Necrowretch Announce New Album w/ Cutting-Edge Single

There's black metal. There's death metal. And then, there's NECROWRETCH.

The French band combine the best of both worlds into music made straight from the depths of hell. After setting a merciless pace with Satanic Slavery and The Ones From Hell, Necrowretch are back and ready to rip open a fresh and bloody chapter of fiery blasts and twisted riffs. 

Today, Necrowretch are announcing their fifth and fieriest offering yet. Swords of Dajjal cuts closer to black metal but continues the band's exploration into Satanism and other anti-theist iconography. Heck, these songs are so dark and devilish, that Necrowretch sound like the musical manifestation of the Anti-Christ. 

Swords of Dajjal comes out February 2, 2024. 

Pre-save: https://orcd.co/necrowretchswordsofdajjal

Pre-order: https://shop.season-of-mist.com/list/necrowretch-swords-of-dajjal

Lead single "Numidian Knowledge" is a vile concoction of metal both blackened and deadly. N. Destroyer pounds out frantic double-bass kicks. W. Cadaver's riff are hot and sharp enough to peel skin, while Vlad's screams and shrieks baptize you in the fires of hell.   

"Wisdom lies below the great Imedjasen", says Necrowretch. "It is told that one who breaks the seal shall be blessed with infinite fortune... But his self will be condemned to endless suffering".

Watch the wretched video for "Numidian Knowledge" below.

Now entering their fifteenth year as a band, France’s NECROWRETCH are about to open the most ambitious chapter of their career with Swords Of Dajjal, their three-years-in-the-making fifth album.

Initially the sole work of multi-instrument and vision leader Vlad, the band was originally for better and for worse lumped in the ‘old school death metal revival’ of the early 10’s. Yet while their debut Putrid Death Sorcery did bear indeed all the usual suspects of said genre, it nevertheless already had that extra, raw-as-fuck and just plain vicious element that really set them apart from the rest of the pack. Conforming to the norm was never in question and instead of selling out or trying to slow things down, as true misfits as they are, the went the exact opposite direction, first with 2015’s With Serpents Scourge, only to be vigorously confirmed by its furious follow-up, and first for Season Of Mist, 2017’s Satanic Slavery. To the point where once the touring cycle was over for the latter, Vlad himself felt he had explored this direction as far as he could have and that changes were on the horizon.

“On Satanic Slavery we on purpose took things as far as we could as our goal was to deliver the most bestial album possible. But once we achieved that goal, I knew we had to take a slightly different if still as uncompromised direction.” Incidentally, that’s when Wenceslas Carrieu from CADAVERIC FUMES entered the picture, first as a momentary live session on bass. But when second stringer Kev Desecrator vowed to amicably part way with the band to focus on DESTRÖYER 666, he switched to six-strings and proved to be the valuable songwriting partner Vlad had been looking for since the departure of the band original bass player Amphycion in 2015. “Heimmediately came up with lots of ideas and thanks to him, we now have a whole new dynamic: a bit like Sepultura had back in the days in between Max Cavalera and Andreas Kisser, with me focusing now on my vocals and playing rhythm guitars while Wenceslas takes care of all the solos, the starting riffs and the off-the-map bits.

With their fourth album, and first with Wencelas, The Ones From Hell was only one month old, Necrowretch was about to tour Europe with both KAMPFAR and TAAKE for three weeks. A tour bus was booked, the set was well-rehearsed, everything was ready and then... disaster struck. “Six days before we were due to play our first show, the whole thing was cancelled. Then COVID hit us and the world was basically shut down. We were numb for a couple of days but soon realized that the best way to bounce back was to move forward so we instantly started working on new songs.” The result is Swords Of Dajjal by far, their biggest, boldest and most ambitiousproduction ever.

“We spent no less than three years working on the songs, demoeing them and finetuning the details and rehearsing them as a three-piece and six weeks in the studio with Francis Caste (HANGMAN’S CHAIR, REGARDE LES HOMMES TOMBER, SVART CROWN etc.). Prior to that, we used to be a pure product of the underground, with albums done in just a couple of days whom were never 100% satisfied with in the end as we had to rush everything. We’re still very underground, mind you. But this time around, we knew we had to give it all, no matter what. So we started by changing our gear, our sound and our tuning. And once we entered the studio, we for instance spent a whole day just testing different amps just to get the right sound and crunch we were looking for. I even took some singing lessons to gain more depth and power. In a way, it almost feels like a whole new band.”

The whole record was written on purpose mostly on acoustic twelve-string guitars (“the idea was that if it sounds good and catchy that way, it’d be even better with distortion”) and as a three-piece, “something we hadn’t done in a long time” with their new drummer Nicolas Ferrero, not exactly a newcomer as he’s been playing on and off live with them since 2018. The result is, according to Vlad, “our most black metal record, with splashes of death metal here and there. Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. Italso gave us free reins to reach a more mystical, Biblical if you will vibe” fed by his experience living in Turkey in the late 10’s. “We choose to focus on the Dajjal character, basically the antichrist in the Muslim religion. The Coran says that he’ll appear as a false prophet only to bring doom to this world, with an army of demons coming from the east.” Represented on the cover of the album with his double edged sword and bathed in the same kind of reddish and orangey mesmerizing lights one can experience when the sun sets on wind-beaten deserts, all eight songs on the album are prophecies, past and future, where Dajjal plays the leading role.

Now completed on bass by R. Cadaver (former CADAVERIC FUMES vocalist) who officially joined once the recording was done after playing as a live session member for the last two years, and armed with their biggest, most complex and intense album of their career, Necrowretch are about to yield their sword of destruction and exterminate everything in sight.

Lineup
Vlad - Vocals, Guitars
W. Cadaver - Lead Guitars
R. Cadaver (Live) - Bass
N. Destroyer - Drums

Recording Studio       
Studio Sainte Marthe, Paris

Sound, Mixing & Mastering Engineer
Francis Caste

Cover Art
Stefan Thanneur / Manifeste

Photography
Léonor Ananké

Biography
​​​​​Olivier Zoltar Badin

Pre-save: https://orcd.co/necrowretchswordsofdajjal

Pre-order: https://shop.season-of-mist.com/list/necrowretch-swords-of-dajjal

Links:
Official Website: https://necrowretch.net/
Facebook: https://www.facebook.com/Necrowretch
Instagram: https://www.instagram.com/necrowretch
Spotify: https://open.spotify.com/intl-fr/artist/0cIx910hgtpgvicBJv3ybq
Bandcamp: https://necrowretch.bandcamp.com/

Booking Contact:
Roman: roman@district-19.com

Available Formats:
CD Digipak
CD Digipak + Exclusive Woven Patch w/ Red Merrow Border
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Yellow
12" Coloured Vinyl Gatefold - Crystal Clear, Yellow & Black Marbled

Photo by Léonor Ananké

Chicago-based rocker Leon Frear releases contemplative 'Secret Second Moon', previewing debut album 'Wild Rice'

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine


Chicago-based rock and roll artist Leon Frear presents the riveting single 'Secret Second Moon', along with a fantastic comic strip-styled video created by French animator Ronald Grandpey. A seasoned musician, this album represents a new start for him under this moniker.

'Secret Second Moon' is the first offering from his debut album 'Wild Rice', the culmination of songs reflecting a dramatic period in which he experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes.

Informed by his own personal experience, Frear's music speaks of love, lust, broken promises, broken phones, and multiple incinerated bridges. This 10-track collection was produced by Frear in his home studio in Chicago, playing every instrument and capturing every breath to tape during a recording process that took years in isolation to complete.

"I picked up my belongings, changed my name and moved to Chicago. I just wanted to get lost in the crowd. It took a decade to get sober, restore my health, sanity and put together enough equipment to make this record," says Leon Frear.

"Wild Rice is the story of those times, but told in reflection. The songs came from a place of true grief, regret and a little bit of anger. But through all of those things, I gained wisdom and became a better person. And while the details may be different, I think every human on this planet shares in the experience of feelings of grief. Ultimately, I think it is an album about empathy."

Sonically, I was inspired to make Wild Rice while listening to old Leonard Cohen albums, Harvest by Neil Young, Stories from the City by PJ Harvey and lots of old ballads by Nick Cave. Those albums and artists sound weary and world worn and I did my best to capture a similar feeling.

Laced with hints of sadness and regret, anger and remorse, somehow the lyrics are tempered with a sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad, just for laughs. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.  

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

As of November 21, 'Secret Second Moon'' is out album will be available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The 'Wild Rice' album will be released - on vinyl and digitally - on February 2, 2024.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Video director / animator
Artist photos by Jeremy Glickstein

Bandcamp  https://leonfrear.bandcamp.com/track/secret-second-moon-2
Spotify  https://open.spotify.com/track/7xr5dalE8IQATgaPtXUAkA
Apple Music  https://music.apple.com/us/album/secret-second-moon-single/1715993924
'Wild Rice' album order  https://leonfrear.bandcamp.com/album/wild-rice

Keep up with Leon Frear
Bandcamp | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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KILL THE THRILL release unsettling video for new title track

KILL THE THRILL are France's most enigmatic metal band. Despite a few lineup changes over the years, long-standing members Marylin Tognolli & Nicolas Dick have been penning poignant post-punk lyrics over bleak industrialized new wave landscapes ever since the band's genesis in 1989.  

