors we pick up from the cosmos.  What we do know is that we have already begun recording Act III and that we will do our best to HOLD THE LINE against these unholy terrors from the black abysmal vortex."

About OLD MACHINES:

From the darkest depths of the oceans of time and space comes a legend over two billion years old, which has spawned a multitude of harrowing galactic sagas. These stories arrive to us in the form of the debut album from OLD MACHINES titled The Cycles of Extinction, featuring eight songs regarding mysterious, malevolent horrors, which create the very extinction cycles all organic life forms are forever trapped in.  These are tales of horror, war, and genocide, spanning eight tracks for one hour of music which can be described as Extreme Cosmic Metal; combining elements of thrash, death, black, and power metal.  If any of this story sounds familiar, it may be because we have re-conceptualized plots from our favorite video games with a series of concept albums in chronological order, while musically, for now, being in the vein of bands such as BAL SAGOTH, EMPEROR, LIMBONIC ART, OBSIDIAN GATE, combined with the story-telling element of BLIND GUARDIAN. The Cycles of Extinction will be the first in a series of concept albums from OLD MACHINES, an ongoing project with current and former members of OXYGEN DESTROYER, SKELETAL REMAINS, SILVER TALON, THIRSTING ALTAR, and DOMINUS NOX. There will be more of such epics in this fashion because...extinction...is only the beginning....


OLD MACHINES is:

  • Gary Reavis - Vocals

  • Jason Stares - Keyboards

  • Brian Rush - Guitar

  • Devon Miller - Guitar

  • Joel Henigson - Bass

  • Chris Craven - Drums

Deep Purple's "Rapture of the Deep" Album Marks 20 Years With Remix + Unreleased Tracks

IS THIS DEEP PURPLE'S UNFAIRLY FORGOTTEN ALBUM?

RAPTURE OF THE DEEP MARKS 20 YEARS WITH A STUNNING REMIX + UNRELEASED TRACKS

RAPTURE OF THE DEEP 20TH ANNIVERSARY REMIX TO BE RELEASED AUGUST 29

Deep Purple's Rapture of the Deep turns 20 – and i'’s celebrated with a complete remix and remaster, striking new artwork, plus a bonus CD/LP featuring never-before-released recordings.

Listen to "Junkyard Blues" below:

It's no secret that Rapture of the Deep isn’t the first album that comes to mind when listing Deep Purple's classics – and while it was met with interest at the time, it gradually faded from view. Despite solid sales, the album arrived during a period when there was little spotlight on the world of classic rock, and over the years, Rapture of the Deep developed into an overlooked chapter in Deep Purple's rich discography.

It's equally true that this record, and the story behind it, marked a turning point — the quiet beginning of a run that would eventually lead to four consecutive No. 1 albums (2013, 2017, 2020, 2024) and the kind of success few bands experience even once, let alone decades into their career.

New insights by Kerrang! founder and Classic Rock magazine writer Geoff Bartonpull back the curtain on a time when Deep Purple were navigating an uncertain era in the music industry that saw the downfall of many once-great artist careers — and unravel the strange chemistry that gave birth to Deep Purple's 18th studio album.

As bassist Roger Glover reflects, "We were going through a bit of a hard time when we started the songwriting and production of Rapture of the Deep and, strangely enough, we didn't have a record company at that point. Let's face it, we were a bit lost (…)."

But from that uncertain moment emerged an album bursting with sharp songwriting, masterful playing, and pure Deep Purple grit.

Now, newly mixed with the supervision of Glover, analogue-mastered at renowned Chameleon Studios in Hamburg, and presented with bold new artwork, Rapture of the Deep finally shines with clarity and color. "It's a new album now to me," says Roger Glover. Fans will hear it blooming for the first time.

This new edition also includes a bonus CD/LP featuring previously unreleased instrumental takes and studio rehearsals recorded during the songwriting process — providing a rare, unfiltered insight into the band’s creative work in the studio. Captured on multi-track in 2005 and mixed for the first time in 2025, it’s one of those rare instances where recordings resurface decades later from archives long thought lost.

Among the highlights is the track "Closing Note," a never-before-heard piece by former guitarist Steve Morse — recorded during the album sessions and now officially released for the first time.

These tracks are available exclusively on all three physical formats — CD Digipak, 3LP Vinyl (black, 180g), and the strictly Limited 3LP Transparent Sky-Blue Vinyl.

With Deep Purple riding high on the success of their latest No. 1 record =1, the time is right to (re)discover the album that set the path for Deep Purple in the 21st century.

Access the album here.

dead7 Drop "PLEASE" Video" (Feat. Marcus Vik)

dead7 will drop their new album LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE on July 11 via SharpTone. Pre-order it here. 

On the album, the St. Louis, MO quintet — Jason Kozik [vocals], Dexter Greer[guitar], Tim Quinn [guitar], Stephen Salyer [bass], and Zach Guinn [drums] — temper guitar-driven grooves with electronics, atmospheric keys, and evocative vocals. Simultaneously, death and romance become interchangeable, rotating around an axis of relatable emotional turbulence.


dead7 have dropped the video for "PLEASE." The track features a guest appearance from Invent Animate's Marcus Vik.

