One Night Only: Morgan Wallen to Celebrate I’M THE PROBLEM on 28 May at London’s Roundhouse

Morgan Wallen returns to London following his record breaking 2024 Hyde Park headlining set for an intimate show at the Roundhouse. The one-night-only show is Wallen’s only show outside of North America for 2025 and will take place at Camden’s Roundhouse on Wednesday 28th May, celebrating the release of his latest album I’m The Problem. 
 
The only way for fans to gain access to the exclusive ticket sale is to pre-order I’m The Problem in any format from the Morgan Wallen UK store before 10am BST on Tuesday 13 May 2025.
 
Featuring collaborations with pop superstars Post Malone and Tate McRae, plus close friends Eric Church, ERNEST and HARDY, I’m The Problem arrives 16 May 2025. Pre-save HERE.
 
The album opens with the title track, “I’m The Problem,” a cutting double-edged confession that reveals the complexities of a relationship at its lowest point. It concludes with “I’m A Little Crazy,” a quiet, self-reflective song that looks inward while examining the world outside. Between all of that, Wallen displays his ability to reach listeners on a granular level. 
 
While Wallen co-wrote 22 of the tracks on the album, he tapped into 49 songwriters, curating a tracklist that’s both deeply personal and resonant, while viewing life events through a different lens than he’s used in the past.
 
“A lot of the concepts and things we said were a little more difficult with this album,” Wallen says of the writing and refining process. “We were trying to dig deep on things and trying to find new angles. And I feel like we did that. I feel like there's a lot of stuff that I haven't said in this record, which I'm really, really proud of.” 
 
Wallen recently became the first artist ever to have two albums spend over 100 weeks in the top 10 of the Billboard 200 chart. With each album, Wallen has refined his music, but with this one, Wallen digs even deeper, providing a glimpse into his life that feels more intimate, more grounded and closer to his core.
 
The project sparked Wallen’s 2025 U.S. I’m The Problem Tour. Kicking off June 20 at NRG Stadium in Houston, Texas, Wallen’s 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop recently added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.
 
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with Wallen’s Sand In My Boots Festival and a special one-night-only album release celebration show on 28 May 2025 at Roundhouse in London, these 22 shows are the only place to see the superstar in 2025. 

Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
 
About Morgan Wallen
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “the biggest country star in the world” and The New York Times doubling down, declaring he’s “one of the biggest stars in pop, period.” With 18 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 170 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. As Las Vegas Review Journal puts it: “Wallen’s appeal is remarkable as it is fueled by his ability to connect to a crowd.” 
 
With Dangerous: The Double Album, Wallen solidified his place as the “dominant country superstar,” with the project recently being named Billboard’s No. 1 Album of the 21st Century. One Thing At A Time’s groundbreaking success saw Wallen’s crossover appeal reach a global scale, as he topped the Australian ARIA charts for the first time, along with a host of other accolades. With three No. 1’s already hailing from his forthcoming album release I’m The Problem, due May 16 via Big Loud / Mercury, Wallen digs even deeper, uncovering a side that’s both more vulnerable and more resolute than ever before.
 
As Wallen prepares a refreshed setlist for his 20-stadium-show I’m the Problem Tour, kicking off on June 20 in Houston, Texas, he’s also highlighting some of his favorite artists by bringing the personally-curated, multi-genre Sand In My Boots Music Festival to Gulf Shores, Alabama, this May, which sold out in less than two hours.
 
Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

Reveal Records shares invigorating 'Laugh So Loud' single by Maximo Park's Duncan Lloyd, heralding new album

English songwriter-guitarist Duncan Lloyd presents his invigorating single 'Laugh So Loud', the first taste from his new 'Unwound' album, forthcoming via Reveal Records.

Featuring a guest appearance by Joe Boyer (Cloud Nothings, Autopolitan) and accompanied by an adrenaline-rush of a video, this song is about self-doubt and passing things off as being fine.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also a member and co-writer (with Sarah Suri) in the indie band Nano Kino. Through a career spanning over two decades, Duncan Lloyd is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

"I wanted to hear something urgent yet melodic. Lyrically, it is about doubt. There is a lot of pretending things are fine and hiding from the reality of the world outside or not discussing the real problems publically for fear of reprisal, so itʼs a reaction to the sedentary state of mind," says Duncan Lloyd.  

"In public, all your secrets go to sleep etc. I lent my guitar to a friend and found it plugged into an old VOX amp one morning at the rehearsal room, the amp sounded so good that the song materialised as I played through it. It has a certain spirit akin to the early 90’s, heavy then it drops with a vocal on the bridge reminiscent of Midwest bands from a similar period. Featuring Joe Boyer (ex- Cloud Nothings / Autopolitan) on the other guitar."

Duncan Lloyd's new 12-track album 'Unwound' is the first studio album of new material that Lloyd is releasing via Reveal Records, his previous albums having been released by Warp Records and also independently. With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody.

Partly recorded by Julie McLarnon (The Vaselines, Lankum, King Creosote, Jeffrey Lewis, Brigid Mae Power) at Analogue Catalogue Studios in Ireland and by Lloyd himself at his studio in Newcastle Upon Tyne, this album also features contributions by Maximo Park keyboardist Jemma Freese and drummer Tom English.

Writing, recording (and painting) under his own name over the last decade, the Derby-born songwriter received an enthusiastic message from UK indie label/manager Tom Rose of Reveal Records in 2019, suggesting a future collaboration on his solo works (Rose had been listening to Lloyd's 2019 album 'Outside Notion' whilst on tour with now label-mate Joan As Police Woman). Requesting Duncan sent everything he'd recorded to date in whatever form, reissues of Lloyd’s early solo albums followed. The colossal 31-track selected works collection 'Green Grows Devotion' came out in 2022, followed by 'Fun City', a trilogy of three EPs recorded in succession throughout 2024.

While 'Unwound' is very much an album with Duncan Lloyd stepping front and centre, his career is dotted with collaboration with various musicians and producers, including Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, The Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batida and as part of Africa Express with legendary Afrobeat drummer Tony Allen.

As of May 6, 'Laugh So Loud' is available from fine digital music platforms, including Apple Music, Spotify and Bandcamp. The full 'Unwound' album will be released everywhere on July 11th.

