Whiskey Myers Bring the 'Thunder' with New Album Due Sept. 26; Lead Single "Time Bomb" Out Now

With cryptic videos sending fans into a frenzy to catch hidden clues and uncover their meaning, Whiskey Myers now officially confirm details of a new album on the way. The genre-defying six piece is back and bolder than ever with Whomp Whack Thunder, their highly anticipated seventh studio album set to release Sept. 26 via the band’s own Wiggy Thump Records. Channeling the spirit of classic rock through a modern Southern lens – roaring guitars, thunderous drums and lyrics that cut deep – the album is available to pre-order/pre-save HERE.
 
Born from the piney woods of East Texas and shaped in the soul of Nashville during an immersive three weeks with renowned producer Jay Joyce – known for bringing edge, atmosphere and unpredictability to every project (Eric Church, Cage the Elephant, Halestorm, Lainey Wilson) – Whomp Whack Thunder is a strong statement from the multi-Platinum independent band. 
 
A raw, hard-hitting preview arrives today, April 23, with lead single “Time Bomb,” capturing the energy of a band pushing boundaries without losing their roots. Listen HERE ahead of the song’s live debut at Stagecoach this Friday, April 25, offering a first glimpse at what promises to be one of the most dynamic records in Whiskey Myers’ catalog.

“We didn’t set out to chase a specific sound—we set out to make a Whiskey Myers record,” reflects lead guitarist John Jeffers. “Jay pulled something out of us that’s raw and real, and every track’s got a piece of our story in it. This album’s about where we’ve been, what we’ve lived and the scars we earned along the way – and I think Whomp Whack Thunder might just be our most fearless album yet.”
 
Whomp Whack Thunder is the sound of a band at the height of its powers, marrying Southern swagger with arena-sized rock and soul-searching songwriting. Frontman Cody Cannon penned all eleven tracks solo, delivering stories that hit with the emotional weight of lived experience and the firepower of their signature sound. From the breakneck energy of “Tailspin” to the introspective grit of “Icarus” and the raucous stomp of “Ramblin’ Jones,” it’s a record born of the road and shaped by nearly two decades of defiant, grassroots momentum.
 
The album features the full force of the band – Cannon (vocals, guitar), Jeffers (guitar), Cody Tate (guitar), Jamey Gleaves (bass), Jeff Hogg (drums) and Tony Kent (percussion, piano) – with Joyce also contributing keys, organ and guitar, crafting a sonic landscape that stretches from greasy blues-rock riffs to gospel-tinged country soul.
 
Ahead of the fall release, fans can catch early previews of the new music on the What We Were Born To Do Tour, kicking off June 6 and hitting cities across the U.S. throughout the summer. Whiskey Myers also co-headlines 14 dates of the Live in 25 Tour with Tedeschi Trucks Band later this year in addition to headlining their own personally curated festivals; the seventh annual Wiggy Thump Festival on May 10 in their hometown of Palestine, Texas and the inaugural Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9.
 
For more information, visit whiskeymyers.com and follow on social media @WhiskeyMyers.

Upcoming Whiskey Myers Tour Dates
What We Were Born To Do Tour
June 6  ||  Des Moines, Iowa  ||  Lauridsen Amphitheater at Water Works Park
June 7  ||  La Vista, Neb.  ||  The Astro
June 8  ||  Rapid City, S.D.  ||  The Monument – Summit Arena
June 10  ||  Bonner, Mont.  ||  KettleHouse Amphitheater
June 12  ||  Fargo, N.D.  ||  Scheels Arena
June 13  ||  Prior Lake, Minn.  ||  Mystic Lake Casino Hotel – Mystic Amphitheater
June 14  ||  Gary, Ind.  ||  Hard Rock Casino Northern Indiana
June 15  ||  Interlochen, Mich.  ||  Interlochen Center for the Arts – Kresge Auditorium
June 17  ||  Toledo, Ohio  ||  Toledo Zoo & Aquarium – Amphitheater
June 18  ||  Huntington, W.V.  ||  Mountain Health Arena
June 20  ||  Kansas City, Mo.  ||  Starlight Theater
June 23  ||  Pittsburgh, Pa.  ||  Stage AE
June 25  ||  Johnson City, Tenn.  ||  Freedom Hall Civic Center
June 26  ||  Evansville, Ind.  ||  Ford Center
July 17  ||  Macon, Ga.  || Atrium Health Amphitheater
July 18  ||  Birmingham, Ala.  ||  Coca-Cola Amphitheater
July 19  ||  Nashville, Tenn.  ||  Ascend Amphitheater
July 20  ||  Salem, Va.  ||  Salem Civic Center
July 22  ||  Manteo, N.C.  ||  Roanoke Island Festival Park
July 24  ||  Charlotte, N.C.  ||  Skyla Credit Union Amphitheatre
July 25  ||  Virginia Beach, Va.  ||  Virginia Beach Dome
July 26  ||  Richmond, Va.  ||  Allianz Amphitheater at Riverfront
July 27  ||  Cherokee, N.C.  ||  Harrah’s Cherokee Casino Resort
 
Live in 25 Tour with Tedeschi Trucks Band
Aug. 7  ||  Bend, Ore.  ||  Hayden Homes Amphitheatre
Aug. 8  ||  Bend, Ore.  ||  Hayden Homes Amphitheatre
Aug. 9  ||  Quincy, Wash.  ||  The Gorge Amphitheatre
Aug. 12  ||  Berkeley, Calif.  ||  Greek Theatre at UC Berkeley
Aug. 15  ||  Stateline, Nev.  ||  Lake Tahoe Outdoor Arena at Harveys
Aug. 18  ||  Phoenix, Ariz.  ||  Arizona Financial Theatre
Aug. 19  ||  Albuquerque, N.M.  ||  Isleta Amphitheater
Aug. 23  ||  Noblesville, Ind.  ||  Ruoff Music Center
Aug. 24  ||  St. Louis, Mo.  ||  Hollywood Casino Amphitheatre
Aug. 26  ||  Cincinnati, Ohio  ||  Riverbend Music Center
Aug. 28  ||  Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview
Aug. 29  ||  Vienna, Va.  ||  Wolf Trap
Aug. 30  ||  Vienna, Va.  ||  Wolf Trap
Sept. 1  ||  Gilford, N.H.  ||  BankNH Pavilion
 
Additional Dates
April 25  ||  Indio, Calif.  ||  Stagecoach
May 10  ||  Palestine, Texas  ||  Wiggy Thump
June 5  ||  Clinton, Iowa  ||  Tailgate N’ Tallboys
June 21  ||  Milwaukee, Wisc.  ||  Summerfest
June 27  ||  South Greenfield, Mo.  ||  Baker-Spain Stampede
Oct. 11  ||  North Charleston, S.C.  ||  Riverfront Revival
Nov. 7-9  ||  Miramar Beach, Fla.  ||  Moon Crush “Whiskey Moon”

About Whiskey Myers
Genre-bending band Whiskey Myers have played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show. The band is poised to begin their next chapter with their highly-anticipated seventh studio album Whomp Whack Thunder arriving Sept. 26 via the band’s own Wiggy Thump Records, with lead single “Time Bomb” available everywhere now. Their previous project, Tornillo, featured the No. 17 most-played Americana song of 2022, “John Wayne,” and followed breakthrough album Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.5 million albums and amassed over 3.7 billion streams while earning nine RIAA Gold, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features in Paramount’s hit shows “Yellowstone” (including an on-screen performance) and “Landman,” plus Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

BLACKBRIAR - ANNOUNCE NEW ALBUM A THOUSAND LITTLE DEATHS

Today Dutch symphonic metal band BLACKBRIAR announce their brand new album A Thousand Little Deaths, which will be released on August 22nd 2025 via Nuclear Blast Records. Together with this exciting news the band shares their new single 'The Fossilized Widow'. The single channels the eerie spirit of the Victorian era, blending the mysticism of Ouija boards with the brooding passion of Wuthering Heights. A journey through dark love, spectral forces, and gothic intrigue. From October 2025 you can see BLACKBRIAR performing their new songs on their headline tour across Europe. All dates are listed below. 