Watch it Below:

"We were making a joke about being kind of horny, and we tried to encapsulate it," Kozik says about the song's interesting origin story. "It's about the highs of relationships. If you say, 'Please,' you could tell me to do anything. It doesn't matter, just ask nicely. It has our ridiculously low guitar tones that we love, but it also feels like a pop song. We really wanted to have fun with this one."

Fun, indeed!

Armed with this boundary-breaking style, dead7 initially rose up out of St. Louis during 2022. Following "unwanted" and "bite it," the group collaborated with Nathan Johnson of Fox Lake on "heaven only knows." Meanwhile, "tape mouth" surged with over 433K Spotify streams, paving the way for the new pain collection EP and all time does is pass and all i do is remember EP. Along the way, they packed headline gigs and graced the bills of festivals such as POINTFEST with Incubus, Bad Omens, Coheed and Cambria, The Pretty Reckless, and more. In late 2024, they caught the attention of Sharptone Records and inked a deal with the label. Hitting the studio, the band reteamed with frequent collaborators and producers Caleb Freihaut and Ben McGuiness to record what would become LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE. This time around, the guys nodded to inspirations such as Loathe, Bring Me The Horizon, and Three Days Grace.

Final Chapter of FERMENTOR’s Trilogy Agreement Set for August 15 Physical Release

Brutalambient instrumental duo FERMENTOR is excited to announce the physical release of their new album Agreement, landing August 15th, 2025. This 17-track release marks the third and final chapter in a bold instrumental trilogy, following 2023’s Mind Meld and 2025’s Release Me. Agreement takes listeners on an immersive ride through the crushing weight of death metal, blended with the sweeping, improvisational textures of post-rock.

It’s a sound that’s both fierce and fluid—raw, yet meticulously layered. FERMENTOR thrives in the tension between chaos and control, fusing looping grooves, sharp dynamics, and free-form intuition into something that defies easy categorization.

Drummer Dylan Marks, who also performs with legendary progressive death metal band ATHEIST, brings added firepower and recognition to the release. His reputation in the extreme metal world offers a compelling entry point for new listeners, while also underscoring the technical depth that runs throughout Agreement.

The band shares, "Agreement isn’t just another release—it’s the final step in a bigger experiment. From Mind Meld to Release Me, and now this, we’ve been exploring how far we can push instrumental music emotionally and technically. This record is the closing statement."

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist

About FERMENTOR:

FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks and guitarist Adam “Wally” Wollach. Relying solely on drums and guitar as contrapuntal voices, the cousins discovered their chemistry while recording their first EP, Matanzaa, within four weeks. After a brief time living on opposite coasts, they reunited to release two EPs: Fermentor (2011) and Rate of Cognition (2015), gaining a reputation for their explosive, high-energy performances alongside acts like BEHOLD!... THE ARCTOPUS AND CAPTURED BY ROBOTS. Their first full-length album, Continuance (2020), showcased progressive, intricately arranged compositions and introduced their first music videos, including the acclaimed "Seventh Circle". In 2023, Mind Meld marked a new peak in production quality and maturity, recorded live without click tracks, earning critical acclaim and expanding their fanbase. The 2024 FermenTOUR brought their unique sound to West Coast audiences, followed by the 2025 release Release Me, a 17-track fully improvised album spanning multiple genres, shared weekly with accompanying videos to great acclaim. Not slowing down, FERMENTOR announced another 17-track improvised album, Agreement, continuing their exploration of looping and genre-defying music. In 2025, they plan to tour again, committed to sharing their evolving artistic vision worldwide.

GINA BIRCH SHARES NEW SONG 'DOOM MONGER'

Legendary artist, Raincoats co-founder, songwriter, filmmaker, and feminist icon Gina Birch has shared new single ‘Doom Monger’ from her eagerly awaited second solo album, Trouble (out July 11). Watch the music video below and stream the track here, and pre-order the album on black and limited edition vinyl here.

PRE-ORDER TROUBLE

HEATMISER RE-RELEASE MIC CITY SONS​ OUT ON THIRD MAN RECORDS JULY 25th

Nearly 30 years after its original release, Heatmiser’s last-ever record is back, remastered and reimagined as a two-LP opus containing a set of demos and unreleased tracks, bringing us right back to that DIY Portland studio where a quartet of tempestuous twenty-somethings created pure sonic magic. Mic City Sons - 30th Anniversary drops on July 25th via Third Man.

SHADOW OF INTENT Drop New Single & Music Video "Mechanical Chaos"

With just weeks to go before the release of their most ambitious album yet, Shadow of Intent drop “Mechanical Chaos,” the fourth single from upcoming new album Imperium Delirium, out June 27 via Blood Blast Distribution. Watch the official music video below and pre-order the album or stream the new track here.

