Brodequin Streaming New Album

For a band that's so closely associated with The Dark Ages, Brodequin sure carried the torch for underground metal during the early 2000s. Brothers Jamie and Mike Bailey carved their names into the rusty annals of death metal lore on just the brute strength of their debut. But after feasting amidst a festival of death, gluttons for punishment were left spinning in agony when the band disappeared without a bloody trace. 

Now, at long last, aural masochists don't have to wait and bleed for more merciless methods of execution. The Bailey brothers are back with a new drummer and the first new Brodequin album in 20 years.   

Harbinger of Woe comes out this Friday, March 22. But you can receive its full beating today by submitting to  Season of Mist's YouTube channel. 

Listen to Harbinger of Woe Below

Pre-order:https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Harbinger of Woe is classic Brodequin. The opening song pauses for a beat or two just to relish the cries from its captive audience. Otherwise, the album never relents in bludgeoning you with brutal death metal. There is nothing gentle about "The Fall of the Leaf", which whips by harsh enough to tear flesh from bone.  

Like all of Brodequin's harrowed discography, Harbinger of Woe finds inspiration in the most torturous inventions known to man. "Suffocation in Ash" leads us inside an ancient Persian torture chamber, where new drummer Brennan Shackelford mercilessly buries the sorriest of sinners under a fine hail of blast beats and pinging cymbals. 

But Brodequin brandish fresh instruments of torture on Harbinger of Woe. The vocals are still as dank and guttural as a dungeon, but Jamie mixes in ghostly screams that fade like blood splatter. And while Mike's palm-muted riffs still churn like severed limbs through a meat grinder, lead single "Of Pillars and Trees" branches out into tendrils of reverb that slowly tighten like a noose. 

As torturous as it sounds, Harbinger of Woe isn't inhumane. With a breakdown that drops with the decisive force of a guillotine, the title track cracks open the  tormented psychology of a clinically trained executioner. "He is despised and rejected / feared by most members of society", Jamie gurgles as if bound and gagged by his own microphone. 

"This album is a journey into a lost period of history where brutality and beauty coexist", he says. "Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

Look away if you must, but amongst true sickos, Harbinger of Woe is bound to be regarded as a truly vile work of art.       

Early praise for Harbinger of Woe

" Like the sonic version of some chemical weapon banned by international law...it's non-stop, it's unrelenting, and it's brutal as fuck - Metal Sucks 

"Absolutely crushing...equal parts driving death metal and slamming brutality" - Metal Injection

"Raw and guttural as ever" - Decibel

"Without a doubt, this is easily Brodequin's best album to date, and quite possibly the best brutal death metal album you will hear all year" - Metal Epidemic 

"Fans have an expectation of what they will get from this band and it's safe to say that this record is a kick right in the face" - The Razors Edge

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

"Relentless, barbaric intensity" - John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

"Kicks in like a sledgehammer" - Metal Rage raved over Methods of Execution

"A merciless massacre" - Power Metal praised Festival of Death. 

Order: https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn


Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Golden
12" Coloured Vinyl Gatefold - Transparent Red
12" Coloured Vinyl Gatefold - Transparent Yellow w/ Red Splatters

Replacire Announce New Album

Replacire Announce New Album The Center That Cannot Hold 

"A band on their way to the top" - Angry Metal Guy 
"Leave you with a smile on your face and the horns in the air" - Metal Injection
"Mixes the pummeling intensity of Dying Fetus with the proggy eccentricity of Leprous" - No Clean Singing
"Engrossing brutality and neck-breaking charm. Truly the best of both worlds" - Dead Rhetoric

Going into album number three, Replacire had their duck boats all in a row. The Bostonians were fresh off a short run supporting their kindred spirits Exist. With their new lineup squarely in place, the tech-death band were all set to re-enter their mastermind's studio come March 2020.

Of course, the pandemic soon laid waste to Replacire's well-laid plans. As the title suggests, nothing about the band's new album came easy. But after countless Zoom calls, grueling 12-hour recording sessions, sleep paralysis and one near trip to the hospital, The Center That Cannot Hold flexes all of their might. 

The Center That Cannot Hold comes out June 21, 2024 on Season of Mist. 

Listen to the title track below.

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Take a closer look at their name and it's clear why Replacire has become synonymous with Eric Alper. After all, Alper is their solo original member, having started the band all the way back in 2009 as a student at Berklee College of Music.  

When he's not producing other people's records, Alper is sculpting his own physique as a competitive body builder. But during the sessions for The Center That Cannot Hold, he was weighed down by writer's block.

"I was stressed out from just trying to keep my head above water", Alper says. "When the pandemic shut everything down, I had to sell our tour van and give up our rehearsal space just to keep my finances together. There were a lot of writing sessions where all I could manage to do was hum a few chords". 

Fortunately, help was close by. Replacire's lineup boasts three fellow Berklee grads. Alper might've managed to come up with the riff that chisels into the title track like a chainsaw through a hunk of granite, but Kee Po Hock fleshes out the head banging with zippy melodic leads and fret bends that sound as nerve-wracked as a malfunctioning cyborg. It's the rhythm section though that takes the reins on "The Center That Cannot Hold". Joey Feretti starts off fully aslant with harsh syncopated thwacks, only for bassist Zak Baskin to dunk the song's middle passage into a jazzy, unfettered breakdown.

James Dorton is no slouch, either. The former Black Crown Initiate vocalist has also filled in on tour for Ne Obliviscaris. Aside from his massive stage presence, Dorton is recognized amongst metalheads of all shapes and sizes for his annunciation. You can still make out every third word on "The Center That Cannot Hold", but he holds absolutely nothing back.

"I've been grey in my headspace", he growls with enough unclenched rage to bite through his tongue. "Just leave me bleeding in the dirt". Funny enough, Alper wanted "The Center That Cannot Hold" to scratch the same desperate itch as Corey Taylor's vocals on Slipknot's self-titled LP. Dorton took that inspiration to heart, too. When the song suddenly cuts out with a muffled thump, you might think that's his body hitting the floor instead of the mic.    

"James recorded the vocals for this song in one full take, with no stops, over and over, until we got it right" Alper says. "The next morning, he woke up shaking uncontrollably and his face was so pale. He came back to life after we got some fluids into him, but for a moment, I was worried that he needed to go to the hospital"

"The Center That Cannot Hold was a bitch to make", Alper continues. "There were plenty of days when I doubted whether we would ever finish this album. But I'm glad we did. It was worth it, especially when you end up with songs that are this chaotic and heavy". 

When Replacire started thinking about their third album, they gravitated around a simple idea. Write some caveman riffs to feed the mosh pit the next time they went out on tour. Of course, like any good technical death metal band that’s worth its weight in colored sands, these whiz kids deviated from their initial thought pattern. It wasn’t easy. Heck, they ended up crawling down a seven-year rabbit hole. But on The Center That Cannot Hold, the Boston band flex all their muscles 

"This was a grueling process", says guitarist Eric Alper. "But it was worth it in the end".  

On the surface, Replacire starts and ends with Alper. After all, the band is just his name spelled backward. Alper is a competitive bodybuilder with a mean and lean right rhythm hand, but don't let those beefy credentials fool you. When it comes to the studio, his brain does all the heavy lifting. By day, Alper produces music for other artists, as well as TV and movies. He's a proud alumnus  of Berklee College of Music, which is where he formed Replacire with four classmates back in 2009.   

Using the money that they savvily raised on Kickstarter, Replacire self-released their debut album by the end of 2012. A hybrid of thrash, prog and death metal, The Human Burden punched through the underground like a cyborg's fist. "This is what would have happened if Chuck Schuldiner were still alive today and mixed up with the likes of Obscura and Opeth at the same time", Metal Injection gushed. After tours with Hate Eternal and Beyond Creation and an unintentional private showcase for a certain label rep, Replacire signed with Season of Mist in 2016. The band wasted no time before making a quick first impression. While still head-spinning, their second album landed with the decisive force of a first-round knockout.    

“This group has set the tone for modern, rhythmically-centered death metal”, proclaimed Loudwire, who named them one of the top 5 bands amongst the next generation of death metal. “It’s time to wake up and hop aboard Replacire’s train”.    

Indeed, Replacire were chugging along with a full head of steam. But there's a reason why their new album is called The Center That Cannot Hold. After all, this is extreme metal. Things were bound to go flying off the rails at some point. Before they could even step out on their next headlining tour, the band's lineup completely turned over. While their momentum stalled, Alper went searching for replacements.  

Luckily, he didn't have to go any further than his old stomping grounds. Alper linked up with Zak Baskin, who had filled in on bass for parts of Do Not Deviate. Alper then reconnected with Kee Poh Hock, a guitar whiz who'd lived with Baskin when all three were students at Berklee. Even though he graduated a few classes after them, Joey Feretti was so advanced behind the drum kit that he became Alper's roommate. With mighty vocalist James Dorton joining fresh off Black Crown Initiate's breakout, the new-and-improved Replacire were all set to hit Alper's Ugly Duck Studio come March of 2020.  

No one needs to be reminded of what happened next. Replacire  always grind in the studio, taking their sweet time to fine tune every technical detail down to the last seventh string. "It never ceases to amaze me the way other metal bands just churn stuff out", Alper says. "It doesn't come easy for us. So many hours go into so few seconds of music". But when the pandemic shut the world down, writing slowed to a crawl amidst the endless slog of Zoom sessions. With live music shut down for the foreseeable future, suddenly, their well-laid plan for pumping out an album of crowd killers seemed more and more like a flimsy proposition. To stay afloat, Alper sold the band's van and moved out of their rehearsal space.  