Now, Kill the Thrill are back with their fifth album. Autophagie is abrasive and hypnotic. The title track swarms with feedback-laden guitars, tingling piano and Dick's haunted, roughshod vocals.  

Watch the video for "Autophagie", which splices together scraps of near-apocalyptic images into a surreal fever dream that would give David Lynch nightmares.    

'Autophagie' comes out January 26, 2024 on Season of Mist.

Pre-order:https://shop.season-of-mist.com/list/kill-the-thrill-autophagie

Pre-save:https://orcd.co/kttautophagiepresave

"We had this thread of autophagy running through the album", says Kill The Thrill, "the principle of which is to enable adaptation and survival, because this cannibalistic process is triggered in conditions of stress or impoverishment. It's at the point of metamorphosis, of regeneration, and it's an unavoidable evil if there's to be a revival. The images in the clip resonate with autophagy through the prism of a violent distortion of the things transmitted, but also of our own strangeness, and of us humans, who contemplate them fascinated, imagining ourselves to be in control of everything, until we forget where we came from.

The clip is conceived as a ghostly journey, a tale in 2 parts, a visual trance that plunges us into the heart of darkness with a strong sense of hyper-acceleration in time. The flashes of white and areas of grey provide clues, and conjure up powerful images of life on earth. A civilization that has taken care of its space by forging artisanal tools, but whose desire to delimit and control everything, and its need to consume more and more, has transformed this artisanal knowledge into an instrument of mass degradation."

KILL THE THRILL was formed in 1989 and is composed of Nicolas Dick on vocals, guitar and lap-steel, Marylin Tognolli on bass for its founding members. Stemming from the French noisy wave of the early 90's, their music is often described as dark, abrasive and hypnotic, full of epic moments, with a dense and rich sound mixing elements of industrial rock, post-punk, dark new wave and experimental metal.

Forging an atmosphere as dreamy as chaotic, with multiple layers and atmospheres, sometimes ambient, sometimes more hostile. Kill The Thrill interlaces orchestrated soundscapes, enriched with innumerable layers and arrangements, playing amongst the rifts to create a unique and personal work, so far from everything and so close to everyone.
The group released its first album in 1993 entitled Dig, followed by an EP Pit(on the labels Noise Product CH and Semetary), and at that time had three musicians, already working with samples and playing with blocks of sound.

In 1996, the trio became a duo with a second album entitled Low (Noise Product CH), recorded, mixed and produced by Nicolas Dick. The artist ErikM intervened on the interludes with sound tracks which frame each title of the group. The album is hailed by the press as a perfect balance between melody and distortion.

Over the years, tracks have appeared on a large number of compilations: "La Famille" (Noise Product Belgium), "Serial Killer Vol 1" (Roadrunner), "Brutale Generation" (Semetary / WMD), "Ah Quelle Belle journée" (Amanita records), "A Wild State Of Noise And Disorder "(Pandemonium), "5 Years Of Fury" (Noise Product CH), "Tribute To Godflesh" (Nihilistic H. Rec.), "Fear Drop 14" : "Coal Fire" on The Cure Masterpiece Pornography, "Dark 80's" (Atropine Records) etc.

Frederic De Benedetti joined the band on guitar and it's again as a trio that the album 203 Barriers was released by Season Of Mist in 2001, the album again entirely recorded and produced by Nicolas Dick. With this new opus Kill The Thrill’s music has evolved towards a daring, disturbing and more extreme sound. With international promotion and distribution, signing with the label Season Of Mist allowed an opportunity of further development for the band.

Kill The Thrill has shared stages all over Europe with other artists such as Godflesh, Killing Joke, Zeni Geva, Isis, Young Gods, Treponem Pal, Einstürzende Neubauten, La Muerte, Neurosis, Jesu, Jim Rose Circus, Grötus, Dillinger, Escape Plan, Dälek, etc.

The album Tellurique released in 2005 (Season Of Mist, recorded and produced by Nicolas) combines a cold and clinical industrial/metal sound with a new wave sensibility, bathed in a heavily melancholic atmosphere, but leaning more in the direction of noisy, distorted shoegazing mists than the fires of metal. The album is described by the press as an organic journey in which you must immerse yourself to feel its harshness and beauty.

This exacerbated trio asserts itself as a true entity in symbiosis, with an unfiltered and no holds barred take on music and sound.
Anger has no origin, and when the events from which it arises, physical bodies and soundwaves, can no longer contain patience and intelligibility, the sounds become the violence.

But with Kill The Thrill, violence is always suggested more than frontally expressed, it remains hemmed in and contained.

In 2015 the band reissued its first under the title 1989 (Atypeek Records), a digital-only album intended as a nod to Kill The Thrill’s origins.
During a few years of silence put to good use on the personal and musical projects of the members of the group, Kill The Thrill took the time to polish new album Autophagie, which will released at the beginning of 2024.

The band has released a limited number of albums in its career so far, but is resistant to all erosion, the secret of its longevity residing in the timelessness of the music.

An atypical band whose music is enough to itself ; a discrete band for imposing music ; a group which reveals next to nothing but pursues its sonic quest, outside of common standards. A living ambiguity: cold and hot, the calm and the storm.

"A long flow of orgasmic lava, a wave of shimmering noises that carries away everything in its path. One immerses oneself entirely in its bewitching atmospheres. We leave for a long descent on a carpet of guitars, their richness is inside, under this heap of notes and noises, under this black and disturbing mass. It's up to you to understand what you can during a journey that is sublime".

To Kill the Thrill reaches for the ineffable.

Line-up
Nicolas Dick - Lead vocals, guitar, lap steel, sample
Marylin Tognolli - Bass Guitar
François Rossi - Drums

Recording Studio            
Le Puits Sonore

Sound, Mixing & Mastering Engineer
Nicolas Dick

Pre-save: https://orcd.co/kttautophagiepresave

Pre-order: https://shop.season-of-mist.com/list/kill-the-thrill-autophagie

Available Formats:
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Clear Transparent
2x12" Coloured Vinyl Gatefold - Green
2x12" Coloured Vinyl Gatefold - Clear Transparent w/ Black & White Splatter

Links:
Apple Music: https://music.apple.com/us/artist/kill-the-thrill/73438869
Bandcamp: https://killthethrill.bandcamp.com/
Facebook: https://www.facebook.com/killthethrill/
Instagram:  https://www.instagram.com/killthethrill_band/
Twitter: https://twitter.com/KillThe_Thrill
YouTube: https://www.youtube.com/@KillTheThrill-band

Photo by Pierre Gondard

HELGA Streaming Debut Album

Hailing from the Swedish hinterlands of Dalarna and Halifax, West Yorkshire, HELGA came together in 2019. United by singer Helga Gabriel, the quintet delve into a musical alchemy while pursuing darker manifestations.

HELGA's debut album comes out this Friday, November 24. But the band are now streaming all of Wrapped in Mist on our YouTube channel starting today.  

Listen below.

"'Wrapped in Mist' is the most collaborative HELGA record to date and marks a new chapter for us", the band says. "It's the first album with this lineup and is a product of each of our personalities and influences. We hope you enjoy it half as much as we enjoyed the journey of creating it!"  

A plethora of layers and genres present themselves on Wrapped in Mist, Tracks like "Skogen mumlar" portray the band's progressive folk capabilities, while their more introspective qualities are laid bare on "Alive Again".

"As the vibrant hues of autumn give way to the crisp embrace of winter, the music world eagerly awaits the emergence of a unique musical entity, HELGA," writes Female Fronted Power.

Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist
Pre-save: https://orcd.co/wrappedinmistpresave

The album's opening track and lead single, "Skogen mumlar (The Forest Murmurs)", transcends into emotive dreamscapes that will leave your hairs trembling, with Ennio Morricone echoing as the intro's muse.

The band then shifts around playfully with second single "Burden", recounting a tale of relinquishment and its complexity. Introspective and intricate musical passages culminate in a reassuring mélange of emotions, as Helga recognizes having finally found her place in this world.

Songs like "Farväl" & "Som en trumma" reveal HELGA's more abrasive black metal sensibilities. Wrapped in Mist truly transcends the boundaries of genre, lacing ethereal vocal melodies with limitless, captivating instrumentation.

Photo by Ester Segarra

Hailing from the Swedish hinterlands of Dalarna and
Halifax, West Yorkshire, HELGA amalgamated in 2019 in
York, North Yorkshire. United by singer, Helga Gabriel, the
quintet delve into a musical alchemy on their pursuit of
darker manifestations.

