HUNTERGIRL LIVES OUT HER WILDEST DREAMS IN “BAD BOY” VIDEO DEBUT ACROSS CMT

Fast-rising singer/songwriter HunterGirl brings her fantasies to life in her brand-new music video “Bad Boy,” premiering exclusively tomorrow (6/6) on CMT, CMT Music, and CMT Equal Play (Pluto TV). Officially airing every hour throughout the morning on CMT and eight times on CMT Music and CMT Equal Play, the wildly fun visual will also debut on Paramount’s billboard at 1515 Broadway in New York City at 12 p.m. and 5 p.m. EST. In addition, the “Bad Boy” video will be featured on CMT’s YouTube channel and on CMT’s Facebook, X, and Instagram accounts, with the rebellious but playful single now added to CMT’s Spotify and Apple Music curator playlists. 

Directed by West Webb, the video for “Bad Boy” opens on HunterGirl walking down the street in red leather cowboy boots and stopping in her tracks at the sight of two men brawling in front of a tattoo parlor. As the song confesses to her particular taste in the opposite sex (“I like guys with issues/Score an extra point for every tattoo/Don’t even get me started if they have a cigarette in their hand”), HunterGirl joins the pack of tatted-up, cigarette-smoking, motorcycle-riding dudes on the front porch and immediately feels right in her element. Spliced with a series of frenetic fish-eye shots of HunterGirl and her band performing the Punk-Pop-Country anthem, the “Bad Boy” video later finds the artist herself leading a seminar on the art of being a bad boy — ultimately transforming a class full of self-professed nerds into the rough-and-tumble men of her dreams. 

Written by HunterGirl with producer Lindsay Rimes and Greg Bates, “Bad Boy” will appear on the 19 Recordings/BBR Music Group/BMG Nashville artist’s label-debut EP, Tennessee Girl, due out this Friday (6/7). With her latest accolades including being named to CMT’s 2024 Next Women of Country, HunterGirl offers up a batch of songs built on her true-to-life storytelling and one-of-a-kind sound, including the critically acclaimed “Ain’t About You” — a gorgeously poignant ballad that made her the first female Country artist in over 30 years to write her debut radio single completely by herself. Pre-order/pre-save/pre-add the EP here.  

Hailed as an “Artist to Watch” (Country Now) and “a major, major new talent” (MusicRow), HunterGirl will return to Nashville’s CMA Fest on June 7. Along with joining superstar Luke Bryan on the road later this month, she’ll make her debut at Faster Horses Festival on July 21. Go here for all touring info. 

Photo Credit: Kristin Barlowe

About HunterGirl

America’s sweetheart, vocal powerhouse, and esteemed songwriter HunterGirl has been performing since she was three years old and writing songs since she was nine. In her teens, she honed her craft by performing at venues across the United States and working with veteran non-profits such as Operation Song, Freedom Sings and A Soldier’s Child, using music therapy to help numerous vets transform their stories into songs. After high school, she moved to Nashville and immediately started playing gigs at Lower Broadway’s most famous venues including Tootsie’s, Rippy’s, Jason Aldean’s Bar, The Listening Room, and HonkyTonk Central, winning songwriting contests such as “Nash Next” and the prestigious “Nashville Songwriter Association International” in her spare time. Recently, she competed and placed second on the star-making competition series American Idol, where she delivered standout performances and won the hearts of millions across the country including Idol judge and Country superstar Luke Bryan who proclaimed her the “new age Miranda Lambert” and his “favorite female Country voice.” After topping the iTunes All Genre and Country charts with her wistful “Red Bird,” HunterGirl has been a guest on Good Morning America, Live with Kelly & Ryan and The Kelly Clarkson Show as well as shared the stage with Country superstars Old Dominion, Florida Georgia Line, Kane Brown, Alan Jackson, Lainey Wilson, Trace Adkins, Charlie Daniels, Sara Evans and more. Named to CMT’s esteemed 2024 Next Women of Country, HunterGirl’s “Ain’t About You” made her the first female Country artist in over 30 years to write her debut radio single by herself. Now, after making her Grand Ole Opry debut that earned her a lively standing ovation, she releases the anthemic “Bad Boy,” ahead of her label-debut EP, Tennessee Girl, coming June 7. Praised by People for her “incredible voice” and CMT for her “soaring vocals and superstar potential,” HunterGirl will hit the road with Luke Bryan and Kimberly Perry this summer. Chronicling “her current moment of transcending from talented aspiring artist to make her first steps toward the big leagues” (Billboard), HunterGirl - “a major, major new talent” (MusicRow) - is poised to become Country’s next big female artist.


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Visionary Post-punk iconoclast THE SHADOW MAJLIS takes flight on 'Swallowed By The Sun' from debut album 'The Departure'

"A powerful achievement... I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!" ~ David J (Bauhaus, Love and Rockets)

"With Ali Jafri at the helm on vocals, guitars, bass, electric sitar, synths, programming, this debut offering from The Shadow Majlis is diverse and stunning, involving a dream-team – not only in terms of production, but also collaborators, ranging from true music legends of our generation and top-notch artists from around the world" ~ The Spill Magazine

"Dazzling... one of those rare experiences where an artist and the ensemble they’ve put together proceed to produce a piece of work that transports as it entertains, an album of unforced elegance that the world didn’t see coming but will soon be unable get it out of its collective head" ~ Stereo Embers Magazine


Toronto-based artist The Shadow Majlis [pronounced "mahj-lis"] presents 'Swallowed By The Sky', a song that takes flight on powerful emotions - a song rooted in love and remembrance. A powerful taste of the debut album 'The Departure', produced and mixed by three-time Grammy Award winning producer David Bottrill (Peter Gabriel, Nusrat Fateh Ali Khan, Tool, David Sylvian, Mastodon, Smashing Pumpkins, Muse, Real World Studios),

Led by multi-instrumentalist Ali Jafri, this project fuses elements of Eastern modes with post-punk. An alternative neo-global style that transcends borders, Jafri's artistic and musical vision was realized with David J (Bauhaus, Love & Rockets) on bass and Rakesh Tewari (Jaffa Road, The Special Interest Group) on drums and percussion.

Calling the album a powerful achievement, David J says, "I believe that there are certain tracks and moments that act as portals into another dimension - I'm not being fanciful here!"  Earlier, the released videos for the singles  'Deer in the Headlights' and 'Mazdur'.

Perhaps known as a member of David J's live band or for playing rock-sitar with Pigface, Ali Jafri also leads projects ARIEL, The Gotham City Drugstore and Saintfield, in addition to his his solo work. Engineered by Darren McGill and mastered by Noah Mintz, this album features cover art by Stephen Seto (Splintercage).

The album features numerous guest performers, including vocalist Olena Tsybulska (DakhaBrakha), guitarist Mark Gemini Thwaite (The Mission, Peter Murphy, MGT, Tricky, Gary Numan), cellist Anne Bourne (Loreena McKennitt, Jane Siberry), Tuvan throat singer Soriah, Ravi Naimpally (Niyaz, Constantinople) on tabla, Pankaj Mishra on sarangi, Selmanpak Ayduz on ney, Kerem Koktas on kemanche, and Sasha Singer-Wilson on backing vocals.

The Shadow Majlis produces poignant and powerful music that stems from tragedy. Amid a deluge of personal upheaval, this album has been Jafri's means to address his grief over losing his seven-year-old son Oisín, who lost his nine-month battle with diffuse intrinsic pontine glioma (a highly aggressive form of brain cancer) in September 2022, not to mention the dissolution of his conjugal relationship and a year-long state of temporary homelessness.

Ali Jafri explains, "This song is about how Oisin and I would lay on the grass and stare up into the sky and we’d imagine that all the clouds were actually terrain and we were looking down at it and then we’d feel a falling sensation. I found that “falling into the sky” was a good metaphor for death, but “Swallowed by the Sky” has a better ring to it. This song recalls the fun we had and how it can be played with to signify dying."

Showcasing genre-fluid excellence and raw emotional experience, The Shadow Majlis merges alternative music with the rich, diverse instrumentation and rhythms of world music. Recorded in Toronto, LA, Portland, Istanbul, Kyiv and Iceland, this is truly an international affair, with languages such as Urdu, Farsi, Arabic, Icelandic and Ukrainian woven with English throughout this album.

'The Departure' album is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. This album's creation was made possible through funding received from FACTOR.

ALBUM CREDITS
Ali Jafri - vocals, guitars, bass VI, electric sitar, percussion, programming, synthesizers, electronics, solfeggio pipes
David Bottrill - backing vocals, electronics, synthesizers
David J (Bauhaus, Love and Rockets) - bass
Rakesh Tewari (Jaffa Road, The Special Interest Group) - drums, percussion
Olena Tsybulska (DakhaBrakha) - vocals
Mark Gemini Thwaite (Peter Murphy, Tricky, The Mission) - guitars
Anne Bourne (Loreena McKennit, Jane Siberry) - cello
Sasha Singer-Wilson - backing vocals
Soriah - Tuvan Throat Singing, Flute
Ravi Naimpally (Niyaz, Constantinople) - tabla
Pankaj Mishra - sarangi
Selmanpak Ayduz - ney
Kerem Koktas - kemancheh
Oisin Adams-Jafri - vocals, percussion, solfeggio pipes
Zayn Jafri - piano
Oscar Adams-Jafri - solfeggio pipes

All songs written by Ali Jafri and David Bottrill, except 'Elliðakot' (written by Ali Jafri) and 'The Departure (Kolyskova)' (written by Ali Jafri, David Bottrill and Olena Tsybulska)
Produced & Mixed by David Bottrill
Engineering by Darren McGill at Union Sound Company & David Bottrill at Mainstatiion Music and Imagine Sound
Mastered by Noah Mintz at Lacquer Channel
Graphic Design & Illustration by Stephen Seto
Photography by Justin Minister @secondhand_daylight
For Oisín...