"Everything that I had built to support the band was falling apart", Alper says.  

The mounting stress would've left a lesser band bloody-tongued and screaming. But despite being stuck inside this perfect shit storm, Replacire banged their heads together and pushed through. "Living Hell" was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. "In the wake of suicide", he groans, shrouded by eerie pangs of distortion. Alper was battling his own bouts with anxiety and depression that were brought on by a rather severe case of writer's block, but even when all he could stand to do was lay on the couch while humming through a half-finished riff, Poh Hock would pick up his Strandberg and zip past the finish line. "The Helix Unravels" could twist all of Mensa into a pretzel with its interlocked chugs and squealing fret bends. 

The Center That Cannot Hold is crammed full of mind-bending tech-death workouts. Baskin’s unfettered groove serves as the perfect springboard for another transcendent Hock solo halfway through "Hoard the Trauma Like Wealth", though his reverberated bass echoes like a sea of voices trapped at the bottom of a well on "The Ghost in the Mirror". The title track unspools under Feretti's syncopated snare hits and precision blasting, though Alper was the real drill sergeant. "I wanted the vocals to sound like they do on Slipknot's self-titled album, where Corey is gasping for air". Dorton took the inspiration to heart, running through full takes, with no stops, for hours on end. Heck, his vocal chords were so tattered and torn that he narrowly avoided a trip to the hospital.  

"We poured all of our blood, sweat and tears into this album", Alper says. "It took years off my life. There were plenty of times where I wanted to quit. But I'm glad we didn't, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious  The songs are still techy buy they're also a lot heavier. I'm proud of us".  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper - Guitars
James Dorton - Vocals
Kee Poh Hock - Guitar
Zak Baskin - Bass
Joey Ferretti - Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper - Producer & Sound Engineer
Jens Bogren - Mixing & Mastering Studio Engineer (Fascination Street Studios)

Cover Art
Andrew Tremblay (@actremblayart)

Biography
Will Yarbrough

Pre-save:
Pre-order: https://shop.season-of-mist.com/list/replacire-the-center-that-cannot-hold

Follow Replacire:
Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

Available Formats:
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12" Vinyl Gatefold - Black

FOLTERKAMMER Shares Performance Video for New Song, "Algolagnia"

PRE-ORDER

Operatic black metal rising stars FOLTERKAMMER are now unveiling an in-studio performance video for their brand new song, "Algolagnia!" The clip showcases the searing and remarkable talents of each member, while also giving a glimpse of guitarist Zac Ezrin's (IMPERIAL TRIUMPHANT) versatility as a guitarist as he displays his chops with some straight-forward black metal riffing! The clip was once again created by Folterkammer drummer Brendan McGowan and can be found below.

The song is taken from the band's sophomore full-length, 'Weibermacht,' which is due on April 19, 2024 via Century Media Records!

Guitarist Zachary Ezrin comments, "Algolagnia is a special song because it's the first and only song that we wrote together in the studio. It's a really raw and brutal piece that I'm very proud of."

Bassist Laurent David adds, “Finally, a black metal track that starts with a bassline!”

Vocalist Andromeda Anarchia further explains, "Musically, I would say that despite all its rawness, this piece also has a somewhat modern character. It is very unusual. This contrasts with the more traditional, dramatic-romantic operatic singing that floats over the raw music at certain points. My main inspirations for interpreting Algolagnia as a singer were Rob Halford, Nina Hagen, Nova Twins, and Joan Sutherland.

“When it comes to lyrics, one of the main inspirations for 'Algolagnia' was the opera ELEKTRA by Richard Strauss, which is one of my all-time favorite operas. It portrays strong women with strong voices, and that's exactly what I want for our music. For Algolagnia, I paraphrase a passage of the aria: 'Wie stark bist du!' ('How strong you are!'). (A personal note: This opera is so bloody and brutal, a must-see for all metal fans who want to venture into the world of opera. It's heavy! You shouldn't expect overly romantic melodies and sweet voices in this opera; it is written for women with strong voices from the so-called dramatic vocal fach. It's incredibly demanding to sing! Badass!) 

"In addition, I also paraphrase a passage from a spicy comic-mythological operetta called 'DIE SCHÖNE GALATHEE' ('The Beautiful Galatea') by the Austrian composer Franz von Suppé. The operetta is about the beautiful nymph Galathee, who, to Pygmalion's dismay, turns out to be a very capricious lady. This theme also plays wonderfully into our hands when it comes to the concept of 'Weibermacht' (the term that refers to an art and cultural-historical motif that describes the triumph of erotic, cunning and/or brutal women over powerful, strong, and wise men).

"'Algolagnia,' from Greek /ælɡəˈlæɡniə/: ἄλγος, álgos, 'pain,' λαγνεία, lagneía, 'pleasure.' Lyrically, as the song title suggests, it is about the phenomenon of sexual pleasure and stimulation through physical pain. The woman depicted in the song is the source of pleasurable pain, described as a kind of sun, warming, life-giving and sustaining, but also dangerous, life-threatening hot if you get too close to her. The descriptions are based on the legend of Icarus and the sun."

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

In addition, FOLTERKAMMER has recently announced their first ever U.S. tour! The rising powerhouse will be embarking on an East Coast headliner with support from WITCHING, which kicks off on March 22 in Baltimore and will circle back to the band's hometown of Brooklyn, NY on March 30. The full itinerary can be found below!

GET TICKETS HERE

FOLTERKAMMER U.S. TOUR DATES (w/ WITCHING):

03/22: Baltimore, MD @ Metro Gallery

03/23: Richmond, VA @ Another Round

03/24: Columbus, OH @ The Summit

03/25: Chattanooga, TN @ Dark Roast

03/26: Nashville, TN @ The End

03/27: Indianapolis, IN @ Black Circle

03/28: Chicago, IL @ Cobra Lounge

03/29: Cleveland, OH @ No Class

03/30: Brooklyn, NY @ Kingsland

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

Guest Harpsichord: Steve Blanco on "Anno Domina"

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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Sonic Universe (Feat. Corey Glover of Living Colour) Drop "Higher" Video

Sonic Universe, featuring Corey Glover (Living Colour) and Mike Orlando (Adrenaline Mob), have shared the video for "Higher." Watch it below. 

The song appears on the band's upcoming debut album It Is What It Is, out May 10 via earMUSIC. Pre-order it here. 

"Higher" follows the statement of purpose that was first single "I Am." It's a call for strength and resistance in the face of opposition. "Sometimes it's all around / Can't get yourself up off the ground / Don't let the world bring you down."

There's no mistaking the power of Glover's voice, Orlando's ascending riffs, and the rhythm section of bassist Booker King and drummer Taykwuan Jacksonto take fans "Higher" as anticipation builds for the album's release.

The album was recorded at Orlando's Sonic Stomp Studios in New York City and the new video was once again directed by Tom Flynn (Lamb of God, Buckcherry). Capturing Corey in all his "colourful" glory, Sonic Universe muscles through the powerful track, showing four musicians at their peak and a chemistry to conjure new musical worlds from the galaxies of hard rock, funk, punk, thrash, and metal.

ANTICHRIST SIEGE MACHINE Unleashes Music Video for New Single, "Vanquishing Spirit"

Richmond war metal duo ANTICHRIST SIEGE MACHINE will release their third full-length, 'Vengeance of Eternal Fire,' on April 19, 2024 via Profound Lore Records! The band is now unleashing the second single from the offering, "Vanquishing Spirit," along with a vicious performance video! The clip was directed and edited by Dan Wagner and can be found below.

The band comments, ""The Antichrist Siege Machine reveals our next single from 'Vengeance of Eternal Fire,' "Vanquishing Spirit." We are thankful to have worked with our longtime co-conspirator, Daniel Wagner to create the music video also presented with the single. An assault upon the believers, forced to bear witness to the power of hateful spirit!"

Pre-orders are now live for 'Vengeance of Eternal Fire' HERE.

In addition, ASM will be laying waste to North America on a spring run in support of 1349 and label-mates SPECTRAL WOUND along with SPIRIT POSSESSION. The trek will kick off on May 20 in Toronto, ON and will conclude on May 30 in Grand Rapids, MI. The full itinerary can be found below and tickets are now on sale!

Prior to the tour, ASM will be performing in Portland, OR on April 19 and Seattle, WA on April 20.

The band also recently announced a headlining record release show in their hometown of Richmond, VA on May 18, 2024 at The Warehouse.