“We draw on many different influences from Swedish folk
to progressive metal to post-rock to black metal to pop.
Distilling this into a single style is a challenge.” -Cai S.

Summoning this plethora of layers and genre, HELGA
culminate their premier album Wrapped in Mist into
dirgeful lamentations of mortality and mental health,
punctuated by formidable drumming, spectral strings and
chugging riffs.

The album’s opening track, Skogen mumlar (The Forest
Murmurs), transcends forthwith into emotive dreamscapes
that leave hairs trembling, Ennio Morricone echoing as the
intro’s muse.

But as the journey through Wrapped in
Mist transpires, songs such as Farväl (Farewell) reveal
HELGA’s black metal and darker sensibilities. Bewitching
through this myriad range, the album’s waltzing coda flirts
with a melodic baroque that crescendos with Opeth-esque
climax.

The inception of Wrapped in Mist promises to plunge
HELGA deep into the spotlight of mesmerising live
performances following release. From the hills and forests
of rural dwelling, this is a band destined for a journey worth
following.

Lineup
Helga Gabriel - Vocals
Cai Sumption - Guitar
Cameron Gledhill - Guitar
Ryan Fairclough - Bass
Sami Javed - Drums

Recording
Guitars and vocals recorded by Tom Peters at Trapdoor Studios
Drums recorded by Bob Cooper at Chairworks Studios 
 
Production
Produced and mixed by Luiz Felipe Netto
Mastered by Brad Boatright at Audiosiege
 
Additional musicians 
Damian Bolotin - Violin on "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist".
Antonio Guerra - Grand piano on "Mountain Song" and "Vast and Wild".
Mafram do Maracanã - Percussion on "Skogen mumlar" and "Wrapped in Mist"
Bruno Migliari - Double bass on “Mountain Song”, “Skogen mumlar” and “Wrapped in Mist”
Luiz Felipe Netto - Acoustic guitar on "If Death Comes Now" & "Wrapped in Mist", as well as additional electric guitars, keyboards and string arrangements. 
Ayran Nicodemo - Violin on "Mountain Song", "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist"
Bruno Serroni - Cello on "Farväl" and "Vast and Wild"
Joe Zeitlin - Cello on "Farväl", "Mountain Song", "Skogen mumlar", "Vast and Wild" & "Wrapped in Mist"

Cover art by David Thiérrée

Album layout by Per Wiberg

Photos by Ester Segarra

Pre-save: https://orcd.co/wrappedinmistpresave

Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist

Available formats:
CD Digibook
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Transparent Clear
12" Coloured Vinyl Gatefold - Black & Yellow "Sunburst"
Merchandise

Links
https://helgamusic.bandcamp.com
https://facebook.com/helgadalarna
https://instagram.com/forestchildhelga

The Intemperate Sons Release Official Music Video for Single "Dark Day's Night" via FRAME|WORK/INgrooves

Indie rock band The Intemperate Sons released the title track off the yet to be released, Dark Day’s Night LP (set for early 2024). The track was produced by Amir Derakh and The Intemperate Sons at The Kitchen Recording Studios in Dallas, TX. A brand-new music video for the single was released today, 11/17/2023 to the usual platforms.

The Intemperate Sons get a little darker about their outlook on humanity in this track exploring the underbelly of social media and the effects on society as well as personal relationships. Yet, in the end, it isn’t too late to turn back!

All Intemperate Sons’ tracks are mixed by Amir Derakh in Long Beach, CA. All mastering is done by Mike Marsh Mastering in the U.K.

The Intemperate Sons release all their music through the Frame|Work/INgroovesrecord label at the direction of Amir Derakh and Ryan Shuck. The Intemperate Sons are managed by Denny Sanders at The Label Group.

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

"Dark Day's Night" can be streamed at:

https://ffm.to/tis-dark-days-night

https://ffm.bio/theintemperatesons

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillers and Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sons lived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,”and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

Photo Credit: Nate Schiefelbein

The Intemperate Sons Show Dates:

Sat Dec 2 @ The Mystical Market 2023 in McKinney, TX
Fri Dec 15 @ Six Springs Tavern in Richardson, TX w/ Flash Mob
Sat Jan 27 @ Rob's Billiards Sports Bar in Euless, TX
Fri Mar 1 @ Hanover's Draught Haus in Pflugerville, TX

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Any Given Day Announce New Album "Limitless" + Share Video For Title Track

ANY GIVEN DAY will issue their upcoming album Limitless on January 26 via Arising Empire!

Watch the video for the title track below.

True to its name, Limiteless explores themes of boundless potential and unbridled creativity. The album promises to be a groundbreaking addition to their discography, featuring tracks that push the limits of metalcore with innovative sounds and profound lyrical depth. Fans can expect a collection of songs that not only resonate with the band's signature energy but also venture into new musical exploration.

The band states, "Our new album Limiteless is infused with a new vibe of positivity and energy that we've honestly never felt before, like we shook things up but still stayed true to ourselves. This album really represents a leap into uncharted waters, ditching the formulaic for a sound that is fresh and unbound. It reflects the boundless spirit and heart we've put into every melody and lyric.
Limiteless is the perfect word for this new adventure — it's what you'll feel in every track and every line we've poured our hearts into for this album. We can't wait for you to hear it."

About the title track, the band says, "'Limitless' isn't just the title track of our new album! This song is like our anthem of self-belief and never giving up. You should always believe in yourself, never let negativity stop you and have the guts to shape your own destiny with determination and courage. It's all about overcoming obstacles, grabbing opportunities, and showing that you've got unlimited potential. This song is basically a celebration of the human spirit kicking butt!"

The new album Limiteless is available as CD, limited colored vinyls and a special fan box, together with unique merch options at the Arising Empire Online Shop. Pre-order it here.

Photo by Moritz Hartmann

ABOUT ANY GIVEN DAY:
Although hailing from Germany, ANY GIVEN DAY are living The American Dream. Founded in 2012, they ignited interest in 2014 with their debut, My Longest Way Home (Official German album charts: #28). Then, they boldly proved they were more than just an internet phenomenon with 2016's Everlasting (Official German album charts: #14). ANY GIVEN DAY look back on countless tours and shows with the likes of CALIBAN, BURY TOMORROW, TRIVIUM, or SUICIDE SILENCE on stages of every size. On Overpower (Official German album charts: #19), ANY GIVEN DAY perfected their blend of unruly brutality, melodies, and catchiness. Stream and purchase Overpower here.
 
ANY GIVEN DAY ARE:
Dennis Diehl — Vocals
Andy Posdziech — Guitar
Dennis Ter Schmitten — Guitar
Michael Golinski — Bass
Leon Stiller — Drums

BEING AS AN OCEAN Unveil Emotive New Single "Flesh and Bone"

Melodic post-hardcore trailblazers Being As An Ocean have today released their emotionally charged single, "Flesh & Bone", a powerful exploration of the duality between the pursuit of dreams and the yearning for home. Experience the heartrending beauty of "Flesh & Bone" HERE. Watch the official music video below.

Pre-order the band's upcoming album, 'Death Can Wait' (out February 2nd, 2024 via Out Of Line Records) HERE.

Providing further context for "Flesh & Bone", the band shares

"Flesh & Bone seeks to describe the splitting of the soul that happens when one gives themselves to their passions, dreams, and obsessions. It is about the feeling of longing for home while being away, while also acknowledging that too much time spent in comfort is time taken away from the unknown, discovery, and adventure. The song is about missing loved ones from the road: the isolation that can be felt when you are away from your support network, especially when you are emotionally low. When the road has become a part of who you are or has shaped you in significant ways, no matter how much you hold those you love dear or how precious the time spent at home, the road still pulls at you and your spirit still hears its call," the band elucidates, capturing the essence of the new single."

With "Flesh & Bone", Being As An Ocean invites listeners to a profound journey through the tumultuous landscape of an artist's heart. It is an anthem that resonates with the sweet sorrow of parting, and the unshakable hope that beckons with every step away from the familiar. Following a successful headlining tour with Of Virtue and SENNA, this single emerges as the third prelude to their highly anticipated album, 'Death Can Wait' set for release on February 2nd, 2024 through Out Of Line Music. Another extremely personal set of songs loaded with pure emotion continuing the band's legacy of crafting deep, introspective music that speaks to the soul.

Being As An Ocean will be playing a special, one-off show at LA's Teragram Ballroom on December 16th, supporting Crown The Empire and will be embarking on a UK & European tour in February next year with Currents on their 'The Death We Seek UK/EU Tour' with Oceans Ate Alaska and Sentinels. For tickets and for more info, head HERE. Full routing below.

BEING AS AN OCEAN

SUPPORTING CROWN THE EMPIRE

12.16.23 - Teragram Ballroom, Los Angeles, CA

ABOUT BEING AS AN OCEAN

Being as an Ocean is a post-hardcore/melodic hardcore band hailing from Southern California. Formed in 2011, the band has been on a journey of self-discovery and artistic evolution, constantly pushing the boundaries of their genre.

