dead7 Announce "LOVE WHAT YOU CAN WHILE YOU STILL GOT SOMETHING LEFT TO LOVE" Out 7/11 + Share "Hole" Video

New SHARPTONE RECORDS signing dead7 are pleased to announce their new album LOVE WHAT YOU CAN WHILE YOU STILL GOT SOMETHING LEFT TO LOVE. It arrives July 11. Pre-order it here

On the album, the St. Louis, MO quintet — Jason Kozik [vocals], Dexter Greer[guitar], Tim Quinn [guitar], Stephen Salyer [bass], and Zach Guinn [drums] — temper guitar-driven grooves with electronics, atmospheric keys, and evocative vocals. Simultaneously, death and romance become interchangeable, rotating around an axis of relatable emotional turbulence. 

The band has shared the video for new single "HOLE."

Watch it Below:

"The song depicts a relationship where you’re walking on eggshells," says Kozik about the track. "You're dancing around all of the hard topics. You feel like every little thing you do is never enough, but you love this person dearly. It’s very self-reflective. No matter the circumstances or what you might do to please your partner or make them happy, you'll end up feeling lower than you ever have."

Regarding the album and its over-arching theme, Kozik says, "It's a look into the highs, lows, and the overwhelming feelings and effects that a relationship can have on a person. There are harsh realities that a lot of people go through when they are with their partner, and they might have a difficult time expressing those feelings. We hope to provide some comfort and solace in the fact that they are not alone."

Mission most definitely accomplished.

The album also features guest spots from Invent Animate's Marcus Vic and vocalist Aaron Matts.

Armed with this boundary-breaking style, dead7 initially rose up out of St. Louis during 2022. Following "unwanted" and "bite it," the group collaborated with Nathan Johnson of Fox Lake on "heaven only knows." Meanwhile, "tape mouth" surged with over 433K Spotify streams, paving the way for the new pain collection EP and all time does is pass and all i do is remember EP. Along the way, they packed headline gigs and graced the bills of festivals such as POINTFEST with Incubus, Bad Omens, Coheed and Cambria, The Pretty Reckless, and more. In late 2024, they caught the attention of Sharptone Records and inked a deal with the label. Hitting the studio, the band reteamed with frequent collaborators and producers Caleb Freihaut and Ben McGuiness to record what would become LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE. This time around, the guys nodded to inspirations such as Loathe, Bring Me The Horizon, and Three Days Grace.

Buffalo-based Dotsun Moon shares 'Never Had a Heart', highlight gem previewing third album

Upstate New York-based artist Dotsun Moon presents his new single 'Never Had a Heart', inspired by the driving energy and artful restraint of those who pioneered the early post-punk and new wave scene. This fresh offering makes an immediate and impactful entrance following earlier invigorating singles 'Bring Love' and 'Give Up The Tears'.

'Never Had a Heart' is a stunning taste of Dotsun Moon's third album 'Tiger', which is - both in spirit and sound - influenced by M83’s epic 'Before The Dawn Heals Us' and New Order's 'Ceremony' and 'Temptation' phases.

Revolving around the musings of Richard Flierl and based in Buffalo, Dotsun Moon has gone through several incarnations since releasing their debut album 4 A.M. back in 2011, but the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

"The title 'Never Had A Heart'  is short for “heaven never had a heart like yours”. This song comes dashing out of the gate, inspired by the music that motivated me to write songs," says Richard Flierl.

"The bass, channeling Peter Hook of New Order, is in full effect, subsiding when the vocals begin - this would fit in on a New Order, M83 or Love and Rockets album. Daniel Ash plays a prominent role in my approach to the guitar. Why play fifty notes when they aren’t needed? From Bauhaus, Tones On Tail, Love and Rockets and Ash’s solo albums, he is one of my guitar heroes."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location. 

"This is a huge change to prior releases, which have powerful female singers at the center of the songs. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and drum programming. Doug White at Watchmen Studios in Lockport, NY brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.

"I grew up outside of Buffalo, NY listening to the local college station WBNY and the alternative Toronto station CFNY for music, info and concert announcements. I picked up a guitar in my late teens and wanted to make music under the impression of Pink Floyd and Echo and The Bunnymen. I had no idea there were other bands who made music like they did. Will Sergeant became a hero, watching him and the Bunnymen live as they toured with New Order. Strangely after seeing both bands live, New Order’s Bernard Sumner and Peter Hook became my biggest influences."

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

As of April 30, 'Never Had a Heart' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full 'Tiger' album, set for release on June 27, is available for pre-order.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify| Apple Music | Press contact

Keep up with Shameless Promotion PR
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HOW WE FEEL Release Debut Album "Ready For War"

Cleveland, Ohio Rockers HOW WE FEEL are a powerful new duo consisting of Vocalist Chris Bianchi (Forever in Terror) and Drummer Brian Lamtman. Best friends for more than 20 years, they were inspired to make music together in early 2024. Influenced by Shinedown, Imagine Dragons and Thirty Seconds to Mars, they are preparing to release their debut album Ready For War on Friday, May 2nd. HOW WE FEEL is carving their name into the modern rock scene with authenticity, energy, and purpose - coupled with a sound that has a fresh yet familiar edge.

 

The album was recorded at the band’s new WareHouse Studio in Kent, OH.  It was engineered by John Burkeand produced and mixed by Paul Bartolome (Asking Alexandria, Escape The Fate), and mastered by Grammy Award winning Ted Jensen (Green Day, Bring Me The Horizon, Evanescence) at Sterling Sound in New York.

 

The band’s Chris Bianchi says "Making this album has truly been an experience that we will never forget. From not knowing if we could do it again, to taking those first steps and now here we are: “Ready For War” is an album we've put an extreme amount of time and effort into. It has a lot of feeling and emotion related to the things we all face in our everyday lives at this point. I hope that listeners can relate and find their own solace in the album. It tells a story of triumph and overcoming along the way. It's a story of truth and about how you never give up on your dreams.”

The title track is the focus for the album release, and the “Ready For War” video was directed by Jake Cole in Canton, Ohio (Home of the Pro Football Hall Of Fame).  Bianchi explains “The video is meant to showcase the daily struggles and obstacles that many face be it through bills, relationships, daily life struggle but that love will always win. It helps you find that light in the dark and at the end, you can win and you do triumph. The video is meant to our process: Going from writing in the basement, to recording the song in the studio – and ultimately performing live on stage for our fans.”

The band is starting to book shows in support the album release and will be using their appearance at the upcoming Inkcarceration Festival to launch into touring for the rest of the year into 2026.