ANTICHRIST SIEGE MACHINE North American Tour Dates:

04/19: Portland, OR @ High Water Mark (w/ Spite, Porphyion, Cystic)

04/20: Seattle, WA @ Clock Out Lounge (w/ Spite, Enthronement, Cystic)

05/18: Richmond, VA @ The Warehouse **Record Release Show**

(w/ 1349, SPECTRAL WOUND, SPIRIT POSSESSION):

05/20: Toronto, ON @ Lee's Palace

05/21: Montreal, QC @ Le Studio TD

05/22: Cambridge, MA @ Middle East / Downstairs

05/23: Brooklyn, NY @ The Meadows

05/25: Greensboro, NC @ Hangar 1819

05/26: Atlanta, GA @ Boggs Social & Supply **

05/28: Cleveland, OH @ Grog Shop

05/29: Cincinnati, OH @ Legends Bar & Venue

05/30: Grand Rapids, MI @ Pyramid Scheme

** No Spirit Possession

As the mighty Evil has come to man, so has ANTICHRIST SIEGE MACHINE summoning the darkness with their third LP, 'Vengeance Of Eternal Fire,' set for release on April 19. Expanding upon the latent evil in their hearts and inspired by the prophecies of Old, ANTICHRIST SIEGE MACHINE cast their lot with the demons of Hell. Each track on 'Vengeance Of Eternal Fire' bears the banner of violence and chaos, furthering the duo’s commitment to utter brutality. 

ANTICHRIST SIEGE MACHINE have solidified support within the underground and after a highly successful touring cycle in support of their previous LP 'Purifying Blade,' the band will focus on the live assaults in co-ordinance with 'Vengeance Of Eternal Fire.' Following many sold out shows in the US and Europe, including multiple runs in the US on their own with multiple fest appearances (MDF, Psycho Las Vegas, NWTF, Mass Destruction, Destroying Texas to name some), several dates as direct support to Emperor, and US tour runs with bands such bands as Demilich and Miasmatic Necrosis. Also part of the 'Purifying Blade' campaign the band have conquered Europe on a UK/IRE tour with Full Of Hell, and a full European tour with labelmates Spirit Possession.

'Vengeance Of Eternal Fire' was recorded and mixed by Matt Michel at Viva Studio with vocal recording by Bob Quirk and mastering by Arthur Rizk. Album art by Burney.

ASM Lineup:

SB: Drums, Vocals

RZ: Guitars

Recording & Mixing: Matt Michel at Viva Studio with vocal recording by Bob Quirk

Mastering: Arthur Rizk

Photos: Dan Wagner

Artwork: Burney

Pre-order: https://linktr.ee/asmeternal

Follow // Like // Stream:

Bandcamp

Official Website

Spotify

Apple Music

Facebook

Instagram

Northlane to Return to North America For Summer Headline Tour

Northlane are gearing up to hit the road again! The band has announced its Summer 2024 North American headline tour, featuring Invent Animate, Thornhill, and Windwaker.

The "Mirror's Edge" tour — named after the band's upcoming EP — kicks off on June 21 in Seattle and winds down on July 27 in Sacramento. Various pre-sale options are available, while general tickets go on sale on Friday, March 22 at 10am local time. Get tickets here.

NORTHLANE ON TOUR:
WITH INVENT ANIMATE, THORNHILL, + WINDWAKER:
6/21 — Seattle, WA — Neptune
6/22 — Portland, OR — Roseland Theater
6/23 — Spokane, WA — Knitting Factory
6/24 — Vancouver, BC — Commodore Ballroom
6/26 — Edmonton, AB — Union Hall
6/27 — Calgary, AB — Palace Theatre
6/30 — Minneapolis, MN — Varsity Theater
7/1 — Chicago, IL — House of Blues
7/3 — Lakewood, OH — Roxy
7/4 — London, ON — London Music Hall
7/5 — Toronto, ON — Danforth Music Hall
7/6 — Ottawa, ON — Bronson Centre
7/7 — Montreal, QC — Beanfield Theatre
7/9 — New York, NY — Irving Plaza
7/10 — Boston, MA — Paradise Rock Club
7/11 — Philadelphia, PA — TLA
7/12 — Baltimore, MD — Baltimore Soundstage
7/13 — Charlotte, NC — The Underground
7/14 — Nashville, TN — Brooklyn Bowl
7/16 — Tampa, FL — The Orpheum
7/17 — Atlanta, GA — Masquerade (Heaven)
7/19 — San Antonio, TX — Vibes Event Center
7/20 — Dallas, TX — South Side Music Hall
7/21 — Lawrence, KS — Granada Theater
7/23 — Denver, CO — Summit Music Hall
7/24 — Salt Lake City, UT — The Complex
7/26 — Anaheim, CA — House of Blues
7/27 — Sacramento, CA — Ace of Spades

Additionally, Northlane will drop their forthcoming EP, Mirror's Edge, on April 12. Mirror's Edge was recorded with their old friend and revered producer Will Putney. Described by Jon Deiley (songwriter/guitarist) as "the greatest hits of Northlane sounds," the EP is a nostalgic journey through all the colors on their sonic palette, with bonus shades from special guests Winston McCall (Parkway Drive) and Ian Kenny (Karnivool/Birds of Tokyo) — two of the most influential artists in Northlane's history. Their former bass player, Brendon Padjasek, also stopped by the studio to lend his scream to one of the tracks. Penned just over a year after the release of their award-winning album, Obsidian, the road to Mirror's Edge was a bumpy one. Instead of riding high from the success of the album, the simmering tension and communication breakdown between band members threatened to engulf Northlane at any moment. Northlane tackled their issues head-on at a writing retreat in Victoria's Yarra Valley, where they worked through their problems and unlocked new channels of creativity in the process that reflects through the EP. From the expansive prog of "Afterimage" to their signature bottom-heavy groove and viscous breakdown of "Kraft" and compulsive beat and electronic focus of "Dante," Mirror's Edge is full of Northlane's most vivid colours and textures.  Thematically, the EP is about looking at yourself and reflecting on the past one final time before leaving it all behind to find hope in what lies beyond the mirror's edge. With the recurring theme of acceptance binding these songs together, frontman Marcus Bridge is hopeful that Mirror's Edge will be the coda on this part of his personal life, so much of which he has shared in the last couple of Northlane releases.

ABOUT NORTHLANE:
Northlane are a chart topping, award-winning metal band from Sydney, Australia. Through fearless evolution and unmatched innovation, Northlane have become vanguards of heavy music across the globe, entirely on their own terms. The band have released six acclaimed albums, including ARIA Chart #1 records Obsidian (2022) and Node (2015), alongside Singularity (2013), Mesmer (2017), and Alien (2019) which all debuted at #3. Northlane have also won three consecutive ARIA Awards for Best Hard Rock or Heavy Metal Album, as well as two AIR Awards for Best Independent Heavy Album.

Sylvaine Streaming New EP

"A true labor of love, an exploration of Norwegian heritage and of self-discovery and her work is truly nothing short of inspirational" - Chicago Music Guide 

"Elegant, sublime, pure artistry...its impact can be felt for miles away" - Metal Temple

"This may be music that recalls Sylvaine's Nordic forbears, but it's also music for all of us, wherever we hail from, tugging at primal memories we can't fully comprehend" - Sentinel Daily

On her new EP, Sylvaine calls out from the deepest and darkest depths of emotion, only to reverberate with the ethereal power of her voice. 

Eg Er Framand comes out this Friday, March 22. But you can listen to all six songs today on Season of Mist's YouTube channel.

Listen below.

Sylvaine has grown into a guiding light for ambient post-metal, but her second EP traces back to her earliest roots.  

Kathrine Shepard grew up in Norway, amidst the contrasts between nature and urbanity, on the outskirts of downtown Oslo. While studying music, dance and drama in high school, she performed several times at the Kampen Church. This 19th century relic is where Kathrine recorded most of Eg Er Framand, which includes interpretations of traditional Norwegian folk songs, along with three of her own original songs to the cannon.

When Sylvaine first heard the title track, it hit her like no other song had before. Since then, she's shared "Eg Er Framand" with rapturous audiences everywhere, but this EP is the first time she's captured its magic on record. Each note is held with soft restraint, as if cupped into the palm of her hand, like an offering. Close your eyes and envision her reaching through the trees, into the shadows, as her feet slowly lift off the ground. 

To this day, “Dagsens Augo Sloknar” still has mysterious origins, but the lyrics were written in 1891 by Elias Blix, a professor-turned-politician who also wrote hymns. Staying true to the original’s delicate, reverent melody, Sylvaine sings in a breathy, elongated whisper that’s haunting and soothing, like a shadow. But while it opens with just a steady hum of organ, her rendition ends by pulling you into a trance.

Eg Er Framand intimately explores the transient nature of humanity against a steady, familiar backdrop of Scandinavian landscapes. Ascend with Sylvaine into a land before time that feels both ancient and renewed.

Since Eg Er Framand was announced, Kathrine has been revealing its overarching narrative piece by piece. With the album's arrival on YouTube, she's now giving us its final chapter so that we can read the whole story from start to finish.

A beating heart so pure
Who wished to feel once more
As her eyes slowly opened to the world

She lifted her head
And at once beheld
A light in front of her

A path to take
The choice to make
To lead her on her way

A story about to begin
Of a soul ignited again
On a road to turn loose dismay

This guiding light
So strong and bright
Called out for her to follow

For this life
Could lead to strife
If her core she did not shadow

In heavy rags draped
With a spirit that ached
She started moving forward

As she stumbled thru
A dance of hope grew
The motion to leave her untethered

She reached out for the light
Yet darkness did not fight
To be unbroken, the two should marry

For truths she desired to meet
In this she happiness could seek
Releasing the clasp of woe and worry

This world may seem cold
And peace it might not hold
Yet so much beauty she encountered

But only for a moment in time
Does one get to experience this life
Accepting this gift, she no longer suffered

Sylvaine is embarking on her first-ever solo tour this summer. She'll be performing songs from Eg Er Framand on stages across Europe with her new Season of Mist labelmate Eivør.