In 2012, Being As An Ocean released their debut album, "Dear G-d...," which garnered immediate attention and marked the beginning of their rise in the music scene. With their emotionally-charged sound, Being As An Ocean has left an indelible mark on the alternative music landscape. Their music has resonated with countless people, offering comfort and strength during life's most challenging moments. They have inspired a generation of musicians to be fearless in their exploration of emotion, lyricism, and sound.

Since then, the band has toured the world multiple times over and released career defining records such as “How We Both Wondrously Perish” in 2014, “Waiting For Morning To Come” in 2017, and "PROXY" in 2019. With their unique blend of honesty, vulnerability, and artistic innovation and the pending release of their new album "Death Can Wait" through label Out Of Line music, there's no doubt that Being As An Ocean will continue to make an impact one heartfelt song at a time.

Myrath Share "Child Of Prophecy" Video

"Child of Prophecy," the second single from Myrath's new album Karma is out today and accompanied by a music video including previously unseen footage of their exceptional live show filmed in Carthage earlier this year. Pre-order Karma here. 

Listen to "Child of Prophecy" HERE.

Watch the video below. 

The song paints a vivid narrative of a world at the precipice of change, where a child of prophecy emerges as a beacon of hope amid encroaching darkness. The lyrics evoke a sense of urgency and determination, urging listeners to head the warnings of the past and embrace the call to action. 

Through haunting whispers carried by the wind, the song beckons the audience to join a crusade against the shadows, urging them to offer their hearts and shield their eyes as they ignite a fire of transformation. 

Directed by Michail Sedov, the music video was shot on September 13, 2023 during the band's sold-out show at Carthage in their home country Tunisia. 

"Myrath from Tunisia might just be the most underrated band ever. Their new album really excites me – they have something fresh and back it up with a great stage show. They played a tiny stage at Wacken where nobody brings more than guitars and amps and brought a two-truck production. It was amazing!" – Pär Sundström, Sabaton

As the sands of time continued to shape their journey, Myrath's relentless dedication led to the creation of their highly anticipated album Karma, slated for release on February 2 via earMUSIC as limited transparent red LP, black LP and Digipak. The forthcoming opus promises to be a testament to their evolution, delivering a sonic tapestry woven from passion and innovation.

With Karma, Myrath solidify their place at the top of the metal scene with a powerful and captivating blend of Eastern melodies and Western heavy metal. From the epic opening track "To The Stars" to the hauntingly beautiful "Child Of Prophecy," this album will take you on a theatrical journey through a world of myth and legend. 

Featuring soaring vocals, intricate guitar riffs, and complex percussion, Karma showcases the virtuosity and creativity that have made Myrath one of the most exciting and innovative bands in the genre. With its stunning production and lush soundscapes, this album is sure to be a classic for years to come.

Chaotic Hardcore Newcomers APOSTLE Unleash Vicious New Song + Video, "Pain"

Blackened atmospheric chaotic hardcore newcomers APOSTLE are now unleashing their vicious new single, "Pain," along with a lyric video! The single is taken from the band's upcoming EP, 'Liminal,' which is due on December 15 via Terminus Hate City Records! The clip can be found below.

The band comments, "'Pain' was the first track we began working on when we set out to write what would become 'Liminal.' As with every track on this release, they were all written in our rehearsal space, during rehearsal - making the writing process one of total collaboration and the environment as conducive for organic flow states of creativity. We wanted these songs to be straightforward in their arrangements and delivery and we didn’t want to fixate, overindulge or totally run parts into the ground. Rather, we wanted the movements to be quick and intentional, keeping things dynamic and driving."

Pre-orders are now live for 'Liminal' HERE.

In addition, APOSTLE will be performing two hometown shows before the end of the year. The full run is as follows:

Upcoming Apostle U.S. Dates:

11/17: Atlanta, GA @ Bogg’s Social and Supply (JabroniFest)

12/09: Atlanta, GA @ 529

Apostle's vicious new offering is fueled by the collective prowess of guitarist and vocalist Murice White, bassist Michael Thomas, and drummer Evan Price. Apostle breaks new ground with 'Liminal,' citing many diverse influences, and crafting a sonic landscape that defies categorization.

Murice White's guitar work is a fierce force, delivering textured riffs that traverse the extremes of aggression and beauty, while his seething vocals add a visceral layer to the record's tapestry. Michael Thomas's groove-laden low end provides a solid backbone, grounding the compositions in a rhythmic foundation that is both formidable and infectious. Evan Price's propulsive batterie propels the music forward, adding a kinetic energy that keeps the violent angst front and center.

From the unrelenting chaos of grindcore to the ethereal tremolos of atmospheric black metal, 'Liminal' embarks on an audacious exploration of the outer reaches of metal's vast spectrum. The warm undertones of shoegaze interlace with a robust foundation of melodic hardcore, providing a dynamic and immersive experience that transcends the boundaries of conventional metal. While hosting audible beauty, there is deep and profound pain throughout the record.

For Fans Of: Cult Leader, Birds In Row, God Mother, Yautja, Fluisteraars

Apostle Lineup: 

Murice White - Guitar/Vocals

Michael Thomas - Bass Guitar

Evan Price - Drums

Recording // Production: Connor Ray @ Sobek Sound Studios

Mastering // Enginering: Brad Boatright @ Audiosiege Engineering

Cover Artist: Fabio Rincones

Label: Terminus Hate City

Formats:

-Vinyl (Black) 

-Cassette 

-Digital

Follow // Stream // Download:

Pre-order

Bandcamp

Instagram

Apple Music

Spotify

Get Transported to a Dead Poet Society Show By Watching This Live Video for "How Could I Love You?"

 NEW ALBUM FISSION ARRIVES JANUARY 26 VIA SPINEFARM

Los Angeles quartet DEAD POET SOCIETY will drop their second albumFISSION on January 26 via Spinefarm. Pre-order it here.

Today, the band has shared a video comprised of live performance footage for the new single "How Could I Love You?" Watch it below.

The footage is culled from the band's recent performances at Blueberry Hill in St. Louis and at the Subterranean in Chicago.

In this clip, you get a bird's eye view of the band members before they hit the stage, connecting with fans in the moment while knuckling down on their instruments, and doing what they do best — taking the stage and owning it. You will feel like you are front and center at a DPS show. The footage is so immediate you just might feel the buzz of the guitars and the sweat from the band members.

Check out the album version of "How Could I Love You?"

The track is a sonic roller coaster of heartache and defiance, and plunges into the depths of shattered love with relentless intensity. The raw vulnerability of the lyrics, combined with the electrifying guitar riffs, creates an epic musical landscape that mirrors the tumultuous journey of love betrayed. It's more than a song; it's an emotional battleground where Dead Poet Society lay bare the scars of heartbreak, inviting listeners to join them in a cathartic and dramatic exploration of love's complex terrain. 

Dead Poet Society released "Running in Circles" and "Hurt," followed by "I hope you hate me," which accompanied "How Could I Love You?"

Watch the videos here.

Dead Poet Society accumulated over 72 million global streams, with nearly 32 million streams in the U.S. alone. The band also enjoyed two Top 15 singles at radio and key playlisting. They have also spent as much time as possible on the road — having toured with alt rock powerhouses Badflower, Biffy Clyro, Highly Suspect,and BRKN Love. The band has ultimately established itself as an intense live act not to be missed! 
 

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

Emil Bulls Announce New Album "Love Will Fix It" + Share Video For "Whirlwind Of Doom" — WATCH

Emil Bulls will drop their new album, Love Will Fix It on January 12 via Arising Empire. Pre-order Love Will Fix It here.

The band has also shared "Whirlwind Of Doom."

Watch the video below..

This album will ensure a strong connection with their audience.

Love Will Fix It is a manifesto of healing and unity, echoing the transformative power of love and music. The album's themes resonate with hope and reconciliation, mirroring the title's promise of mending and unity through melodic anthems and powerful lyrics.

Join us in celebrating Emil Bulls' limitless potential, where the music becomes a source of inspiration and emotional connection.

Love Will Fix It is available as CD, limited colored vinyl, special fan box, together with unique merch options at the Arising Empire Online Shop.

EMIL BULLS ARE:
Christoph von Freydorf — Vocals
Stephan Karl — Guitar
Andy Bock — Guitar
Pascal Theisen — Bass
Fabian Füss — Drums

PHOTO CREDIT: Janiz Hinz

Extortionist Drops New Single "A Grim Disconnect" + Official Music Video (via Unique Leader Records)

Heavy metal mainstays Extortionist have released their latest track "A Grim Disconnect"and the accompanying music video today (via Unique Leader Records). Today's release can be found on the band's upcoming EP 'Devoid', out on Friday, December 1. Speaking about the inspiration behind the track, vocalist Ben Hoagland commented:

"'A Grim Disconnect' is about feeling "disconnected" from everyone and everything I've been involved with, including my own self. Referencing feelings of isolation, dissociation, and overall just feeling out of place. And also the state of confusion and internal conflict that follow with the subjects previously mentioned." 

