Renowned Rock Singer RUSS BALLARD Shares New Single “I Know There's Something Going On”

April 17, 2025

Today, renowned rock singer RUSS BALLARD is pleased to share his new single and accompanying video “I Know There's Something Going On,” taken from his upcoming double album 'Songs From The Warehouse / The Hits Rewired,' out on April 25th, 2025 via Frontiers Music Srl.

This release is a real treat for all rock fans: the first CD contains new songs, which show once again that the inspiration never left RUSS, while the second CD includes brand new recordings of famous hits either penned or performed by him during the years.

About the new single, RUSS BALLARD says:

“That was a quick one. I wrote it when the first digital reverbs came out. I played around with these new sounds, took my holey guitar and that’s it. It took me an hour to write it from start to finish. Phil Collins turned it into a massive song then with his drum sound. Years later, Fridasaid she wished I did more songs for her. How lovely from her.”

BALLARD also expresses his excitement for the album:

“It’s a buzz releasing a new album. What started as my 'Lockdown-tapes' during the pandemic became an album! During lockdown, my studio was a life saver for me, and I found new ways of writing and recording. The result gives the listeners a good insight into this time - have a listen!”

Watch the Video for “I Know There's Something Going On” below

RUSS BALLARD is simply one of the most renowned and gifted songwriters in pop and rock music. His music career started when he was only 14 years old and he wrote a tune, which was recorded by The Shadows, appearing on their album 'The Sound Of The Shadows' in 1964.

During the 70’s and 80’s, his songs ruled the airwaves and the list of hits is pretty much endless. From “Since You Been Gone” (Rainbow), “God Gave Rock'n'Roll To You” (Argent and Kiss), “So You Win Again” (Hot Chocolate), “New York Groove” (Hello and Ace Frehley), “You Can Do Magic” (America), “Winning” (Santana) or “I Don’t Believe In Miracles” (Colin Blunstone) – just to name a few – everyone who needed a great song knew that with RUSS BALLARD they could not go wrong.

Numerous records/artists were also produced by him, like Roger Daltrey, America, Elkie Brooks, Skindred or Sada Vidoo. In 1974, he started a solo career (after his stint with the band Argent in early 70’s), which had its highest momentum with the 'S/t' album in 1984 (which included the hit single “Voices”) and the follow up “The Fire Still Burns”.

Since then, BALLARD has released 10 studio albums and is still writing and producing hits. Three songs from his 1984 and 1985 albums were featured in the TV show “Miami Vice” and were extensively played on dance floors around Europe.

Pre-Order 'Songs From The Warehouse / The Hits Rewired' HERE

Maddox Batson’s “First Dance” Extends w/ “The After Party” – 3 New Songs Out 5/2

April 16, 2025

There’s nothing like the anticipation of your first dance – or as an artist, your first EP – and budding singer/songwriter/entertainer Maddox Batson wants to keep the excitement going. Having sold out the first leg of his Road to Indio Tour in support of his 7-song March 21 release First Dance, the Tennessee teen adds three songs – “I Need A Truck,” “Somewhere South” and “2 Feet” – with First Dance (The After Party), available Friday, May 2 via Prosper Entertainment/Warner Records.

"We’re so excited to add a few tracks and release a deluxe of First Dance for our fans,” shares Batson. “I’ve been blessed to write with so many incredible songwriters – we have so many good songs that we’ve been playing on the road, and some have already felt like fan favorites. We just felt like we should get ‘I Need A Truck’ and ‘Somewhere South’ out to fans as soon as possible,” he adds of releasing a deluxe just six weeks after his first EP.

“There’s one that felt important for me to share right now because it’s the perfect way to express how I’m coping with everything that’s happening, and that song is ‘2 Feet’,” he shares of a song he co-wrote with Tiggi and Mishon Ratliff and is a nod to his whirlwind year including his Grand Ole Opry debut, inaugural tour currently underway and first recorded music being available for fans. “I’m so excited to share even more music to our incredible fans with The After Party."

With “Girl In Green” and “I Don’t Like You Anymore” among the new songs already being sung back to him from the crowd at sold-out shows in Columbus, Ohio, Louisville, Kentucky, Raleigh, North Carolina, Huntsville, Alabama and more within the first two weeks on tour, Batson is writing and singing what he knows and it’s connecting. f28 observes, with “a performance that was both intimate and electrifying… the sight of parents covering their ears while their kids screamed with uncontainable joy was a testament to the infectious energy Maddox brings to his shows.”

As Batson looks ahead to his extended EP’s release and in particular “I Need A Truck,” the multi-instrumentalist adds, “Growing up in the country, you start talking about your truck when you're like 13. What's it gonna look like…what kind of wheels you're gonna get... whether it's a Ford, Ram or a Chevy. Usually that's passed down to you from your parents. Kinda like Coke or Pepsi.

“‘I Need A Truck’ is about finding that special someone you can share that experience with… and this song is me picturing what it’s gonna be like to ride around with her. Nothing like it – a beautiful girl and a good-looking truck. I can't wait!"

Tour Routing:
April 17 || Dallas, TX || House of Blues*
April 18 || Houston, TX || White Oak Music Hall - Downstairs *
April 19 || Austin, TX || Emo’s Austin *
April 22 || Denver, CO || Summit
April 24 || Phoenix, AZ || Crescent Ballroom*
April 26 || Indio, CA || Stagecoach Music Festival
May 18 || New York, NY || Irving Plaza (rescheduled)*
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casio Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
*SOLD OUT
^Lainey Wilson Support Dates

About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”

With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com.

STAY TUNED WITH MADDOX BATSON
TikTok | Instagram | YouTube | Press Website

VADER - Release New Single 'Unbending (Mystic Festival Anthem 2025)' + Start Preorder For new EP "Humanihility"

April 16, 2025

Polish death metal veterans VADER have released a music video for a brand new single called 'Unbending', which will be the official anthem of Poland's renowned Mystic Festival this year. It's also the closing track of VADER's upcoming new EP Humanihility that will be out on May 30th, 2025, and can be pre-ordered as of today.

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a limited 12'' (red vinyl, 700 copies).

VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!

PRE-ORDER / PRE-SAVE HUMANIHILITY:
https://vader.bfan.link/humanihility

WATCH THE VIDEO FOR 'UNBENDING' Below:

Facebook: https://www.facebook.com/vader
Instagram: https://www.instagram.com/vader_band_official/
X: https://x.com/vaderband
Youtube: https://www.youtube.com/@panzervader

"Lost In Light" by TUMBLE

April 16, 2025

Toronto power trio TUMBLE is set to release their debut EP, Lost In Light, on May 2, 2025, through Echodelick Records (US) and Stickman Records (EU)—a blistering, 20-minute dive into the heart of heavy psychedelic rock and proto-metal. Fueled by thunderous riffs, hypnotic grooves, and an unrelenting live energy, Lost In Light is a bold statement from a band that refuses to hold back.

Recorded live off the floor at ProGold Studios with legendary Ian Blurton at the helm, Lost In Light strips away the polish of modern production in favor of something raw, visceral, and immediate. No click tracks, no unnecessary overdubs—just the sheer force of three musicians locked into a relentless groove. The result is an album that breathes, sways, and explodes with the reckless abandon of a band that thrives on pushing their sound to its breaking point.

The EP opens with "Laid By Fear," an ominous, slow-building behemoth that fades in like a shadow before bursting into a doom-laden, hypnotic riff, setting the tone for the album’s deep dive into existential dread and altered states of consciousness. It’s a song that feels like teetering on the edge of oblivion and loving every second of it.

That tension is broken by "The Less I Know," a full-throttle bluesy psych-rock ripper that channels the reckless abandon of early MC5 and Blue Cheer, with Liam Deak’s wailing guitar soaring over a locked-in rhythm section. It’s an electrified, high-energy burner that feels like an anthem for those who understand that the more you dig for meaning, the less you find.

"Dead By Rumour" follows, leaning hard into 70s sleaze rock swagger, with a chorus that grooves and snarls before a delay-drenched psychedelic solo melts into oblivion. There’s a chaotic energy to it—a band unafraid to let things spiral out of control before yanking the reins back just in time. The cliffhanger solo, the thunderous return to the riff—everything about it feels like riding the edge between mayhem and precision.

Side two kicks off with "Sullen Slaves," a track that fires on all cylinders from the jump, delivering one of the most melodic and rhythmically infectious moments on the EP. The song builds and collapses, a primal stomp giving way to an explosive proto-doom freakout, complete with frenetic solos and a crushing final push. There’s something almost anthemic buried within the chaos—a defiant roar against the trappings of modern society.

Closing out the EP is "Wings Of Gold," an all-out riff-heavy assault that careens forward with unrelenting momentum before descending into a massive, doom-laden instrumental section. The Geezer Butler-esque bass groove gives the song an irresistible swing, while Will Adams' drumming brings the whole thing down like a hammer. The song—both in sound and theme—leans into the myth of Icarus, a warning wrapped in high-octane rock fury. The lyrics paint a world flying too close to the sun, driven by greed and power, doomed to crash and burn.