Driven by an unrelenting barrage of dissonant riffing, symphonic unease, and unflinching lyrical focus, “Mechanical Chaos” is the band at their most sonically and ideologically severe. Vocalist Ben Duerr offers the following statement:

“Mechanical Chaos was written to confront the cold, dehumanized reality of modern warfare—one increasingly shaped by the rise of drone technology. As unmanned systems redefine the battlefield, we find ourselves at a crossroads of power, ethics, and consequence. They have become the equalizer of nations. But with this shift comes a new era of destruction—one marked not by strategy, but saturation. The result is a battlefield soaked in attrition, where both sides bleed endlessly and blindly. Mechanical Chaos doesn’t celebrate this evolution—it laments it. It’s a cry against the dehumanization of war, where soldiers are reduced to dots on a screen, and civilians caught in the crossfire become collateral in a game of endurance.

The future hinted at in our music is not distant—it’s already unfolding. This song is for the forgotten, the vaporized, and the haunted—those left beneath the specters above.”

Lyrically and thematically, Imperium Delirium continues Shadow of Intent’s descent into the real-world horrors that define our past and foreshadow our future. From mythic allegory to modern bloodshed, the band’s subject matter confronts the sickness of empires, the seduction of violence, and the machinery of death that fuels it all. As always, the sound is enormous—melding symphonic grandeur, blackened melody, razor-sharp technicality, and punishing breakdowns into a style that remains utterly their own. The three previously released singles from the album - 2024's "Flying The Black Flag", "Feeding The Meatgrinder" feat Corpsegrinder and "Infinity of Horrors" have clocked up 1.4 million views on Youtube and 4 million streams on Spotify alone.

Since their formation in 2014, Shadow of Intent have garnered a reputation for crafting mind-blowingly technical, prog tinged symphonic deathcore. Widely acknowledged as one of the forerunners of the current deathcore renaissance, the band's debut album 'Primordial' was named as one of Revolver Magazine's '15 Essential Deathcore Albums', with Metal Sucks giving their 2019 album 'Melancholy' a perfect 5/5 review, stating "you can expect Shadow of Intent to send echoes across metal for as long as they feel like making music". To date, they amassed over 203 million streams, 64 million YouTube Views and have 460,000 monthly listeners on Spotify.

Following the album release, the band will hit the road this fall with Lorna Shore, The Black Dahlia Murder, and Enterprise Earth for one of the year’s most anticipated deathcore tours. Full dates below with tickets available HERE

Shadow Of Intent

Fall Tour Dates

09/17/25 - Pittsburgh, PA

09/18/25 - Louisville, KY

09/20/25 - Worcester, MA

09/21/25 - Baltimore, MD

09/23/25 - Greensboro, NC

09/24/25 - Nashville, TN

09/26/25 - Cleveland, OH

09/27/25 - Detroit, MI

09/28/25 - Chesterfield, MO

09/30/25 - Atlanta, GA

10/01/25 - Tampa, FL

10/03/25 - Houston, TX

10/04/25 - Irving, TX

10/05/25 - Austin, TX

10/06/25 - Oklahoma City, OK

10/09/25 - Phoenix, AZ

10/10/25 - Las Vegas, NV

10/12/25 - Riverside, CA

10/13/25 - San Diego, CA

10/14/25 - Los Angeles, CA

10/15/25 - San Francisco, CA

10/17/25 - Seattle, WA

10/18/25 - Vancouver, BC

10/20/25 - Salt Lake City, UT

10/21/25 - Denver, CO

10/23/25 - Chicago, IL

10/24/25 - Maplewood, MN

10/25/25 - Milwaukee, WI

10/27/25 - Mississauga, ON

10/28/25 - Laval, QC

10/30/25 - New York, NY

ABOUT SHADOW OF INTENT

Formed in 2014 by Ben Duerr and Chris Wiseman, Shadow of Intent have become one of the most respected and forward-thinking bands in modern metal. With four self-released albums—Primordial (2016), Reclaimer (2017), Melancholy (2019), and Elegy (2022)—the band has blended deathcore, black metal, symphonic and progressive elements with narrative and conceptual ambition. The band’s music and subject matter centers on the many evils in the world, whether myth or real-life events, and the future it may lead to.

2022’s Elegy charted at #4 on Billboard’s Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock and Digital Albums charts. The band has clocked up 203 million streams, 64 million YouTube Views and have 460,000 monthly listeners on Spotify and toured alongside metal heavyweights including Cannibal Corpse, Whitechapel, The Black Dahlia Murder, Lorna Shore, and Cattle Decapitation.

Shadow Of Intent Are

Ben Duerr - Vocals

Chris Wiseman - Guitar, Vocals, Keyboards

Bryce Butler - Drums

Andrew Monias - Bass

Find Shadow of Intent Online

www.shadowofintent.com

PARADISE LOST PREPARE FOR 'ASCENSION'; NEW ALBUM OUT SEP 19TH

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th with Nuclear Blast Records. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artist George Frederic Watts, which hangs in the Tate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs.