"I'm so very excited to be heading out on my first-ever solo tour supporting none other than the wonderfully talented Eivør!", Kathrine says. "I'm honored to be sharing the stage with her and her musicians, and can't wait to showcase my music in a different format. It will be an intimate, emotionally heavy ride. October can't come soon enough!" 

Get tickets at: eivor.com

In preparation for their tour together, Eivør and Sylvaine put together a playlist of their favorite songs. Get in the mood with some of the choice cuts off Nova and the soundtracks to The Last Kingdom and God of War Ragnarök.

Stream:https://open.spotify.com/playlist/7k4ImSEttiL9O6gOQ1tmrn

Kathrine Shepard, the visionary artist behind the evocative musical project SYLVAINE, weaves an intricate tapestry of emotions through the language of music. A transcendental bridge between worlds, a mesmerizing duality that encapsulates the beautiful and the harsh, light and darkness, serenity and chaos, and the delicate balance between the external world and the inner sanctum of the soul. It is a symphony that harmonizes the human experience with its spiritual origins – a resonance of something beyond the tangible.

Sylvaine’s compositions are a visceral journey through the vast spectrum of emotions that the complexities of the human experience have to offer. They encapsulate the inherent struggle of being an entity in this world, yet not entirely of it. Kathrine’s music serves as a conduit for her innermost feelings, a cathartic expression of the eternal longing that resides within the very core of her melodies.

Akin to a fairytale spun from the threads of Norwegian folklore, a narrative that resonates with the spirits of ancient woods and the whispers of long forgotten creatures. With every ethereal note and haunting melody, she conjures images of untamed forests, of misty clearings inhabited by mystical beings. In this artistry, there is an undeniable sense of transcendence, where listeners are transported beyond the confines of the ordinary into a dreamscape where reality and fantasy converge. A profound sense of wonder and allure creates a unique musical alchemy – with a touch of enchantment that lingers long after the music has ceased.

With four albums and one split-EP released to date, Sylvaine’s ethereal soundscapes have been taken to stages across Europe, North America and South America, leaving audiences mesmerized by the transcendent power of the band’s live performances. Two of these albums have been nominated for the Norwegian Grammy Awards Spellemannprisen in the category of metal. The ability to transport listeners to otherworldly realm through her music is a manifestation of the artistry & profound impact the band can bring.

As Sylvaine prepares to unveil her upcoming EP, Eg Er Framand, she embarks on a deeply introspective and serene journey through the rich tapestry of Norwegian heritage and tradition. Folk tales of old are brought to life in this new chapter of her musical odyssey, offering a glimpse into the depths of her creative spirit and an exploration of the roots that anchor her artistry. A reflection of myths is embraced through exquisite sonic realms.

Line-up
Sylvaine - Vocals, Church Organ, Guitars, Synthesizers & Percussion

Recording Studio
Kampen Kirke

Sound Engineer
Sylvaine

Mixing Engineer
Magnus Lindberg (Magnus Lindberg Productions/VRTKL Audio/Redmount Studio)

Mastering Engineer
Karl Daniel Lidén

Biography:Sébastien Gamez

Cover art & Photography:Helena Aguilar Mayans

Layout & Graphic Design: Dehn Sora

Pre-save:
https://orcd.co/egerframand

Pre-order:
https://shop.season-of-mist.com/list/sylvaine-eg-er-framand 

Links:
Official Website: https://www.sylvainemusic.com/
Apple Music: https://music.apple.com/us/artist/sylvaine/455094955
Bandcamp: https://sylvainemusic.bandcamp.com/music
Facebook: https://www.facebook.com/sylvainemusic
Instagram: https://www.instagram.com/sylvainemusic/
Spotify: https://open.spotify.com/artist/5C9ocrDvsfSz8qcxG70QEe
Twitter (X): https://twitter.com/SylvaineMusic
Youtube: https://www.youtube.com/channel/UCYoMxOgKpnqGrj-impj1wDQ
Last.FM: https://www.last.fm/music/Sylvaine

Booking Contact:
Alexander Obert - alexander@doomstarbookings.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Coke Bottle Green

Marillion Announce Live Album + Share First Single — LISTEN

earMUSIC is delighted to announce the release of Marillion's An Hour Before It’s Dark: Live in Port Zélande 2023, an audio-visual masterpiece showcasing the band's 2022 studio album An Hour Before It's Dark in its entirety.

Listen to "Reprogram the Gene (Live in Port Zélande 2023)" Below.

Since 2002, Marillion has welcomed their dedicated fans to very special weekends every two years: the Marillion weekend. On three consecutive nights, Marillion performs different shows with different setlists — each night, a full album is played from start to finish, including fan favorites and rarities. Fans travel from all over the world to be part of these truly amazing nights. 

From Friday, March 17 to Sunday, March 19, 2023, the Marillion weekend took place at Center Parcs, Port Zélande, The Netherlands. 

On Saturday night, Marillion performed their latest album An Hour Before It’s Dark in its entirety. Their impressive live shows, with stunning projections and laser effects, add to Marillion's reputation as being one of the leading musicians of today. 

An Hour Before It's Dark: Live in Port Zélande 2023 will be released physically on 2CD Digipak, Blu-ray Digipak , DVD Digipakand, for the first time, 3LP Heavyweight Vinyl. Pre-order it HERE.

Founded in 1979, British rock band Marillion have, over the course of 20 studio albums, become one of the most commercially successful progressive rock bands of the 1980s and are still one of the most outstanding representatives of their genre. Marillion embraced the potential of the internet for both their commercial approach and to interact with their audience, long before most of their peers. They are purveyors of soulful, powerful, and deeply-moving music, with a long-standing reputation of impressive live shows and an imposing, faithful and loyal global fan base.

Breaking Benjamin's Keith Wallen Shares "The Wolf" Video

NEW SOLO ALBUM INFINITY NOW ARRIVES MAY 3 VIA RISE RECORDS

NEW TOUR DATES ON DECK

BREAKING BENJAMIN guitarist KEITH WALLEN will drop his latest solo album Infinity Now on May 3 via Rise Records. Pre-save it here. 

Today, Wallen has shared the video for "The Wolf." Watch it Below.
 

"'The Wolf' is a song and a concept that I felt a lot of us can identify with," Wallen says. "We've all known those people that for whatever reason we just can't break ourselves away from them. An addiction on every level, all the while knowing it's a toxic situation. You break all those promises to yourself that you'll stay away, but ultimately there you are again."

Commenting on the video, he shares, "The video for 'The Wolf' was shot in a beautiful house in south Nashville. Directed by Courtney Dellafiora, we wanted an intimate look and setting that was reminiscent of waking from a dream in the middle of the night, and then grabbing the guitar and playing the song. The most exciting thing of all with getting to work with 'Bane,' the real live wolf actor and his amazing training staff for the shoot! That was a first for me, and I couldn't be happier how the video turned out."

Wallen will return to the road this spring. All dates are below.

KEITH WALLEN ON TOUR:
4/25 — Bloomington, IL — Castle Theatre+
4/26 — Iowa City, IA — Wildwood+
4/27 — Minneapolis, MN — Skyway Theatre
4/28 — Oconomowoc, WI — Rally Point+
4/30 — Joliet, IL — The Forge+
5/1 — Ft. Wayne, IN — Piere's+
5/2 — Pittsburgh, PA — Crafthouse+
5/3 — South Bend, IN — Four Winds Field++
5/4 — La Crosse, WI — Loggers Stadium Park++
5/7 — Greenville, SC — The Radio Room+++
5/8 — Savannah, GA — Victory North+++
5/13 — Dothan, AL — Dothan Civic Center++++
5/15 — Clarksville, TN — FM Bank Arena++++
5/16 — Johnson, TN — Freedom Hall Civic Center++++
7/12 — Albuquerque, NM — Sunshine Theater+++++
7/13 — Oklahoma City, OK — Beer City Music Hall+++++
7/14 — Kansas City, MO — The Truman+++++
7/15 — Springfield, MO — The Regency+++++
7/16 — Des Moines, IA — Wooly's+++++
7/21 — Hartford, CT — Websiter Theater+++++
7/22 — Boston, MA — Paradise Rock Club+++++
7/24 — Harrisburg, PA — HMAC+++++
7/25 — Richmond, VA — The National+++++
7/26 — Charlotte, NC — Neighborhood Theatre+++++
7/27 — Knoxville, TN — The Concourse+++++
+Direct Support for Through Fire
++Supporting Seether
+++Direct Support for 10 Years
++++Supporting Breaking Benjamin and Daughtry
+++++Supporting Citizen Soldier and Icon For Hire

ABOUT KEITH WALLEN:
Keith Wallen is a prolific songwriter responsible for soaring melodies and hypnotic hooks heard across modern rock radio. The West Virginia-born troubadour uses his solo work as a vehicle to explore his multifaceted passions, moving seamlessly from the smart pop of '80s favorites like The Police and Depeche Mode to the big moody riffs of '90s grunge heroes like Alice In Chains, Soundgarden, and Stone Temple Pilots. 
 