Live Shows

        Friday, May 2nd @ Globe Iron – Cleveland, OH (Headlining)

Inkcarceration Festival – July 18th – 20th @ Ohio State Reformatory – Mansfield, OH

 

About HOW WE FEEL:

HOW WE FEEL formed in early 2024 when long time friends Chris Bianchi and Brian Lamtman decided to combine their shared interests and tastes to release music they were both passionate about. Their demos of emotionally driven lyrics backed with an explosive sound caught the ears of Virgin Music Group, who partnered with Bianchi’s label Legend Recordings in May of 2024.  They went into the studio with engineer John Bruke and producer Paul Bartolome (Asking Alexandria, Escape The Fate and more) to record several tracks.  The songs were mastered by legendary engineer Ted Jensen (Green Day, Bring Me The Horizon, Evanescence) and debut single Make It Out Alive—a hard-hitting anthem of perseverance – was released in September of 2024.  It was followed by Devil Inside in November, and Losing My Mind in December.

 

HOW WE FEEL Instagram

https://www.instagram.com/howwefeelmusic/

Hear Nightfall's New Album A Day Early

Ever since they formed in the early '90s, Nightfall have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. Fearsome frontman Efthimis Karadimas and his band of Athenian rebels are still out for revenge on their new album, but Children of Eve is backed by the biggest hooks in their pantheon-level discography.

"One of the best releases of the year", wrote Metal Temple in a perfect 10/10 review of Children of Eve. "It's sinister, morbid, darkened, aggressive, it's a Nightfall release!" 

Children of Eve comes out tomorrow, Friday, May 2, but you can hear all 10 stage-shaking tracks today by listening to the full album stream below.

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Like their brothers-in-arms, Nightfall sculpt towering gothic melodies from blackened slabs of death metal. Children of Eve is blessed with the mightiest choruses in the band's formidable history. Their new album was mixed and mastered by Jacob Hansen, who's helped Volbeat, Amaranthe and The Black Dahlia Murder crank their metallic fury to arena levels.  Lead single “I Hate” seethes with blast beats from ex-Septicflesh drummer Fotis Benardo that flow with all the fire and fury of the River Styx.

During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".
 
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.
 
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet. 

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept: 
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Melodic Rockers GIANT Share New Single "Time To Call It Love" + Visualizer

Melodic rockers GIANT are pleased to share their new single, “Time To Call It Love," taken from their new upcoming album 'Stand And Deliver,' out on May 16, 2025, via Frontiers Music Srl. The new single is accompanied by a visualizer, available to view below.

GIANT returns with a powerful new chapter in their storied career, featuring a fresh lineup that propels the band's signature sound to exhilarating new heights.

Drummer and founder David Huff expressed his excitement for the new album:

“Making GIANT records has always been our passion! Thanks to everyone at Frontiers we can make our dreams happen. I know it’s a bit of a different lineup but whoever is in the lineup the legacy of GIANT lives on."

The forthcoming album entitled 'Stand And Deliver' showcases once again the talents of David Huff on drums, Mike Brignardello on bass, Kent Hilli (of Perfect Plan) as the commanding lead vocalist, with the addition of Jimmy Westerlund (One Desire) on guitars. Westerlund also takes on mixing duties alongside Alessandro Del Vecchio, who adds his touch on keyboards as a featured guest.

Watch the Visualizer for “Time To Call It Love" Below:

As if this dynamic combination of talent was not enough, the album also includes some gems penned by the original guitarist and singer Dann Huff including “Time To Call It Love” (a collaboration with the late Mark Spiro), “Holdin’ On For Dear Life” and “Paradise Found”, coming both from his sessions with Van Stephenson, which strongly link the new album with the sound of the classic album 'Time To Burn'.

 

However, with this new album, GIANT delivers the hard-hitting rock and melodic hooks that fans have come to expect while pushing the boundaries of the genre with a state-of-the-art production. 

Pre-Order 'Stand And Deliver' HERE

Originally formed in the late '80s by brothers Dann and David Huff, together with the experienced jazz and rock keyboardist Alan Pasqua and Nashville session bass player Mike Brignardello, GIANT would soon become one of the most respected bands of the melodic hard rock scene, with the release of their debut album 'Last Of The Runaways' (A&M Records, 1989).

Following countless live performances in support of their debut, the band released the follow-up 'Time To Burn' (Epic, 1991), an album still regarded as a main source of influence for many melodic and hard rock bands who came after. With the sudden change of musical climate in the early '90s, GIANT disbanded with their members becoming involved in different projects, with both Dann and David Huff becoming well respected producers.

 

In 2001, Frontiers prompted GIANT to release 'III', an album that would prove to be a landmark in the growth of the new era Melodic Rock scene, particularly in Europe. Unfortunately, Dann's busy schedule along with the other members' commitments made the reunion impossible to carry on as had originally been planned; however, the vision of bringing GIANT back as a band with a recording and touring line-up was something that the band was still open to exploring, even if Dann had to step away.

Thus, original members, drummer David Huff and bassist Mike Brignardello, with the blessing of Dann started endless research for the right musicians that could be part of a renewed GIANT line-up. In the end, the choice fell on vocalist Terry Brock (ex-Strangeways) and guitarist John Roth (Winger, Starship).

The resulting album, 'Promise Land' soon became a fan favorite, showcasing top quality songwriting and performances. GIANT, however, went into hibernation again, with the exception of a one-off show in 2017, where the original band members reunited on a Nashville club stage for a charity event.

 

That event piqued fan interest and Frontiers and David Huff started talking again to see if they could manage to find the right formula for a new album from GIANT. When the Swedish bandPerfect Plan released a cover version of the GIANT’s original hit “Stay” in 2019, all the pieces of the puzzle started to fall into place.

Huff and Brignardello were keen on the idea of Kent handling lead vocals for the next GIANTrelease. Dann Huff gave his seal of approval, appearing on lead guitar on the single “Never Die Young”, which anticipated the successful release in 2022 of the 'Shifting Time' album.

GIANT are:

Kent Hilli - Lead Vocals

Jimmy Westerlund - Lead Guitar

Mike Brignardello - Bass

David Huff - Drums

Gridiron Drop "26/9" Visualizer

GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — will drop their new album Poetry From Pain. The album arrives May 30 via Blue Grape Music. It will be available on vinyl in several exclusive colorways. Pre-order it here

Stereogum fave for their "incendiary mosh riffs," the band has shared the visualizer for new single and album opener "26/9." Watch and listen below.

It's rife with Gridiron's hallmarks — hip-hop-inspired bounce and grooves, massive breakdowns, and a boatload of confidence and bravado.
 

"'26/9' is about always raising your personal bar, never settling, and continuing to level up and push yourself to the limit, something we set out to accomplish with this track and record," says Karll.

Once again — mission accomplished with Gridiron!

Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.

Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.

It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.

Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.

And now, Poetry From Pain is here and it slays.

Gridiron have a bunch of live shows on deck. All upcoming confirmed dates are below. The band was also just announced for Summer Slaughter in July. Those dates are also below.