Commenting on the record, vocalist Nick Holmes says:

"Ascension is a cavalcade of molten misery, a vigorous sorrow filled stroll through a wicked world of glorious triumph and pitiful tragedy."  

Today, PARADISE LOST offer a glimpse into their melancholic masterpiece with the record’s first single and music video, ‘Silence Like The Grave.’

Stream ‘Silence Like The Grave’: https://paradiselost.bfan.link/sltg

Pre-order Ascension: https://paradiselost.bfan.link/ascension

‘SILENCE LIKE THE GRAVE’ MUSIC VIDEO BELOW:

PARADISE LOST will be performing alongside KING DIAMOND and at festivals in Europe this summer before embarking on the first part their “Ascension of Europe” tour this fall. Tickets are available at https://paradiselost.co.uk/tour-dates/.

About PARADISE LOST:

More than three decades into their career, and with over two million albums sold, PARADISE LOST remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere.  

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as CRADLE OF FILTH, HIM, GATECREEPER and CHELSEA WOLFE.  

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

Follow PARADISE LOST:

Website | Facebook | Instagram | X | Youtube | Spotify | Apple Music | Bandcamp

AMORPHIS Unveil Lyric Video For New Single "Light And Shadow"; 'Borderland' Album Pre-Orders Available Now

Following the announcement of their 15th studio album Borderland, Finnish metal icons AMORPHIS release the first single from their forthcoming opus today. "Light And Shadow," which can also be interpreted as a metaphor of the album title in the sense of counter-play between two parties close to each other, wins over listeners right away with an uplifting piano intro, enriched by an electronic sound tapestry. As the song unfolds, it transforms into a driving, mythic anthem of self-discovery, a powerful reminder of why AMORPHIS remain unrivalled in crafting melancholic majesty.
 
Santeri Kallio, who wrote the music, adds: “I threw my brain into the closet and went with the flow - without stressing about opinions. I didn’t want to repeat the old nor copy what we’ve already done before. When I heard Tomi’s final vocal parts, I realised that ‘Light And Shadow’ would be the perfect introduction to our new album!”
 
Watch the lyric video below:
Stream "Light And Shadow": https://amorphis.rpm.link/lightandshadowPR
 
Arriving on September 26, 2025 via Reigning Phoenix Music, the group’s new album can be pre-ordered in a wide range of formats and pre-saved here: https://amorphis.rpm.link/borderlandPR

After recording four albums in a row in Sweden, Hansen Studios (Jacob Hansen, Denmark; VOLBEAT, AMARANTHE, PRIMAL FEAR etc.) were the destination of choice in late 2024 and early 2025. The album artwork was designed by Dutch artist Marald Van Haasteren (METALLICA, BLACK SABBATH, KVELERTAK, ALCEST etc.) this time.
 
Besides newly collaborating with Hansen and Van Haasteren, AMORPHIS still rely on the lyrical craftsmanship of Pekka Kainulainen, who’s been courageously writing for the band since their 2007 offering Silent Waters. About his inspiration for Borderland Kainulainen comments: “The generations that came here before us, our ancestors, also had to face death and destruction. Honouring the mythologies of mankind, as well as the listeners of AMORPHIS, I wrote lyrics that hopefully convey some of the humility and strength that mankind has always depended on.”
 With Borderland, the title of the album couldn’t have been chosen more fittingly. Throughout their career, spanning over more than three decades, AMORPHIS -- Tomi Joutsen (vocals), Esa Holopainen (guitars), Tomi Koivusaari (guitars), Olli-Pekka Laine (bass), Santeri Kallio (keyboards) & Jan Rechberger (drums & percussion) -- have been an ever-evolving act, wandering on an exciting boundary-pushing path. From their sinister death metal debut Karelian Isthmus over genre-defining mid-90s melodic death works like Tales From The Thousand Lakes andElegy as well as the melodic 2000’s grandeur of Eclipse or Skyforger to records combining the very best of all prior eras to refreshing new soundscapes (f.e. Under The Red Cloud or Queen Of Time): Whatever this group works on promises long-range success.
 
With 2022’s Halo, the Finn’s were rewarded for their researching musical approach once again: The album marked AMORPHIS’ sixth no. 1 album in Finland, even cracked the top 3 of the official German album chart, and last but not least the sextet took home two awards from the prestigious Emma Gaala (“Band of the Year” & “Export of the Year”).
 