CREDITS
Music & lyrics written by Duncan Lloyd (Reveal Publishing)
Duncan Lloyd - vocals, guitars, bass, piano, synth & drum machine
Tom English - drums, percussion (all tracks except 8, 11 & 12)
Andrew Mills - bass & synth (tracks 4 & 5)
Jemma Freese - backing vocals (track 2)
Joe Boyer - guitar & noise (tracks 2 & 7)
Recorded & Mixed by Duncan Lloyd (except 4 & 5) at The Dagda Rooms
Tracks 4 & 5 recorded & mixed by Julie McLarnon at Analogue Catalogue
Guitars on tracks 2 & 7 recorded by Joe Boyer in Cleveland, Ohio
Produced by Duncan Lloyd
Mastered by Carl Saff at Saff Mastering, Chicago
Released by Reveal Records
Barcode 0726529875607    
Catalogue no. REVEAL204
Cover art and layout by Duncan Lloyd
'Laugh So Loud' video directed & edited by JTW
Super-8 footage by Freya Frenesi
Photography by Yuka JTW

Keep up with Duncan Lloyd
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

GRUESOME Shares Title Track from Upcoming Album "Silent Echoes"

GRUESOME returns with 'Silent Echoes,' a ferocious Death Metal onslaught fueled by progressive, razor-sharp musicianship, out June 6, 2025, via Relapse Records. 'Silent Echoes' marks the band’s first new full-length recording in 7 years!

 

Today, GRUESOME is proud to share the title track from 'Silent Echoes,' which is now available via Relapse Records.

 

GRUESOME comment on the new single:

“This tune should give you a good sense of what we’re doing in this new era of the band - it’s melodic, musical, heavy, and dynamic, while still keeping the DEATH in Death Metal at the heart of things. It’s a journey both forward and inward, and I hope you enjoy the ride!”

Celebrating over a decade as the finest purveyors of old-school Death Metal inspired by the legendary Chuck Schuldiner and the many iterations of Death, the new album sees GRUESOME transition away from the no-frills riff-fests heard on their 'Savage Land' and 'Twisted Prayers' LPs, and shift towards a more musically advanced, nuanced form of extremity. 'Silent Echoes' is the quartet's true “put up or shut-up” moment for one simple reason: It was written and recorded in the spirit of Death’s 1991 progressive death metal masterpiece, 'Human.' 

Stream / Listen to "Silent Echoes" Below

The prolonged gestation period between GRUESOME albums was the combination of several factors, yet none more significant than the untimely and unexpected passing of Cynic and Human-era Death drummer Sean Reinert in 2020. Reinert, the best friend and mentor of GRUESOME drummer Gus Rios, was originally slated to produce the album. Instead, Rios, alongside vocalist/guitarist Matt Harvey, lead guitarist Daniel Gonzalez, and bassist Robin Mazen, turned 'Silent Echoes' into a tribute to Reinert, whose influence and presence on 'Silent Echoes' is everywhere.

'Silent Echoes' is GRUESOME’s transmutation into the complex, jazz-influenced fields plouwed on 'Human.' As Harvey states, “there’s less winking at the audience on this one,” which is true: The overtly intentional homages found on the band’s previous two albums have been replaced with fluid, agile drum work from Rios, as well as spiraling, multi-faceted guitar riffing from Harvey and Gonzalez, the latter responsible for the album’s prog-infused leads.

Jarrett Pritchard once again handled the production of 'Silent Echoes.' A veteran of two previous GRUESOME studio albums (and dozens of other respected extreme metal acts), Pritchard’s engineering and technical expertise played a crucial role in enabling 'Silent Echoes' to recapture the feel of early 1990s death metal recorded at Tampa’s famed Morrisound Recording. Not only did Pritchard lean on the advice of Death producer Scott Burns, but Rios also used the same snare drum that Reinert did on Cynic’s 'Focus.' 

At a time when the thirst for all things Chuck Schuldiner remains unquenchable, leave it to four accomplished, true, well-intentioned death metal veterans to help continue the man’s legacy.

Pre-Order 'Silent Echoes' HERE

GRUESOME are:

Daniel Gonzalez- Guitar

Matt Harvey - Guitar/Vocals

Robin Mazen - Bass

Gus Rios - Drums

Mawiza Announce New Album ÜL

Like a smoke signal, over the past decade, Mawiza have risen as a guiding force for indigenous metal. By incorporating native instruments, shamanic chanting and tribal rhythms into their contemporary influences, the band represent both the ancestral and modern sides of Mapuche culture. Their fresh yet timeless take on groove metal has won  them a Chilean Grammy along with the respect of scene elders like Mercyful Fate, Mastodon, Slipknot and Joe Duplantier from Gojira, who's featured on their upcoming new album.

Today, Mawiza are officially announcing their third full-length ÜL by releasing a stunning video for the album's lead single and opening track. "Wingkawnoam" marches to an industrial beat, but this band of modern-day warriors are guided by the dreams of their indigenous land.   

"ÜL means 'chant'", Mawiza says. "The album represents the voice of the land, the origin of feeling, the first call to connect with emotions. It is the part of the spirit that, for a few seconds, becomes one with the wind. It's a force we can hear, resonate, communicate with and return to". 
 
Watch the video for "Wingkawnoam” - Below:

ÜL comes out July 18 on Season of Mist.

Pre-order & Pre-save
https://orcd.co/mawizaul

Mawiza would like to thank our Mapuche community Ngillatuwe Maipu for welcoming them during the video shoot for "Wingkawnoam". Their guidance was essential. 

The video for "Wingkawnoam" was directed by  Andrés Hetzler (@andreshetzler).

"I have been working with Mawiza for several years," Andrés says. "It's always an honor to continue our collaboration. Their message deserves a strong and powerful visual. 

"For this video, the band wanted to bring the history of the Mapuche people to a new audience. It shows how important political decisions were resolved in Mapuche culture through a game of palin.

"I proposed to integrate the band around the bonfire of a ruka, as a symbol for oral storytelling, as this is where Mapuche people gather to remember their history".  

