SUNSWARM Present New Single "Sour ///", A Visceral Rejection Of Deception And Complicity

Southampton, UK, based industrial post-metal act SUNSWARM present a thematic and stylistic shift in the new single release, "Sour ///". Where previous releases explored the systemic erosion of self-worth, "Sour ///" turns its gaze outward. It is a raw, unsparing response to the lies, performance and rot at the heart of the societal and political structures we live in.

Built around a distorted breakbeat and rhythmic breakdowns, "Sour ///" marks a subtle but significant shift in SUNSWARM's sound. The industrial and post-metal architecture remains intact — crushing, textured, unrelenting — but the technical, rhythmic propulsion cuts through the density with surgical momentum. Deception, predatory behaviour and the hollow weight of broken trust are dissected and discarded. The verdict is simple: "shut your mouth".

On "Sour ///", SUNSWARM share:
"Your choice tastes, to me, sour. It's about the lies people tell — the ones dressed up as strength that are really just weakness in disguise. The eyes give it away every time. They swarm like sharks. This song is about seeing through it, rejecting it, and refusing to swallow it."

"Sour ///" opens with Sludge guitars over a restless, grinding breakbeat establishing an unease that feels both human and mechanical. Vocals arrive with unusual directness, words stripped back to their bluntest form. "Flies in the sunshine. Lies from your mouth." As the track builds, the full weight of SUNSWARM's sonic architecture descends — metallic, relentless, dystopian. The chorus lands like a verdict: "So you can shut your mouth. Yeah, you can shut your mouth."

Throughout their tracks SUNSWARM construct harsh soundscapes utilizing metallic textures, intense rhythms, and black-metal inspired vocal performances. Dystopian and brutalist is the nature of the atmosphere the music evokes. SUNSWARM do not offer escape, but rather explore the darkness in full force through their compositions. 

SUNSWARM's "Sour ///" was produced, mixed and mastered by Wayne Adams and recorded at Bear Bites Horse, London.

About SUNSWARM:

SUNSWARM is led by vocalist and bassist Rich Lee-Davis and vocalist and guitarist Neil Sutton, joined by additional contributors who extend the band’s sonic and visual reach. Together they construct an immersive environment where sound, light, and texture collide. Their creative world is defined by sensory overload, stark monochrome imagery, disorienting strobe work, and the feeling of being enclosed within an atmosphere that is both vast and hostile. Everything they create is intended to overwhelm, to blur the line between performance and encounter.

From their earliest ideas, SUNSWARM have operated from a place of complete self-definition, shaping a language of heaviness that goes beyond impact or aggression. They approach weight and intensity as emotional terrain, a landscape shaped by pressure, absence, and the darker edges of lived experience. 

Emerging from UK South Coast underground scene, SUNSWARM draw influence from the brutal desolation of GODFLESH, the spiritual intensity of AMENRA, the sonic extremity of THE BODY, and the cosmic dread of ORANSSI PAZUZU. Their sound merges industrial noise, post-metal density, and extreme vocal expression into something immersive and deeply physical.

SUNSWARM is: 

Rich Lee-Davis - vocals, bass
Neil Sutton - vocals, guitar
Additional contributors (live and studio) - to be announced

Connect with SUNSWARM:

Website: https://sunswarm.bandcamp.com/
Bandcamp: https://sunswarm.bandcamp.com/
Facebook: https://www.facebook.com/sunswarmband
Instagram: https://www.instagram.com/sunswarmband/
YouTube: https://www.youtube.com/@SUNSWARM

Ryan Perdz Confronts Self-Sabotage On New Single "Sour"

Buffalo, NY singer-songwriter and multi-instrumentalist Ryan Perdz releases his new single “Sour” today via Big Machine Rock, a raw and unfiltered meditation on self-hatred, stubbornness, and the quiet desperation of wanting to change but not knowing where to begin. Stream “SourHERE and watch the accompanying visualizer Below.

Built on brooding, distortion-soaked guitars and a vocal performance that moves from restraint to rupture, “Sour” captures the internal push and pull of someone caught inside their own patterns. The track does not offer tidy resolution. Instead, it leans into the discomfort of self-awareness, tracing the space between yearning for growth and resisting it. Speaking on today's release, Ryan Perdz shares

“‘Sour’ is a song about self hatred. Not wanting to bring anyone into your life, being so stuck in your own ways. It’s a stubborn way of yearning for change but not knowing where to begin.”

At 24, Perdz has built a formidable independent foundation. Self-taught across guitar, bass, violin, and mandolin, he amassed more than one million followers across social platforms and drew 60 million views to his cover of Nirvana’s “Smells Like Teen Spirit.” His original catalogue has now surpassed 5.6 million Spotify streams, with 67,000 monthly listeners. Recent single “Temporary” has earned more than 500,000 Spotify streams and 142,000 YouTube views, while “Paradise” has grown to 2.3 million Spotify streams and 250,000 YouTube views.

In early 2025, Perdz signed with Big Machine Rock and began recording his debut full-length album. “Sour” arrives as the latest release from those sessions, sharpening the emotional edge of an artist intent on defining his own lane.