Keep up with The Shadow Majlis
Website | Bandcamp | Facebook | Instagram | Twitter | TikTok | YouTube | Spotify | Apple Music | Press contact

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Perry Blake to release new album 'Death of a Society Girl'. Preview the title track featuring Paul McGann

"One of music's great untapped resources and still on top of his game" ~ Music OMH

"The Last of The Great Songwriters" ~ Radio Nova

”Blake sounds like a cross between Bowie and Michael Nyman – only better” ~ Uncut

"Blake's glimpses of people living a state of mind is one of those great escapes, it's very hard to get away from. His gift here is to take a subdued, grown-up collection of songs but make them sound like they deserve daytime radio" ~ RTE.ie
 
'"A resilient rebirth’’ ~ The Observer
 
"We can luxuriate in Perry Blake’s generous, comforting voice – spotting traces of Nick Drake, trip hop and Gary Numan” ~ Hot Press

"A rich evolving sound-scape that cocoons Blake's almost surrealist lyrics. The limits of the Downtempo rulebook are broadly stretched with a weaving instrumentation that dips and wanders" ~ The Goo Review


Irish-born singer-songwriter Perry Blake has announced his new album 'Death of a Society Girl'. Marking 20 years as a recording artist, it will be released on June 21 via Moochin' About Records. Known for his delicate, downtempo and beautifully melancholic output and uniquely soothing timbre, this is Blake's first album in three years, following the critically acclaimed ‘Songs of Praise’ (5 Star MOJO).  

Ahead of the release of this beautiful dark cinematic classic, he presents the epic title track 'Death of a Society Girl', featuring world-renowned British actor Paul McGann (Dr. Who, Withnail and I). Named Music Week's single of the week, it was released along with two remixes of the track by UK artists KosmetiQ and Inertia.

Co-written and co-produced with long-term collaborator Graham Murphy (Clannad, Sharon Shannon, Marie Brennan), the new album features nine compositions with Blake's hallmark surrealist lyrics and original artwork by Syrian-born artist Helen Abbas. Very much of the here and now, this album also offers traces of Perry’s previous heady work - not dissimilar to his French Top-40 eponymous debut album - finding Perry at the height of his powers.

Born in Ireland's Sligo county, Perry Blake has been dubbed one of music’s great untapped resources. Having released his debut album ‘Perry Blake’ on Polydor UK in 1998, including three singles chosen as 'Singles of the Week' on Jo Wiley BBC Radio 1, Blake moved to France. There, he achieved cult status across Europe since then, releasing a string of critically-acclaimed studio albums, a live album recorded at Cirque Royal Brussels with a full orchestra, as well as the soundtracks for ‘Presque Rien’ (2004) for French art-house director Sebastien Lifshitz’s hugely acclaimed film of the same name) and 'Trois Petites Filles' (2004).

Apart from writing two songs for Françoise Hardy’s platinum selling album 'Tant de belles choses’, he has appeared regularly on French TV and toured Europe with Carla Bruni, as well as with the French National Jazz Orchestra.

Perry Blake’s melancholic, melodic soundscapes have featured in many European TV series and cinematic works. Between 2006 and 2011, these include 'Tiger Lily'and 'Clara Sheller' (France’s version of 'Sex in the City'), plus hit Italian movie 'L’uomo cheama'  starring Monica Belluci.

Over the years, his musical endeavours has led him to collaborate with numerous musical luminaries, including Steve Jansen (Japan, Rain Tree Crow), Toby Pitman (Paul McCartney, George Michael, David Arnold, Clint Mansell, Shirley Bassey), Glenn Garrett (Dead Can Dance, Brendan Perry), Neil Conti (David Bowie, Prefab Sprout), Rik Carter (The Mission, All About Eve), Marco Sabiu (Ennio Morricone, Tanita Tikaram, Luciano Pavarotti), Dickon Hinchliffe (Tindersticks), and world-renowned French electronic artist Émilie Simon.

Perry Blake has published the children's book 'Gatos em Lissadell' in Portugal, as part of a collection by 12 authors, including former U.S president Jimmy Carter, Actors Will Smith and Julie Andrews. Blake also has a separate collaborative music project with Glenn Garrett and Graham Murphy, called Electro Sensitive Behaviour.

The title track 'Death of a Society Girl' ft. is out now. As of June 21, 'Death of a Society Girl' will be released on CD and available everywhere digitally, including Apple MusicSpotify and Bandcamp, where it is now available for pre-order.

CREDITS
All songs written by Perry Blake & Graham Murphy
Recorded at Orchardleigh, North West Ireland & the Production Suite Dublin
Engineered and mixed by Perry Blake & Graham Murphy at the Production Suite Dublin
Mastered by Steve Hall at Future Disc America
Produced by Perry Blake & Graham Murphy
Perry Blake - Vocals, Backing Vocals, Keyboards
Graham Murphy - Bass, Acoustic & Electric Guitar, Additional Drum Programming, String Arrangements.
Artwork by Helen Abbas
Album cover design by Jason Lee Lazell
Released by Moochin’ About @2024
Distributed via PIAS @2024
Publicity by Shameless Promotion PR
Photos by Sid Rainey

DISCOGRAPHY
Perry Blake (Polydor 1998)
Still Lives (Naive 1999)
Presque Rien Ep (Naive 2000)
Broken Statues - Live album (Naive 2001)
California (Naive 2002)
Songs for Someone (Naive 2004)
The Crying Room (Warners/Blu Orchard 2006)
Songs of Praise (Moochin’about/PIAS 2019)
Death of a Society Girl (Moochin’about/PIAS 2024)


Keep up with Perry Blake
Website | Bandcamp | Instagram | TwitterFacebook | YouTube | Apple Music | Spotify | Press contact

Keep up with Moochin' About Records
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SEVERE TORTURE Stream New Album

"Severe Torture returns 14 years after their last album with a sophisticated, versatile, aggressive and brutal death metal release." - Metal-Only (8.5/10)

"Ten furious, sometimes brute, but also sawing tracks of the particularly broken manner, technically on the highest level..." - Demonic Nights(8/10)

"They had it 20 years ago when they started. They have today. It didn't diminish." - Chaos Vault

"With Torn from the Jaws of Death, Severe Torture came back to deliver a pounding, demanding and welcoming return-to-form...they still got the intensity and haven't missed a single step." - This Day in Metal(9/10)

"Severe Torture prove why they're still a force to be dealt with in 2024...this is Brutal Old School Death Metal bashing heads and continuing on a path of brutality" - Teeth of the Divine


 Descend into the dungeon of old-school brutality. Dutch death metal masters Severe Torture have made gluttons for punishment beg for the upcoming release of their sixth album.

Torn from the Jaws of Death comes out this Friday, June 7. But you can listen to all 10 flesh-ripping tracks today by listening to the full album stream on the Season of Mist YouTube channel.

Listen to Torn from the Jaws of Death: Below.

Pre-order: https://redirect.season-of-mist.com/SevereTortureTorn
Pre-save:  https://orcd.co/tornfromthejawsofdeathpresave

Recorded at the ominous Torture Compound Studios and refined to lethal perfection by Mendel bij de Leij of MbdL Productions, Torn From the Jaws of Death is an unrelenting onslaught that shows off Severe Torture at their most savage. The album is a feverish, bloodstained manifesto that digs its crusty scalpels into the deepest recesses of human depravity. From the guttural declaration of lead single "The Death of Everything" to the chaotic fervor of the title track the album feeds the bloodstream of the most brutal connoisseurs.

For over 25 years, SEVERE TORTURE has embodied the ethos of Brutal. Death. Metal. A genre-defining titan, they’ve held a commanding presence in the metal universe since 1997, blending intense performances with a relentless commitment to their visceral, raw sound.

Born from the bowels of the Dutch underground, the band emerged onto the world stage with their debut album Feasting On Blood, hailed as an epic watershed in the nascent wave of brutal death metal in 2001. Their hard-hitting, merciless sound has since rippled across North and South America, Europe, and Mexico; their trail marked by five ground-breaking releases over the past quarter-century.

Remaining relevant in the ever-evolving realm of metal is no small feat, a task Severe Torture met by continuously levelling up. In pursuit of rejuvenation and to capture the aggression and energy befitting of a new era, they amicably parted ways with original drummer Seth in 2018, bringing Damiën Kerpentier into the fold. The move signified a new chapter for the seasoned ensemble, marking a seismic shift that breathed fresh air into their creative process, leading to some of their darkest, most profound work yet.

This invigorated spirit came to life in 2022 with the release of the EP Fisting The Sockets – the band's first release in an astounding 12 years. The record served as a triumphant herald for their resurgence, re-signing with Season of Mist and rekindling the flame of their brutal origins amidst a pandemic-stricken world.

Now, in 2024, Severe Torture is set to escalate to new heights of sonic savagery with their sixth full-length album, Torn from the Jaws of Death. Recorded at the infamous Torture Compound Studios, the album stands as a testament to the raw energy, blood, sweat, and relentless brutality that the band represents.

From the aggressive whirlwind of riffs in The Death of Everything, to the haunting black metal nuances of the title track Torn from the Jaws of Death, the album is a death metal cogitation on murder, torture, and the madness of organized religions. Crafted with an unwavering commitment to the genre, Torn from the Jaws of Death is a grim reflection of the world, drenched in the band’s signature brutal death metal sound.