Additional production credits
Producer/Art Director - Unai García
Cinematography - Soledad Gatica
1AC - Alejandro Courbis
2AC/Gaffer - Simón Jorquera
Focus Puller - Josefina Berenguela
1st Assistant Director - Carlos Elgueta
Production Assistant - Beatriz Cañas
Photography by Samantha D. Silva & Kata Ulloa
Makeup/Styling by Polvimkp

Ñizol Palife - Ricardo Herrera, Kurra
Patiru - Rodrigo Rojas
Kona - Pablo Ramírez

Pu Palife
Gómez Ricardo Herrera
Esteban Nahuelcheo
Héctor Olivares
Mathias Ferreyra
Fabían Flores
Marcos Soto
Diego Díaz Tell
Vicente Díaz Tell
Pedro Parra

Lineup
Awka - Lead vocals & rhythm guitar
Karü - Lead guitar & backing vocals
Zewü - Bass & backing vocals
Txalkan - Drums & percussion

Guest musicians
Fabiola Hidalgo (Liquen) contributes vocals to "Wingkawnoam", "Pinhza Ñi pewma", "Ngulutu" and "Mamüll reke"

Joe Duplantier (Gojira) contributes vocals to "Ti Inan Paw-Pawkan"

Recording Studio
Estudio del Sur in Chile

Producer
Pancho Arenas

Sound & Mixing Engineer
Pancho Arenas

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Cover Art
Kata Ulloa
 

Booking information
 Europe: juan@thatmusicagency.com
 Rest of the World: unai@cowboymusic.agency

 Pre-order & Pre-save
https://orcd.co/mawizaul
 
Follow Mawiza
Bandcamp: https://mawizakvlt.bandcamp.com
Instagram:  https://www.instagram.com/mawizakvlt
Facebook:  https://www.facebook.com/mawizakvlt
TikTok:  https://www.tiktok.com/@mawizakvlt
Spotify:  https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt
Apple: https://music.apple.com/us/artist/mawiza/1653435953

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Hiroe Share Video for "Dancing at the End of the World" Video From "Wield" Out June 20

Hiroe, the new darlings of the American post-rock underground, have released the second single "Dancing at the End of the World" from their debut album, Wield, out June 20 via Pelagic Records.

Stream "Dancing at the End of the World" here.

Watch the video below. 

 Pre-order Wield here. 

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering its craft of creating compelling melodies that sound larger than life.

On "Dancing at the End of the World," the band comments, "Though seemingly contrasting, 'dancing' and 'the end of the world' are brought together to symbolize our shared human capacity to transform pain and vulnerability into something profound and meaningful when facing overwhelming adversity. 'Dancing at the End of the World' represents an act of defiant optimism to find hope in the face of hopelessness. It's a conscious choice to find light in darkness, and to not to be consumed by despair, even when all hope seems lost, even when it feels like the end of the world."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

GAUPA - Release Video For New Single 'Ten Of Twelve' + Announce New Mini-Album "FYR"

Acclaimed progressive stoner rock powerhouse GAUPA have released a video for their brand new single, 'Ten Of Twelve', which serves as another appetizer for the group's upcoming 4-track mini-album FYR, due out digitally on July 4th via Nuclear Blast Records and Magnetic Eye Records, who will handle the physical release. FYR includes the band's previous single, 'Heavy Lord', which was unveiled in December 2024 and met with high praise, while Vinyl and CD editions also feature the physical-formats-only track 'Sömnen / Febersvan (Live at Monkey Moon Studios, 2023)'.

Since the release of their self-titled EP in 2018, Sweden’s GAUPA - which translates as ‘lynx’ in English - have continued to pave new ground within the stoner and psychedelic scene, building their own unique cosmos defined by enchanting lyrical surrealism and mind-altering sound.

In 2020, their debut album Feberdröm pushed them into the international spotlight with its outstanding blend of progressive metal, doom, stoner and folk, steered by the entrancing vocal of frontwoman Emma Näslund. Just one year later, they found their label home at Nuclear Blast Records.

Following the arrival of 2022’s Myriad, with the track 'Exoskeleton' reaching over a million streams on Spotify (the EP’s Febersvan now has over 4 million), GAUPA went on to deliver countless unforgettable performances with appearances at festivals including Sweden Rock, Hellfest, Wacken, Mystic and Desertfest, as well as on tours with  heavyweights such as Uncle Acid And The Deadbeats, Blood Ceremony and Graveyard.

Now, they’ve reached a turning point in their journey. After former co- guitarist Daniel Nygren left in 2024 to focus on family life, GAUPA found themselves at a standstill, having to relearn how to orchestrate the band without one of its core members. In the summer, they began writing their first full offering in three years, a four-track mini album titled FYR, a play on words with multiple translations meaning “lighthouse”, “to set something on fire” as well as the number “four” in Swedish.

The four-track mini album marks GAUPA’s fourth release, as well as the start of their next chapter as a four-piece band. However, despite their newly slimmed-down line-up, FYR is anything but slight; with the help of new mixing engineer Karl Daniel Lidén, it serves as their heaviest material to date. Recorded in the autumn of 2024 in Svenska Grammofonstudion, Göteborg and Estethuset studios, Falun, FYR is a genre-bending journey through enthralling psychedelia, groove-laden stoner rock and heavy prog metal.

Showcasing more of Näslund’s playfully perplexing and surreal lyricism, FYR loosely explores the concept of time, “what is real, what is not, and what is a dream”, additionally inspired by science fiction novels, nature and animals.

Later this year, Gaupa will continue to cement themselves as live extraordinaires, playing festivals such as Stoomfest in the UK, Krach Am Bach in Germany and Motocultor in France.

Listen to GAUPA's brand new single 'Ten Of Twelve' below!

LISTEN TO THE SINGLE 'TEN OF TWELVE':
https://gaupa.bfan.link/ten-of-twelve

PRE-ORDER/PRE-SAVE THE NEW MINI ALBUM FYR:
https://gaupa.bfan.link/fyr

WATCH THE MUSIC VIDEO FOR 'TEN OF TWELVE' BELOW;

WARRANT’S 1995 RELEASE ULTRAPHOBIC IS CELEBRATING ITS 30TH ANNIVERSARY AND WILL BE AVAILABLE FOR THE FIRST TIME ON 180G VINYL

Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, "Heaven", which reached No. 2 on the Billboard Hot 100. The band's success continued in the early 1990s with the double platinum album Cherry Pie(1990), which provided the hit song of the same name.

In 1992, Warrant released their third album, the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band's fourth album Ultraphobic produced by a returning Beau Hill (Alice Cooper, Ratt, etc…) was released in March 1995 and, featured the singles "Family Picnic", "Followed" and the ballad "Stronger Now".