The impact of Halo became a driving force for what’s to come. Rather than rushing into a follow-up, the band chose to step back from live performances and focus fully on their next chapter. The result is Borderland - a meticulously crafted opus that builds on their celebrated recent era, while seamlessly weaving in new, timely elements. It’s a bold, organic continuation of their journey, shaped by experience and guided by vision

AMORPHIS are:
Tomi Joutsen | vocals
Esa Holopainen | guitars
Tomi Koivusaari | guitars
Olli-Pekka “Oppu” Laine | bass
Santeri Kallio | keys
Jan Rechberger | drums & percussion
 
More from AMORPHIS:
amorphis.net | Facebook | Instagram | Threads | TikTok
X | YouTube | Spotify | Apple Music | RPM

DREAMWAKE Announce "The Lost Years" Out 8/8 + Share "Afterglow" Video

Connecticut's DREAMWAKE — Bobby Nabors (vocals); Dave Pazik (guitar); Kevin Jacques (bass); and Andrew Popolizio (drums) — are thrilled to announce their new album The Lost Years. It will arrive on August 8 via UNFD. Pre-order it here. 

To mark the occasion, the band has shared the video for the new single "Afterglow." Watch it below. 

"'Afterglow' is about the ache of losing someone to their inner battles, and the desperate hope to bring them back before they fade completely," the band states. "It's a plea for connection in the face of emotional distance, a fight against fading into silence."

Even with such heavy and heartfelt subject matter, the song's ebullient melodies and the band's DNA-distinct way of cross-pollinating metalcore's fury and heft with synthwave and saxophones elevate the song to soaring heights. The sax action is the unexpected and unpredictable touch you never knew you needed — but totally did!

Emerging from the bustling scene in New Haven, Connecticut, Dreamwake are a four-piece band that seamlessly blurs the lines of multiple genres, deftly crafting a sound that's both nostalgic and fresh. Combining emotionally charged melodies, heavy riffs, and saxophone, Dreamwake offer a unique sonic landscape and they bridge the gap between powerful metal breakdowns and captivating melodies. Joining the UNFD roster in 2024, the band continues to deliver an unforgettable mix of energy, depth, and innovation that will leave a lasting impact on fans.

Gaahls Wyrd Premiere New Album 'Braiding the Stories'

Norwegian Grammy winners Gaahls WYRD are returning with their long-awaited second album. Braiding the Stories journeys inward, between the riverbeds of consciousness and dreams. With each cosmic chord, each cold and haunting beat, Kristian "Gaahl" Espedal and his mystical band untell the stories, and in the process, braid the roots that cradle the unseen.    

Braiding the Stories comes out tomorrow, Friday, June 6, but you can hear all nine haunting songs today by listening to the full album stream below.

Pre-order

https://orcd.co/gaahlswyrdbraidinggthestories

Pre-save the album on Spotify

https://open.spotify.com/prerelease/4I53EB1oGccSZcVJfro3yn

If their 2019 debut GastiR – Ghosts Invited conjured ghosts and 2021's The Humming Mountain lingered in twilight realms, Braiding the Stories rises from beyond what Gaahl himself describes as “The White Lodge”. Drawing from the subconscious, the band’s new album threads together dream fragments and inner voices with unheard reverberations.

Guitarist Lust Kilman’s solos—melodic fragments carved like totems into each composition—carry much of the emotional weight, supported by Nekroman’s immersive bass and Spektre’s meticulous drumming. From the vulnerable grandeur of the title track to the ritualistic drive of “Time and Timeless Timeline” and the cinematic dissonance of “And the Now” the album is unbound by genre yet anchored by purpose.

“I always work with the subconscious,” Gaahl says. “This time, I wanted the listener to fall into the album.”

The striking cover art by visual artist Øivind Myksvoll (Wardruna, Trelldom) is just as mysterious and arresting as his work for The Humming Mountain. Look closely and you’ll find what appears to be hair (aka the veil) and the cosmos (crystallized wine from Gaahl’s collection). Indeed, the group’s signature horned figure lurks between the layers. For Gaahls WYRD, music, lyrics, concept, and art are synonymous. They’re designed to be experienced in their entirety and in unison. Braiding the Stories isn’t an obvious listen, but it gently (and sometimes maniacally) pulls at the listener. The sensation of the journey from opener “The Dream” to closing epic “Flowing Starlight” is quite unlike anything before. All hail Braiding the Stories!


Lineup:
Kristian Espedal «Gaahl» - All Voices
Ole Walaunet «Lust Kilman» - All Guitars
Andreas Salbu «Nekroman» - Bass
Kevin Kvåle «Spektre» - Drums

Production Credits:
Recorded at Solslottet Studio, Bergen, Norway.
Produced by Iver Sandøy & Gaahls WYRD.
Mixed & mastered by Iver Sandøy at Solslottet Studio, Bergen, Norway.

Cover Art:
Øivind Myksvoll

Biography:
Chris Dick


Pre-order & Pre-save: https://orcd.co/gaahlswyrdbraidinggthestories

Follow Gaahl's Wyrd:
Bandcamp: https://gaahlswyrd.bandcamp.com/
Facebook: https://www.facebook.com/gaahlswyrd/
Instagram: https://www.instagram.com/gaahlswyrd
Spotify: https://open.spotify.com/artist/7h8V7XHdJ3akShW3uFaZyn
Apple Music: https://music.apple.com/artist/gaahls-wyrd/1451373309
TIDAL: https://tidal.com/browse/artist/10911081
Deezer: https://www.deezer.com/artist/58388182

Kami Kehoe Drops New Single "Dopamine" & Announces EP "Kandy", & Supporting Daughtry This Fall!