At its core, Lost In Light is an album built on tension and release, power and restraint, euphoria and destruction. It’s an album that rages against the alienation and existential dread of modern life, captured in five tracks that never let up. Everything here works—the songwriting, the riffs, the dynamics, the sheer force of energy—all channeled through Blurton’s masterful production, which captures the band at their heaviest and most alive.

This is TUMBLE at full power—loud, unpredictable, and unrelenting. A band that thrives in the chaotic interplay between instinct and intention, refusing to be anything but themselves. Lost In Light doesn’t just demand your attention—it grabs you by the collar and drags you into the abyss. And once you’re there, you won’t want to leave.

About TUMBLE:

Formed in Toronto, Canada, in 2022, TUMBLE is a hard-hitting power trio that fuses hard rock, psychedelic rock, and proto-metal into a raw, high-voltage sound that pays homage to the underground heavy rock movement of the late '60s and early '70s. With minimal effects, loud tube amps, and an uncompromising live energy, the band strips rock 'n' roll down to its most primal form—driven by ferocious riffs, dynamic rhythms, and hypnotic grooves.

TUMBLE’s music is as much about feel as it is about power, rejecting the overproduced polish of modern rock in favor of something more organic, untamed, and immediate. Taking cues from bands like BLACK SABBATH, BLUE CHEER, PENTAGRAM, and MC5, they blend blues-infused psychedelia with heavy, swinging riffs and a no-nonsense attitude. All of their recorded material is tracked live off the floor with no click track, allowing for a loose, natural feel and a tangible sense of danger in their performances.

The band consists of Liam Deak on guitar and vocals, Tarun Dawar on bass, and Adam Guerra on drums. Together, they create a sound that is both thunderous and unrestrained, with each instrument pushing the others to their limits. Their chemistry is built on instinct and improvisation, allowing them to craft dynamic and unpredictable performances both in the studio and on stage.

Since their inception, TUMBLE has built a reputation for explosive live shows, sharing the stage with bands like CROWN LANDS, MONSTER TRUCK, and IAN BLURTON'S FUTURE NOW. In just two years, they’ve gone from playing their first gig at the legendary LEE’S PALACE to earning praise from Bobby Liebling of PENTAGRAM for their cover of “Earth Flight.” Their commitment to keeping rock raw and unfiltered has earned them a dedicated following and growing recognition in the underground rock scene.

Their upcoming EP, Lost In Light, recorded with Ian Blurton at PROGOLD STUDIOS, is a testament to the band’s ethos—five tracks of unrelenting, fuzz-drenched rock ‘n’ roll that rage against existential dread, alienation, and self-destruction. Set for release on May 2, 2025, via Echodelick Records (US) and Stickman Records (EU), the record captures TUMBLE at their heaviest and most alive.

This is rock music in its purest form—loud, raw, and completely unhinged. This is TUMBLE.

TUMBLE is:

Liam Deak – Guitar/Vocals
Tarun Dawar – Bass
Adam Guerra – Drums

Connect with TUMBLE:

Official Website: https://www.tumbleband.com/
Bandcamp: https://tumbletheband.bandcamp.com/
Facebook: https://www.facebook.com/tumbletheband/
Instagram: https://www.instagram.com/tumbletheband/
Twitter/X: https://twitter.com/tumbletheband
YouTube: https://www.youtube.com/@tumbletheband
Spotify: https://open.spotify.com/artist/1t7Oig6jLf2LmwCrojd2eD?si=i_JUhwNeTveSMVTDTpvDyw
Apple Music: https://music.apple.com/ca/artist/tumble/1677243979

Nightfall Lead Beastly Anthem on New Single "Seeking Revenge"

April 16, 2025

Since rising up from Athens' underground in 1991, Nightfall have stood as pillars for Greek metal alongside current and former Season of Mist label mates Rotting Christ and Septicflesh.

Like their brothers-in-arms, captain Efthimis Karadimas and his Athenian rebels sculpt towering gothic melodies from fiery blackened death metal. Their monumental eleventh full-length is bolstered by a powerful message and the mightiest production in the band's pantheon-level discography. The latest single from Children of Eve charges into the heat of battle with the same vengeance that fueled their rise, but "Seeking Revenge" is spearheaded by the biggest hell-raising chorus on an album full of crowd-pleasers.

"We wrote this song in retaliation for the vengeful teachings that the catechism practices on us", Efthimis says. "It seeks revenge for the expelled ones, the traders of anathema, who have the outlandish desire to disobey Christian Svengali".

Watch the searing lyric video for "Seeking Revenge" below:

Children of Eve comes out May 2, 2025 on Season of Mist.

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve

Can't wait for the arrival of Children of Eve? You can listen to the whole album tomorrow during Nightfall's Bandcamp listening party.

Nightfall Children of Eve Bandcamp Listening Party

Thursday, April 17 @ 1 pm Eastern Time / 7 pm Central European Summer Time

RSVP
https://nightfallofficial.bandcamp.com/live/children-of-eve-listening-party

During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".

Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.

With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.

Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums

Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark

Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art:
Eliran Kantor

Art Concept:
Efthimis Karadimas

Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve

Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Booking Contact:
District 19
https://district-19.com/

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Colored Vinyl Gatefold - Bloody Mary (Transparent red, white and black marbeled)
12" Coloured Vinyl Gatefold - Lemon Ice Cream (White and yellow marbeled)

Chicago's PUSH PUPPETS present ‘Similar’, definitive preview of their fourth album

April 16, 2025

Chicago-based indie pop-rock outfit Push Puppets presents their new single ’Similar’, the third single from their fourth long-play album 'Tethered Together', out May 16 via Flowering Tree Music and produced by Doug McBride (Smashing Pumpkins, Veruca Salt, Silversun Pickups, Cheap Trick). A favorite at the band’s live shows, this recording captures that energy with a little elegance on top.

The release of ‘Similar’ is accompanied by a vibrant new video, produced by Scott Thiele and Sebastian Gonzales with editing and animation by Metamorse Studio, which features eye-popping animations of DNA, brain synapses, x-rays, fireworks and other imagery that support the lyrics.

Push Puppets is the creative outlet for singer-songwriter and guitarist Erich Specht. The five-piece creates songs with earworm melodies and shiny production that belie often bittersweet sentiments. Specht (lead vocals, guitar) is joined by a core of Steve Frisbie(backup vocals, guitar), Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums). They earlier released the lead tracks 'All Together On 3' and 'This Whole Endeavor'.

On this song, they are joined by a string quartet, comprised of Stephanie “Sly” Youngon violin, Katherine Andrick on viola, Molly Rife on cello and Kelly Jozwiak on violin (note: Janis Sakai performs in the audio recording).

On ‘Similar’, Push Puppets come out swinging like arena rockers with a wall of backup harmonies and strings, as Erich sings about the commonalities among us in driving, anthemic style. With The Who’s influence apparent during the violin solo over an intricate synth sequence, this song ends with a head-bobbing hook with handclaps, driving home the title.

The 'Tethered Together' album is graced with impeccable songwriting that shines with lush harmonies, angular guitars, dramatic keyboards and strings backed by a rhythm section that smokes. Erich Specht muses on relationships and loss, as well as the weight and joy of life, in a manner that is poetic and seems effortless, his lyrics fitting to the melody like pieces of a puzzle. Wearing his vulnerabilities like a badge of honor, this music takes us on a journey to unexpected places.

As of April 16, 'Similar' is available from fine digital platforms, including Spotify, Apple Music and Bandcamp. The 'Tethered Together' album, now available for pre-order, will be released digitally and on CD on May 16. Push Puppets will hold their album release show at Robert's Westside in Forest Park, IL on May 30.

SINGLE CREDITS
Lyrics & music by Erich Specht (ASCAP)
Produced by Doug McBride and Erich Specht
Mixed & mastered by Doug McBride at Gravity Studios
Recorded in Chicago at Gravity Studios and Erich Specht's home studio
Erich Specht – lead vocals, guitars, string arrangements
Steve Frisbie – backup vocals, guitar
Kyle Magnusson – keyboards
John William Lauler – bass
Greg Essig - drums
Stephanie “Sly” Young – violin
Janis Sakai – violin
Katherine Andrick – viola
Molly Rife – cello
Cover artwork by Crow Prints
Released & published by Flowering Tree Music (ASCAP)
Video produced by Scott Thiele and Sebastian Gonzales
with editing and animation by Metamorse Studio
Artist studio photos by Gintas Zaranka
Artist live photos by Gabi Bucataru
Publicity by Shameless Promotion PR

French Post-Metal Collective Year of No Light Announce New Album Out 5/23 and Stream Excerpt Single

April 15, 2025

French post-metal collective Year of No Light return with their highly unique, evocative live album Les Maîtres Fous, to be released May 23 via the esteemed Pelagic Records.