Prior to today, the band announced having signed to their new label Unique Leader Records, and shared "Out of Touch" in celebration of the news. Stream "A Grim Disconnect" here, watch the music video below, and pre-save 'Devoid' here.

Band names go a long way in helping paint a figurative picture in the listener's mind of what to expect before one ever hits “play.” When it comes to Extortionist, you think crime—you think gritty, raw, merciless and unsavory and maybe, just maybe, a little sprinkling of suaveness. When it comes to the Pacific Northwest’s resident moshslingers, those premonitions from their name are exactly what you get. As a band who have proven themselves exemplary at styles of heavy music ranging from downtempo deathcore to grunge-tinted metal, Extortionist are more than just a jack-of-all-trades; they’re masters. Utilizing bold, roaring guitars overtop crushing, steamrolling percussion and vocals that run the gamut from guttural to grating, pitched singing and topped off with—you guessed it—a now-infamous dodgeball-smack snare, Extortionist have proven that not only are they incredible at what they do, they’re a band that the heavy scene just can’t go without.

Emerging from the relatively understated pastures and prairies of Coeur d’Alene in early 2013, to say Extortionist have been on a journey since their inception would be an understatement. With "The Black Sheep" instantly earning them notoriety with its combination of feral grooves and eviscerating breakdowns, Extortionist proved themselves early on as prodigal masters of all things punishingly heavy. As the band grew and gained more experience on the road in light of the success of their debut EP, their style and dynamic grew as well. After nearly four years of touring and writing, Extortionist would unleash 'The Decline' in 2017, a band that saw their breed of brutalizing deathcore hybridized with riff-heavy metalcore and more introspective lyrics that tackled suicidal ideation and substance abuse. 'The Decline' was met with immense critical praise and continued to open up larger opportunities for the Northwestern act, ultimately earning them multiple co-headlining tours from coast to coast, and a spot on Stay Sick Records, alongside other up-and-coming heavyweights like SPITE and Bodysnatcher. Barely a year and a half after their signing, the band announced their sophomore full-length release, 'Sever the Cord', which saw them experimenting with the inclusion of grunge and alternative influences, adding even more depth and grit to their dynamic. Their sophomore album earned them not only critical acclaim, but nationwide tours alongside The Browning, Betraying the Martyrs, Lorna Shore and First Blood. 'Sever the Cord' was followed shortly thereafter by an eponymous EP which saw them diving deeper into a more exploratory realm of metalcore, colliding ferocious riffs into moments of warm, nostalgic melody. While their self-titled release was widely heralded as the band’s strongest work to date, was declared their Swan Song, as in the weeks that followed towards the back-end of Summer 2019, Extortionist announced their dissolution.

That isn’t the end of Extortionist’s story, however. As 2019 gave way into 2020 and the chaotic months that followed, the heavy music community felt the band’s absence all too strongly. In the early months of 2021, Extortionist announced their return with a series of shows in Spokane, Washington alongside AVOID and Seconds Ago as well as a new single, “Once More in Torment”. Once more highlighting the seamless blend of raunchy aggression and groove-heavy catchiness that only Extortionist can provide, the band’s comeback track is a strong reminder of just how missed they were throughout their nearly two-year absence. Frontman and founding member Benjamin Hoagland states “This is the best place we’ve ever been in as a band...Extortionist lives, and we’re here to stay.” Indeed, with a full-length record in the works and a ferocious return to live performance already underway, it would seem that Exortionist’s relative break was only a brief moment with which to collect themselves before reasserting their dominance over the contemporary metalcore scene. - Connor Welsh

Photo Credit - Jordanne Chapman

Radiobot feat. Brett Scallions, Billy Harvey and Eddie Wohl Release Re-Imagined Version of Bob Dylan's "Subterranean Homesick Blues" via The Label Group/ Virgin Music Group

Introducing Radiobot, a dynamic musical ensemble comprising the talented members Brett Scallions, Billy Harvey, and Eddie Wohl. This exciting band has unveiled their re-imagining of Bob Dylan's classic track, "Subterranean Homesick Blues," and it's now available on all major music platforms via The Label Group/Virgin Music Group.

Radiobot is all set to make their mark in the music industry with their original debut single, "This World's On Fire," which is scheduled for release on December 8th. Get an exclusive sneak peek and pre-save this electrifying track by following this link: https://ffm.to/radiobot-thisworldsonfire

“For us, Bob Dylan is such a rock ‘n’ roll lyricist, we wanted to pay tribute by turning over one with a snarl and swagger. The video is an homage to Dylans Alley video, and for it, Brett meticulously re-created all of the cards by hand,” says the band.

Stream "Subterranean Homesick Blues"

https://ffm.to/radiobot-shb

"Find a group of people who challenge and inspire you, spend a lot of time with them, and it will change your life." – Amy Poehler

RadioBot is a writing trio consisting of Brett Scallions, Billy Harvey, and Eddie Wohl. They got together for the first time in 2016, when Eddie invited Brett and Billy to his studio for a writing session. Though Brett and Billy had just met, Eddie’s suspicions were spot-on: after just a few days in a room, the trio had three new songs to share. (“It’s On,” “New Best Friend,” and “Rolling On.”) Despite the undeniable chemistry, however, conflicting commitments and touring schedules forced Radiobot into a temporary hiatus shortly thereafter.

Flash forward to 2020. Lockdown. Isolation. Life changed for everyone on the planet. Being in the same room is how music is made…right?!

This time, RadioBot refused to let anything get in their way. The project was revving up again, and even distance proved a surmountable hurdle. With Billy in Nashville and Eddie and Brett both in California, the group decided to pursue the project virtually, via Zoom and FaceTime calls. Their mentality: “never let anyone tell you that you have to be in a room together to write or record an album.” They started writing, and before you know it, they had written—and recorded—18 songs.

The age of the HOME STUDIO.

“Everything starts with a Billy riff,” Brett said of their writing process. “After we establish the main riff of the song, we add more parts as needed, all while creating vocal melodies. Once we have the song arranged, I’ll take it and start laying down the drums. After the drums are the way we want them, I send the drum tracks to Billy, and he starts layering his guitar parts. We just keep adding what is needed until we feel like the song is finished.”

RadioBot in 2024

Stay tuned for the forthcoming albums CONCRETE and DESERT later this year.

Brett Scallions is best known as the original lead singer of the rock band Fuel. Brett released 4 albums with the band and sold over 5 million albums worldwide. He also toured the world singing The Doors catalog with Ray Manzarek and Robby Krieger of The Doors. Brett was quoted as saying, _“We all try our parent’s shoes on at some point in our lives. It’s been nice to see what Jim’s felt like.” Other projects Brett has worked on include The X’s, Circus Diablo, and World Fire Brigade. He has performed with many of the top performers in the world including Slash, Dave Navarro, Tom Morrello, Mike McCready, Dee Snider, DMC, and Glen Campbell.

“Billy Harvey is the most famous person you’ve never heard of.” — AJ Croce.

A caffeine-addled do-it-yourselfer, Billy Harvey has navigated his career by quietly directing, editing, recording, and producing everything in sight. He’s produced records for artists like Crystal Bowersox (finalist on season nine of American Idol), Bob Schneider, Pat Byrne (winner of the first series of The Voice of Ireland), Charlie Mars, and Steve Poltz, to name a few.

He has also worked steadily as a side man, accompanying the likes of Patty Griffin, Kim Richey, The Forest Rangers, and The Courtyard Hounds.

He also played guitar in the hair band FLAME, if you want a chuckle.

Los Angeles based Eddie Wohl is a five time Emmy Award winning songwriter, composer, producer & mixer, whose projects have sold over 6 million units. As an artist he was signed to Epic, Elektra, Mercury/Island and had a production deal with Roadrunner Records. Growing up on the East Coast, Wohl was in his first band at age 15 and signed to his first record deal at the age of 25. Wohl’s major influences growing up included Black Sabbath, Stevie Wonder, Public Enemy and McCoy Tyner. Coming out of the NYC club/band scene he has spent many years honing his craft as a world- class songwriter and producer. In 1999 Wohl, along with his partners, launched the iconic New York based Scrap 60 Productions, which was responsible for producing such acts such as Anthrax, Ill Nino and H2O, to name a few.

His producing credits include a range of metal greats Fuel, Anthrax, Smile Empty Soul to glam punker Jesse Mallin and pop artist/American Idol judge Kara Dioguardi. Records that he's produced embody performances by Bruce Springsteen, Robby Krieger, Roger Daltrey, Chino Moreno, Jakob Dylan, Josh Homme, Chris Shiflett, Jada Pinkett Smith and Dimebag Darrell.