His co-writing collaborations include compositions with Saint Asonia, Fuel, We Came As Romans, Red, Dorothy, and Korn guitarist Brian "Head" Welch's Love And Death. Wallen bares his soul as a solo artist with earnest resolve, powering his honest anthems with commanding vocals. 
 
A former member of Adelitas Way, Keith was among his first calls when Benjamin Burnley decided to reform and reconfigure his band. Dark Before Dawn, Breaking Benjamin's powerhouse comeback, debuted at No. 1 on the Billboard 200. Ember followed in 2018. 
 
Keith's self-produced acoustic and piano-driven Allies EP arrived in 2014. His debut solo album, 2021'sThis World Or The Next, featured "Dream Away," a song streamed 1.4M times on Spotify alone. His second solo album, Infinity Now, includes production and co-writing contributions from Kevin Thrasher (RIVALS, Jelly Roll) and work with Dan Braunstein (Spiritbox, Dayseeker) and Andrew Baylis (Sleeping With Sirens, Jelly Roll, Brantley Gilbert). 
 
Produced by Kevin Thrasher (Jelly Roll, RIVALS) and mixed by Joel Wanasek (Rain City Drive, Scott Stapp), Keith's sophomore solo album, Infinity Now, extends a warm invitation into the singer/songwriter's heart and mind. Hard rock bombast meets intimate pensiveness via engaging songs like "Blackout," "Strings," and first single, "Headspace Holiday."
 
As guitarist for Breaking Benjamin, a solo artist or songwriting collaborator, the common threads through Keith Wallen's work are honesty, authenticity, and heartfelt spirit. 

MY DYING BRIDE | release new single and video 'The 2nd of Three Bells'

WHO WILL BE MY SUN WHEN THE DAY BREAKS?
WHO WILL BE MY SUN AS THE MORNING WAKES?

British death-doom legends, My Dying Bride, recently announced their 15th studio album, A Mortal Binding, which is set to be released on 19th April. Today, the Yorkshire based sextet have revealed the second single from the record. The solemn, mournful track titled 'The 2nd of Three Bells' comes accompanied by a richly gothic video directed by Daniel Gray.

My Dying Bride's Andrew Craighan commented,

"The 2nd of three Bells see the band in a more musical performance role juxtaposed with artistic metaphor of the struggles between the deathknell itself and the lust for life’s brief joys."

You can pre-order A Mortal Binding here: https://mydyingbride.bfan.link/a-mortal-binding
Listen to 'The 2nd of Three Bells': https://mydyingbride.bfan.link/the-2nd-of-three-bells
Watch the 'The 2nd of Three Bells' video below.

A Mortal Binding, the much-anticipated follow-up to The Ghost of Orion (2020) finds the Yorkshire-based quintet delighting in anxiety, loss, and toil to resplendent effect. From the raw distress of 'Her Dominion' and twisted horror of 'Thornwyck Hymn' to the funerary violins of the 11-minute monolith 'The Apocalyptist' and the classic-feeling 'The 2nd of Three Bells', A Mortal Binding is pinnacle My Dying Bride. If Songs of Darkness, Words of Light (2004) elevated the band to new heights and A Map of All Our Failures(2012) expanded upon the group’s mid-tens grandeur, then A Mortal Binding stages My Dying Bride’s next exultant phase of elegiac misery.

A Mortal Binding formats:

• CD jewelcase

• Vinyl 2LP gatefold - green

• Vinyl 2LP gatefold - red w/ black smoke

• Vinyl 2LP gatefold - clear w/ black smoke

My Dying Bride hired The Ghost of Orion studio wizard Mark Mynett to produce, mix, and master A Mortal Binding. The group holed up at Mynett’s Mynetaur Productions(Paradise Lost, Rotting Christ) in Manchester, UK, where they tracked the album consecutively from July to September 2023.

For over three decades, My Dying Bride from West Yorkshire have been the voice of the hopeless and broken, combining haunting sounds with crushing misery and melancholy. With their signature sound they've shaped the doom metal scene like barely any other act and integrated both soft violin melodies and violent death metal growls into their music, whilst always staying strictly loyal to themselves. And since the early Nineties, the band's masterminds and founding members Andrew Craighan and Aaron Stainthorpe forged beautiful grief into studio albums with songs of epic length. As My Dying Bride edge past their 33rd year, they’re aging gracefully, remaining as vital and heart-wrenching as ever. The flower withers once more on My Dying Bride’s upcoming new record A Mortal Binding, due out on 19th April 2024.

My Dying Bride are:
Aaron Stainthorpe | vocals
Andrew Craighan | guitars 
Lena Abé | bass
Shaun MacGowan | keyboards / violin
Neil Blanchett | guitars 
Dan Mullins | drums

DEVOLVER | RELEASE MUSIC VIDEO FOR THIRD SINGLE, 'AT ANY COST' + NEW RECORD NON COMPOS MENTIS OUT THIS SPRING

Alberta metal band DEVOLVER blends groovy metalcore and melodic death metal, creating a unique sound that appeals to fans of modern metal genres while embracing their old-school influences, and wearing them on their sleeve. Fueled by a passion that can only be understood by seeing their unbridled live performance, they are ready to make waves across the metal scene.

Today, the band releases their third single entitled 'At Any Cost' off the band's upcoming album, Non Compos Mentis. For this record, the band wanted to present the highest quality sound by enlisting newfound friend and collaborator Mark Lewis. Recording of the album was tracked in the band's home studio and at Lewis' Nashville studio where he completed the remaining mixing and mastering.

DEVOLVER states, "The bulk of 'At Any Cost' has existed for almost 10 years but was buried in a hard drive until recently. When we decided which songs would be selected for this record, we showed our producer Mark Lewis this one and he was adamant that it had to be included. With a little work, it became a clear choice for a single. We've already been playing it live for a while so we've had a chance to see people's reactions, and we're very excited to spread it to the masses. Anybody who saw us last year might recognize it."

Vocalist Chris Brown adds about the lyrical content, "'At Any Cost' explores greed and the mortal costs of war. It's a reminder that people with power often send those without it to fight for land, wealth, or more power, with little regard for human life. This song asks the question: 'What is your life worth to the ones aiming the cannon?'."

Stream the new single 'At Any Cost' on all platforms now at: https://hypeddit.com/devolver/atanycost

Watch the music video for 'At Any Cost', below.

With influences that range from AT THE GATES and CHILDREN OF BODOM, to PANTERA and WHITECHAPEL, DEVOLVER has a unique identity that bridges the gap between the old-school melodic death metal that dominated the 90's and 00's, and the new school of tight, relentless metalcore we see thriving today. While it can be hard to pin down their sound, this blend of grooves and infectious hooks has garnered them a rapidly growing fanbase across a wide swath of the metal community. Their ability to shift fluidly among these styles, coupled with their signature brand of live entertainment, makes it easy to see why they're on a path to success.

Non Compos Mentis is tentatively scheduled for a Spring 2024 release. Stay tuned for more information.

DEVOLVER is:
Jaylen Elias | Bass
Jayde Penner | Guitar
Devin Babcock | Guitar
Bevin Booth | Drums,
Chris Brown | Vocals

More information:
https://www.instagram.com/devolvermusic
https://www.facebook.com/DevolverMusic
https://www.tiktok.com/@devolvermusic
https://open.spotify.com/artist/3yMVP2LjoUklw3dh45mV9S?si=MuIccwR-QOSRMCB18OojMA
https://www.youtube.com/channel/UCdqxEK1ZlRqnKHmVhnrBn4w

Photo Credit: Heidi Robertson

Imminence Share Title Track From New Album "The Black"

Hailing from the south coast of Sweden, the trailblazing alternative metalcore ensemble Imminence have boldly carved their niche in the heavy music realm in recent years. Defying all expectations, the quintet has meticulously crafted a sonic tapestry that transcends the boundaries of the genre. Their brave fusion of classical string arrangements interwoven with the raw power of ferocious Scandinavian metal creates a captivating auditory experience. In both sound and visuals, Imminence emerge as a beacon of innovation and excitement, establishing themselves not just as a band, but as pioneers charting new territories in the ever-evolving musical landscape.

Fronted by vocalist and violinist Eddie Berg, guitarists Harald Barrett and Alex Arnoldsson, drummer Peter Hanström and bassist Christian Höijer, Imminence are set to unleash their musical prowess with their upcoming album The Black.

Brace yourselves and take a deep breath as Imminence prepare us for a great plunge into the depths of The Black, an audacious promise of an unparalleled musical odyssey that defies convention and invites you to embark on the rise of a new genre classic.

Up front to the album release in merely a month, Imminence announces the new single and title track "The Black,". Listen Below.

The album arrives on April 12. Pre-order it here.

Imminence opened a fresh chapter last year with five singles releasing since June 2023. The new tracks have quickly achieved millions of streams, worldwide attention and a rapid growth in social media following. These latest compositions stand as a testament to Imminence's evolution, marking some of their most innovative and progressive work to date. Venturing into a darker and more orchestral realm, the band continues to redefine the boundaries of the modern alternative scene. Imminence's exploration is more than just music; it's a daring descent into uncharted territories, solidifying their position as pioneers in the landscape of unique and highly innovative musical expressions.

Imminence recently embarked on their very first tour in North America and the response was nothing short of extraordinary. In a mere 48 hours, the entire tour was sold out and venues upgraded not just once but twice. This swift and overwhelming success solidified Imminence's status as one of the most sought-after acts in the international music scene. Over 2024, Imminence will make their return to the stage, bringing ”The Black Tour” over USA in April & May and Europe in October, including performances at anchor festivals such as Sonic Temple, Welcome To Rockville, Download Festival, Full Force, Greenfield, Sweden Rock Festival, Resurrection Fest, Sweden Rock Festival and many more.

Closing the chapter on Heaven In Hiding, the band unveiled an exclusive Deluxe Edition release. The band continued their ascent with attention-grabbing Live In Studio recordings, triggering viral sensations across social media platforms. Witnessing an impressive growth of over 100,000 followers and millions of streams in just a few months in 2023, Imminence's impact remains unstoppable.

Boasting four full-length studio albums, +250 million streams, a combined online following of +700,000, and nearing the 900,000 monthly Spotify listeners mark, Imminence is set to take the throne as the new force within the modern alternative music scene. 

From Sweden with love.

IMMINENCE ON TOUR:
4/23 — Dallas, TX — The Studio At The Factory
4/24 — Austin, TX — Empire Garage
4/26 — Albuquerque, NM — Sister Bar
4/27 — Phoenix, AZ — The Nile
4/28 — Anaheim, CA — House of Blues
4/29 — Sacramento, CA — Aces of Spades
4/30 — Portland, OR — Revolution Hall
5/1 — Seattle, WA — The Neptune
5/3 — Salt Lake City, UT — The Grand At The Complex
5/4 — Denver, CO — Marquis Theater
5/6 — Madison, WI — Majestic Theatre
5/7 — St. Louis, MO — Hawthorn
5/8 — Nashville, TN — Eastside Bowl
5/10 — Daytona Beach, FL — Welcome To Rockville*
5/12 — Atlanta, GA — Terminal West
5/13 — Charlotte, NC — Neighborhood Theatre
5/14 — Richmond, VA — Broadberry
5/15 — Baltimore, MD — Baltimore Soundstage
5/16 — Philadelphia, PA — Theatre of Living Arts
5/17 — Harrisburg, PA — HMAC
5/18 — Columbus, OH — Sonic Temple*
*Festival Appearance

MESSER Releases New Single "Throw it Away" in Dolby Atmos + Official Music Video ; Announce Tour Dates with Through Fire and Keith Wallen!

Pre-Save MESSER Deluxe Dolby Edition Album with Bonus Tracks:

https://onerpm.link/228938709067

Stream MESSER Everywhere!

https://messer.ffm.to/messer

MESSER, the dynamic rock band known for their evocative melodies and powerful anthems, has launched their latest single titled "Throw it Away." Available now on all major music platforms, this heartfelt track is set to be featured on the upcoming MESSER Deluxe Dolby Edition Album, slated for release on March 29, 2024, in Dolby Atmos along with bonus tracks.

In conjunction with the single's debut, MESSER has released the music video, also in Dolby Atmos, offering fans a visually compelling accompaniment that enhances the song's emotional resonance. The music video was filmed, edited and directed by Maddox Messer.

WATCH MESSER "Throw it Away" Official Video:

Bassist, Maddox Messer, shared insights into the inspiration behind the song:
"'Throw It Away' is about learning a lesson through loss. It’s a cautionary tale about watching somebody surrender or give in to fear and societal pressures, forfeiting their chance of happiness and success. The lyrics, "I can’t believe you threw it away," echo the sorrow and disbelief that comes from watching somebody give up to doubt and fear. Ultimately, the song teaches us the most vital lesson of all. - Never give in to fear and hold fast to your dreams. It’s never too late. Don’t Throw It Away."

In addition, MESSER will be touring alongside Through Fire and Keith Wallen this spring on the 'Spring Breakout Tour.' The tour kicks off on April 25th in Bloomington, IL at Castle Theatre.

MESSER'S ability to encapsulate raw emotion within their music has resonated with audiences, making their releases highly anticipated events. The band's commitment to authenticity and relatable storytelling continues to solidify their place within the rock music landscape.

MESSER Headline Dates:

3/15 Dallas/FtWorth,Tx - Fat Daddy’s Mansfield

4/19 Katy, Tx - Home Run Dugout with Hinder

MESSER on tour With Through Fire, Keith Wallen

SPRING BREAKOUT TOUR

4/25 Bloomington, IL - Castle Theatre

4/26 lowa City, A - Wildwoods

4/27 Minneapolis, MN - Skyway Theater

4/28 Oconomowoc, WI - Rally Point

4/30 Joliet, IL - The Forge

5/01 Fort Wayne, IN - Piere's

5/02 Pittsburgh, PA - Crafthouse

5/03*Columbus, OH - The King of Clubs

5/04*Battle Creek, MI - The Music Factory

*No Keith Wallen

Messer is:

Dereak Messer, Lead Vocals

Bobby Tillotson, Guitar/Vocals

Kenn Youngar, Drums/Vocals

Maddox Messer, Bass/ Vocals

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

Spotify

KORPIKLAANI - Release New Single/Video 'Oraakkelit'

Finnish folk metal superstars KORPIKLAANI are happy to unveil their newest single and music video  'Oraakkelit'. It's the third single from their upcoming new studio album, Rankarumpu, which is due to be released on April 5th, 2024. 

KORPIKLAANI's twelfth studio album is once again full of tasty folk metal and its different flavors, but it also offers new spices. One of the most wonderful features of Rankarumpu is related to the folk instruments. Although KORPIKLAANI has done one or maybe even a couple of unforgettable things in the realm of folk metal, this time new permanent member Olli Vänskä's violin and Sami Perttula's accordion may surprise even die-hard fans.

'Oraakkelit' shows a darker, more serious side of KORPIKLAANI and is a nice contrast to the happier, more upbeat previous singles, 'Saunaan' and 'Aita'. The mood of the song has been perfectly captured by a mystical and visually stunning video directed by Vesa Ranta.

Singer Jonne commented:
"I had never actually written a shuffle based song before and I wanted to try to write such a riff and see how it would work in metal music. Normally it is used a lot in old blues and rock’n’roll music. I was suprised how cool it went and then I thought: what if all the gods all over the world would have a big rock’n'roll dancing party together underground. The idea made me laugh, so I decided to use it!"

Drummer Samuli added:
”When I heard the first demo I was really excited. This is something very different! I felt there could be a cool shuffle feeling to the rhythm and I started to explored it. There is a great atmosphere in the song. First it lurks enigmatically but then it starts to rock! Drumwise you can use lots of dynamics. It will be a fun live song!”

LISTEN TO 'ORAAKKELIT':
https://korpiklaani.bfan.link/oraakkelit

PRE-ORDER/PRE-SAVE THE NEW ALBUM RANKARUMPU:
https://korpiklaani.bfan.link/rankarumpu

WATCH THE MUSIC VIDEO FOR 'ORAAKKELIT' Below.

KORPIKLAANI have massive touring plans for 2024, following an extensive UK tour with Alestorm and Heidevolk in February and March,  a North Amercan tour with Visions Of Atlantis & Illumishade (feat. members of Eluveitie) will happen in April and May, and after that several big European Summer festivals await, as well as a European tour towards the end of the year. Scroll down for all confirmed dates.

RANKARUMPU NORTH AMERICAN TOUR 2024
w/ Visions Of Atlantis & Illumishade

08.04.    US    Reading  -   Reverb
09.04.    US    New York City  -  Gramercy Theatre
10.04.    US    Boston  -  Brighton Music Hall
11.04.    CA    Montreal  -  La Tulipe
12.04.    CA    Ottawa  -  Brass Monkey
13.04.    CA    Toronto  -  Phoenix Concert Theatre 
14.04.    US    Pontiac  -  The Crofoot
15.04.    US    Milwaukee   - Turner Hall
17.04.    US    Minneapolis  -  Vivarium
18.04.    CA    Winnipeg  -  Park Theatre
19.04.    CA    Regina  -  The Exchange
20.04.    CA    Edmonton  -  Starlite Room
21.04.    CA    Calgary  -  Dickens 
23.04.    CA    Vancouver  -  Rickshaw Theatre
24.04.    US    Seattle  -  El Corazon
25.04.    US    Portland  -  BossaNova Ballroom
26.04.    US    San Francisco  -  DNA Lounge
27.04.    US    Los Angeles  -  1720
28.04.    US    San Diego  -  Brick By Brick
29.04.    US    Phoenix   - The Nile
01.05.    US    Denver  -  Gothic Theatre
02.05.    US    Lincoln  -  The Bourbon Theater
03.05.    US    Joliet  -  The Forge
04.05.    US    Pittsburgh  -  Mr Smalls Theatre
05.05.    US    Baltimore  -  Baltimore Soundstage

TICKETS: https://linktr.ee/rankarumpu_america_2024


CONFIRMED FESTIVALS 2024

29.03.             BE    Mons - Trolls & Legends Festival
08.05              FR Festival Echos et Merveilles - Bruguières
16.06              DE Merseburger Schlossfestspiele - Merseburg
21.06.             CH   Grenchen - Summerside Festival
27.-30.06.       FR    Clisson  -  Hellfest
05.07.             FI     Tampere - Tuhdimmat Tahdit
12.07.             FR    Laundresse  -  La Guerre Du Son
06.09              FR Mennecy Metal Fest – Mennecy
09.-11.08.       FR    Cercoux  -  Festival 666
09.-11.08.       UK    Walton on Trent   -  Bloodstock Open Air
09.-11.08.       BE    Kortrijk  -  Alcatraz Festival
14.-17.08.       DE    Dinkelsbühl  -  Summer Breeze
15.-17.08.       CZ    Zámek Moravský Krumlov  -  Rock Castle
24.08.             PT    Pindelo dos Milagres  -  Milagre Metaleiro Open Air

KORPIKLAANI ONLINE:
https://linktr.ee/korpiklaani

ERRA Share "Crawl Backwards Out of Heaven" Video

Prolific metalcore progressives ERRA recently announced their new album CURE, which arrives on April 5 via UNFD. Pre-order it here.  