Haunting, discordant and deeply unsettling, Les Maîtres Fous ("The Mad Masters") was written by the group in response to French filmmaker Jean Rouch's controversial 1950s docufiction of the same name.

Captured live in 2015, this arresting piece of music is now available to hear for the first time in a decade.

To acknowledge the album announcement, the group have streamed an excerpt from the album. Listen below.

Pre-order Les Maîtres Fous here.

Commissioned by Musée Du Quai Branly in Paris for their 2012 "L'nvention Du Sauvage" exhibition, Year of No Light approached the ritual practices of the Hauka movement as depicted in the original film and responded with their uniquely hypnotic heaviness.

Performed only twice, once at the exhibition on January 6, 2012 and again in Bordeaux on January 29, 2015, this release is a live recording of the second and final performance of Les Maîtres Fous. Whilst Year of No Light have a long history of collaboration with forward-thinking filmmakers and visual artists, the sensitivity of this documentary's problematic subject matter and the intensity of the band's performance made this performance both a physically and emotionally demanding experience; something that can be keenly felt upon listening.

Founded in September 2001 by a collection of Bordeaux's heavy scene stalwarts as an ongoing side project encompassing elements of sludge metal and shoegaze, Year of No Light released their debut album, Nord, in 2006 to critical acclaim. The subsequent years, however, saw a significant lineup change, with the band replacing their vocalist with a third guitarist to become a fully instrumental sextet, incorporating aspects of black metal, drone electronica, and dark ambient into their already formidable sound.

2010's four-track epic Ausserwelt and the 2013 followup Tocsin saw Year of No Light distilling their punishing sound even further; stalling the tempo to a glacial crawl and tuning guitars ever downwards to new uncharted depths. Consolamentum, the band's first full-length release in nine years and their first with Pelagic Records, brought the outfit's crushing double-drumming percussion to the fore — as a masterclass in dynamic control saw Year of No Light embrace the highest highs and the lowest lows of the intervening years.

Now approaching their 25th anniversary, Les Maître Fous is a pressing reminder that, despite the band's long and ongoing journey, Year of No Light have never been afraid to experiment, to take risks, to square up to life's ugliness and look it straight in the eye.

YEAR OF NO LIGHT ARE:
Bertrand Sebenne
Shiran Kaidine
Mathieu Megemont
Pierre Anouilh
Johan Sebenne
Jerome Alban

Reverya - 'Affliction In Bloom'

April 15, 2025

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves. The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

Nadine (Vocals/Keys)
Travis (Guitars)
Kaleb (Drums)

Album Credits:

Producer: Logan Clough, Justin Gregorio
Recording Studio: Creative Cult Recordings, Vanta Co Recordings
Engineer: Logan Clough
Mastering: Logan Clough
Mixing: Logan Clough

Album Cover Artist: Nadine

About REVERYA:

REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.

Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.

Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.

Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.

Cryptopsy Announce New Album 'An Insatiable Violence'

April 15, 2025

A person spends all day building a machine, only for it to torture them at night. As if this thought wasn't malicious enough, they enjoy it. In fact, they enjoy being tortured so much that, come morning, they wake up rejuvenated, eager to tweak their creation until it runs perfectly in their mind.

This is the waking nightmare that inspired the upcoming ninth full-length album from Cryptopsy. "The concept for our new album came to me in a dream. When I woke up, I immediately wrote the title down on my phone", vocalist Matt McGachy says before adding, "Because, you know, we all have to have our phones with us all the time".

While an eerie mirror image of society's latest brain rotting obsession, An Insatiable Violence is influenced by the many mutations that have come to define Cryptopsy's Hall of Fame discography. On their new album, the JUNO Award winners continue to push death metal to even more blasphemous extremes. While near bursting with the band's brutal technique, lead single "Until There's Nothing Left" stakes its claim as their biggest, most vile earworm.

Watch the nightmarish video for "Until There's Nothing Left" below.

An Insatiable Violence comes out June 20 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/cryptopsyaninsatiableviolence

Countdown to An Insatiable Violence
https://open.spotify.com/prerelease/68bFcUq3E7rilegbUCwexu?si=56ImYUobTLe2WyguJnMEFQ

"Until There's Nothing Left" holds nothing back. Just as quickly as the video's star takes the band's trusted bait, Cryptopsy lock him inside their freshly fleshed-out house of horror.

"Your greed for pleasure is too vast", McGachy utters with bottomless disdain thanks to his newly deepened death growls. Christian Donaldson reels through brutal chugs while Oli Pinard snaps off not one but two gruesome bass-slapping solos. After 30+ years behind Cryptopsy's drum throne, Flo Mounier continues to keep the band on the tips of their horned toes. With devilish ease, he slits between blinding fills, relentless double bass and punishingly precise blast beats without ever leaving the pocket.

"Since our last album, I've developed new techniques that make it easier for us to go even faster", says Mounier, who literally wrote the book on extreme metal drumming. "An Insatiable Violence is a nice melting pot of Cryptopsy's old and new eras".

The first taste of their upcoming album does smack you around before springing into a commanding groove. But even though the band's last album won the JUNO Award for Metal / Hard Music Album just a little more than a year ago, Cryptopsy weren't content with reaping their rewards. Writing for An Insatiable Violence began in earnest last spring, while they were touring North America with Death to All. Working from the road was new for them. And while not without bumps, playing 140 shows over the past 15 months gave them a clear sense of direction once the time came to hit Donaldson's studio.

"As Gomorrah Burns was a stepping stone for our new album", McGachy says. "We took what we enjoyed about the last album and focused on expanding it for a live setting. We wanted this album to be more groovy so that people can really latch onto these songs when we play them live".

With its headbanger of a chorus, "Until There's Nothing Left" will no doubt fill the pit when Cryptopsy tours Europe next month with Decapitated. The band's signature fishhook riff wriggles deep into the grooves in your brain beneath bat-like shrieks. "And as you now can clearly see / You're totally mine". Of course, the song wouldn't represent peak Cryptopsy if it wasn't filled with a more insidious message. Its sinister story of an online predator feeds into the album's larger cautionary tale.

"An Insatiable Violence reflects our toxic relationship with social media", explains McGachy, who's been feeling the effects since starting his podcast Vox & Hops. "I'm trying to break the cycle, but on those days where I'm just doom scrolling, I get so depressed. The fallacy of Internet stardom is just a dopamine trap that crushes our spirits".

Cryptopsy know not every brutal technical death metal band is on the upswing nine albums into their career. The cover art for An Insatiable Violence pays tribute to their late, great vocalist Martin Lacroix.

"Martin did None So Live, but he never really got to do a proper album", the band says. "His art is amazing. The two pieces of his that we used for An Insatiable Violence are incredible. His family was super excited about it, too. We are honored to have him be an even bigger part of Cryptopsy's lore".

The video for "Until There's Nothing Left" was written and directed by Christopher Kells.

Additional video credits
Photography directed by Graham Guertin
Lighting by Giuseppe Calvinisti
Casting by Giuseppe Valvinisti and Viky Boyer
Location selected by Manoir Blackswan
Main Actor - Nicolas Raspail
Extras - Viky Boyer, Dominic Abate, Jason Greenberg, Liz Imperiale, Jeff Mott, Ardaeth, Gabriel Bernier, Tania Hébert, Misha Standjofski, Gabriel Rondeque-parent

"Europe, get ready!", Cryptopsy says. "With over 30 dates across the continent, this tour promises relentless energy, crushing riffs and unforgettable nights"

Get tickets
https://www.avocadobooking.com/avocms/item/decapitated-infernal-bloodshed-over-europe-2025-tour

Metalheads who are chomping at the bit for An Insatiable Violence can further their appetite by revisiting Cryptopsy's hallowed catalogue. Since signing with Season of Mist in 2024, the band have reissued their 1993 demo Ungentle Exhumation, the widely-worshiped None So Vile, their triumphant self-titled and The Book of Suffering Tome I + II, which is now available for the first time on one combined LP.

Order
https://redirect.season-of-mist.com/CryptopsyReissues

Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. "The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother".

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass

Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio

Production, Sound & Mixing Engineer
Christian Donaldson

Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"

Cover Art
Martin Lacroix

Photography
Maciej Pieloch

Biography
Adrien Begrand

Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence

Booking agents
USA - Continental Touring

www.continentaltouring.us

Europe - Avocado Booking
http://www.avocadobooking.com/

Follow Cryptopsy
Bandcamp: https://cryptopsyofficial.bandcamp.com/
Facebook: https://www.facebook.com/cryptopsyofficial
Instagram: https://www.instagram.com/cryptopsyofficial/
Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube: https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

GWAR Celebrates 40th Anniversary with New Multimedia Release 'The Return of Gor Gor' Out July 25th via Pit Records/Z2 Comics

April 15, 2025

Shock rock legends GWAR are back to wreak havoc once again with their new Multimedia Release, 'The Return of Gor Gor,' due on July 25th, 2025, via Pit Records/Z2 Comics. This multi-format assault on the senses includes brand-new studio recordings, ferocious live performances, and an exclusive 32-page comic detailing the epic return of Gor Gor, GWAR’s long-lost, three-ton Tyrannosaurus Rex. This release is a collaboration between GWAR and Z2 Comics, ensuring fans get the ultimate immersive experience.

