M THE MYTH UNVEILS NYMPHONIC – A BOLD, TRANSCENDENT EP EXPLORING SEXUAL LIBERATION, SELF-DISCOVERY, AND PRIMAL ENERGY

Electro-pop innovator, M the Myth, has officially released their groundbreaking EP, Nymphonic. This collection of six tracks is more than music—it is a statement, a reclamation, and an exploration of desire, expression, and transformation. Nymphonic is the message. It is sexual liberation, physical release, and the unshackling of the body—of being in your skin and reveling in that freedom. The title itself merges two concepts: nympho, a word often used to shame female sexual desire, and phonic, meaning “of sound.” Nymphonic reclaims the

narrative, embodying a primal, boundless energy that pulses through us when we stop resisting who we are.

Each composition within Nymphonic is tied to the ancient forces—earth, air, water, fire, and metal—forces that sustain life, allowing us to create and destroy. The record is a personal narrative of struggle, self-destruction, healing, and ultimate rebirth. Through music, M the Myth has found balance, self-fulfillment, and fearless self-love. The EP features six tracks: “Chew the Wire,” “Forever Falling,” “Pin-up Boy,” “Whiplash,” “Love Nymphonic,” and “Crumble.” Three previously released singles are joined by the three new tracks: “Forever Falling,” “Love Nymphonic,” and “Crumble.”

A bass-heavy, electro-pop experience that oscillates between tension and release, “Forever Falling” feels like freefalling through space. The track samples Sumitra Nanjundun’s 1995 track “Destiny,” layering past and present into a dialogue between fear and freedom. "What if the fall wasn’t something to resist? What if the fall was the flight?" says M the Myth. "This song is about surrender, about letting go of control and embracing the unknown." Produced alongside Niño Neon, “Forever Falling” embodies the expansive sonic landscapes that define Nymphonic—gritty, immersive, and emotionally raw.

Built on a driving house groove and euphoric synth textures, “Love Nymphonic” is the heartbeat of the EP. The track’s infectious energy mirrors the thrill and chaos of unfiltered desire. "This song is about claiming your desires without hesitation or fear—this primal expression of sexual liberation and uninhibited selfhood," M the Myth explains. "It is the essence of this album: electric, ecstatic, and fully alive."

The slow-burning, cinematic closer to the EP, “Crumble” blends retro-futuristic R&B with indie electro-pop. Minimalist verses give way to explosive, synth-driven choruses, symbolizing the collapse of false identities and the rebirth of something real. "It’s about falling apart so you can build something true," says M the Myth. "This track exists in that space between struggle and revelation. In the end, maybe we were never falling—we were being reborn."

The release of Nymphonic aligns with a powerful celestial event: a total lunar eclipse, also known as a Blood Moon. Historically a symbol of reckoning and transformation, the Blood Moon perfectly mirrors the themes of the album—breaking chains, embracing truth, and setting fire to the past to make way for rebirth. "This album isn’t about quiet revelations. It’s about setting fire to what cages us," says M the Myth. "To release Nymphonic under a Blood Moon is to send it into the world as a spell, a charge for freedom."

MORE INFO:

M the Myth is an innovative electro-pop artist dedicated to community leadership and advancing LGBTQIA+ issues. As a co-founder of Blonde Records and Artist Management, M the Myth is committed to expanding opportunities for female-identifying and LGBTQIA+ artists, fostering a more inclusive music industry. Their work has been recognized for its "unabashed hookability," with Music Connection Magazine praising their catchy, impactful songwriting. M’s music video for "Let’s Get Drunk Anyway" captured widespread attention, landing on the front page of LGBTQ Music Charts in 2019.

A passionate advocate for the arts and social change, M the Myth is a graduate of the Clinton Global Initiative University (CGIU). Their non-profit, The Wavy Awards, gained special recognition at CGIU’s annual meeting, leading to a partnership with Chelsea Clinton and the Clinton Foundation. M the Myth’s academic achievements are equally impressive, with a Master of Music in Music Production and a Master of Arts in Songwriting from Berklee College of Music, complemented by their training at the Los Angeles-based production school Icon Collective.

With a unique sound that blends electro-pop with deeply personal, socially conscious themes, M the Myth continues to break boundaries and inspire audiences with their artistry and activism. With a background in music production and songwriting from Berklee College of Music, and a history of accolades including the Stanford Alumni Artist Grant, a performance on Amazon Music's Twitch channel, and their single “Speed of Life” being featured on Billboard’s Queer Necessities playlist in February of 2020, M the Myth is paving the way for a new era of music that challenges norms and inspires listeners to live authentically.

Spencer Charnas Unveils PRETTY EVIL; Launch Collection in Collaboration With Ice Nine Kills

Spencer Charnas, horror icon, creative mastermind and frontman of theatrical, horror-themed metal powerhouse Ice Nine Kills, today announces the launch of Pretty Evil—a sinister new brand that redefines high-performance personal care and cosmetics for those who live for the limelight... or the moonlight. The brand makes its debut with a killer first collection inspired by the theatrical flair and horror-fused ethos of Ice Nine Kills. Watch 'Pretty Evil: Chapter 1' Below.

Developed with elite chemists in the USA, Pretty Evil is warpaint for the wicked. Designed to hold up under stage lights, sweaty mosh pits, or moonlit murder sprees, the debut collection includes make-up and haircare products that promise durability, intensity, and cruelty-free confidence.

Speaking on today's announcement and the launch of his exciting new venture, Spencer Charnas shares

“The passion and care we put into Ice Nine Kills is reflected back in the unwavering support from our beloved Psychos. We’ve launched Pretty Evil with careful strangulation consideration. I consulted with high-end industry pros, undertaking a meticulous dismemberment process to ensure this is built to last. Would I be caught dead in Pretty Evil? Absolutely. And so should you.”

The debut collection from Pretty Evil includes:

DIE-LINER – Define and accentuate eyes. Die-Liner in RAVEN is a rich, high-pigment black eyeliner designed to make a statement. This unisex eyeliner delivers intense, long-lasting color that won’t fade - a versatile product everything from a natural look or while performing.

LIQUID LIPSTICK – Full-pigment liquid lipstick for those that aren’t afraid to stand out. Formulated to last all day, this unisex formula delivers bold, saturated color that lasts through every adventure or performance. Goes on as a smooth liquid, dries to a comfortable, matte finish.