Watch “Family Picnic” Below:

Now to celebrate the 30th Anniversary of Ultraphobic it has been remastered and will be released on vinyl for the first time, along with an accompanying CD. The vinyl will be 180g available in both Orange Swirl and Black. There will be a limited amount of CD/LP bundles with a signed print by original members Erik Turner and Jerry Dixon while supplies last.

Pre-order Ultraphobic on CD and LP: https://www.dekoentertainment.com/reissues/warrant

For more information, visit

www.dekoentertainment.com

Deko Entertainment–Art Has Value

DIRKSCHNEIDER & THE OLD GANG Release New Single "Time To Listen"

With “It Takes Six To Rock!” - the core message of their enthusiastically received latest single- still echoing in everyone’s heads, DIRKSCHNEIDER & THE OLD GANG strike again. Only one month after "It Takes Two To Tango," they’ve shortened the wait for their upcoming album Babylon, set for release in October 2025 on Reigning Phoenix Music (RPM). The second new track, "Time To Listen," cranks up the anticipation even more and delivers another high-energy preview of what fans can look forward to.

 

The band describes the song as follows: “‘Time To Listen’ is an up-tempo song that once again shines with DATOG’s typically diversified lead vocals. A soaring guitar riff paves the way for a powerful Udo performance, accompanied by Peter’s harmony vocals and continues with Manuela’s sustained two-part vocals. The chorus, with its convincing power casts a spell over everyone. Here also, Mathias’ guitar solo is a marvel of ingenuity that ignores all convention and whips through the musical realms in an unconventional manner. The compact and powerful ending is just as uncompromising as the beginning of the song.”

 

With "Time To Listen," DATOG once again highlight their unique identity and their commitment to making bold musical statements - energetic, authentic, and with a signature sound that’s instantly recognisable.

 

It’s time to listen - and time to rock!
 

Watch the music video Below:

Stream "Time To Listen": https://datog.rpm.link/timetolistenPR

About DATOG

DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth (guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.

 

DATOG are:

Udo Dirkschneider | lead vocals

Peter Baltes | bass, lead & backing vocals

Manuela “Ella” Bibert | lead & backing vocals, key instruments

Stefan Kaufmann | guitars, backing vocals

Mathias “Don” Dieth | guitars, backing vocals

Sven Dirkschneider | drums, backing vocals

“TEXAS” SIZED No. 1 FOR COUNTRY SUPERSTAR BLAKE SHELTON

Country music superstar Blake Shelton has often said that all he ever wanted was to sing country music, have his songs on the radio, and maybe—just maybe—have a No. 1 hit. He achieved that dream with his 2001 debut single “Austin.” This week, he does it again for the 30th time in his career with “Texas,” the lead single from his forthcoming album For Recreational Use Only, out Friday, May 9. The song also enjoyed eight weeks at No. 1 in the U.K. and a two-week run at No. 1 in Canada. 

“It’s been a few years since I’ve had a solo No. 1 single, and I’m super fired up about this one,” said Shelton. “I had no idea if ‘Texas’ would be a number one song, but the first time I heard it, I knew that it was something different and it sounded like nothing else I'd ever done before.”

Produced by Shelton’s longtime collaborator Scott Hendricks, Texas was written by Johnny Clawson, Kyle Sturrock, Josh Dorr, and Lalo Guzman. The track marks the first No. 1 single for Clawson, Sturrock, and Dorr, and the second for Guzman.

“I'm excited for these songwriters,” Shelton continued. “I know it's some of these guys' first number one song, and anytime you have a situation where someone's getting their big break and you can be a little tiny part of it, it makes it extra special.”

Shelton joins a small country club of artists who have 30 or more No. 1 country singles, including Country Music Hall of Famers George Strait, Alabama, Kenny Chesney, and Ronnie Milsap (based on R&R plus Mediabase statistics kept since 1973). The milestone has him reflecting on the road that brought him here. “‘Texas’ marks my 30th number one as an artist. Thirty is a lot of anything, and to have 30 number one songs is unbelievable, and I’m really trying to take it all in,” he said. “I have to thank the fans and the industry for their support throughout these years.”

“I’ve always been a nerd for stats and things like that in country music,” he added. “I’m always looking up artists’ stats, whether it’s Ronnie Milsap or Alabama or George Strait or Reba, and just to see how many albums they've sold or how many number-one songs they’ve had, and because of that, the idea of me having 30 number one singles, it blows my mind. I can’t even wrap my head around it because I know how long it takes to get there and how hard it is, and how blessed and lucky you have to be to get here.”

Also arriving this week is For Recreational Use Only, Shelton’s first studio album in four years and his debut onBBR Music Group/BMG Nashville. The 12-track collection spans the full spectrum of life—grit, heart, swagger, and soul—showcasing Shelton’s unmistakable voice, vivid storytelling, and emotion-rich performances.

With this release, Shelton reinforces his place as a cornerstone of modern country. For Recreational Use Only is a personal yet universally resonant body of work that celebrates love, endurance, and staying true to your roots.

Photo Credit: Robby Klein

About Blake Shelton:
With 30 No. 1 singles, 52 million singles and 13 million albums sold and nearly 11 billion global streams, Blake Shelton has received numerous awards, including six ACMs, three AMAs, ten CMAs, 11 CMTs and six People’s Choice, among many others. His debut BBR Music Group/BMG Nashville album, For Recreational Use Only, will  drop May 9. The 12-track album, his first in nearly four years, features his No. 1 Wheelhouse Records single “Texas,” the poignant “Let Him In Anyway,” the red-dirt “Stay Country or Die Tryin’” and includes appearances by Gwen Stefani, John Anderson and Craig Morgan. 

Shelton kickstarted the year with his Live In Las Vegas Residency at The Colosseum at Caesars Palace. He just wrapped his Friends & Heroes Tour, which featured Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts, and will play a variety of festivals this summer  The Grand Ole Opry member also remains focused on his Ole Red partnership with Ryman Hospitality, with locations currently in Tishomingo, Nashville, Gatlinburg, Orlando, and most recently, Las Vegas, with a stand-alone venue complete with a roof-top stage and bar on the Las Vegas strip.

KEEP UP WITH BLAKE SHELTON

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

"Savage New Times" by INCITE

Phoenix-based groovers and thrashers INCITE present their most ferocious incarnation in the forthcoming full length, Savage New Times set for release on August 15, 2025, via Reigning Phoenix Music. A powerhouse of modern thrash metal, Savage New Times encapsulates the pure nature of INCITE instilled with their unyielding drive and years of dedication to honing their sound. 