But where has Gor Gor been all these years? How do you misplace a three-ton Tyrannosaurus Rex? The answer lies in 'The Return of Gor Gor,' a multi-format experience that intertwines music and graphic storytelling. 'The Return of Gor Gor' follows the tale of an orphaned T-Rex cub, lost in a depraved world that is completely alien to him. Will he become an ally of the legendary Scumdogs of the Universe, or will their reunion unleash an apocalyptic battle? Only time will tell.

Kicking off the carnage, GWAR premieres the NSFW video for "Lot Lizard" today. Fans can also stream the track across all digital service providers (DSPs) and pre-order 'The Return of Gor Gor' now at Pit Records (where you can also get a Gor Gor Plush) and

Z2Comics.com.

About the new single, Blothar states:

"'Lot Lizard' is a blistering return to GWAR as a punk metal powerhouse with a sense of humor. What could be more charming than a song about a crack-addicted cross-dressing dinosaur prostitute that shreds weiners at truck stop pickle parks? Nuttin honey. That’s what. The song rocks. Listen ya mooks…"

Watch the NSFW Video for "Lot Lizard" below

'The Return of Gor Gor' features three brand new GWAR songs mixed by Kurt Ballou (Converge, GodCity Studios) and four live tracks captured at The Masquerade in Atlanta, GA during GWAR’s 2024 tour, mixed by Chris Ronan Murphy. All songs were produced by GWAR and mastered by Alan Douches. The release also includes a 32-page comic detailing Gor Gor’s return, which is included with all versions. Vinyl editions boast an animated etching of Gor Gor on Side A, with a Semi-Translucent Etched Deep Purple Vinyl available exclusively at GWAR.net and Semi-Translucent Etched Green vinyl at Z2Comics.com. A Deluxe Hardback edition is also available via Z2Comics.com.

40 years ago, the intergalactic warlords of GWAR emerged from their Antarctic tomb to conquer the Earth with their barbaric blend of metal and mayhem. Over the decades, their monstrous live shows and relentless discography have solidified them as the ultimate overlords of shock rock. Now, with BälSäc, Beefcake, JiZMak, and Blothar joined by the mighty shredder Grodius of the Maximus Clan, GWAR embarks on their latest quest—to reclaim their savage pet, Gor Gor, who mysteriously disappeared following the death of their former frontman, Oderus Urungus.

Blothar comments on 'The Return of Gor Gor':

"The last time I saw Gor Gor he was just a wee fart dragon. He had crawled on the hood of my Kia Soul and was holding on for dear life while I drove to the store to buy Clamato. I bathed him in wiper fluid and used my wipers to knock him off my sweet ride. Next thing I know, he’s a 20-foot tall trans-species prostitute working a pickle park. Apparently, he’s all grown up and looking for revenge. This record chronicles his struggles as a young Dino-American trying to make his way in a cruel world."

Pre-Order 'The Return of Gor Gor' HERE

'The Return of Gor Gor' will be available in the following formats:

=> CD with 32-page comic booklet

=> LP with 32-page comic booklet and etched vinyl

=> Deluxe LP with hardcover 32-page comic and etched vinyl (D2C exclusive)

=> Standalone 32-page comic

GWAR will be on the road all year as part of their 40th Anniversary Celebration, about the excursion, Blothar says:

"This tour is gonna suck. Once again we will be onstage suffering through the attacks of a giant tyrant lizard just so humans can come to the gigs and get shitfaced on White Claws and show us their tits. Please, for the love of all that is holy, show us your tits."

GWAR Live:

*w/ Toxic Holocaust; AEther Realm; Tracheotomy

May 11: Columbus, OH - Sonic Temple

May 15: Daytona Beach, FL - Welcome To Rockville

May 16: Columbia, SC - The Senate*

May 17: Lexington, KY - Manchester Music Hall

May 18: Milwaukee, WI - Milwaukee Metal Fest

May 19: Columbia, MO - The Blue Note*

May 20: Memphis, TN - Minglewood Hall*

May 21: Baton Rouge, LA - Chelsea's Live*

May 22: Austin, TX - RADIO/EAST*

GWAR w/Static-X, Dope & A Killers Confession

May 24: Albuquerque NM - Revel Entertainment Center

May 26: Wichita KS - The Cotilion Ballroom

May 27: Des Moines IA - Val Air Ballroom

May 29: St Louis MO - The Pageant

May 30: Minneapolis MN - The Fillmore Minneapolis

May 31: Davenport IA - Capitol Theatre

Jun 1: Grand Rapids MI - GLC Live at 20 Monroe

Jun 3: Indianapolis IN - Egyptian Room @ Old National Centre

Jun 4: Ft Wayne IN - Clyde Theatre

Jun 5: Wheeling WV - Capitol Theater

Jun 7: Wallingford CT - The Dome at Toyota Oakdale Theater

Jun 8: Buffalo NY - Buffalo Riverworks

Jun 9: Toronto ON - History

Jun 10: Montreal QC - Mtelus

Jun 11: Hampton NH - Hampton Beach Casino

Jun 12: Allentown, PA - Archer Music Hall

Jun 14: Myrtle Beach SC - House Of Blues

Jun 15: Raleigh NC - The Ritz

Jun 17: Kansas City MO - Grinders

Jun 18: Oklahoma City OK - The Criterion

w/ Eyehategod; AEther Realm; Tracheotomy

Jun 20: Pensacola, FL - Vinyl Music Hall

Jun 21: Pelham, TN - The Caverns

Jul 24: Richmond, VA - Allianz Amphitheater

w/Lamb of God, Hatebreed

Oct 5: Sacramento, CA - Aftershock @ Discovery Park

New Jersey artist Greg Amici presents 'I’ll Be Back' single, first offering from 'Tragicomic' album

April 15, 2025

New Jersey-based artist Greg Amici presents his haunting yet driven new single 'I'll Be Back', previewing his forthcoming 'Tragicomic' album, a storied set of 12 songs that blends absurdist-rock, ska, Americana, folk-punk and straight-up classic rock, with a clear-eyed view of the world through Amici’s unique lens. Greg's lyrics often offer an unexpected turn of phrase, delivered with full-throated rock power.

With roots firmly planted in Jersey, his creative journey has taken him from the heart of Manhattan to Los Angeles and back again. In the late '90s, Greg formed Big Honey, a NYC-based band whose rise peaked with an appearance at the CMJ Music Festival but paused indefinitely when a vocal polyp sidelined Greg for years. Despite this setback, he didn't let his distinctive voice and songwriting abilities go to waste, returning to the studio after a 16-year hiatus.

Reuniting with producer James Mastro (The Bongos, Mott the Hoople, Ian Hunter) and engineer / drummer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Studio in Montclair, the resultant 'Tragicomic' album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

The creative process also involved former Amici bandmates Joe Gentile (Big Honey)and Tommy Aboussleman (Electric TNT), along with special guests Tony Shanahan (Patti Smith Band) and Renee LoBue (Elk City) contributing to the recording. Whether it’s a "serial killer romance" or a biting satire, Greg Amici proves that a Jersey count knows how to count on rock ‘n’ roll.

Greg Amici shares, "About 'I’ll Be Back', yeah, there have been a lot of songs with the same title and, of course, Arnold Schwarzenegger made the words famous, but my work here is uniquely unique. Really, I was pissed off because the girl I was in love with started having sex with a guy I thought was my friend. So, not wanting to expose myself, I pretended that I was Ulysses returning to my home to annihilate all of Penelope’s suitors. A song was born. It was quite cathartic and probably kept me out of jail."

Calling himself a "count in name only", tracing his aristocratic lineage through Italian family names such as Benedetti, Stalute and Scala, Greg found his calling as a musician in high school, inspired by local bands. Picking up the guitar in his late teens, he founded his first band, The Clergy, and later teamed up with a musical partner to form the '80s alt-rock band Junk.

As of April 15, 'I'll Be Back is available from fine online music platforms, including Apple Music, Spotify and Bandcamp. The full 'Tragicomic' album will be released on June 13 via Magic Door Records. Amici will be supporting this album with a series of live performances, to be announced soon.