WELCOME TO HORRORWOOD EYESHADOW PALETTE –Create limitless looks with this universal eyeshadow palette designed to break beauty rules. WELCOME TO HORRORWOOD contains 15 versatile shades to create looks from wearable natural, smoky to vibrant eye-catching styles. Featuring high-pigment matte and shimmer shades.

DEVIL’S ‘DO – GRIM GRIP –You’re going to have to give the Devil his ‘Do with this high hold, high shine pomade. Its hybrid formula has the instant flexible forming of a wax, with the perfectly set look of a gel. Having a scent profile reminiscent of secluded woods by the sea, you’re sure to raise more than just some eyebrows. The firm hold will keep you looking sharp through even the most violent of nights.

Each product has been rigorously tested and field-proven ensuring it meets the high standards of performers and fans alike. Pretty Evil is here to prove that beauty is indeed in the eye of the beheader. Get yours before it's gone from prettyevil.co

About Pretty Evil

Pretty Evil is a collection of high-performance essentials in haircare, cosmetics, and skincare, designed to withstand the spotlight's glare or the spine-tingling thrill of the unknown. More than just another “collab,” Pretty Evil is developed with top industry formulators in the USA, meticulously tested, and built to last. Every Pretty Evil product is vegan, cruelty-free, and designed to keep up with you long after the sun sets. Look good and feel Pretty Evil.

       

About Spencer Charnas

Spencer Charnas is the creative architect and frontman of Ice Nine Kills and one of modern metal’s most visionary and recognizable figures. A lifelong horror obsessive and pop culture alchemist, Charnas has transformed Ice Nine Kills into a multi-dimensional empire where music, cinema, and theatrical storytelling collide.

Under his leadership, the band’s horror-themed concept albums The Silver Scream and The Silver Scream 2: Welcome to Horrorwood redefined the genre—earning Top 20 Billboard chart placements, global streaming success, and cult-like fan devotion. As a songwriter, performer, and strategist, Charnas has elevated Ice Nine Kills beyond the stage, launching the Silver Scream Convention, immersive fan clubs, graphic novels, and now the Pretty Evil cosmetics line.

Known for collaborations with horror icons like Ari Lehman and Tony Todd, and for bringing theatricality back to live performance, Charnashas become a mainstay in both the metal and horror communities. Whether fronting the band on tour with Metallica or creating blood-soaked beauty campaigns, he continues to push the boundaries of what a modern frontman can be.

 

About Ice Nine Kills

Ice Nine Kills craft passionate and precise anthems that fuse metalcore, melody, and punk with immersive, horror-inspired storytelling. Led by creative mastermind Spencer Charnas, the band has built a sprawling universe of music, film, literature, and live performance that has captivated a global fanbase of “Psychos.”

The Billboard-charting albums The Silver Scream and The Silver Scream 2: Welcome to Horrorwood paid tribute to icons like Freddy Krueger, Michael Myers, and Patrick Bateman—earning the band a Top 20 debut on the Billboard 200 and over 1 billion career streams. Their cinematic music videos, graphic novels, true crime mockumentaries, and immersive live shows have redefined what it means to be a heavy band in the modern era.

From touring stadiums with Metallica to headlining their own sold-out shows, Ice Nine Kills have become one of the most popular and formidable forces in modern music. With over 2 million monthly Spotify listeners, 210 million YouTube views, and their own Silver Scream Convention, Ice Nine Kills continue to construct a horror-meets-metal empire that’s as ambitious as it is blood-soaked.

Their most recent release, "A Work Of Art" was a match made in hell as the band collaborated with the insanely popular Terrifier movie franchise to craft the official song for Terrifier 3. The track and extended cut music video featuring the franchise's very own illustrious slasher, Art The Clown gave the band their biggest one-day streams ever and helped secure a #1 spot at the box office for the movie. The band will be hitting the road in May for their 'Silver Scream-A-Thon' tour where they will play The Silver Scream and The Silver Scream 2: Welcome To Horrorwood on consecutive nights in multiple cities across the US as well as continuing to play further stadium dates with Metallica on their M72 World Stadium tour. For tickets and more information click HERE.

Austin downtempo artist Claude9 debuts chilled 'Chords of Love' album, plus video for title track

Austin-based electronic artist Claude9 (a.k.a. Claude McCan) presents his debut album 'Chords of Love', released via indie imprint New Human Music, as well as a new chilled video for the title track, produced by Manny DojoThis album offers a unique and largely relaxing sound, with light fractals of Enigma, Jean-Michel Jarre, Boards of Canada, Tangerine Dream, Air and Kruder & Dorfmeister.  Two tracks also feature the unmistakable talent of Jorja Chalmers (Roxy Music, Bryan Ferry, Italians Do It Better), whose saxophone brings intensity and emotional resonance.

Ahead of this release, Claude9 shared the singles 'Clouds So Low', a soulful track with chilled feel-good vibes, tastefully blends Eno-esque ambient music and downtempo trip-hop, and 'The Shadow', a slice of futuristic wonderment that showcases this relaxing nine-track record.

Weaving together ambient and downtempo electronica, 'Chords of Love' offers a seamless listening experience with six extended tracks and three shorter interlude pieces that flow effortlessly into one another, creating the feeling of one continuous work. This diverse sonic palette brings in everything from cicada field recordings to lush pads, drones, and a mix of real and synthesized vocals.

With the simple yet profound mantra of “Slow down, relax, and listen”, this is a gateway to a relaxed and healing journey. At the same time, it doesn’t shy away from moments of tension or layers of social commentary, adding depth to its soothing exterior.

“This album was inspired by a Brian Eno documentary that explored his collaborations with the German ambient artists Cluster. A specific sequence about two albums they worked on together caught my attention, so I bought one and was amazed by its sound—so distinct from Eno’s solo work. The biggest takeaway for me was the idea of giving myself complete freedom in terms of sound, arrangements, and genres, allowing the creative process to unfold without limits. Shortly after I started working on the album, the COVID lockdown hit, which gave me the rare luxury of time to fully immerse myself in experimentation,” explains Claude 9.

“My studio is something of a mad scientist’s playground, and I was able to make the most of that, diving deep into sounds and textures I hadn’t previously explored. I set out to create music that felt fresh and original—something not heard before—but still accessible and engaging to listen to. I think I achieved that balance. The lyrics are sparse, carrying themes of human unity that I wanted to convey. “Chords of Love” and “The Shadow” are both love songs, but their focus differs: the former is universal, while the latter is more personal. The Black Lives Matter movement protests happened the summer I was creating this album, inspiring the closing track “Enough is Enough,” a reflection on those events and my experience in Austin.”