As the anticipation mounts for the release of Torn from the Jaws of Death, you can be sure Severe Torture remains alive and thriving in the heart of brutal death metal, pushing boundaries, and refusing to bow to conventions. A quarter-century in, these stalwarts of the scene are just getting started. Stay tuned to witness their relentless progression as they continue their incessant march through the annals of metal history.

Lineup
Dennis Scheurs – Vocals
Patrick Boleij – Bass
Damiën Kerpentier – Drums
Marvin Vriesde – Guitars Right & Leads
Thijs van Laarhoven – Guitars Left

Recording Studio
Torture Compound Studios

Production Credits
Damiën Kerpentier - Engineer
Mendel bij de Leij - Mixing & Mastering Engineer

Photography
Thijs van Laarhoven

Cover Art
Pär Olofsson

Half Me Share "Fatalist" Video

"Half Me have unveiled a monstrous statement of intent" — 8/10 Metal Hammer

"SOMA is how you get attention. Soma is how you make people notice you" — GBHBL

"Extremely well-written, well-produced, and well-performed on every front" — The Soundboard Reviews
Reject conformity, embrace anomaly. 

Half Me's new single "Fatalist" channels raw frustration over a disposable society, combining bone-crushing heaviness with anguished, soul-piercing vocals. "Fatalist" marks another bold step in their musical offerings.

Watch the video Below.

Stream the song here.

Catch the band live and on the road in the U.S. in the fall!

HALF ME ON TOUR:
9/5 — Detroit, MI — Sanctuary
9/6 — Columbus, OH — King of Clubs
9/7 — Erie, PA — Basement Transmissions
9/8 — Brooklyn, NY — The Meadows
9/10 — Baltimore, MD — Baltimore Soundstage
9/11 — Greensboro, NC — Hangar 1819
9/12 — Columbia, SC — New Brookland Tavern
9/13 — West Palm Beach, FL — Respectable Street
9/14 — Orlando, FL — Conduit
9/15 — Atlanta, GA — The Masquerade
9/17 — Houston, TX — Scout Bar
9/18 — San Antonio, TX — The Rock Box
9/19 — Dallas, TX — Southside Music Hall
9/20 — El Paso, TX — Rockhouse
9/21 — Albuquerque, NM — Launchpad
9/22 — Phoenix, AZ — The Nile Theater
9/24 — Anaheim, CA — Chain Reaction
9/25 — Fresno, CA — Full Circle Brewery
9/26 — Sacramento, CA — Harlow's
9/27 — Portland, OR — Dante's
9/28 — Seattle, WA — El Corazon
9/29 — Spokane, WA — The Big Dipper
10/1 — Salt Lake City, UT — Metro Music Hall
10/2 — Denver, CO — HQ
10/3 — Omaha, NE — The Waiting Room
10/4 — Chicago, IL — Cobra Lounge

Stream, order Half Me's previous full-length SOMA as CD, limited colored vinyl and exclusive merch options at the Arising Empire Shop.

HALF ME ARE:
Christopher Zühlke — Vocals
Christopher Hesse — Guitar
Silvan Petersen — Guitar
Tobias Max Sajons — Bass
Maximilian Eisersdorff — Drums

Kingcrow Announce New Album with Hard-Grooving Single "Kintsugi"

Embark on a journey of resilience and reinvention with KINGCROW as they soar to new progressive heights on their upcoming eighth album Hopium. Catch the high-flying Italian prog-metal band as they display their eagle eye for poignant lyrics and grooving melodies on the album's powerful lead single, "Kintsugi". 

Watch the video for "Kintsugi" Below.

Hopium is out August 23 on Season of Mist.

Pre-order & pre-save:
https://orcd.co/kingcrowhopium

Hopium continues Kingcrow's steadfast commitment to exploring the depths of emotion, a trait that has solidified their standing in the hearts of music enthusiasts across the globe. With "Kintsugi", listeners are invited into a world where imperfections are not merely accepted but celebrated with golden seams of strength.

Drawing inspiration from the ancient Japanese art of repairing broken pottery, "Kintsugi" beautifully parallels life's ability to recover from adversity, a theme that's intricately woven throughout Hopium. The single is an anthem for anyone who has ever faced defeat, only to rise again with a renewed sense of purpose and beauty.

The music video for "Kintsugi" was masterfully crafted by Riccardo Nifosì and Devilnax.

The first incarnation of the band  was originally founded in Rome, Italy, by brothers Diego Cafolla (guitars) and Manuel Thundra Cafolla (drums) under the name of "Earth Shaker".

 

Inspired by Edgar Allan Poe's poem "Raven" and driven by a will of change, the band's name was soon altered into KINGCROW and a couple of self-produced demos/albums where recorded under the KINGCROW moniker: Something Unknown(2001), Insider (2004) and Timetropia (2006).

 

In the early months of 2010 the band finished recording their new album “Phlegethon” that was released in June of the same year under the “Scarlet Records” label.

 

It was considered on an international level as a relevant masterpiece and was classed as one of the elite progressive metal albums of the year. It has been near the top of the “album of the year” charts in some international prog-rock websites. Phlegethon promotion lasted for about two years and a half.

 

During the same year, the band recorded the new album “In Crescendo” that was released in February 2013 by the American label “Sensory Records.

 

The band toured  along with Pain Of Salvation in North America  in April and May, 2013. In 2015 the band released the album “Eidos” and toured Europe as Headliners. Meanwhile KINGCROW signed a management deal with GlassVille Music, house of very well known progressive acts like Pain Of Salvation and Riverside among others.

 

The band recorded the new album titled “The Persistence”.

 

The album was released on September 7th via Sensory Records and received great reviews and ended on a lot of “best of 2018” lists on magazines and webzines.

 

The upcoming album “Hopium” marks another step forward in pushing boundaries remarking the restless progressive  attitude of the band in incorporating countless influences into a personal sound.

 

Describing the band today is quite a difficult task, but one could state that the influence of different kinds of music, from progressive rock , ambient music, alternative rock and metal are all present in the music of KINGCROW.

With each release KINGCROW has taken a step further away from their original roots and is regarded today as one of the most exciting bands that Italy has to offer.

Line-up
Diego Marchesi - Vocals
Diego Cafolla - Guitars, Keys, Backing Vocals
Ivan Nastasi - Guitars, Backing Vocals
Riccardo Nifosì - Bass, Backing Vocals
Thundra - Drums, Percussions

Recording Studio
Sound Under Pressure (Rome, Italy)

Production Credits
Produced by Diego Cafolla & Thundra Cafolla
Sound Engineer - Diego Cafolla

Mixed by Giampiero Ulacco at Holofram Studios (Francavilla al Mare, Italy)

Mastered by Marco Vannucci at Spitfire Mastering Studio (Italy)

Guest Musicians
Vikram Shankar - Piano solo on "Hopium"

Cover Art
Devilnax

Pre-save & Pre-order: https://orcd.co/kingcrowhopium

Links/Follow Artist:
Official Website: https://www.kingcrow.it/
Facebook: http://www.facebook.com/Kingcrowband
Instagram: https://www.instagram.com/kingcrow_official/
Twitter: http://twitter.com/KingcrowBand
Bandcamp: https://kingcrow1.bandcamp.com/
Spotify: https://open.spotify.com/artist/3nnSgQo8TIgiO5M5pv3mlV
Apple Music: https://music.apple.com/us/artist/kingcrow/594989536
Deezer: https://www.deezer.com/en/artist/1002506
TIDAL: https://tidal.com/browse/artist/6519112

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black

Sugar Horse Share New Video "Office Job Simulator"

"A sucker punch of sludge-punk'"— Knotfest.com 

"Riff merchants expertly balance filth and ambience" — Metal Hammer

"Beautifully devastating" — 
Kerrang!

UK quartet Sugar Horse tackle power imbalance with brooding single "Office Job Simulator," taken from their new album Grand Scheme Of Things, to be released on October 4 via Pelagic Records.

Watch the video to "Office Job Simulator" Below.

Stream the single and pre-order the record here.

Vocalist + guitarist Ashley Tubb comments, "Now people that know me definitely wouldn't describe me as a supporter of the British monarchy. However, a few months after the death of my father, The Queen died. First of all, I wasn't bothered by this…then after about two straight days of non-stop press coverage, it started really getting to me. Why does this random woman deserve weeks of non-stop press coverage and faux-outpourings of third hand grief, when regular everyday people (like my dad) are more or less ignored? Life carries on as if nothing has happened. It's kind of disgusting to me in a way. The imbalance of power. Think of this as our comrades call to arms."

"Office Job Simulator" is the third single taken from the upcoming new album, following the release of "The Shape Of ASMR To Come" and "New Dead Elvis."

Regarding the album, the band shares, "This album was intended to be a sideways step. A move away from the kind of thing that is expected of us... if anything is at all. What I mean by that, is the songs are more direct. They take a much shorter amount of time to 'get to the point.' We also wanted to make this one noticeably 'less metal.' While we love being a bit boneheaded and confrontational, we definitely wanted to explore the more melodic, song-based side of the band’s sound. Normally, you'd see shortened song structures and more singing and think, 'Oh these guys are going for gold….they wanna get on the radio and make millions of bloodstained pounds.' Well, you're very much entitled to think that if you wish, but it felt like more of a songwriting challenge than anything else to be honest. We've done the whole drawn out, endless space rock thing a good few times now and it would've been easy to rest on those laurels. Do something we're comfortable with. Alas, that is not really the point of this band. We'd much prefer to make it difficult and take the long route."