Today, the band has shared the visualizer for "Crawl Backwards Out of Heaven." Watch it below.

The visualizer captors the raw, explosive, and forward-thinking intensity of the song, which doesn't let up from the first note. 

CURE is the band's sixth album and it highlights and expands on the forward-thinking sound and guitar-driven style that the band has built its reputation on. Following 2021's self-titled release, CURE is a stunning execution of both raw talent and surgical technicality. It's as emotional powerful as it is musically proficient, which is not an easy feat to achieve. Yet ERRA make it look and sound easy. CURE is a sonic thrill ride — one that you hope will never end.

Additionally, the band has announced its upcoming Spring 2024 headline North American tour, with Make Them Suffer, Void of Vision, and Novelists as support. The tour kicks off on April 23 in Philly and runs through June 2 in NYC. All dates are below, with several major markets already sold out. Get tickets here.

ERRA ON TOUR:
WITH MAKE THEM SUFFER, VOID OF VISION, + NOVELISTS:
4/23 — Philadelphia, PA — TLA
4/24 — Baltimore, MD — Soundstage (SOLD OUT)
4/26 — Nashville, TN — Brooklyn Bowl
4/27 — Atlanta, GA — Masquerade (Heaven)
4/28 — Birmingham, AL — Iron City
4/30 — Ft. Lauderdale, FL — Revolution
5/01 — Tampa, FL — Jannus Live
5/03 — Houston, TX — Rise Rooftop
5/04 — Dallas, TX — South Side Music Hall
5/05 — San Antonio, TX — Vibes Event Center
5/07 — Albuquerque, NM — Sunshine Theater
5/08 — Las Vegas, NV — House of Blues
5/10 — Mesa, AZ — Nile Theater
5/11 — Santa Ana, CA — Observatory
5/12 — Los Angeles, CA — Echoplex
5/13 — Santa Cruz, CA — Catalyst
5/15 — Sacramento, CA — Ace of Spades
5/17 — Seattle, WA — El Corazon
5/18 — Portland, OR — Roseland Theater
5/20 — Salt Lake City, UT — The Complex
5/21 — Denver, CO — Summit Music Hall
5/23 — Lawrence, KS — Granada Theater
5/24 — Minneapolis, MN — Varsity Theater
5/25 — St. Louis, MO — Red Flag
5/26 — Chicago, IL — House of Blues
5/28 — Detroit, MI — Saint Andrews Hall
5/29 — Toronto, ON — Danforth Music Hall
5/31 — Montreal, QC —  Beanfield Theatre (SOLD OUT)
6/01 — Boston, MA — Paradise (SOLD OUT)
6/02 — New York, NY — Irving Plaza (SOLD OUT)

ERRA ARE:
J.T. Cavey — Vocals
Jesse Cash — Vocals + Guitars
Conor Hesse — Bass
Alex Ballew — Drums
Clint Tustin — Guitar

Ian Munsick Releases Heartbreaking Cowboy Ballad, “Yippie-I-A”

White Buffalo: Introduce You To God Due April 5
Via Warner Music Nashville; Pre-Save HERE

Ian Munsick’s sophomore album White Buffalo captured the Wyoming-native’s witty sense of humor across its 18 tracks, encompassing such tongue-in-cheek songs as “Barn Burner” and “Cowshit In The Morning.” Now, as he prepares to release five new tracks with White Buffalo: Introduce You To God, a deluxe version of the celebrated collection due April 5, Munsick casts aside the comical word play and revels in heartbreak with the release of “Yippie-I-A,” out now. 
 
“Cowboy ballads have always had a way of transporting me back to the sagebrush prairies of home. It’s high time I made one for myself,” declares Munsick. “In every one of them, you can hear the distant cry of the lone wanderer. But why does he cry? That’s exactly what inspired ‘Yippie-I-A’. I hope it breaks your heart like only the magic of music can.”
 
Written by Munsick alongside Phil O’Donnell and Carlton Anderson, and produced by Munsick and Jeremy Spillman, “Yippie-I-A” details a cowboy’s anguish and inability to cope with losing his spouse.
 
Munsick’s release of White Buffalo last year earned accolades from Billboard, American Songwriter, People and MusicRow with Grammy.com remarking, “Munsick's ability to turn his Western upbringing into relatable sentiments is the epitome of what makes him special… his passion for his homeland — from the culture to the people — rings through in both the lyrics and the musicality.”
 
Munsick kept the momentum going in 2024 with the release of White Buffalo: Voices of the West. The feature-length documentary is now available on Apple iTunes, Apple, Google Play, Kanopy (Libraries), Microsoft, Vudu, YouTube Rentals and Amazon TVOD. The Tennessean praised Voices of the West, which features conversations with members of the Blackfoot and Crow tribes as well as the Blackfeet Nation, as “essential to maintain and humanize the tie to Western culture.”  
 
Munsick is overseas this week, performing at CMC Rocks in Willowbank, Australia. He returns stateside with his Boots, Buckles & Bolos Tour on March 23 with a show in Du Quoin, IL. His headlining run continues through the spring, including a sold-out date at the legendary Red Rocks Amphitheatre on June 5. This summer Munsick joins CMA Entertainer of the Year Lainey Wilson as direct support on her Country’s Cool Again Tour. 
 
For his full tour schedule and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

ABOUT IAN MUNSICK
A native son of Wyoming, Ian Munsick painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, out now. Spanning unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun, it builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Now, Munsick is preparing to release a deluxe version of the album, including five new tracks, titled White Buffalo: Introduce You To God on April 5, 2024. Over the past four years, Munsick has accumulated nearly half a BILLION global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson, and will serve as direct support for select dates of Lainey Wilson’s Country’s Cool Again tour this year, while simultaneously headlining his own Boots, Buckles & Bolos Tour. The Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” off his debut album Coyote Cry; while Munsick’s solo version of “Long Live Cowgirls” is available at country radio now. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. 

BAT ANNOUNCE NEW ALBUM UNDER THE CROOKED CLAW + RELEASE MUSIC VIDEO FOR NEW SINGLE, 'RITE FOR EXORCISM'

Richmond, Virginia metal-punk trio BAT has been delivering their own blood-spattered horror since ascending from the underground a decade ago on a dark, leather-winged trajectory. The brainchild of MUNICIPAL WASTE guitarists Ryan Waste & Nick Poulos, BAT leans heavily on the dirtier side of speed metal. On May 17th, the band welcomes the release of their second full-length album Under The Crooked Claw via Nuclear Blast Records.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed". 

The band offers the first single entitled, 'Rite For Exorcism' along with a video clip directed by Norman Cabrera, produced by Maya Kay, and cinematography by Rob Lucas at Wolfpack Studios.
 
BAT's Ryan Waste states, “This record came together during dark times and its aggression is surely a reflection of that. Nick, Chris, and I hammered out song after song in a grimy, mold-ridden warehouse, turning our anger at the state of the world into what became 'Under the Crooked Claw'. To set the tone for the album, I called upon legendary Italian horror maestro Fabio Frizzi to compose an intro, just before BAT’s raw force assaults your ears. While simultaneously working on a heavy metal horror script with Norman Cabrera, I shared some of the new BAT songs with him. With our shared taste in film and vision, we devised two video concepts for the upcoming record based on my lyrics. The first offering is our twist on a tale of an exorcism gone awry, that Norman completely nailed to the cross.”

Stream the new single 'Rite For Exorcism' on all platforms now at:  
https://bat.bfan.link/rfesg

Pre-order/pre-save Under The Crooked Claw:  
https://bat.bfan.link/utcclp

Watch the music video for 'Rite For Exorcism' below

The power trio, completed by drummer Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

This Spring, BAT is joining forces with their friends in the legendary EXCITER to play for all the Heavy Metal Maniacs in Latin America for the first time!

More information:
https://bewareofthebat.bandcamp.com/
https://www.facebook.com/bewareofthebat/
https://www.instagram.com/bewareofbat/
https://www.youtube.com/@BATBAND

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

The Rocky Valentines Share "Stick It Out"

The Rocky Valentines recently announced the release of their debut album Erase via Tooth & Nail Records on March 29. Pre-order it here. 
 
The album was mixed by Bob Hoag (The Ataris, Fine China) and mastered by Jason Livermore (Descendents, All, NOFX), and features artwork by Jake Quintanar.

The band is "all in the family," as singer Charles Martin is the son of Jason Martin of longtime T&N band Starflyer 59. In fact, they released a split, four-song EP on the label last year. 

Today, The Rocky Valentines dropped the new single "Stick It Out." Listen below.