Imbued with dreamy, rhythmic energy, the ‘Chords of Love’ album blends ambient and downtempo electronica, offering with six extended tracks and three shorter interlude pieces, creating the feeling of one continuous work that makes use of cicada field recordings, lush pads, drones, and a mix of real and synthesized vocals.

Claude McCan has been involved in the Austin music scene for several decades, both as a live performer and recording artist. As a keyboard player and singer, he has worked with Reggae acts Pressure, the Killer Bees, and Raggamassive, cutting his teeth to become a sought-after keyboard player. From there, he joined forces with hiphop-funk act Afrofreque, Supercreeps and Hail Marley.

Emerging in the late 90s as one of Austin's first electronic producers, Claude was involved in several well-received House music collaborations in the early 2000s. His background as a live musician brought authenticity to the dub and funk elements in his electronic compositions and, more recently, to his
collaboration with Noëlle Hampton (the Belle Sounds) and Ken Christensen (East Coast Boogiemen) in synth pop band XANIMAL.

As a producer at Claude9 Studios, Claude continues to produce and record internationally recognized music in the House and Downtempo genres, while still pushing limits and being an influential member of the ever changing Austin music community.

As of March 28, the 'Chords of Love' album is available from fine music platforms, including Apple Music, Spotify and Bandcamp

ALBUM CREDITS
Claude9 - Keyboards, real and synthesized vocals, melodica, harmonica
Jorja Chalmers - saxophone on tracks 1 and 9
Recorded at Claude9 Studios (Austin, TX)
Initial session for track 4 at ESH INSTITUTE, Lockhart Tx.
Production assistance by Alec ESH
Mixed and mastered by Charles “Chicky” Reeves at Sublime
Studios London, UK
Album cover design by Fumihito Sugawara / Fumanstudios
Released by New Human Music
Distributed by Xelon Distribution
Publicity by Shameless Promotion PR
Video production by Manny Dojo


Keep up with Claude9
Website | Bandcamp | Facebook | Studio | Instagram | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with New Human Music
Website | Bandcamp | Facebook | Instagram | Soundcloud

Keep up with Shameless Promotion PR
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OF LIMBO Share Homage To Van Halen With "Finish What Ya Started"

OF LIMBO are sharing a fun new homage to Van Halen with their acoustic version of the classic “Finish What Ya Started”.  It’s the 2nd release from the California band off their upcoming “Unplugged” album, which will be released this summer.

 

Recorded at the band’s home studio in Long Beach, their self-produced rendition is a tongue-in-cheek remake that adheres to the original, while making it a bluesy, sexy and hell raising version that is the trademark sound that OF LIMBO has become known for

 

The band’s Jake Davies says “Jason Klein (formerly of Butcher Babies), our “Unplugged” bassist, brought us this one and we knew we had to do it. Van Hagar at their best! It’s a true “hound-dog” masterpiece.  We would never try to improve on their perfection. But we did take a couple liberties with the song here and there!”

The “Finish What Ya Started” video was directed by Brandon Vancour and filmed at OF LIMBO’s home studio in Long Beach. Jake explains “We just wanted to have fun and recreate the classic Van Halen video. We played around a little bit to make it a version our fans have come to expect. Other than that, we just followed their lead and hit up a couple babes (Internet sensations Heather Leather and Lindsey Ferrari) to dress up like rocker cowgirls while we danced around and sang along. There might have been some tequila involved…”

The band is ramping up their live shows to celebrate on release day for the song.  More dates are currently being booked to support the album release.

Live Shows

Friday, March 28th @ Alex’s Bar - Long Beach, CA

Friday, April 18th @ 4th Street Vine - Long Beach, CA  (Acoustic)
        Saturday, May 3rd @ The 3 Clubs – Hollywood, CA (Full band/Electric)

 

About OF LIMBO:

Brothers Jake and Luke Davies were raised in Melbourne, Australia – but relocated to Long Beach, CA to further their music career in the states. The band pride themselves on making every show a party with their unique take on Heavy Rock N’ Roll. Kevin Martin of Candlebox says "OF LIMBO is the last dangerous Rock N’ Roll band you f*&^rs will ever see live". OF LIMBO play 100+ shows per year, and have toured nationally with Wolfmother, Hinder, Candlebox, Buckcherry, Joyous Wolf, and Blue Oyster Cult, among others.  Their high-energy performances create an electric atmosphere that is infectious, making it impossible not to have fun.

 

OF LIMBO released “Joke’s On You” in early 2025, as a follow-up to 2024’s “Estrada”.  They saw their profile raised significantly with “California Demon” in 2023, which saw the song placed on all major DSP platforms on multiple Hard Rock & Metal playlists, and widespread press acclaim including Loudwire, HEAVY, BraveWords, The PRP, Substream, Medium, Ramzine, Rock N’ Load, and more.  2022’s “Let’s Go” also received adds on multiple playlists on Spotify, Apple Music, Amazon Music, and Pandora. The “Let’s Go” video made several Top 10 lists for Video Of The Year.  Previously released songs include ‘Happened Again’, ‘Nothing But Now’ ; ‘Nicotine’; and ‘Fight For Your Right’ (Beastie Boys cover).

 

Official Website

https://www.oflimbo.com/

For More Information, Contact:
Ed Bunker – NPM PR and Marketing
Ed@NPMPRandMarketing.com

Nate Vickers Drops Brand New Track "Parasite"!

Alt rock's breakout act to watch, Nate Vickers, returns with a gripping new single, "Parasite" out now via Oxide Records. With "Parasite," Vickers dives deep to explore the darker, more vulnerable side of his signature sound. Watch the new video for "Parasite", directed by Nate, below.

Digging into the heart of "Parasite," Nate Vickers shares:

"“Parasite” is a reflection of a period in my life where I lost sight of who I was as an artist. I found myself surrounded by influences that clouded my judgment and led me away from my instincts, leaving me in a place of deep self-doubt. For a while, I wasn’t creating from a place that felt genuine. This song marks a turning point—a moment of clarity and reclamation. Writing it was part of the process of reconnecting with myself and finding the courage to trust my own voice again."

Fueled by raw emotion and unapologetic honesty, "Parasite" explores the toxic undercurrents of relationships, delivered through gut-punch lyricism paired with soaring hooks. Channeling the push and pull of toxicity and self-discovery, this track features Vickers blending gritty guitars with pain and the pursuit of healing.