The new single and album news follow Sugar Horse's titanic split 7'' with new labelmates LLNN, and previous EP Truth Or Consequences, New Mexico.

Stream and purchase the 7'' here. Order and stream Truth Or Consequences, New Mexico here.

An epic and ambitious achievement, Truth... is, in signature Sugar Horse style, one single long song: a meditation and exploration of everything the note A has to offer.

Sugar Horse recently toured with LLNN, and previously with post-rock luminaries 65daysofstatic across Europe, as well as dates with Pianos Become The Teeth, Liturgy, Chat Pile and an appearance at ArcTanGent festival. A lot of people take the name Sugar Horse to be a drug reference — perhaps fitting for a band that sound like the last moments of a three-day binge. Darting wildly between dark/light, pain/bliss, sacred/profane, Sugar Horse are unpredictable and unrestrained.

Formed in what is now considered to be the utopian dreamscape of 2015, the band grew slowly at first. Far from fully formed, but steadily gaining limbs, heads and vital organs. Finally, 2019's DRUJ followed swiftly by 2020's DRUGS saw them hit on a relentless stride of eclectic releases that simultaneously confused and entranced audiences.

2021 saw the band encamp in a former Lutheran church to record their debut album, The Live Long After, releasing it via Brighton’s own Small Pond Records. Publications such as The Quietus describing the record as "shift[ing] dispositions fluidly, taking elements of extreme aggression alongside floaty post-metal" and Echoes & Dust calling it "a monumental achievement." The album took every disparate element that Sugar Horse previously employed and amplified them, while juxtaposing each next to each other, with genuinely unpredictable and exciting consequences.

2022 saw no relent from the band's fast-paced release schedule, as they put out an anthemic shoegaze single in "Pictures Of Dogs Having Sex," followed swiftly by their collaborative Waterloo Teeth EP. A release that paired Sugar Horse's terrifying eclecticism with guest appearances from 12 other artists in just four short(ish) songs. Each artist coming from a different area of the modern British music scene, whether that be world conquering post-punk bass lines from IDLES' Adam Devonshire, heavy titans Conjurer and Pupil Slicer’s throat crippling wails, or a shredding guitar solo from Biffy Clyro/Oceansize axe wielder Mike Vennart. The EP packs in an album’s worth of genre mutilating twists and turns into just 25 minutes of music.

Thornhill Announce New Live Album "Live On Tour!"

Spanning the globe and a captivating array of material, Thornhill have announced the upcoming release of a brand new live album. Live On Tour! is due out on June 21 via UNFD. Pre-order it here.

Boasting tracks recorded across the globe over the past two years, Live On Tour! features new and old Thornhill favorites captured in the wild, with singles taken from their debut 2019 album The Dark Pool and their sophomore 2022 album Heroine, as well as their latest material.

Featuring recordings from performances in Seattle, New York, Manchester, Cardiff, Chicago, Cincinnati, Cologne, Atlanta, the UK's Newcastle, Sydney, Perth, and their hometown in Melbourne, Live On Tour! ultimately showcases Thornhill's voracious live prowess, while also celebrating the band's towering diversity and innovative craftsmanship from across their catalogue.

"It's been an incredible experience getting to tour around the world in the past two years since the release of Heroine," the band shares. "We have so many great memories, and wanted to share some of our favorite live moments with you before we get started on the next chapter of Thornhill."

Accompanying the announcement of Live On Tour!, Thornhill have also released the live version of their most recent single "Obsession." Recorded live in Perth, "Obsession Live" exudes pure primal energy, with its rugged sonic sensuality heightened by its live setting along with searing riffs and vocalist Jacob Charlton effortlessly flitting between sumptuous swoon and torrid vigor.

Watch the visualizer for "Obsession Live" Below

The impending release of Live On Tour! will also offer fans a chance to score themselves a piece of Thornhill history, with the album set to release on two exclusive vinyl colourways. Boasting a black and white splatter and a pink galaxy vinyl, pre-orders for these Live On Tour! vinyl variants are available now exclusively via unfdstore.com and 24hundred.net.

Eternal purveyors of artful and engaging heavy creations, Thornhill have always possessed a flair for nuanced rock beyond their influences. Via their ARIA Award-nominated 2022 album Heroine, Thornhill solidified an undeniable reputation as one of the most innovative and immersive heavy acts in the Australian scene. Debuting at #3 on the ARIA Album chart, Heroine also debuted at #1 on the Australian Album chart, and has since had more than 8.5 million streams to date.

Ticking off a huge year in 2022, including selling out most of their headline tour, supporting The Butterfly Effect nationally, appearing at Good Things Festival and performing their first ever US headline shows on the East Coast, Thornhill have also amassed a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool.

Thornhill kicked off 2024 supporting Silent Planet on extensive North American run, before joining Aussie heavies Polaris on tour in the UK and Europe and appearing at Impericon Festival alongside As I Lay Dying, August Burns Red and While She Sleeps. The band will return to North America this June for an extensive tour supporting Northlane alongside Invent Animate and Windwaker, kicking off in Seattle on June 21 and closing out in California on July 27.

Thrown Announce Debut Album "EXCESSIVE GUILT" + Share Video for "look at me"

"Nu metal and grooves deeper than the Mariana Trench" — Metal Hammer UK

"This rips" — Daniel P. Carter/Radio 1 Rock Show 
 

Swedish heavyweights thrown, following up on their previous singles the latter having made a significant impact by hitting the Viral Top 50 in both the USA and Australia this year, and together amassing over 23 million streams worldwide — return with their brand new track "look at me."

Watch the video Below.

Adding to the excitement, the band has announced its first-ever album, EXCESSIVE GUILT, out on August 30 via Arising Empire. Pre-save EXCESSIVE GUILT here.

Despite not having an album out yet, thrown have already amassed over 72 million streams worldwide.

Last year, thrown released their debut EP, EXTENDED PAIN, sitting in Spotify's Top 200 Global Metal Chart for almost a year with over 26 million streams across its five songs. From zero to nearly 600,000 listeners with their explosive tracks, thrown took the stage by storm touring with Counterparts and Knocked Loose.

US TOUR DATES:
WITH SPITE AND BODYSNATCHER

5/31 — Denver, CO — Summit
6/1 — Salt Lake City, UT — The Complex
6/3 — Portland, OR — Hawthorne Theater
6/4 — Seattle, WA — The Crocodile
6/6 — Sacramento, CA — Ace Of Spades
6/7 — Pomona, CA — The Glasshouse
6/8 — San Diego, CA — House Of Blues
6/9 — Mesa, AZ — Nile Theater
6/11 — Dallas, TX — House Of Blues
6/12 — San Antonio, TX — Vibes Event Center
6/13 — Houston, TX — White Oak Music Hall
6/14 — Oklahoma City, OK — Beer City Music Hall
6/15 — Little Rock, AR — The Hall
6/16 — New Orleans, LA — House Of Blues 

Get tickets here.

ICYMI:
Stream/download the EXTENDED PAIN EP here.

Vocalist Marcus Lundqvist is joined by Johan Liljeblad and Andreas Malm on guitars, and drummer Buster Odeholm (Vildhjarta/Humanity's Last Breath) as thrown aim to spread their message of self-loathing through their mix of gut-punching metalcore and anger-inciting hardcore.

THROWN ARE:
Marcus Lundqvist | Vocals
Johan Liljeblad | Guitar
Andreas Malm | Guitar
Buster Odeholm | Drums

NORTHBOUND Releases New Pop-Rock Single "Baby's Breath" Via Smartpunk Records

NORTHBOUND'S UPCOMING ALBUM JUNIPER  ARRIVES JULY 12 VIA SMARTPUNK RECORDS

Pre-order the album here

Northbound have released the new single "Baby's Breath" — listen Below.

The latest heavy-hitting pop-punk single by Northbound showcases a more heartfelt, confessional side of his upcoming LP release. It's a master class in effortless songwriting and the juxtaposition between heart-breaking lyrics and sing-along-worthy melodies. 

After touring worldwide with acts including Simple Plan, State Champs, and more, Jonathon Fraser (the man behind the moniker) is poised to share his most realized iteration of the project on Juniperwhich is set to release on July 12.

Speaking about the new single "Baby's Breath," Northbound says, "'Baby’s Breath' is one of the first songs I wrote for this album. Writing this song had the magic that you look for when creating. It popped out of my head and into a demo session with zero effort. I knew I had found a very important piece of the album puzzle when I finished this one. The bridge is one of my favorite moments on the record. 'Baby’s Breath' is about a rather inappropriate emotional triangle that got extremely complicated. This song helped me process a lot."

Speaking on the album, Northbound says, "Juniper is my fourth album under the moniker of Northbound. After a few years of laying low and flying under the radar, this album is a bold statement of return. My most focused record to date, Junipertakes heavy influence from the early 2000s era of pop punk with a clear intention: to feel nostalgia for the moment you're currently in. It's fun to listen to, yet simultaneously invites the listener to feel things. It's a record about change, pain, and joy. Juniper doesn't try to reinvent the wheel, but it does spin it in a way that hasn't happened for a while."

ABOUT NORTHBOUND:
"Some flowers never get to bloom," a sentiment that has become all too familiar to Jonathon Fraser. For better or worse, this has fueled Northbound, the emo-tinged rock outfit born out of Boca Raton, Florida. Since 2012, Northbound has established a committed following through several releases and an extensive touring history in the U.S. and overseas. Their resume includes hitting the road with the likes of Simple Plan, State Champs, and many more of the scene's most respected bands. Whether it's at a house show or the 02 Forum in London, Northbound has proven capable of encapsulating nostalgia from the turn of the millennium with none of the cliches typically involved.