Ascending alt-rock talent, Kami Kehoe, has today unveiled her latest single, "Dopamine", alongside the announcement of her upcoming EP, "Kandy" set for release on July 18th, 2025 via Coup D'Etat Recordings and 10K Projects. This forthcoming EP showcases Kehoe's unmistakable voice on a dynamic, modern production that blends gritty rock with a fresh, fearless sense of experimentation. Fans can pre-save "Kandy" HERE.

What began as a handful of cryptic teasers quickly erupted into a fan-fueled phenomenon, as early previews of "Kandy" exploded across social media, racking up more than 7 million views before the first track, "Dopamine" even dropped. The overwhelming response from fans sharing, debating, and rallying behind each new snippet fast-tracked the EP's release date, transforming what could have been a routine rollout into a genuine, fan-powered movement.

Reflecting on the release of "Dopamine" and the announcement on her brand new EP, Kami Kehoe shares:

"I wrote “DOPAMINE” when I was at a pretty low spot in my life, this song really healed something in me and I hope it can do the same for anyone who needs it. 

I was going through a break up while writing this EP, each song helped me get through my heartache. I was able to pull from my own experiences from my perspective and there’s. The main concept of this entire EP is that even when something is good or feels good doesn’t always mean it’s good for you. I use a lot of metaphors relating to candy, drugs, and all these “wrong” things that may feel right sometimes and compared it to how I felt with my past relationship. I hope this EP can help anyone who needs it like it did for me."



Amplifying her momentum, Kami Kehoe will be joining renowned rock icons Daughtry, Seether, and POD as the opening act on their highly-anticipated fall US tour. Moving seamlessly between the festival buzz of Warped Tour and arena stages, Kami Kehoe's effortless live presence speaks to her undeniable range and broad appeal. As she nears her largest tour to date, this run marks a significant milestone for the up-and-coming artist as she shares the stage with three of rock's most established acts on a landmark run of shows.

Carving out her own space in the alt-rock world, Kami Kehoe has impressively amassed over 25 million streams and more than 24 million TikTok views by blending a sultry, velvety vocal with a hard-charged rock energy. Since breaking out with the viral hit “SLEEP WHEN I’M DEAD”, she has continued to evolve her sound—infusing shoegaze, metal, and hip-hop influences into her music while remaining unapologetically authentic.

Be sure to stay tuned for more Kami Kehoe news coming very soon.

TOUR NAME

Supporting Daughtry, Seether, & POD

Oct 1 | Virginia Beach, VA | The Dome

Oct 3 | Atlantic City, NJ | Hard Rock Casino

Oct 4 | Asbury Park, NJ | Stone Pony Summer Stage

Oct 7 | Boston, MA | MGM Music Hall

Oct 8 | Bridgeport, CT | Hartford HealthCare Amphitheater

Oct 10 | Dayton, OH | Rose Music Center

Oct 11 | Detroit, MI | Michigan Lottery Amphitheater

Oct 12 | Baltimore, MD | Pier Six Pavillion

Oct 15 | Indianapolis, IN | Everwise Amphitheater

Oct 17 | Charlotte, NC | Skyla Credit Union Amphitheater

Oct 18 | Raleigh, NC | Red Hat Amphitheater

Oct 20 | Youngstown, OH | Youngstown Foundation Amphitheater

Oct 22 | Rogers, AR | Walmart Amphitheater

Oct 24 | Franklin, TN | FirstBank Amphitheater

Oct 25 | Atlanta, GA | Cadence Bank Amphitheater at Chastain Park

Oct 31 | Kansas City, MO | Arvest Bank Midland

Nov 1 | Denver, CO | Fillmore Auditorium

Nov 5 | St Louis, MO | The Factory

Nov 8 | Pittsburgh, PA | UPMC Events Center

Nov 9 | Pikeville, KY | Appalachian Wireless Arena

Nov 11 | Dallas, TX | Pavillion Toyota Music Factory

Nov 12 | Houston, TX | 713 Music Hall

Nov 15 | Ft Lauderdale, FL | War Memorial Auditorium

Nov 16 | Jacksonville, FL | Daily's Place

Full tour information can be found HERE.

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to sit around and wait for permission. Although she’s only 21, the Los Angeles-based singer, songwriter and drummer has been blazing her own musical path for the past 15 years, spinning a chameleonic, hard-charged rock sound into 25 million streams and more than 24 million TikTok views. 

This unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising name in the underground. 

Now, that story continues with “SAFEHOUSE,” her brand-new single featuring Colorblind and Ekoh. Written in the aftermath of the Los Angeles fires, the track combines droning shoegaze, Deftones-style riffs and propulsive electronic undertones into a hypnotic blend of metal, alternative and hip-hop. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound – as well as another entry in her omnipresent push to Kure The World, a mantra proudly emblazoned on her bass drum and a mission statement that’s powered her songwriting since day one. “If I can change one person’s life through my music, then I’ve reached my goal,” she says proudly. “I make music for me; I release music for others.”