"This song was about being sick on my high school graduation day, and seeing everything change before my eyes," Martin explains. "The lyrics talk about sticking things out in life, whether it's the stress of school or relationships or whatever."

 Martin sings that he feels like "a one-man band." He's not specifically singing about the lack of bandmates on "Scream and Shout," but the album credits aren't exactly littered with other names either. With an assist on bass throughout from Steve Dail (Project 86, Crash Rickshaw), and a recording credit for his father, Jason Martin (Starflyer 59), the younger Martin does the bulk of the work himself across the LP's eight tracks.

Building on 2022's four-song, self-titled EP, Erase exhibits a host of influences — most of which stopped being relevant before the 20-year-old Charles was born — bundled up in arrangements that never feel cluttered.
 
Erase is a record that harkens back to some of rock's best moments, though its most important influence might be Charles himself. Mixing Grant Hart's earworm melodies with heavier-than-hell guitar riffs in the style of Tony Iommi, Martin combines it all with a measured restraint, allowing his vocals to shine without a lot of studio trickery.
 
Lyrically, Erase evokes a young man in the throes of his salad days but is self-aware enough to be bookended by tracks about growing older — album-opener "Sing the Song" — before closing with the title track’s funeral setting.

All of it melds together to reveal a young artist mastering his craft while maturing into adulthood.

Capstan Share Lyric Video for New Song "Empire"

Florida post-hardcore five-piece CAPSTAN — Anthony DeMario [vocals], Joseph Mabry [guitar, vocals], Harrison Bormann [guitar], Andrew "Boz" Bozymowski [bass, vocals], and Scott Fisher [drums] — recently announced their new album The Mosaic, out May 24 via Fearless Records. Pre-order it here. 

The band has just shared the new single "Empire." Listen here. Watch the lyric video below. 

Capstan go big with "Empire." The larger-than-life song cycles through a grip of moods in the space of four minutes. Layered vocals, gnarly guitar works, breakdowns, and atmospheric keyboards and electronic flourishes are sprinkled throughout the track. It's a sonic adventure that shows off the band's willingness to experiment and try new things at once!

"'Empire' is an introspective piece," says Mabry. "The lyrics confess guilt regarding privilege, its cost, and mass complicity in atrocities committed in the name of western imperialism. Recognizing the global scope of violence, poverty, and inequality, and acknowledging that the system is decidedly and irreparably broken is imperative to the possibility of progress."

To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The band mixes metallic precision with pit-splitting hardcore grooves and the kind of hooks you can't shake. Since 2015, Capstan have progressed with each subsequent move. Following Seasonal Depression [2015] and In The Wake of Our Discord [2018], they made waves with their full-length debut, Restless Heart, Keep Running, in 2019. They toured with the likes of Trash Boat, Doll Skin, Silverstein, and many more. After amassing tens of millions of streams and earning acclaim from the likes of KERRANG! and New Noise, the group paint a definitive body of work on their aptly titled third full-length offering, The Mosaic.

CHAYCE BECKHAM SETS DEBUT ALBUM, BAD FOR ME, FOR FRIDAY, APRIL 5

Nominated at this year’s CMT Music Awards for Breakthrough Male Video of the Year for his PLATINUM hit single “23” that's surging toward #1 on country radio, Amazon Music’s “Breakthrough Artist to Watch” Chayce Beckham tonight releases the first track from his highly anticipated debut album - Bad For Me - coming Friday, April 5, with the rowdy anthem “Waylon in ‘75.” Tonight, listen to the new song HERE and pre-order/pre-save/pre-add the album HERE. 

“Once I finished recording this album and had time to live with it, I felt the title Bad For Me fit perfectly. It sums up a lot of my own faults,” says Beckham. “I like a lot of stuff that’s bad for me, even though it ends up being kryptonite but that’s all a part of being human. I am so proud of this record. I just hope there’s a song on this album that makes somebody feel something.”

Produced by Bart Butler (Jon Pardi, Midland, Warren Zeiders), apart from “23” (Ross Copperman), Bad for Me puts Beckham’s wild card under a microscope as his soul-searching songwriting takes centerstage. Carefully crafting a series of deeply personal stories, his true-to-Beckham mix of dusky Western sonics and smoldering rock energy come to the forefront, as fiddle, steel and loping rhythms stand beside a rebellious, untamed spirit and his rustic vocal. 

Continuing to open his soul like most would never dare, Bad For Me’s themes like substance abuse, guilt and romantic remorse are in plain view, joined by the inner struggle of a man wishing he was more. Battling the bottomless pit of wondering how things got the way they are, this album also shows an appreciation for life itself, and a promise to keep up the fight. 

Featuring the 19 Recordings/Wheelhouse Records/BMG artist’s solo-written, PLATINUM hit song “23” that’s streaming over 4.6M per week and surging toward #1 at country radio, the former fork-lift driver’s debut features 13 tracks, including several he wrote entirely by himself before he won American Idol, including the poignant fan-favorite “Mama” that he actually performed on the show, along with the propulsive barroom rocker “Drink You Off My Mind.”

Currently on his own headlining “Bad For Me” Tour, Beckham will join Luke Bryan on his “Mind Of A Country Boy” Tour this summer. For tickets and all touring updates, visit www.ChayceBeckham.com. 

Photo Credit: Robby Klein

Upcoming Tour Dates:

3/16 - Bendigo, Australia - Meatstock Festival (Bendigo City Centre)

3/23 - Alpine, CA - Country Fest

3/28 - Rootstown, OH - Dusty Armadillo 

4/4 - Catoosa, OK - Track 5 

4/5 - Pocola, OK - Choctaw Casino 

4/6 - Manhattan, KS - The Hat

4/11 - Ft Worth, TX -Tannahill's Tavern and Music Hall

4/12 - Grant, OK - Choctaw Casino

4/13 - Stillwater, OK - Tumbleweed Dance Hall

4/17 - Calgary, AB - Scotiabank Saddledome*

4/18 - Edmonton, AB - Rogers Place*

4/19 - Vancouver, BC - Coastal City Country Fest

4/24 - Saskatoon, SK - SaskTel Centre*

4/25 - Winnipeg, MB - Canada Life Centre*

5/2 - Columbus, OH - The Bluestone

5/3 - Warrendale, PA - Jergels

5/4 - Winchester, VA - Shenandoah Valley Apple Blossom Festival (Discovery Museum)

5/9 - Schenectady, NY - Frog Alley

5/10 - Binghamton, NY - Touch of Texas

5/11 - Jordan,NY - Kegs Canalside

5/16 - Asheville, NC - Salvage Station

5/17 - Barco, NC - Morris Farm

5/18 - Charlotte, NC - Coyote Joe's

5/23 - Bishop, CA - Mule Days

5/24 - Apple Valley, CA - HillTop Tavern and Inn

6/6 - Fargo, ND - Happy Harry's Ribfest @ Fargo Dome

6/9 - Greenwood Village, CO - Fiddlers Green Amphitheatre/KYGO

6/14 - Orange Beach, AL - The Wharf Amphitheater*

6/15 - Orange Beach, Al - The Wharf Amphitheater*

6/18 - Alexandria, VA - The Birchmere

6/21 - Buffalo, NY - Taste of Country (Sahlen Field)

6/27 - Cadott, WI - Country Fest 2024

6/29 - Brainerd, MN - Lakes Jam

7/12 - Rhinelander, WI - Hodag Country Festival

7/18 - Ankeny, IA - The District at Prairie Trail

7/19 - New Berlin, IL - Danenberger Family Vineyards

8/9 - Oro Station, Ontario - Boots and Hearts

8/15 - Kansas City, MO - T-Mobile Center*

8/16 - Montréal, Québec - Parc Jean-Drapeau/ Lasso Fest

8/17 - Atlanta, GA - Truist Park*

8/22 - Oklahoma City, OK - Paycom Center*

8/24 - Des Moines, IA - Wells Fargo Arena*

8/25 - Chicago, IL - Wrigley Field*

10/20 - Sacramento, CA - Discovery Park

*with Luke Bryan

About Chayce Beckham: 

Three years after becoming the only artist to win American Idol singing his own songs, 19 Recordings/Wheelhouse Records/BMG country artist Chayce Beckham is living proof of his belief that “You can’t tell someone how to write a song.” Currently nominated at this year’s CMT Music Awards for Breakthrough Male Video of the Year for his PLATINUM hit single “23” surging toward #1 on country raadio, the fiery singer-songwriter laid out a course only he could follow, and today remains even more dedicated to his unique creative compass. A California native schooled on tough times and a mix of country, rock, hip hop and beyond, Beckham started a habit of heart-on-his-sleeve songwriting after some hard times when he felt he had nothing left – and when combined with his warm vocal rasp on “23,” that drive helped him charm the nation on Idol's 19th season in 2021. With more than 358 million streams and counting, the bluesy and brutally honest anthem debuted at #1 on both iTunes’ Country and All Genre singles charts, and now leads Beckham’s first album, Bad for Me, as the emerging star finds his stride. Co-writing nine of 13 songs (three solo), the project shows Beckham opening his soul like most would never dare and embracing a timeless country-rock sound defined by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing predictions from CMT, Amazon Music, MusicRow and more, while Beckham hits the road this summer on Luke Bryan’s "Mind Of A Country Boy" Tour and his own headlining 2024 “Bad for Me” Tour.

KEEP UP WITH CHAYCE BECKHAM

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