Throughout Northbound's tenure, Fraser has maintained a presence in his songs that feels like an open door to his lived experiences — all bark, all bite. In early 2023, Fraser dug up his lifelong Florida roots and transplanted them to Los Angeles — with something new to prove. 

Juniper sees the project rising to new heights — with the strongest material in Northbound's discography. The themes of the album are on full display — the mental weight that self-awareness can bring, the search for yourself in a world that often doesn't care, and waiting for love that still hasn't arrived. Fraser has no interest in feigning authenticity and refuses to hold back on Juniper

Northbound may be the alternative scene's best-kept secret, but those who are paying attention never stop listening. Juniper and a fresh start in Los Angeles mark the beginning of a monumental shift for the trajectory of Northbound. 

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

WORMED Crush the Cosmos on New Single "Protogod"

Prepare yourself earthlings; a monumental wave of technical death metal is hitting the cosmos today. Wormed are releasing the next transmission off their highly anticipated fourth album Omegon. "Protogod" packs so much galactic force that it could break the space-time continuum. 

Listen to "Protogod" Below.

Omegon comes out July 5 on Season of Mist

Pre-order & Pre-save: 
https://orcd.co/wormedomegon

On Omegon, Wormed writhe deeper into their nesting ground of brutal, brain-crushing sci-fi. Their new album continues the intergalactic legend of shadowy hacker Krighsu as he battles against civilizations from across all dimensions in search of the mysterious Omegon, a cosmic substance that defies the grasp of mere mortals. 

"Protogod" comes screaming across the cosmos, beckoning anyone who's adventurous enough to have their mind blown. Eerie, dissonant riffs crush through an asteroid field of blast beats. With his bottomless death growl, Phelgeton summons enough dark force to swallow all the stars from the sky.    

Space – the final frontier. Yet, when WORMED reach out into the void, the results sound far more like a dark space opera inhabited by bizarre aliens, genetically and technically evolved meta-humans struggling for power and survival in galactic empires. Now, the nano-technological war has been unleashed in the void to defeat the last sower of human life, Krighsu!

Odd-time signatures, avalanches of breaks and complex rhythmical as well as melodic patterns will excite every aficionado of extreme technicality, while growls down-tuned strings and double-bass assaults will more than satisfy extreme metal connoisseurs. While being outstandingly skilled musicians WORMED are avoiding any self-indulgent show of prowess for its own sake. Instead, the five-piece from Madrid clearly lays its emphasis on creating atmospheric songs, which develop and grow along the underlying story.

Originating from Spain's capital Madrid in 1998, WORMED immediately made an impact in the death metal scene with the release of their 'Floating Cadaver in the Monochrome' MCD (1999). Following a promo CD under the title 'Voxel Mitosis' (2001), the first studio album 'Planisphaerium' received high acclaim by critics and fans alike in 2003. In the wake of their debut full-length, the Spanish received invitations to international festival shows and touring around the globe. WORMEDperformed in Japan alongside GORATORY and VOMIT REMNANTS and afterwards hit Europe with MALIGNANCY and DESPONDENCY.

A creative hiatus, partly due to line-up changes and filled with re-issues of their previous released as well as the single 'Quasineutrality' (2010) finally ended, when their sophomore album 'Exodromos' came out in 2013. On their third full-length 'Krighsu' (2016), the fast-rising Spanish Sci-Fi tech death prodigies are telling a dystopian cosmic story with lyrics and music joined into an overarching concept. Its intense brutality, dissonant dynamic riffing, and tremendous heaviness combined with an amazing futuristic concept, which introduced the character Krighsu – last human in the cosmos, harvested top reviews and saw WORMEDheadlining in the US and co-headlining in Europe.

In the summer of 2019, WORMED brought their ultra-technical cosmic sonic onslaught to new heights on their 4-track EP ‘Metaportal’, released through Season of Mist. Praised as a monstrously satisfying addition to their catalogue, the EP bridged the gap between their previously released 2016 ‘Krighsu’ and their newest project. Atmospheric yet faithful to the skull-crushing mindboggling textures they’ve given fans over the years, ‘Metaportal’ allowed WORMED to come to terms with the loss of Guillermo Calero in 2018 and move forward.

On ‘Omegon’, WORMED’s upcoming 2024 release, they continue the story of Krigshu, a timeline hacker entangled in manipulation by cosmic forces. As viciously as the aggression they bring on their technically impressive instruments, Krigshu battles his way to unlock the mysteries of Omegon, a mysterious cosmic substance holding ultimate power. With 9 tracks of ultimate interstellar chaos, a story unfolds and WORMED prove yet again that they reign supreme on the technical death metal genre.

Line-up
Phlegeton - Vocals
Migueloud - Guitars
D-Kazar - Guitars
Guillemoth - Bass
V-Kazar - Drums

Recording Studio
BlackStorm Studios (Karrantza, Basque Country)

Production Credits
Ekaitz Garmendia - Producer & Sound Engineer
Mixed & Mastered by Colin Marston at Menegroth, The Thousand Caves (Queens, NY, USA)
Editing by Simon Da Silva at The Empty Hall (Madrid, ES)

Cover Art
Phlegeton - "Phlegeton Art Studio"

Stream & Order: https://orcd.co/wormedomegon

Follow Wormed
Official Website: http://www.wormed.net/
Bandcamp: https://wormed.bandcamp.com/
Deezer: https://www.deezer.com/en/artist/324196
Facebook: http://www.facebook.com/wormed
Instagram: https://www.instagram.com/wormedband/
Twitter: https://twitter.com/wormedband
Youtube: http://www.youtube.com/user/WormedTV
Apple Music: https://itunes.apple.com/artist/wormed/id341334269
Spotify: https://open.spotify.com/artist/1YXwL0RvyKn9swZ6CsVDwk
Amazon: https://www.amazon.com/music/player/artists/B002XOX5EY/wormed

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent Blue
12" Coloured Vinyl Gatefold - Blue, Black & White Marbled

Heilung Announce Live at Red Rocks

Heilung invoked the spirits of the old world for the first time at the historic Red Rocks Amphitheatre back in 2021. Today, they're announcing Lifa Iotungard, a live album that captures that unforgettable night under the starry Colorado sky on CD and vinyl. 

Watch the video of their live performance of "Traust" Below.

Lifa Iotungard comes out on CD and vinyl on August 9, 2024.   

ᛯ Pre-order & Pre-save: https://orcd.co/lifaiotungard

Recorded live at Red Rocks in October 2021, Lifa Iotungard captures Heilung's sacred ritual. As torches blazed and drums echoed between the sandstones, a sacred space was created, linking the hearts of the present with the spirits of the past.

"Remember that we all are brothers", Heilung recite during their opening ceremony. "All people, beasts, trees, and stones and wind. We all descend from the one great being".

"Traust" unfolds in a powerful surge of throat singing, primordial rhythms and mystic chants. This song - which first appeared on their second studio album Futha - transports listeners back to a time where the veil between worlds was thinnest. Christopher Juul, Maria Franz, Kai Uwe Faust, and their battalion of warriors, equipped with the lore of ages, cast a spell that reverberates through the bones of the Earth itself.

HEILUNG don’t play shows. They perform a ritual. Every performance begins with Kai Uwe Faust leading Christopher Juul, Maria Franz and the rest of the Nordic collective in an ancient prayer. Soon after, the audience is swept into rapture, swayed by incense and throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire.

Since they began in 2015, Heilung have been paving melodic paths to the past with their unique and mystifying sound. Evading all conventional genre tags and the confines of any specific labels, the group aptly self-describes their sound as “amplified history,” emphasizing their ability to connect modern society with the rudiments of humanity’s beginnings through music.

“Our ancestral Nordic civilizations did not just pop up, exist and disappear in isolation”, says Faust, a throat singer and one of Heilung’s three composers. “With singing these primordial songs we want to give tribute to these cultures, reconnect to the beginnings and remember that we all, from East to West, from past to present, are connected through the exchange of ideas and inspiring each other”.  

While Heilung features authentic and archaic instrumentation that ranges from rattles and ritual bells to human bones and throat singing, their captivating brand of music is far from primitive. Producer and founding member Christopher Juul implements subtle electronic elements that elevates the musical atmosphere and provides a more in-depth and layered soundscape.

Indeed, Heilung’s success has been unprecedented, achieving milestones in its few short years of existence that many do not see in a lifetime. The collective already had rapidly been growing a buzz upon the self-release of their first full-length Ofnir in 2015, but their dizzying upward trajectory really took off from the moment they set foot on the stage at Castlefest in 2017 for the now-legendary debut of their live ritual. Luckily for those who were not fortunate enough to bare witness to this magical event, the full ceremony was captured on film, having since been viewed by tens of millions of fans across the globe.

As Heilung trekked across Europe and brought their mystifying experience to new audiences, talk of this new band and their stunning ceremony made way to Season of Mist label owner Michael Berberian, who quickly offered the band a record contract after seeing their undeniable musical impact for himself.

By 2019, Heilung launched their second full-length record, Futha, which contrasted the masculine and battle-heavy themes of their debut with a feminine counterpart that celebrated fertility and female energy. Upon the first week of the record’s release, it graced the Billboard charts with coveted numbers, debuting at #3 on the Heatseekers Charts and #4 on the Billboard World Music Chart, placing on a total of seven Billboardcharts while meeting critical-acclaim from the press on a global scale.  