Mawiza Release Towering New Single

To the broad world of metal, Mawiza are still an ascendant new force, but these modern day Mapuche warriors have always stood fiercely by their indeginous roots. The band's upcoming third album and first since winning a Chilean Grammy calls for us to restore our balance with nature. While the latest single from ÜL warns that the apocalypse is fast approaching, "Mamüll Reke" proudly demonstrates Mawiza's staying power by relying on all they've learned from their ancestral land.

"This song is devoted to nature" Mawiza says. "If necessary, we will die to defend our land".

Watch the video for "Mamüll Reke" below.

ÜL comes out July 18 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/mawizaul

"This is one of the most melodic songs on ÜL", the band says. "We wanted it to bring the same energy that you carry into battle. We will die like a burning tree standing. Because nature has taught us everything we are".

The other half of the "Mamüll Reke" video was filmed amidst a native forest in the nearby Kalfvgen Community that's overseen by local Machi Paola Aroca Cayunao. This medicine woman invited Mawiza after accompanying them to their set at Fluvial 2024. "We have come to share a great relationship with her", Awka says. "There is a great energy amongst the land where she lives. The environment is great for soaking in the spirituality of the Mapuche".

It's only during this portion of the video that Awka dances the Pürun, mirroring the ostriches that are often spotted around his home city of Temuco. With their feet now back on native ground, "Mamüll Reke" ends with images of native plants returning to the barren soil, as if awakened by the band's heavy, grooving, ancestral rhythm.           

"The Mapuche are still standing", says Mawiza. "You can cut us down, but if one falls, ten shall rise".                

The video for “Mamüll Reke” was directed and edited by  Andrés Hetzler (@andreshetzler).

Additional video credits
Camera & Drone Operator - Roberto Urzúa
Colorist - Soledad Gatica
Executive Producer - Unai Garcia
Producer/Art Director - Awka Nawel

Lineup
Awka - Lead vocals & rhythm guitar
Karü - Lead guitar & backing vocals
Zewü - Bass & backing vocals
Txalkan - Drums & percussion

Guest musicians
Fabiola Hidalgo (Liquen) contributes vocals to "Wingkawnoam", "Pinhza Ñi pewma", "Ngulutu" and "Mamüll reke"

Joe Duplantier (Gojira) contributes vocals to "Ti Inan Paw-Pawkan"

Recording Studio
Estudio del Sur in Chile

Producer
Pancho Arenas

Sound & Mixing Engineer
Pancho Arenas

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Cover Art
Kata Ulloa
 

Booking information
 Europe: juan@thatmusicagency.com
 Rest of the World: unai@cowboymusic.agency

Pre-order & Pre-save
https://orcd.co/mawizaul
 
Follow Mawiza
Bandcamp: https://mawizakvlt.bandcamp.com
Instagram:  https://www.instagram.com/mawizakvlt
Facebook:  https://www.facebook.com/mawizakvlt
TikTok:  https://www.tiktok.com/@mawizakvlt
Spotify:  https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt
Apple: https://music.apple.com/us/artist/mawiza/1653435953

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Swedish Supergroup CROWNE Announces New Studio Album ‘Wonderland’ Set for Release on August 22nd, 2025 via Frontiers Music Srl

Today, Swedish supergroup CROWNE are pleased to announce the release of their third studio album ‘Wonderland,’ set for release on August 22nd, 2025 via Frontiers Music Srl. To celebrate the announcement, the band has released the first single titled "Waiting For You." The new track is accompanied by a music video, available to view below.

Vocalist Alexander Strandell comments on the new record:

“It feels incredible to share this third chapter with all of you. Working alongside the amazing team at Frontiers and my brothers Jona, Kicken, John, and Love has been an absolute honour. If you’re a fan of Art Nation, The Poodles, H.E.A.T., Dynazty, or Europe - this one’s for you.”

Watch the Music Video for "Waiting For You"

Swedish-based supergroup CROWNE are back with their highly anticipated third studio album, ‘Wonderland.’ Continuing their musical evolution, the band builds on their signature blend of melodic rock infused with powerful, metal-tinged soundscapes.

 

‘Wonderland’ delivers an unforgettable listening experience filled with epic atmospheres, anthemic choruses, and technical brilliance that showcase the band’s top-tier musicianship.

 

At the helm is Alexander Strandell, renowned for his soaring vocals with Art Nation, Lionville, and Nitrate. His impassioned delivery adds intensity and depth throughout the album. Guitarist Love Magnusson (Dynazty) provides electrifying riffs and solos, while Jona Tee (H.E.A.T) crafts lush keyboard textures that elevate the album’s cinematic feel. Legendary bassist John Leven (Europe) offers a thunderous low end, and drummer Christian Lundqvist (ex-The Poodles) drives each track with precision and force.