Dreamgaze artist Dotsun Moon shares 'Bring Love' & 'Give Up The Tears', heralding third album

April 15, 2025

Upstate New York-based artist Dotsun Moon has announced their forthcoming third album 'Tiger', sharing the video for the invigorating 'Bring Love' and penetrating 'Give Up The Tears', two choice offerings from an album that is, both in spirit and sound, influenced by M83’s epic 'Before The Dawn Heals Us' and New Order's 'Ceremony' and 'Temptation' phases.

Revolving around the musings of Richard Flierl and based in Buffalo, Dotsun Moon has gone through several incarnations since releasing their debut album 4 A.M. back in 2011, but the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

"The song 'Bring Love' is about accepting a breakup and hoping someday for a reconciliation. This song would fit right in at the end of a number of John Hughes films. The guitar riff plays along with angelic synths as I sing the line “see it [love] all around,” a call for love to return in any form," says Richard Flierl.

"On the other hand, 'Give Up The Tears' is anthemic hopefulness seeing the best the world has to offer with its opening synth note and Will Sergeant-influenced guitar. This is one of those songs made for sun-setting summer driving with the windows wide open. The drums pound and move the song along in turn increasing the power of the entire song."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from their previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location.

"This is a huge change to prior releases, which have powerful female singers at the center of the songs. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and drum programming. Doug White at Watchmen Studios in Lockport, NY brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.

"I grew up outside of Buffalo, NY listening to the local college station WBNY and the alternative Toronto station CFNY for music, info and concert announcements. I picked up a guitar in my late teens and wanted to make music under the impression of Pink Floyd and Echo and The Bunnymen. I had no idea there were other bands who made music like they did. Will Sergeant became a hero, watching him and the Bunnymen live as they toured with New Order. Strangely after seeing both bands live, New Order’s Bernard Sumner and Peter Hook became my biggest influences."

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

'Bring Love' and penetrating 'Give Up The Tears' are out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp. Dotsun Moon's next single 'Never Had a Heart' will be released on April 30. The full 'Tiger' album, set for release on June 27, is now available for pre-order.

INFAMOUS STIFFS Track "Evel Mann" Heard in Jason Statham Film A Working Man. Release the Single and Video "Loose Screws"

April 14, 2025

OAKLAND, CA - Southern California punk rockers INFAMOUS STIFFS have released the next single "Loose Screwz" from their upcoming six song EP titled “The Ornery Six. The band had this to say about the new single, "There is a lot of craziness here in America and you get ripped here and torn there. Mix that up in a song with a touch of optimism sprinkled in and you have “Loose Screwz”."

Watch the video for "Loose Screwz" below:

Stream or purchase "Loose Screwz": https://orcd.co/loose-screwz

INFAMOUS STIFFS are also excited to announce that the third single from “The Ornery Six” entitled “Evel Mann” is featured in the new film “A Working Man” starring Jason Statham”. The movie was released in theatres March 28th. Pre-save for the single starts May 23rd and the release date is June 6th. Watch the promo video for "A Working Man": https://youtube.com/shorts/n6ttT-VLg-M?si=FFBcj5RE3WMTjt1c

Infamous Stiffs came onto the scene in 2019, just before the world shutdown. Hailing from Southern California cities, the members have spent decades playing punk rock ‘n’ roll in various incarnations... all roads leading to the sonic condition that is Infamous Stiffs. A relentless assault of loud infectious hooks and grooves, that’ll make you shout & shake and make ya move your hips with an uncanny swing!

Band Members:
Vocals - Scott Wilkins (Verbal Abuse, Electric Frankenstein)

Guitar - Mark Pananides (Junkyard)

Bass - Troy Takaki (Boneless Ones)

Drums - David Bach (House of Wheels, Adam Sandler's band and a current member of The Avengers)

Production Details
Engineered, mixed and produced by David Irish at Pot of Gold Studios

https://www.infamousstiffs.com

https://linktr.ee/Infamous_Stiffs

https://www.facebook.com/infamousstiffs/

https://www.instagram.com/infamousstiffs

https://youtube.com/@infamousstiffs3385

https://www.bandsintown.com/a/15468330

https://www.tiktok.com/@infamous_stiffs

https://infamousstiffs.bandcamp.com/

Out Friday - Exterminatus - Echoes From A Distant Star Part 1

April 14, 2025

Formed in the depths of Vancouver, Canada, in 2013, the death metal colossus EXTERMINATUS is poised to unleash their third studio assault, Echoes From A Distant Star Part 1, on April 18, 2025. The album is a culmination of over a decade of relentless crafting and intense recording sessions, symbolizing the band's evolution into a formidable force within the metal scene.

The narrative of Echoes From A Distant Star Part 1 unfolds across its tracks, each serving as a chapter in a grand cosmic saga that explores the origins of the universe and the haunting truths hidden within its expansive reach. The journey begins with the turbulent force of "Cosmic Disturbance" and traverses through a series of dark revelations, culminating in an unexpected twist with a metal rendition of "Rock Me Amadeus."

Drawing inspiration from the cosmic and dystopian visions found in the works of Isaac Asimov and Arthur C. Clarke, as well as the expansive narratives of "Stargate SG:1" and the "Mass Effect" series, the album offers a profound exploration of existence through its lyrical and musical depth. Songs like "Primordial Sea" and "Starbound" feature brutal drum patterns and shredding riffs, echoing the thematic and sonic complexity that EXTERMINATUS is known for.

The formidable lineup delivering this sonic onslaught includes Max Sepulveda on drums, Tabreez Azad wielding guitar and vocals, Elia Baghdaniyan on guitar, Luka Bresan as the lead vocal force, and Lucas Abreu anchoring the low end on bass. The band themselves drove the production, with recording, mixing, and mastering helmed by Max Sepulveda and Zack Ohren at The Beat Lab, ensuring every note conveys the intended ferocity. The album's striking visuals were crafted by Mark Cooper, encapsulating the album's thematic essence.

Key tracks like "Cosmic Disturbance" come alive with an accompanying music video, while "The Signal" and "Primordial Sea" are depicted through haunting lyric videos, offering a window into the album’s dark narrative.

Echoes From A Distant Star Part 1 marks a pivotal chapter for EXTERMINATUS, as they delve into the abyssal depths of death metal, challenging the boundaries of the genre with philosophical narratives and thunderous compositions.

About EXTERMINATUS:

Since their formation in 2013, EXTERMINATUS has evolved into a dominant force within the technical death metal scene. Their journey began with the debut album Veni Vidi Vici, which immediately set the tone for their aggressive style characterized by rapid-fire riffs, relentless drumming, and devastating vocals. By the time their second album Laniakea was released in 2018, EXTERMINATUS had firmly established themselves not just as a project but as a mainstay, pushing the boundaries of technical death metal.

The current lineup features the dual-guitar attack of Tabreez Azad and Elia Baghbaniyan, combined with the unstoppable rhythm section of Max Sepulveda and Lucas Abreu, and the ferocious lead vocals of Luka Bresan. This potent combination creates a sound that is both brutally precise and expansively atmospheric, drawing comparisons to luminaries like Aeon, Decapitated, and The Faceless, yet with a distinct identity that is entirely their own.

Thematically, EXTERMINATUS ventures into the cosmic unknown, exploring vast astronomical themes and the fundamental forces of the universe. Their narratives delve into complex physical phenomena and the chilling mysteries of space, a theme that resonates deeply in their upcoming release, Echoes From A Distant Star Part 1, scheduled for release on April 18, 2025. This album promises to fuse their signature technical complexity with a hauntingly eerie cosmic atmosphere.

EXTERMINATUS's impact on the scene is underscored by their dynamic live performances, highlighted by appearances at festivals such as Armstrong Metalfest and Loud As Hell Festival. Collaborations with notable figures like Andrew Baena, Dean Lamb, and Mike Greenwood have further solidified their reputation, expanding their influence and showcasing their ability to innovate within the genre.

With their intricate compositions, powerful performances, and forward-thinking approach, EXTERMINATUS not only captivates their audience but also promises a continual evolution. As they prepare to release Echoes From A Distant Star Part 1, they stand at the forefront of technical death metal, ready to explore new sonic territories and deepen their exploration of the cosmos.

EXTERMINATUS is:

Tabreez Azad – Guitar/Vocals
Elia Baghbaniyan – Guitar
Luka Bresan – Lead Vocals
Max Sepulveda – Drums
Lucas Abreu – Bass

Album Credits:

Producer: EXTERMINATUS
Recording Studio: The Beat Lab
Engineer: Max Sepulveda
Mastering: Zack Ohren
Mixing: Max Sepulveda
Album Cover Artist: Mark Cooper
Album Formats: Digital and CD

Connect With EXTERMINATUS:

Bandcamp: exterminatus.bandcamp.com
Facebook: facebook.com/exterminatus
Instagram: instagram.com/exterminatusband
YouTube: youtube.com/@ExterminatusBand
Spotify: open.spotify.com/artist/6K0rn6eXWhYNjO5QvpY6Wb
Apple Music: music.apple.com/us/artist/exterminatus/1412280668

Heaven Shall Burn Release "My Revocation of Compliance" Video — WATCH // New Album "Heimat" Out June 27🪽

April 14, 2025

"Heimat" = German for "home + homeland + native land" — a term that merely refers to a relationship between people and spaces but has nevertheless always been highly emotionally charged. Often misused, it sometimes causes discomfort, lively discussions, and battles over interpretation.