Their music has even appeared in places that extend far beyond typical concert venues. From hit television series like Game of Thrones and Vikings to video game giants like Conqueror’s Blade VII: Wolves of Ragnarök and Senua’s Saga: Hellblade II to the blockbuster Robert Eggers film The Northman, Heilung’s music has risen far above the underground and has transcended into a greater world. Even a global pandemic couldn’t slow down Heilung’s success; it only strengthened them and gave them the gift of time to complete work on their third album. In English, Drif translates as “Gathering”. The music embodies this philosophy by tying together the beginning of civilization with today’s modern society.   

Heilung now perform their rituals all over the world. They sold out their first North American tour in 72 hours. Upon returning to the United States in 2021, they were greeted by another sold-out crowd, this time at the historic Red Rocks Amphitheatre in Morrison, Colorado. This performance will be released on vinyl, CD and Blu-ray in 2024, along with another performance at the Apollo Theatre in Hammersmith, London.  

During the lead-up to the new LIFAs, Heilung will embark on headlining tours of Europe, Australia and New Zealand. Along the way, they will cast their spell over more of the world’s biggest stages, including Roskilde Festival, Download Festival and Glastonbury. But no matter where they are, Heilung always begin their performance with a humbling reminder of where we all come from.     

“Remember, we are all brothers. All people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.”


Line-up:
Kai Uwe Faust
Christopher Juul
Maria Franz

Links:
Official Website: https://www.amplifiedhistory.com/
Facebook: https://www.facebook.com/amplifiedhistory
Instagram: https://instagram.com/amplifiedhistory
Spotify: https://open.spotify.com/artist/7sTKZr30LqC928DZ5P9mNQ
YouTube: https://www.youtube.com/c/Heilung
Bandcamp: https://heilung.bandcamp.com/music
Bandsintown: https://www.bandsintown.com/a/1977594-heilung

Pre-order & pre-save LIFA Iotungard: https://orcd.co/lifaiotungard


Available Formats:
Digital Download
2CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Crystal Clear
2x12" Coloured Vinyl Gatefold - Crystal Clear and Black Marbel
2x12" Coloured Vinyl Gatefold - Silver
2x12" Coloured Vinyl Gatefold - Gold and Orange Mixed
2x12" Coloured Vinyl Gatefold - Red Rocks Sand-Filled

The Intemperate Sons Release Music Video for Single "Falling Under"; New Album 'Dark Day’s Night' Due Out June 5th via FRAME|WORK

"Falling Under" is the latest track off the upcoming album, Dark Day’s Night that is set for release on June 5th, 2024. This album has taken a darker turn than the debut, reflecting the crazy times we live in today. Everyone has their own demons that no one else can see. The brightest souls burn the shortest wick before their candle fades away. This track was produced by Amir Derakh and The Intemperate Sons at The Kitchen Recording Studios in Dallas, TX.

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. A brand-new music video for the single will follow on 5/31/24 to the usual platforms. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicide in Long Beach, CA. All mastering is done by Mike Marsh Mastering in the U.K.

Pre-order began on Monday March 18th where fans have the exclusive opportunity to secure a limited edition 12" vinyl LP, offered in various package configurations.

Pre-order Dark Day's Night HERE

Immerse yourself in the gritty sonic landscape of The Intemperate Sons' second album, Dark Day's Night. With tracks like the haunting title song, the introspective "Falling Under," and the reflective "Way Back When," this album weaves a compelling story of resilience amidst turmoil. "Unrealized" and "CØNTRØL8" delve into the battle for autonomy in a disordered world, while "Game of Keep Away" offers a raw take on the struggle of self-destruction and survival. The album also features a heavier, more intense cover of Nirvana's "Dumb," adding a unique layer to this already diverse album. Dark Day's Night is not just an album; it's a journey through the shadows, echoing with the sounds of defiance and liberation.

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillersand Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sonslived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,” and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Fri June 14 @ Trees in Dallas, TX
Sat June 15 @ Verma Fest - 3 Nations Brewing in Carrollton, TX
Sat July 27 @ The Railhead Saloon in Lawton, OK
Sat Aug 3 @ Hanovers Draught Haus in Pflugerville, TX
Fri Sep 6 @ The Zone Grill & Bar in Abilene, TX
Sat Sep 7 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX
Sat Oct 26 @ Lonestar Bulldog Rescue Benefit in Denton, TX
Wed Nov 13 @ Whisky A Go Go in West Hollywood, CA

For More Information Please Visit:

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NEONFLY Announces Live EP and Presents Music Video for "Highways to Nowhere"!

UK alternative metal act NEONFLY has announced the release of the band's upcoming live EP Master Tapes - 10 Years Live at Masters of Rock, set to be released on June 19 via Noble Demon.

Having graced the festival for the 4th time in ten years back in 2022, this digital EP commemorates their decade-long journey since their first captivating performance on the international stage. Masters of Rock festival holds a special place in NEONFLY's hearts as it provided them with a crucial platform that kick-started the band's global presence. With each performance, NEONFLY has established a profound connection with their fans and the festival community, culminating in this special EP that commemorates their decade-long adventure at Masters Of Rock festival from humble beginnings to the here and now.

NEONFLY comments: "Our journey with Masters of Rock began in 2012 when we played to a packed second stage, winning the hearts and minds of everyone present. This led to us returning the following year and being promoted to an early afternoon slot on the Main Stage. Since then, the Czech fans, and especially those at Masters of Rock, have always held a special place in our hearts. Playing there feels like coming home, and we wanted to show our gratitude to all the fans who rocked out with us over the years, as well as to the fantastic team at Pragokoncert for their unwavering support."

Our first live recording dates back to our Main Stage debut in 2013, where we premiered the yet-to-be-released track "Heart of the Sun," later featured on our second album. The live version has been remixed and remastered for this release. In 2015, we returned for another epic Main Stage performance, proving that Neonfly was here to stay and a force to be reckoned with. That show also marked the debut of our visually captivating fire-breathing act, performed by guitarist Frederick Thunder, which has since then become a festival staple for us. Two tracks are taken from that show, "A Gift to Remember" and "Morning Star."

"'Although we performed at Metalfest 2017, also organized by Pragokoncert, it took seven years for us to return to Masters of Rock. Originally scheduled for 2020, the pandemic put our plans on hold until 2022, turning our return into a special moment, marking our 10-year 'MORversary.' "Highways to Nowhere" and "This World is Burning" are taken from that show, with their respective videos edited by Frederick Thunder."

Watch the music video for the first single "Highways to Nowhere", which the band performed at the Masters of Rock Festival 2022:

Guitarist Frederick Thunder about the track: "‘Highways to Nowhere’ has been a staple in our setlist since our second album ‘Strangers in Paradise’ came out. It’s really punchy and straight-forward, and it’s a great song to start the set with a bang and set the tone for the rest of the show. Even after all these years, the song only seems to have grown in popularity as evidenced by the number of people who request it and the way it’s positioned itself as one of our most popular songs on streaming platforms. It seemed like a great option as the starting track of our EP to celebrate what Neonfly is all about live."

- Original photograph by Veronika Hesounová -

Revisiting unforgettable moments from their triumphant return in 2022 after a seven-year hiatus, NEONFLY offers a vibrant snapshot of their spirited performances with anthems like "Highways to Nowhere" and "This World is Burning," capturing the essence of their 10-year "MORversary." With their seamless blend of raw energy, intricate melodies, and captivating visuals, NEONFLY's live recordings transcend mere music, embodying a celebration of unity, resilience, and passion shared with fans worldwide.

Master Tapes - 10 Years Live at Masters of Rock will be coming out digitally on June 19 via Noble Demon. The EP is available for pre-save at THIS LOCATION.

Neonfly are:

Willy Norton - Vocals

Frederick Thunder - Guitars

Paul Miller - Bass

Declan Brown - Drums

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Portland's FEDERALE presents 'No Strangers' single & announces tour dates. The new 'Reverb & Seduction' album marks 20 years

“Equal parts Ennio Morricone, Lee Hazelwood, and Nick Cave with a touch of Chris Isaak’s less romantic side… few if any artists are brave and/or creative enough to channel this ghostly, often ominous vibe into moving, sensual and stirring music” ~ American Songwriter

"Their most immersive and varied album to date, Collin Hegna and his merry band of music-makers take us on a fantastic journey... and on ‘Heaven Forgive Me’, Hegna channels the post-punk vibes of such bands as The Church, Pink Turns Blue and The Mission to our delight" ~ The Spill Magazine


Portland-based collective Federale presents their new single 'No Strangers', which pays homage to the legendary Lee Hazlewood. At the same time, they announces their 'Reverb & Seduction' Tour, which will lead them up and down America's West coast and beyond.

This song involves Dave Mudie (drummer for The Dandy Warhols' Courtney Barnett), Andrew Joslyn (Nancy Wilson, Kei$ha, Macklemore, Leslie Odom Jr., Mark Lanegan) on strings, and Hunter Lea (Grammy nominated Nancy Sinatra / Lee Hazlewood re-issue producer) on harpsichord.

This is the second single from their 'Reverb & Seduction' album, out this summer via Jealous Butcher Records.  Earlier, the band released the lead track 'Heaven Forgive Me', featuring The Black Angels' Alex Maas on backing vocals.

In the 20 years of their existence, Federale has carved out a unique niche within the indie music landscape, blending their signature spaghetti-Western instrumental sound with increasing doses of moody vocal arrangements in the spirit of Lee Hazlewood and late-period Leonard Cohen. Through it all, songwriter and lead singer Collin Hegna – who also spent the last 20 years as a dues-paying member of The Brian Jonestown Massacre – maintains a strictly retro vibe. Federale's records have always sounded period-correct for an alternate-universe 1971, where rock and roll never caught on.