Ever since the beginning, INCITE have been fiercely devoted to crafting their distinctive sound, and making their mark. Since 2009's debut, The Slaughter, each subsequent release demonstrated the band's unceasing efforts as each offering sought to push their own personal creative boundaries ever further. Beyond the studio walls, the live stage is at the heart of INCITE. Ruthless touring schedules have seen the band sharing stages with the likes of DEVILDRIVER and SIX FEET UNDER, and attaining sets before crowds at festivals such as Bloodstock and Heaven and Hell. Their journey has taken INCITE tread across continents - far reaches around the globe from audiences in Russia and Australia, to festivals in South America. 

The band's line-up is a testament to their success. Band founder and frontman Richie Cavalera, as the stepson of metal legend Max Cavalera, brought not just a legendary name, but a fresh, raw edge to his vocals that quickly became key to the band's signature sound. Members Lennon Lopez on drums and EL on bass have been instrumental in shaping the band's rhythmic backbone for over a decade. Now, in this next chapter, new guitarist Layne Richardson brings a dynamic and fresh input to both the creative process and live stage. 

A formidable sonic force in the thrash metal scene, INCITE's fierce and unforgiving music not only continues to prevail but is elevated through their growth. INCITE will stop at nothing in striving to attain their most powerful version of themselves, and in Savage New Times they present a truly impressive and visceral sound. From the monumental pace of the album's aggressive opener "Lies" and the intense energizing rhythms of "Just a Rat" to the brutal groove driven "No Mercy No Forgiveness" and dark bloodthirsty title track, Savage New Times is a captivating display of power.

About INCITE:
Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity. Known for their relentless touring, Incite has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, Incite has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

INCITE is: 
Vocals - Richie Cavalera
Guitar - Layne Richardson 
Bass - EL
Drums - Lennon Lopez

Credits:
Recorded with producer Steve Evetts at Bell House Studios
Mixed by Arthur Rizk 
Artwork by Marcelo Vasco 

HORRENDA Releases Single "Nun's Tears" Ahead Of Think On Your Sins Release Next Week

Irish blackened extreme metal force HORRENDA has released their searing new single "Nun’s Tears", the final harbinger of chaos before the arrival of their anticipated full-length album, Think On Your Sins, out May 9th via Fiadh Productions.

A tortured invocation drenched in religious decay, "Nun’s Tears" distills the band’s signature blend of raw black metal filth, death-laced fury, and nihilistic punk vitriol into a track that feels like a cathedral set ablaze. Shrieking guitars scrape against walls of blast beats, while Arron "Nomad" O'Shaughnessy channels anguish and blasphemy in equal measure,  a vocal performance equal parts exorcism and execution.

Frontman Darragh "Outis" O'Connor states, “"Nun’s Tears” is dark, raw, and unapologetic ballad, one of our heaviest tracks to date. The video plunges into Gustave Doré’s haunting vision of Dante’s nine circles of Hell, as Horrenda and Roman poet Virgil guide you through corrupt institutions, crises of faith, and the blackened depths of human nature."

With Think On Your Sins, HORRENDA doesn’t merely perform extreme metal, they embody it. The album is a fevered meditation on the sins of empire, religious trauma, and the scorched ruins of national identity. Expect no redemption. Only wrath.
 

About HORRENDA:

HORRENDA is an experimental blackened extreme metal band from Dublin, Ireland, formed in 2015 by Darragh “Outis” O'Connor. Known for their complex compositions and thematic depth, HORRENDA combines elements of black, death, and ambient metal to explore the darker aspects of human history and psychology. With a growing following and a reputation for explosive live performances, HORRENDA is poised to become a significant force in the global metal scene.

HORRENDA is: 

  • Darragh "Outis" O'Connor – Guitars, Studio Backing Vocals

  • Arron "Nomad" O'Shaughnessy – Lead Vocals

  • Keith "Donn" Smith – Bass

  • Mark "Morrdok" O'Brien – Guitars

  • Cormac "Desolatus" Jordan – Guitars

  • Matthew "Dearg" McKenna – Drums
     

Connect with HORRENDA:

Renowned NYC artist-producer Charlie Nieland announces new EP, while unleashing stellar first single 'Drown'

NYC-based producer indie music veteran Charlie Nieland presents his new single 'Drown', a stunning reverb-laced offering and the first taste of his forthcoming 'The Ocean Understands' EP, set for release on June 20. The expansive and visceral music video was directed by NYC-based multi-faceted artist Hypnodoll.

"The track 'Drown' was inspired by Monique Vescia's book 'Hole In The Sky', which I read for the Bushwick Book Club songwriter series in 2021. It depicts a dark world, where an authoritarian won the US presidential election of 2020. So I made this mythical tale from the past, told in the future, where all the stories are jumbled up - a celebration of destruction," says Charlie Nieland. 

"Of course, it all feels quite prescient as we sift through our present wreckage, searching for grace in the violent forces underneath. It's a white-hot psychedelic siren song with an oceanic undertow."

It's been four years since Nieland released his 2021 widely acclaimed ‘Divisions’ with its sweeping melodies and restless rhythms. Renowned for tastefully blending post punk, dream pop and progressive rock, he has been writing, playing and producing music for decades, with a focus on the atmospheric and the imaginative.

Nieland’s musical backstory is extensive, having played dream pop with Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration, initially releasing 'Ice Age' (2014) and 'Hopeful Monsters' (2016). He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang and produces and participates in the podcast 'An Embarrassment of Prog'. 

Along the way, Charlie wrote and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie and Scissor Sisters. He scored the feature film 'The Safety of Objects' (starring Glenn Close), the pilot episode of 'The L Word' on Showtime and the VH-1documentary 'NY77: The Coolest Year in Hell'. Charlie was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced.

Charlie Nieland shares his impression of the accompanying video: "With its mind-melting imagery, the video for 'Drown', created by NYC multimedia artist Hypnodoll, is beautiful and deranged. She conjures storytelling just out or rational reach, playing tag with the ancient and futuristic in a way that perfectly compliments the song. Collaborating with her is such a thrill".

As of April 29, 'Drown' is available from fine digital music platforms, including Apple Music, Spotify and Bandcamp. 'The Ocean Understands' EP, now available for pre-order directly from the artist, will be released on June 20.