Guitarist Maik Weichert comments, "Heimat is not meant as the narrow-minded end point in the sense it has been used by agitators and populists, but the starting point for observations and perspectives. The album is about a much wider sense of the term 'Heimat:' the homelands for many different people and also about the spiritual home, something that shapes and determines our thoughts and actions."

Heaven Shall Burn took their time with the follow-up to Of Truth And Sacrifice, which reached number 1 in the Official German Album Charts in 2020. Heimat was produced at the band's own studio, The Dude Ranch, which is run by guitarist Alexander Dietz. Like in the past, Danish producer Tue Madsen took care of the mixing and mastering.

The Thuringians enlisted the renowned artist Eliran Kantor for the artwork, who previously crafted the artwork for Of Truth And Sacrifice. The centerpiece of the impressive triptych is a rearing stag — in its roaring variant a classic motif of wildlife painting, the epitome of kitsch and trivial art from the 19th and 20th centuries and interpreted by some as a symbol of patriarchy and capitalist competition, but here placed as a vital allegory of resistance amid an apocalyptic scene. He is flanked by a hunting lynx and a watchful owl, which complete the highly symbolic artwork concept as further elements of the triptych.

Watch the video by Thomas Liebchen Below:

As with Of Truth And Sacrifice, Heaven Shall Burn worked with composer, producer and director Sven Helbig and conductor Wilhelm Keitel, this time supported by the Mondëna Quartet and the Ukrainian Sophia Chamber Choir.

Over the last couple of months, Heaven Shall Burn have released two unusual singles, "Keinen Schritt zurück" (Feat. Donots) and "Schweineherbst" (Feat. Dÿse). Today they are pleased to present "My Revocation of Compliance," a typical Heaven Shall Burn song.

"The song reflects our current attitude," Heaven Shall Burn say. "It is time to stop being held back by candy coated speeches. The essential challenge for our generation is to consistently live our own attitudes and convictions and to no longer tolerate the omnipresent ignorance of the pressing problems of our time. Sham discussions, divisive tendencies, and envy debates, in other words everything that is available in the political toolbox of those in power, must not distract us from the real undesirable developments and must be rigorously smashed. We think the iconoclastic symbolism of the video conveys this attitude in a very special way."

Heimat will be released on June 27 by the band's long-standing label partner Century Media Records.

Pre-order the album here.

HEAVEN SHALL BURN ARE:
Marcus Bischoff — Vocals
Maik Weichert — Guitar
Alexander Dietz — Guitar
Eric Bischoff — Bass
Christian Bass — Drums

Epic Doom/Dark Power Metallers BEHÖLDER Launch New Single "Draconian (Slave Or Master)" + Visualizer

April 12, 2025

Epic Doom/Dark Power Metallers BEHÖLDER are excited to launch their new single, "Draconian (Slave Or Master)," taken from their upcoming debut album 'In The Temple Of The Tyrant,' out on April 25th via Black Lion Records. The new single is accompanied by a visualizer, which is available to view below.

On the new single, BEHÖLDER comments:

"A merciless warlord leads a life of conquest, conducting brutal nighttime raids upon helpless villages, seeking plunder and captives as trophies. The harsh reality that he too is a slave is not lost on him, that his identity and freedom were lost long ago, indoctrinated to serve and even worship his own tyrannical lord. The lines between being either a slave or master in a relentless cycle blur, mixed with the bloodshed and domination that define his existence."

Watch the Visualizer for "Draconian (Slave Or Master)" Below

'In The Temple Of The Tyrant' features 8 tracks of monstrous proportions, a true love letter to epic Doom Metal set within the more shadowy and grim realms of classic Dungeons & Dragons.

Fusing elements of darker power and even traditional Metal, the album lures the listener in with colossal & imposing riffs, haunting, majestic melodies and powerful vocals that range from sinister to grandiose.

Boasting an outstanding world class mix and mastering by Ronnie Björnström of Björnström Ljud & Produktion in Sweden and absolutely stunning artwork from Zsofia Dankova (Powerwolf, Elvenking) that beautifully captures the essence of the music contained within, 'In The Temple Of The Tyrant' has been unleashed upon all who would seek dark tales of adventure filled with – Magic, Mayhem and Riffs Heavier Than A Storm Giant’s Ass!!! ™

Pre-Order 'In The Temple Of The Tyrant' HERE

BEHÖLDER is an Epic Doom/Dark Power Metal band from the US inspired by classic Dungeons & Dragons. Formed in late 2021 by guitarist Carlos Alvarez, the band includes singer John Yelland, guitarist Matt Hodsdon, drummer Andrew Julkowski, and bassist Michael “Oneirous” Sanchez.

Their songs weave cautionary tales from the more grim, foreboding realms of fantasy against a backdrop of colossal riffs with elegant yet powerful melodies. Their debut album 'In The Temple Of The Tyrant' is set for release on April 25th through Black Lion Records as they promise to unleash dark tales of adventure filled with - Magic, Mayhem, and Riffs Heavier Than A Storm Giant’s Ass!!! ™ For fans of Candlemass, Solitude Aeturnus, Sorcerer, Memento Mori.

Dinosaur Pile-Up Kick Back Into Action with New Album "I've Felt Better" + Video for New Single "My Way"

April 12, 2025

Struggle. Vulnerability. Pain. Resilience. Love. It's been a hell of a journey that Dinosaur Pile-Up have been on, and they've bravely laid it out bare on their new album I've Felt Better.

Their first record in six years will be released on August 22 via Mascot Records. They will also be hitting the road in the UK in September, calling through Birmingham, Bristol, Glasgow, Manchester, and London.

It was 2019 when they last toured the UK — on a completely sold-out run — so it's understandable that the band is absolutely buzzing to get back on the stage and in front of their fans and see those beautiful faces once again. "After an extended break away from touring we just can't wait to get back out on the road and play the new songs live," singer/guitarist Matt Bigland says. "We're really stoked on this record and can't wait to see the fans again!"

It's understandable for them to be tightly coiled and ready to go because overcoming life-threatening illness and finding a fresh perspective on life will do that to you. Before they pack back up in their van, they've dropped their new single, which sees them take back control of their future on the raucous "My Way." The incredible video sees the band in various scenarios taking a light stab at the song's meaning — with added aliens.

Watch the video below:

"I wrote 'My Way' because I'm gonna do what I want, how I want, my way," Bigland reflects. "I made peace with the fact that I'm never going to be recognized as 'cool,' and that I will never be in the 'what's hot' of the rock scene, and that my talents as a songwriter will seemingly never be worthy of mainstream acclaim. As a younger artist, that still held some weight or value in my mind. But that's OK. I will do my thing my way because I dig what I do. Doing my thing, my way. I love 'My Way' because it's this crazy mix of an Eminem-type vibe with a big rock song that even has this kind of 'Amish farm breakdown' and a hardcore breakdown in the same song. That sounds fun, right!? Sign me the fuck up!!"

There is a reason that Bigland has reappraised his view on life. He opened up about how his life has changed and what he has been through when the band dropped their recent single, "Bout to Lose It" in March. Five years of pent-up emotion — hope, despair, resignation, and colossal bravery — let loose into a blistering 3:40 minutes of Dinosaur Pile-Up at their absolute best.

When it was released it was met with a wave of support by the likes of BBC Radio 1 Rock Show."It's good to have them back." said Daniel P Carter. Kerrang Radio, Primordial Radio, Kerrang Magazine, NME, Dork and a host of playlisting across Spotify, Apple, Amazon, Deezer and YouTube — the response was "DP-U ARE BACK!"

So much time has passed since their last studio album.

"People need clarity about what happened," Bigland explained. "It's been so cathartic to lay it out." He began documenting his story on the band's Instagram account in December 2024. You can see it in his own words here: Part 1 | Part 2 |Part 3 | Part 4.

There were six people in the ward the second time that Matt Bigland admitted himself to hospital. Three of them didn't make it out alive. "You think you're halfway through life, then you realize you might be right at the end," he says today. "Being in that room was scary. I felt incredibly vulnerable. I had no control. But hearing people in the final hours of their lives forced me to think about what would happen if I were to die. What was I leaving behind? What really mattered while I was here?"

Flash back to 2018.

Ten years of chasing opportunity and betting big, on every chance had built Dinosaur Pile-Up into one of the UK's most beloved alt-rock bands. It had also left them flat broke, physically and mentally drained, and without a label to release their imminent fourth album, Celebrity Mansions. It became their make-or-break record.