 

One of the standout moments on the record is “Warlords Of The North,” a powerful anthem featuring a songwriting contribution from Biff Byford, the iconic frontman of Saxon. This collaboration adds majesty and weight to an already monumental track.

 

With ‘Wonderland,’ CROWNE continues to push the boundaries of melodic heavy rock, delivering a collection of songs that are as emotionally compelling as they are technically impressive. It’s an essential release for fans of melodic metal and arena-ready anthems.

Pre-Order 'Wonderland' HERE

CROWNE are:

Alexander Strandell – Vocals

Love Magnusson – Guitars

Jona Tee – Keyboards

John Leven – Bass

Christian Lundqvist – Drums

MAXIMO PARK songwriter DUNCAN LLOYD presents magnetic new single 'Rituals', teasing new album via Reveal Records

English songwriter-guitarist Duncan Lloyd presents his new single 'Rituals', a unique pop song born of a challenging year. Blending a modern sound with a deeply personal message about habits and healing, all while rotating through a circular, radio-like musical journey, this is the second taste from his new 12-track 'Unwound' album, forthcoming via Reveal Records.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also a member and co-writer (with Sarah Suri) in the indie band Nano Kino. Through a career spanning over two decades, Duncan Lloyd is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

'Rituals' follows his latest invigorating single 'Laugh So Loud', which features a guest appearance by Joe Boyer (Cloud Nothings, Autopolitan) and accompanied by an adrenaline-rush of a video, this song is about self-doubt and passing things off as being fine.

"If there is a pop song on the album this is the closest song to one, although it didn’t start out that way. I wrote it during a difficult year and as with a few of the songs on the record it’s fundamentally a personal message to a loved one. I got a little obsessed with the sound of the production as i wanted it to be different from anything i’d done before so it has this modern sense to it," says Duncan Lloyd.

"The song is about habits, good and bad. It’s also a song about trying to help someone recover. Musically i was thinking of it being like a circle where the rhythm changes but the chords keep rotating, i wanted it to sound like it was coming through several broken radios with only one being crystal clear."

'Unwound' is the first studio album of new material that Lloyd is releasing via Reveal Records, his previous albums having been released by Warp Records or independently. With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody.

Partly recorded by Julie McLarnon (The Vaselines, Lankum, King Creosote, Jeffrey Lewis, Brigid Mae Power) at Analogue Catalogue Studios in Ireland and by Lloyd himself at his studio in Newcastle Upon Tyne, this album also features contributions by Maximo Park keyboardist Jemma Freese and drummer Tom English.

Writing, recording (and painting) under his own name over the last decade, the Derby-born songwriter received an enthusiastic message from UK indie label/manager Tom Rose of Reveal Records in 2019, suggesting a future collaboration on his solo works (Rose had been listening to Lloyd's 2019 album 'Outside Notion' whilst on tour with now label-mate Joan As Police Woman). Requesting Duncan sent everything he'd recorded to date in whatever form, reissues of Lloyd’s early solo albums followed. The colossal 31-track selected works collection 'Green Grows Devotion' came out in 2022, followed by 'Fun City', a trilogy of three EPs recorded in succession throughout 2024.

While 'Unwound' is very much an album with Duncan Lloyd stepping front and centre, his career is dotted with collaboration with various musicians and producers, including Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, The Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batida and as part of Africa Express with legendary Afrobeat drummer Tony Allen.

As of June 3, 'Rituals' is available from fine digital music platforms, including Apple Music, Spotify and Bandcamp. The full 'Unwound' album will be released everywhere on July 11th.

CREDITS
Music & lyrics written by Duncan Lloyd (Reveal Publishing)
Duncan Lloyd - vocals, guitars, bass, piano, synth & drum machine
Tom English - drums, percussion (all tracks except 8, 11 & 12)
Andrew Mills - bass & synth (tracks 4 & 5)
Jemma Freese - backing vocals (track 2)
Joe Boyer - guitar & noise (tracks 2 & 7)
Recorded & Mixed by Duncan Lloyd (except 4 & 5) at The Dagda Rooms
Tracks 4 & 5 recorded & mixed by Julie McLarnon at Analogue Catalogue
Guitars on tracks 2 & 7 recorded by Joe Boyer in Cleveland, Ohio
Produced by Duncan Lloyd
Mastered by Carl Saff at Saff Mastering, Chicago
Released by Reveal Records
Barcode 0726529875607  // Catalogue no. REVEAL204
Cover art and layout by Duncan Lloyd
'Rituals' and 'Laugh So Loud' videos directed & edited by Yuka JTW
Yuka would like to thank M T Negri for additional footage.
Creative Commons Community.
Super-8: D Lloyd and special thanks to "Life On Super 8" for additional footage.
and to Freya Frenesi for Super-8 footage for 'Laugh So Loud' video
Photography by Yuka JTW
Publicity by Shameless Promotion PR

Keep up with Duncan Lloyd
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il