As a composer Wohl has received five Emmy Awards for his work on his NBC San Diego and Washington DC Olympic and news promos. Having had numerous song placements on TV, including Superbowl XLVII, The CBS Superbowl Pre-Game show, “CBS Super Bowl 50th Anniversary” spots the NFL on CBS, NBA on NBC, The Rio Olympics, The NHL, NCAA Basketball, PGA Golf on CBS and The Late Late Show with Craig Ferguson.

Wohl’s diverse music influences, collaborations and background allow for a unique approach to his craft.

For More Information Please Visit:

Radiobot

Instagram

Facebook

YouTube

Brett Scallions

Official Website

Instagram

Facebook

YouTube

Billy Harvey

Official Website

Facebook

Eddie Wohl

Official Website

Instagram

Facebook

AMARANTHE - 🚀Release New Single 'Outer Dimensions' From Upcoming Album The Catalyst

Today, Swedish metal virtuosos AMARANTHE break through the grey November clouds, ready to cure your seasonal blues with their new uplifting track 'Outer Dimensions'!
Once again, high energy vibes paired with a catchy chorus and garnished with some heavy riffs and impressive growls, this song is determined to live up to its name and take the listener to higher spaces.

AMARANTHE's Olof Mörck states: "Dimensions and galaxies collide in our latest single 'Outer Dimensions', which takes you on a journey from the introspective and obscure, all the way to a sparkling cosmos of an epic chorus! We feel that it showcases 'The Catalyst's diversity, all in one track while remaining very recognizably AMARANTHE. The song is masterfully counterpointed by a tour de force of a video, directed by long-time collaborator Patric Ullaeus - so let us bring you the furthest reaches of your imagination with 'Outer Dimensions' soon!"
 

'Outer Dimensions' is the third single from AMARANTHE's forthcoming album The Catalyst, that will see the light of the day on February 23rd, 2024, via Nuclear Blast Records. The album will be available digitally and in different physical formats including CD, Vinyl, a 2CD Special Edition, and a band-exclusive Vinyl that will come with a signed poster.
Presave or preorder your format of choice here:
https://amaranthe.bfan.link/the-catalyst.a01

'Outer Dimensions' comes with a fantastic new video that the band released today. Watch it below.

The Catalyst is the most conceptually coherent piece of work in AMARANTHE's storied history. Dedicated to notions of transformation and revelation, it delves deeper than any previous album, as Olof Mörck explains.
 
"We’ve done these things before, but we’ve never been as theatrical as we have this time," Mörck grins. "In fact, we all questioned whether we went too far this time, but I also figured that this band was always this way. Literally, the first seconds of our first video was a big explosion! But yes, The Catalyst is more theatrical than ever. We’ve never really been symphonic or orchestral before, but this time we just thought why not? Because we can! The key to this album is that we let go of the boundaries and decided to do something even more adventurous."

The Catalyst represents the culmination of 15 years of hard work and the breathless pursuit of a wholly original musical vision. Change is inevitable. Victory is assured.

Formed in 2008, AMARANTHE walked their own unique path from the start. With a sound that combined the sharpest, cutting edges of melodic metal, electronic rock and razor-sharp pop, their impact was immediate and undeniable. Kicking off with their self-titled debut in 2011, the Swedes blazed a trail through the European metal scene and beyond, swiftly establishing themselves as a dazzling one-off, not least due to the unprecedented triple vocal attack that paired clean tones with exquisite melodic sensibilities and feral growls. Over the next few years, the sextet steadily grew in stature, releasing a series of praised studio records that jabbed persistently at the boundaries of modern metal.

AMARANTHE is:
Elize Ryd | vocals
Mikael Sehlin I growls
Nils Molin | vocals
Olof Mörck | guitars, keyboards
Johan Andreassen | bass
Morten Løwe Sørensen | drums

Visit AMARANTHE:

www.amaranthe.se
www.facebook.com/amarantheband
www.instagram.com/amarantheofficial
www.twitter.com/amaranthemetal
www.youtube.com/amaranthetv
www.nuclearblast.de/amaranthe

TEMIC Streaming New Album

TEMIC are just one album in, but they already boast an impressive resume. Diego Tejedia has played with Devin Townsend and Haken, but the keyboardist was touring with Mike Portnoy's Shattered Fortress when he first teamed up with guitarist Eric Gillette, who's also jammed alongside Neal Morse.

Their vision for TEMIC wasn't exactly simple: synthesize their love for high-energy electronica and flashy riffs into a killer prog-metal hybrid. But after recruiting former soccer prodigy-turned-Zildjian-endorsed drummer Simen Sandness (SHINING, Arkentype) to go along with the high-powered falsetto of Fredrik Klemp (Maraton), together, this new supergroup managed to connect all those puzzle pieces on their very first album.  
 
"As the progressive metal scene witnesses a surge of new talent, this [album] places TEMIC in the discussion of the top new band releases of 2023", writes The Prog Report.    

'Terror Management Theory' comes out this Friday, November 17. But you can make your way through the whole thrilling prog maze today. Listen to the full album stream below.

Pre-order: https://redirect.season-of-mist.com/Temic
Pre-save: https://orcd.co/tmtpresave

Clocking in at a few ticks shy of six minutes, lead single "Count Your Losses" gives TEMIC plenty of time to show off their deep bag of tricks. Behind Klemp's melodic tenor, the band roll out an arena-ready guitar solo, scatting drum fills, fretless bass runs and synths that are built for a rave (and that only covers the bridge!).

"This album is as finely tuned and stately as the best passion projects", says Distorted Sound.

"Falling Away" catches TEMIC at the peak of their superpowers, uplifted by riffs that alternate between beefy distortion and nimble fretting, while a white-hot keyboard solo blasts off just before the drums clamp down with booming finesse.

Klemp's piercing vocal carries a hopeful message, too. "We will fight until the rays of light stand high", he sings, backed by not one but two choirs during the seven-minute closer "Mothallah", which never stops climbing toward the sky.  

"The time is upon us! Today, the release of our debut album marks the culmination of TEMIC’s gestation phase. As this opus finally reaches the listeners’ ears, TEMIC is now fully born. Welcome, 'Terror Management Theory,' an album born from dark times, yet serving as a strong beacon of hope, inspiring us to look to the future to the precise moment it would see the light of day."

Listen to their curated playlist

TEMIC came together from across the globe, but they also share a wide variety of influences.

Check out the playlist that the prog supergroup update each month on Spotify. The November edition features Daft Punk, Animals As Leaders, Meshuggah, Car Bomb and Esbjörn Svensson Trio. 

https://open.spotify.com/playlist/11T7gAoZ7ljFxTGRaLjP4a?si=bbb3d00ba1404a8e

Introducing TEMIC—prog’s newest, most ambitious, and most adrenaline-fueled act. TEMIC melds the creative minds of keyboardist and sound designer Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken), guitarist Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress), drummer Simen Sandnes (SHINING, Arkentype), and vocalist Fredrik Klemp (Maraton, 22).

The origins of TEMIC date back to 2017, when Tejeida and Gillette toured the world as band members of Mike Portnoy’s Shattered Fortress. From the very first chords they exchanged, their musical chemistry both on and off stage was undeniable, leading them to discuss the prospect of starting a new band together. Unfortunately, conflicting tour and recording commitments forced them to turn their attention elsewhere for years—that is, until the world came to a standstill in 2020, and Tejeida called Gillette to ask a fateful question:
“Remember how we said we should make music together? Well, how about now?”

Thus, the first demos for what would later become TEMIC’s 2023 debut album, Terror Management Theory, began to emerge. Within a few weeks after that initial phone call, the musical vision of TEMIC had become clear: Let’s create progressive music that is heavily influenced by high-energy electronic music, but arranged and orchestrated for a 5-piece modern prog rock/metal band—where, at last, the pulse can be the focus, and the vocal melody can be king.

Eager to join forces with the very best bandmates, Tejeida and Gillette first summoned the rhythmic power of their friend and drummer Sandnes. With characteristic enthusiasm, Sandnes seized the opportunity, prepared to contribute his percussive prowess as the heartbeat of TEMIC. When it came time to find the singer that would carry TEMIC’s melodies to new heights, Sandnes recommended vocal powerhouse Klemp, whose emotive delivery and unmatched intensity left no doubt that he was destined to be the voice of TEMIC. Finally, to round out the rhythm section of Terror Management Theory, dynamic bassist Jacob Umansky (Intervals) was invited on board as a guest player, gracing the album with an unrivaled groove and a signature low-end sound.

Together, this mammoth lineup is TEMIC, a high-energy, electronic-inspired, modern melodic prog metal band for the next generation.
 