CREDITS 
Music & Lyrics written by Charlie Nieland
Recorded at Saturation Point Studios (Brooklyn, NY)
from January 2023 to April 2025

'Elegy' recorded live at KGB Bar, NYC, October 3rd, 2021
Charlie Nieland - guitars, basses, keyboards, percussion, vocals
Billy Loose - drums

Dan McAssey - guitar on 'Shame'
Produced, recorded, mixed & mastered by Charlie Nieland
Cover Art by Hypnodoll
© 2025 Athame Music
'Drown' video directed By Hypnodoll™
Photography by Alice Teeple
Publicity by Shameless Promotion PR


Keep up with Charlie Nieland
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Email

dead7 Announce "LOVE WHAT YOU CAN WHILE YOU STILL GOT SOMETHING LEFT TO LOVE" Out 7/11 + Share "Hole" Video

New SHARPTONE RECORDS signing dead7 are pleased to announce their new album LOVE WHAT YOU CAN WHILE YOU STILL GOT SOMETHING LEFT TO LOVE. It arrives July 11. Pre-order it here. 

On the album, the St. Louis, MO quintet — Jason Kozik [vocals], Dexter Greer[guitar], Tim Quinn [guitar], Stephen Salyer [bass], and Zach Guinn [drums] — temper guitar-driven grooves with electronics, atmospheric keys, and evocative vocals. Simultaneously, death and romance become interchangeable, rotating around an axis of relatable emotional turbulence. 

The band has shared the video for new single "HOLE."

Watch it Below:

"The song depicts a relationship where you’re walking on eggshells," says Kozik about the track. "You're dancing around all of the hard topics. You feel like every little thing you do is never enough, but you love this person dearly. It’s very self-reflective. No matter the circumstances or what you might do to please your partner or make them happy, you'll end up feeling lower than you ever have."

Regarding the album and its over-arching theme, Kozik says, "It's a look into the highs, lows, and the overwhelming feelings and effects that a relationship can have on a person. There are harsh realities that a lot of people go through when they are with their partner, and they might have a difficult time expressing those feelings. We hope to provide some comfort and solace in the fact that they are not alone."

Mission most definitely accomplished.

The album also features guest spots from Invent Animate's Marcus Vic and vocalist Aaron Matts.

Armed with this boundary-breaking style, dead7 initially rose up out of St. Louis during 2022. Following "unwanted" and "bite it," the group collaborated with Nathan Johnson of Fox Lake on "heaven only knows." Meanwhile, "tape mouth" surged with over 433K Spotify streams, paving the way for the new pain collection EP and all time does is pass and all i do is remember EP. Along the way, they packed headline gigs and graced the bills of festivals such as POINTFEST with Incubus, Bad Omens, Coheed and Cambria, The Pretty Reckless, and more. In late 2024, they caught the attention of Sharptone Records and inked a deal with the label. Hitting the studio, the band reteamed with frequent collaborators and producers Caleb Freihaut and Ben McGuiness to record what would become LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE. This time around, the guys nodded to inspirations such as Loathe, Bring Me The Horizon, and Three Days Grace.

Buffalo-based Dotsun Moon shares 'Never Had a Heart', highlight gem previewing third album

Upstate New York-based artist Dotsun Moon presents his new single 'Never Had a Heart', inspired by the driving energy and artful restraint of those who pioneered the early post-punk and new wave scene. This fresh offering makes an immediate and impactful entrance following earlier invigorating singles 'Bring Love' and 'Give Up The Tears'.

'Never Had a Heart' is a stunning taste of Dotsun Moon's third album 'Tiger', which is - both in spirit and sound - influenced by M83’s epic 'Before The Dawn Heals Us' and New Order's 'Ceremony' and 'Temptation' phases.

Revolving around the musings of Richard Flierl and based in Buffalo, Dotsun Moon has gone through several incarnations since releasing their debut album 4 A.M. back in 2011, but the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

"The title 'Never Had A Heart'  is short for “heaven never had a heart like yours”. This song comes dashing out of the gate, inspired by the music that motivated me to write songs," says Richard Flierl.

"The bass, channeling Peter Hook of New Order, is in full effect, subsiding when the vocals begin - this would fit in on a New Order, M83 or Love and Rockets album. Daniel Ash plays a prominent role in my approach to the guitar. Why play fifty notes when they aren’t needed? From Bauhaus, Tones On Tail, Love and Rockets and Ash’s solo albums, he is one of my guitar heroes."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location. 

"This is a huge change to prior releases, which have powerful female singers at the center of the songs. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and drum programming. Doug White at Watchmen Studios in Lockport, NY brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.

"I grew up outside of Buffalo, NY listening to the local college station WBNY and the alternative Toronto station CFNY for music, info and concert announcements. I picked up a guitar in my late teens and wanted to make music under the impression of Pink Floyd and Echo and The Bunnymen. I had no idea there were other bands who made music like they did. Will Sergeant became a hero, watching him and the Bunnymen live as they toured with New Order. Strangely after seeing both bands live, New Order’s Bernard Sumner and Peter Hook became my biggest influences."

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

As of April 30, 'Never Had a Heart' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full 'Tiger' album, set for release on June 27, is available for pre-order.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify| Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

HOW WE FEEL Release Debut Album "Ready For War"

Cleveland, Ohio Rockers HOW WE FEEL are a powerful new duo consisting of Vocalist Chris Bianchi (Forever in Terror) and Drummer Brian Lamtman. Best friends for more than 20 years, they were inspired to make music together in early 2024. Influenced by Shinedown, Imagine Dragons and Thirty Seconds to Mars, they are preparing to release their debut album Ready For War on Friday, May 2nd. HOW WE FEEL is carving their name into the modern rock scene with authenticity, energy, and purpose - coupled with a sound that has a fresh yet familiar edge.

 

The album was recorded at the band’s new WareHouse Studio in Kent, OH.  It was engineered by John Burkeand produced and mixed by Paul Bartolome (Asking Alexandria, Escape The Fate), and mastered by Grammy Award winning Ted Jensen (Green Day, Bring Me The Horizon, Evanescence) at Sterling Sound in New York.

 

The band’s Chris Bianchi says "Making this album has truly been an experience that we will never forget. From not knowing if we could do it again, to taking those first steps and now here we are: “Ready For War” is an album we've put an extreme amount of time and effort into. It has a lot of feeling and emotion related to the things we all face in our everyday lives at this point. I hope that listeners can relate and find their own solace in the album. It tells a story of triumph and overcoming along the way. It's a story of truth and about how you never give up on your dreams.”