GRIDIRON ON TOUR:
5/9 — Chicago, IL — Metro#
5/11 — Columbus, OH — Sonic Temple
5/13 — Atlantic City, NJ — Anchor Rock Club
5/14 — Virginia Beach, VA — Peabody's*
5/15 — Columbia, SC — New Brookland Tavern*
5/16 — Athens, GA — Georgia Theatre*
5/17 — Pensacola, FL — The Handlebar*
5/18 — Orlando, FL — Will's Pub*
5/19 — Surfside Beach, SC — The BrickHouse Lounge
5/20 — Raleigh, NC — Lincoln Theatre*
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at First Unitarian Church
6/21 — Rutherford, NJ — The Black Box at the Williams Center
#With Power Trip
*With Sanguisugabogg + 200 Stab Wounds

SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA  —The Eastern
7/11 —  San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount

WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center 
7/19 —  Sayreville, NJ —  Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 —  Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
 
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 —  Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI  — The Rave
7/28 — Grand Rapids, MI — Intersection

Freeze The Fall __ The Red Garden

Emerging from the vibrant rock scene of Kelowna, British Columbia, FREEZE THE FALL is poised to unleash their compelling new EP The Red Garden on June 18, 2025, via 604 Records. Known for their gritty and introspective sound, this trio is ready to take their music to new heights with a project that weaves intricate tales through each track.

The Red Garden showcases a sophisticated fusion of heavy rock and narrative depth. Produced, mixed, and mastered by Jordan Chase at Oodelally Recordings, the album promises a deep dive into thematic richness, complemented by haunting visuals from album artist Kevin Moore of Soft Surrogate.

The journey begins with "Denial," a chilling instrumental that seamlessly transitions into "Rot," where medieval allegories collide with modern-day dilemmas of misinformation. "Hypothermia" follows, with bassist Aria Becker's intricate rhythms underpinning a narrative on the perils of digital anonymity.

Intensity mounts with "VHS," a track that draws from the horror genre to explore the dynamics of power and subjugation. Conversely, "Aurora" offers a melodic reprieve, reflecting on the universal ties that connect humanity through its ethereal sound and thoughtful lyrics.

The album continues to explore profound themes with "Oubliette" and "Lace." The former melds atmospheric tones with progressive elements, including a verse in French that accentuates its reflective mood. The latter, "Lace," closes the album on a poignant note, using sparse instrumentation to delve into themes of innocence lost and the harsh realities of growth.

This album, rich with thematic complexity and audacious musicality, invites listeners to traverse a landscape where music meets myth, emotion, and introspection. With The Red Garden, FREEZE THE FALL crafts an audial tapestry that is both haunting and deeply resonant, promising to leave an indelible mark on the hearts and minds of those who journey through its tracks. This isn't merely an album; it's an immersive experience designed to challenge, captivate, and inspire.

About FREEZE THE FALL:

Hailing from Kelowna, British Columbia, FREEZE THE FALL is a dynamic trio that has quickly carved a niche within the hard rock and metal scene. Formed in 2023, the band consists of Quinn Mitzel on guitar and vocals, Aria Becker on bass and backup vocals, and Jonah Goncalves on drums. Together, they bring a fresh fervor to the modern rock landscape, melding elements of metalcore, nu metal, and hard rock with a deeply narrative-driven approach to their music.

FREEZE THE FALL began making waves shortly after their formation. Their breakthrough came with a viral cover of THE WARNING’s “Evolve,” which caught the attention of both fans and industry insiders. This early success led to their debut single, "Glitch," in February 2024 and subsequently secured them a distribution deal with 604 Records. Their debut EP, Thrones, released in July 2024, showcased their ability to blend intense instrumentation with lyrical depth, earning them nominations for Best Music Video at the Okanagan Screen Awards 2025 for the singles "VHS" and "Hypothermia."

Inspired by the likes of BRING ME THE HORIZON, EVANESCENCE, and SPIRITBOX, FREEZE THE FALL crafts songs that explore the complexities of human emotion and societal issues. Their music features emotive vocals, thunderous bass lines, and blistering guitar riffs, paying homage to ‘90s grunge and ‘00s alt metal while pushing the boundaries with their modern sound.

The band’s creative process is marked by a collaborative spirit and a shared passion for storytelling through music. Each track they create is not just a song but a chapter in a larger narrative, exploring themes from misinformation and the impact of digital anonymity to personal introspection and societal critique.

With their second EP, The Red Garden, released in 2025, FREEZE THE FALL continues to expand their sonic landscape. This project dives deeper into experimental sounds and elaborate storytelling, weaving a tapestry of lore and emotional intensity that challenges the listener while providing a cathartic musical experience.

FREEZE THE FALL not only aims to make music that resonates on a personal level but also seeks to create a lasting impact, pushing the boundaries of rock music with every note and lyric. As they continue to grow and evolve, their journey is one of relentless creativity and a commitment to making music that matters.

Bear Mace _ Slaves Of The Wolf

In the heart of Chicago, amidst the city's vibrant cacophony, a ferocious new chapter is being written by BEAR MACE with their latest release, Slaves Of The Wolf. This third studio album, set to be unveiled on June 6, 2025, is a testament to the band's evolution and their unwavering commitment to the raw energy of death metal. For BEAR MACE, composed of Chris Scearce on vocals, Mark Sugar and Tommy Bellino on guitars, Garry Naples behind the drums, and John Porada on bass, this album is not just another collection of tracks—it's a narrative deeply rooted in the themes of warfare, survival, and the echoes of historical battles.

The journey of Slaves Of The Wolf begins with its opening track, an eponymous piece that channels the spirit of soldiers lost to the annals of history, their lives swallowed by the vast, cold embrace of war. This sets the stage for an album where each song weaves part of a larger, darker tapestry. From "Worthless Lives," which reflects on our dystopian reality with poignant lyrics and relentless riffs, to "Drown Them In Their Blood," a slower, heavier homage to the brutal necessities of war, the album crafts a compelling saga.

One of the standout tracks, "The Iceman Cometh," explores the chilling life of Richard Kuklinski with an intensity that matches the cold-blooded tales of his crimes. Meanwhile, "Captured And Consumed" features guest vocals by death metal pioneer Kam Lee from Massacre, adding a visceral layer to the haunting recount of WWII atrocities.

The production of the album, managed by the band and captured in the diverse acoustics of Hypercube Studios and Miracle On Mace Street Studios, showcases the meticulous care of engineer Sanford Parker and mixing and mastering by Damian Herring. This technical expertise ensures that each note and nuance is sharply delivered, from the guttural depths of Chris's vocals to the dual assault of Mark's and Tommy's guitars.

The visual representation of the album, crafted by artist Dedy Badic, mirrors the music's raw ferocity and historical depth, encapsulating the essence of BEAR MACE's narrative in a striking image that promises to resonate as powerfully as the music itself.

As Slaves Of The Wolf prepares for release, BEAR MACE is also gearing up to bring this new material to life on stages across the country. Known for their explosive live performances, the band promises to deliver shows that not only showcase their latest work but also highlight their growth as musicians and storytellers.

For fans old and new, Slaves Of The Wolf is more than just an album. It's an invitation to explore the depths of human history and emotion through the lens of BEAR MACE’s distinctive, relentless sound. As June approaches, the anticipation builds not just for a series of tracks, but for a powerful narrative set to be unleashed in the most explosive way possible.