Line-up:
Fredrik Bergersen (Maraton, 22) – Vocals
Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress) – Guitars and Backing Vocals
Simen Sandnes (Shining, Arkentype)  – Drums and Percussion
Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken) - Keyboards and Sound Design
 
Recording Studio: Drums and vocals recorded at Top Floor Studios (Gothenburg, Sweden)
Producer: Produced by TEMIC. Drums and vocals engineered by Jakob Herrmann Gothenburg, Sweden)
Mix/Mastering: Mixed and mastered by Rich Mouser at The Mouse House (Los Angeles, USA)
 
Guest musicians:
Jacob Umansky (USA) – Bass guitar on the whole album
Mosaic Gospel Choir (Norway) – Mothallah
Garden State Threshold Choir (USA) – Mothallah
 
Cover artwork: Hicham Hamzi

Pre-order: https://redirect.season-of-mist.com/Temic
Pre-save: https://orcd.co/tmtpresave
 
Formats:
Digital Download
CD Digipak
2x12" Coloured Vinyl Gatefold - White
2x12" Coloured Vinyl Gatefold - Crystal Clear
2x12" Coloured Vinyl Gatefold - Gold & Black Marbled
2x12" Coloured Vinyl Gatefold - White & Black Marbled
Merchandise
 
Follow Temic
https://temicband.com
www.facebook.com/TEMICBAND
www.instagram.com/temicband
https://temic.bandcamp.com/album/terror-management-theory
https://twitter.com/temicband
https://open.spotify.com/artist/21vxrbfeqrr6xrot1y5t7i
https://www.youtube.com/channel/ucaslvfvcvrv4cdarmdiqkgg
https://music.apple.com/artist/temic/1695936703

Steve Hackett celebrates over 50 years of music with his new conceptual studio album ‘The Circus and the Nightwhale’

Legendary rock guitarist Steve Hackett will release his new studio album ‘The Circus And The Nightwhale’ on February 16th 2024, via InsideOut Music. A rite-of-passage concept album with a young character called Travla at the centre of it, ‘The Circus And The Nightwhale’s’ 13 tracks have an autobiographical angle for the musician who says about his 30th solo release: “I love this album. It says the things I’ve been wanting to say for a very long time.”

‘The Circus And The Nightwhale’ is Steve’s first new music in over two years. It follows the beautiful acoustic LP ‘Under A Mediterranean Sky’ from January 2021 – which rose to No 2 in the UK Classical chart – and, in September of that year, his metallic masterpiece Surrender Of Silence, which hit the UK Top 40. His 2023 live album, ‘Foxtrot At Fifty + Hackett Highlights: Live in Brighton’, reached No 2 in the Rock & Metal Chart.  Steve’s new LP promises ballads, blues, blistering progressive rock… and healthy measures of theatre and fantasia.

Recorded between tours in 2022 and 2023 at Siren studio in the UK – with guest parts beamed in from Sweden, Austria, the US, Azerbaijan and Denmark, the line-up for ‘The Circus And The Nightwhale’ includes some familiar faces alongside Steve on electric and acoustic guitars, 12-string, mandolin, harmonica, percussion, bass and vocals. Roger King (keyboards, programming and orchestral arrangements), Rob Townsend (sax), Jonas Reingold (bass), Nad Sylvan (vocals), Craig Blundell (drums) and Amanda Lehmann on vocals. Nick D’Virgilio and Hugo Degenhardt return as guests on the drumstool, engineer extraordinaire Benedict Fenner appears on keyboards and Malik Mansurov is back with the tar. Finally, Steve’s brother John Hackett is present once more on flute.

The new album will be available to pre-order from the December 1st, 2023 on several different formats, including a Limited CD+Blu-ray mediabook (including 5.1 Surround Sound & 24bit high resolution stereo mixes), Standard CD Jewelcase, Gatefold 180g Vinyl LP & as Digital Album. All feature the stunning cover painting by Denise Marsh.

Summing up ‘The Circus And The Nightwhale’, Steve says: “It’s a lovely journey that starts dirty, scratchy and smoky and becomes heavenly and divine. How can you resist it?”

Steve is currently on tour in North America, continuing his ‘Foxtrot At Fifty + Hackett Highlights’ run. Next year he will tour the world extensively, including a brand new UK tour under the name ‘Genesis Greats, Lamb Highlights & Solo’ (that will see him return to the legendary Royal Albert Hall), as well as a return to the US for additional ‘Foxtrot At Fifty’ shows from March 1st through April 13th. For the full list of dates, head to: http://hackettsongs.com/tour.html

STEVE HACKETT Online:
www.hackettsongs.com
www.facebook.com/pages/Steve-Hackett/123101228589
www.twitter.com/HackettOfficial
http://hackettsongs.com/tour.html

INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu

VIPASSI Shift Into the Light on "Phainesthai"

VIPASSI laid a foundation on their debut album 'Śūnyatā' in 2017.

Originally formed as a project between drummer Daniel Presland (ex-Ne Obliviscaris, Black Lava, Virvum) and guitarist Ben Boyle (Black Lava, Hadal Maw, AMDBL) to explore new concepts and sounds not currently engaged by their other projects, the band has since grown to add fretless bassist Arran McSporran (Virvum, Seven7, Cosmitorium) & additional guitarist Benjamin Baret (Ne Obliviscaris, Maer).

Today, Vipassi are releasing "Phainesthai", the first single off 'Lightless'. Their new album continues this intricate all-instrumental project. Each player isn't just delivering notes. Instead the band are tuning into a symphony of emotions, inviting you inside a sonic universe where you can write the story.

"Phainesthai' serves as the centrepiece and keystone of the album", says Vipassi. " The song itself celebrates phenomenon in all its forms. It's also a perfect blend and introduction to the album's sounds and motifs".

Watch the enigmatic music video for "Phainesthai" below.

'Lightless' comes out January 26, 2024.

Pre-order: https://shop.season-of-mist.com/list/vipassi-lightless

In Buddhist tradition, VIPASSI is the twenty-second of the twenty-eight Buddhas. Etymologically, the name has its roots in clear vision – a being of extreme contemplation. The band of the same name is a world-spnning instrumental extreme metal band from the lands of Australia, France and the UK.

With members of acts such as Ne Obliviscaris, Black Lava, Hadal Maw & Virvum, their work on the 2017 debut album ‘Sunyata’, which has a loose signification of Emptiness or Void, set the grounds for a technically impressive and fully instrumental exploration of sonic textures in what can best be described as – a divine experience reaching the depths of the human soul.

Originally made as a project between Daniel Presland (Drums) and Ben Boyle (Guitars) as far back as 2007 to explore new concepts and sounds not currently engaged by their projects at the time, the band has since then grown and expanded to an international connection of like-minded musicians and virtuosos with Arran McSporran (Fretless Bass) and Benjamin Baret (Guitars).

Further exploring their labyrinthine textures and layers of sounds, the band VIPASSIis back with their sophomore album ‘Lightless’. The album shifts from the realm of the void towards a clash of light and dark – and sees the band expanding into even more technical and experimental realms, pushing the limits of their own ideas and abilities to heights unimagined when the band began all those years ago.

Lineup
Daniel Presland - Drums
Ben Boyle - Guitars & Synths
Arran McSporran - Fretless Bass
Benjamin Baret - Guitar Solos

Recording
Bushido Studios, Melbourne, Australia with additional recording in Gandia, Spain & Bordeaux, France.

Production
Sound Engineer - Troy Mccosker
Mixing & Mastering Engineer - Mark Lewis

Cover Art
Xenoyr

Pre-order: https://shop.season-of-mist.com/list/vipassi-lightless

Available formats:
CD Digipak
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Black & White Splatters

Links
Apple Music: https://music.apple.com/us/artist/vipassi/1082297817
Bandcamp: https://vipassi.bandcamp.com/
Facebook: https://www.facebook.com/vipassiband
Instagram: https://www.instagram.com/vipassiband/
Spotify: https://open.spotify.com/artist/7GWniL0LcVnR9Ptiaa5J1

Photo by Joe Ritson

Enterprise Earth Release New Single "The Reaper's Servant" featuring Darius Tehrani (Spite) + Official Music Video

"Offering an initial glimpse of the devastation packaged onto the project, Enterprise Earth have shared an eviscerating first single in "King of Ruination" featuring Ben Duerr from Shadow of Intent. Coupled with a unnerving visual directed by Nick Chance, the future for Enterprise Earth couldn't look brighter." - Knotfest.com

"The djent is strong in the Washington deathcore stalwarts' latest, which is all ultra-low-tuned chug, pitch-shifter squeals and syncopated stop-start riffs that will flip your stomach - not to mention a solo so technical and unsettling it would make Fredrik Thordendal jealous." - Guitar World

"... "King of Ruination", a sprawling, technical, foreboding piece of dark magic. Bile-drenched one moment, beautifully crafted the next, it's an incredible place to kick off such a thoughtful and thrilling chapter." - idobi Radio

Enterprise Earth have released their latest heavy hitter "The Reaper's Servant" featuring the inimitable Darius Tehrani from Spite. Today's drop is taken from the band's forthcoming new album 'Death: An Anthology'out on Friday, February 2 (via MNRK Heavy). Speaking on today's news, Enterprise Earth commented:

"'Reaper's' is definitely for the real metalheads out there. Overall, I'd say this is the most aggressive and straight-to-the-point track on [Death: An Anthology] as it comes out of the gate breathing fire and does not let up until it's over. We were elated to have Darius on the track as he absolutely nailed the vibe for his part. His unmistakable voice and energy really sent the whole track to a new level of confidence and power."