The title track is the focus for the album release, and the “Ready For War” video was directed by Jake Cole in Canton, Ohio (Home of the Pro Football Hall Of Fame).  Bianchi explains “The video is meant to showcase the daily struggles and obstacles that many face be it through bills, relationships, daily life struggle but that love will always win. It helps you find that light in the dark and at the end, you can win and you do triumph. The video is meant to our process: Going from writing in the basement, to recording the song in the studio – and ultimately performing live on stage for our fans.”

The band is starting to book shows in support the album release and will be using their appearance at the upcoming Inkcarceration Festival to launch into touring for the rest of the year into 2026.

Live Shows

        Friday, May 2nd @ Globe Iron – Cleveland, OH (Headlining)

Inkcarceration Festival – July 18th – 20th @ Ohio State Reformatory – Mansfield, OH

 

About HOW WE FEEL:

HOW WE FEEL formed in early 2024 when long time friends Chris Bianchi and Brian Lamtman decided to combine their shared interests and tastes to release music they were both passionate about. Their demos of emotionally driven lyrics backed with an explosive sound caught the ears of Virgin Music Group, who partnered with Bianchi’s label Legend Recordings in May of 2024.  They went into the studio with engineer John Bruke and producer Paul Bartolome (Asking Alexandria, Escape The Fate and more) to record several tracks.  The songs were mastered by legendary engineer Ted Jensen (Green Day, Bring Me The Horizon, Evanescence) and debut single Make It Out Alive—a hard-hitting anthem of perseverance – was released in September of 2024.  It was followed by Devil Inside in November, and Losing My Mind in December.

 

HOW WE FEEL Instagram

https://www.instagram.com/howwefeelmusic/

Hear Nightfall's New Album A Day Early

Ever since they formed in the early '90s, Nightfall have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. Fearsome frontman Efthimis Karadimas and his band of Athenian rebels are still out for revenge on their new album, but Children of Eve is backed by the biggest hooks in their pantheon-level discography.

"One of the best releases of the year", wrote Metal Temple in a perfect 10/10 review of Children of Eve. "It's sinister, morbid, darkened, aggressive, it's a Nightfall release!" 

Children of Eve comes out tomorrow, Friday, May 2, but you can hear all 10 stage-shaking tracks today by listening to the full album stream below.

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Like their brothers-in-arms, Nightfall sculpt towering gothic melodies from blackened slabs of death metal. Children of Eve is blessed with the mightiest choruses in the band's formidable history. Their new album was mixed and mastered by Jacob Hansen, who's helped Volbeat, Amaranthe and The Black Dahlia Murder crank their metallic fury to arena levels.  Lead single “I Hate” seethes with blast beats from ex-Septicflesh drummer Fotis Benardo that flow with all the fire and fury of the River Styx.

During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".
 
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.
 
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet. 

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept: 
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Melodic Rockers GIANT Share New Single "Time To Call It Love" + Visualizer

Melodic rockers GIANT are pleased to share their new single, “Time To Call It Love," taken from their new upcoming album 'Stand And Deliver,' out on May 16, 2025, via Frontiers Music Srl. The new single is accompanied by a visualizer, available to view below.

GIANT returns with a powerful new chapter in their storied career, featuring a fresh lineup that propels the band's signature sound to exhilarating new heights.

Drummer and founder David Huff expressed his excitement for the new album:

“Making GIANT records has always been our passion! Thanks to everyone at Frontiers we can make our dreams happen. I know it’s a bit of a different lineup but whoever is in the lineup the legacy of GIANT lives on."

The forthcoming album entitled 'Stand And Deliver' showcases once again the talents of David Huff on drums, Mike Brignardello on bass, Kent Hilli (of Perfect Plan) as the commanding lead vocalist, with the addition of Jimmy Westerlund (One Desire) on guitars. Westerlund also takes on mixing duties alongside Alessandro Del Vecchio, who adds his touch on keyboards as a featured guest.

Watch the Visualizer for “Time To Call It Love" Below:

As if this dynamic combination of talent was not enough, the album also includes some gems penned by the original guitarist and singer Dann Huff including “Time To Call It Love” (a collaboration with the late Mark Spiro), “Holdin’ On For Dear Life” and “Paradise Found”, coming both from his sessions with Van Stephenson, which strongly link the new album with the sound of the classic album 'Time To Burn'.

 

However, with this new album, GIANT delivers the hard-hitting rock and melodic hooks that fans have come to expect while pushing the boundaries of the genre with a state-of-the-art production. 

Pre-Order 'Stand And Deliver' HERE

Originally formed in the late '80s by brothers Dann and David Huff, together with the experienced jazz and rock keyboardist Alan Pasqua and Nashville session bass player Mike Brignardello, GIANT would soon become one of the most respected bands of the melodic hard rock scene, with the release of their debut album 'Last Of The Runaways' (A&M Records, 1989).

Following countless live performances in support of their debut, the band released the follow-up 'Time To Burn' (Epic, 1991), an album still regarded as a main source of influence for many melodic and hard rock bands who came after. With the sudden change of musical climate in the early '90s, GIANT disbanded with their members becoming involved in different projects, with both Dann and David Huff becoming well respected producers.

 

In 2001, Frontiers prompted GIANT to release 'III', an album that would prove to be a landmark in the growth of the new era Melodic Rock scene, particularly in Europe. Unfortunately, Dann's busy schedule along with the other members' commitments made the reunion impossible to carry on as had originally been planned; however, the vision of bringing GIANT back as a band with a recording and touring line-up was something that the band was still open to exploring, even if Dann had to step away.

Thus, original members, drummer David Huff and bassist Mike Brignardello, with the blessing of Dann started endless research for the right musicians that could be part of a renewed GIANT line-up. In the end, the choice fell on vocalist Terry Brock (ex-Strangeways) and guitarist John Roth (Winger, Starship).

The resulting album, 'Promise Land' soon became a fan favorite, showcasing top quality songwriting and performances. GIANT, however, went into hibernation again, with the exception of a one-off show in 2017, where the original band members reunited on a Nashville club stage for a charity event.