Raised on his grandparents’ dairy farm in Buffalo, Perdz grew up surrounded by the voices of 90s rock and grunge, studying guitar obsessively after receiving his first instrument at ten years old. That fixation still drives his approach. His guitar work remains central to his identity, and his lyrics land with plainspoken intensity whilst still allowing listeners space to see their own experiences reflected back at them.

With “Sour,” Ryan Perdz continues to move beyond the viral moments that first introduced him to millions, grounding his career in original work that reflects both impactful emotional resonance and a unique and undeniable talent.

About Ryan Perdz

Ryan Perdz is a 24-year-old singer, songwriter, and multi-instrumentalist from Buffalo, NY. Raised on his grandparents’ family farm, he began teaching himself guitar at age ten and expanded into bass, violin, and mandolin, developing a hands-on approach to songwriting and arrangement.

Influenced by artists such as Nirvana, Chris Cornell, Red Hot Chili Peppers, and Led Zeppelin, Perdz channels the emotional weight of 90s rock through a modern lens, balancing grit with melody. His music often explores isolation, self-doubt, and perseverance, delivered with a clarity that feels lived-in rather than ornamental.

After independently releasing multiple singles and his First Sight EP an racking up tens of millions of views across social media, Perdz cultivated a loyal audience through consistent self-directed output. In 2025, he signed with Big Machine Rock and began recording his debut full-length album. His growing catalogue of original music has generated millions of streams, and his audience continues to expand across digital platforms.

As he prepares to unveil his debut album, Ryan Perdz stands positioned at the forefront of a new generation of rock artists shaped by both digital culture and classic influences.

He Is Legend Share "HONEY FROM THE HIVE" + "SOUR" — WATCH + LISTEN🍯

BAND DROPS NEW SONG "SOUR" - LISTEN

NEW ALBUM 'ENDLESS HALLWAY' ARRIVES NOVEMBER 11

VIA SPINEFARM

HE IS LEGEND — Schuylar Croom [vocals], Adam Tanbouz [lead guitar], Matty Williams [bass], and Jesse Shelley [drums] — have shared another double single, featuring the new songs "HONEY FROM THE HIVE" and "SOUR".

The tracks appear on the band's recently announced seventh album, 'ENDLESS HALLWAY', out November 11 via Spinefarm.  Pre-order it here

Watch the video for "HONEY FROM THE HIVEbelow.

Listen to "SOURHERE

"'HONEY FROM THE HIVE' continues to showcase the onslaught of sonic power we have created on 'ENDLESS HALLWAY'. It's a tune that feels familiar and new at the same time, with more twists and turns than a Stephen King book. As for "SOUR", it's probably one of the more palatable tunes from the 'HALLWAY', yet it still has that arena rock, rallying cry sound that we always push ourselves to deliver."

HIL also previously shared the one-two punch of a double single with "THE PROWLER"(HERE) and "LIFELESS LEMONADE(HERE).

This album is a testament to our band's endurance," the band says. "It is easily our most aggressive album to date, born and bred from the odd shift in the world that affected everyone. We have always used our music as an outlet, and no better time than when the world felt so much like an 'ENDLESS HALLWAY'."

He Is Legend will embark on the "History of Middle Earth Tour" with Valient Thorr next month. All dates are below.

HE IS LEGEND ON TOUR:

11/11 — Wilmington, NC — Reggies

11/12 — Raleigh, NC — Transfer CO

11/13 — Charlotte, NC — Milestone

11/14 — Birmingham, AL — Zydeco

11/15 — Ft. Worth, TX — Ridgela Theater

11/16 — San Antonio, TX — Vibes Underground

11/17 — Houston, TX — Studio — Warehouse

11/18 — TBD

11/19 — New Orleans, LA — Gasa Gasa

11/20 — Atlanta, GA — Drunken Unicorn

11/21 — Columbia, SC — New Brookland Tavern

ABOUT HE IS LEGEND:

He Is Legend's catalog spans 'I Am Hollywood''Suck Out the Poison''It Hates You','Heavy Fruit', and 'Few'. However, it would be 2019’s 'White Bat' that elevated them to another level altogether. Revolver highlighted it as "rollicking", while Metal Injectionawarded it a rating of "9/10" and christened them "legends, indeed". Riff Magazine hailed them as "one of metal's best-kept secrets", and Heavy Blog Is Heavy applauded 'White Bat' as "easily the band's best album in a decade, but it even takes a run at being the strongest collection of their career." Plus, it generated nearly 10 million-plus total streams. 

For 'ENDLESS HALLWAY', the band wrote in their rehearsal space in Wilmington, NC. They recorded drums outside of Knoxville before cutting guitars with Al Jacob at Warrior Sound in Chapel Hill, NC. Vocals would be a different story as Croom endured one of the most trying seasons of his life.

"We had to push the vocal recording, because my stomach was failing due to my diabetes," he shares. "It was so bad I couldn't perform. It took a while to get back to some semblance of normal. Eventually, I hopped in the car and drove 10 hours to Nashville to record at Mitch Marlow's place. I'm a different person now. The universe throws those things at you to make you stronger. That's personal growth."