Their sixth studio album, 'Reverb & Seduction' marks the band’s twentieth anniversary. The band’s most immersive and varied album to date, with do-it-all frontman Collin Hegna at the height of his powers, this is a tour-de-force road trip from psych rock to country duets, never straying too far from the spaghetti western roots that inspired the band many blood-moons ago.

“'No Strangers' is an ode to the story songs of Lee Hazlewood. But this time our narrator is on a warpath. Like the leader of a biker gang or a band of musical outlaws, our protagonist rolls into town a Stranger and finds the hypocritically self righteous town folks are none too happy to see him. This doesn't worry him though, because our antihero plans to even the scales in any way necessary. Musically the marriage of strings, pedal steel and reverbed-out guitars transports us to a nondescript time and a nondescript place that is definitely in the past and definitely in the desert. It may be a rugged, dangerous place. But it sure sounds cool. Too bad The Stranger had to burn it all down in the end," says Collin Hegna.

"Each Federale release has sought to embrace influences ever farther afield from the band’s original concept as an ode to Spaghetti Western film music. But one aesthetic constant (as far as non-instrumental songs go) has been the dark, narrative driven folk ballad".
 
Comprising 10 tracks, 'Reverb & Seduction' was recorded at Revolver Studios in Portland and engineered by Collin Hegna, Matt Thomson and Andrew Joslyn, who boasts five 5 Grammy Award winning albums. Mixed by Jeff Stuart Saltzman (The Black Keys, The High Violets), Matt Thomson and Collin Hegna, this album was mastered by Adam Gonsalves at Telegraph Mastering.

These new musical homages are complemented by a new lineup of well-known Portland rock-scene vets, including talents from The Shivas, Roselit Bone, Dandy Warhols, Rogue Wave and Delines. Going forward, Federale expects to fully embrace the role of a working, touring band, starting with a West Coast tour timed to coincide with the new record's July release. A European tour will follow in late fall 2024.
 
'No Strangers' is out now, available everywhere digitally, including Apple Music, Spotify, Tidal and Band camp. The full 'Reverb & Seduction' album, which can be pre-ordered now, and will be released on July 12, available on CD and vinyl wherever fine records are sold. Tour tickets are also now available for order.

SINGLE CREDITS
Written, arranged and produced by Collin Hegna
Mixed by Jeff Stuart Saltzman
Mastered by Adam Gonsalves at Telegraph Mastering
Recording Engineering - Collin Hegna, Matt Thomson, Andrew Joslyn
Recorded at Revolver Studios in Portland, OR
Dave Mudle - drums
Rick Pedrosa - pedal Steel & Guitar
Andrew Joslyn - strings
Hunter Lea - harpsichord
Collin Hegna - all other Instruments, percussion & vocals
Released by Jealous Butcher Records
Management: Andy Ross @ Exit Strategy Productions
Publicity: Shauna McLarnon @ Shameless Promotion PR
Video created by Little Richard’s Almanac, animated by Ron Laboray and Niki Elliott
Tour poster designed by Tobias Berblinger 

TOUR DATES
JULY 12  Portland, OR - Mississippi Studios
JULY 13  Eugene, OR - Sam Bond's Garage
JULY 14  Seattle, WA - Madame Lou's
JULY 16  Boise, ID - Realms
JULY 17  Salt Lake City, UT - International Bar
JULY 18  Las Vegas, NV - The Usual Place
JULY 19  Pioneertown CA - The Red Dog Saloon
JULY 20  Jacumba Hot Springs, CA - Jacumba Hot Springs Hotel
JULY 21  Los Angeles, CA - Gold Diggers
AUG 24  San Francisco, CA - Kilowatt
OCT 4    Reno, NV - Offbeat Fest
OCT 31  Austin, TX - Levitation Festival


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Frenchy and the Punk unveil blissfully alluring 'Like In A Dream' single amidst headlining UK tour

Explosive, subdued, confrontational, soothing, spikey and accessible" ~ Big Takeover Magazine

"Steeped in a melancholic grace, Frenchy and the Punk weave light into their darkness, both visually and aurally... a potent goth-alternative concoction, a boozy blend of classic post-punk infused with daring, catchy guitar work that pushes the boundaries of the genre" ~ The Spill Magazine

"Penetrating psych-soaked post-punk... Brimming with their signature cinematic drama and that unforgettable voice" ~ Global Texan Chronicles

"An inspiriting slice of post punk hued, new wave nurtured rock ‘n’ roll... under the skin and hungrily stirring the imagination in a flash" ~ Ringmaster Review


NYC post-punk duo Frenchy and the Punk presents 'Like In A Dream',
a single that pierces the gloom with flickers of light, their sound steeped in melancholic grace. This is the second offering from their 'Midnight Garden' album, forthcoming via NYC indie imprint EA Recordings.
 
Torchbearers of a new era in post-punk, the duo earlier released the lead track - the dance floor frenzy 'Hypnotized', one year since releasing their critically-acclaimed 'Zen Ghost' album.

Formed in 2005, Frenchy and the Punk is vocalist, percussionist and lyricist Samantha Stephenson and guitarist-composer Scott Helland, co-founder of Deep Wound (with Dinosaur Jr. icons J Mascis and Lou Barlow) and Outpatients. Named one of the Top 25 duos in the US by Yahoo! Music, they profess a vivid blend of post-punk, dark folk, new wave, goth and punk cabaret. Helland is also known for his exceptional solo music project Guitarmy of One.

“’Like In A Dream’ was one of the songs we came up with in Paris. I often write lyrics in a stream of consciousness way as if the lyrics were attached to the guitar riff that Scott is playing. It can be that old, ‘which comes first?’, question. Do the riffs present themselves because the lyrics exist or are the lyrics born out of the guitar riffs. Or are Scott and my subconsciouses so connected that they both exist and emerge together? This song is about perspective, the cycle of life, and the ever beautiful embrace of love,” says Samantha Stephenson.

Scott Helland adds, “On ‘Like in a Dream’, in the majority of the song, I play heavily reverbed single note guitar lines. It was a real treat to record, in what I like to call “the Gilmour type of feel”. I wanted those notes to ring and just be felt in an emotive way and to keep within that dreamy floaty-ness that Samantha conjures vocally and lyrically. The single note lines differ from the wall of acoustic and semi electric tones and chords that usually make up our songs, though that wall of sound does come in as the lead up to the end of this track.”

On 'Midnight Garden', Stephenson hits her stride - lyrically, vocally and with the synth sounds peppering the album. Helland shows his knack for infectious, and often euphoric, guitar melodies, propelling these tracks and perfectly complementing Frenchy's vocals.
 
This collection bursts with dance grooves, guitar-driven upbeat melodies and soaring vocals. Written in France and the USA, this post-punk, new wave and dark alternative-drenched cauldron of songs address themes ranging from the gothic reimagining of the garden of eden, rising from the ashes and starting over, to socio-political commentary,

“We filmed the majority of the footage for ‘Like In A Dream’ at Art OMI and sculpture park in Ghent, NY, mostly utilizing the piece by LevenBetts called ‘Zoid’. The minimalist nature of the design and how it captures light with its repetitive geometric shapes seemed like a perfect structure to play within," says Stephenson.

"The stark architecture placed in an expansive landscape mirrors and complements the minimalist and dreamy feel of the song. Another portion of the dance footage was filmed during the recent eclipse in April. It felt like an interesting time to capture movement. In a moment of time when so many came together to witness a beautiful natural phenomenon, it felt like an escape from the mundane which also felt in harmony with the song.”

The duo has forged their own distinct path, touring across the US and Europe with their artful two-person powerhouse of sound. To date, they've performed with Dead Can Dance's Peter Ulrich and Dresden Dolls' Brian ViglioneThomas Dolby, Dinosaur Jr., The World Inferno Friendship Society, Rasputina, Cruxshadows, Aurelio Voltaire and Faun.

As of May 28, 'Lost In A Dream' is out everywhere online, including Apple MusicSpotify and Bandcamp. The 'Midnight Garden' album, which is now available for pre-order, will be released on vinyl, CD and digitally on June 28.  The band has just kicked off their UK tour, alongside Miranda Sex Garden. American tour dates follow in late June.

CREDITS
Samantha Stephenson - Vocals, Percussion, Keyboard
Scott Helland - Guitar, Bass, Drums and Drum Programming
Recorded at Split Rock Studios (New Paltz, NY)
Recorded & mixed by Jason Sarubbi
Mastered by Martin Bowes at The Cage (Coventry UK)
Written, performed and produced by Frenchy and the Punk
Single artwork by Samantha Stephenson
Artist photos by Nicola Bee

TOUR DATES
JUN 22  Salem, MA - Darq Salem
JUL 11  Pomeroy, OH - Starwood Festival
JUL 13  Pittsburgh, PA - TBA
JUL 14  Columbus, OH - Dirty Dungarees Alt Music Space
JUL 17  Cincinnati, OH - The Comet
JUL 18  Detroit, MI - Corktown Tavern
JUL 19  Akron, OH - Buzzbin
JUL 20  Maple Heights, OH - Maple Grove Tavern
JUL 21  Dayton, OH - Blind Bob’s
JUL 23  St Louis, MO - Crack Fox
JUL 25  Cleveland, OH - Wizbang Theater
JUL 26  Sherman, NY - Sirius Rising Festival
SEPT 6   Pittsburgh, PA - Pitts Art Fest
SEPT 22  York, PA - Enchanted Festival
SEPT 26 Dark Castle Festival, Louisville, KY
OCT 5/6  Attleboro, MA - Jewelry City Festival
OCT 12  Upper Lake, CA - Hexenfest
OCT 25  Shepherdstown, WV - TBA
NOV 16  Baltimore, MD -  Fairy Scary Ball


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LOST LOVE HAS LEFT COLIN STOUGH “SOBER”

Hot off the announce of new EP Lookin’ For Home, 19 Recordings/BMG Nashville artist Colin Stough delivers the official music video for his latest release off the six-track collection, “Sober.” 