Prior to today, the band unleashed "King of Ruination" (ft. Ben Duerr) which alongside the forthcoming album announcement, garnered high praise and palpable excitement from the likes of Loudwire, Guitar World, Knotfest.com, idobi Radio, Metal Injection, Lambgoat, amongst many others. Stream "The Reaper's Servant" (ft. Darius Tehrani) here, watch the official music video below, and pre-save 'Death: An Anthology' here. Don't miss your chance to snag the album in "Black Ice" and "Inferno" vinyl formats (exclusive to the band and available here), as well as "Ghostly" and "Copper Nugget" vinyl formats through the MNRK Heavy Shop at the link here.

More than anything else, we share death in common. This universal eventuality unites us. In an evolutionary sense, it effectively ensures our equality. No matter who you are, you will die. Enterprise Earth explore death from a different perspective altogether. Rather than turn away from it, the U.S. quartet—Gabe Mangold [guitar, backing vocals, production], Brandon Zackey [drums], Travis Worland [vocals], and Dakota Johnson [bass]—face it head-on with their fifth full-length offering, DEATH: AN ANTHOLOGY [MNRK HEAVY]. Against an apocalyptic soundtrack of battering ram double bass drums, gut-punching guitars, and disarmingly dynamic vocals, the group present their most immersive and inimitable vision yet.

“The album is tied together by the overarching concept of death,” Travis states. “It’s easy to think of death as a separation of consciousness from the body, but we’re delving into the death of self, individuality, and relationships—whether romantic or platonic. Dying takes many forms. I grew up extremely religious, so death has always been on my mind. In any religion, the afterlife is the umbrella for all of your beliefs. I tend to think of death from a more philosophical standpoint these days.”

The band have always incited mosh pits and thought in equal measure. Since emerging during 2014, Enterprise Earth have logged two back-to-back debuts in the Top 10 of the Billboard Heatseekers Albums Chart, while Loudwire cited Luciferousamong the “50 Best Metal Albums of 2019.” Hysteria Mag heralded 2022’s The Chosen as “a veritable masterclass in experimentation and reinvention that shows a highly skilled band transcending its roots and making steps to become leaders of a field still being created,” while Metal Injection summed it up as “a strong statement.” Plus having toured with the likes of Thy Art Is Murder, Dying Fetus, Chelsea Grin, Fit For An Autopsy, Fallujah, Within Destruction, and more.

With Gabe once again in the producer’s chair, the musicians holed up in a Lake Tahoe cabin for nine days where they penned the bulk of DEATH: AN ANTHOLOGY. It marked the first time this lineup wrote together (and in-person) as well as with Travison vocal duties.

“We fed off one another’s energy,” recalls Gabe. “These songs felt cohesive because of that. We all had a hand in the composition.”

In the end, death may be inevitable, but you can rely on Enterprise Earth for a release in the meantime.

“We wanted to make an album that feels like who we are as a collective,” the band agreed. “On the one hand, we hope you have fun listening to it. On the other, just know, ‘Death is real and it comes for us all’. One day, we won’t be here anymore. While we’re alive, we want to enjoy it.”

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brandon Zackey [drums]

Dakota Johnson [bass]

Capsule to Release New "Ferox" EP on 12/12

Capsule are back with brand new EP, titled Ferox. It's out on December 12. Pre-order it here. 

The band formed in 2005 in Miami, Florida with Eric Hernandez (drums, vocals) and Colin Smith (guitar, vocals). Performing as a three-piece with Shane Starak on bass, Capsule released a 7-song demo on Robotic Empireand toured extensively across the U.S., until 2007 when Ryan Haft replaced Starak on bass. Their first full length album, Blue, was released in 2008 on Robotic Empire.  

By 2010, Capsule became a four-piece, with Haft moving to second guitar and Hernandez moving to bass guitar and vocals. Capsule released their second full length record, No Ghost, on Rorschach Records in 2011. Performing with various drummers in both the U.S. and Europe, the lineup was finally rounded out with Derrick Flanagin on drums.  

After some touring around the U.S., including a stop at BEST FRENDS DAY in Richmond, Virginia, the five song EP, [A], was released digitally on April 20, 2013.  

On October 31 of this year, Robotic Empire and Rorschach Records released [A] on vinyl for the first time. The release and other merch is available here. 

After nearly a decade of no live performances, Capsule performed at the Fest 21 in Gainesville, Florida.

"Our priority is to make more music," the band states. "We'd all be doing that anyway in some form or another, and with Capsule, we can push things as far as we want, both musically and technically. We don't have any expectations other than producing the best art we can."

CAPSULE ARE:
Eric Hernandez — Vocals + Bass
Colin Smith — Guitar + Vocals
Ryan Haft — Guitar
Derrick Flanagin — Drums

Darkest Hour Announce New Album "Perpetual | Terminal" + Share Video for Title Track — WATCH // Touring With Exodus This Fall

Washington, D.C. quintet Darkest Hour — Mike Schleibaum [guitar], John Henry [vocals], Aaron Deal [bass], Travis Orbin [drums], and Nico Santora [guitar] — have announced their tenth album Perpetual | Terminal, out February 23 via MNRK Heavy. Pre-order it here.

The band has introduced the new album by sharing the video for the title track. 

Watch the video below.

"This is a whole Darkest Hour album in one song," the band says. "It felt like the perfect album opener, eventually became the title track, and therefore is the perfect place to start as we present this new album to the world. Lyrically, it touches on all of the themes of the record — an album centered around the duality of survival and rebirth. Or, you could just say, some new music from old friends who just won't ever give up."

Darkest Hour will hit the road tomorrow with Exodus and Fit For An Autopsy. All dates, which run through December, are below.

DARKEST HOUR ON TOUR:
WITH EXODUS, FIT FOR AN AUTOPSY, + UNDEATH: 
 11/15 — Fort Lauderdale, FL — Revolution
    11/16 — St. Petersburg, FL — Jannus Live
    11/17 — Destin, FL — Club LA
    11/18 — Little Rock, AR — The Hall
    11/19 — New Orleans, LA — The Civic Theatre
    11/20 — San Antonio, TX — Vibes Event Center
    11/21 — El Paso, TX — Rockhouse Bar & Grill
    11/22 — Albuquerque, NM — Sunshine Theater
    11/24 — Anaheim, CA — House of Blues
    11/25 — Las Vegas, NV — House of Blues
    11/26 — Tucson, AZ — Encore
    11/28 — Grand Junction, CO — Mesa Theater
    11/29 — Colorado Springs, CO — The Black Sheep
    11/30 — Lawrence, KS — Granada Theater
    12/1 — Sauget, IL — Pop’s
    12/2 — Joliet, IL — The Forge
    12/3 — Fort Wayne, IN — Piere’s Entertainment Center
    12/4 — Nashville, TN — Brooklyn Bowl Nashville
    12/5 — Cincinnati, OH — Bogart’s
    12/7 — Sayreville, NJ — Starland Ballroom
    12/8 — Hartford, CT — The Webster
    12/9 — Wantagh, NY — Mulcahy’s Concert Hall
    12/10 — New Kensington, PA — Preserving Underground

ABOUT DARKEST HOUR:
Darkest Hour, as a whole, have weathered time, trends, and tides of change and stand stronger nearly three decades since their formation. Their unique sonic style incorporates death metal exorcisms, thrash recklessness, hardcore punk attitude, and melodic catharsis at the speed of a circle pit.
  
"The record's theme centers around the duality of survival while embracing rebirth,'" says Schleibaum. "We keep killing parts of ourselves to make new parts and survive. The story of the record is the story of the band. We're still here, and we're giving the world a body of work that's representative of our music today. We've realized relationships, tours, good times, everything that seems to give life meaning, is terminal — and will inevitably end. Nevertheless, we're 46-year-old dudes who love this music enough to put up with the trials and tribulations of being artists in a touring band."
 
Darkest Hour clawed their way out of the DMV area in 1995. Throughout the ensuing years, they tallied tens of millions of streams and quietly built a diehard fan base. Canvasing the globe, they packed thousands of shows and touched down on every continent, save Antarctica. Along the way, they notably notched five Top 3 debuts on the Billboard Heatseekers Albums Chart. 2017's Godless Prophets & the Migrant Flora marked the group's third #1 bow on the latter in addition to crashing the Top 10 of the Top Vinyl Albums Chart. It also represented a creative and critical high watermark. Beyond praise from Revolver, EXCLAIM!, and more, MetalSucks rated it a rare perfect score of "5-out-of-5" and hailed it as "the best album Darkest Hour have ever made." New Noise cited it as "one of the best of 2017," and Metal Hammer dubbed it "a monumental return." PopMatters crowned it "a masterclass in following your beliefs no matter where they might take you."

ABOUT MNRK MUSIC GROUP:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.