Between Matt, bassist Jim Cratchley and drummer Mike Sheils, it was agreed that failure would mean calling it quits.

However, the rock gods were smiling on them, and the album was a hit. On the back of their US Top 5 Rock Radio runaway hit "Back Foot," they went on the road with Shinedown in the U.S. and lined up major summer festival dates, along with a North American tour with The Offspring and Sum 41 in North America through to the end of the year. They were soaring. 2020 was going to be massive — then everything changed.

"I've felt better…" started as a makeshift mantra. Unwilling to sift through the layers of trauma with every friend who checked in to see how he was doing — indeed, often unable to speak through a mouth filled with centimeter-wide sores — Matt found himself defaulting to that wry, understated three-word response. After four years of repetition and rattling around his head, those words are reclaimed as the title to Dinosaur Pile-Up's defiant fifth album: 12 songs to draw a line under a half-decade of sickness and struggle, a distillation of his agonizing uncertainty and self-analysis.

"This record is about triumph over adversity through perseverance and resilience," he explains. "I'm so proud that it actually got made, as its journey was rough, and I'm so proud that it's going to be out there in the world. I think it will serve as an epitaph to an intensely challenging and defining part of my adult life. But I'm just really stoked that I'm on the other side of it, and it's now memorialized in solid rock."

At his worst, he suffered rapid weight loss, internal bleeding, and proliferation of sores in his mouth and over his body, which continued to grow worse. Sections of his tongue were removed for investigation — while he was conscious. Most unnervingly, the doctors seemed to be panicking, unable to stop his throat collapsing in on itself.

"People don't relate things like health crises with being a dude in a band," he stresses the sense of isolation that came with the ordeal. "We're more associated with rocking out and having a great time."

Striking up a relationship online with Karen Dió was a shard of gold in a sea of grey. Her UK visit in October 2020 was one of the few moments of real relief. Maddeningly, Matt's trip to her South American homeland at New Year's 2021 would be cut short: worsening health forcing a return to the UK and setting him on a lonely spiral towards some of the darkest days of his entire life.

In the end, real love shines through. Motivating himself to get out of the hospital, Matt kept a photo of a wedding ring on his phone and promised himself that marrying Karen would be his reward for pulling through. That promise was fulfilled in April 2022, and a thread of romance runs from their partnership through the heart of the record.

Ultimately, this album's seeing the light of day is a huge part of Matt's happily ever after. He's more focused on work, home, and life's simple pleasures than he's ever been. All that has underlined why music matters, which is why the album runs the full gamut of emotions —exhaustion, mental health, empowerment, celebrity, vulnerability, and, at the heart of the album, love.

I've Felt Better will be released on August 22 via Mascot Records and will be available in CD, LP and digital formats. Pre-order info here.

BLAKE SHELTON RELEASES NEW SONG “STAY COUNTRY OR DIE TRYIN’”

April 11, 2025

The countdown continues to Blake Shelton’s highly anticipated new album For Recreational Use Only, available May 9 on BBR Music Group/BMG Nashville. The album is available now for pre-order, pre-add, and pre-save here.

Leading the album rollout is the hit single “Texas,” which has soared into the Top 10 and continues to climb both radio and streaming charts. Shelton also recently unveiled “Let Him In Anyway,” a soul-stirring ballad that Billboard praised as having “the makings of an enduring Shelton classic.”

Today, Shelton delivers another taste of the album with the release of the electrifying new track “Stay Country Or Die Tryin,’” written by Drew Parker, Graham Barham, Sam Ellis and Beau Bailey.

“When I heard ‘Stay Country or Die Tryin,’’ it took me back to the first time I heard ‘Ol’ Red’ or ‘God’s Country,’” says Shelton. “It’s got so much energy and is full of those little catchphrases and things we say out in the country. I absolutely fell in love with it. I’m proud of this recording—and I love singing it live even more. Hopefully, you’ll come catch a show and sing it with us.”

For Recreational Use Only spans 12 tracks that capture life’s highs and lows with Shelton’s signature blend of authentic storytelling, raw emotion, and unforgettable melodies. The album also boasts guest appearancesfrom music superstar Gwen Stefani, country legend John Anderson, and Shelton’s longtime friend and tourmate Craig Morgan.

With For Recreational Use Only, Blake Shelton strengthens his status as one of country music’s most compelling voices, delivering a deeply personal yet universally relatable collection that celebrates love, resilience, and staying true to your roots.

About Blake Shelton:

With 29 No. 1 singles, 52 million singles and 13 million albums sold and nearly 11 billion global streams, Blake Shelton has received numerous awards, including six ACMs, three AMAs, ten CMAs, 11 CMTs and six People’s Choice, among many others. Shelton just announced his new BBR Music Group/BMG Nashville album, For Recreational Use Only, set to drop May 9. The 12-track album, his first in nearly four years, features his Top 10 Wheelhouse Records single “Texas,” the poignant “Let Him In Anyway” and red-dirt “Stay Country or Die Tryin’” and includes appearances by Gwen Stefani, John Anderson and Craig Morgan.

Shelton kickstarted the year with his Live In Las Vegas Residency at The Colosseum at Caesars Palace. He just wrapped his Friends & Heroes Tour, which featured Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts, and will play a variety of festivals this summer The Grand Ole Opry member also remains focused on his Ole Red partnership with Ryman Hospitality, with locations currently in Tishomingo, Nashville, Gatlinburg, Orlando, and most recently, Las Vegas, with a stand-alone venue complete with a roof-top stage and bar on the Las Vegas strip.

KEEP UP WITH BLAKE SHELTON

The Callous Daoboys Unleash New Single "Distracted by The Mona Lisa" + Official Video via MNRK Heavy

April 11, 2025

Witness the latest exhibit from Atlanta, GA sextet The Callous Daoboys with their new track "Distracted by The Mona Lisa" unveiled today via MNRK Heavy. Accompanying today's release is the visceral official music video showcasing the band's electrifying energy they bring to their live performances. Today's drop leads to the grand opening of The Museum Of Failure with the release of the band's highly-anticipated forthcoming album 'I Don't Want to See You in Heaven' out on Friday, May 16. When asked about the inspiration behind the track, vocalist Carson Pace shared:

"There have been countless times in my life where I have felt married to my passion. It’s been detrimental, painful, and has forced me to sacrifice a normal life. This song is me committing to being married to that passion, regardless of the consequences. It’s less a spit in the face of normality, and more a love letter to my own band."

The journey through The Museum Of Failure began with the visceral, full-force energy of "Two-Headed Trout/The Demon of Unreality Limping Like A Dog", followed by the striking reveal of "Lemon", where pop harmonies danced with heaviness. Continue the art walk by streaming "Distracted by The Mona Lisa" here, watching the official music video below, and pre-ordering 'I Don't Want to See You in Heaven' here.

Don't miss your chance to catch The Callous Daoboys' incendiary live show on the 20 Years of All's Well That Ends Well tour, going on now with Chiodos, Hawthorne Heights, and Emmure. After the tour wraps on April 26, the sextet will next be playing a handful of dates with Beartooth later this month and early May, followed up an appearance at Unhinged Festival in July and ending the year on the Coheed and Cambria S.S. Neverender Cruise in November. Snag your tickets at the link here, and be sure to stay tuned for more The Callous Daoboys news coming soon.

20 Years of All's Well That Ends Well with Chiodos, Hawthorne Heights + Emmure:

Apr 11 - Nashville, TN @ Marathon Music Works

Apr 12 - Atlanta, GA @ The Masquerade

Apr 13 - Charlotte, NC @ The Fillmore

Apr 15 - St. Pete, FL @ Jannus Landing

Apr 16 - Charleston, SC @ Charleston Music Hall

Apr 17 - Raleigh, NC @ Ritz

Apr 18 - Richmond, VA @ The National

Apr 20 - Silver Spring, MD @ The Fillmore

Apr 21 - New York, NY @ Webster Hall

Apr 22 - Worcester, MA @ Palladium

Apr 24 - Philadelphia, PA @ Franklin Music Hall

Apr 25 - Pittsburgh, PA @ Roxian Theater

Apr 26 - Indianapolis, IN @ The Vogue

Beartooth Spring 2025 Dates:

Apr 30 - St. Louis, MO @ The Pagent*

May 15 - Mobile, AL @ Soul Kitch Music Hall*

May 16 - Dothan, AL @ The Plant*

Unhinged Festival:

Jul 26 - Denver, CO @ National Western Stockyards

Coheed And Camrbia S.S. Neverender Cruise:

Nov 8-13 - Miami, FL to Cozumel, MX

ABOUT THE CALLOUS DAOBOYS

A fearlessly free-spirited collective from Atlanta, Georgia, The Callous Daoboys revels in high-strung extremity, careening from furious metal cacophony to unabashed rock 'n roll and back again. The band Kerrang! hails as “gloriously chaotic” is like a Molotov cocktail combining extreme metal and nü-metal with life-affirming glee, as each song deliriously swerves across stylistic lines.