Zora Cock comments: "The Fossilized Widow tells the story of a girl frozen in time, desperately holding on to someone she can never let go. She's slowly descending into madness by all those words left unsaid, all those questions left to be asked. As the years pass, her home has turned into ruins, yet the legend says she still remains, trapped in her sorrow, waiting and watching. They call her The Fossilized Widow"

Watch the video for 'The Fossilized Widow' below:

Stream `The Fossilized Widow' here:
https://blackbriar.bfan.link/the-fossilized-widow

Pre-Order the new album A Thousand Little Deaths here:
https://blackbriar.bfan.link/a-thousand-little-deaths

In BLACKBRIAR’s efforts to truly reach the global metal marketplace, they reached a number of firsts in 2024. In the spring, they took a maiden voyage across the Atlantic for a fruitful North American tour supporting Battle Beast as their special guest. They also took to the famous Wacken Open Air festival for the first time, in addition to also performing at Summer Breeze and Rock Imperium Festival Spain. In addition, they launched a potent standalone single in “Moonflower” with guest Marjana Semkina (Iamthemorning). They capped off the year supporting Kamelot on their European tour, which brought them to some new locales as well as familiar ones over the 17 date trek.
 
During this busy time, they returned to the studio to record what would become their third full-length, A Thousand Little Deaths, once more with Joost van den Broek at the helm for production. To set some appropriate inspiration and a change of pace, the band ventured back to the ‘mansion’ featured in their “Until Eternity Ends” video and stayed a few days while working on the album. Their first time back since recording that moving video, it allowed them to tap into their roots while still keeping their eyes ever-forward. Set to release this summer through Nuclear Blast Records, expect BLACKBRIAR to once again raise the stakes in all aspects of their revered sound. In keeping the band’s tradition of direct connection to fans alive, they launched another triumphant pre-order campaign at the end of February. To celebrate the release of A Thousand Little Deaths, the band will be departing on their first full headline tour of Europe this fall with Danish act Forever Still as their special guest, beginning in October 2025.
 
Expect even more big things for BLACKBRIAR as 2025 continues along. With YouTube streams now reaching 71 million views and over 253,000 subscribers, and equally massive Spotify stats including a total of over 65 million streams, with over 190,000 monthly listeners who contribute to 1 million streams a month and 12 million streams per year, the world has taken notice of their distinctively macabre yet whimsical sense of metallic storytelling. Prepare to wrap yourself up in their seductive siren songs, and expect to be swept away on an unforgettable journey. 


BLACKBRIARis:
Zora Cock - VOCALS
René Boxem - DRUMS
Bart Winters - GUITARS
Robin Koezen - GUITARS
Siebe Sol Sijpkens - BASS
Ruben Wijga - KEYS

HOLLOW LEG Announce New Full-Length Album Dust and Echoes

Sludge-tinged riff lords HOLLOW LEG return on June 13th, 2025 with Dust and Echoes, a thunderous new full-length that doubles as both concept and collision — two EPs (Dust and Echoes) written in separate sessions, now merged into one devastatingly cohesive release. The album will be released via Third House Communications and features nine crushing tracks that traverse doom, grunge, classic metal, and space rock.

Dust and Echoes was recorded and produced by the band at High Five Studio in DeLand, Florida, with mixing and mastering handled by Zeuss (HATEBREED, CROWBAR, ROB ZOMBIE). Artwork was created by Shawn Garrett and Jean Saiz, reflecting the record’s post-apocalyptic themes of human collapse, survival, and rebirth.

The album showcases HOLLOW LEG’s most varied and atmospheric songwriting to date, with layers of percussion, groove-heavy riffing, spaced-out guitar work, and a balance of sludge and melody that pushes the band into new sonic territory. Tracks like “Holy Water,” “Ride the Wave/Dig the Grave,” and “Last Tribe” dive deep into end-of-days scenarios — a choose-your-own-adventure soundtrack for the end of the world and what might come after.

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

  • Bandcamp: https://hollowleg666.bandcamp.com

  • Facebook: https://www.facebook.com/hollowlegfl/

  • Instagram: https://www.instagram.com/hollowlegband

  • Twitter/X: https://twitter.com/hollowlegfl

  • YouTube: https://youtube.com/@hollowleg666?si=K04L-GgWFGRGRWuB

  • Spotify: https://open.spotify.com/artist/2QJ3CTdEHPBlqy6MPHk66p?si=EwBk0bgJQaW_gVCXXVcsJw

  • Apple Music: https://music.apple.com/us/artist/hollow-leg/404795284

  • TikTok: https://www.tiktok.com/@hollowlegfl?_t=ZP-8vMuUzPBTR8&_r=1

UK electronic artist Max Rael presents 'Brighter Future', teasing debut album 'The Enemy Is Us'

British electronic artist Max Rael has announced the forthcoming album 'The Enemy Is Us', his debut solo effort, out in June via London imprint Liquid Len Recording Company, preceded by a traditional A / B side single 'Brighter Future'.

An alternative electronic pop song with spoken word vocals, 'Brighter Future' questions avoidant strategies of coping with life in a seemingly increasingly chaotic and unsafe world and queries how can we reverse course from an anticipated dystopian future.

The non-album B-side 'The People We Love Have Won (Persistence Is All)' is a darker beast, named after Coil's 2000 London performance at The Royal Festival Hall, which also happens to be tattooed on the inside of Rael's left wrist.

Spoken word, electronic music and loud drums can all be expected on the impending 12-track album, produced and mixed by Max Rael with additional mixing by Caden Clarkson and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails). Fusing a range of electronic music styles with other genres, Max Rael is a master journeyman of existential exploration into humanity, self, society, reality, psychology, philosophy and the future.

"Whilst I naturally tend to be drawn towards darker and more melancholy themes, sometimes creativity needs to be a reaction to the world around us. I felt I needed to take some creative responsibility, and not push more negativity out into a world that already feels like its drowning, like kicking somebody when they're already down," says Max Rael.

"While it's natural, and sometimes necessary, to explore difficult realities through art, and I've done my share of that, I believe there's also a vital role for artists and dreamers to imagine and articulate possibilities for hope and improvement. Drawing inspiration from John Higgs's thought-provoking ideas, where in 1977 it was a defiant and shocking statement when The Sex Pistols said, ‘No Future’, today perhaps the true rebellion involves standing up and saying, ‘Yes Future’… A Brighter Future."