Inspired by iconic bands such as Linkin Park, Incubus, and Nirvana, Nate Vickers has crafted a sound that is unmistakably his own, earning him 2 million followers across social media and praise from Sirius XM's Octane. Further fueling Vickers' rise, his previous single, "A Little Too Late", racked up an impressive 1 million streams on Pandora and more than half a million on Spotify.

Be sure to stay tuned for more Nate Vickers news coming soon.

ABOUT NATE VICKERS

Introducing Nate Vickers: the enigmatic force behind the electrifying sounds captivating social media feeds worldwide. Based in Houston, this rock/pop virtuoso has mastered the art of leaving audiences spellbound, all while shrouded in an aura of mystery that leaves followers craving more.

With a whisper of his name echoing through the digital landscape, Nate Vickers commands attention like a siren's call. His journey to stardom is paved with viral covers on TikTok and Instagram, where his raw talent and magnetic presence have garnered an awe-inspiring following of a staggering 1.4m followers on TikTok and 452k on Instagram.

But Nate is more than just a musical maverick; he's a connoisseur of the digital realm, immersing himself in the thrilling landscapes of FPS games like Warzone, Apex Legends, and the timeless RPG gem, Runescape. From the tender age of youth, Nate's passion for gaming has been a steadfast companion, shaping his creative journey and imbuing his artistry with a dynamic edge.

Yet, his interests don't end there. Nate's eclectic spirit finds solace in the realms of fashion, art, skateboarding, and drawing, where his boundless creativity grows. Each brushstroke, each riff, each daring fashion choice speaks volumes of a soul unbound by convention, a spirit dancing on the precipice of discovery.

To know Nate Vickers is to embark on a journey shrouded in intrigue, where every note, every post, every shared moment unveils a new layer of his enigmatic persona.

Black Sabbath members Tony Iommi, Geezer Butler, and Bill Ward talk exclusively to Rock Candy Mag for a 50th anniversary celebration of the ‘Sabotage’ album.

Black Sabbath guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward have opened up to Rock Candy for the magazine’s latest expansive cover story marking 50 years since the release of the band’s seminal sixth studio album,‘Sabotage’, in 1975.

 

The three musicians recall the stresses and strains of going though litigation with their former manager, while at the same time trying to create new music that was designed to push the boundaries of what the Birmingham group had previously deemed possible.

 

“We were obviously immensely p*ssed off because we had hardly anything to show for five years of constantly touring, writing, and recording,” Butler explained to Rock Candy Mag editor Howard Johnson. “It was difficult dividing time between creating music and time spent in lawyers’ offices, with QCs, and in law courts. But with our backs against the wall I think some of the songs on ‘Sabotage’ were the angriest that we’d ever written.”

 

“It wasn’t easy, because as it turned out the court case happened smack bang in the middle of recording ‘Sabotage’,” says Iommi. “One minute you’d be worrying about whether a riff was right for a song, the next you’d be sat in court.”

 

Yet despite such immense outside stresses, Sabbath were absolutely determined to forge ahead on their musical journey.

 

“We were in an experimental phase at the time,” says Butler.“We’d introduced different instruments on the [previous] ‘Sabbath Bloody Sabbath’ album, and once again were looking for new directions. Synths were relatively new at that time, so we had a go at introducing them on some songs. It was fun playing around.”

 

With their backs against the wall, Sabbath dug deep to produce some of the most exciting rock music of the ’70s – or any other decade. 

 

“‘Hole In The Sky’ and ‘Symptom Of The Universe’ are two of my all-time favourite Black Sabbath songs,” confirms Geezer. “I still love playing them, and they really come alive when we perform them live.”

 

“I was really, really happy with the writing,” says Bill Ward. “I think we were expanding, allowing ourselves to expand. We’d come a really long way from the song ‘Black Sabbath’, as great as that song is. I thought the richness of what we were doing on ‘Sabotage’ was brilliant.”

 

You can read the exclusive Black Sabbath ‘Sabotage’ story in issue 49 of Rock Candy Mag, together with in-depth stories and interviews with Billy Squier, Angel, Machine Head, Don Airey, L.A. Guns, Jethro Tull, and more. For more details visit www.rockcandymag.com.

ABOUT ROCK CANDY MAG
Rock Candy Mag is a 100-page, full-colour bi-monthly rock mag, created in the UK. It covers the sights, sounds and smells from the greatest era in hard rock music, the ’70s and ’80s. The brainchild of: respected UK rock journalists Derek Oliver, Howard Johnson and Malcolm Dome – all frontline writers for the legendary Kerrang! magazine in the golden era.

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GEMINI SYNDROME RELEASES NEW SINGLE “CAROUSEL” – A SONIC RECKONING WITH THE CYCLES OF SELF-DESTRUCTION AND TRANSFORMATION

In the ever-turning wheel of existence, where past, present, and future blur into a singular, cyclical motion, Gemini Syndrome unveils their latest offering, “Carousel”—a haunting meditation on the cycles we trap ourselves in and the courage it takes to break free.

"I am my own worst enemy."

A confession. A revelation. A truth buried beneath layers of pretense. We sabotage ourselves in the shadows, hiding behind the illusion of control. The turmoil within is relentless, unseen yet omnipresent. “Carousel” rips the mask away, exposing this eternal conflict—the conscious self at war with the unconscious. The driver and the passenger. The master and the captive.

"We can often be our own worst enemies," says drummer Brian Steele Medina"There’s this illusion of control, like we’re holding the reins, but sometimes we don’t realize we’re just along for the ride. ‘Carousel’ captures that duality—the war between who we are and who we want to be."

To break the cycle requires an act of will—but true will is more than defiance; it is surrender. The courage to let go of the illusions that bind us. How can we evolve if we refuse to release the weight of our past? How can we ascend if we remain tethered to a wheel that never stops spinning?

"How can we become better than our present selves, when we live our lives like we’re on a carousel?"

The question lingers like an incantation, a challenge to all who dare to listen. “Carousel” is not just a song—it is a rite of passage, a moment of reckoning for those willing to look into the mirror and confront the storm behind their own eyes.

"At some point, you have to face the mirror," vocalist 

Aaron Nordstrom adds. "The song is about that reckoning—when you finally admit that you’re the architect of your own suffering. But acknowledgment is the first step to change."