 

That event piqued fan interest and Frontiers and David Huff started talking again to see if they could manage to find the right formula for a new album from GIANT. When the Swedish bandPerfect Plan released a cover version of the GIANT’s original hit “Stay” in 2019, all the pieces of the puzzle started to fall into place.

Huff and Brignardello were keen on the idea of Kent handling lead vocals for the next GIANTrelease. Dann Huff gave his seal of approval, appearing on lead guitar on the single “Never Die Young”, which anticipated the successful release in 2022 of the 'Shifting Time' album.

GIANT are:

Kent Hilli - Lead Vocals

Jimmy Westerlund - Lead Guitar

Mike Brignardello - Bass

David Huff - Drums

Gridiron Drop "26/9" Visualizer

GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — will drop their new album Poetry From Pain. The album arrives May 30 via Blue Grape Music. It will be available on vinyl in several exclusive colorways. Pre-order it here. 

A Stereogum fave for their "incendiary mosh riffs," the band has shared the visualizer for new single and album opener "26/9." Watch and listen below.

It's rife with Gridiron's hallmarks — hip-hop-inspired bounce and grooves, massive breakdowns, and a boatload of confidence and bravado.
 

"'26/9' is about always raising your personal bar, never settling, and continuing to level up and push yourself to the limit, something we set out to accomplish with this track and record," says Karll.

Once again — mission accomplished with Gridiron!

Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.

Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.

It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.

Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.

And now, Poetry From Pain is here and it slays.

Gridiron have a bunch of live shows on deck. All upcoming confirmed dates are below. The band was also just announced for Summer Slaughter in July. Those dates are also below.

GRIDIRON ON TOUR:
5/9 — Chicago, IL — Metro#
5/11 — Columbus, OH — Sonic Temple
5/13 — Atlantic City, NJ — Anchor Rock Club
5/14 — Virginia Beach, VA — Peabody's*
5/15 — Columbia, SC — New Brookland Tavern*
5/16 — Athens, GA — Georgia Theatre*
5/17 — Pensacola, FL — The Handlebar*
5/18 — Orlando, FL — Will's Pub*
5/19 — Surfside Beach, SC — The BrickHouse Lounge
5/20 — Raleigh, NC — Lincoln Theatre*
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at First Unitarian Church
6/21 — Rutherford, NJ — The Black Box at the Williams Center
#With Power Trip
*With Sanguisugabogg + 200 Stab Wounds

SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA  —The Eastern
7/11 —  San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount

WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center 
7/19 —  Sayreville, NJ —  Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 —  Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
 
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 —  Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI  — The Rave
7/28 — Grand Rapids, MI — Intersection

Freeze The Fall __ The Red Garden

Emerging from the vibrant rock scene of Kelowna, British Columbia, FREEZE THE FALL is poised to unleash their compelling new EP The Red Garden on June 18, 2025, via 604 Records. Known for their gritty and introspective sound, this trio is ready to take their music to new heights with a project that weaves intricate tales through each track.

The Red Garden showcases a sophisticated fusion of heavy rock and narrative depth. Produced, mixed, and mastered by Jordan Chase at Oodelally Recordings, the album promises a deep dive into thematic richness, complemented by haunting visuals from album artist Kevin Moore of Soft Surrogate.

The journey begins with "Denial," a chilling instrumental that seamlessly transitions into "Rot," where medieval allegories collide with modern-day dilemmas of misinformation. "Hypothermia" follows, with bassist Aria Becker's intricate rhythms underpinning a narrative on the perils of digital anonymity.

Intensity mounts with "VHS," a track that draws from the horror genre to explore the dynamics of power and subjugation. Conversely, "Aurora" offers a melodic reprieve, reflecting on the universal ties that connect humanity through its ethereal sound and thoughtful lyrics.

The album continues to explore profound themes with "Oubliette" and "Lace." The former melds atmospheric tones with progressive elements, including a verse in French that accentuates its reflective mood. The latter, "Lace," closes the album on a poignant note, using sparse instrumentation to delve into themes of innocence lost and the harsh realities of growth.

This album, rich with thematic complexity and audacious musicality, invites listeners to traverse a landscape where music meets myth, emotion, and introspection. With The Red Garden, FREEZE THE FALL crafts an audial tapestry that is both haunting and deeply resonant, promising to leave an indelible mark on the hearts and minds of those who journey through its tracks. This isn't merely an album; it's an immersive experience designed to challenge, captivate, and inspire.

About FREEZE THE FALL:

Hailing from Kelowna, British Columbia, FREEZE THE FALL is a dynamic trio that has quickly carved a niche within the hard rock and metal scene. Formed in 2023, the band consists of Quinn Mitzel on guitar and vocals, Aria Becker on bass and backup vocals, and Jonah Goncalves on drums. Together, they bring a fresh fervor to the modern rock landscape, melding elements of metalcore, nu metal, and hard rock with a deeply narrative-driven approach to their music.

FREEZE THE FALL began making waves shortly after their formation. Their breakthrough came with a viral cover of THE WARNING’s “Evolve,” which caught the attention of both fans and industry insiders. This early success led to their debut single, "Glitch," in February 2024 and subsequently secured them a distribution deal with 604 Records. Their debut EP, Thrones, released in July 2024, showcased their ability to blend intense instrumentation with lyrical depth, earning them nominations for Best Music Video at the Okanagan Screen Awards 2025 for the singles "VHS" and "Hypothermia."

Inspired by the likes of BRING ME THE HORIZON, EVANESCENCE, and SPIRITBOX, FREEZE THE FALL crafts songs that explore the complexities of human emotion and societal issues. Their music features emotive vocals, thunderous bass lines, and blistering guitar riffs, paying homage to ‘90s grunge and ‘00s alt metal while pushing the boundaries with their modern sound.

The band’s creative process is marked by a collaborative spirit and a shared passion for storytelling through music. Each track they create is not just a song but a chapter in a larger narrative, exploring themes from misinformation and the impact of digital anonymity to personal introspection and societal critique.

With their second EP, The Red Garden, released in 2025, FREEZE THE FALL continues to expand their sonic landscape. This project dives deeper into experimental sounds and elaborate storytelling, weaving a tapestry of lore and emotional intensity that challenges the listener while providing a cathartic musical experience.

FREEZE THE FALL not only aims to make music that resonates on a personal level but also seeks to create a lasting impact, pushing the boundaries of rock music with every note and lyric. As they continue to grow and evolve, their journey is one of relentless creativity and a commitment to making music that matters.