About BEAR MACE:

Hailing from the robust metal scene of Chicago, Illinois, BEAR MACE has carved a formidable niche within the death metal genre since their inception in 2012. The band’s name, a nod to both ferocity and defense, perfectly encapsulates their sound: relentless, powerful, and unyielding. Comprised of vocalist Chris Scearce, guitarists Mark Sugar and Tommy Bellino, drummer Garry Naples, and bassist John Porada, BEAR MACE is a force to be reckoned with, known for their brutal riffs, historical and darkly imaginative lyrical content, and explosive live performances.

BEAR MACE's music is a deliberate throwback to the death metal of the late '80s and early '90s, drawing significant inspiration from the genre's pioneers like MASSACRE and BOLT THROWER. Their sound is characterized by a blend of raw aggression and meticulous craftsmanship, with themes that delve into historical wars, mythical narratives, and modern dystopias. This thematic depth sets BEAR MACE apart, as they weave intricate stories with each track, engaging listeners not just with sound, but with storytelling that invites reflection on the past and present.

Since releasing their first demo, Kodiak Killers, in 2014, BEAR MACE has consistently upped the ante with each subsequent release. Their debut album, Butchering The Colossus (2017), was a breakout success, establishing them as serious contenders in the metal community. This was followed by Charred Field Of Slaughter in 2020, an album that received acclaim for its intensity and complexity, further solidifying the band’s reputation.

Beyond their studio recordings, BEAR MACE is known for their dynamic live shows, which capture the band’s energy and technical prowess. They have shared stages with notable bands and played at major festivals, strengthening their presence in the metal scene. Their tour with death metal legends MACABRE in the summer of 2022, including a co-headlining spot at Into The Darkness Fest in Ohio, highlights their standing among contemporaries and legends alike.

The release of their third album, Slaves Of The Wolf, in 2025 marks another milestone for BEAR MACE. This album not only showcases their growth as musicians but also highlights a stable lineup that has been together for over five years. With Slaves Of The Wolf, BEAR MACE continues to push the boundaries of their sound while paying homage to the roots of death metal, crafting tracks that are both aggressive and deeply narrative.

As BEAR MACE continues to evolve and expand their auditory assault, their dedication to the craft and their fans remains unwavering. With a solid foundation and a clear vision, they are poised to remain a staple in the playlists of metal enthusiasts and a commanding presence on the global metal stage.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

  • Bandcamp: https://bearmace.bandcamp.com/

  • Facebook: https://www.facebook.com/bearmace1

  • Instagram: https://www.instagram.com/bearmace_metal/

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NAILED TO OBSCURITY - Announce New Album "Generation Of The Void" + Release Video For New Single 'Overcast'

NAILED TO OBSCURITY are excited to reveal the name and release date of their fifth studio album, Generation Of The Void, which will be out on September 5th, 2025 via Nuclear Blast Records. Alongside the announcement of the pre-order, a music video for the new single 'Overcast' has been unveiled. 

NAILED TO OBSCURITY commented:
We are beyond excited to finally share this with all of you. Generation Of The Void marks a new era for Nailed To Obscurity — heavier, darker, more dynamic than anything we've ever done before. This album is the result of years of evolution, and it's our most atmospheric and intense journey yet, pushing every boundary we’ve ever set for ourselves."

"'
Overcast' captures the bleakness of a world in ruins — a driving, post-apocalyptic anthem with a haunting melody and an eruption of raw, relentless energy. It's a song about finding the strength to move on when everything familiar has turned to dust. We can’t wait to play this one live on our upcoming headline tour this fall!

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.

The production quality on Generation Of The Void marks a significant step up, pushing NAILED TO OBSCURITY's sound to an entirely new level. This album also introduces a new dimension to the band's sonic identity, featuring an unprecedented balance between their signature crushing growls and a greater emphasis on clean vocals. While clean singing has always been part of their sound, Generation Of The Void takes it further—some songs feature only clean vocals, others are dominated by growls, and most strike a dynamic balance between the two.

Recorded between 2021 and 2024, the album sees the band reaching new creative depths. Guitars, bass, and drums were laid down at Woodshed Studios in Landshut, Germany, while vocals were recorded by Jacob Hansen at Hansen Studios in Ribe, Denmark. Additional elements, such as synths and extra guitar layers, were produced by Lamberti himself at the band’s headquarters in East Frisia. Production duties were shared between V. Santura, Jacob Hansen, and Lamberti, with Hansen handling the final mix and master, ensuring a sound that is both expansive and intimate.

The album’s artwork and layout were crafted by renowned artist Giannis Nakos, visually embodying the record’s dark and introspective themes.

PRE-ORDER / PRE-SAVE GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void

STREAM THE SINGLE 'OVERCAST':
https://nto.bfan.link/overcast

WATCH THE VIDEO FOR 'OVERCAST' BELOW:

NAILED TO OBSCURITY will embark on their first extensive European headline tour in autumn 2025, with guests YOTH IRIA (GR) and OAK, ASH & THORN (US). This tour will be a celebration of the band's 20th anniversary, which is due this year.

ABOUT NAILED TO OBSCURITY:

Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.

By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.

In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.

Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.

NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity

THE HAUNTED Launches Official Music Video for New Song, "In Fire Reborn"

Swedish thrash pioneers and purveyors THE HAUNTED continue to scorch the earth with their upcoming tenth studio album, 'Songs of Last Resort,' to be released worldwide on May 30, 2025 via longtime partners Century Media Records. The band is now unleashing the blistering new single, “In Fire Reborn," along with a music video, which was directed by Patric Ullaeus / (In Flames, Arch Enemy, Dimmu Borgir, etc.). The clip can be found below.

THE HAUNTED vocalist Marco Aro comments about the track, “This is the second single off the album 'Songs of Last Resort.' The song is called 'In Fire Reborn' and it’s a more classic THE HAUNTED sounding song with the aggression turned up to 11…just in case you missed the memo on our previous single!”

Guitarist Jensen adds, "A classic THE HAUNTED 6/8 beat song. I wrote the start, verses and ending of the song, but it wasn't until Jonas wrote the chorus when 'In Fire Reborn' really bloomed out. I believe this could also easily become a fan favorite, just like it has become one of the band's favorite songs on the album. The lyrics are, just like with 'Warhead,'' also along the topic of war, but this time from a soldier's perspective."

The previously released video for the album’s opening track, “Warhead,” can still be seen HERE.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

The album artwork for 'Songs of Last Resort' was created by  Andreas “Diaz” Pettersson and can be found below along with the tracklisting.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

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INSTAGRAM

YOUTUBE

WEBSTORE

British Rock Icons SKUNK ANANSIE Release New Single "Animal" + Music Video

Today, British rock icons SKUNK ANANSIE have released their brand new single, "Animal"! Electronically driven, dark and moody, it has proved an absolute smash hit on the band’s recent sold-out UK & European tour. It possesses an instant classic chorus that has seen fans chanting along within moments of first hearing it. The song is the latest track to be taken from the band’s forthcoming album 'The Painful Truth,' out on May 23 via FLG.

