Bear Mace _ Slaves Of The Wolf

In the heart of Chicago, amidst the city's vibrant cacophony, a ferocious new chapter is being written by BEAR MACE with their latest release, Slaves Of The Wolf. This third studio album, set to be unveiled on June 6, 2025, is a testament to the band's evolution and their unwavering commitment to the raw energy of death metal. For BEAR MACE, composed of Chris Scearce on vocals, Mark Sugar and Tommy Bellino on guitars, Garry Naples behind the drums, and John Porada on bass, this album is not just another collection of tracks—it's a narrative deeply rooted in the themes of warfare, survival, and the echoes of historical battles.

The journey of Slaves Of The Wolf begins with its opening track, an eponymous piece that channels the spirit of soldiers lost to the annals of history, their lives swallowed by the vast, cold embrace of war. This sets the stage for an album where each song weaves part of a larger, darker tapestry. From "Worthless Lives," which reflects on our dystopian reality with poignant lyrics and relentless riffs, to "Drown Them In Their Blood," a slower, heavier homage to the brutal necessities of war, the album crafts a compelling saga.

One of the standout tracks, "The Iceman Cometh," explores the chilling life of Richard Kuklinski with an intensity that matches the cold-blooded tales of his crimes. Meanwhile, "Captured And Consumed" features guest vocals by death metal pioneer Kam Lee from Massacre, adding a visceral layer to the haunting recount of WWII atrocities.

The production of the album, managed by the band and captured in the diverse acoustics of Hypercube Studios and Miracle On Mace Street Studios, showcases the meticulous care of engineer Sanford Parker and mixing and mastering by Damian Herring. This technical expertise ensures that each note and nuance is sharply delivered, from the guttural depths of Chris's vocals to the dual assault of Mark's and Tommy's guitars.

The visual representation of the album, crafted by artist Dedy Badic, mirrors the music's raw ferocity and historical depth, encapsulating the essence of BEAR MACE's narrative in a striking image that promises to resonate as powerfully as the music itself.

As Slaves Of The Wolf prepares for release, BEAR MACE is also gearing up to bring this new material to life on stages across the country. Known for their explosive live performances, the band promises to deliver shows that not only showcase their latest work but also highlight their growth as musicians and storytellers.

For fans old and new, Slaves Of The Wolf is more than just an album. It's an invitation to explore the depths of human history and emotion through the lens of BEAR MACE’s distinctive, relentless sound. As June approaches, the anticipation builds not just for a series of tracks, but for a powerful narrative set to be unleashed in the most explosive way possible.

About BEAR MACE:

Hailing from the robust metal scene of Chicago, Illinois, BEAR MACE has carved a formidable niche within the death metal genre since their inception in 2012. The band’s name, a nod to both ferocity and defense, perfectly encapsulates their sound: relentless, powerful, and unyielding. Comprised of vocalist Chris Scearce, guitarists Mark Sugar and Tommy Bellino, drummer Garry Naples, and bassist John Porada, BEAR MACE is a force to be reckoned with, known for their brutal riffs, historical and darkly imaginative lyrical content, and explosive live performances.

BEAR MACE's music is a deliberate throwback to the death metal of the late '80s and early '90s, drawing significant inspiration from the genre's pioneers like MASSACRE and BOLT THROWER. Their sound is characterized by a blend of raw aggression and meticulous craftsmanship, with themes that delve into historical wars, mythical narratives, and modern dystopias. This thematic depth sets BEAR MACE apart, as they weave intricate stories with each track, engaging listeners not just with sound, but with storytelling that invites reflection on the past and present.

Since releasing their first demo, Kodiak Killers, in 2014, BEAR MACE has consistently upped the ante with each subsequent release. Their debut album, Butchering The Colossus (2017), was a breakout success, establishing them as serious contenders in the metal community. This was followed by Charred Field Of Slaughter in 2020, an album that received acclaim for its intensity and complexity, further solidifying the band’s reputation.

Beyond their studio recordings, BEAR MACE is known for their dynamic live shows, which capture the band’s energy and technical prowess. They have shared stages with notable bands and played at major festivals, strengthening their presence in the metal scene. Their tour with death metal legends MACABRE in the summer of 2022, including a co-headlining spot at Into The Darkness Fest in Ohio, highlights their standing among contemporaries and legends alike.

The release of their third album, Slaves Of The Wolf, in 2025 marks another milestone for BEAR MACE. This album not only showcases their growth as musicians but also highlights a stable lineup that has been together for over five years. With Slaves Of The Wolf, BEAR MACE continues to push the boundaries of their sound while paying homage to the roots of death metal, crafting tracks that are both aggressive and deeply narrative.

As BEAR MACE continues to evolve and expand their auditory assault, their dedication to the craft and their fans remains unwavering. With a solid foundation and a clear vision, they are poised to remain a staple in the playlists of metal enthusiasts and a commanding presence on the global metal stage.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

  • Bandcamp: https://bearmace.bandcamp.com/

  • Facebook: https://www.facebook.com/bearmace1

  • Instagram: https://www.instagram.com/bearmace_metal/

  • YouTube: https://www.youtube.com/@bearmace8259

  • Spotify: https://open.spotify.com/artist/7bpYbAeJkSr4R95J9nVtLm

  • Apple Music: https://music.apple.com/us/artist/bear-mace/1212215294

NAILED TO OBSCURITY - Announce New Album "Generation Of The Void" + Release Video For New Single 'Overcast'

NAILED TO OBSCURITY are excited to reveal the name and release date of their fifth studio album, Generation Of The Void, which will be out on September 5th, 2025 via Nuclear Blast Records. Alongside the announcement of the pre-order, a music video for the new single 'Overcast' has been unveiled. 

NAILED TO OBSCURITY commented:
We are beyond excited to finally share this with all of you. Generation Of The Void marks a new era for Nailed To Obscurity — heavier, darker, more dynamic than anything we've ever done before. This album is the result of years of evolution, and it's our most atmospheric and intense journey yet, pushing every boundary we’ve ever set for ourselves."

"'
Overcast' captures the bleakness of a world in ruins — a driving, post-apocalyptic anthem with a haunting melody and an eruption of raw, relentless energy. It's a song about finding the strength to move on when everything familiar has turned to dust. We can’t wait to play this one live on our upcoming headline tour this fall!

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.

The production quality on Generation Of The Void marks a significant step up, pushing NAILED TO OBSCURITY's sound to an entirely new level. This album also introduces a new dimension to the band's sonic identity, featuring an unprecedented balance between their signature crushing growls and a greater emphasis on clean vocals. While clean singing has always been part of their sound, Generation Of The Void takes it further—some songs feature only clean vocals, others are dominated by growls, and most strike a dynamic balance between the two.

Recorded between 2021 and 2024, the album sees the band reaching new creative depths. Guitars, bass, and drums were laid down at Woodshed Studios in Landshut, Germany, while vocals were recorded by Jacob Hansen at Hansen Studios in Ribe, Denmark. Additional elements, such as synths and extra guitar layers, were produced by Lamberti himself at the band’s headquarters in East Frisia. Production duties were shared between V. Santura, Jacob Hansen, and Lamberti, with Hansen handling the final mix and master, ensuring a sound that is both expansive and intimate.

The album’s artwork and layout were crafted by renowned artist Giannis Nakos, visually embodying the record’s dark and introspective themes.

PRE-ORDER / PRE-SAVE GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void

STREAM THE SINGLE 'OVERCAST':
https://nto.bfan.link/overcast

WATCH THE VIDEO FOR 'OVERCAST' BELOW:

NAILED TO OBSCURITY will embark on their first extensive European headline tour in autumn 2025, with guests YOTH IRIA (GR) and OAK, ASH & THORN (US). This tour will be a celebration of the band's 20th anniversary, which is due this year.