“This video shows the push and pull of memories after a breakup. Thinking back to the good times, trying to forget the bad as it’s happening, and looking for solace in all the wrong places,” shares Stough.

Directed by David Dutton with DP Alan Fisher, Stough takes a solo ride on his real-life Harley-Davidson Heritage Softail bike in the clip, while being tormented by vivid memories of a love gone wrong. Built around the bitter sting of a breakup, the slow-burner was co-written by Stough with Mason Thornley and Sam Martinez. All about missing someone so bad you can’t even numb the pain – “I could hang out all night / I could drink this bottle dry / Trying to get me gone and I ain't getting any closer / Without your love I’m sober” – a woozy mix from producer Martinez creates a tone that stands on the edgy fringe of Stough’s peers. Pairing down-tuned acoustic twang and a lonesome slide guitar, the song’s building blocks make for a weary ballad of emotional desperation. But when Stough’s powerful, bluesy vocal ruptures into the chorus, the true toll of finding no relief takes center stage.

Featured as a writer on every track, fans can now 
pre-save/pre-add Lookin’ For Home (out July 12) and get a preview of the project with “Sober” Below. Next taking this new music on the road, Stough’s stacking music festival dates like CMA Fest 2024 on June 8 on the Hard Rock Stage in Nashville, TN. Doubling up, the Season 21 finalist on American Idol will also join a program at Fan Fair X inside Music City Center on the CMA Close Up Stage for “Idol Hour with Chayce Beckham, HunterGirl, Colin Stough and ‘American Idol’ Season 22 Runner Ups Jack Blocker and Will Moseley.” Earlier in the week, Stough is tapped for a FREE performance during the 19 Takeover at 6th & Peabody on June 6. Follow along for updates on his jam-packed week of appearances during CMA Fest 2024 here.

ABOUT COLIN STOUGH:
While Country Rock phenom and Gattman, Mississippi, native Colin Stough is only knocking on the door to his twenties, he has traversed a long journey in a few short years – starting with his debut EP Promiseland and follow-up EP Lookin’ For Home (expected July 12). After learning to play guitar at 8 years old, Stough first pursued his artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2023. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG Nashville, his distinctive mix of Southern Rock distortion and pure-Country style has helped Stough’s music rack up more than 19.8 MILLION global on-demand streams. Stough has headlined across the country and opened for established artists like Chase Matthew, Kidd G, and Drake White.

PHOTO CREDIT: RYAN “SPIDEY” SMITH
EP ARTWORK: MICHAEL SAVOIE

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Fancy Hagood & Friends Serve Up 'Smothered, Covered & Fried' EP on June 5

Singer-songwriter Fancy Hagood knows that life is more fun with friends, and his new EP, Smothered, Covered & Fried, is a savory compilation of favorite songs and kindred artists. The EP will be released June 5 with a pre-add/pre-save available May 30 here.

The collection brings together some of Hagood’s most beloved and iconic tracks, featuring an incredible lineup of artists who add their unique flavor to each song. The EP includes “Hell On Hells” with She Returns From War and Jamie Wyatt, “From This Moment On” with TJ Osborne, “Better Man” with The Kentucky Gentlemen, and “Even If It Breaks Your Heart” with Brooke Eden. 

Smothered, Covered & Fried is one of my favorite projects I’ve ever worked on,” says Hagood. “Getting to collaborate with other queer country artists to put our own spin on songs that everyone is familiar with feels really powerful. This EP is a collective of artists proudly saying that country music is for everyone!”

In addition to the collaborations, the EP includes Hagood’s version of the Stevie Nicks classic, “Landslide.” “I have loved this song as long as I can remember,” says Hagood. “I covered it on Instagram years ago and it brought love into my life for the very first time. That chapter of my life has come to an end, and I wanted to honor the beauty of being loved and loving someone else by putting my own spin on Stevie’s timeless song. 
 
"The lyric ‘I’ve been afraid of changing, cause I built my life around you’ means so much more to me. The opportunity to sail through the changing tides as seasons end and new ones begin feels more and more like a gift. It was a gift to feel loved for the first time.”

Fancy Hagood’s Smothered, Covered & Fried is more than just an EP; it’s a celebration of community, collaboration and the inclusive spirit of music. By bringing together diverse voices and perspectives, Hagood is not only redefining the genre but also showcasing that great music knows no boundaries.

Dayseeker Announce "Dark Sun Protocol" Fall 2024 Headline Tour

 REPLICA ACOUSTIC ALBUM ARRIVES PHYSICALLY ON JUNE 14

Southern California's DAYSEEKER  Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — just wrapped an incredibly successful, sold-out headline tour of the U.S. last week, which included appearances at several festivals.

Dayseeker will return to the road for a new headline trek this fall and it's big deal for both the band and fans. They will play the biggest venues of their career so far, while also hitting cities they've not performed in recently!

The "DAYSEEKER: DARK SUN PROTOCOL" tour will kick off September 27 in Dallas and run through November 2 in Los Angeles.

Alpha Wolf, Catch Your Breath, and Kingdom of Giants will also appear.

All dates are below. Tickets go on sale on Friday, May 31 at 10am local time. Get tickets here

"We're really excited for 'Dark Sun Protocol,' considering it's been years since we've headlined some of these cities," says Rodriguez. "This will be our biggest and best live show to see so far — guaranteed."

DAYSEEKER ON TOUR:
WITH ALPHA WOLF, CATCH YOUR BREATH, + KINGDOM OF GIANTS:

9/27 — Dallas, TX — Studio @ The Factory
9/28 — San Antonio, TX — Vibes Event Center
9/29 — Houston, TX — House of Blues
10/1 — St. Petersburg, FL — Jannus Live
10/2 — Atlanta, GA — The Eastern
10/4 — Nashville, TN — Marathon Music Works
10/5 — Raleigh, NC — The Ritz
10/6 — Baltimore, MD — Rams Head Live
10/8 — Pittsburgh, PA — Stage AE
10/9 — Cleveland, OH — Agora Theater
10/11 — Boston, MA — Roadrunner
10/12 — Philadelphia, PA — Franklin Music Hall
10/13 — Brooklyn, NY — Brooklyn Steel
10/15 — Chicago, IL — Salt Shed
10/16 — Royal Oak, MI — Royal Oak Music Theatre
10/17 — Toronto, ON — Rebel
10/18 — Newport, KY — MegaCorp Pavillion
10/20 — Minneapolis, MN — Skyway Theater
10/22 — Denver, CO — Mission Ballroom
10/23 — Salt Lake City, UT — The Complex
10/25 — Seattle, WA — Showbox Sodo
10/26 — Boise, ID — Knitting Factory
10/27 — Portland, OR — Crystal Ballroom
10/29 — Sacramento, CA — Ace of Spades
10/30 — San Francisco, CA — Warfield
11/1 — Tempe, AZ — The Marquee
11/2 — Los Angeles, CA — Novo

In other Dayseeker news, the band's acoustic album Replica arrives physically on June 14 via Spinefarm. Pre-order it here.

The stripped down, intimate renditions of familiar fan favorites highlight the band's songcraft and allow the listener to experience Dayseeker in an entirely new way. The collection also includes appearances from Holding Absence's Lucas Woodland and indie artist Amber DeLaRosa.

Replica is the somewhat unexpected (yet welcomed) result of a specific gig in 2022, when the band's gear overheated at Blue Ridge Rock Festival. Thinking on his feet, Rodriguez grabbed an acoustic guitar from the van, plugged in, and performed "Without Me." Soon, he had pulled together a five-song set on the fly as thousands of fans flocked to the stage.
 
"I felt like we let people down, but I had so many friends say, 'Everyone will remember the day your equipment stopped working and you still played the set as a really special moment’,'" he recalls. "It felt natural for our songs. We usually will do extra tracks for a Deluxe version or re-release, but we decided to commit to an entire acoustic album this time."

LISTEN TO REPLICA TRACKS:
"Neon Grave" (Acoustic)
"Burial Plot" (Feat. Caleb Shomo) (Acoustic)
"My Immortal" (Acoustic)

ABOUT DAYSEEKER:
Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker have become a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene.

The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

ABOUT SPINEFARM:
Spinefarm represents some of the biggest and most important rock acts in the world. Founded in Finland in 1990, the label established itself as an independent powerhouse for successful European metal acts from Nightwish to Children Of Bodom. Acquired by UMG in 2002, Spinefarm Music Group is now home to a host of artists that reach millions of fans across the globe and showcases the very best in rock, punk and metal. From massive metal names such as Bullet For My Valentine (with over 3 billion streams to their name) to alt-rock legends Killing Joke and genre-benders Sleep Token, Spinefarm's artists are — and always have been —true leaders in their chosen field. The roster also includes renowned names like Atreyu, Airbourne, Saint Asonia, and While She Sleeps, as well as fast-rising young artists like Dayseeker, Dead Poet Society, Kid Kapichi, BRKN LOVE, and Creeper. Spinefarm, now flanked by associated SMG labels Candlelight (Emperor, Ihsahn, Urne) and Snakefarm (Marty Stuart, Austin Meade, The White Buffalo), has grown from its independent origins into a true global rock powerhouse.