The on-stage performance video for "Animal" is an intense blur of close-up imagery, flashing lights, and treated visuals that capture the claustrophobic tension and pulsating drama that drives the song along. It was filmed on tour by the band’s videographer India Fleming and edited by Shea McChrystal.

Skin comments:

“So delighted for this track to finally be released as it was a fan fave during the tour and went down a storm! Hope you all like it too.”

Watch the Music Video for “Animal” Below":

'The Painful Truth' is a truly mesmerising, provocative, powerful, and emotional album demonstrating a band at the absolute peak of their powers, yet with everything to prove. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title. It is a reality that they have lived through.

A radical record made for these uncertain times, 'The Painful Truth' is SKUNK ANANSIE’s first release on the newly formed FLG Records, and it comes with a freshness that belies their storied career and previous multi-platinum achievements. It’s a record that will see SKUNK ANANSIE reclaim their place as one of the most exciting, visionary, and important bands in British music.

Having just completed the aforementioned UK & European tour, the band has been announced as the headline act for The Independent newspaper’s stage at The Great Escape Festival on Friday, May 16. Taking place at The Old Market, it shines a spotlight on groundbreaking artists, and there is no better example of that than SKUNK ANANSIE, who are globallycelebrated for addressing political and social issues through their music, breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.

SKUNK ANANSIE will also be playing a very special headline show near Bristol on the day of the album release (May 23rd). It takes place at Good Times at The Ridings, Chipping Sodbury, and the band will be supported by Republica (tickets HERE)

The band has another run of huge European headline shows this summer before appearing as Special Guests in the UK at the two outdoor Smashing Pumpkins shows in August.

Aug 10th London, Gunnersbury Park w/ Smashing Pumpkins

Aug 14th Colchester Castle Summer Series w/ Smashing Pumpkins

Pre-Order 'The Painful Truth' HERE

About SKUNK ANANSIE:



SKUNK ANANSIE, formed in 1994 in London, is a seminal band, one of the first multi-racial British rock bands, who are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.

Their debut album 'Paranoid & Sunburnt' (1995), and its follow up 'Stoosh' (1996) both hit the Top 10 album chart in the UK and with hits like "Weak" and "Hedonism," they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade out in style by releasing their third studio album, 'Post Orgasmic Chill' and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.

The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s 'Wonderlustre,' 2012’s 'Black Traffic,' and 2015’s 'Anarchytecture.' In 2019, the band marked their 25th anniversary with '25LIVE@25,' a live album that brings together the greatest songs from their six studio albums.

Throughout their career, SKUNK ANANSIE has sold over five million records globally. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent.

SKUNK ANANSIE is celebrated for addressing political and social issues through their music and breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.

Irish legacy project Bring Your Own Hammer to release 'My Grief on the Sea' with Dimple Discs.

Bring Your Own Hammer (BYOH), in collaboration with Peckham-based label Dimple Discs, has announced the forthcoming vinyl release of the ambitious Irish music compilation 'My Grief on the Sea'. Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora.

Not a band, nor a group, an ensemble or even a collective, Bring Your Own Hammer is a faction but, unlike 19th century Irish factions (who met, armed with sticks and two-handed wattles in fairs and markets), BYOH is armed with voices and instruments and dedicated, as no faction before, to the re-interpretation of historical material in song form.

‘My Grief On The Sea’ is dedicated to Cathal Coughlan, one of Ireland’s most revered singer-songwriters and frontman of acclaimed 80s-90s groups Microdisney and Fatima Mansions). The first vinyl LP to be released through BYOH, this album is brimming with contributions from superb artists, including Linda Buckley, Cathal Coughlan, Adrian Crowley, Eileen Gogan, Carol Keogh, Michelle O’Rourke, Brigid Mae Power, Michael J Sheehy, Mike Smalle and Jah Wobble,

This is a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s. These songs criss-cross the Atlantic, following the remaining threads of lives shaped, in one way or another, by the sea. In 'Golden Streets, Bitter Tears' by Adrian Crowley with Brigid Mae Power, for instance, lines written in the letters of migrants to North America are matched with beautiful melodies.

You will hear the echoes of words from a bog in Co. Roscommon, sung in grief for a lost lover, who has departed overseas in the decades after the Famine (on the beautiful title track, Michelle O’Rourke’s ‘My Grief on the Sea’). Imagine yourself with Carol Keogh on the quays of New Ross in 1849, as Biddy and Catherine Keogh depart for New York (on the stunning ‘A Pair of Packed Valises (before the Dunbrody), 1849’) or picture yourself crossing the Atlantic in 1881 on a ship with Mary Connaughty (on the melancholy and haunting ‘Old Oak Road’ by Mike Smalle with Cathal Coughlan and Jah Wobble).

Join Cathal Coughlan and Linda Buckley on the roads of Co. Carlow, during the 1832 cholera epidemic, as a man called Crowley returns to Ireland after thirty years at sea (on the complex and poignant ‘The Man with Open Arms’). Sail the high seas with Eileen Gogan and Neil Farrell disguised as a cabin boy (on the sad and beautiful ‘Female Cabin Boy’) or stand with Tony Higgins and Agu on the quays of Dublin as the multitudes depart during the Famine (on the vibrant yet melancholy ‘Embarkation’).

Mike Smalle and Wally Nkikita trace Joseph Keys’ journey to Ireland from the time he leaves his life of enslavement in Virginia to his departure, from Baltimore, on board a ship across the Atlantic in early 1844 (on the melodious and tragic ‘Over the Ghosts’). Contemplate the rumble and power of the sea with Mike Smalle (on the sparkling track, ‘The Oscillating Sea’). Finally, imagine Marie and her lover swimming off the coast of Ireland as the effects of the Famine drive people from the land and towards the sea (on the starkly beautiful ‘The Weight of Water’ by Michael J. Sheehy).

This album is curated by Dr. Richard Mc Mahon, lecturer in History at MIC, Limerick, who explores forms of invented history that expose the villainy of the Irish race, both on the island and overseas, with support from Dr. Niall Whelehan, senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century.

As of June 6, 'My Grief on the Sea' will be released on limited edition vinyl with a lovely gatefold sleeve and 12-page booklet with credits and mini-essays on these songs. It will be available via Bandcamp, where the digital and CD versions can already be had. 