With towering riffs, hypnotic rhythms, and a chorus that lingers like a whispered truth, “Carousel” embodies the struggle between stagnation and self-awareness.

This is the journey of Origin: From Nothingness to Everything—the transmutation of the self through trial and tribulation. The endless fight to wake up, break free, and become more than the sum of our past mistakes.

The ride is not over. But the choice is yours: remain in endless repetition, or shatter the cycle and step beyond.

As Gemini Syndrome continues their journey of musical and philosophical alchemy, “Carousel” stands as a call to arms for those willing to step off the loop and forge a new path.

GEMINI SYNDROME

Aaron Nordstrom | Messanger

Brian Steele Medina | Drums + Programming

Meegs Rascón | Guitars

AP Paveri | Bass

4 festivals & 3 headline shows: Japanese band coldrain is bound for “SUMMER in GERMANY 2025”!

There has been no slowing down for coldrain. After announcing their signing with Century Media Records on March 18, the Japanese band released their latest single, "INCOMPLETE," which was met with great excitement. Fans and new listeners alike won’t need to wait too long until they can experience the new music live: The quintet just announced their full festival and concert lineup for “SUMMER IN GERMANY 2025.”

In August, the band will be electrifying four festival stages alongside three additional headline shows in Düsseldorf, Jena, and Aschaffenburg. Audiences can expect a show and energy not to be missed.

 “INCOMPLETE,” which is the band’s first release for this year, also now boasts its own official music video. Innovative, powerful, and brimming with the band’s signature edge, the quintet infuses "INCOMPLETE" with an energetic narrative, bringing the song to life through its captivating visuals.

Watch the Video for "INCOMPLETE"

About coldrain:

Formed in 2007 in Nagoya, Japan, and with a total of seven studio albums under their belt, coldrain is certainly not a new name in the scene. While releasing music in English, the quintet is known for blending melodic singing with heavy instrumentals and screaming, finding the perfect balance between genres. Through touring with international names such as Bullet for My Valentine and Papa Roach, coldrain has built an international audience over the years.

coldrain are:

Masato – Vocals 

Y.K.C - Guitar 

Sugi - Guitar 

RxYxO - Bass Guitar 

Katsuma - Drums

TSS Announce New Album "END OF TIME" + Share "Something In the Way" Video

FEARLESS RECORDS welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label's global roster in 2024. 

TSS have steadily built its reputation thanks to its innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals and Hugo on drums.

Today, they announce the forthcoming release of new album END OF TIME, out June 27 via Fearless. Pre-order it here.

The band has also shared the video for new single "Something in the way."

With this album and track, TSS are about to put themselves firmly on the international musical map. The song is sung in both English and the band's native tongue, adding an extra layer of sonic thrills. The song's universal appeal also lies in the alternately sung and screamed vocals, thick riffs, monster breakdowns, and liberal use of synths, which add more girth and heft to the track. Stick around for the utterly explosive ending. It will knock the wind out of you with its ferocity.
 

"'Something in the way' tells the story of a protagonist who witnesses the fall of a loved one into the darkness of depression, with no means of remedy," states the band. "The track starts with a drum 'n' bass theme and gets heavier and heavier, ending with the most violent breakdown the band has ever written — a perfect way to illustrate the torment of the soul the band wanted to portray. The band likes to end their live performance with this track, as its tempo and progression allow for jumping, dancing, headbanging but also crazy wall-of-deaths."

Mission accomplished.

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

Rising Country Sensation Maddox Batson Makes Grand Ole Opry Debut

Hailed as “one of the most exciting new voices in Country music” by Holler, breakout country artist Maddox Batson made his Grand Ole Opry debut on Wednesday, March 26, performing two songs from his recently released EP First Dance.
 
In between performing “I Don’t Like You Anymore” and “It Was You,” Batson shared, “Performing here at the Opry tonight means more to me than anything. I want to give a shout out to all my family here tonight. I can’t stop smiling. You’re making dreams come true for me!”
 
Chatting with Opry announcer Charlie Mattos on stage, Batson was asked, “How cool did it feel to be in that circle?”
 
“Walking out on this stage, the circle, is something I’ve wanted to do my entire life. I know I haven’t lived a long time, but…,” he shared smiling, with laughter from the audience. “Growing up in the country music space, growing up knowing the prestige of the Grand Ole Opry and actually coming out here to play it means the world to me. It’s the coolest thing ever.”
 
First Dance, available now via Prosper Entertainment/Warner Records, finds the multi-instrumental singer-songwriter captivating audiences with his heartfelt storytelling and signature sound. Listen HERE.
 
Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.

Photo Credit: Chris Hollo/Grand Ole Opry

Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.
 
This spring, Batson will hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more, along with a performance at Stagecoach Music Festival in Indio, CA. Following high demand, Batson upgraded venues across the country with limited tickets remaining. This fall, he’s set to join one of country’s biggest stars, supporting Lainey Wilson’s Whirlwind Tour.

Tour Routing:
March 28 || Columbus, OH || The Bluestone*
March 29 || Louisville, KY || Mercury Ballroom*
March 30 || Indianapolis, IN || Egyptian Room*
April 4 || Rosemont, IL || Joe’s Live*
April 5 || Rootstown, OH || Dusty Armadillo*
April 6 || New York, NY || Irving Plaza*
April 9 || Savannah, GA || Victory North*
April 10 || Charleston, SC || Charleston Music Hall*
April 11 || Raleigh, NC || Lincoln Theatre*
April 13 || Huntsville, AL || Mars Music Hall*
April 17 || Dallas, TX || House of Blues*
April 18 || Houston, TX || White Oak Music Hall - Downstairs *
April 19 || Austin, TX || Emo’s Austin *
April 22 || Denver, CO || Summit
April 24 || Phoenix, AZ || Crescent Ballroom*
April 26 || Indio, CA || Stagecoach Music Festival                
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casio Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
 
*SOLD OUT
^Lainey Wilson Support Dates
 
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com
 
STAY TUNED WITH MADDOX BATSON
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Christian Hayes Releases “Through It All” + Lyric Video Out Now

Ever since Capitol Records recording artist Christian Hayes’ love for songwriting was born in a journal his grandpa gifted him at age seven, music has been an avenue for him to navigate complex emotions associated with growing up and the heartaches that come with it. The release of his latest song, “Through It All,” is no exception, as Hayes toggles with learning to move on from a relationship alone.
 