The Callous Daoboys are frontman Carson Pace, possessed like a young Mike Patton; fretboard-abusing guitarists Maddie Caffrey and Daniel Hodsdon; frantic bassist Jackie Buckalew; destructive drummer Matthew Hague; and spirited violinist Amber Christman.

Celebrated by SPIN, Fader, Revolver, Brooklyn Vegan, and New Noise (who praised the band as “innovative, unflinching, brazen”), The Callous Daoboys have turned heads on raucous tours with TesseracT, Protest The Hero, and SeeYouSpaceCowboy, and at prestigious international metal festivals. Celebrity Therapist (2022) more than delivered on the promise of the band’s early rumblings. I Don’t Want to See You in Heaven (2025) ups the ante on every conceivable level. The album was produced by Dom Maduri (Silly Goose, GEL, Bummer Hill).

The Callous Daoboys resurrect noise rock as if they’re summoning the dead. Sure, every band claims to blend heavy riffs with catchy melodies as if that’s somehow fresh by itself, but this crew delivers that with a wrecking ball of unrestrained frenzy and total mayhem. The band’s three full-length albums and various EPs loudly testify to their fearless creativity and clever craftsmanship. - Ryan Downey

BAEST Announces New Album, Unleashes Video for New Single, “Misfortunate Son (feat. ORM)”

April 11, 2025

Danish death metal commando BAEST will be unleashing its fourth studio album, 'Colossal,' on August 15, 2025 via Century Media Records! To celebrate the upcoming offering, the band is now sharing the crushing new single, “Misfortunate Son (feat. ORM)," which can be found along with an official music video created by Moshmallows below.

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

Pre-orders are now live HERE.

BAEST explains about the “Colossal” album and the band’s current activities as follows: “Paying homage to the heavy metal roots of our music, we wanted to incorporate fast, classic and rocking riffs. This album showcases our passion for melody and a new direction for our death metal. Keeping the energy of former releases and adding new flavours to the inferno, ‘Colossal’ stands out as an honest, original and exciting release. Recording it over the course of 2 years at Antfarm Studio with Tue Madsen has been a different but exciting process, leaving a lot of space in between material released off the album, with the two first singles ‘Colossus’ and ‘Imp Of The Perverse’ being almost a year old by now. We found that giving songs more time to grow felt right, and we also had to reinvent our own style and sound in that process, which leads to our satisfaction with ‘Colossal’ - it’s a broad album sound wise, and we feel this is the essence of BAEST. Playing some of the new tracks live on our recent tour with Danish rock legends D-A-D was helpful in cementing the appeal of the new tracks and helped us finish the album recordings between those shows. Next up, we embark on our first ever U.S./North America run supporting Arch Enemy, and we are following this tour up with a ton of European festivals. This will be the perfect platform to show the new material and get feedback from the fans - see you on the road!”

Adds BAEST about the new song: "'Misfortunate Son’ is the newest single release from our upcoming 4th album ‘Colossal.’ Recorded at Antfarm Studio with Tue Madsen (The Haunted, Heaven Shall Burn, Meshuggah), it brings forth a blend of melody and brutality. The song showcases our passion for classic heavy metal riffing while incorporating the signature catchiness we always strive for with BAEST! We brought our Danish heroes ORM to add some eerie vocals, contributing a darker mood to the track…”

In addition, BAEST will be laying waste to North America next week for the first time ever as they embark on the "Blood Dynasty" tour in support of Arch Enemy w/ Fit For An Autopsy and Thrown Into Exile! The band will launch their destruction in San Diego, CA next week, on April 15, and will batter audiences across the continent through May 10 in Stroudsburg, PA. The full itinerary can be found below while tickets can be found HERE.

The album’s artwork was created by Solomacello

GET TICKETS HERE

BAEST North American Tour Dates

(supporting Arch Enemy w/ Fit For An Autopsy + Thrown Into Exile):

04/14: San Diego, CA @ Observatory Northpark

04/15: Los Angeles, CA @ The Wiltern

04/16: San Francisco, CA @ The Regency Ballroom

04/18: Portland, OR @ Roseland Ballroom

04/19: Seattle, WA @ Showbox

04/20: Vancouver, BC @ The Pearl

04/22: Edmonton, AB @ Union Hall

04/23: Calgary, AB @ The MacEwan Hall

04/25: Salt Lake City, UT @ The Complex

04/26: Denver, CO @ Summit

04/28: Minneapolis, MN @ The Fillmore

04/29: Chicago, IL @ The Vic Theater

04/30: Detroit, MI @ Royal Oak Music Hall

05/02: New York, NY @ Palladium Times Square

05/03: Worcester, MA @ The Palladium

05/05: Philadelphia, PA @ Theatre of The Living Art

05/06: Silver Spring, MD @ The Fillmore

05/08: Montreal, QC @ L’Olympia

05/09: Toronto, ON @ Queen Elizabeth Theater

05/10: Stroudsburg, PA @ The Sherman Theater

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world.

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest.

“We went on tour with the Krisiun guys a couple of years back, and every soundcheck they were playing ZZ Top songs,” says Baest guitarist Svend Karlsson. “Everyone in the venue was rocking out, you know? So let’s rock! As a band, you have to mature a little and figure out that you have to write songs for yourself, and that way of thinking has brought the best out of us. When we talked to Tue about it, we called it ‘Ozzy death metal’. It’s really exciting to see what people think. We’re looking forward to people hearing this album. We released two singles last year that were in a different direction, but the fans haven’t heard the Dokken stuff yet! [Laughs]”

From the explosive assault of the opening Stormbringer, the new Baest album is an electrifying dose of the good stuff. Produced by the legendary Tue Madsen at Antfarm Studio in Denmark, Colossal never bends to current trends. Instead, this is a thrilling celebration of heavy metal, played with extreme metal intensity. Vocalist Simon Olsen has evolved into a truly formidable frontman, with a vastly expanded array of shouts and growls, and his band mates – Karlsson, guitarist Lasse Revsbech, bassist Mattias Melchiorsen and drummer Sebastian Abildsten – have grown in power and stature. As Karlsson explains, this change of direction was simply about Baest being true to themselves.

“We began the process during Covid, and we found out that we needed to do something that everyone thought was fun,” he states. “Then we tried to zoom in on what makes different songs fun. On the first EP, before we signed to Century Media, there is a lot of melodic rock ‘n’ roll stuff. I think it’s there because we hadn’t learned yet to do more death metal riffs, so those were the riffs that Lasse and I had from our upbringing. This time, we turned back to all of those kinds of riffs, being influenced by Zakk Wylde and Jake E. Lee, Accept, Metallica and all that kind of stuff. We figured that if it’s fun and we enjoy playing it, then it’s going to fit! We finally had the guts to try it, and not to worry about what the death metal fans are going to think.”

Although they may anticipate a backlash from death metal purists, Baest are confident that their evolution will be well received. With songs ranging from the anthemic ‘80s metal fury of the title track, and the brutal rock squall of King Of The Sun (featuring a cameo from D-A-D’s Jesper Binzer), to the progressive, true metal avalanche of epic closer Depraved World, Colossal takes Baest back to the essence of their craft.

“When we wrote Depraved World, that’s a riff from when Lasse was 14 years old,” says Karlsson. “He said, ‘I’ve got this riff!’ and we were like, ‘Let’s do an Iron Maiden death metal song!’ [Laughs] It’s so much fun, because it’s long and so different. The headline for the whole album is that it’s different, it’s catchy, and it’s rock ‘n’ roll. Rock ‘n’ roll vibes, but in the aggressive form of extreme metal. This is our first time working with Tue Madsen, and he’s a no-bullshit kind of guy. He’s been in the industry for so many records and with so many different bands, so he’s like, ‘Fuck what people think! Let’s do what seems fun and what sounds catchy!’”

2024 saw the release of two singles from Colossal: the viciously catchy Imp Of The Perverse, and the aforementioned Colossus. Both were rapturously received, and generated a lot of excitement about Baest’s next move. Now that they have the new music in the can, Svend Karlsson and his comrades are brimming with confidence and commitment to the heavy metal cause. Armed with songs that are guaranteed to send metal crowds into a joyous frenzy, Denmark’s smartest death metal band are perfectly placed to conquer the entire world.

“I think we needed to figure out that we were okay with being a heavy metal band,” Karlsson shrugs. “There are also a lot of progressive elements to the record, that we started developing on the Justitia EP. That’s when we realised that it works live, and people really like the Ozzy riffs! So let’s do some more! We played a new, unreleased song on the last tour. Nobody had heard it before, but instantly everyone started clapping along and jumping and having fun. Everybody wants to party, right?”

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar

Simon Olsen - Vocals

Lasse Revsbech - Rhythm/Lead Guitar

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"