Musician, writer, actor, engineer and producer, Max Rael has remixed such artists as Fish (Marillion), Last July, Kommand + Kontrol, Bienheldenschafgegenstand and Freudstein. He is also behind electro-goth trailblazers History Of Guns, formed in Hertfordshire in 1996. Frontrunners of the Wasp Factory / FuturePunk scene of the early 2000s, their single 'Your Obedient Servant' was championed by The Quietus and Mick Mercer among the “thirty best goth singles of all time”.

Renowned for their meta-modernist Industrial sound, 2024 saw the release of their 'Half Light' album, their eighth record to date and second since 2022's return from a ten-year hiatus. They also kicked off 2025 with the single  'Little Miss Suicide (25)', marking 25th years since releasing their debut single.

As of April 22, 'Brighter Future' is available from fine digital platforms, including Amazon, and also directly from the artist via Bandcamp. The full album 'The Enemy Is Us' will be released on June 20 via Liquid Len Recording Company.

CREDITS
Written by Max Rael
Produced, performed and mixed by Max Rael
Additional mixing by Caden Clarkson
Mastered by Pete Maher
Released by Liquid Len Recording Company
Cover artwork & photographs by Filiz Photography
Video by Abigail Clarkson
Publicity by Shameless Promotion PR

Keep up with Max Rael

Max Rael Music | Bandcamp | Facebook | Instagram | YouTube | TikTok | Twitter| BlueSky | Apple Music | Spotify | Amazon | History of Guns website |  Press contact


Keep up with Shameless Promotion PR
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RAVEN BLACK IGNITES THE FLAME WITH FIERY NEW SINGLE “BURN” THE LATEST CHAPTER OF THEIR UPCOMING ALBUM ”BLACK SONATA” Due Out September 12

The circus of the macabre returns — louder, darker, and more ferocious than ever.

The haunting, genre-defying force known as RAVEN BLACK has unleashed the next chapter in their unfolding gothic metal opera. “BURN” — the second single from the highly anticipated full-length album

Black Sonata — "BURN" is available now across all streaming platforms.

“Burn” follows the success of “FXCK YOU,” the album’s first single, and continues the narrative arc of Black Sonata — an album that promises to be RAVEN BLACK'S most ambitious and immersive work to date. Drawing from classical influences, dark theater, and spine-rattling metalcore, this album is a journey into the void... with the devil grinning from the passenger seat.

Produced by Ulrich Wild (Static-X, White Zombie, Deftones), “Burn” is an infernal symphony of heavy guitars, industrial textures, and Raven’s unmistakable blend of haunting melody and psychotic screams.

CLICK TO PREORDER HERE "BLACK SONATA"

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

Eric Church's 'Evangeline Vs. The Machine' Listening Events Set for May 2-4 at Indie Record Stores Nationwide

Indie record stores across the country will come alive the weekend of May 2–4 as over 100 locations celebrate the arrival of Eric Church’s highly anticipated new album, Evangeline vs. The Machine, with exclusive listening events. The first fans in each store will be treated to a limited-edition Eric Church poster and all attendees will have the chance to enter a special grand prize giveaway. Full details including participating locations can be found at recordstoreday.com.
 
Arriving May 2, Evangeline vs. The Machine marks another ambitious and sonically rich chapter in the groundbreaking career of one of country music’s most fearless storytellers. Anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations – the album is available to pre-order/pre-save HERE.
 
Fans attending the listening events will hear the new project in full, an experience Church places heavy importance on when creating. A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”

Church will also bring the new music and his esteemed catalog to life onstage later this spring and summer with a run of high-profile shows, kicking off with two To Beat The Devil residency shows at London’s revered Royal Albert Hall on May 16-17 before a sold-out, two-night takeover of Nashville’s The Pinnacle May 23–24 for Evangeline vs. The Machine Live. In July, he heads west for what has become a roughly once-a-decade experience at Colorado’s iconic Red Rocks Amphitheatre, where fans can expect a unique set each evening across three sold-out shows: Eric Church vs. The Machine; Eric Church vs. The ECB; and Eric Church vs. The Guitar.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram @ericchurchmusic. 

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently celebrated the first anniversary Chief’s, his six-story venue on Nashville’s famed lower Broadway.

JOHN MORGAN AND JASON ALDEAN TOP THE COUNTRY RADIO CHART

Billboard’s “Rookie of the Month (Country)” and MULTI #1 hit songwriter John Morgan scores career-first #1 as an artist (third as a songwriter) with the rowdy party starter “Friends Like That (feat. Jason Aldean).” Featured on his debut album, Carolina Blue, dropping this Friday, April 25, pre-order/pre-save/pre-add the highly anticipated project HERE that has already achieved critical acclaim.

Lauded as an “in-demand songcrafter” (Billboard), an “accomplished songwriter” (People) and a “Music City Songwriting Star” (Tennessean), the boldly gritty North Carolinian will deliver a tantalizingly robust 12-track debut, proving his preeminence as an dynamically versatile artist ready to takeover the country music scene. A brilliantly curated collection of songs, the authentically humble and tenaciously driven powerhouse artist not only co-wrote every track and played every guitar, but he also co-produced it alongside Brent Anderson. 


With “stadium-ready written all over him” (All Country News), the compelling entertainer who exudes “undeniable star power” (Country Swag) will make his Stagecoach Festival debut this Friday (4/25), before hitting the road to open for Kane Brown, Old Dominion and Riley Green on select dates this summer.

About John Morgan:
With a style that’s defined by melodic grit and a craftsman’s approach to songwriting, John Morgan brings a blue-collar toughness to country that’s pulled straight from the only life he knows. Hailing from a tiny town called Sylva, deep in the Great Smoky Mountains of North Carolina, John grew up immersed in bluegrass tradition and even toured the festival circuit each summer in a family band, before diving into songwriting, inspired by six-string legends from Tony Rice to John Mayer. Now, “a Music City songwriting star” (Tennessean) and “in-demand songcrafter” (Billboard), he has earned cuts with Jon Pardi, Dustin Lynch, Thomas Rhett and an outstanding 16 for Jason Aldean, including two of the superstar’s #1 songs - “Trouble With A Heartbreak” and the GRAMMY® nominated, ACM Single of the Year “If I Didn’t Love You” with Carrie Underwood, along with Aldean’s latest single at country radio “Whiskey Drink” currently climbing the charts. Signed to Aldean’s Night Train Records, his imprint with BBR Music Group/BMG Nashville, the sought-after, powerhouse artist has made his Grand Ole Opry debut and logged hours on the road opening for Aldean, ERNEST, Riley Green, Nate Smith, Jameson Rodgers and more. Now, his party starter smash “Friends Like That” - featuring Jason Aldean - is his first #1 at country radio as an artist (third as a songwriter), with the Tennessean praising the “live concert favorite whose banjo and steel underpinnings still allow room for a hard-rocking core.” Giving fans a taste of new music with the striking “Kid Myself,” jaunty “Crickets,” confident “I Know Better” and heartrendingly smooth “Long Ride Home,” John Morgan’s highly anticipated debut album, Carolina Blue, drops this Friday, April 25 and features his career-first #1 single.