Listen to “Through It All” HERE and watch the “Through It All” lyric video BELOW.
 
“I wrote ‘Through It All’ in celebration of all the times I made it through things without the people who promised they’d be there for me,” reflects Hayes. “It’s a song about realizing you’re strong enough - and you are enough… It’s something I hope you can find strength in as well.”
 
Written by Hayes and Jonah Kagen, and produced by Kagen, the emotional ballad conveys the anguish of a relationship ending with a person who was expected to be around to help weather life’s storms. 

Prior to “Through It All,” Hayes released his debut EP, Last I Love You, in September 2024. Last I Love You casts a wide net, introducing Hayes’ genre-bending style by fusing Americana and folk, while bouncing between campfire ballads, cinematic soundscapes and raw, rowdy barn-burners. At the center of that sound is Hayes himself: a wise-beyond-his-years musician who knows he can't move forward without taking a look at his past. 
 
Genuine and articulate, Hayes comes from a long line of storytellers that includes his Grandpa Jack – a poet by profession. Born and raised in the foothills of Appalachia, Hayes began playing guitar at age eight. After high school, he enlisted in the U.S. Navy Reserve and attended the University of Alabama.
 
Hayes made his Grand Ole Opry debut on February 1, performing two songs: the unreleased "Home Sweet Home" and viral hit, "LILY." This Summer, Hayes will make his CMA Fest debut with a performance on the Hard Rock Stage.
 
Upcoming 2025 Tour Dates:
March 28 // Tin Pan South Songwriters Festival // Nashville, TN
April 18 // Boot Barn Hall // Gainesville, GA
June 5 // CMA Fest // Nashville, TN
June 6 // Downtown Historic McKinney Square // McKinney, TX
June 26 // Jackalope Jamboree 2025 // Pendleton, OR
Sept. 11 // Born & Raised 2025 // Pryor, OK

About Christian Hayes:
Raised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather —a poet by profession —encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records available now. Produced by Lukas Bracewell and steeped in Hayes' unique version of American roots music, Last I Love You features the viral hit "LILY" (which racked up more than 3 million streams before the EP's official release), the anthemic "Black Gold," and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana. Earlier this year Hayes made his debuts on both the Grand Ole Opry and Bluebird stages. More at Christianhayesmusic.com.

Eric Church Brings 'Evangeline vs. The Machine Live' to Nashville's The Pinnacle May 23 & 24

Widely renowned for his singular concerts, with Forbes remarking that he “frequently looks to shake up just how fans experience live music,” Eric Church once again offers a unique live experience with an exclusive pair of shows set for May 23 and 24 at Nashville’s newest live music venue, The Pinnacle, in celebration of the release of his highly anticipated May 2 album, Evangeline vs. The Machine. Pre-order/pre-save the album HERE.
 
Tickets to Evangeline vs. The Machine Live go on sale to premium Church Choir members Monday, March 31 at 10 a.m. CT. Become a premium Church Choir member here.
 
The one-off shows will see Church perform the new album in sequence for the first time, while also treating fans to a number of compelling performances of his most iconic hits. A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”
 
Lead single “Hands Of Time” is already impressing, having set a new personal record en route to becoming most added at Country radio this week with 135 first-week stations and earning immediate praise from fans and critics alike. Stereogum lauded the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrated the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honored the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”
 
Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”); Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”); Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”); and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

THE MAN-EATING TREE Unleash New Single "Ruins Of Insanity"! ​  

On April 11, 2025, Finnish atmospheric metallers THE MAN-EATING TREE will release their brand new studio offering, "Night Verses", via Noble Demon. The pre-sale is available at https://music.nobledemon.com/verses 

With "Night Verses", THE MAN-EATING TREE returns with renewed energy and a desire to push the boundaries of their sound. With a lineup featuring former and current members of legendary bands such as Ghost Brigade, Poisonblack, Mors Subita, Entwine, and more, the band is poised to deliver their most powerful and dynamic album yet.

Following the previously-released, first appetizer "Seer", and second single "To The Sinking", today, THE MAN-EATING TREE has premiered another glimpse into the soon to be released album. Listen to "Ruins Of Insanity" Below.

Vocalist Manne Ikonen (ex-Ghost Brigade) tells us about the song:
"'Ruins of Insanity' tells a horrifying story about a couple struggling with a severe addiction and acquisitiveness in a dystopic world of chaos and misery, mind taken over by blinding lunacy so strong that reality and common sense is no longer in hand."

Founding member Janne Markus adds:

"Melancholy, own, common, hated, ashamed, loved, desired. The disintegration of two people's world and its reflection in everything around them. Leaving only emptiness. As a song this is the most straight-forward, catchy, melodic, not as heavy as the other songs on the album."

THE MAN-EATING TREE are:
Manne Ikonen - vocals (ex-Ghost Brigade)
Janne Markus - guitar, vocals (Ex-Poisonblack, ex-The Abbey)
Sakke Paavola - guitar
Aksu Hanttu - drums (Ex-Entwine, Tuoni, S-Tool)
Mika "June" Junttila - bass (Mors Subita)

 

For More Information Please Visit:

 https://themaneatingtree.fi/
https://www.instagram.com/themaneatingtreeofficial

https://www.facebook.com/themaneatingtree/
https://linktr.ee/nobledemon  

Kami Kehoe, Ekoh, and Colorblind Unite For New Single "Safehouse"

Three of the most electrifying forces in the alternative and hip-hop scenes — Kami Kehoe, Ekoh, and Colorblind — come together for the first time on their powerful new single, "Safehouse". A genre-bending anthem for anyone searching for refuge in chaos, this new track introduces Kami Kehoe as the latest addition to the Cupid Theory management roster, where she joins fellow "Safehouse" collaborator Colorblind.

Watch the new video for "Safehouse" HERE or at the link below.

Amidst the hellish landscape of the recent California wildfires, this tight-knit collective escaped to Las Vegas to weather the storm. What emerged from that time was "Safehouse," a brooding, hard rock monument born from chaos and resilience. In a powerful act of solidarity, Kami Kehoe, Ekoh, and Colorblind will be donating all royalties from "Safehouse" to those impacted by the California wildfires.