ABOUT NAILED TO OBSCURITY:

Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.

By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.

In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.

Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.

NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity

THE HAUNTED Launches Official Music Video for New Song, "In Fire Reborn"

Swedish thrash pioneers and purveyors THE HAUNTED continue to scorch the earth with their upcoming tenth studio album, 'Songs of Last Resort,' to be released worldwide on May 30, 2025 via longtime partners Century Media Records. The band is now unleashing the blistering new single, “In Fire Reborn," along with a music video, which was directed by Patric Ullaeus / (In Flames, Arch Enemy, Dimmu Borgir, etc.). The clip can be found below.

THE HAUNTED vocalist Marco Aro comments about the track, “This is the second single off the album 'Songs of Last Resort.' The song is called 'In Fire Reborn' and it’s a more classic THE HAUNTED sounding song with the aggression turned up to 11…just in case you missed the memo on our previous single!”

Guitarist Jensen adds, "A classic THE HAUNTED 6/8 beat song. I wrote the start, verses and ending of the song, but it wasn't until Jonas wrote the chorus when 'In Fire Reborn' really bloomed out. I believe this could also easily become a fan favorite, just like it has become one of the band's favorite songs on the album. The lyrics are, just like with 'Warhead,'' also along the topic of war, but this time from a soldier's perspective."

The previously released video for the album’s opening track, “Warhead,” can still be seen HERE.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.

The album artwork for 'Songs of Last Resort' was created by  Andreas “Diaz” Pettersson and can be found below along with the tracklisting.

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

WEBSTORE

British Rock Icons SKUNK ANANSIE Release New Single "Animal" + Music Video

Today, British rock icons SKUNK ANANSIE have released their brand new single, "Animal"! Electronically driven, dark and moody, it has proved an absolute smash hit on the band’s recent sold-out UK & European tour. It possesses an instant classic chorus that has seen fans chanting along within moments of first hearing it. The song is the latest track to be taken from the band’s forthcoming album 'The Painful Truth,' out on May 23 via FLG.

The on-stage performance video for "Animal" is an intense blur of close-up imagery, flashing lights, and treated visuals that capture the claustrophobic tension and pulsating drama that drives the song along. It was filmed on tour by the band’s videographer India Fleming and edited by Shea McChrystal.

Skin comments:

“So delighted for this track to finally be released as it was a fan fave during the tour and went down a storm! Hope you all like it too.”

Watch the Music Video for “Animal” Below":

'The Painful Truth' is a truly mesmerising, provocative, powerful, and emotional album demonstrating a band at the absolute peak of their powers, yet with everything to prove. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title. It is a reality that they have lived through.

A radical record made for these uncertain times, 'The Painful Truth' is SKUNK ANANSIE’s first release on the newly formed FLG Records, and it comes with a freshness that belies their storied career and previous multi-platinum achievements. It’s a record that will see SKUNK ANANSIE reclaim their place as one of the most exciting, visionary, and important bands in British music.

Having just completed the aforementioned UK & European tour, the band has been announced as the headline act for The Independent newspaper’s stage at The Great Escape Festival on Friday, May 16. Taking place at The Old Market, it shines a spotlight on groundbreaking artists, and there is no better example of that than SKUNK ANANSIE, who are globallycelebrated for addressing political and social issues through their music, breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.

SKUNK ANANSIE will also be playing a very special headline show near Bristol on the day of the album release (May 23rd). It takes place at Good Times at The Ridings, Chipping Sodbury, and the band will be supported by Republica (tickets HERE)

The band has another run of huge European headline shows this summer before appearing as Special Guests in the UK at the two outdoor Smashing Pumpkins shows in August.

Aug 10th London, Gunnersbury Park w/ Smashing Pumpkins

Aug 14th Colchester Castle Summer Series w/ Smashing Pumpkins

Pre-Order 'The Painful Truth' HERE

About SKUNK ANANSIE:



SKUNK ANANSIE, formed in 1994 in London, is a seminal band, one of the first multi-racial British rock bands, who are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.

Their debut album 'Paranoid & Sunburnt' (1995), and its follow up 'Stoosh' (1996) both hit the Top 10 album chart in the UK and with hits like "Weak" and "Hedonism," they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade out in style by releasing their third studio album, 'Post Orgasmic Chill' and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.

The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s 'Wonderlustre,' 2012’s 'Black Traffic,' and 2015’s 'Anarchytecture.' In 2019, the band marked their 25th anniversary with '25LIVE@25,' a live album that brings together the greatest songs from their six studio albums.

Throughout their career, SKUNK ANANSIE has sold over five million records globally. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent.

SKUNK ANANSIE is celebrated for addressing political and social issues through their music and breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.

Irish legacy project Bring Your Own Hammer to release 'My Grief on the Sea' with Dimple Discs.

Bring Your Own Hammer (BYOH), in collaboration with Peckham-based label Dimple Discs, has announced the forthcoming vinyl release of the ambitious Irish music compilation 'My Grief on the Sea'. Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora.

Not a band, nor a group, an ensemble or even a collective, Bring Your Own Hammer is a faction but, unlike 19th century Irish factions (who met, armed with sticks and two-handed wattles in fairs and markets), BYOH is armed with voices and instruments and dedicated, as no faction before, to the re-interpretation of historical material in song form.

‘My Grief On The Sea’ is dedicated to Cathal Coughlan, one of Ireland’s most revered singer-songwriters and frontman of acclaimed 80s-90s groups Microdisney and Fatima Mansions). The first vinyl LP to be released through BYOH, this album is brimming with contributions from superb artists, including Linda Buckley, Cathal Coughlan, Adrian Crowley, Eileen Gogan, Carol Keogh, Michelle O’Rourke, Brigid Mae Power, Michael J Sheehy, Mike Smalle and Jah Wobble,

This is a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s. These songs criss-cross the Atlantic, following the remaining threads of lives shaped, in one way or another, by the sea. In 'Golden Streets, Bitter Tears' by Adrian Crowley with Brigid Mae Power, for instance, lines written in the letters of migrants to North America are matched with beautiful melodies.

You will hear the echoes of words from a bog in Co. Roscommon, sung in grief for a lost lover, who has departed overseas in the decades after the Famine (on the beautiful title track, Michelle O’Rourke’s ‘My Grief on the Sea’). Imagine yourself with Carol Keogh on the quays of New Ross in 1849, as Biddy and Catherine Keogh depart for New York (on the stunning ‘A Pair of Packed Valises (before the Dunbrody), 1849’) or picture yourself crossing the Atlantic in 1881 on a ship with Mary Connaughty (on the melancholy and haunting ‘Old Oak Road’ by Mike Smalle with Cathal Coughlan and Jah Wobble).

Join Cathal Coughlan and Linda Buckley on the roads of Co. Carlow, during the 1832 cholera epidemic, as a man called Crowley returns to Ireland after thirty years at sea (on the complex and poignant ‘The Man with Open Arms’). Sail the high seas with Eileen Gogan and Neil Farrell disguised as a cabin boy (on the sad and beautiful ‘Female Cabin Boy’) or stand with Tony Higgins and Agu on the quays of Dublin as the multitudes depart during the Famine (on the vibrant yet melancholy ‘Embarkation’).