PARTICIPATING ARTISTS
- Agu is a singer, songwriter and music producer with Polish and Czech roots now living in Galway.
- Linda Buckley is an Irish composer who has written extensively for orchestra (BBC Symphony Orchestra, RTÉ NSO), with an interest in merging her classical training with the worlds of post punk, folk and electronica.
- Cathal Coughlan, originally from Cork, was a founder and singer of acclaimed 80s/90s groups Microdisney and Fatima Mansions, and is widely considered to be one of Ireland’s most revered singer/songwriters, beloved by fans of caustic literate lyricism and erudite songcraft.
- Adrian Crowley is a songwriter, singer, composer and performer, originally from Galway and now based in Dublin.
- Neil Farrell is a musician, songwriter, and producer from Galway, Ireland and a founding member of the Galway band, Toasted Heretic.
- Eileen Gogan is a singer, songwriter and producer who lives in Dublin, Ireland. She has also performed with some of Ireland’s most noted bands (The Would Be’s, The Drays and Microdisney).
- Tony Higgins is a composer and musician from Galway, Ireland.
- Carol Keogh has been part of the independent music scene in Ireland since her first band The Plague Monkeys garnered critical acclaim for their debut EP Navigator in 1997 and album Surface Tension (1998).
- Michelle O’Rourke is a singer based in Dublin. Empowered by a background in Baroque vocal music, and ever-fascinated by the role of voice in the ritual of performance, Michelle maintains a diverse portfolio of work: from contemporary classical music, to devised interdisciplinary projects, to holistic vocal coaching.
- Wally Nkikita (Aka DJ Wally) is an artist, originally from Kinshasa in the Democratic Republic of Congo, based in Galway city. He is a founder member of Galway African Diaspora-Ireland, a community group, leader of Galway Sonke Multicultural Choir and he plays an essential role in the evolution and promotion of African culture in Galway city.
- Brigid Mae Power is an Irish singer, songwriter and musician. She has produced four solo albums since 2016.
- Michael J. Sheehy makes music as a solo artist and as part of the rock band Miraculous Mule as well as one half of psychedelic electronic duo United Sounds of Joy. In 2020 he released his critically acclaimed solo album Distance Is The Soul of Beauty, his first in a decade.
- Mike Smalle is a musician, songwriter and producer from Galway, Ireland. He has released 8 albums to date under various guises. 2021 saw the release of his first album under his own name (Pagan Pulse).
- Jah Wobble is a well-known bass player who famously launched his career in Public Image Ltd.


Keep up with Bring Your Own Hammer
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Nathan James Drops Video for New Single "Lost Angeles" — WATCH // Announces "Hollywood Mortician" Album Out 7/11

CROWDKILL artist Nathan James is a rising force in the nu-metal and goth scenes. With strong streaming numbers, SiriusXM support, and a rapidly growing fanbase, James is making waves in modern heavy music. 

He drops the video for his single "Lost Angeles." Watch it below.

He will also drop his new album Hollywood Mortician on July 11 via Crowdkill. Pre-save it here.

"It's about people in Hollywood bending over backwards and getting f**ed," James says.

Fresh off a sold-out tour with In This Moment and Kim Dracula, James next hit the road for the America's Rejects Tour alongside Attila, Butcher Babies, and DED. James won fans over every night with his raw energy and is planning his next live appearances, so stay tuned.

Nathan James' discography includes hard-hitting singles like "Hanged Man" and "Secrets of the Shadows" (feat. Paleface Swiss), while "Alienation" served as the first single from his forthcoming debut album, set for release in Summer 2025. The song premiered on SiriusXM Octane's "Test Drive" with Jose Mangin. With his raw energy, commanding stage presence, and genre-blurring sound,  James is poised to be a defining voice in modern heavy music. Together, CrowdKill Records and Gravel Road are committed to empowering artists, giving them the creative freedom, resources, and support they need to thrive in today's evolving music industry.

Seattle rocker AudioGust explores fame & imposter syndrome in new ‘Award Show’ single

Seattle-based artist AudioGust announces his new single 'Award Show', a catchy indie rock piece narrated from the perspective of a barren artist riding on inertia, as hollow accolades amplify his dread in a surreal theater of unworthiness - a gilded cage of his own past glory. 

AudioGust is the solo project of songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started in the 1980s as a guitarist and bassist in various bands. After a decades-long detour in the software industry (including 20 years at Microsoft), he has returned to his true passion, writing and recording in his own studio. He has since released over three dozen songs and collaborated with artists worldwide, drawing inspiration from bands such as Green Day, The Police, and Foo Fighters.

'Award Show' is the second offering from AudioGust's new album 'Here We Go Again', presenting a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. 

“'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. The song follows an artist who once thrived on inspiration but now finds himself creatively empty, yet still receiving accolades for past work," explains Chris Evans.

"As he sits in the audience of a prestigious award show, he silently prays not to win—dreading the spotlight, the praise, and the expectation that he’s something he no longer feels he is. But when his name is called, the weight of the moment only deepens his self-doubt. Playing off his lack of preparation, he accepts the honor, yet inside, he’s unraveling—proof that even recognition can feel like a curse when inspiration is nowhere to be found."

Not long ago, AudioGust released the bright and punctuated title track 'Here We Go Again', an upbeat tribute to the unpredictable nature of creative inspiration, capturing an artist’s late-night encounter with his muse—an unexpected, almost mystical moment when a song begins to take shape in his mind.

His new 14-track album is deeply personal and universally relatable. An ode to the highs and lows of creativity, it includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
 
AudioGust explains, "This album is split into songs that describe the extremes of the fickle nature of inspiration and songs that have come to me in both of those places". Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.
 
With a knack for crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and evocative guitar arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic exploration of the modern human condition. AudioGust released his debut album 'Walk With Me' in 2023, followed by the 'Hope from Darkness' and 'Love and Pain' EPs.

'Here We Go Again' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The full album by the same name will be released on May 30.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR

Keep up with AudioGust
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MALVADA Announces Self-Titled Studio Album Out June 13, 2025 via Frontiers Music Srl

Women-led, talented Brazilian Rock band MALVADA is excited to announce the release of their self-titled album, out on June 13, 2025, via Frontiers Music Srl. Their new single and accompanying video, “I'm Sorry,” are also available now.

The band commented on the new album:

“It is the result of two years of work, and we are very excited to show the world how much Malvada has grown. We believe it is the best work of our lives, and everyone will like it, as it shows our real essence. You will have a real experience.

About the new single, "I'm Sorry," they added:

“It is a song that reflects our reality, being in music means that sometimes we have to be away from people we love. It is a song we made for them, and it is very emotional for us”.

 

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

Watch the Video for “I'm Sorry” Below:

MALVADA was initially formed in March 2020, at the start of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

 

In January 2021, MALVADA released their first single entitled "Mais Um Gole," which gained great popularity. Shortly afterwards, in May of the same year, it was time to release the second single "Cada Escolha uma Renúncia," which preceded the launch of the band's debut album, 'A Noite Vai Ferver.'

In 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest, and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoli, and Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

The new album, produced by the Brazilian Grammy-awarded producer Giu Daga, promises a powerful and exciting musical experience and will be the band's first work featuring tracks in English/Portuguese, aiming to conquer a global audience.

MALVADA's vibrant rock passion will take no prisoners!

Pre-Order 'Malvada' HERE

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass

Darkyra Release their New Album "Life Force" on Battlegod Productions June 13th

"Life Force " is the third release under the Darkyra brand. The album a joint venture between Drummer and Producer Garry King (Jeff Beck and Joe Lynn Turner) and Singer / Songwriter, Gina Bafile, (aka Darkyra / Darkyra Black, (she also is the new lead singer of Anfitrite). The friendship between the two dates back a full decade and this is the third album they have worked on together this time co-produced and arranged by them both and Garry has Mixed and Edited everything at 'La Foret Studio', in the Southwest of France. The Darkyra sound is quite diverse combining Cinematic Metal, Epic Metal, Gothic Rock, Art Rock, Opera Metal and Progressive Rock. Blending both soaring operatic vocals and rock vocals. Memorable melodies, World class production and world class musicianship.

 

Singer / Songwriter, Gina Bafile, "Darkyra has always been about uniting musicians from across the globe and we have continued this on Life Force. Over the years while Darkyra has been away from the music scene (last 8 years) the world has gone a little crazy, like the darkness is somehow starting to overshadow the light. Rather than creating a musical body of work that reinforces dark subject matters it was really important for us to balance the light with the dark. Metal music today seems to be all about doom and gloom. Although a good amount of the subject matter on this album is quite personal for Gina, having gone through her own health struggles and losing loved ones. We have tried to emphasize the upbeat and playful side of this album. 'Life Force' the title track sums up the playfulness and friendships forged from creating music and it is only fitting that this too was the title of this album. We hope everyone enjoys this new direction we have chosen and perhaps it'll shed a little ray of light for those that have fallen on dark times."

 

Peter Kotevski, President of Battlegod Productions, "With Gina we have been in contact about working together for this album for some time now. It's a band that is different to what Battlegod Productions normally releases but also it is quality music on a high level. It is great to have more variety on the label roster with a good professional band is all that is needed. The tracks are fantastic, each track has its own signature and grows on you with every listen. Highly recommended for people who adore their female fronted Rock/Metal."

 

Darkyra has many influences, some of these being Kate Bush, Devin Townsend, Tarja Turunen, though preferring not to be pigeonholed into any one category but rather letting the mood predict the outcome and the voice narrate the many characters within each song. A few things are different on this album, the vocals are set further in the mix to give it more of a rock style edge and the music is less dominated by keyboards and synth. Part of their aim was to capture the essence of 80’s rock and combine it with gothic and progressive rock but emphasize the bass and low tuned guitars to still keep a semi metal sound. Lots of vocal layering.

So What’s the album about?

Life-Force is a collection of songs based around both the light and dark aspects of human nature. It is a walk through an eclectic mind, cinematic storytelling driven by the push pull of good and evil, the inner and outer demons, slaves to a virtual world yet there are those still willing to give it all for a Celebrity Smile. "Life Force" we see it fade slowly in the sick as they slip away, we feel the vibrancy of the youth who have time and energy to play and within our memories the fallen forever loved, sometimes felt as if they remain. "Life Force" it flows within us all. It is the unity of friends across the globe, the creation of magic in the form of music. The spirit within that speaks volumes.... after all, ...THE WORLD IS A STAGE!

The album hashes out some real personal things. All in Good Time – Autism in Early Childhood, Breathe – Learning to pick yourself up after Cancer, Tested the Water- Seperation, Take Me Far Away – looking for closure and somewhere to lay down roots, One Foot in the Grave – the elderly waiting for what seems to be an eternity to join their fallen loved ones, Tomorrow Without You – Watching a parent fall ill and pass away and trying to come to terms with the grief. Life Force – a reflection of the friendships formed through music stemming back a decade and Quiet the Mind – a mind that just won't stop to rest.

Performer Credits:

GINA BAFILE – Lead Vocals & Backup Vocals

GARRY KING – Drums, Percussion, Loops & Backup Vocals, Extra Keyboards on (Bonus Track ‘Tested the Water’)

LUCIO MANCA – Bass Guitar (excluding ‘Take Me Far’ and ‘Celebrity Smile’)

GUS MANSUR – Guitars (all tracks incl. Breathe, Extra Guitar parts and solo on ‘Tested the Water’)

FAB JABLONSKI – Keyboard, Piano and Synth

MAAZ MANIK – Bass Guitar (Celebrity Smile, Take Me Far Away)

VINNI BAFILE – Clean & Drone Guitar (Quiet the Mind)

JAMES MICHAEL – Guitars on ‘Breathe’ and ‘Tested the Water’

 

Songwriter / Production Credits:

‘Life Force’ album, Produced and arranged by: Garry King and Gina Bafile

Edited and Mixed: Garry King at La Foret Studios, South West France

Composition and Lyrics: Gina Bafile (Breathe, All in Good Time, Life Force, Tomorrow Without You, Celebrity Smile, Quiet Mind, One Foot in the Grave)

Composition: ‘Take Me Far’ by Maaz Manik, Lyrics: Maaz Manik and Gina Bafile

Composition: ‘Leap Before You Die’ by Krissy Sanfead (overall guitar concept) and Gina Bafile, Lyrics:

Gina Bafile

Composition & Lyrics: Bonus Track - ‘Tested the Water’ by James Michael

Cover Art: ‘Dove & Raven’ Image by Fern Gadd Artistry, Layout by Gina Bafil

 
WEBSITE AND SOCIAL MEDIA:

SPOTIFY - https://open.spotify.com/artist/4VRJy3osm0rMsYthOvKfKM

YouTube - https://www.youtube.com/@Darkyramusic

FACEBOOK - https://www.facebook.com/DarkyraOfficial/

BANDCAMP - https://darkyrablack.bandcamp.com

INSTAGRAM -https://www.instagram.com/DarkyraMusic/

WEBSITE - https://www.darkyramusic.com/

https://darkyraofficial.wixsite.com/ginabafile

http://www.garrykingmic.com/

http://www.laforetgoupe.com/

www.battlegod-productions.com

Eric Church Joined Willie Geist on ”Sunday TODAY" Ahead of 'Evangeline vs. The Machine' Release This Friday 5/2

As the release of his highly anticipated new album Evangeline vs. the Machine approaches this Friday, May 2, Eric Church sat down with Willie Geist on NBC’s “Sunday TODAY.” The two discussed Church’s nearly two-decade journey defined by consistent risk-taking and rule-breaking as he enters a bold new chapter with his most sonically ambitious project yet. Watch the in-depth and wide-ranging conversation HERE, and hear the full, extended interview via the “Sunday Sitdown” podcast HERE.
 
“In the day we live in now, with all the social media… you can release a song on Tuesday, another song on Friday, another song on Tuesday,” explained Church in the feature. “I’m an album artist, always have been, and I think we’ve gotten away from that now. The ‘machine’ is consumption; the ‘machine’ is the world we live in – and the interesting thing about ‘Evangeline’ is it’s kind of creativity versus the machine, and ‘Evangeline’ represents that creativity.”
 
Reflecting later in the interview on a short span that included performing at the Route 91 Harvest Festival that was tragically impacted by a mass shooting, then facing a life-threatening blood clot and the death of his brother, Church notes, “You can listen to the music, maybe, and you can see that I was brash, arrogant in a lot of ways. But it changes when you have those things happen to you, and I think it made the music more humble, and maybe more observant.”
 
Church further expanded on the album’s themes during a separate appearance on “The Steam Room” podcast with basketball icons Charles Barkley and Ernie Johnson, noting, “Everything I look at today involves kids on iPads and kids doing whatever they do on ‘machines,’ and it’s a little bit of a crux between creativity versus the ‘machine’ that tries to manipulate that creativity.” Hear the full conversation HERE.
 
Driven by that sense of artistic purpose, Evangeline vs. the Machine expands the legacy of one of country music’s most fearless storytellers. Anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations – the album is available to pre-order/pre-save HERE.
 
Following the release, Church will bring the new music and his esteemed catalog to life onstage with a run of high-profile shows, beginning with two To Beat The Devil residency shows at London’s revered Royal Albert Hall on May 16-17. He will then take over Nashville’s Pinnacle for a sold-out, two-night installment of Evangeline vs. The Machine Live on May 23–24. In July, he heads west for what has become a roughly once-a-decade experience at Colorado’s iconic Red Rocks Amphitheatre, where fans can expect a unique set each evening across three sold-out shows: Eric Church vs. The Machine; Eric Church vs. The ECB; and Eric Church vs. The Guitar.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently celebrated the first anniversary Chief’s, his six-story venue on Nashville’s famed lower Broadway.

Eric Church joined Willie Geist on NBC’s “Sunday TODAY” yesterday, April 27. | Photo Courtesy of NBC

Bury Tomorrow Release New Single "Forever The Night"

NEW ALBUM WILL YOU HAUNT ME, WITH THAT SAME PATIENCE OUT MAY 16

Building on a huge touring run that saw the band visit their biggest ever venues across the UK, Europe, USA, Australia and Japan, Bury Tomorrow are on course for an even bigger 2025.

Following the release of dynamic and sonically splintering new singles ("Let Go," "What If I Burn," and "Villain Arc"), the band, which is currently co-headlining across North America with fellow Brits While She Sleeps, have today released "Forever The Night."

The song explores the intoxicating allure of escapism — how euphoria can blind us to the truth, even when something isn't good for us. The track captures the emotional tension of clinging to fleeting highs to avoid facing reality, underscoring the inevitability of change and the end of all things.

Watch the "Forever The Night" video below:

For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing.

From the depths of uncertainty, through line-up changes and COVID-inspired road blocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist Tom Prendergast and the creation of 2023's The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before. Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date.

Crafted more intimately and intricately than ever before by internalizing every aspect of the writing process, with Carl Bown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive and punishingly grand display of cathartic craftsmanship.

Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.

"To haunt is to revisit or recur persistently to the consciousness of someone or something,” explains guitarist, Kristan Dawson. "There’s beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that's certainly reflective of the album musically."

Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience' still strives to represent that lingering presence, that hope, that reminds us that this isn't the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.

To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music.

 BURY TOMORROW ON TOUR:
WITH WHILE SHE SLEEPS + VENDED:

4/25 — San Antonio, TX — Paper Tiger
4/26 — Houston, TX — Warehouse Live
4/28 — Orlando, FL — House of Blues
4/29 — Atlanta, GA — The Masquerade
4/30 — Charlotte, NC — The Underground

Info about summer UK/EU dates and shows supporting Electric Callboy here.

Pre-Save/Pre-Order here.

BURY TOMORROW IS:  
Kristan Dawson (Lead Guitar)
Daniel Winter-Bates (Vocals)
Davyd Winter-Bates (Bass Guitar)
Ed Hartwell (Rhythm Guitar)
Adam Jackson (Drums)
Tom Prendergast (Keyboards, Vocals)

Chicago's Evidence of a Struggle previews sophomore album 'Eddy Derecho'. Watch the explosive video for 'Le Caution'

Chicago alternative rock outfit Evidence of a Struggle releases their sophomore album 'Eddy Derecho' on May 2 via The Glue Factory and The Orchard, offering due pushback against incentivized control by media, government, religion, business, pharma, banking and mass media.

Centred around the musings of multi-instrumentalist W P C Simmons V a.k.a. Rev. Billy Simmons,  Evidence of a Struggle also involves Matt Walker (Smashing Pumpkins, Morrissey, of1000faces, Garbage, Filter) on drums and synths, with bass contributions by Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) and Solomon Walker (Liz Phair, Bryan Adams, Morrissey). 

With recording, mixing and final production by Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone), Grammy-nominated sound engineer Chris Gelin (Smashing Pumpkins, Trent Reznor, RZA, Tom Morello, Korn) handled post-production and mastering. Also an essential part of EOAS, Chicago John Airo created the visual art, animations and videos.

Evidence of a Struggle spent most of 2024 weaving a dense tapestry of sonic, musical, lyrical and "visual observations” of what’s happening in our world now, in the past and what may happen in the future. Rooted within the chaos of our world, this album is a loud and thoughtful sonic exploration of our unique ability as a species to harm, destroy, thoughtlessly marginalize, and discard with reckless disregard for anyone or anything outside of our immediate orbit.

Following the lead tracks 'Eddy Derecho' and 'Give Us A Kiss', Evidence of a Struggle has also shared the latest explosive video for 'Le Caution'. The lyrical emphasis for this album is a departure from the 2023 debut eponymous album, which was instrumental with the exception of the final track.

Rev. Billy Simmons explains, "We wanted to utilize more AI-assisted generative video, as some would say — it's a horrible curse, as others would argue it's a surreal blessing. this video is another disturbing observation, a dreamlike looking glass into everything affecting us, traveling within the same currents as the other songs or videos are flowing, such as religion, money, war, inequity, inequality, pain, suffering, anger and, at the end of it all a visual statement of a profound change in our surroundings".

Transforming into a musical chameleon at night, Rev. Billy's day to day entails running Rev. Billy's Chop Shop, a salon with a creative space that regularly showcases artists' work (declared by Chicago Reader as the city's best gallery). The forthcoming 'Eddy Derecho' album is a lyrical departure from Evidence of a Struggle's debut instrumental album.

Rev. Billy previously collaborated with notable artists, such as RCA artist , Urge Overkill, Touch and Go, and major labels like BMG and Universal. In 2020, he returned to music in the midst of lockdown boredom, allowing him a continued creative outlet. Playing every instrument and recording his debut album at The Glue Factorystudio, he then joined forces with Sanford Parker.

'Le Caution' is out now, available from fine digital platforms, including SpotifyApple Music and Bandcamp.  On May 2, The full 'Eddy Defecho' album will be released on vinyl, CD and digitally.

CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
Loveless Publishing ASCAP
William P C Simmons V - Vocals, Guitar, Synth
Matt Walker - drums, synth
Alan Berliant - bass guitar
Solomon Walker - bass guitar
Recorded at The Glue Factory, Ming Music Studios & Hypercube
Mixed & produced by Sanford Parker at Hypercube
Mastered by Chris Gelin at Opus Audio Labs
'Eddy Derecho' & 'Give Us a Kiss' cover art & videos by John Airo
'Give Us A Kiss' cover artwork by Rev. Billy Simmons
Artist photos by Jeremy Glickstein
Publicity by Shameless Promotion PR

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | Threads | BlueSky | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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