Looking back at the making of "Safehouse," the voices behind the track spoke about what made this collaboration so special:

"When the fires happened in LA I evacuated to Vegas and ended up meeting some incredible people. Ekoh, Travis from colorblind, Curt Martin, and now my manager Kyle. We were all in shock from what was happening, I remember we were all just sitting there talking about how unreal everything felt, and constantly checking to see if our homes and friends were safe. But during such a tragic time we were able to make something so beautiful from it. All of us together ended up making such a powerful song that will hopefully help anyone who needs it. And even though the fires have stopped, there are still tons of people who are suffering, so we want to help as much as we can and give all of the royalties to the victims of the LA wildfires."

- Kami Kehoe

"When the LA wildfires hit in January, the three of us ended up in Vegas, just trying to process everything and figure out our next move. It was a pretty scary situation, but making music together gave us a way to escape for a minute and put all that fear and uncertainty into something real. That song became more than just a track—it captured what we were feeling in that moment, and hopefully, it can do the same for anyone else who ever finds themselves in a situation like that."

- Ekoh

"Just by the energy in the room when we started this song I could tell it was going to be special. Having to evacuate LA was an experience that none of us were expecting and getting to cope with that anxiety by making music with my friends is something that I’m so grateful for. We hope you feel this song as much as we did. Our hearts go out to everyone who was affected by the LA fires."

- Travis Moseley of Colorblind

With "Safehouse" making an impact, Kami Kehoe, Ekoh, and Colorblind are setting the tone and promising a thrilling, ever-growing 2025. As their collective stream counts total to millions, this collaboration embodies the spirit of a supergroup, blending their talents in a one-time alliance. Bringing together distinct details from their respective genres, "Safehouse" serves as exactly that — a space where fans can find solace in times of uncertainty.

Don't miss out on Colorblind currently touring with Capstan across the US now, as well as Kami Kehoe and Ekoh taking the stage at Warped Tour this July! You can also catch Kami Kehoe and Colorblind at Louder Than Life Fest this September, alongside acts such as Slayer, Avenged Sevenfold, and Deftones.

Photo Credit: Jacqueline Day

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to sit around and wait for permission. Although she’s only 21, the Los Angeles-based singer, songwriter and drummer has been blazing her own musical path for the past 15 years, spinning a chameleonic, hard-charged rock sound into 25 million streams and more than 24 million TikTok views. 

This unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising name in the underground. 

Now, that story continues with “SAFEHOUSE,” her brand-new single featuring Colorblind and Ekoh. Written in the aftermath of the Los Angeles fires, the track combines droning shoegaze, Deftones-style riffs and propulsive electronic undertones into a hypnotic blend of metal, alternative and hip-hop. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound – as well as another entry in her omnipresent push to Kure The World, a mantra proudly emblazoned on her bass drum and a mission statement that’s powered her songwriting since day one. “If I can change one person’s life through my music, then I’ve reached my goal,” she says proudly. “I make music for me; I release music for others.”

       

ABOUT EKOH

Ekoh, a versatile artist from Las Vegas, blends hip-hop, rock, and alternative genres to create a unique sound that defies boundaries. He gained national attention with his breakout single "Hole in Your Head," which earned rotation on Sirius XM radio. Since then, Ekoh has had five more singles featured on Octane, as well as his song “Good Things” reaching top 40 on the radio charts, cementing his place in the rock world. 

Known for high-energy live performances, Ekoh has built a strong connection with fans, highlighted by a memorable moment during his “Freeverse 3” set, where fans threw their Vans shoes on stage for him to sign. This led to a partnership with Vans, allowing Ekoh to design his own custom shoes. 

In October 2024, Ekoh released Pressure, a rock/rap hybrid album that landed in the top 10 rock charts and received widespread critical and fan praise for its innovative sound. The release was followed by a 27-city headline tour across the U.S. and Canada, solidifying Ekoh’s position as a trailblazer in both rock and hip-hop. With a growing fanbase and a distinct musical style, Ekoh continues to carve out his own lane in the industry.

       

ABOUT COLORBLIND

Forming in 2017, Colorblind have finally found their rhythm with brothers Travis & Tyler Moseley, Justin Page and Nicholas Asper. The band combines various aspects of rock, pop, & hip-hop to create a unique sound of their own. Their catchy and addictive vocal melodies combined with an energetic live show has made them a force to be reckoned with. The band started their touring career in early 2024 supporting acts like Attack Attack!, Caskets, Honey Revenge, Until I Wake and recently signed their first record deal with rock & metal labels Tooth & Nail Records and Solid State Records. Colorblind are due for their debut album in late fall of 2025. 

OPETH Wins Best Hard Rock & Metal Award at Swedish Grammis for ‘The Last Will & Testament’

Acclaimed progressive metal legends OPETH have been honored with the prestigious Best Hard Rock & Metal award at this year’s Swedish Grammis. This achievement marks yet another milestone in the band’s illustrious career, further cementing their legacy as one of Sweden’s most influential and celebrated musical acts.

The award follows the release of ‘The Last Will & Testament,' the band’s fourteenth studio album, which was officially released on November 22 via Reigning Phoenix Music / Moderbolaget.

Order ‘The Last Will & Testament’: HERE

 

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

 

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

 

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

After three decades of dazzling the world, Opeth have made their most daring creative leap yet. The Last Will & Testament is a progressive and dramatic triumph, and yet more proof that expecting the unexpected is the only way forward for fans of Sweden’s finest.

 

“It’s a restless record for me,” concludes Åkerfeldt. “It’s an explosion of ideas, which I like. It’s a bit shorter and snappier. But I definitely didn’t want to rehash anything. The only thing that has come back is some of those death metal screams, but the mindset is still much more forward looking. In typical Opeth fashion, it’s not a direct record that you understand and that you love or hate right away. It takes time and if you put that time into it, you might like it… or hate it! It feels like it was written on a whim. Which it was, in a way! I hear things on this album and think, where the fuck did that come from?”

 

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

 

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

 

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

 

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

 

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

 

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

ENVY OF NONE’S NEW ALBUM STYGIAN WAVZ OUT TODAY

The highly anticipated second album from Canadian/American four-piece Envy Of None is out today. Titled Stygian Wavz, the album draws its name from the work of the Roman poet Ovid who spoke of “Stygian waves and turbulence at the gates of hell” – a metaphor for the struggles and hardships we face. Following a recent string of standout single releases and stunning music videos, the band are excited to finally be able to share the album in its entirety and bring their full creative vision to life.

I loved all the quality building materials that arrived from my partners and enjoyed cementing each board and brick of an idea into 11 unique rooms within a most beautiful abode. I would encourage you to stroll slowly and repeatedly through each of these rooms, drinking in the colours, gazing at the vistas and feeling the warm wash of sensory vibration. Within these rooms, we have built a place for you, our cordial guest, to relax and open your heart and mind in the comfort of our beloved home.