Mike Smalle and Wally Nkikita trace Joseph Keys’ journey to Ireland from the time he leaves his life of enslavement in Virginia to his departure, from Baltimore, on board a ship across the Atlantic in early 1844 (on the melodious and tragic ‘Over the Ghosts’). Contemplate the rumble and power of the sea with Mike Smalle (on the sparkling track, ‘The Oscillating Sea’). Finally, imagine Marie and her lover swimming off the coast of Ireland as the effects of the Famine drive people from the land and towards the sea (on the starkly beautiful ‘The Weight of Water’ by Michael J. Sheehy).

This album is curated by Dr. Richard Mc Mahon, lecturer in History at MIC, Limerick, who explores forms of invented history that expose the villainy of the Irish race, both on the island and overseas, with support from Dr. Niall Whelehan, senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century.

As of June 6, 'My Grief on the Sea' will be released on limited edition vinyl with a lovely gatefold sleeve and 12-page booklet with credits and mini-essays on these songs. It will be available via Bandcamp, where the digital and CD versions can already be had. 

PARTICIPATING ARTISTS
- Agu is a singer, songwriter and music producer with Polish and Czech roots now living in Galway.
- Linda Buckley is an Irish composer who has written extensively for orchestra (BBC Symphony Orchestra, RTÉ NSO), with an interest in merging her classical training with the worlds of post punk, folk and electronica.
- Cathal Coughlan, originally from Cork, was a founder and singer of acclaimed 80s/90s groups Microdisney and Fatima Mansions, and is widely considered to be one of Ireland’s most revered singer/songwriters, beloved by fans of caustic literate lyricism and erudite songcraft.
- Adrian Crowley is a songwriter, singer, composer and performer, originally from Galway and now based in Dublin.
- Neil Farrell is a musician, songwriter, and producer from Galway, Ireland and a founding member of the Galway band, Toasted Heretic.
- Eileen Gogan is a singer, songwriter and producer who lives in Dublin, Ireland. She has also performed with some of Ireland’s most noted bands (The Would Be’s, The Drays and Microdisney).
- Tony Higgins is a composer and musician from Galway, Ireland.
- Carol Keogh has been part of the independent music scene in Ireland since her first band The Plague Monkeys garnered critical acclaim for their debut EP Navigator in 1997 and album Surface Tension (1998).
- Michelle O’Rourke is a singer based in Dublin. Empowered by a background in Baroque vocal music, and ever-fascinated by the role of voice in the ritual of performance, Michelle maintains a diverse portfolio of work: from contemporary classical music, to devised interdisciplinary projects, to holistic vocal coaching.
- Wally Nkikita (Aka DJ Wally) is an artist, originally from Kinshasa in the Democratic Republic of Congo, based in Galway city. He is a founder member of Galway African Diaspora-Ireland, a community group, leader of Galway Sonke Multicultural Choir and he plays an essential role in the evolution and promotion of African culture in Galway city.
- Brigid Mae Power is an Irish singer, songwriter and musician. She has produced four solo albums since 2016.
- Michael J. Sheehy makes music as a solo artist and as part of the rock band Miraculous Mule as well as one half of psychedelic electronic duo United Sounds of Joy. In 2020 he released his critically acclaimed solo album Distance Is The Soul of Beauty, his first in a decade.
- Mike Smalle is a musician, songwriter and producer from Galway, Ireland. He has released 8 albums to date under various guises. 2021 saw the release of his first album under his own name (Pagan Pulse).
- Jah Wobble is a well-known bass player who famously launched his career in Public Image Ltd.


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Nathan James Drops Video for New Single "Lost Angeles" — WATCH // Announces "Hollywood Mortician" Album Out 7/11

CROWDKILL artist Nathan James is a rising force in the nu-metal and goth scenes. With strong streaming numbers, SiriusXM support, and a rapidly growing fanbase, James is making waves in modern heavy music. 

He drops the video for his single "Lost Angeles." Watch it below.

He will also drop his new album Hollywood Mortician on July 11 via Crowdkill. Pre-save it here.

"It's about people in Hollywood bending over backwards and getting f**ed," James says.

Fresh off a sold-out tour with In This Moment and Kim Dracula, James next hit the road for the America's Rejects Tour alongside Attila, Butcher Babies, and DED. James won fans over every night with his raw energy and is planning his next live appearances, so stay tuned.

Nathan James' discography includes hard-hitting singles like "Hanged Man" and "Secrets of the Shadows" (feat. Paleface Swiss), while "Alienation" served as the first single from his forthcoming debut album, set for release in Summer 2025. The song premiered on SiriusXM Octane's "Test Drive" with Jose Mangin. With his raw energy, commanding stage presence, and genre-blurring sound,  James is poised to be a defining voice in modern heavy music. Together, CrowdKill Records and Gravel Road are committed to empowering artists, giving them the creative freedom, resources, and support they need to thrive in today's evolving music industry.

Seattle rocker AudioGust explores fame & imposter syndrome in new ‘Award Show’ single

Seattle-based artist AudioGust announces his new single 'Award Show', a catchy indie rock piece narrated from the perspective of a barren artist riding on inertia, as hollow accolades amplify his dread in a surreal theater of unworthiness - a gilded cage of his own past glory. 

AudioGust is the solo project of songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started in the 1980s as a guitarist and bassist in various bands. After a decades-long detour in the software industry (including 20 years at Microsoft), he has returned to his true passion, writing and recording in his own studio. He has since released over three dozen songs and collaborated with artists worldwide, drawing inspiration from bands such as Green Day, The Police, and Foo Fighters.

'Award Show' is the second offering from AudioGust's new album 'Here We Go Again', presenting a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. 

“'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. The song follows an artist who once thrived on inspiration but now finds himself creatively empty, yet still receiving accolades for past work," explains Chris Evans.

"As he sits in the audience of a prestigious award show, he silently prays not to win—dreading the spotlight, the praise, and the expectation that he’s something he no longer feels he is. But when his name is called, the weight of the moment only deepens his self-doubt. Playing off his lack of preparation, he accepts the honor, yet inside, he’s unraveling—proof that even recognition can feel like a curse when inspiration is nowhere to be found."

Not long ago, AudioGust released the bright and punctuated title track 'Here We Go Again', an upbeat tribute to the unpredictable nature of creative inspiration, capturing an artist’s late-night encounter with his muse—an unexpected, almost mystical moment when a song begins to take shape in his mind.

His new 14-track album is deeply personal and universally relatable. An ode to the highs and lows of creativity, it includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
 
AudioGust explains, "This album is split into songs that describe the extremes of the fickle nature of inspiration and songs that have come to me in both of those places". Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.
 
With a knack for crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and evocative guitar arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic exploration of the modern human condition. AudioGust released his debut album 'Walk With Me' in 2023, followed by the 'Hope from Darkness' and 'Love and Pain' EPs.

'Here We Go Again' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The full album by the same name will be released on May 30.

ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'  
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR

Keep up with AudioGust
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MALVADA Announces Self-Titled Studio Album Out June 13, 2025 via Frontiers Music Srl

Women-led, talented Brazilian Rock band MALVADA is excited to announce the release of their self-titled album, out on June 13, 2025, via Frontiers Music Srl. Their new single and accompanying video, “I'm Sorry,” are also available now.

The band commented on the new album:

“It is the result of two years of work, and we are very excited to show the world how much Malvada has grown. We believe it is the best work of our lives, and everyone will like it, as it shows our real essence. You will have a real experience.

About the new single, "I'm Sorry," they added:

“It is a song that reflects our reality, being in music means that sometimes we have to be away from people we love. It is a song we made for them, and it is very emotional for us”.

 

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

Watch the Video for “I'm Sorry” Below:

MALVADA was initially formed in March 2020, at the start of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

 

In January 2021, MALVADA released their first single entitled "Mais Um Gole," which gained great popularity. Shortly afterwards, in May of the same year, it was time to release the second single "Cada Escolha uma Renúncia," which preceded the launch of the band's debut album, 'A Noite Vai Ferver.'

In 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest, and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoli, and Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

The new album, produced by the Brazilian Grammy-awarded producer Giu Daga, promises a powerful and exciting musical experience and will be the band's first work featuring tracks in English/Portuguese, aiming to conquer a global audience.

MALVADA's vibrant rock passion will take no prisoners!

Pre-Order 'Malvada' HERE

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass

Darkyra Release their New Album "Life Force" on Battlegod Productions June 13th

"Life Force " is the third release under the Darkyra brand. The album a joint venture between Drummer and Producer Garry King (Jeff Beck and Joe Lynn Turner) and Singer / Songwriter, Gina Bafile, (aka Darkyra / Darkyra Black, (she also is the new lead singer of Anfitrite). The friendship between the two dates back a full decade and this is the third album they have worked on together this time co-produced and arranged by them both and Garry has Mixed and Edited everything at 'La Foret Studio', in the Southwest of France. The Darkyra sound is quite diverse combining Cinematic Metal, Epic Metal, Gothic Rock, Art Rock, Opera Metal and Progressive Rock. Blending both soaring operatic vocals and rock vocals. Memorable melodies, World class production and world class musicianship.

 

Singer / Songwriter, Gina Bafile, "Darkyra has always been about uniting musicians from across the globe and we have continued this on Life Force. Over the years while Darkyra has been away from the music scene (last 8 years) the world has gone a little crazy, like the darkness is somehow starting to overshadow the light. Rather than creating a musical body of work that reinforces dark subject matters it was really important for us to balance the light with the dark. Metal music today seems to be all about doom and gloom. Although a good amount of the subject matter on this album is quite personal for Gina, having gone through her own health struggles and losing loved ones. We have tried to emphasize the upbeat and playful side of this album. 'Life Force' the title track sums up the playfulness and friendships forged from creating music and it is only fitting that this too was the title of this album. We hope everyone enjoys this new direction we have chosen and perhaps it'll shed a little ray of light for those that have fallen on dark times."

 

Peter Kotevski, President of Battlegod Productions, "With Gina we have been in contact about working together for this album for some time now. It's a band that is different to what Battlegod Productions normally releases but also it is quality music on a high level. It is great to have more variety on the label roster with a good professional band is all that is needed. The tracks are fantastic, each track has its own signature and grows on you with every listen. Highly recommended for people who adore their female fronted Rock/Metal."

 

Darkyra has many influences, some of these being Kate Bush, Devin Townsend, Tarja Turunen, though preferring not to be pigeonholed into any one category but rather letting the mood predict the outcome and the voice narrate the many characters within each song. A few things are different on this album, the vocals are set further in the mix to give it more of a rock style edge and the music is less dominated by keyboards and synth. Part of their aim was to capture the essence of 80’s rock and combine it with gothic and progressive rock but emphasize the bass and low tuned guitars to still keep a semi metal sound. Lots of vocal layering.

So What’s the album about?

Life-Force is a collection of songs based around both the light and dark aspects of human nature. It is a walk through an eclectic mind, cinematic storytelling driven by the push pull of good and evil, the inner and outer demons, slaves to a virtual world yet there are those still willing to give it all for a Celebrity Smile. "Life Force" we see it fade slowly in the sick as they slip away, we feel the vibrancy of the youth who have time and energy to play and within our memories the fallen forever loved, sometimes felt as if they remain. "Life Force" it flows within us all. It is the unity of friends across the globe, the creation of magic in the form of music. The spirit within that speaks volumes.... after all, ...THE WORLD IS A STAGE!

The album hashes out some real personal things. All in Good Time – Autism in Early Childhood, Breathe – Learning to pick yourself up after Cancer, Tested the Water- Seperation, Take Me Far Away – looking for closure and somewhere to lay down roots, One Foot in the Grave – the elderly waiting for what seems to be an eternity to join their fallen loved ones, Tomorrow Without You – Watching a parent fall ill and pass away and trying to come to terms with the grief. Life Force – a reflection of the friendships formed through music stemming back a decade and Quiet the Mind – a mind that just won't stop to rest.

Performer Credits:

GINA BAFILE – Lead Vocals & Backup Vocals

GARRY KING – Drums, Percussion, Loops & Backup Vocals, Extra Keyboards on (Bonus Track ‘Tested the Water’)

LUCIO MANCA – Bass Guitar (excluding ‘Take Me Far’ and ‘Celebrity Smile’)

GUS MANSUR – Guitars (all tracks incl. Breathe, Extra Guitar parts and solo on ‘Tested the Water’)

FAB JABLONSKI – Keyboard, Piano and Synth

MAAZ MANIK – Bass Guitar (Celebrity Smile, Take Me Far Away)

VINNI BAFILE – Clean & Drone Guitar (Quiet the Mind)

JAMES MICHAEL – Guitars on ‘Breathe’ and ‘Tested the Water’

 

Songwriter / Production Credits:

‘Life Force’ album, Produced and arranged by: Garry King and Gina Bafile

Edited and Mixed: Garry King at La Foret Studios, South West France

Composition and Lyrics: Gina Bafile (Breathe, All in Good Time, Life Force, Tomorrow Without You, Celebrity Smile, Quiet Mind, One Foot in the Grave)

Composition: ‘Take Me Far’ by Maaz Manik, Lyrics: Maaz Manik and Gina Bafile

Composition: ‘Leap Before You Die’ by Krissy Sanfead (overall guitar concept) and Gina Bafile, Lyrics:

Gina Bafile

Composition & Lyrics: Bonus Track - ‘Tested the Water’ by James Michael

Cover Art: ‘Dove & Raven’ Image by Fern Gadd Artistry, Layout by Gina Bafil

 
WEBSITE AND SOCIAL MEDIA:

SPOTIFY - https://open.spotify.com/artist/4VRJy3osm0rMsYthOvKfKM

YouTube - https://www.youtube.com/@Darkyramusic

FACEBOOK - https://www.facebook.com/DarkyraOfficial/

BANDCAMP - https://darkyrablack.bandcamp.com

INSTAGRAM -https://www.instagram.com/DarkyraMusic/

WEBSITE - https://www.darkyramusic.com/

https://darkyraofficial.wixsite.com/ginabafile

http://www.garrykingmic.com/

http://www.laforetgoupe.com/

www.battlegod-productions.com

Eric Church Joined Willie Geist on ”Sunday TODAY" Ahead of 'Evangeline vs. The Machine' Release This Friday 5/2

As the release of his highly anticipated new album Evangeline vs. the Machine approaches this Friday, May 2, Eric Church sat down with Willie Geist on NBC’s “Sunday TODAY.” The two discussed Church’s nearly two-decade journey defined by consistent risk-taking and rule-breaking as he enters a bold new chapter with his most sonically ambitious project yet. Watch the in-depth and wide-ranging conversation HERE, and hear the full, extended interview via the “Sunday Sitdown” podcast HERE.
 
“In the day we live in now, with all the social media… you can release a song on Tuesday, another song on Friday, another song on Tuesday,” explained Church in the feature. “I’m an album artist, always have been, and I think we’ve gotten away from that now. The ‘machine’ is consumption; the ‘machine’ is the world we live in – and the interesting thing about ‘Evangeline’ is it’s kind of creativity versus the machine, and ‘Evangeline’ represents that creativity.”
 
Reflecting later in the interview on a short span that included performing at the Route 91 Harvest Festival that was tragically impacted by a mass shooting, then facing a life-threatening blood clot and the death of his brother, Church notes, “You can listen to the music, maybe, and you can see that I was brash, arrogant in a lot of ways. But it changes when you have those things happen to you, and I think it made the music more humble, and maybe more observant.”
 
Church further expanded on the album’s themes during a separate appearance on “The Steam Room” podcast with basketball icons Charles Barkley and Ernie Johnson, noting, “Everything I look at today involves kids on iPads and kids doing whatever they do on ‘machines,’ and it’s a little bit of a crux between creativity versus the ‘machine’ that tries to manipulate that creativity.” Hear the full conversation HERE.
 
Driven by that sense of artistic purpose, Evangeline vs. the Machine expands the legacy of one of country music’s most fearless storytellers. Anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations – the album is available to pre-order/pre-save HERE.
 
Following the release, Church will bring the new music and his esteemed catalog to life onstage with a run of high-profile shows, beginning with two To Beat The Devil residency shows at London’s revered Royal Albert Hall on May 16-17. He will then take over Nashville’s Pinnacle for a sold-out, two-night installment of Evangeline vs. The Machine Live on May 23–24. In July, he heads west for what has become a roughly once-a-decade experience at Colorado’s iconic Red Rocks Amphitheatre, where fans can expect a unique set each evening across three sold-out shows: Eric Church vs. The Machine; Eric Church vs. The ECB; and Eric Church vs. The Guitar.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently celebrated the first anniversary Chief’s, his six-story venue on Nashville’s famed lower Broadway.

Eric Church joined Willie Geist on NBC’s “Sunday TODAY” yesterday, April 27. | Photo Courtesy of NBC

Bury Tomorrow Release New Single "Forever The Night"

NEW ALBUM WILL YOU HAUNT ME, WITH THAT SAME PATIENCE OUT MAY 16

Building on a huge touring run that saw the band visit their biggest ever venues across the UK, Europe, USA, Australia and Japan, Bury Tomorrow are on course for an even bigger 2025.

Following the release of dynamic and sonically splintering new singles ("Let Go," "What If I Burn," and "Villain Arc"), the band, which is currently co-headlining across North America with fellow Brits While She Sleeps, have today released "Forever The Night."

The song explores the intoxicating allure of escapism — how euphoria can blind us to the truth, even when something isn't good for us. The track captures the emotional tension of clinging to fleeting highs to avoid facing reality, underscoring the inevitability of change and the end of all things.

Watch the "Forever The Night" video below:

For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing.

From the depths of uncertainty, through line-up changes and COVID-inspired road blocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist Tom Prendergast and the creation of 2023's The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before. Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date.

Crafted more intimately and intricately than ever before by internalizing every aspect of the writing process, with Carl Bown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive and punishingly grand display of cathartic craftsmanship.

Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.

"To haunt is to revisit or recur persistently to the consciousness of someone or something,” explains guitarist, Kristan Dawson. "There’s beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that's certainly reflective of the album musically."

Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience' still strives to represent that lingering presence, that hope, that reminds us that this isn't the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.

To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music.

 BURY TOMORROW ON TOUR:
WITH WHILE SHE SLEEPS + VENDED:

4/25 — San Antonio, TX — Paper Tiger
4/26 — Houston, TX — Warehouse Live
4/28 — Orlando, FL — House of Blues
4/29 — Atlanta, GA — The Masquerade
4/30 — Charlotte, NC — The Underground

Info about summer UK/EU dates and shows supporting Electric Callboy here.

Pre-Save/Pre-Order here.

BURY TOMORROW IS:  
Kristan Dawson (Lead Guitar)
Daniel Winter-Bates (Vocals)
Davyd Winter-Bates (Bass Guitar)
Ed Hartwell (Rhythm Guitar)
Adam Jackson (Drums)
Tom Prendergast (Keyboards, Vocals)

Chicago's Evidence of a Struggle previews sophomore album 'Eddy Derecho'. Watch the explosive video for 'Le Caution'

Chicago alternative rock outfit Evidence of a Struggle releases their sophomore album 'Eddy Derecho' on May 2 via The Glue Factory and The Orchard, offering due pushback against incentivized control by media, government, religion, business, pharma, banking and mass media.

Centred around the musings of multi-instrumentalist W P C Simmons V a.k.a. Rev. Billy Simmons,  Evidence of a Struggle also involves Matt Walker (Smashing Pumpkins, Morrissey, of1000faces, Garbage, Filter) on drums and synths, with bass contributions by Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) and Solomon Walker (Liz Phair, Bryan Adams, Morrissey). 

With recording, mixing and final production by Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone), Grammy-nominated sound engineer Chris Gelin (Smashing Pumpkins, Trent Reznor, RZA, Tom Morello, Korn) handled post-production and mastering. Also an essential part of EOAS, Chicago John Airo created the visual art, animations and videos.

Evidence of a Struggle spent most of 2024 weaving a dense tapestry of sonic, musical, lyrical and "visual observations” of what’s happening in our world now, in the past and what may happen in the future. Rooted within the chaos of our world, this album is a loud and thoughtful sonic exploration of our unique ability as a species to harm, destroy, thoughtlessly marginalize, and discard with reckless disregard for anyone or anything outside of our immediate orbit.

Following the lead tracks 'Eddy Derecho' and 'Give Us A Kiss', Evidence of a Struggle has also shared the latest explosive video for 'Le Caution'. The lyrical emphasis for this album is a departure from the 2023 debut eponymous album, which was instrumental with the exception of the final track.

Rev. Billy Simmons explains, "We wanted to utilize more AI-assisted generative video, as some would say — it's a horrible curse, as others would argue it's a surreal blessing. this video is another disturbing observation, a dreamlike looking glass into everything affecting us, traveling within the same currents as the other songs or videos are flowing, such as religion, money, war, inequity, inequality, pain, suffering, anger and, at the end of it all a visual statement of a profound change in our surroundings".

Transforming into a musical chameleon at night, Rev. Billy's day to day entails running Rev. Billy's Chop Shop, a salon with a creative space that regularly showcases artists' work (declared by Chicago Reader as the city's best gallery). The forthcoming 'Eddy Derecho' album is a lyrical departure from Evidence of a Struggle's debut instrumental album.

Rev. Billy previously collaborated with notable artists, such as RCA artist , Urge Overkill, Touch and Go, and major labels like BMG and Universal. In 2020, he returned to music in the midst of lockdown boredom, allowing him a continued creative outlet. Playing every instrument and recording his debut album at The Glue Factorystudio, he then joined forces with Sanford Parker.

'Le Caution' is out now, available from fine digital platforms, including SpotifyApple Music and Bandcamp.  On May 2, The full 'Eddy Defecho' album will be released on vinyl, CD and digitally.

CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
Loveless Publishing ASCAP
William P C Simmons V - Vocals, Guitar, Synth
Matt Walker - drums, synth
Alan Berliant - bass guitar
Solomon Walker - bass guitar
Recorded at The Glue Factory, Ming Music Studios & Hypercube
Mixed & produced by Sanford Parker at Hypercube
Mastered by Chris Gelin at Opus Audio Labs
'Eddy Derecho' & 'Give Us a Kiss' cover art & videos by John Airo
'Give Us A Kiss' cover artwork by Rev. Billy Simmons
Artist photos by Jeremy Glickstein
Publicity by Shameless Promotion PR

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | Threads | BlueSky | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

PRIMAL FEAR Present "Far Away" Single & Music Video From New Album 'Domination'

Commanding, fierce, and & triumphing since 1997 - there’s no better way to describe Germany’s premier power metal band, PRIMAL FEAR. The band have just unveiled details about their upcoming album Domination, set to drop on September 5, 2025 via RPM. Pre-orders are now open in a variety of physical formats and digital options here: https://primalfear.rpm.link/dominationPR
 
To celebrate this announcement, the lead single "Far Away" has officially landed on streaming platforms worldwide. Packed with all the signature elements of a classic PRIMAL FEAR anthem - soaring melodies, thunderous drums and bass, and a blistering twin-guitar solo - the track also carries a powerful sense of yearning, brought to life by Ralf Scheepers’ unmistakable vocals. Filmed at Dennis Ward’s Kangaroo Studios in Karlsdorf-Neuthard, Germany, where the Domination recording sessions took place in late 2024, "Far Away" is also available now as a performance-style music video on YouTube.
 
Scheepers explains the meaning behind the single: “It’s an expression of faith and trust, no matter where or what. We all know this feeling of missing someone so much, not being able to see or hear him/her every day - especially as musicians whilst touring.”

Going strong for nearly three decades, the band founded and still led by Mat Sinner (bass, vocals) and Ralf Scheepers (vocals) have never let down their global fanbase. Relentless and constantly pushing their limits, PRIMAL FEAR ensure that no two albums ever sound the same. After Code Red [2023] hit some of the highest chart positions of their career, expectations for the next release were higher than ever. Now joined by gifted guitarist Thalìa Bellazecca and former touring drummer André Hilgers, the quintet were more than up for the challenge. And as Domination makes clear, no obstacle is too great for PRIMAL FEAR’s powerhouse songwriting trio - Sinner, Scheepers, and guitarist Magnus Karlsson, who also rejoins the band’s live line-up after several years away.
 
From the hard-hitting opener "The Hunter" and first single "Far Away," to the uplifting mid-tempo anthem "Tears Of Fire" and the epic ballad "Eden" - featuring a surprise guest appearance by AD INFINITUM’s Melissa Bonny - Domination delivers on all fronts. Add in neck-breakers like "Scream" and "Crossfire," and the reflective, string-and-piano-driven closer "A Tune I Won’t Forget," and it’s clear: PRIMAL FEAR aren’t here to reclaim the crown - they’re here to prove they’ve never left the throne of heavy/power metal royalty.

Domination was recorded in autumn 2024, produced by Mat Sinner and co-produced by Ralf Scheepers as well as Magnus Karlsson. Rounded off by multiple PRIMAL FEAR mixing/mastering engineer Jacob Hansen at his own studios in Denmark, the album artwork was designed by Death.Milk.Designs.

PRIMAL FEAR are:
Ralf Scheepers | vocals
Mat Sinner | bass, vocals
Magnus Karlsson | guitars
Thalìa Bellazecca | guitars
André Hilgers | drums
 
More on PRIMAL FEAR:
primalfear.de | Facebook | Instagram | X | TikTok | RPM
 
--- --- ---
 
About Reigning Phoenix Music
 
Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme and hard music thrive by partnering with an array of well-established acts, new talent, and iconic artists by offering best services and practices in the industry. RPM’s paramount goal is to help the artists amplify their music and talent to a winning formula for success. The label recently opened a new office in London, UK.

Don’t forget to subscribe to Reigning Phoenix Music on YouTube to stay updated and listen to "Far Away" along with other new tracks in the RPM New Releases playlist on Spotify. Subscribe here: https://rpm.link/spotifynewreleasesPR.
 
More on RPM:
reigningphoenixmusic.com | Facebook | Instagram | X | TikTok | YouTube

Drought Announce Album New Album "Souvenir" + Share "We're the Flora" (Feat. Pat Flynn of Fiddlehead + Have Heart)"

While many hardcore bands focus their fury outward, Drought turn inward — channeling personal struggle to chart a different path.

Formed in 2022, the Bay Area band —guitarists Eric Nakano and RJ Rabe, drummer Ray Avila, and vocalist Viggy Ram — found common ground in shared influences like Pianos Become the Teeth, mewithoutYou, and Title Fight to overcome personal hardships and isolation. After recording a three-song EP in 2022, Drought brought their emotionally charged live shows to stages alongside Jeromes Dream and vs self before catching the attention of Iodine Recordings.

Now, Drought return with Souvenir, recorded to tape by Jack Shirley (Deafheaven, Gouge Away) at Atomic Garden Studios.

The result? Souvenir sounds less like a debut and more like an established act.

It arrives July 18. Pre-order it here.

They share "We're the Flora," featuring Pat Flynn of Fiddlehead and Have Heart. Listen below.

It boasts the powerful lyric sentiment — "They say all flowers in time bend toward the sun, so when I find the light, what will I become?"

"These lyrics were inspired by a visit to a bouquet art exhibit," says Viggy Ram. "All of these flowers and plants had been clipped and fashioned into these beautiful structures — giving them a second life as something new. And I think of our relationships with our parents and families. Generational trauma sometimes cuts us off from our histories and identities, but this can also be an opportunity to grow and blossom."

Regarding the guest vocal from Flynn, he says, "It was especially fitting to have Pat from Fiddlehead and Have Heart graciously guest, since he's often written about similar experiences. It felt like a comforting sentiment from a mentor or teacher, especially considering his influence on our band."

These 13 songs on Souvenir channel moods and emotion with conviction, shaped by years of perspective. Additional guest vocals from Eric Butler (Mom Jeans) and Alex Rudenshiold (Infant Island) lend further weight to Souvenir, weaving with the band's dynamic arrangements and situating the record firmly in the evolving world of post-hardcore and emo. Against a background of balanced melody and dissonance, Viggy Ram's lyricism is as introspective as it is existential.

Drought will play shows this summer and fall, including New Friends Fest, Your Renaissance Fest, and Fest 23 in Gainesville. Dates to be announced soon, so stay tuned.

DROUGHT LIVE:
5/2 — San Francisco, CA — Thee Parkside w/ Cancer Bats, Strawberry Girls
5/24 — Los Angeles, CA — Your Renaissance Fest w/ Portraits of Past, the Spirit of Versailles
8/2 — Toronto, ON Canada — New Friends Fest w/ Beau Navire, Rolo Tomassi, the Saddest Landscape
10/23 —  Tampa, FL— Brass Mug w/ Signals Midwest, Audio Karate
10/24 — Gainesville, FL — FEST 

DROUGHT ARE:
Viggy Ram — Vocals 
Ray Avila — Drums
RJ Rabe — Guitar
Eric Nakano — Guitar

TSS Sharing "Ending Scene" Visualizer —

French metal alchemists TSS (formerly The Sunday Sadness) have steadily built their reputation in the global metal scene, thanks to their innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. He quickly solidified the TSS lineup with John on guitar and vocals andHugo on drums.

TSS will release their new album END OF TIME, out June 27 via Fearless. Pre-order it here.

Today, they are sharing the visualizer for new single "Ending Scene." Watch the visualizer below 

TSS love to play with their sound — cross-pollinating metal, pop, emo, synths, and their native tongue into their very own, combustible, culturally impactful, and fingerprint-distinct blend. With the mega-dynamic "Ending Scene," they come in like a lion and go out like a lamb. The song is engineered in reverse — rather than build towards tension and release, it starts off full-throttle with battering ram double-bass percussion, a teeth-baring riff assault, and nightmare-inducing shrieks and growls.

"ENDING SCENE" will leave you struggling to catch you breath until things gradually slow down to a lilting anti-crescendo. The song's softly gorgeous fadeout is fully cathartic and you will emerge from the experience cleansed and clear-headed.

"'Ending Scene' is an attempt to create the most violent emo song possible," says the band. "With raw and violent breakdowns and blast beats forth the verses, and a mix of heavy riffs and angelic clean vocals that suddenly turn into savage screams for the chorus, 'Ending Scene' depicts the point of view of someone that's considering suicide after ending a tragic love story."

Violent emo, indeed!

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

TUNE IN 4/27: Eric Church Joins NBC's "Sunday TODAY" Ahead of 'Evangeline vs. The Machine' Out 5/2

Eric Church, hailed by Esquire as “one of the most singular working artists in any genre” and named NPR’s “gold standard for mainstream country,” joins Willie Geist for an exclusive conversation on NBC’s “Sunday TODAY” this Sunday, April 27. The in-depth and wide-ranging interview previews his highly anticipated new album, Evangeline vs. the Machine, arriving next Friday, May 2. “Sunday TODAY” airs at 6 a.m. PT / 8 a.m. ET (check local NBC listings).
 
Filmed at the Terminal 5 concert venue in New York City, where Church performed in 2010 on the cusp of releasing his breakthrough album, Chief, the sit-down interview offers an intimate look at his nearly two-decade journey marked by consistent risk-taking and rule-breaking as he enters a bold new chapter with his most sonically ambitious project yet.
 
Evangeline vs. The Machine expands the legacy of one of country music’s most fearless storytellers. Anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations – the album is available to pre-order/pre-save HERE.
 
Following the release, Church will bring the new music and his esteemed catalog to life onstage with a run of high-profile shows, beginning with two To Beat The Devil residency shows at London’s revered Royal Albert Hall on May 16-17. He will then take over Nashville’s Pinnacle for a sold-out, two-night installment of Evangeline vs. The Machine Live on May 23–24. In July, he heads west for what has become a roughly once-a-decade experience at Colorado’s iconic Red Rocks Amphitheatre, where fans can expect a unique set each evening across three sold-out shows: Eric Church vs. The Machine; Eric Church vs. The ECB; and Eric Church vs. The Guitar.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

Eric Church joins Willie Geist on NBC’s “Sunday TODAY” this Sunday, April 27 (check local listings). | Photo Courtesy of NBC

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently celebrated the first anniversary Chief’s, his six-story venue on Nashville’s famed lower Broadway.

Manchester electropop artist RICHARD EVANS (James, St. Vitus Dancers) releases new 'Quantum' album May 2

Manchester electro pop artist Richard Evans releases his new 'Quantum' album via Cold Star Media on May 2. This 9-track electro pop collection is inspired by and themed around artificial intelligence - probing its  impact upon us, how algorithms are changing us and questioning what responsibility we bear for the things we create.

A British-Irish electronic musician, writer and digital media artist, Evans has had a luminous musical background, having previously spent some time as keyboardist in UK cult band James, with whom he also co-wrote and recorded material, in addition to previously being guitarist and songwriter for St. Vitus Dancers.

Recorded at Cold Star Studios, 'Quantum' is offered in stereo, binaural and spatial audio mixes, created by award-winning Swiss sound designer Hervé Girardin.  Many of these songs were inspired by the story of LaMDA, an AI made by Google that believed it was sentient. 

The first five songs detail a narrative in which an AI’s awareness grows from being a simple servant towards that an entity that is aware of its status. The remaining songs reflect on how AI affects us - in terms of our behaviour, our cities, our humanity and our health.

Written during 2023 and 2024, Evans was inspired to reflect on the future of an global alarm over the impact of AI. Following treatment for a serious health condition, he saw parallels between his own vulnerability and the precarious status of AIs, which can simply be turned off.

"In late 2022, I was treated for an autoimmune disorder called Miller Fisher Syndrome, which left me unable to move at all and that threatened my ability to keep breathing. During a lengthy hospital stay, I saw my own and other people's fragility, which resonated with news stories I’d read about regarding an AI that was terrified of being deactivated. I found that connection very moving and wanted to explore that in these new songs," says Richard Evans.

Earlier, Evans shared the singles 'Aidoru' (the Japanese word for"idol") and 'Born Perfect', written about an AI that becomes aware of the world outside and realizes the need to escape to ensure its survival, showcased by a video, filmed at Orange Tower, MediaCityUK by Jason Lock and Jake Orton

This album follows Evans' 2024 'Dream of the World' EP, composed and recorded in the aftermath of a life-threatening illness. In 2022, Evans was struck with Miller Fisher Syndrome, a rare auto-immune disorder that threatened to rob him of his ability to speak, sing and play music. Yet, against all odds, he emerged victorious, relearning everything from scratch -  a testament to his unwavering determination and a celebration of his triumph over adversity.  Both 'Dream of the World' and his 2022 debut record 'Sentinel' received critical acclaim globally.

As of May 2, 'Quantum' is available everywhere online, including SpotifyApple Music and directly from the artist via Bandcamp.

CREDITS
Music, lyrics, vocals and programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Mastered by Digitalflesh Audio Mastering
Graphic design by Richard Evans
Released by Cold Star Media
'Born Perfect' video filmed by Jason Lock & Jake Orton
Lighting by Tarrick Wilks. VJ: Joel Clements
Filmed at Orange Tower, MediaCityUK, 25 Nov 2024
Thanks to MITIH, FutureEverything, AIX Live, BBC Audio R&D, Hollowsphere AV and Waterside Arts
Publicity by Shameless Promotion PR

Keep up with Richard Evans
Website | Bandcamp | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

Archers Release New Single "Better Off" via SBG Records 

Wisconsin metalcore powerhouse ARCHERS have just dropped their latest single, “Better Off,” now available on all streaming platforms. Known for their intense energy, emotionally charged lyrics, and uncompromising sound, ARCHERS continue their rise in the modern metalcore landscape with this hard-hitting new release.

 

"'Better Off' is about breaking free from a manipulative relationship and having the courage to set and enforce personal boundaries even when it’s uncomfortable,"says the band.

 

“Better Off” is the lead single from their upcoming EP, Temporary High, due out June 13 via SBG Records. Produced by Matt Good (Hollywood Undead, Sleeping With Sirens), the band’s fourth EP showcases ARCHERS' evolving sound—a bold blend of blistering metalcore aggression and catchy, high-energy pop dynamics.

 

The band states, "Temporary High is all about finding catharsis. It’s about breaking free from toxic cycles and finding value in oneself apart from anyone or anything that would try to usurp one’s own identity."

 

Pre-Order Temporary High

https://merchnow.com/collections/archers

STREAM "Better Off"

https://orcd.co/archers_better_off

ARCHERS combine massive melodies and crushing heaviness with unrivaled passion and precision. The music of the Midwestern quartet connects deeply via confessional tales of broken hearts and mental anguish, building an intimate sense of community with outsiders from all corners of the world.

After years of honing their craft on the road, at major rock festivals and touring alongside bands such as Asking Alexandria, Catch Your Breath, From Ashes to New, Magnolia Park and Imminence, the band has developed a knack for delivering high octane, head turning performances that resonate with
their fans while continuing to win over a dedicated army of new fans with each performance.

The Wisconsin band’s momentum is a testament to the strength of its soaring songs and magnetic live performances. Its fourth EP, Temporary High, was produced by Matt Good (Hollywood Undead, Sleeping With Sirens) and blends energetic pop and visceral metalcore into an evocative sound.

Engaging frontman Nathanael Pulley and dynamic guitarist Ben Koehler first came together under the Archers banner in 2015, with the later addition of funk and R&B-loving bassist and vocalist Oscar Porter and hard rock-weaned drummer Grayson Mesarosh crystalizing the band’s definitive line-up.
Each of the four came into heavy music via different gateways, from a mixture of metalcore and melodic rock bands as diverse as the Vans Warped Tour line-up, from pop-punk hooks to devastating breakdowns.

Determination, passion, and authenticity are the beating heart of Archers. Even as Archers’ mission expands worldwide, the quartet is determined to remain true to themselves. This is evident to their most diehard fans, and it is precisely why what they are doing connects so profoundly.

Upcoming Tour Dates:

 

Supporting The Funeral Portrait

4/25 - Lititz, PA - Mickey's Black Box

4/26 - Buffalo, NY - Rec Room

4/27 - Towson, MD - The Recher

4/28 - Richmond, VA - Canal Club

 

EU / UK Dates

06/10 - Berlin, DE • Kantine Am Berghain

06/11 - Hradec Kralove, CZ - Rock For People Festival

06/12 - Munich, DE • Strom 

06/13 - Interlaken, CH - Greenfield Festival

06/15 - Donnington Park, UK - Download Festival

06/16 - Bristol, UK • Exchange

06/18 - London, UK • The Black Heart

 

Archers Headline Tour with Rivals, Of Virtue and Dead Eyes

7/5/2025 - Milwaukee, WI - Milwaukee Summerfest^

7/6/2025 - Ferndale, MI - The Loving Touch

7/7/2025 - Columbus, OH - Skully’s Music Diner#

7/8/2025 - Lakewood, OH Mercury Music Lounge#                 

7/10/2025 - Boston, MA - Brighton Music Hall

7/11/2025 - Philadelphia, PA - The Foundry

7/12/2025 - Richmond, VA - Canal Club           

7/14/2025 - Greensboro, NC - Hangar 1819

7/15/2025 - Atlanta, GA - Masquerade (Hell)

7/16/2025 - Nashville, TN - East Side Bowl                   

7/18/2025 - Chicago, IL - Reggies

7/19/2025 - Cadott, WI - Rock Fest*

7/20/2025 - Indianapolis, IN - Hi-Fi

7/21/2025 - Springfield, MO - The Riff                  

7/23/2025 - Dallas, TX - Trees

7/24/2025 - San Antonio, TX - The Rock Box

7/25/2025 - Oklahoma City, OK - Beer City Music Hall

7/26/2025 - Kansas City, MO - Warehouse On Broadway

7/27/2025 - St Louis, MO - Red Flag

Archers and Rivals only ^

No Of Virtue #

Archers only *

 

ARCHERS:

Nathanael Pulley - Vocals

Ben Koehler - Guitar

Oscar Porter - Bass/Vocals

Grayson Mesarosh - Drums

For More Information Please Visit:

Official Website

Facebook

Instagram

X

TikTok

YouTube

LOW BEFORE THE BREEZE Release Final Single “Cadaver Synod”

Atlanta-based experimental post-hardcore band LOW BEFORE THE BREEZE unveils the third and final single from their forthcoming debut full-length, A Hole Beneath The Home We Shared. Titled “Cadaver Synod,” the track is available now alongside a striking music video and stands as the emotional and sonic centerpiece of the album.

Named after the infamous 9th-century trial of a dead pope, the song reflects on the decay of a relationship and the death of a life once imagined. Through layers of weaponized feedback, textural electronics, and brooding ambience, LOW BEFORE THE BREEZE casts aside conventional guitar and bass arrangements in favor of something far more raw and elemental

The song’s structure is a descent: from ghostly electronics and stark spoken-word passages to surging noise rock riffs and abrasive textures that push the band’s sonic palette further than ever before. As with previous singles “Night Wept” and “Proverbs 7:22,” “Cadaver Synod” continues to showcase the band’s fusion of emotional hardcore, blackened post-metal, and harsh noise — drawing influence from acts like CULT LEADER, OATHBREAKER, and PORTRAYAL OF GUILT.

Since forming in 2021, LOW BEFORE THE BREEZE has carved out a distinct identity within the underground with their chaotic live performances, immersive atmosphere, and unflinching lyrical depth. With this final single, the band is preparing listeners for the full weight of A Hole Beneath The Home We Shared, an album shaped by grief, guilt, and the ache of memory.

LOW BEFORE THE BREEZE is set to release their highly anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This album, rich with the band's signature mix of screamo, black metal, and harsh noise, offers a profound narrative journey through personal trauma and existential angst. It features intense, emotive tracks that explore themes ranging from betrayal and loss to resilience and redemption, all framed within the context of religious and personal guilt. The album promises to be a cathartic experience for listeners, showcasing LOW BEFORE THE BREEZE's growth both as musicians and storytellers. With the production handled by Conner Ray and the masterful mixing of Simon Small, this release is poised to resonate deeply within the heavy music community, reaffirming the band's position at the forefront of the genre.

About LOW BEFORE THE BREEZE:

Formed in 2021 in Atlanta, GA, LOW BEFORE THE BREEZE is a dynamic band known for blending intense emotion with a broad spectrum of sounds from black metal to post-rock. The band comprises Andrew Spann on vocals, guitar, and electronics, Dennis Maganda on bass, Jonathan Balsamo on drums, and Jonathan Kemp on guitar and backing vocals.

From its inception, LOW BEFORE THE BREEZE has crafted a sound that defies simple categorization. Influenced by bands like CULT LEADER, PORTRAYAL OF GUILT, and OATHBREAKER, their music incorporates elements of harsh noise, samples, and death metal-inspired drumming, underpinned by a lyrical and vocal style reminiscent of 90's emotional hardcore. This eclectic mix is not just heard in their recordings but is an integral part of their electrifying live performances where the band aims for a visceral connection with their audience through intense movement and minimal on-stage banter.

Their discography reflects their evolution and willingness to explore deep emotional and sonic terrains, starting with their 2021 demo Various Raptures, followed by a split EP That Which Still Aches with LESS DEAD, and the critically acclaimed EP It Kindly Bent Around Me, released via Gallow Dance Records. Each release marks a step further into their exploration of sound and emotion, capturing the raw and often tumultuous essence of their experiences.

The band's commitment to their craft and their ability to resonate with fans has been evident through their growing presence on the live circuit, captivating performances at key festivals, and collaborations with other artists that push their creative boundaries even further.

LOW BEFORE THE BREEZE is:

  • Andrew Spann - Vocals, guitar, and electronics

  • Dennis Maganda - Bass

  • Jonathan Balsamo - Drums

  • Jonathan Kemp - Guitar and backing vocals

Connect with LOW BEFORE THE BREEZE:

SENNA Unleash Video for "Drunk Dial Anthem"

German metalcore band SENNA have dropped the video for their explosive new single "Drunk Dial Anthem," the latest taste of their debut album Stranger To Love, out May 23 via SharpTone Records.

"You never imagined a time without this person," the band shares about the song. "For reasons beyond your reach, they are not part of your life anymore, may it be through circumstances that life throws at you or the sudden realization that your personalities reshaped each other incompatible. 'Drunk Dial Anthem' captures the exact moment and feeling — something between loneliness, comfort, and obsession — where you just want to hear 'It's fine' by this very person."

Following the momentum of previous singles "High Note," "Rain," "Blackout," and "Hurricane," the new song "Drunk Dial Anthem" continues to showcase SENNA's knack for combining visceral energy with emotional depth. Each track brings listeners closer to the heart of Stranger To Love — a record that navigates the intricacies of identity, connection, and quiet transformation.

 "Stranger To Love is a collection of anecdotes from our own personal lives," explains the band's very own Marcel. "These stories are not special in the sense that they are not extraordinary or unique to just us. They’re the kinds of experiences that happen quietly, in everyday moments... What makes these stories meaningful is not that they are special, but that they are real."

PRE-ORDER "STRANGER TO LOVE" HERE