KEEP UP WITH JOHN MORGAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Swiss Goth / Horror / Shock Metal Band DARKFLOW Release New Single "Press The Button" ​   

Swiss Goth / Horror / Shock Metal band DARKFLOW have released their latest single “Press The Button”, a harrowing and theatrical descent into apocalyptic madness. The track marks the second release from the band’s highly anticipated new album Imminent End, out May 2025.

 

Produced, recorded, mixed, and mastered by Andy LaRocque (legendary guitarist of King Diamond) at Sonic Train Studio in Sweden, Imminent End is a concept album that takes listeners through a dark and chaotic vision of the world’s collapse. LaRocque not only helmed the production but also contributes a blistering guest solo on the epic track “The Last Symphony.” Brian Bendahan did the orchestration of all the songs.
 

The new single “Press The Button” features guest Ed Nicod on rhythm guitars and bass(Algebra, Impure Wilhelmina). The band explains:

“This is a brutal and apocalyptic track where General Sean Horror, the General from hell, manipulates a global leader into launching all nuclear bombs. Instead of pressing the button himself, he revels in psychological torment, forcing his victim to do it. As God descends to destroy Earth, Sean Horror races to bring the end first—proving that hell always wins. Dark, theatrical, and relentless, this song is pure devastation set to music.”

The forthcoming album Imminent End explores themes of divine judgment, human depravity, and cosmic destruction. DARKFLOW crafts a world where each track reveals a different path to ruin—tsunamis, wars, existential despair—culminating in a battle between heaven’s wrath and hell’s vengeance.

“This album is about the world’s end, each track a vision of how everything falls apart. I embody Sean Horror, returning from hell to destroy the Earth before God can. It’s a race for apocalypse. ‘Press The Button’ finds Sean forcing a powerful man to unleash nuclear chaos. And the final song, ‘Whistles From The Sky,’ is my laughter as I’ve outdone God—winning the destruction of mankind and ushering in the end of all civilization.”

 

With Imminent End, DARKFLOW cement their place as masters of sonic horror, blending goth, shock metal, and theatrical narrative into a terrifying and unforgettable experience.

Pre-order Imminent End

https://music.suricatemusic.com/imminentend

DARKFLOW are:

Sean Horror

Flow

Meech K

Soa Grihim

Dr. Trykster

For more info visit:

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Jersey Shore Rockers TRIGGER Share Classic Track "One In A Million"

In early 1979, TRIGGER walked out of Electric Lady Studios with a completed second album. Mere months had passed since their self-titled debut came out on Casablanca Records, home to KISS and Parliament. The band had toured with Cheap Trick and The Godz, met Bruce Springsteen and Joni Mitchell, and things were looking bright.

But, Casablanca unexpectedly went bankrupt, and the label’s artists went into freefall. TRIGGER unsuccessfully sought interested parties, shelved the recordings and disbanded; a disappointing end for a band who dominated the Jersey Shore club scene on their way up with fiery, kick ass live shows.

RIP TRIGGER: 1973-1979.

Jump to 2024. Guitarist Richie House is living in Northern New Jersey with his wife, enjoying a relaxing afternoon at the community pool with neighbors. One of them, Andrew Wexler, is shocked to discover his friend had a band in the ‘70s. He listens to their recordings, and as an avid record collector, assumes the mission of getting that unheard second album released. He writes to Ba Da Bing, a label with Jersey roots. Much excitement ensues.

The long-awaited release, 'Second Round,' will now be available on May 30th. All original members — Derek Remington (vocals/drums), Jimmy Duggan (guitar/vocals), Tom Nigra(bass guitar/backing vocals), and Richie House (lead guitar/vocals) — are present on the recordings. Sadly, Duggan and Nigra have passed away, but Remington and House have overseen this reissue, with songs sourced directly from the analog masters.. The TRIGGER of today maintains a high level of quality, albeit with a bit less flair, and even less hair.

And there’s more going on here than at first listen. While the band carries the earmarks of their era - melodic hard-rock fashioned for Saturday night parties - they override the cliché with incredibly catchy songs. How would a ripping song like “Back Talk” have been received in 1979? It’s a question we’ll never be able to answer, but the raw energy of the track spans generations. “One In A Million,” however, with its full harmonies and forceful chorus, could have easily made the soundtrack for Fast Times at Ridgemont High.

Celebrate the discovery of this lost gem by giving it a listen. You’ll be TRIGGER happy…

Listen to "One In A Million"

In the mid ’70s, TRIGGER earned a reputation along the Jersey Shore for their electrifying live shows, airtight harmonies, and arena-ready riffs, earning them a deal with Casablanca Records thanks to support from labelmates KISS. They are the reason Foreigner didn’t name themselves TRIGGER, as first planned. Upon finishing their second album, Casablancaabruptly shuttered, their album shelved. Now, decades later, 'Second Round' will finally be heard, offering a time capsule to a band at peak creativity—undeniably powerful, unapologetically melodic, and long overdue for recognition.

'Second Round' finally brings to life the lost chapter of TRIGGER’s story. Their 1978 self-titled debut showcased dynamic songwriting and relentless energy, leading them to tour with Cheap Trick and The Godz. They quickly begin work on a second album. Recorded at the legendary Record Plant and Electric Lady Studios, 'Second Round' would be the next step, but it was never released. Thanks to a record-collecting friend of guitarist Richie House, Ba Da Bing was made aware of this offense and devised plans to right things.

“One In A Million” is probably their most radio-ready song for 1979. It starts with a blaring synth running on the beat before breaking into a killer guitar riff. All of it builds to the chorus, with all band members singing backup. This is the second single Ba Da Bing has shared off 'Second Round' and a fine taster of what’s to come.

Pre-Order 'Second Round' HERE

Watch a Fifteen-Minute Documentary about TRIGGER HERE

Active Rock Band Nerv Release New Single “CHAOS!”, EP Pre-Order Begins, On Tour this Spring! ​    

Sacramento-based active rock band Nerv has dropped their explosive new single, "CHAOS!", now available via SBG Records. Nerv's EP LOST, produced by Matt Good (Asking Alexandria, Escape the Fate), is slated for release on May 9, 2025.

 

STREAM "CHAOS!"
https://orcd.co/nerv_chaos

 Pre-save LOST: 

https://orcd.co/lost_ep

 

In addition, famous meteorologist Chris Michaels, aka Metal Weatherman, at North Carolina's WRAL and Fox 50 built Nerv's new single into his forecast this weekend.

Check it out HERE

The Semicolon Tour 2025 Dates with Citizen Soldier:

5/2/2025    Salt Lake City, UT - Rockwell at The Complex

5/3/2025    Denver, CO - Fillmore Auditorium

5/4/2025    Omaha, NE - The Admiral

5/5/2025    Minneapolis, MN - First Avenue              

5/7/2025    Milwaukee, WI - The Rave

5/8/2025    Grand Rapids, MI - The Intersection

5/9/2025    McKees Rocks, PA - Roxian Theater

5/10/2025   Columbus, OH - Sonic Temple Music Festival **                   

5/12/2025   Rochester, NY - Water Street Music Hall

5/13/2025   New York City, NY - Irving Plaza

5/14/2025   Baltimore, MD - Baltimore Soundstage                

5/16/2025   Knoxville, TN - The Mill & Mine

5/17/2025   Daytona, FL - Welcome To Rockville

5/18/2025   Destin, FL - Club LA                   

5/20/2025   Louisville, KY - Mercury Ballroom

5/21/2025   Nashville, TN - Brooklyn Bowl

5/22/2025   Fayetteville, AR - JJ's Live

5/23/2025   Wichita, KS - Wave +

 

** indicates festival, Citizen Soldier only

+ no 10 Years on select date

# no Nerv on select date

 

For More Information Please Visit:

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Progressive Super Metallers IMMINENT SONIC DESTRUCTION Unleash New Single "The Game"

Today, progressive super metallers IMMINENT SONIC DESTRUCTION are excited to unleash their new single "The Game" from their upcoming album 'Floodgate', releasing on April 25th.

Listen on YouTube Music HERE

Listen on Apple Music HERE

Listen on Spotify HERE

On the new single, guitarist/vocalist Tony Piccoli comments:

"Look, some unknown band can go ahead and put out a presser about why their latest single is so important to them, and meaningful in the grand scheme of life, and bla bla bla bla. But here is why you PROG METAL DORKS need to check it, and our previous singles out right now. IT'S RIGHT UP YOUR PROG LOVING ALLEY, PAL. Do you like heavy, groove laden riffs? Do you like vocal harmonies? Do you like Rhodes pianos?? THEN WHY AREN'T YOU ALREADY CLICKING ON THE LINK TO LISTEN TO IT RIGHT NOW? Don't like the way my press release is talking to you? Buy a ticket to one of my shows and say something to me directly about it."

A full schedule of the band's live shows can be found HERE

The band recently sat down for a behind-the-scenes, tell-all interview where they discuss the truth about their upcoming album, 'Floodgate,' as well as some of the history of IMMINENT SONIC DESTRUCTION. Check it out below!

Watch the Behind the Scenes Interview with ISD

Stream / Listen to "The Game" HERE

IMMINENT SONIC DESTRUCTION (ISD), hailing from Metro Detroit, have carved out their niche in the metal world with their signature Progressive Super Metal sound. Since their debut album 'Recurring Themes' (2012), produced by Roy Z, the band has toured with the likes of Pain of Salvation, Kingcrow, Fates Warning, and Circus Maximus, steadily building their reputation.

After their critically acclaimed concept album 'Triumphia' and their emotional third release 'The Sun Will Always Set', ISD are set to return in 2025 with their fourth album, 'Floodgate', once again produced by Nick Hagen. 'Floodgate' promises a dynamic mix of concise, heavy, and epic tracks, rich with vocal harmonies and standout performances from every member. This album pushes the band’s progressive metal songwriting even further, marking another milestone in their evolution.

About the album, Piccoli states:

"'Floodgate' is the idea that after a significant event in life, artists and musicians alike tend to open up the floodgate of creativity and let it all out. This album is a celebration of that floodgate opening up. We’re super proud of this one, and we hope you’ll enjoy the different paths this album will take you.” 

Pre-Order 'Floodgate' HERE

Catch IMMINENT SONIC DESTRUCTION on their Flooding North America Tour 2025! Get your ticket HERE.

IMMINENT SONIC DESTRUCTION Live:

April 24th - Stan's Room - Fort Wayne, IN

April 25th - Diesel Lounge - Detroit, MI (Official Album Release Party)

April 26th - Afterlife Music Hall - Akron, OH

April 27th - High Dive - Milwaukee, WI

IMMINENT SONIC DESTRUCTION are:

Pat DeLeon - Drums

Pete Hopersberger - Keyboards, Vocals

Bryan Paxton - Bass, Vocals

Tony Piccoli - Guitars, Vocals

Scott David Thompson - Guitars, Vocals

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Danish Musical Virtuoso NICKLAS SONNE Announces New Album ‘Electric Dream’ Set For Release On June 27th, 2025 via Frontiers Music Srl

Today, Danish musical virtuoso NICKLAS SONNE is excited to announce the release of his new studio album, 'Electric Dreams,' due out on June 27, 2025, via Frontiers Music Srl. In addition, following his latest singles “Route 65” and “Limitless,” SONNE has unveiled the album’s title track along with an accompanying lyric video, which you can view below.

Talking about the title track, NICKLAS SONNE commented:

“'Electric Dreams' tells the story of that fleeting, electric connection - the kind that leaves your mind spinning long after the moment has passed. It’s about being completely drawn to someone you barely know, and the haunting question that lingers: did she feel it too, or was I just another guy in a bar?”

Describing the album, he added:

“This record is a deeply personal journey back to where it all began for me - to the raw energy and spirit of my earliest musical inspirations. It blends the soul of old school hard rock with the punch and clarity of a modern production, creating a soundscape that feels both nostalgic and new."

Watch the Lyric Video for “Electric Dreams"

NICKLAS SONNE is a Danish musician, vocalist, guitarist, and producer known for his powerful presence in progressive and heavy metal. He began his musical journey as a drummer before moving on to guitar and ultimately becoming a singer-songwriter in a variety of metal and hard rock projects—starting with Defecto, one of Denmark’s leading metal bands, formed in 2010.

In addition to Defecto, NICKLAS is part of Aries Descendant alongside Jonah Weingarten(Pyramaze, Catalyst Crime). The dynamic duo released their debut album via Frontiers Music Srl on October 18th, 2024. It’s a groundbreaking project that seamlessly fuses the evocative allure of film music with the raw power of heavy metal, creating an auditory experience that is nothing short of extraordinary.

A multi-instrumentalist from an early age, NICKLAS honed his skills by playing along to Metallica and Dream Theater, later diving into songwriting and production. His talent quickly gained industry attention, leading to collaborations with renowned producers Jan Langhoff(Aqua) and Flemming Rasmussen (Metallica). This pivotal period helped shape his signature sound—progressive metal infused with orchestral and choral elements.

Other bands SONNE has been involved with include Evil Masquerade, Theory, Hank Shermann, One Machine, Waving Memories, Section A, Metallica Jam, Wasted, and Omvendt Korstog. His long career has included international tours in countries such as Japan and support slots for metal heavyweights like Metallica and Rammstein.

With a relentless work ethic and a passion for musical innovation, NICKLAS SONNE continues to push the boundaries of modern metal, cementing his reputation as one of the most dynamic artists in the genre today. His solo album is a collection of songs that showcases the immense talent of this artist—who also handled production duties himself.

Pre-Order 'Electric Dreams' HERE

Wolves at the Gate Drop "LAW OF THE [Waste]LAND" Visualizer

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here. 

Today, the band has shared the "LAW OF THE [Waste]LAND"  visualizer. 

Watch it below. 

"The song is a reflection on a world and humanity that has lost its grip on true justice," says singer/guitarist Stephen Cobucci. "But this isn't anything new. History tells endless stories of war, genocide, and injustice and a seemingly endless list of atrocities. There is something terribly broken in us by nature that exalts self-preservation. I've seen it firsthand in my own heart. I saw this confirmed to me by the words of an old Psalmist when he said, 'None is righteous, no, not one; no one understands; no one seeks for God.' As much as I tried to fight the reality of that truth, an honest look at myself told the same story."

He continues, "The song explores how we become both victims and enforcers of a merciless code. We cry out for justice but live by vengeance, doing what seems right in our own eyes while blaming the fallout on anything but ourselves. In the Wasteland, we crown ourselves as judge, jury, and executioner, all while crying out for peace we can't create. While confronting the chaos, we've normalized. We were hoping to ask a deeper question: What is left for the soul, when we abandon mercy and truth in pursuit of self-rule and self-preservation? Can mercy still come to the merciless?"

The song starts out ominously and quickly escalates to all fists and fury, alongside a groove that just won't quit. It's got ALL of the bounce.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wallen Reveals 37-Song Tracklist feat. Collabs with Tate McRae, Post Malone, Eric Church & More

After spending the past few weeks teasing song titles from his upcoming album I’m The Problem on NBC’s Saturday Night Live and Theo Von’s This Past Weekend podcast, Morgan Wallen is revealing the full tracklist to the robust 37-song project. Featuring collaborations with pop superstars Post Malone and Tate McRae, plus close friends Eric Church, ERNEST and HARDY, I’m The Problem arrives May 16. Pre-save HERE.
 
The album opens with the title track, “I’m The Problem,” a cutting double-edged confession that reveals the complexities of a relationship at its lowest point. It concludes with “I’m A Little Crazy,” a quiet, self-reflective song that looks inward while examining the world outside. Between all of that, Wallen displays his ability to reach listeners on a granular level. 
 
While Wallen co-wrote 22 of the tracks on the album, he tapped into 49 songwriters, curating a tracklist that’s both deeply personal and resonant, while viewing life events through a different lens than he’s used in the past.
 
“A lot of the concepts and things we said were a little more difficult with this album,” Wallen says of the writing and refining process. “We were trying to dig deep on things and trying to find new angles. And I feel like we did that. I feel like there's a lot of stuff that I haven't said in this record, which I'm really, really proud of.” 
 
“I Ain’t Comin’ Back (Feat. Post Malone),” available Friday, marks the duo’s second collaboration following the crossover success of “I Had Some Help” last year, which recently topped two billion global streams. Written by Wallen, Louis Bell, Michael Hardy, Austin Post, Ernest Keith Smith and Ryan Vojtesak, and produced by Joey Moi, “I Ain’t Comin’ Back” teases a cheeky play-on-words, as the guy leaves the relationship, vowing never to return: There’s a lot of reasons I ain't Jesus / But the main one is that I ain’t coming back.
 
Pre-save “I Ain’t Comin’ Back (Feat. Post Malone)” ahead of Friday, HERE.

Wallen recently became the first artist ever to have two albums spend over 100 weeks in the top 10 of the Billboard 200 chart. With each album, Wallen has refined his music, but with this one, Wallen digs even deeper, providing a glimpse into his life that feels more intimate, more grounded and closer to his core.
 
The project sparked Wallen’s 2025 I’m The Problem Tour. Kicking off June 20 at NRG Stadium in Houston, Texas, Wallen’s 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop recently added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.
 
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with Wallen’s Sand In My Boots Festival, these 21 shows are the only place to see the superstar in 2025. 

Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
 
About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “the biggest country star in the world” and The New York Times doubling down, declaring he’s “one of the biggest stars in pop, period.” With 17 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, more than 170 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. As Las Vegas Review Journal puts it: “Wallen’s appeal is remarkable as it is fueled by his ability to connect to a crowd.” 
 
With Dangerous: The Double Album, Wallen solidified his place as the “dominant country superstar,” with the project recently being named Billboard’s No. 1 Album of the 21st Century. One Thing At A Time’s groundbreaking success saw Wallen’s crossover appeal reach a global scale, as he topped the Australian ARIA charts for the first time, along with a host of other accolades. With two No. 1’s already hailing from his forthcoming album release I’m The Problem, due May 16 via Big Loud / Mercury, Wallen digs even deeper, uncovering a side that’s both more vulnerable and more resolute than ever before.
 
As Wallen prepares a refreshed setlist for his 20-stadium-show I’m the Problem Tour, kicking off on June 20 in Houston, Texas, he’s also highlighting some of his favorite artists by bringing the personally-curated, multi-genre Sand In My Boots Music Festival to Gulf Shores, Alabama, this May, which sold out in less than two hours.
 
Wallen continues to donate a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

FALLUJAH DEBUTS NEW SINGLE 'LABYRINTH OF STONE'

Progressive death metal masters FALLUJAH have revealed the second single, ‘Labyrinth of Stone,’ from their upcoming 6th album, Xenotaph, that’s due out June 13th from Nuclear Blast Records.

Commenting on the new single, founding guitarist Scott Carstairs states:

“‘Labyrinth of Stone’ is nearly six minutes of pure, mind-bending tech death and prog. From start to finish, this track will tear your face off. We guarantee you’ve never heard Fallujah like this before. Prepare your ear holes and eyeballs for one of the most ridiculous tracks and music videos we’ve ever produced.”

Pre-order Xenotaph: https://fallujah.bfan.link/xenotaph

Stream ‘Labyrinth of Stone’: https://fallujah.bfan.link/labyrinth-of-stone.app

‘LABYRINTH OF STONE’ MUSIC VIDEO BELOW;

FALLUJAH’s eagerly awaited 6th album, Xenotaph, is available for pre-order now on limited edition vinyl, CD and cassette.

Watch the video for the band’s previously released single ‘Kaleidoscopic Waves’: https://www.youtube.com/watch?v=5iA1m63buh8

Speaking about the album, vocalist Kyle Schaefer says:

“We are excited to finally reveal Fallujah’s new album Xenotaph, marking the sixth chapter in our discography. This is our most ambitious record yet, and is certainly the band’s most technical, dynamic and progressive material to date. The music carried out by these eight tracks is matched with an equally ambitious concept, a lyrical story that traverses unfolding layers of time and reality in an otherworldly, post-death realm of existence.

Xenotaph is also our most collaborative album, with broad input from the current lineup leading us to expand the scope of our songwriting while simultaneously highlighting the true potential of everyone involved. We hope you’ll join us in welcoming this bold new stage of the band’s evolution.”

About FALLUJAH:

Prog death-metal outfit FALLUJAH expand horizons and solidify their position as one of America’s most exciting acts on their new album, Xenotaph, through Nuclear Blast. The quintet’s confidence in the lineup that made their previous album, Empyrean (2022), such a resounding success—earning high marks from Metal Injection, New Noise, and Guitar World—has been reconfigured slightly, with guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) bringing their jaw-dropping musical proficiency to the fold, as vocalist Kyle Schaefer, guitarist Scott Carstairs, and bassist Evan Brewer enter a new chapter with FALLUJAH. Moored by singles ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ and ‘Step Through the Portal and Breathe,’ Xenotaph is FALLUJAH personified, reinvigorated, and re-imagined.

Xenotaph was produced by FALLUJAH, engineered by Dave Otero (CATTLE DECAPITATION, ARCHSPIRE) and Mike Low (VITRIOL, ABORTED) at Flatline Audio in Denver, Colorado and Top Track Studios in Nashville, Tennessee. Otero also mixed and mastered Xenotaph. The main goal was elevation, building upon yet soaring upward from Empyrean, one of the group’s strongest productions to date. The team focused the separation of FALLUJAH’s breakneck pace, meticulous songcraft, euphonious leads, and unrivaled intensity, creating an experience pulls the listener into Xenotaph’s high-caliber music and concept.

Beyond releasing Xenotaph to an anticipating fanbase, FALLUJAH take aim at the road, drawing upon the success of their Empyrean runs. Indeed, attendees to the group’s live performances have witnessed some of Xenotaph’s songs already, namely the shimmery prog-bounce and inner world horror of ‘The Obsidian Architect.’ FALLUJAH are in a perpetual state of evolution, and Xenotaphdemonstrates the group’s hard-won, if profound journey. For there is no reverse—only forward progress, and the path ahead is illuminating before them. Step through the portal if you dare…

Kyle Schaefer | Vocals, Programming
Scott Carstairs | Guitars
Sam Mooradian | Guitar
Evan Brewer | Bass
Kevin Alexander | Drums

Follow FALLUJAH:

Linktree | Facebook | Instagram | X | Youtube | Patreon

Renowned Rock Singer RUSS BALLARD Shares New Single “I Know There's Something Going On”

Today, renowned rock singer RUSS BALLARD is pleased to share his new single and accompanying video “I Know There's Something Going On,” taken from his upcoming double album 'Songs From The Warehouse / The Hits Rewired,' out on April 25th, 2025 via Frontiers Music Srl.

 

This release is a real treat for all rock fans: the first CD contains new songs, which show once again that the inspiration never left RUSS, while the second CD includes brand new recordings of famous hits either penned or performed by him during the years.

About the new single, RUSS BALLARD says:

“That was a quick one. I wrote it when the first digital reverbs came out. I played around with these new sounds, took my holey guitar and that’s it. It took me an hour to write it from start to finish. Phil Collins turned it into a massive song then with his drum sound. Years later, Fridasaid she wished I did more songs for her. How lovely from her.”

 

BALLARD also expresses his excitement for the album:

“It’s a buzz releasing a new album. What started as my 'Lockdown-tapes' during the pandemic became an album! During lockdown, my studio was a life saver for me, and I found new ways of writing and recording. The result gives the listeners a good insight into this time - have a listen!”

Watch the Video for “I Know There's Something Going On” below

RUSS BALLARD is simply one of the most renowned and gifted songwriters in pop and rock music. His music career started when he was only 14 years old and he wrote a tune, which was recorded by The Shadows, appearing on their album 'The Sound Of The Shadows' in 1964.

During the 70’s and 80’s, his songs ruled the airwaves and the list of hits is pretty much endless. From “Since You Been Gone” (Rainbow), “God Gave Rock'n'Roll To You” (Argent and Kiss), “So You Win Again” (Hot Chocolate), “New York Groove” (Hello and Ace Frehley), “You Can Do Magic” (America), “Winning” (Santana) or “I Don’t Believe In Miracles” (Colin Blunstone) – just to name a few – everyone who needed a great song knew that with RUSS BALLARD they could not go wrong.

 

Numerous records/artists were also produced by him, like Roger Daltrey, America, Elkie Brooks, Skindred or Sada Vidoo. In 1974, he started a solo career (after his stint with the band Argent in early 70’s), which had its highest momentum with the 'S/t' album in 1984 (which included the hit single “Voices”) and the follow up “The Fire Still Burns”.

Since then, BALLARD has released 10 studio albums and is still writing and producing hits. Three songs from his 1984 and 1985 albums were featured in the TV show “Miami Vice” and were extensively played on dance floors around Europe.

 Pre-Order 'Songs From The Warehouse / The Hits Rewired' HERE

Maddox Batson’s “First Dance” Extends w/ “The After Party” – 3 New Songs Out 5/2

There’s nothing like the anticipation of your first dance – or as an artist, your first EP – and budding singer/songwriter/entertainer Maddox Batson wants to keep the excitement going. Having sold out the first leg of his Road to Indio Tour in support of his 7-song March 21 release First Dance, the Tennessee teen adds three songs – “I Need A Truck,” “Somewhere South” and “2 Feet” – with First Dance (The After Party), available Friday, May 2 via Prosper Entertainment/Warner Records.  
 
"We’re so excited to add a few tracks and release a deluxe of First Dance for our fans,” shares Batson. “I’ve been blessed to write with so many incredible songwriters – we have so many good songs that we’ve been playing on the road, and some have already felt like fan favorites. We just felt like we should get ‘I Need A Truck’ and ‘Somewhere South’ out to fans as soon as possible,” he adds of releasing a deluxe just six weeks after his first EP. 
 
“There’s one that felt important for me to share right now because it’s the perfect way to express how I’m coping with everything that’s happening, and that song is ‘2 Feet’,” he shares of a song he co-wrote with Tiggi and Mishon Ratliff and is a nod to his whirlwind year including his Grand Ole Opry debut, inaugural tour currently underway and first recorded music being available for fans. “I’m so excited to share even more music to our incredible fans with The After Party."
 
With “Girl In Green” and “I Don’t Like You Anymore” among the new songs already being sung back to him from the crowd at sold-out shows in Columbus, Ohio, Louisville, Kentucky, Raleigh, North Carolina, Huntsville, Alabama and more within the first two weeks on tour, Batson is writing and singing what he knows and it’s connecting. f28 observes, with “a performance that was both intimate and electrifying… the sight of parents covering their ears while their kids screamed with uncontainable joy was a testament to the infectious energy Maddox brings to his shows.”
 
As Batson looks ahead to his extended EP’s release and in particular “I Need A Truck,” the multi-instrumentalist adds, “Growing up in the country, you start talking about your truck when you're like 13. What's it gonna look like…what kind of wheels you're gonna get... whether it's a Ford, Ram or a Chevy. Usually that's passed down to you from your parents. Kinda like Coke or Pepsi. 
 
“‘I Need A Truck’ is about finding that special someone you can share that experience with… and this song is me picturing what it’s gonna be like to ride around with her. Nothing like it – a beautiful girl and a good-looking truck. I can't wait!"

Tour Routing:
April 17 || Dallas, TX || House of Blues*
April 18 || Houston, TX || White Oak Music Hall - Downstairs *
April 19 || Austin, TX || Emo’s Austin *
April 22 || Denver, CO || Summit
April 24 || Phoenix, AZ || Crescent Ballroom*
April 26 || Indio, CA || Stagecoach Music Festival          
May 18 || New York, NY || Irving Plaza (rescheduled)*      
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casio Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
*SOLD OUT
^Lainey Wilson Support Dates
 
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com. 
 
STAY TUNED WITH MADDOX BATSON
TikTok | Instagram | YouTube | Press Website

VADER - Release New Single 'Unbending (Mystic Festival Anthem 2025)' + Start Preorder For new EP "Humanihility"

Polish death metal veterans VADER have released a music video for a brand new single called 'Unbending', which will be the official anthem of Poland's renowned Mystic Festival this year. It's also the closing track of VADER's upcoming new EP Humanihility that will be out on May 30th, 2025, and can be pre-ordered as of today.

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a  limited 12'' (red vinyl, 700 copies).

VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!

PRE-ORDER / PRE-SAVE HUMANIHILITY:
https://vader.bfan.link/humanihility

WATCH THE VIDEO FOR 'UNBENDING' Below:

"Lost In Light" by TUMBLE

Toronto power trio TUMBLE is set to release their debut EP, Lost In Light, on May 2, 2025, through Echodelick Records (US) and Stickman Records (EU)—a blistering, 20-minute dive into the heart of heavy psychedelic rock and proto-metal. Fueled by thunderous riffs, hypnotic grooves, and an unrelenting live energy, Lost In Light is a bold statement from a band that refuses to hold back.

Recorded live off the floor at ProGold Studios with legendary Ian Blurton at the helm, Lost In Light strips away the polish of modern production in favor of something raw, visceral, and immediate. No click tracks, no unnecessary overdubs—just the sheer force of three musicians locked into a relentless groove. The result is an album that breathes, sways, and explodes with the reckless abandon of a band that thrives on pushing their sound to its breaking point.

The EP opens with "Laid By Fear," an ominous, slow-building behemoth that fades in like a shadow before bursting into a doom-laden, hypnotic riff, setting the tone for the album’s deep dive into existential dread and altered states of consciousness. It’s a song that feels like teetering on the edge of oblivion and loving every second of it.

That tension is broken by "The Less I Know," a full-throttle bluesy psych-rock ripper that channels the reckless abandon of early MC5 and Blue Cheer, with Liam Deak’s wailing guitar soaring over a locked-in rhythm section. It’s an electrified, high-energy burner that feels like an anthem for those who understand that the more you dig for meaning, the less you find.

"Dead By Rumour" follows, leaning hard into 70s sleaze rock swagger, with a chorus that grooves and snarls before a delay-drenched psychedelic solo melts into oblivion. There’s a chaotic energy to it—a band unafraid to let things spiral out of control before yanking the reins back just in time. The cliffhanger solo, the thunderous return to the riff—everything about it feels like riding the edge between mayhem and precision.

Side two kicks off with "Sullen Slaves," a track that fires on all cylinders from the jump, delivering one of the most melodic and rhythmically infectious moments on the EP. The song builds and collapses, a primal stomp giving way to an explosive proto-doom freakout, complete with frenetic solos and a crushing final push. There’s something almost anthemic buried within the chaos—a defiant roar against the trappings of modern society.

Closing out the EP is "Wings Of Gold," an all-out riff-heavy assault that careens forward with unrelenting momentum before descending into a massive, doom-laden instrumental section. The Geezer Butler-esque bass groove gives the song an irresistible swing, while Will Adams' drumming brings the whole thing down like a hammer. The song—both in sound and theme—leans into the myth of Icarus, a warning wrapped in high-octane rock fury. The lyrics paint a world flying too close to the sun, driven by greed and power, doomed to crash and burn.

At its core, Lost In Light is an album built on tension and release, power and restraint, euphoria and destruction. It’s an album that rages against the alienation and existential dread of modern life, captured in five tracks that never let up. Everything here works—the songwriting, the riffs, the dynamics, the sheer force of energy—all channeled through Blurton’s masterful production, which captures the band at their heaviest and most alive.

This is TUMBLE at full power—loud, unpredictable, and unrelenting. A band that thrives in the chaotic interplay between instinct and intention, refusing to be anything but themselves. Lost In Light doesn’t just demand your attention—it grabs you by the collar and drags you into the abyss. And once you’re there, you won’t want to leave.

About TUMBLE:

Formed in Toronto, Canada, in 2022, TUMBLE is a hard-hitting power trio that fuses hard rock, psychedelic rock, and proto-metal into a raw, high-voltage sound that pays homage to the underground heavy rock movement of the late '60s and early '70s. With minimal effects, loud tube amps, and an uncompromising live energy, the band strips rock 'n' roll down to its most primal form—driven by ferocious riffs, dynamic rhythms, and hypnotic grooves.

TUMBLE’s music is as much about feel as it is about power, rejecting the overproduced polish of modern rock in favor of something more organic, untamed, and immediate. Taking cues from bands like BLACK SABBATH, BLUE CHEER, PENTAGRAM, and MC5, they blend blues-infused psychedelia with heavy, swinging riffs and a no-nonsense attitude. All of their recorded material is tracked live off the floor with no click track, allowing for a loose, natural feel and a tangible sense of danger in their performances.

The band consists of Liam Deak on guitar and vocals, Tarun Dawar on bass, and Adam Guerra on drums. Together, they create a sound that is both thunderous and unrestrained, with each instrument pushing the others to their limits. Their chemistry is built on instinct and improvisation, allowing them to craft dynamic and unpredictable performances both in the studio and on stage.

Since their inception, TUMBLE has built a reputation for explosive live shows, sharing the stage with bands like CROWN LANDS, MONSTER TRUCK, and IAN BLURTON'S FUTURE NOW. In just two years, they’ve gone from playing their first gig at the legendary LEE’S PALACE to earning praise from Bobby Liebling of PENTAGRAM for their cover of “Earth Flight.” Their commitment to keeping rock raw and unfiltered has earned them a dedicated following and growing recognition in the underground rock scene.

Their upcoming EP, Lost In Light, recorded with Ian Blurton at PROGOLD STUDIOS, is a testament to the band’s ethos—five tracks of unrelenting, fuzz-drenched rock ‘n’ roll that rage against existential dread, alienation, and self-destruction. Set for release on May 2, 2025, via Echodelick Records (US) and Stickman Records (EU), the record captures TUMBLE at their heaviest and most alive.

This is rock music in its purest form—loud, raw, and completely unhinged. This is TUMBLE.

TUMBLE is:

  • Liam Deak – Guitar/Vocals

  • Tarun Dawar – Bass

  • Adam Guerra – Drums


Connect with TUMBLE:

Nightfall Lead Beastly Anthem on New Single "Seeking Revenge"

Since rising up from Athens' underground in 1991, Nightfall have stood as pillars for Greek metal alongside current and former Season of Mist label mates Rotting Christ and Septicflesh. 

Like their brothers-in-arms, captain Efthimis Karadimas and his Athenian rebels sculpt towering gothic melodies from fiery blackened death metal. Their monumental eleventh full-length is bolstered by a powerful message and the mightiest production in the band's pantheon-level discography. The latest single from Children of Eve charges into the heat of battle with the same vengeance that fueled their rise, but "Seeking Revenge" is spearheaded by the biggest hell-raising chorus on an album full of crowd-pleasers.          

"We wrote this song in retaliation for the vengeful teachings that the catechism practices on us", Efthimis says. "It seeks revenge for the expelled ones, the traders of anathema, who have the outlandish desire to disobey Christian Svengali".  
   
Watch the searing lyric video for "Seeking Revenge" below:

Children of Eve comes out May 2, 2025 on Season of Mist.

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Can't wait for the arrival of Children of Eve? You can listen to the whole album tomorrow during Nightfall's Bandcamp listening party.

Nightfall Children of Eve Bandcamp Listening Party

Thursday, April 17 @ 1 pm Eastern Time / 7 pm Central European Summer Time

RSVP
https://nightfallofficial.bandcamp.com/live/children-of-eve-listening-party

During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".
 
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.
 
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet. 

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept: 
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve


Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Booking Contact:
District 19
https://district-19.com/

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Colored Vinyl Gatefold - Bloody Mary (Transparent red, white and black marbeled)
12" Coloured Vinyl Gatefold - Lemon Ice Cream (White and yellow marbeled)