Welcome, friend.
Alex Lifeson

Though they’d never describe themselves as such, Envy Of None are the living, breathing definition of a supergroup. No other band on earth could rightly claim to have Alex Lifeson – one of rock’s most influential visionaries – heading up guitar duties, with Andy Curran of Coney Hatch and Soho 69 overseeing bass/programming as well as producer extraordinaire Alfio Annibalini on keyboards. However, the star in this band could very well be its youngest member – American singer-songwriter Maiah Wynne – whose wonderfully emotive vocals are able to spin the music in new exciting directions that thrill to the core.

Stygian Wavz is out now on a selection of formats including coloured vinyl, standard black vinyl, CD, Blu-ray, digitally and as a special deluxe edition boxset –

Stygian Wavz Black Vinyl LP Edition, mastered at half-speed

Stygian Wavz Digipak CD with 16-page booklet

BUY STYGIAN WAVZ, OUT NOW

To celebrate the release of Envy Of None’s new album Stygian Wavz today, Gibson has created an Envy of None custom Epiphone Les Paul Special II adorned with the striking Stygian Wavz album artwork in full detail. This exclusive, one-of-a-kind guitar has been signed by all four band members – Alex Lifeson, Andy Curran, Maiah Wynne & Alfio Annibalini.

Fans have a chance to win this exceptional, collector’s edition Epiphone guitar by purchasing Stygian Wavz directly from the band's official store at
visionmerch.com/envy-of-none.

Each purchase of the new album, in any format, counts as one entry into the competition. The competition will close at 11:59pm EST on Friday 18th April and the winner will be chosen at random and notified shortly afterwards.
 

Stygian Wavz is out everywhere now on Kscope. More info/buy here.

Envy Of None are:
Alf Annibalini - Guitar, Keyboards, Programming
Andy Curran - Bass Guitar, Background Vocals, Guitar, Programming
Alex Lifeson- Guitar, Mandola, Oud, Programming
Maiah Wynne - Lead Vocals, Background Vocals, Keyboards
 

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www.kscopemusic.com/artists/envyofnone

KMFDM’s Lucia Cifarelli Joins Lords Of Acid’s “Praise The Lords” Tour as Opening Artist Along with Little Miss Nasty

Industrial music icon Lucia Cifarelli, best known as the fierce front woman for the world famous Ultra Heavy Beat sensation KMFDM, is officially joining the Lords Of Acid “Praise The Lords” Tour on select dates as a featured opening artist. She will hit the road along with the groundbreaking goth, edm, metal dance group Little Miss Nasty, adding even more fire to an already explosive and wild lineup.

Fans can expect Lucia to deliver a mesmerizing solo set packed with her signature power, grit, and dark glam. The tour promises a full night of provocative performance, raw sensuality, and unapologetic, female dominated industrial edge, giving fans across the U.S. a live experience like no other. And adding the final dagger of feminine power to this tour is Lords Of Acid’s new “Acid Queen” Carla Harvey (formerly of Butcher Babies fame)!

“We’re thrilled to have Lucia Cifarelli joining us on this tour,” says Lords Of Acid founder Praga Khan. “She’s a fearless powerhouse, and an industrial music legend!”

The “Praise The Lords” Tour kicks off May 27th in San Francisco and hits 27 cities across the country. Tickets and VIP packages are available now at lordsofacidofficial.com.

Acclaimed Bay Area Rockers BLACK MAP Share New Single 'Badlands' + Video

Today, multi-genre rockers BLACK MAP share a new single, "Badlands," from their forthcoming album 'Hex,' out May 9th. The album marks their debut for Spinefarm. "Badlands" is accompanied by a new visualizer.

About the single, Ben Flanagan (vocals/bass) comments:

"'Badlands' is a song about ultimately exploring new heights. Moving forward and up. It’s immediate and direct. The spirit of the song reminds me of the music I was listening to when I first picked up a guitar. For me, there is something super cathartic about playing it."

Watch the Video for "Badlands" Below:

At the start of 2024, BLACK MAP retreated to Southern California to record 'Hex' with Saosinguitarist Beau Burchell behind the board as producer. The band embraced a clear, collective vision, shifting from the expansive, ethereal nature of 'Melodoria' to a more urgent and immediate sound.

Vocalist/Bassist Ben Flanagan describes 'Hex' as a body of work with a strong “let’s f*cking go” spirit, while guitarist Mark Engles emphasizes its balance between atmospheric elements and a driving intensity. The album captures the band’s signature style, with Mark’s distinct guitar work ever-present and a renewed focus on immediacy and raw energy.

For Ben, 'Hex' represents the profound impact of music, offering solace and connection. Drummer Chris Robyn adds that the album carries an unstoppable momentum, charging forward with force and intention. Rooted in themes of personal struggle, authenticity, and resilience, 'Hex' stands as BLACK MAP’s most powerful and urgent release yet.

Pre-Order 'Hex' HERE

Having formed in 2014 from the bands Dredg, Far, and The Trophy Fire, BLACK MAP has generated critical acclaim from the press as well as their musician peers.

Pivoting around a nimble balance of post-hardcore, alternative, and hard rock, the trio of vocalist and bassist Ben Flanagan, guitarist Mark Engles, and drummer Chris Robyn convene, congregate, and commune to power up BLACK MAP. Their union teems with emotion and electricity—which the musicians harness to craft immediate and raucous anthems underscored by unpredictable musicality and undeniable hooks.

BLACK MAP are: 

Ben Flanagan - vocals, bass

Mark Engles - guitar

Chris Robyn - drums

Wolves at the Gate Drop "Synthetic Sun" Visualizer

Today, the band has shared the visualizer for second single "SYNTHETIC SUN." Watch it below.

"As a culture, we're trying to create our own morality, but can't do so without a true moral standard," says vocalist/guitarist Steve Cobucci. "Rather, we do this individually, which ends up creating chaos. We all fall prey to this mindset. Creating your own morality will cause you to block out any semblance of truth outside of yourself. If you metaphorically block out the actual sun and create a synthetic sun, it will result in a slow and fatal poisoning."

The song's poignant and extremely current lyrical lean is complemented by the sonic heft. Syncopated beats and synths anchor the song, which will take up real estate in your brain long after the song fades out.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass